
Browse content similar to Goes to Ireland - Newbridge to Roscrea. Check below for episodes and series from the same categories and more!
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In 1840, one man transformed travel in Britain and Ireland. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw | 0:00:10 | 0:00:12 | |
and his railway guides inspired the Victorians to take to the tracks... | 0:00:12 | 0:00:16 | |
..stop by stop he told them where to travel, | 0:00:18 | 0:00:21 | |
what to see and where to stay... | 0:00:21 | 0:00:23 | |
..now, 170 years later, I'm making a series of journeys | 0:00:25 | 0:00:29 | |
across the length and breadth of these islands | 0:00:29 | 0:00:32 | |
to see what of Bradshaw's world remains. | 0:00:32 | 0:00:34 | |
For this leg of my train journey, across the Irish Republic, | 0:00:53 | 0:00:56 | |
I'm using an 1880s edition of my Bradshaw's guide | 0:00:56 | 0:01:00 | |
to travel across tracks that were laid in the 19th century | 0:01:00 | 0:01:03 | |
when Great Britain and Ireland were a single state under Queen Victoria. | 0:01:03 | 0:01:07 | |
On this stretch I'll visit the Irish National Stud - | 0:01:07 | 0:01:11 | |
a bucking experience... | 0:01:11 | 0:01:13 | |
Oh, the horse is going very fast now. This is absolutely exhausting! | 0:01:13 | 0:01:16 | |
..I'll discover that life was harsh for the Ireland's poor... | 0:01:16 | 0:01:20 | |
When you came in here you gave up everything and you, | 0:01:20 | 0:01:23 | |
you signed up to a life within the workhouse. | 0:01:23 | 0:01:26 | |
..and I'll uncover an astronomical feat of Victorian engineering... | 0:01:26 | 0:01:31 | |
-What a construction. -It was known locally as The Monster. | 0:01:31 | 0:01:34 | |
Having sampled the rural charms of the south of the country, | 0:01:38 | 0:01:41 | |
I'm continuing my journey through the Irish Midlands | 0:01:41 | 0:01:45 | |
before veering out west | 0:01:45 | 0:01:47 | |
to end up on the impressive Atlantic coast, in Galway. | 0:01:47 | 0:01:50 | |
Starting out in County Kildare, | 0:01:51 | 0:01:53 | |
I'm travelling on what was, in Bradshaw's day, | 0:01:53 | 0:01:56 | |
the Great Southern and Western Railway, | 0:01:56 | 0:01:58 | |
through County Laois and finishing in County Offaly. | 0:01:58 | 0:02:02 | |
During Victoria's reign, the British Army made full use of the railways | 0:02:10 | 0:02:14 | |
to maintain order in an increasingly rebellious Ireland. | 0:02:14 | 0:02:18 | |
At my next stop, Newbridge, my Bradshaw's tells me, | 0:02:18 | 0:02:21 | |
"There was an encampment on a large scale, | 0:02:21 | 0:02:24 | |
"which was the temporary sojourn of the Prince Of Wales in 1861." | 0:02:24 | 0:02:29 | |
I shall be interested to find out more about that royal visit. | 0:02:29 | 0:02:32 | |
The encampment referred to is the Curragh Camp. | 0:02:39 | 0:02:42 | |
The vast open flats of the Curragh plain | 0:02:44 | 0:02:46 | |
had, for hundreds of years, provided the perfect terrain | 0:02:46 | 0:02:49 | |
for military manoeuvres and cavalry training. | 0:02:49 | 0:02:52 | |
At the outbreak of the Crimean War in the 1850s, | 0:02:53 | 0:02:57 | |
the British Army made it a permanent training base. | 0:02:57 | 0:03:00 | |
-Charlie! -Hello, Michael. | 0:03:00 | 0:03:01 | |
Sergeant Charlie Walsh is the Curator of the Military Museum. | 0:03:01 | 0:03:06 | |
I see, here, you've got a display about the Prince Of Wales, 1861. | 0:03:06 | 0:03:11 | |
Now, this is referred to in my Bradshaw's guide - | 0:03:11 | 0:03:13 | |
his "sojourn" here. | 0:03:13 | 0:03:14 | |
Now, why was the Prince of Wales sojourned on the Curragh? | 0:03:14 | 0:03:17 | |
The Prince was to be based here for ten weeks, | 0:03:17 | 0:03:19 | |
where he was inducted and be trained in military manoeuvres. | 0:03:19 | 0:03:22 | |
He was also to be trained in how to conduct himself in social situations. | 0:03:22 | 0:03:27 | |
The Prince, eldest son of Victoria and Albert, | 0:03:27 | 0:03:30 | |
was considered, by his parents, something of a wild child | 0:03:30 | 0:03:34 | |
and at 19, he was sent to the Curragh for his military training. | 0:03:34 | 0:03:39 | |
His parents expected him to rise from ensign to Brigade Commander | 0:03:39 | 0:03:43 | |
in just ten weeks. | 0:03:43 | 0:03:44 | |
Even so, this sociable prince found time for fun. | 0:03:44 | 0:03:48 | |
