
Browse content similar to Invergordon to John O'Groats. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
In 1840, one man transformed travel in the British Isles. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw, | 0:00:10 | 0:00:12 | |
and his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:16 | |
Stop by stop, he told them where to travel, | 0:00:18 | 0:00:21 | |
what to see and where to stay. | 0:00:21 | 0:00:23 | |
Now, 170 years later, I'm making a series of journeys | 0:00:25 | 0:00:29 | |
across the length and breadth of these isles | 0:00:29 | 0:00:32 | |
to see what of Bradshaw's Britain remains. | 0:00:32 | 0:00:34 | |
I'm on the last leg of my Scottish journey, | 0:00:57 | 0:00:59 | |
travelling on the well-named Far North Line. | 0:00:59 | 0:01:03 | |
By 1874, the Victorians had built tracks to very top of Scotland, | 0:01:03 | 0:01:08 | |
and I'm going to ride them to the end. | 0:01:08 | 0:01:10 | |
'On today's stretch, I'll learn how one man's vision | 0:01:11 | 0:01:14 | |
'helped to bring train travel to the Highlands...' | 0:01:14 | 0:01:17 | |
He really saw the social value of railways | 0:01:17 | 0:01:20 | |
and in opening up the county of Sutherland. | 0:01:20 | 0:01:22 | |
'..discover how farming has changed since Bradshaw's day...' | 0:01:22 | 0:01:26 | |
We have about a tonne in the grain tank there. | 0:01:26 | 0:01:30 | |
That would hopefully produce about 400 litres of neat whisky. | 0:01:30 | 0:01:34 | |
Wow! | 0:01:34 | 0:01:35 | |
'..and re-live the drama of Scotland's Victorian gold rush.' | 0:01:35 | 0:01:40 | |
Gold! We've found gold! | 0:01:40 | 0:01:43 | |
So far on this journey, | 0:01:46 | 0:01:48 | |
I've uncovered the Victorian heritage of eastern Scotland, | 0:01:48 | 0:01:51 | |
and been dazzled by the beauty of the Highlands. | 0:01:51 | 0:01:54 | |
Now, I'm following the coastline northwards on the home straight. | 0:01:54 | 0:01:58 | |
Starting in Invergordon, | 0:02:00 | 0:02:01 | |
I'll pass through the county of Sutherland | 0:02:01 | 0:02:04 | |
to the end of the line at Wick, | 0:02:04 | 0:02:06 | |
finishing my journey in John O'Groats. | 0:02:06 | 0:02:08 | |
'I've swapped my usual 1860s Bradshaw's for a later edition, | 0:02:13 | 0:02:17 | |
'which shows me how the railways opened up this windswept coast.' | 0:02:17 | 0:02:21 | |
I'm going to leave the train at Invergordon | 0:02:23 | 0:02:25 | |
in order to reach Cromarty, where, my Bradshaw's tells me, | 0:02:25 | 0:02:28 | |
"Hugh Miller, a native, made his discoveries | 0:02:28 | 0:02:32 | |
"in the granite and red sandstone cliffs." | 0:02:32 | 0:02:35 | |
I don't know that name, | 0:02:35 | 0:02:36 | |
but he must have been a prominent Victorian to feature in my guidebook | 0:02:36 | 0:02:40 | |
so I'm intrigued to hear Hugh Miller's tale. | 0:02:40 | 0:02:43 | |
'On the trail of this forgotten figure, | 0:02:49 | 0:02:51 | |
'I'm taking the ferry across the Cromarty Firth.' | 0:02:51 | 0:02:54 | |
'This sheltered bay is an important centre for North Sea oil, | 0:02:56 | 0:02:59 | |
'which we now know was formed hundreds of millions of years ago.' | 0:02:59 | 0:03:03 | |
'It was 19th-century scientists who first recognised | 0:03:04 | 0:03:07 | |
'how great is the age of the Earth, | 0:03:07 | 0:03:09 | |
'and here, in the harbour town of Cromarty, | 0:03:09 | 0:03:12 | |
'self-taught geologist Hugh Miller played an important role.' | 0:03:12 | 0:03:16 | |
'He was born in 1802 in this humble cottage, | 0:03:19 | 0:03:22 | |
'which now has a museum attached. | 0:03:22 | 0:03:24 | |
'It's where I'm meeting Dr Alix Powers-Jones | 0:03:24 | 0:03:27 | |
'from the National Trust for Scotland.' | 0:03:27 | 0:03:29 | |
-Alix. -Michael, welcome. Do come in. -Thank you. | 0:03:29 | 0:03:33 | |
Bradshaw's tells me that Hugh Miller was a native of Cromarty | 0:03:34 | 0:03:38 | |
and that he made his discoveries | 0:03:38 | 0:03:40 | |
in the granite and the red sandstone cliffs. | 0:03:40 | 0:03:44 | |
What were the discoveries? | 0:03:44 | 0:03:46 | |
He found fossils. He found fossil fish. | 0:03:46 | 0:03:50 | |
On the shore, there were nodes of limestone | 0:03:50 | 0:03:54 | |
that had weathered out of the cliff. | 0:03:54 | 0:03:56 | |
They don't look very exciting, but if you take the top off... | 0:03:56 | 0:04:00 | |
-Ah! -Fossils, and this is a fossil fish... | 0:04:02 | 0:04:06 | |
Lovely. | 0:04:06 | 0:04:08 | |
