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|---|---|---|---|
In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw | 0:00:10 | 0:00:12 | |
and his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
Stop by stop he told them where to go, | 0:00:17 | 0:00:20 | |
what to see and where to stay. | 0:00:20 | 0:00:23 | |
And now, 170 years later, | 0:00:23 | 0:00:25 | |
I'm aboard for a series of rail adventures across the United Kingdom | 0:00:25 | 0:00:30 | |
to see what of Bradshaw's Britain remains. | 0:00:30 | 0:00:34 | |
I'm continuing my journey from the Hampshire coast to the West Midlands | 0:00:54 | 0:00:58 | |
using mainly branch lines, | 0:00:58 | 0:01:00 | |
but thanks to the railways, the towns along my route | 0:01:00 | 0:01:03 | |
could play their part at the heart of the British Empire. | 0:01:03 | 0:01:07 | |
There's a distinctly military feel to this part of my beat. | 0:01:07 | 0:01:11 | |
'On this stretch I encounter the Duke of Wellington's impressive funeral car.' | 0:01:15 | 0:01:20 | |
It is the most colossal thing, isn't it? Absolutely enormous | 0:01:20 | 0:01:25 | |
'I get my marching orders from the army.' | 0:01:25 | 0:01:29 | |
Get those knees up, Portillo, get those knees up nice and high! | 0:01:29 | 0:01:33 | |
'And I learn of the surprisingly enlightened 19th-century attitude | 0:01:33 | 0:01:38 | |
'towards the criminally insane.' | 0:01:38 | 0:01:40 | |
What the Victorian did was they established that people | 0:01:40 | 0:01:43 | |
with mental illness who committed crime needed health care. | 0:01:43 | 0:01:45 | |
They needed a hospital, not a prison. | 0:01:45 | 0:01:48 | |
My journey started on the south coast, | 0:01:52 | 0:01:55 | |
heads through Hampshire, | 0:01:55 | 0:01:57 | |
north west to Newbury, | 0:01:57 | 0:01:59 | |
takes in an engineering triumph in Bristol | 0:01:59 | 0:02:02 | |
and ends in the West Midlands. | 0:02:02 | 0:02:04 | |
Today's leg begins at Winchfield in Hampshire, | 0:02:07 | 0:02:10 | |
takes a short hop to Farnborough, | 0:02:10 | 0:02:12 | |
and crosses into Berkshire to finish at Crowthorne. | 0:02:12 | 0:02:16 | |
My first stop will be Winchfield. | 0:02:20 | 0:02:22 | |
Bradshaw's tells me that the line passes beneath Odiham Bridge, | 0:02:22 | 0:02:26 | |
which leads to the seat of the late and present Duke of Wellington - | 0:02:26 | 0:02:30 | |
Stratfield Saye, situated about six miles off to the right. | 0:02:30 | 0:02:35 | |
The victor of Waterloo and an estate owner to boot. | 0:02:35 | 0:02:40 | |
The station at Winchfield opened in 1838. | 0:02:43 | 0:02:46 | |
Firmly established on London's commuter belt, | 0:02:48 | 0:02:51 | |
in Bradshaw's day it was renowned for its proximity to Stratfield Saye, | 0:02:51 | 0:02:56 | |
home to perhaps the 19th century's most famous British soldier - | 0:02:56 | 0:03:00 | |
the Duke of Wellington. | 0:03:00 | 0:03:01 | |
This beautiful estate at Stratfield Saye was gifted | 0:03:03 | 0:03:06 | |
to the Duke of Wellington by a grateful nation | 0:03:06 | 0:03:08 | |
after his victory at the Battle of Waterloo. | 0:03:08 | 0:03:11 | |
The only precedent was the land that was given to the Duke of Marlborough | 0:03:11 | 0:03:16 | |
after his victory at the Battle of Blenheim, | 0:03:16 | 0:03:18 | |
but whereas Marlborough built an enormous Blenheim Palace | 0:03:18 | 0:03:22 | |
on his estate, Stratfield Saye remains | 0:03:22 | 0:03:26 | |
a delightfully understated country house. | 0:03:26 | 0:03:29 | |
Although avoiding ostentation, | 0:03:33 | 0:03:35 | |
Wellington did like his modern conveniences at Stratfield Saye, | 0:03:35 | 0:03:39 | |
where flushing lavatories and central heating | 0:03:39 | 0:03:42 | |
were installed in the house, which dates from 1630. | 0:03:42 | 0:03:45 | |
To learn more, I'm meeting Lord Douro - the current occupant | 0:03:47 | 0:03:51 | |
and eldest son of the present Duke. | 0:03:51 | 0:03:53 | |
The Duke of Wellington was fortunate to live 37 years | 0:03:54 | 0:03:57 | |
after the Battle of Waterloo. Did he enjoy Stratfield Saye? | 0:03:57 | 0:04:00 | |
I think very much, but I think also | 0:04:00 | 0:04:03 | |
his wife and children very much enjoyed living here, | 0:04:03 | 0:04:07 | |