Now this actually says, "The Prince and the Showgirl," | 0:03:50 | 0:03:53 | |
what's this story? | 0:03:53 | 0:03:54 | |
"The Prince and the Showgirl," well, what happened one night | 0:03:54 | 0:03:58 | |
was that whilst the Prince was in the company of some senior officers, | 0:03:58 | 0:04:02 | |
that were having a function, | 0:04:02 | 0:04:04 | |
and when the senior officers went to bed | 0:04:04 | 0:04:06 | |
the junior officers and the Prince were still up drinking, | 0:04:06 | 0:04:09 | |
and what happened is, apparently, | 0:04:09 | 0:04:11 | |
that the junior officers then smuggled in an actress | 0:04:11 | 0:04:14 | |
into the Prince's quarters. | 0:04:14 | 0:04:15 | |
By the time news of the Prince's amorous adventures | 0:04:16 | 0:04:19 | |
with the actress Nellie Clifden had broken, | 0:04:19 | 0:04:22 | |
he was back in England and studying at Cambridge University. | 0:04:22 | 0:04:26 | |
Prince Albert was furious at his son's indiscretion. | 0:04:26 | 0:04:29 | |
Already unwell, on 25 November 1861, | 0:04:29 | 0:04:33 | |
the Prince Consort travelled to Cambridge to confront his son. | 0:04:33 | 0:04:36 | |
Although they reached a reconciliation, | 0:04:36 | 0:04:39 | |
just one month later Prince Albert died. | 0:04:39 | 0:04:42 | |
Now Queen Victoria, | 0:04:42 | 0:04:43 | |
has been said that she blamed the early death of her husband | 0:04:43 | 0:04:46 | |
on what happened here in the Curragh, due to the Prince's activities. | 0:04:46 | 0:04:49 | |
Oh, dear, oh, dear, oh, dear. | 0:04:49 | 0:04:51 | |
So this showgirl was a lady | 0:04:51 | 0:04:53 | |
who was no better than she should be, as they say. | 0:04:53 | 0:04:55 | |
I'll leave that uncommented! | 0:04:55 | 0:04:57 | |
From the Crimean War through to the First World War, | 0:04:59 | 0:05:01 | |
the Curragh was one of the British Army's most important training bases | 0:05:01 | 0:05:06 | |
stationing up to 30,000 troops at any one time. | 0:05:06 | 0:05:10 | |
That was all to change, however. | 0:05:10 | 0:05:12 | |
In 1921, after years of conflict and bloodshed, | 0:05:12 | 0:05:16 | |
the Anglo-Irish Treaty was signed, | 0:05:16 | 0:05:18 | |
which ended British rule in much of Ireland | 0:05:18 | 0:05:22 | |
and, on 16th May 1922, the British handed over the camp | 0:05:22 | 0:05:26 | |
to the Irish Free State Army. | 0:05:26 | 0:05:29 | |
Do you get the impression that the British Army | 0:05:29 | 0:05:31 | |
left in a, kind of, careless hurry? | 0:05:31 | 0:05:33 | |
No, we've actually found documents where the British Army | 0:05:33 | 0:05:35 | |
were quite meticulous in the cleanliness of the camp | 0:05:35 | 0:05:38 | |
before they handed it over to the new National Army. | 0:05:38 | 0:05:40 | |
They went right down into the small detail, | 0:05:40 | 0:05:43 | |
they actually blackened the fire grates, | 0:05:43 | 0:05:45 | |
they ironed the billiard table cloths | 0:05:45 | 0:05:48 | |
and also even went as far as sharpening the billiard table cues | 0:05:48 | 0:05:51 | |
for the new National Army as they marched in. | 0:05:51 | 0:05:54 | |
A sign of respect after all that bitterness? | 0:05:54 | 0:05:56 | |
It is indeed, yes. | 0:05:56 | 0:05:57 | |
It's a sign, as I said, the way things are moving on now, as well. | 0:05:57 | 0:06:00 | |
On that momentous day, | 0:06:00 | 0:06:02 | |
the Irish tricolour was hoisted up the flagpole | 0:06:02 | 0:06:05 | |
and has flown over the camp ever since. | 0:06:05 | 0:06:09 | |
The Curragh is still an active training base | 0:06:09 | 0:06:11 | |
for the Irish Defence Forces, | 0:06:11 | 0:06:12 | |
now deployed in UN, EU, and Nato peace enforcing missions. | 0:06:12 | 0:06:18 | |
I'm on my own Irishman manoeuvres, however, | 0:06:18 | 0:06:21 | |
so it's back to Newbridge station. | 0:06:21 | 0:06:23 | |
As I continue my journey my Bradshaw says, | 0:06:25 | 0:06:28 | |
"A little to the side of the line is the Curragh racecourse, | 0:06:28 | 0:06:31 | |
"the Newmarket of Ireland, on a fine down, six miles long.# | 0:06:31 | 0:06:36 | |
So, it seems that the Curragh turf has not just be the home to armies, | 0:06:36 | 0:06:40 | |
it also has a horsey pedigree. | 0:06:40 | 0:06:43 | |
I'm not stopping to have a flutter, though, | 0:06:52 | 0:06:54 | |
I'm bypassing the racecourse and crossing the plain | 0:06:54 | 0:06:57 | |
to the next stop along - Kildare. | 0:06:57 | 0:07:00 | |