'The 19th century witnessed a new fashion for fossil hunting, | 0:04:08 | 0:04:12 | |
'and the work of enthusiastic amateurs like Miller | 0:04:12 | 0:04:15 | |
'helped people to understand that the Earth was older | 0:04:15 | 0:04:18 | |
'than they'd been taught to believe. | 0:04:18 | 0:04:20 | |
'He began collecting in childhood, | 0:04:20 | 0:04:23 | |
'then trained as a stonemason and, later, banker, | 0:04:23 | 0:04:26 | |
'but he continued to pursue his passion. | 0:04:26 | 0:04:29 | |
'Over his lifetime, he collected and catalogued | 0:04:29 | 0:04:32 | |
'an astonishing 6,000 specimens.' | 0:04:32 | 0:04:34 | |
So, he was pushing at the edges of scientific knowledge. | 0:04:34 | 0:04:38 | |
I mean, this was a very interesting period, wasn't it? | 0:04:38 | 0:04:41 | |
I suppose we're running up to Darwin's theory of evolution? | 0:04:41 | 0:04:45 | |
Yes. In fact, Darwin and Hugh Miller were in communication with one another. | 0:04:45 | 0:04:50 | |
Darwin wrote to Hugh Miller, congratulating him on his work. | 0:04:50 | 0:04:55 | |
'Fossil evidence was vital to Darwin's groundbreaking work - | 0:04:56 | 0:05:00 | |
'On The Origin Of Species, published in 1859. | 0:05:00 | 0:05:05 | |
'In his letter to Miller, he praises not just his research, | 0:05:05 | 0:05:08 | |
'but also his writings, for Miller was a talented author.' | 0:05:08 | 0:05:12 | |
He wrote a book called First Impressions Of England And Her People, | 0:05:12 | 0:05:17 | |
and he travelled by railway. | 0:05:17 | 0:05:19 | |
I'm delighted to hear that. | 0:05:19 | 0:05:22 | |
He was not a great fan... | 0:05:22 | 0:05:24 | |
"One soon wearies of the monotony of railway travelling, | 0:05:24 | 0:05:27 | |
"of hurrying through a country stage after stage | 0:05:27 | 0:05:31 | |
"without incident or advantage, | 0:05:31 | 0:05:33 | |
"and I felt quite glad when the train stopped at Wolverhampton." | 0:05:33 | 0:05:38 | |
-Oh, dear. I think... I think I could be going off Hugh Miller! -SHE LAUGHS | 0:05:38 | 0:05:42 | |
'Alongside his scientific research and travel writing, | 0:05:42 | 0:05:45 | |
'Miller was also a prolific journalist and social commentator. | 0:05:45 | 0:05:49 | |
'And while, these days, his name has been largely forgotten, | 0:05:49 | 0:05:52 | |
'in his day, he was a huge celebrity.' | 0:05:52 | 0:05:56 | |
He was quite a showman, I think. | 0:05:56 | 0:05:58 | |
He'd got a great swash of red hair and mutton-chop whiskers, | 0:05:58 | 0:06:03 | |
and he wore a shepherd's plaid, a tartan, tossed over his shoulder. | 0:06:03 | 0:06:07 | |
He was known as Old Red. | 0:06:07 | 0:06:09 | |
On the day of his funeral, | 0:06:09 | 0:06:10 | |
the whole of Edinburgh, where he died, ground to a halt. | 0:06:10 | 0:06:14 | |
Thousands of people attended his funeral. | 0:06:14 | 0:06:17 | |
And then, just after he died, three years, | 0:06:17 | 0:06:20 | |
a column was erected in Cromarty, like a Nelson's Column. | 0:06:20 | 0:06:24 | |
A Hugh Miller column. | 0:06:24 | 0:06:25 | |
By the people. | 0:06:25 | 0:06:27 | |
No wonder, then, that decades later | 0:06:27 | 0:06:30 | |
he still gets a mention in my Bradshaw's guide. | 0:06:30 | 0:06:33 | |
'It's good to know that, in Cromarty at least, | 0:06:35 | 0:06:37 | |
'Miller's memory is being kept alive. | 0:06:37 | 0:06:40 | |
'I'm now rejoining the Far North Line | 0:06:41 | 0:06:43 | |
'to continue my Highland adventure. | 0:06:43 | 0:06:45 | |
'For most of the route, the railway hugs the coast, | 0:06:46 | 0:06:49 | |
'but it was also built to serve the rural hinterland.' | 0:06:49 | 0:06:53 | |
My next stop is Tain, which my Bradshaw's tells me is... | 0:06:53 | 0:06:56 | |
"a royal burgh of considerable antiquity. | 0:06:56 | 0:06:59 | |
"Weekly grain markets are held here, | 0:06:59 | 0:07:02 | |
"and there is a rich agricultural district around the town, | 0:07:02 | 0:07:05 | |
"Easter Ross being famous for its large and early crop." | 0:07:05 | 0:07:10 | |
'This region's farmers enjoy an unusual microclimate, | 0:07:12 | 0:07:15 | |
'thanks to high ground to the west, | 0:07:15 | 0:07:17 | |
'which protects them from the worst of the Scottish weather. | 0:07:17 | 0:07:21 | |
'The arrival of the railway boosted their competitive advantage even further. | 0:07:21 | 0:07:26 | |
'But, surprisingly, the Victorian railway builders | 0:07:26 | 0:07:29 | |
'were just as reliant on agriculture as the farmers were on the trains. | 0:07:29 | 0:07:34 | |