so he was very, very content | 0:04:07 | 0:04:09 | |
and all his life considered this as his home. | 0:04:09 | 0:04:12 | |
He was unlucky enough in a way to become Prime Minister. | 0:04:12 | 0:04:15 | |
Did that interrupt his enjoyment of Stratfield Saye? | 0:04:15 | 0:04:17 | |
I think it must have to a certain extent. I mean you can't not | 0:04:17 | 0:04:21 | |
become Prime Minister and find yourself extremely occupied. | 0:04:21 | 0:04:25 | |
So he would have had less time to come here. | 0:04:25 | 0:04:28 | |
'Born Arthur Wellesley in Dublin to Anglo-Irish aristocrats in 1769, | 0:04:30 | 0:04:35 | |
'the future Duke rose quickly through the officer ranks, | 0:04:35 | 0:04:39 | |
'led British forces to victory in India at Assaye in 1803 | 0:04:39 | 0:04:44 | |
'and then, as shown in this filmed re-enactment, | 0:04:44 | 0:04:47 | |
'defeated Napoleon Bonaparte at Waterloo. | 0:04:47 | 0:04:50 | |
'The Duke's popularity rivalled Queen Victoria's | 0:04:51 | 0:04:54 | |
'and I wonder how they got on.' | 0:04:54 | 0:04:56 | |
Tell me about his relationship with the young Queen Victoria. | 0:04:56 | 0:04:59 | |
He was godfather to one of her children, | 0:04:59 | 0:05:02 | |
she was godmother to one of his granddaughters. | 0:05:02 | 0:05:05 | |
So I think it was a very close relationship | 0:05:05 | 0:05:09 | |
and when she came to stay here, | 0:05:09 | 0:05:11 | |
she writes charmingly about the experience of staying with the Duke. | 0:05:11 | 0:05:15 | |
Although Winchfield had its own station, | 0:05:17 | 0:05:19 | |
Wellington wasn't a fan of the railways and rarely took the train. | 0:05:19 | 0:05:23 | |
Maybe part of his doubts about railways | 0:05:23 | 0:05:27 | |
were the result of a tragic, tragic incident in 1830 | 0:05:27 | 0:05:34 | |
when he was Prime Minister when he was asked to open the new railway | 0:05:34 | 0:05:38 | |
from Liverpool to Manchester. | 0:05:38 | 0:05:40 | |
And halfway along the journey, the train stopped and Mr Huskison, | 0:05:40 | 0:05:45 | |
who had been a cabinet minister, | 0:05:45 | 0:05:47 | |
got out of his carriage to walk along the track | 0:05:47 | 0:05:51 | |
to say hello to the Duke and was killed by Stephenson's Rocket | 0:05:51 | 0:05:57 | |
which was coming along in the other direction. | 0:05:57 | 0:06:00 | |
And, I think, ever since then | 0:06:00 | 0:06:01 | |
the Duke had a very sceptical approach to railways. | 0:06:01 | 0:06:04 | |
Well, I think we can forgive the Iron Duke | 0:06:04 | 0:06:07 | |
his views of the railways, given that he was | 0:06:07 | 0:06:09 | |
a great national hero. | 0:06:09 | 0:06:11 | |
On the 18th of June 1815, | 0:06:13 | 0:06:16 | |
the Commander in Chief's faithful companion at Waterloo | 0:06:16 | 0:06:19 | |
was his chestnut stallion, Copenhagen. | 0:06:19 | 0:06:21 | |
21 years after the battle, the horse died | 0:06:24 | 0:06:26 | |
and the Duke buried him at Stratfield Saye | 0:06:26 | 0:06:29 | |
with full military honours. | 0:06:29 | 0:06:31 | |
The first Duke must have felt very strongly about his horse | 0:06:32 | 0:06:35 | |
to bury it in this way - why, do you think? | 0:06:35 | 0:06:38 | |
The Duke was tremendously dependent on a reliable horse. | 0:06:38 | 0:06:41 | |
He rode this horse all day, | 0:06:41 | 0:06:43 | |
from early in the morning to late that evening | 0:06:43 | 0:06:46 | |
so Copenhagen played a very important part | 0:06:46 | 0:06:49 | |
in the success of the battle. | 0:06:49 | 0:06:51 | |
-Copenhagen deserved to be buried with such honours. -Certainly. | 0:06:51 | 0:06:56 | |
In November 1852, two months after Wellington's death, aged 83, | 0:06:59 | 0:07:04 | |
he was laid to rest in a lavish state funeral. | 0:07:04 | 0:07:07 | |
Prince Albert helped to design the 27-foot-long car | 0:07:10 | 0:07:14 | |
that carried the Duke's coffin to his final resting place, | 0:07:14 | 0:07:17 | |
next to Lord Nelson in the crypt of St Paul's Cathedral in London. | 0:07:17 | 0:07:22 | |
The car dominates the house museum. | 0:07:22 | 0:07:25 | |
So through here you're going to see suddenly... | 0:07:26 | 0:07:30 | |
the funeral car. | 0:07:30 | 0:07:32 | |
It is the most colossal thing, isn't it? Absolutely enormous. | 0:07:33 | 0:07:37 | |