Because just a few furlongs from here is the Irish National Stud, | 0:07:00 | 0:07:03 | |
the seed of Irish horseracing. | 0:07:03 | 0:07:07 | |
I'm hoping that Chief Executive John Osborne can tell me how geology, | 0:07:07 | 0:07:11 | |
the military and the railways all combine | 0:07:11 | 0:07:14 | |
to help the sport of kings to reign supreme here. | 0:07:14 | 0:07:18 | |
Well, now, how did Irish racing start here, at the Curragh? | 0:07:18 | 0:07:22 | |
Well, racing is associated with the army officers, quite a bit, | 0:07:22 | 0:07:27 | |
wherever you go. | 0:07:27 | 0:07:28 | |
The army officers, for fun, would entertain themselves | 0:07:28 | 0:07:31 | |
by taking each other on at horse racing | 0:07:31 | 0:07:33 | |
and then they formed The Turf Club | 0:07:33 | 0:07:35 | |
and from The Turf Club they would challenge each other | 0:07:35 | 0:07:38 | |
to match races and racing evolved in the same way | 0:07:38 | 0:07:40 | |
it has done in other parts of the world. | 0:07:40 | 0:07:42 | |
And the Curragh was the perfect place to locate horse racing | 0:07:42 | 0:07:45 | |
as an open plain with plenty of areas to gallop your horse. | 0:07:45 | 0:07:49 | |
HORSE WHINNYING | 0:07:49 | 0:07:52 | |
There's a commentary on our conversation! | 0:07:55 | 0:07:57 | |
Erm, the origins of the National Stud, where we are now? | 0:07:57 | 0:08:01 | |
It was bought in 1900 by, er, a brewer, of Scots descent, | 0:08:01 | 0:08:06 | |
called William Hall Walker, | 0:08:06 | 0:08:08 | |
and he was a sportsman who won the 1896 Grand National, | 0:08:08 | 0:08:13 | |
and I think with the proceeds of that particular escapade | 0:08:13 | 0:08:16 | |
he bought this farm and converted it into an elite stud farm. | 0:08:16 | 0:08:19 | |
And he had some very eccentric ideas about how it should be done, | 0:08:19 | 0:08:23 | |
and from the very start he used to mate his mares by horoscope, | 0:08:23 | 0:08:27 | |
and he was fascinated by astrology. MICHAEL LAUGHS | 0:08:27 | 0:08:30 | |
And everybody laughed then too, | 0:08:30 | 0:08:32 | |
until he became the champion breeder for ten years between 1905 and 1915. | 0:08:32 | 0:08:37 | |
How important have the trains been in your history? | 0:08:37 | 0:08:40 | |
Well, the train would have been the artery for horse racing, as well, | 0:08:40 | 0:08:45 | |
and a lot of the Irish racecourses, you know, not coincidently, | 0:08:45 | 0:08:49 | |
evolved close to the mainline railways. | 0:08:49 | 0:08:52 | |
We take for granted how easy it is to ship horses | 0:08:52 | 0:08:54 | |
twice around the globe, nowadays, | 0:08:54 | 0:08:56 | |
but back then the racehorses travelled by rail as well. | 0:08:56 | 0:09:00 | |
In Bradshaw's day, so close was the relationship between the railway and racing, | 0:09:00 | 0:09:05 | |
that the course had its own sidings | 0:09:05 | 0:09:07 | |
and the Great Southern and Western Railway company sponsored an annual race, | 0:09:07 | 0:09:12 | |
which is still run today - The Railway Stakes. | 0:09:12 | 0:09:16 | |
I'm just wondering about any famous equine names | 0:09:16 | 0:09:19 | |
that would have been rail passengers over the years. | 0:09:19 | 0:09:22 | |
Ambush was a famous raid, he was the winner of the 1900 Grand National | 0:09:22 | 0:09:28 | |
for the Prince Of Wales, at the time. | 0:09:28 | 0:09:30 | |
And also great champions like Pretty Polly, who was a great race mare, | 0:09:30 | 0:09:34 | |
would have travelled by train, | 0:09:34 | 0:09:35 | |
and Bahram, the Aga Khan's Triple Crown winner in the '30s | 0:09:35 | 0:09:38 | |
would also have travelled by train. | 0:09:38 | 0:09:40 | |
In 1917 William Hall Walker gifted his farm, | 0:09:40 | 0:09:44 | |
lock, stock and saddle, to the Crown | 0:09:44 | 0:09:47 | |
with the intention that it would become the first National Stud | 0:09:47 | 0:09:51 | |
and Ireland has been rewarded with world class winners ever since. | 0:09:51 | 0:09:55 | |
Sinead Hyland, marketing coordinator, | 0:09:57 | 0:10:00 | |
has agreed to fill me in on the more intricate workings of the stud. | 0:10:00 | 0:10:03 | |
Sinead, I think I understand the word "stud" | 0:10:05 | 0:10:07 | |
but how does the business really work? | 0:10:07 | 0:10:09 | |
Well, we're one of the only stud farms open to the public. | 0:10:09 | 0:10:13 | |
Stud, I suppose it encompasses all of the stallions here, | 0:10:13 | 0:10:16 | |