'I've come to Rhynie Farm to meet Donald Ross.' | 0:07:34 | 0:07:37 | |
-Hello! -Hello, Michael. | 0:07:37 | 0:07:39 | |
'Donald's family have farmed the land here for five generations, | 0:07:39 | 0:07:43 | |
'but they also have a link with tracks that I've travelled | 0:07:43 | 0:07:46 | |
'on my Scottish railway adventure.' | 0:07:46 | 0:07:48 | |
Tell me about your great-great-grandfather. | 0:07:48 | 0:07:50 | |
He was a contractor on the Inverness to Aviemore line. | 0:07:50 | 0:07:55 | |
He built the bridge over the River Findhorn at Tomatin. | 0:07:55 | 0:07:59 | |
I went on that line very, very recently. | 0:07:59 | 0:08:01 | |
The Findhorn Viaduct is spectacular. | 0:08:01 | 0:08:04 | |
This gentleman here is my great-great-grandfather. | 0:08:04 | 0:08:07 | |
That is the most wonderful photograph! | 0:08:07 | 0:08:09 | |
"Opening of the Aviemore line, October 29th 1898." | 0:08:09 | 0:08:13 | |
And you have in pride of place in your hallway here, | 0:08:13 | 0:08:16 | |
so it must mean something to your family? | 0:08:16 | 0:08:18 | |
It's been there since the photo was taken, | 0:08:18 | 0:08:21 | |
so, I mean, we are very proud of him, yes. | 0:08:21 | 0:08:23 | |
'Building the Victorian railways was a massive task, | 0:08:25 | 0:08:28 | |
'requiring vast numbers of men and huge quantities of materials. | 0:08:28 | 0:08:33 | |
'And Donald's great-great-grandfather | 0:08:33 | 0:08:36 | |
'came up with an ingenious way to improve efficiency.' | 0:08:36 | 0:08:39 | |
What took him into farming? | 0:08:41 | 0:08:43 | |
He needed to feed his animals. | 0:08:43 | 0:08:45 | |
Um... | 0:08:45 | 0:08:47 | |
Because he didn't have any lorries or anything to work, he had horses. | 0:08:47 | 0:08:51 | |
His horses were very important to him, | 0:08:51 | 0:08:53 | |
as they carted all the spoil away | 0:08:53 | 0:08:55 | |
and to the embankments on the railway line. | 0:08:55 | 0:08:58 | |
And they needed to eat hay and they needed to eat oats, | 0:08:58 | 0:09:02 | |
so the farm was a form of vertical integration, | 0:09:02 | 0:09:05 | |
as opposed to...supply the animals with feed. | 0:09:05 | 0:09:08 | |
And do you know when he bought the farm? | 0:09:08 | 0:09:11 | |
The farm was bought in 1886. | 0:09:11 | 0:09:14 | |
Indeed we have an entry in this diary here... | 0:09:14 | 0:09:18 | |
14th April, | 0:09:18 | 0:09:20 | |
"Bought property, jointly with Balaldie. | 0:09:20 | 0:09:24 | |
"£12,500." | 0:09:24 | 0:09:26 | |
Amazing. | 0:09:26 | 0:09:27 | |
'In Victorian times, farming was changing fast, | 0:09:31 | 0:09:35 | |
'as new machinery was invented. | 0:09:35 | 0:09:38 | |
'Forward-thinking farmers like Donald's great-great-grandfather | 0:09:38 | 0:09:41 | |
'embraced this new technology.' | 0:09:41 | 0:09:43 | |
This is a fine old piece of machinery! | 0:09:46 | 0:09:48 | |
What kind of date is this, Donald? | 0:09:48 | 0:09:51 | |
Michael, this is an 1894...Kemp Reaper. | 0:09:51 | 0:09:56 | |
How was it powered? | 0:09:56 | 0:09:57 | |
It's pulled by two horses either side of the main bar up the middle. | 0:09:57 | 0:10:02 | |
There's a knife which goes back and forth, | 0:10:02 | 0:10:04 | |
and the barley, or the crop, falls onto the louvres at the back, | 0:10:04 | 0:10:10 | |
and when there's sufficient in it, | 0:10:10 | 0:10:12 | |
the man...picked up his rake... | 0:10:12 | 0:10:16 | |
while he was sitting in that seat, and would shove it back. | 0:10:16 | 0:10:19 | |
'Mechanised reapers like this | 0:10:20 | 0:10:22 | |
'dramatically reduced the manpower needed to harvest crops, | 0:10:22 | 0:10:25 | |
'which could then be taken to a threshing machine | 0:10:25 | 0:10:28 | |
'to separate the grain from the stalks. | 0:10:28 | 0:10:31 | |
'But a later invention | 0:10:31 | 0:10:33 | |
'was to streamline the process even further.' | 0:10:33 | 0:10:36 | |
And so, a combine harvester is exactly that, | 0:10:38 | 0:10:41 | |
it's bringing two jobs together, that before were entirely separate? | 0:10:41 | 0:10:44 | |
That's correct, Michael. | 0:10:44 | 0:10:45 | |
It brings together the cutting as well as the thrashing. | 0:10:45 | 0:10:48 | |
Now, if you come over here, this is what we use now. | 0:10:48 | 0:10:51 | |
Ah! Splendid vehicle... | 0:10:51 | 0:10:53 | |
Yeah, it's 18 years old, but it serves our purposes very well, | 0:10:53 | 0:10:58 | |