they're our main source of income. | 0:10:16 | 0:10:18 | |
We've six stallions this year | 0:10:18 | 0:10:21 | |
and we're pretty much wrapping up our breeding season now. | 0:10:21 | 0:10:24 | |
The horses have ladies that will visit them up to four times a day. | 0:10:24 | 0:10:29 | |
-Four times a day? -Four times a day, yes. | 0:10:29 | 0:10:32 | |
We have, we also have a teaser. | 0:10:32 | 0:10:34 | |
-He has, probably, the worst job on the farm... -What's a teaser? | 0:10:34 | 0:10:37 | |
Teaser is, erm, for ladies, | 0:10:37 | 0:10:40 | |
it's their first time visiting one of our stallions | 0:10:40 | 0:10:43 | |
and erm he gets them, he gets them ready basically. | 0:10:43 | 0:10:46 | |
-But he's a horse? -He's a horse, a little pony stallion. | 0:10:46 | 0:10:49 | |
-Right. -And this is actually our top stallion here, Invincible Spirit. | 0:10:49 | 0:10:53 | |
-What a fantastic horse! -Yeah, he's beautiful. | 0:10:53 | 0:10:56 | |
Even to someone who doesn't know what to look for in a thoroughbred, | 0:10:56 | 0:10:59 | |
I mean, he's a beautiful specimen. | 0:10:59 | 0:11:01 | |
He stands at 60,000 euros and he covered 136 mares this year. | 0:11:01 | 0:11:06 | |
So he is, erm, he's our top dog. | 0:11:06 | 0:11:09 | |
Just take that a bit more slowly, | 0:11:09 | 0:11:11 | |
your saying that every time he covers a mare it's 60,000 euros? | 0:11:11 | 0:11:14 | |
Just like that. | 0:11:14 | 0:11:16 | |
And he covered 134 in a year? | 0:11:16 | 0:11:18 | |
Yep, up to, he would have about four, | 0:11:18 | 0:11:20 | |
up to four ladies a day would visit him. | 0:11:20 | 0:11:24 | |
Impressive - that's over eight million euros a year. | 0:11:24 | 0:11:28 | |
However, the stud aims to produce not just thoroughbred horses | 0:11:28 | 0:11:32 | |
but also first class jockeys, | 0:11:32 | 0:11:34 | |
as, for the last 40 years, it's been home to Ireland's Racing Academy. | 0:11:34 | 0:11:39 | |
That is one of the most bizarre sights I ever saw, | 0:11:42 | 0:11:45 | |
I had no idea that this went on. This is how you train jockeys? | 0:11:45 | 0:11:49 | |
It is, this is Barry Walsh, here. | 0:11:49 | 0:11:52 | |
OK, guys, let's turn them off, there, for a sec. | 0:11:52 | 0:11:54 | |
Turn them off there, now. | 0:11:54 | 0:11:55 | |
He's raring to go! | 0:12:00 | 0:12:02 | |
-Barry! -How are you? | 0:12:02 | 0:12:03 | |
-Pleased to meet you. -I'm Michael. It's lovely to see you. | 0:12:03 | 0:12:06 | |
-So! -HE LAUGHS | 0:12:06 | 0:12:08 | |
Would you like to have a go yourself? | 0:12:08 | 0:12:11 | |
How could I refuse? | 0:12:11 | 0:12:12 | |
So, if you just, sort of, swing your leg over then. | 0:12:12 | 0:12:15 | |
Good deal easier than getting on a real horse! | 0:12:15 | 0:12:18 | |
Oh, yeah. Well, you say that now! | 0:12:18 | 0:12:20 | |
THEY LAUGH | 0:12:20 | 0:12:21 | |
OK, one, two, three, up you get. Keeping your hands down. | 0:12:21 | 0:12:25 | |
Bring your knee back a small bit. | 0:12:25 | 0:12:27 | |
Head up and always looking where you are going, OK? | 0:12:27 | 0:12:30 | |
So you can just sit back down there and we're going to start her off. | 0:12:30 | 0:12:33 | |
OK. One, two, three, up you go. | 0:12:33 | 0:12:38 | |
Hands down. Knees back a small bit. | 0:12:38 | 0:12:40 | |
Don't crouch down too much now. Don't over exaggerate! | 0:12:40 | 0:12:42 | |
Make it quicker. | 0:12:42 | 0:12:44 | |
MICHAEL LAUGHS | 0:12:44 | 0:12:46 | |
Oh, my goodness! Now, I've got to relax, haven't I? I've got to relax. | 0:12:46 | 0:12:49 | |
Nice and relaxed. Just back and forwards. | 0:12:49 | 0:12:51 | |
Oh, it's so easy to relax in this position(!) | 0:12:51 | 0:12:53 | |
-Keep that left hand quiet. -Enjoying the ride! | 0:12:53 | 0:12:56 | |
-"Hands down, knees in..." -Stride quicker. | 0:12:56 | 0:13:00 | |
"..stride quicker." Whoa! Whoa! Whoa! | 0:13:00 | 0:13:02 | |
"Look ahead!" Oh, the horse is going very fast now. | 0:13:02 | 0:13:05 | |
It's absolutely exhausting! I'm running out of breath! | 0:13:05 | 0:13:08 | |
I'm exhausted! | 0:13:10 | 0:13:12 | |
Ah! | 0:13:12 | 0:13:14 | |
Ah, a politician jockeying for position - unseated again! | 0:13:14 | 0:13:20 | |
I'm returning to the iron horse to resume my journey west. | 0:13:22 | 0:13:26 | |
I'll be crossing the border from County Kildare into County Laois. | 0:13:26 | 0:13:30 | |
-Is this free? -It is. -Thank you. | 0:13:33 | 0:13:36 | |
My next stop will be in Portarlington, | 0:13:43 | 0:13:45 | |
which my Bradshaw's tells me was formally called Cooletoodera. | 0:13:45 | 0:13:49 | |
William III gave it to General Ruvigny | 0:13:49 | 0:13:51 | |
who settled it with French and Flemish Protestants, | 0:13:51 | 0:13:55 | |
and built the two churches. | 0:13:55 | 0:13:57 | |
And I that the railway station also shows signs | 0:13:57 | 0:13:59 | |
of this little town's heritage. | 0:13:59 | 0:14:01 | |
-My stop. Bye-bye. -Bye. | 0:14:11 | 0:14:13 | |
Opened in 1847, | 0:14:17 | 0:14:19 | |
Portarlington was and still is a focal point | 0:14:19 | 0:14:22 | |
on the Irish Rail Network. | 0:14:22 | 0:14:25 | |
On the Dublin to Cork mainline, today it's a busy junction | 0:14:25 | 0:14:29 | |
where passengers can branch off to Galway, Ballina and Westport. | 0:14:29 | 0:14:33 | |
Back in Bradshaw's day, the lines weren't as numerous | 0:14:33 | 0:14:36 | |
but this picturesque station provided a vital rest stop | 0:14:36 | 0:14:39 | |
for early travellers. | 0:14:39 | 0:14:41 | |
Portarlington really is the finest looking station | 0:14:43 | 0:14:46 | |
I've seen in the Irish Republic, | 0:14:46 | 0:14:47 | |
with its gables and its Tudor chimneys, and its bell tower. | 0:14:47 | 0:14:51 | |
Apparently there used to be a bell in the tower | 0:14:51 | 0:14:53 | |
because trains would make a special long stop here | 0:14:53 | 0:14:56 | |
to allow passengers to get off and eat and drink in the dining room, | 0:14:56 | 0:14:59 | |
and then the bell would ring to tell them that it was time to get aboard, | 0:14:59 | 0:15:03 | |
and the train was about to go. | 0:15:03 | 0:15:05 | |
Which makes Portarlington a pretty hospitable place | 0:15:05 | 0:15:08 | |
and somewhere that I am happy to break my journey and end my day. | 0:15:08 | 0:15:12 | |
It's a new day and I'm continuing through the Irish Midlands | 0:15:21 | 0:15:25 | |
deeper into county Laois before ending in County Offaly. | 0:15:25 | 0:15:28 | |
In Victorian Ireland third class tickets | 0:15:35 | 0:15:38 | |
made it possible for millions to take the train. | 0:15:38 | 0:15:42 | |
Even so, rail travel | 0:15:42 | 0:15:43 | |
would have been beyond the wildest dreams of the poorest. | 0:15:43 | 0:15:47 | |
I'm going to alight at Ballybrophy | 0:15:47 | 0:15:49 | |
to find out how life was lived by those who had nothing. | 0:15:49 | 0:15:53 | |
'We will shortly be arriving at Ballybrophy. | 0:15:53 | 0:15:55 | |
'Thank you for travelling with Iarnrod Eireann.' | 0:15:55 | 0:15:59 | |
Between 1720 and 1820 the population of Ireland exploded, | 0:16:04 | 0:16:09 | |
doubling in size from three million to over six. | 0:16:09 | 0:16:13 | |
Unlike England, which was undergoing an industrial revolution, | 0:16:13 | 0:16:16 | |
in rural Ireland employment was virtually non-existent | 0:16:16 | 0:16:20 | |
and land, upon which the Irish labourer relied, | 0:16:20 | 0:16:23 | |
was both costly to rent and overly sublet. | 0:16:23 | 0:16:26 | |
By the end of the 18th century | 0:16:26 | 0:16:28 | |
about one third of the country was near starvation level. | 0:16:28 | 0:16:32 | |
Poverty was endemic. | 0:16:32 | 0:16:34 | |
State intervention became unavoidable. | 0:16:34 | 0:16:36 | |
The Government's solution was the workhouse. | 0:16:36 | 0:16:39 | |
I've come to Donaghmore Workhouse, now a museum, | 0:16:42 | 0:16:45 | |
to meet its chairman, Trevor Stanley. | 0:16:45 | 0:16:48 | |
-Trevor. -Michael. | 0:16:49 | 0:16:52 | |
Phew! An extraordinary complex of buildings here. | 0:16:55 | 0:16:58 | |
What were they originally? | 0:16:58 | 0:17:00 | |
Buildings were structured in such a way | 0:17:00 | 0:17:03 | |
that we had the girls and boys dormitories to the front, | 0:17:03 | 0:17:05 | |
the men and the women's dormitories in the middle | 0:17:05 | 0:17:09 | |
and the infirmary at the back. | 0:17:09 | 0:17:11 | |
So, first of all, you've told me something I hadn't realised | 0:17:11 | 0:17:13 | |
that the men and the women, and the boys and the girls were split up on arrival here. | 0:17:13 | 0:17:17 | |
Very much so, it was one of the strict rules | 0:17:17 | 0:17:19 | |
that they had within the workhouse, in Ireland, | 0:17:19 | 0:17:22 | |
was to divide the families. | 0:17:22 | 0:17:24 | |
And that was, ultimately, not to encourage people into the workhouse. | 0:17:24 | 0:17:28 | |