and it's up there with most of the big boys | 0:10:58 | 0:11:00 | |
in the modern technology stakes. | 0:11:00 | 0:11:02 | |
'Invented in the United States in the 19th century, | 0:11:02 | 0:11:06 | |
'the combine harvester didn't become widespread in Britain | 0:11:06 | 0:11:09 | |
'until the 1950s. | 0:11:09 | 0:11:11 | |
'Thanks to machinery like this, | 0:11:11 | 0:11:14 | |
'the work done by 30 men in Donald's great-great-grandfather's time | 0:11:14 | 0:11:18 | |
'is now done by just three.' | 0:11:18 | 0:11:20 | |
So, I can see the teeth there going back and forwards at high speed. | 0:11:20 | 0:11:23 | |
-They're chopping down the barley? -They're cutting the barley. | 0:11:23 | 0:11:26 | |
Apart from anything else, you get a wonderful view of your crop from here. | 0:11:26 | 0:11:30 | |
You must be able to tell a lot just from driving over it like this? | 0:11:30 | 0:11:33 | |
You can. I mean, you can see... | 0:11:33 | 0:11:35 | |
I mean, when it's ripe, the heads are down... | 0:11:35 | 0:11:38 | |
'This barley is destined for the whisky trade. | 0:11:38 | 0:11:41 | |
'As the vital ingredient in Scotland's world-famous tipple, | 0:11:41 | 0:11:44 | |
'it has to be top quality.' | 0:11:44 | 0:11:46 | |
Have you any idea how many bottles of whisky | 0:11:46 | 0:11:49 | |
we've harvested in the last few minutes? | 0:11:49 | 0:11:51 | |
Well, if I look behind me, | 0:11:51 | 0:11:53 | |
we have about a tonne in the grain tank there, | 0:11:53 | 0:11:56 | |
and I would be saying that would hopefully produce | 0:11:56 | 0:11:59 | |
about 400 litres of neat whisky. | 0:11:59 | 0:12:02 | |
Wow! | 0:12:02 | 0:12:03 | |
So, in effect, we probably have 1,000 bottles of whisky behind us. | 0:12:03 | 0:12:07 | |
-MICHAEL LAUGHS -That's quite a thought. Let's keep going! | 0:12:07 | 0:12:10 | |
Aye, well, that would be a good night, wouldn't it? | 0:12:10 | 0:12:12 | |
'I'm sure George Bradshaw would be astonished by the technology | 0:12:16 | 0:12:20 | |
'that allows one man to harvest so much. | 0:12:20 | 0:12:23 | |
'I'm now rejoining the railway, | 0:12:23 | 0:12:25 | |
'to make one more trip before nightfall.' | 0:12:25 | 0:12:27 | |
Last stop of the day, Rogart, which, my Bradshaw's tells me, is... | 0:12:32 | 0:12:36 | |
"in the midst of a hilly district | 0:12:36 | 0:12:38 | |
"abounding in traces of Danish camps." | 0:12:38 | 0:12:42 | |
Well, I fear there are no Danes left to welcome me, | 0:12:42 | 0:12:45 | |
but I do intend to encamp here for the night. | 0:12:45 | 0:12:47 | |
'Tonight's stopover is something out of the ordinary, | 0:12:54 | 0:12:57 | |
'and it's kicking off with a traditional Scottish welcome...' | 0:12:57 | 0:13:01 | |
BAGPIPES PLAY | 0:13:01 | 0:13:03 | |
-Hello! -Hello, Michael. Welcome to Rogart. | 0:13:05 | 0:13:08 | |
Who's the young piper? | 0:13:10 | 0:13:12 | |
My son, Fraser. | 0:13:12 | 0:13:13 | |
Good lad. | 0:13:15 | 0:13:16 | |
Kate Roach offers weary railway travellers | 0:13:18 | 0:13:21 | |
the chance to sleep by the tracks in a converted railway carriage. | 0:13:21 | 0:13:25 | |
-Thank you. -If you'd like to go in... | 0:13:25 | 0:13:27 | |
-Ah! -We have a shower in the vestibule end... -Yes. | 0:13:27 | 0:13:31 | |
..and then your bedroom's through here... | 0:13:31 | 0:13:34 | |
Oh, that is very homely! | 0:13:34 | 0:13:37 | |
-..and then we have a sitting room... -Oh, that's great! | 0:13:37 | 0:13:40 | |
An old first-class compartment in a corridor train | 0:13:40 | 0:13:44 | |
with a wonderful library of railway books... | 0:13:44 | 0:13:46 | |
'I'm sure my Bradshaw's guide and I will feel perfectly at home here.' | 0:13:46 | 0:13:51 | |
HE SIGHS CONTENTEDLY | 0:13:56 | 0:13:58 | |
Perfect. | 0:13:58 | 0:13:59 | |
After a day on the tracks, | 0:13:59 | 0:14:01 | |
I've become a railway sleeper. | 0:14:01 | 0:14:03 | |
'A new day beckons, and there's just time to rustle up some breakfast | 0:14:15 | 0:14:19 | |
'before I hit the tracks.' | 0:14:19 | 0:14:21 | |
Superb! My compliments to the chef. | 0:14:24 | 0:14:26 | |
'I'm now venturing into ever more sparsely-populated territory. | 0:14:29 | 0:14:34 | |
'Many of the stations on this line are so remote | 0:14:34 | 0:14:36 | |
'that there are no scheduled stops.' | 0:14:36 | 0:14:38 | |
Um...Dunrobin Castle. I think it's a request stop. Could you ask the driver to stop, please? | 0:14:48 | 0:14:52 | |
-It is. I'll tell the driver for you. -Thank you very much. -Thank you. | 0:14:52 | 0:14:55 | |