When you came in here you gave up everything | 0:17:28 | 0:17:31 | |
and you signed up to a life within the workhouse. | 0:17:31 | 0:17:34 | |
The 1838 Irish Poor Law Act decreed that poor relief | 0:17:36 | 0:17:40 | |
was available in the workhouse only. | 0:17:40 | 0:17:43 | |
It was this or nothing. | 0:17:43 | 0:17:45 | |
The country was divided into 130 administrative unions, | 0:17:45 | 0:17:49 | |
each containing a workhouse. | 0:17:49 | 0:17:52 | |
They were set up and run by an elected Board of Guardians, | 0:17:52 | 0:17:55 | |
financed by a levy on local landowners - | 0:17:55 | 0:17:59 | |
the principle being that property was to pay for poverty. | 0:17:59 | 0:18:02 | |
I know the law in Ireland, | 0:18:04 | 0:18:06 | |
although it is slightly later than the law in England, | 0:18:06 | 0:18:08 | |
was based on the same thing. | 0:18:08 | 0:18:09 | |
And the idea was that you were going to have poor people | 0:18:09 | 0:18:12 | |
but you had to absolutely discourage them from entering the workhouse. | 0:18:12 | 0:18:17 | |
It had to be the worst possible thing | 0:18:17 | 0:18:18 | |
and I think the expression was that the conditions in a workhouse | 0:18:18 | 0:18:21 | |
had to be less eligible than life outside. | 0:18:21 | 0:18:24 | |
They certainly had to be harsher, | 0:18:24 | 0:18:26 | |
they had to give up whatever holdings they had outside | 0:18:26 | 0:18:29 | |
and those holdings were divided up by, | 0:18:29 | 0:18:31 | |
to other people within the landlord estates - | 0:18:31 | 0:18:34 | |
when they came in here they, literally, lost their dignity. | 0:18:34 | 0:18:38 | |
The ethos of the workhouse was that inmates should be worse clothed, | 0:18:38 | 0:18:42 | |
worse lodged and worse fed than people outside. | 0:18:42 | 0:18:47 | |
However, even the Poor Law Commissioners | 0:18:47 | 0:18:49 | |
recognised that the standard of living for most Irish poor | 0:18:49 | 0:18:52 | |
was so low that it would be difficult | 0:18:52 | 0:18:54 | |
to establish one even lower. | 0:18:54 | 0:18:57 | |
The workhouse system was so despised that, despite widespread poverty, | 0:18:57 | 0:19:01 | |
in 1846 the number of inmates across the country's workhouses | 0:19:01 | 0:19:05 | |
stood at just 43,000 - less than half their capacity. | 0:19:05 | 0:19:10 | |
Unchanged since Victorian times? | 0:19:10 | 0:19:13 | |
I'm afraid so, Michael. | 0:19:13 | 0:19:15 | |
This was the boys' dorm? | 0:19:15 | 0:19:16 | |
You can see the whitewashed walls - | 0:19:16 | 0:19:19 | |
whitewash was used to keep disease down | 0:19:19 | 0:19:22 | |
because the lime would kill the bacterias and the bugs. | 0:19:22 | 0:19:26 | |
This room, I always say, is built for ventilation and not for comfort | 0:19:26 | 0:19:30 | |
because you have air vents between each window | 0:19:30 | 0:19:33 | |
and you have air vents under the plinth as well, too. | 0:19:33 | 0:19:37 | |
It's terrible but it's interesting | 0:19:37 | 0:19:39 | |
that the Victorians understood the connection between disease | 0:19:39 | 0:19:44 | |
and lack of cleanliness, and they understood the need for ventilation. | 0:19:44 | 0:19:48 | |
I mean, this is quite advanced in some ways. | 0:19:48 | 0:19:50 | |
It is, er, and I suppose they learnt very quickly | 0:19:50 | 0:19:54 | |
because when you put a group of 50, 60, 70 boys into any room, | 0:19:54 | 0:19:59 | |
and they have a sniffle or a cold it spreads through, like wild fire. | 0:19:59 | 0:20:04 | |
I imagine the death rate was pretty ghastly? | 0:20:04 | 0:20:07 | |
Death rates would have been pretty high in workhouses, in general, | 0:20:07 | 0:20:10 | |
because people were at such a low ebb in coming in. | 0:20:10 | 0:20:14 | |
The food, the accommodation, was not designed to fatten them up, | 0:20:14 | 0:20:19 | |
or to improve them, it was just basic maintenance | 0:20:19 | 0:20:23 | |
and that obviously led to a lot of disease. | 0:20:23 | 0:20:27 | |
Typhus, dysentery, cholera would have been the three main diseases. | 0:20:27 | 0:20:33 | |
Death inside the workhouse was common | 0:20:35 | 0:20:38 | |
but by 1847 those outside became victims of famine | 0:20:38 | 0:20:42 | |
as successive potato crops failed. | 0:20:42 | 0:20:45 | |
The Workhouses were deluged. | 0:20:45 | 0:20:47 | |
By 1851 their population stood at 217,000 - | 0:20:47 | 0:20:53 | |
more than double their intended capacity. | 0:20:53 | 0:20:55 | |
Workhouses designed for hundreds were forced to house thousands. | 0:20:56 | 0:21:01 | |
So, tell me how the system began to creak and crumble under the famine. | 0:21:02 | 0:21:07 | |
Well, I suppose the ultimate breakdown of the system | 0:21:07 | 0:21:10 | |
was that the people that came in here had no way of getting back out. | 0:21:10 | 0:21:15 | |
And emigration was a method of getting people out | 0:21:15 | 0:21:19 | |
and to reduce numbers | 0:21:19 | 0:21:21 | |
but, ultimately, that was only for families that were healthy. | 0:21:21 | 0:21:24 | |
So, for other people, they had to stay here | 0:21:24 | 0:21:27 | |
and, obviously, the whole system began to crumble after that. | 0:21:27 | 0:21:31 | |
By the early 20th century it was clear the workhouse system | 0:21:31 | 0:21:35 | |
needed radical reform. | 0:21:35 | 0:21:37 | |
A Royal Commission in 1906 recommended that the system be abolished. | 0:21:37 | 0:21:42 | |
The workhouses were designed to use public money to relieve poverty | 0:21:42 | 0:21:46 | |
but to make it shameful so as not to discourage people from working | 0:21:46 | 0:21:50 | |
if they could remain independent. | 0:21:50 | 0:21:53 | |
The scale of misery unleashed by the famine overwhelmed the system, | 0:21:53 | 0:21:58 | |
adding to resentment against landowners | 0:21:58 | 0:22:00 | |
and the British establishment. | 0:22:00 | 0:22:02 | |
My Bradshaw's enticingly tells me of, "The Roscrea and Parsontown line, 22 and a half miles long." | 0:22:17 | 0:22:25 | |
"On arriving at the town of Roscrea it divides into two branches, | 0:22:25 | 0:22:29 | |
"the one to the northwest to Parsontown or Birr. | 0:22:29 | 0:22:33 | |
"Near Parsontown Castle, | 0:22:33 | 0:22:35 | |
"seat of the Earl of Ross, with a famous telescope here." | 0:22:35 | 0:22:39 | |
Unfortunately, the line no longer stretches so far | 0:22:39 | 0:22:43 | |
and so my quest for that renowned astrological instrument | 0:22:43 | 0:22:47 | |
means I must alight at Roscrea. | 0:22:47 | 0:22:49 | |
Victorians were as passionate about scientific exploration | 0:22:55 | 0:22:58 | |
as they were about rail travel. | 0:22:58 | 0:23:00 | |
Whether professional or amateur, | 0:23:00 | 0:23:02 | |
their thirst for knowledge was insatiable. | 0:23:02 | 0:23:05 | |
And Birr Castle, an ancestral seat deep in the Irish bogs, | 0:23:05 | 0:23:10 | |
became an unexpected centre of scientific discovery. | 0:23:10 | 0:23:14 | |
The current Earl of Rosse is going to enlighten me. | 0:23:15 | 0:23:19 | |
Hello, you're welcome, Michael. | 0:23:19 | 0:23:20 | |
-Thank you very much indeed. -Failte romhat, as we say in Ireland. | 0:23:20 | 0:23:23 | |
That's a very nice welcome. | 0:23:23 | 0:23:25 | |
The Parsons, family name of the Earls of Rosse, | 0:23:26 | 0:23:30 | |
have been at Birr Castle since 1620. | 0:23:30 | 0:23:34 | |
It's one of the oldest inhabited homes in the county | 0:23:34 | 0:23:38 | |
and one particular ancestor interests me. | 0:23:38 | 0:23:41 | |
My Bradshaw's says that there is a famous telescope here, | 0:23:41 | 0:23:43 | |
which ancestor was that? | 0:23:43 | 0:23:45 | |
That was my great-great-grandfather, the 3rd Earl - I'm number seven. | 0:23:45 | 0:23:50 | |
He was my great-great-grandfather, | 0:23:50 | 0:23:53 | |
who built this telescope, that we are going to see, here, in the 1840s. | 0:23:53 | 0:23:58 | |
It was completed just before the famine really struck. | 0:23:58 | 0:24:02 | |
I read about this telescope in the book | 0:24:02 | 0:24:05 | |
but it gave me no hint of how enormous it was going to be. | 0:24:05 | 0:24:10 | |
What a construction! | 0:24:10 | 0:24:11 | |
It was know locally as The Monster, His Lordship's Monster, | 0:24:11 | 0:24:15 | |
and it certainly was the biggest in the world | 0:24:15 | 0:24:18 | |
for three-quarters of a century. | 0:24:18 | 0:24:20 | |
It enabled him to see further into space | 0:24:20 | 0:24:23 | |
than anyone had ever been able to see before. | 0:24:23 | 0:24:26 | |
William Parsons, the 3rd Earl, | 0:24:26 | 0:24:28 | |
graduated from Oxford University | 0:24:28 | 0:24:30 | |
with a first class honours degree in mathematics | 0:24:30 | 0:24:33 | |
but he was simply an extraordinary and enthusiastic amateur, | 0:24:33 | 0:24:37 | |
that makes this 16 tonne telescope, with its 72 inch mirror, | 0:24:37 | 0:24:42 | |