'It might seem surprising that such an isolated region | 0:14:57 | 0:15:00 | |
'has a railway at all. | 0:15:00 | 0:15:02 | |
'But it's all thanks to the energy and determination | 0:15:02 | 0:15:05 | |
'of one very eminent Victorian railway fan.' | 0:15:05 | 0:15:09 | |
My Bradshaw's tells me that the part of the line to Helmsdale | 0:15:09 | 0:15:12 | |
is called The Duke of Sutherland's Line, | 0:15:12 | 0:15:15 | |
having been made at his cost, | 0:15:15 | 0:15:17 | |
which tells you quite a lot about the mid-19th century. | 0:15:17 | 0:15:20 | |
I shall be getting off at Dunrobin Castle, | 0:15:20 | 0:15:23 | |
"where the station is a private one, | 0:15:23 | 0:15:25 | |
"for the use of Dunrobin Castle, the Duke's seat. | 0:15:25 | 0:15:28 | |
"A magnificent pile of buildings, | 0:15:28 | 0:15:30 | |
"enlarged within last 20 years at great expense, | 0:15:30 | 0:15:34 | |
"and finely placed for land and sea views." | 0:15:34 | 0:15:37 | |
'Perched above the Moray Firth, | 0:15:41 | 0:15:43 | |
'Dunrobin Castle certainly lives up to my guidebook's description. | 0:15:43 | 0:15:47 | |
'It was rebuilt in the style of a French chateau in the 1840s, | 0:15:47 | 0:15:51 | |
'complete with fairy-tale spires and elegant gardens. | 0:15:51 | 0:15:56 | |
'But I'm here to explore its unique station, | 0:15:56 | 0:15:58 | |
'which helped to shape the history of the Far North Line. | 0:15:58 | 0:16:02 | |
'Still privately owned by the estate, | 0:16:03 | 0:16:05 | |
'today it's looked after by rail enthusiast Daniel Brittain-Catlin.' | 0:16:05 | 0:16:10 | |
Michael, welcome to Dunrobin Castle station. | 0:16:11 | 0:16:14 | |
Thank you very much indeed. | 0:16:14 | 0:16:16 | |
Apparently, according to my Bradshaw's, | 0:16:16 | 0:16:18 | |
the Duke of Sutherland paid for this line. | 0:16:18 | 0:16:20 | |
He really saw the social value of railways, | 0:16:20 | 0:16:23 | |
and in opening up the county of Sutherland. | 0:16:23 | 0:16:26 | |
And, of course, he was able to build this line comparatively easily | 0:16:26 | 0:16:30 | |
because, being a duke, he was a member of the House of Lords, | 0:16:30 | 0:16:33 | |
he was able to promote his own Act of Parliament, | 0:16:33 | 0:16:36 | |
which was modestly called the Duke of Sutherland's Railway Act... | 0:16:36 | 0:16:39 | |
He put that through the House of Lords, paid for it himself, | 0:16:39 | 0:16:43 | |
and he created his own railway line, | 0:16:43 | 0:16:44 | |
ending up as part of the national network. | 0:16:44 | 0:16:47 | |
'The railway-mad duke built 14½ miles of track | 0:16:49 | 0:16:53 | |
'to link Dunrobin with the coal mine that he owned at Brora | 0:16:53 | 0:16:57 | |
'and the fishing village of Helmsdale. | 0:16:57 | 0:16:59 | |
'Owning the line was just the start of his passion...' | 0:16:59 | 0:17:03 | |
What kind of rolling stock was he running on his railway line? | 0:17:03 | 0:17:06 | |
He ran trains for the public when it opened, | 0:17:06 | 0:17:11 | |
but he had his own engine, and two carriages, | 0:17:11 | 0:17:13 | |
and they were pretty plush. | 0:17:13 | 0:17:16 | |
One contained a sleeping car, and one was a day coach. | 0:17:16 | 0:17:20 | |
'The duke had the right to run his private train | 0:17:20 | 0:17:23 | |
'between Inverness and Wick. | 0:17:23 | 0:17:25 | |
'In 1872, it carried Queen Victoria | 0:17:25 | 0:17:28 | |
'when she visited the Sutherland estate. | 0:17:28 | 0:17:31 | |
They came up on train, they left from Inverness, | 0:17:32 | 0:17:35 | |
and from Inverness onwards, they were on the Sutherlands' own train. | 0:17:35 | 0:17:39 | |
The duchess and Queen Victoria were in the carriage, | 0:17:39 | 0:17:42 | |
but she did slightly wonder where the duke was. | 0:17:42 | 0:17:45 | |
But once they reached what was then called Bonar Bridge station, | 0:17:45 | 0:17:49 | |
is now called Ardgay station, | 0:17:49 | 0:17:50 | |
a slightly sort of dirty man in overalls appeared, | 0:17:50 | 0:17:53 | |
shook hands rather too enthusiastically with the Queen | 0:17:53 | 0:17:56 | |
and, of course, it turned out to be the duke | 0:17:56 | 0:17:58 | |
who'd been driving his own railway engine | 0:17:58 | 0:18:01 | |
fired with his own coal from his own coal mine. | 0:18:01 | 0:18:04 | |
How absolutely magnificent! | 0:18:04 | 0:18:07 | |
What did the Queen think of that, do we know? | 0:18:07 | 0:18:09 | |
Well, it could be that this is one of the very rare occasions | 0:18:09 | 0:18:12 | |
-that Queen Victoria WAS amused. -MICHAEL CHUCKLES | 0:18:12 | 0:18:15 | |
'The Queen spent ten days enjoying a lavish reception | 0:18:16 | 0:18:19 | |
'amid the splendour of Dunrobin Castle, | 0:18:19 | 0:18:22 | |
'and the bed she slept in still takes pride of place | 0:18:22 | 0:18:25 | |
'in the opulent green and gold room. | 0:18:25 | 0:18:28 | |
'The station, however, is altogether on a more domestic scale.' | 0:18:29 | 0:18:34 | |
This building doesn't seem to have any Victorian feel to it... | 0:18:34 | 0:18:38 | |
It's 1902, | 0:18:38 | 0:18:40 | |
so JUST the first year of Edward VII. | 0:18:40 | 0:18:43 | |
It's the second building. | 0:18:43 | 0:18:44 | |
The first was a kind of Wild West ranch-style building, amazingly. | 0:18:44 | 0:18:49 | |
This one is in a classic piece of ENGLISH Arts and Crafts architecture, | 0:18:49 | 0:18:54 | |
plonked in the middle of Sutherland. | 0:18:54 | 0:18:56 | |
'By the late 20th century, | 0:18:56 | 0:18:58 | |
'this remarkable building was suffering after years of neglect, | 0:18:58 | 0:19:02 | |
'but since then, it's been lovingly restored. | 0:19:02 | 0:19:05 | |
'Until recently, there was just one room which remained unloved, | 0:19:05 | 0:19:09 | |
'but it turns out that I've timed my visit perfectly | 0:19:09 | 0:19:12 | |
'for the unveiling of this special project.' | 0:19:12 | 0:19:14 | |
Michael, this is very much our pride and joy at Dunrobin. It's... | 0:19:14 | 0:19:18 | |
-Hello, everybody. -You've got quite a queue of admirers! | 0:19:18 | 0:19:21 | |
It's our newly-restored Edwardian cloakroom. | 0:19:21 | 0:19:25 | |
The last piece of restoration, and it's only just been completed, | 0:19:25 | 0:19:28 | |
so I hope you will do us the honour | 0:19:28 | 0:19:31 | |
of doing an official opening of this loo. | 0:19:31 | 0:19:33 | |
I'm very, very, very touched. | 0:19:33 | 0:19:35 | |
-Here we are. -Oh, thank you very much indeed. | 0:19:35 | 0:19:37 | |
Well, ladies and gentlemen, | 0:19:39 | 0:19:40 | |
I'm sure this ought to be done by a celebrity, | 0:19:40 | 0:19:44 | |
but I'm here in LIEU... | 0:19:44 | 0:19:45 | |
LAUGHTER | 0:19:45 | 0:19:47 | |
I'd like to congratulate those involved in this, | 0:19:48 | 0:19:51 | |
carpenter, tiler, and everybody else, and, um... | 0:19:51 | 0:19:56 | |
Well, good luck to everyone who may...sail in it, you know... | 0:19:56 | 0:20:00 | |
LAUGHTER | 0:20:00 | 0:20:02 | |
CHEERING AND APPLAUSE | 0:20:04 | 0:20:07 | |
And I hope you'll...be the first to try it! | 0:20:07 | 0:20:10 | |
LAUGHTER | 0:20:10 | 0:20:12 | |
'Impressive as the facilities are, | 0:20:12 | 0:20:14 | |
'it's time for me to bid goodbye to the station | 0:20:14 | 0:20:17 | |
'and continue my journey along the Duke of Sutherland's Line.' | 0:20:17 | 0:20:21 | |
'As I travel north, I'm passing alongside the beautiful Moray Firth. | 0:20:22 | 0:20:27 | |
'This stretch of water is an important haven for wildlife, | 0:20:27 | 0:20:30 | |
'including grey seals and their pups, | 0:20:30 | 0:20:33 | |
'and there's no better way to enjoy it than from my railway carriage.' | 0:20:33 | 0:20:37 | |
This seascape is dreamy. | 0:20:39 | 0:20:41 | |
I'm passing by golden beaches, entirely deserted. | 0:20:41 | 0:20:45 | |
I have this scenery completely to myself. | 0:20:45 | 0:20:49 | |
'Stunning as the coastline is, to reach my next stop, | 0:20:50 | 0:20:54 | |
'I must soon leave the sea behind and turn inland.' | 0:20:54 | 0:20:58 | |
Bradshaw's tells me that this line passes over a moory district | 0:20:59 | 0:21:03 | |
by 12 or 13 stations, including Kildonan, where I'll get off, | 0:21:03 | 0:21:08 | |
where the duke has his reclamation farms | 0:21:08 | 0:21:10 | |
of 80 to 100 acres for small farmers. | 0:21:10 | 0:21:14 | |
But I understand that, in the 1860s, | 0:21:14 | 0:21:17 | |
the land brought forth something even more valuable | 0:21:17 | 0:21:20 | |
than oats or barley. | 0:21:20 | 0:21:22 | |
ANNOUNCEMENT: 'We are now approaching Kildonan. This is a request stop.' | 0:21:22 | 0:21:26 | |
'150 years ago, this remote part of the Sutherland estate | 0:21:26 | 0:21:30 | |
'was the setting for Scotland's very own gold rush. | 0:21:30 | 0:21:35 | |
'I'm meeting modern-day prospector Lorna Smith | 0:21:35 | 0:21:38 | |
'to hear the extraordinary tale.' | 0:21:38 | 0:21:40 | |