an even more outstanding feat of engineering and architecture. | 0:24:42 | 0:24:47 | |
With a new telescope of this power, what discoveries were enabled? | 0:24:47 | 0:24:51 | |
I think the Whirlpool Galaxy | 0:24:51 | 0:24:55 | |
was the most significant of the discoveries that he made here | 0:24:55 | 0:25:01 | |
and, literally, during the first few months | 0:25:01 | 0:25:04 | |
of the operation of the telescope, in 1845. | 0:25:04 | 0:25:08 | |
The discovery, what, that galaxies | 0:25:08 | 0:25:11 | |
had a, kind of, spiral shape, is this? | 0:25:11 | 0:25:14 | |
Were spiral in shape, like the one that is called The Whirlpool, | 0:25:14 | 0:25:19 | |
of which we have one of the most beautiful drawings | 0:25:19 | 0:25:22 | |
in the galleries here because EVERYTHING he saw he drew. | 0:25:22 | 0:25:26 | |
But it all had to be made here entirely by the people of Birr, | 0:25:26 | 0:25:31 | |
mobilising the coopers to make the curved beams of the tube, | 0:25:31 | 0:25:36 | |
the carpenters to make things like the galleries | 0:25:36 | 0:25:39 | |
and, of course, the blacksmiths to make all the iron work. | 0:25:39 | 0:25:42 | |
And, luckily, Birr, as a garrison town, | 0:25:42 | 0:25:45 | |
then had a good supply of craftsmen to make everything. | 0:25:45 | 0:25:49 | |
So all the coopers, blacksmiths and carpenters | 0:25:49 | 0:25:52 | |
were mobilised to make this. | 0:25:52 | 0:25:54 | |
The Earl's Leviathan telescope | 0:25:57 | 0:26:00 | |
remained the world's largest for over 70 years | 0:26:00 | 0:26:03 | |
and put Birr on the map. | 0:26:03 | 0:26:05 | |
Scientists, stargazers and engineers from all over the globe came to see it - | 0:26:05 | 0:26:10 | |
their journeys much facilitated by the arrival of the railway in 1858. | 0:26:10 | 0:26:15 | |
Now, Michael, this is what we call our Muniment Room, | 0:26:16 | 0:26:20 | |
where we keep all the archives. | 0:26:20 | 0:26:23 | |
These go back to more or less when we came here in the 1620s. | 0:26:24 | 0:26:28 | |
There are about 18,000 historical documents in all these boxes. | 0:26:28 | 0:26:32 | |
This must be a very considerable archive, by national standards. | 0:26:32 | 0:26:36 | |
I think it's the largest private archive | 0:26:36 | 0:26:39 | |
that is still useable in Ireland. | 0:26:39 | 0:26:42 | |
And out of the archives I've got this old book, | 0:26:42 | 0:26:45 | |
which is the visitors book of the observatory at Birr Castle, | 0:26:45 | 0:26:49 | |
and maybe I'll just open the first page to show you the significance | 0:26:49 | 0:26:54 | |
of the initial signature, which is that of Charles Babbage | 0:26:54 | 0:27:00 | |
who the 3rd Earl invited to inaugurate this book | 0:27:00 | 0:27:04 | |
on September the 9th 1850. | 0:27:04 | 0:27:07 | |
And Babbage, what would you say was his place in history? | 0:27:07 | 0:27:10 | |
He is the grandfather or now maybe even the great-grandfather | 0:27:10 | 0:27:14 | |
-of the whole, of every computer in the world today. -Extraordinary. | 0:27:14 | 0:27:17 | |
The story of science at Birr is far from over, | 0:27:20 | 0:27:23 | |
as, even now, astrophysicists are using the grounds | 0:27:23 | 0:27:27 | |
to measure solar flares, using a radio telescope. | 0:27:27 | 0:27:30 | |
The 3rd Earl would be proud. | 0:27:31 | 0:27:34 | |
In 19th century Ireland poverty stricken peasants | 0:27:37 | 0:27:40 | |
were caught between starvation and the workhouse. | 0:27:40 | 0:27:43 | |
The British army was here to keep them in order | 0:27:43 | 0:27:46 | |
but also bequeathed to the Irish a love of horse racing. | 0:27:46 | 0:27:50 | |
Meanwhile aristocrats expanded our knowledge of science, | 0:27:50 | 0:27:54 | |
the sort of progress so admired by George Bradshaw. | 0:27:54 | 0:27:57 | |
On the final leg of this journey, | 0:28:00 | 0:28:02 | |
I'll discover historic Irish jewellery with Royal connections... | 0:28:02 | 0:28:07 | |
I'm ready for my patient! | 0:28:07 | 0:28:09 | |
..meet an ancient people's king... | 0:28:09 | 0:28:10 | |
-Happy and glorious, long to reign over us! -Oh, thank you. Thank you! | 0:28:10 | 0:28:15 | |
..and get to grips with some aural history. | 0:28:15 | 0:28:18 | |
# My old native land far away. # | 0:28:18 | 0:28:25 | |
Well done, Michael. Well done. | 0:28:25 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:56 |