-Hello! -Hello! Michael. -Pleased to meet you. | 0:21:40 | 0:21:43 | |
Panning for gold? | 0:21:43 | 0:21:44 | |
Yes, aye, one or two little specks just from the surface gravel. | 0:21:44 | 0:21:48 | |
'The second half of the 19th century witnessed a gold-hunting craze, | 0:21:49 | 0:21:54 | |
'as, dazzled by the discoveries made in 1840s California, | 0:21:54 | 0:21:57 | |
'prospectors scoured the globe for new places to get rich quick. | 0:21:57 | 0:22:03 | |
'Before long, they turned their gaze on Scotland.' | 0:22:03 | 0:22:06 | |
It was a chap called Robert Gilchrist who started the gold rush. | 0:22:06 | 0:22:09 | |
He was a local man, and he was interested in the gold. | 0:22:09 | 0:22:13 | |
He went to Australia to try his hand there. | 0:22:13 | 0:22:16 | |
He met a few experienced miners out there, and learnt quite a lot. | 0:22:16 | 0:22:21 | |
He was beginning to feel homesick after a few years, | 0:22:21 | 0:22:23 | |
so he thought he would just come home | 0:22:23 | 0:22:25 | |
and try hand in Strath of Kildonan, because he recognised similarities | 0:22:25 | 0:22:29 | |
between the rock structures and gravels in Australia | 0:22:29 | 0:22:32 | |
to what he had left at home. | 0:22:32 | 0:22:34 | |
'In 1868, Gilchrist struck it lucky, | 0:22:35 | 0:22:39 | |
'and the news of his success soon spread. | 0:22:39 | 0:22:42 | |
'At that time, the Duke of Sutherland's railway was yet to be built, | 0:22:42 | 0:22:46 | |
'so prospectors faced a 30-mile walk from the nearest station. | 0:22:46 | 0:22:50 | |
'But that did nothing to deter the hopeful hordes.' | 0:22:50 | 0:22:53 | |
The potato blight had ruined the food for the winters. | 0:22:53 | 0:22:57 | |
People were beginning to be hungry. | 0:22:57 | 0:23:00 | |
Once they heard about how Robert was doing on the river, | 0:23:00 | 0:23:04 | |
they reckoned they would like to come and have a try too. | 0:23:04 | 0:23:07 | |
And how many people did come? | 0:23:07 | 0:23:09 | |
500 people came at the height of the gold rush. | 0:23:09 | 0:23:12 | |
Extraordinary. | 0:23:12 | 0:23:13 | |
'The Duke of Sutherland issued licences, | 0:23:13 | 0:23:16 | |
'at a cost of a pound a month, | 0:23:16 | 0:23:17 | |
'while the crown took 10% of all the prospectors found. | 0:23:17 | 0:23:22 | |
'Although much of the gold probably went undeclared, | 0:23:22 | 0:23:24 | |
'it's thought the official haul | 0:23:24 | 0:23:26 | |
'totalled around £850,000 in today's money. | 0:23:26 | 0:23:31 | |
'But the heady days of the gold rush were not to last long.' | 0:23:31 | 0:23:34 | |
The duke decided that there was too much disruption to the salmon parr, | 0:23:34 | 0:23:40 | |
whose gills were being clogged by the suspended gravel in the stream. | 0:23:40 | 0:23:45 | |
He was worried it was going to have an effect on the salmon fishing. | 0:23:45 | 0:23:48 | |
The winter was setting in, and they had rough wooden shelters on here. | 0:23:48 | 0:23:52 | |
When you're talking about maybe 15 or 16 degrees of frost | 0:23:52 | 0:23:55 | |
in the middle of the winter, it's not good. It's not good. | 0:23:55 | 0:23:59 | |
And so, that brought the gold rush to an end? | 0:23:59 | 0:24:02 | |
The duke decided that for everybody's safety and comfort | 0:24:02 | 0:24:06 | |
that he should really end the gold rush. | 0:24:06 | 0:24:08 | |
He did that by not issuing any more licences | 0:24:08 | 0:24:11 | |
and not renewing licences after they had been issued. | 0:24:11 | 0:24:14 | |
'By the end of 1869, the Kildonan gold rush was over. | 0:24:14 | 0:24:19 | |
'These days, anyone can come and search for gold on the estate, | 0:24:19 | 0:24:22 | |
'but the only method allowed is hand-panning. | 0:24:22 | 0:24:25 | |
'It works on the principle that gold is the heaviest mineral in the river.' | 0:24:25 | 0:24:30 | |
And that's just a case of swirling it round, | 0:24:30 | 0:24:33 | |
so the heavy pieces get a chance to sink right down to the bottom | 0:24:33 | 0:24:36 | |
and the lighter gravels and stones are on the top. | 0:24:36 | 0:24:39 | |
-And then, gradually, wash off the lighter stuff? -Yep. | 0:24:39 | 0:24:42 | |
'It takes patience and hard work, | 0:24:42 | 0:24:44 | |
'but retrieving even a tiny amount is quite a thrill.' | 0:24:44 | 0:24:47 | |
This just a little sample from the side of the burn, | 0:24:47 | 0:24:51 | |
but you can see that there's gold there. | 0:24:51 | 0:24:53 | |
I never thought I'd see this. | 0:24:53 | 0:24:54 | |
All the times I've seen in movies, people doing this, | 0:24:54 | 0:24:58 | |
and, of course, in the movies they never do find gold, poor things, | 0:24:58 | 0:25:01 | |
-but there it is. -There it is, that's right. | 0:25:01 | 0:25:03 | |
-HE SHOUTS: -Gold! We've found gold! | 0:25:03 | 0:25:06 | |
-Gold! -SHE CHUCKLES | 0:25:06 | 0:25:09 | |
-Is that not what you do? -No. | 0:25:09 | 0:25:11 | |
THEY LAUGH | 0:25:11 | 0:25:14 | |
'Sadly, I don't have time to seek my fortune, | 0:25:14 | 0:25:17 | |
'as I'm rejoining the Far North Line to complete my Scottish odyssey. | 0:25:17 | 0:25:21 | |
'Finished in 1874, this final section opened up | 0:25:21 | 0:25:25 | |
'some of the wildest reaches of northern Scotland, | 0:25:25 | 0:25:28 | |
'previously accessible only to wealthy travellers.' | 0:25:28 | 0:25:32 | |
I'm now on the very last segment of my journey, taking me into Wick, | 0:25:32 | 0:25:36 | |
which my Bradshaw's describes as... | 0:25:36 | 0:25:38 | |
"The present ultima Thule of railway enterprise, | 0:25:38 | 0:25:42 | |
"the furthest extremity," | 0:25:42 | 0:25:44 | |
and, as in Victorian days, this is the end of the line. | 0:25:44 | 0:25:47 | |
'In Bradshaw's day, Wick was a busy herring port, | 0:25:49 | 0:25:52 | |
'and the new railway line helped to transport the fish | 0:25:52 | 0:25:55 | |
'to markets further south. | 0:25:55 | 0:25:57 | |
'It also attracted crowds of Victorian tourists, | 0:25:57 | 0:26:00 | |
'disembarking to make the short coach trip | 0:26:00 | 0:26:03 | |
'to that most symbolic of coastal villages, John O'Groats.' | 0:26:03 | 0:26:06 | |
Bradshaw's says of John O'Groats, | 0:26:08 | 0:26:11 | |
"This famous locality lies at the south side of the Pentland Firth, | 0:26:11 | 0:26:15 | |
"and gives one of the finest sights in the north. | 0:26:15 | 0:26:18 | |
"The view, on a favourable day..." Thank goodness, today IS favourable, | 0:26:18 | 0:26:22 | |
"..of land and water, is very interesting. | 0:26:22 | 0:26:25 | |
"Orkney is seen to great advantage." | 0:26:25 | 0:26:29 | |
Since, a few years ago, I stood at Land's End, | 0:26:29 | 0:26:32 | |
it's been my ambition to come to this other most far-flung part of our kingdom. | 0:26:32 | 0:26:37 | |
'Every year, tourists come to marvel at the wild beauty of the setting, | 0:26:41 | 0:26:45 | |
'amid the stunning cliffs of Duncansby Head, | 0:26:45 | 0:26:48 | |
'and thousands of so-called "end-to-enders" | 0:26:48 | 0:26:51 | |
'undertake the long journey | 0:26:51 | 0:26:53 | |
'between Britain's most distant inhabited spots.' | 0:26:53 | 0:26:56 | |
I just couldn't resist. | 0:27:03 | 0:27:05 | |
'As my lengthy trek up Scotland's east coast draws to an end, | 0:27:08 | 0:27:12 | |
'it strikes me that the railways helped this nation | 0:27:12 | 0:27:15 | |
'to share its blessings with the rest of the world.' | 0:27:15 | 0:27:18 | |
Victorian tracks have brought me | 0:27:18 | 0:27:21 | |
to the uppermost edge of mainland Britain. | 0:27:21 | 0:27:24 | |
From my seat on the train, | 0:27:24 | 0:27:26 | |
I've gawped in admiration at Scotland's grandeur. | 0:27:26 | 0:27:29 | |
The railways in the Highlands brought not industrial revolution | 0:27:29 | 0:27:33 | |
so much as continuity, | 0:27:33 | 0:27:34 | |
enabling communities to survive and traditional skills to flourish. | 0:27:34 | 0:27:40 | |
My Bradshaw's guide has now enabled me | 0:27:40 | 0:27:42 | |
to appreciate Britain, this great country, from toe to tip. | 0:27:42 | 0:27:47 | |
'On my next journey, I'll be travelling from London to Devon, | 0:27:50 | 0:27:54 | |
'along master engineer Isambard Kingdom Brunel's | 0:27:54 | 0:27:57 | |
'Great Western Railway...' | 0:27:57 | 0:27:58 | |
This is exciting. Is this genuinely a section of Brunel's pipe? | 0:27:59 | 0:28:03 | |
'..I'll visit a Victorian tourist hotspot...' | 0:28:03 | 0:28:05 | |
This is the grandaddy of all castles and cathedrals and skyscrapers. | 0:28:06 | 0:28:11 | |
This is the beginning of architecture. | 0:28:11 | 0:28:13 | |
'..explore a church that moves in mysterious ways...' | 0:28:13 | 0:28:17 | |
That's extraordinary, Rod. It really is moving from side to side. | 0:28:17 | 0:28:21 | |
'..and work up a sweat turning a grand old loco.' | 0:28:21 | 0:28:24 | |
-HE GROANS -She's moving! I can't believe it, she's moving. | 0:28:24 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:54 |