What on earth does it weigh? | 0:07:37 | 0:07:39 | |
I believe it weighs 18 tonnes, | 0:07:39 | 0:07:41 | |
-but more remarkable is that it was made in 18 days. -From what? | 0:07:41 | 0:07:46 | |
Partly from canons captured at Waterloo. | 0:07:46 | 0:07:49 | |
And it's quite a complicated mechanism, because | 0:07:50 | 0:07:53 | |
the whole of the top part has to be able to swivel, | 0:07:53 | 0:07:57 | |
so as to take the coffin off and up the steps of St Pauls. | 0:07:57 | 0:08:02 | |
Spectacular. | 0:08:02 | 0:08:04 | |
'Although in Pall Mall, 30 soldiers had to free the car | 0:08:05 | 0:08:09 | |
'after the sheer weight of it caused the roadbed to give way.' | 0:08:09 | 0:08:12 | |
'More than a million people, hats in hand, | 0:08:13 | 0:08:15 | |
'lined the route from Westminster Hall to St Paul's | 0:08:15 | 0:08:18 | |
'and Queen Victoria was one of them.' | 0:08:18 | 0:08:22 | |
She didn't go to the ceremony, | 0:08:22 | 0:08:23 | |
because in those days it would not have been appropriate, | 0:08:23 | 0:08:26 | |
but she watched the procession pass Buckingham Palace | 0:08:26 | 0:08:29 | |
and then went to St James's Palace | 0:08:29 | 0:08:32 | |
and watched it again coming down St James's. | 0:08:32 | 0:08:35 | |
She was extremely sad. | 0:08:35 | 0:08:37 | |
She had great love and affection for him | 0:08:37 | 0:08:41 | |
and she wrote a wonderful letter to the then Lady Douro. | 0:08:41 | 0:08:45 | |
"It is impossible to think of this country without the Duke - | 0:08:46 | 0:08:50 | |
"her pride, her hero. | 0:08:50 | 0:08:52 | |
"It is a terrible loss, and to us, dear Bessie, a very severe one." | 0:08:52 | 0:08:57 | |
Having seen how the Commander in Chief spent his retirement, | 0:09:04 | 0:09:07 | |
at my next stop, I hope to discover what life was like | 0:09:07 | 0:09:10 | |
for rank and file Victorian soldiers. | 0:09:10 | 0:09:13 | |
I shall be alighting at Farnborough, which my Bradshaw's tells me | 0:09:16 | 0:09:20 | |
is the nearest station to the Army camp at Aldershot. | 0:09:20 | 0:09:23 | |
I once had the honour of inspecting the Paras there | 0:09:23 | 0:09:26 | |
and I shall be interested to find out how such brave men | 0:09:26 | 0:09:30 | |
are made fit for battle. | 0:09:30 | 0:09:32 | |
Amid concern that the Army was unfit for purpose, | 0:09:35 | 0:09:38 | |
Prince Albert urged commanders to modernise training methods. | 0:09:38 | 0:09:42 | |
Close enough to the south coast to repel potential French invaders, | 0:09:43 | 0:09:47 | |
Aldershot Heath was chosen. | 0:09:47 | 0:09:49 | |
I'm meeting military historian Paul Vickers at the camp museum. | 0:09:50 | 0:09:54 | |
Bradshaw's Guide tells me that the nearest railway station | 0:09:56 | 0:09:59 | |
to the camp at Aldershot is Farnborough, | 0:09:59 | 0:10:02 | |
but surely it is actually Aldershot? | 0:10:02 | 0:10:04 | |
Well, at the time of your Bradshaw's Guide, it wasn't, | 0:10:04 | 0:10:06 | |
because the railway itself didn't come to Aldershot | 0:10:06 | 0:10:09 | |
until 1870, after the town grew up around the camp. | 0:10:09 | 0:10:14 | |
And what was it like in those early days? | 0:10:14 | 0:10:16 | |
You would just see line upon line of wooden huts, | 0:10:16 | 0:10:19 | |
because that's what was built initially for the Army. | 0:10:19 | 0:10:21 | |
Prior to that time Aldershot had just been a very small village, | 0:10:21 | 0:10:25 | |
about a mile further to the east, of 875 people. | 0:10:25 | 0:10:29 | |
Suddenly within five years, there were 15,000 soldiers. | 0:10:29 | 0:10:33 | |
In 1890, the wooden huts, which had stood for 30 years, | 0:10:35 | 0:10:39 | |
were replaced with brick barracks | 0:10:39 | 0:10:42 | |
I'm keen to find out about the living conditions of an infantryman. | 0:10:42 | 0:10:46 | |
There'd be a company of soldiers, so there'd be 40 men living in here. | 0:10:48 | 0:10:51 | |
We can see that he has a simple bed, | 0:10:51 | 0:10:54 | |
a rack on which he can keep his uniforms and equipment. | 0:10:54 | 0:10:58 | |
What was the bed like? | 0:10:58 | 0:10:59 | |
Not the most comfortable. | 0:10:59 | 0:11:02 | |
The conditions were fairly spartan in the barrack blocks. | 0:11:02 | 0:11:05 | |
Quite narrow too, isn't it? | 0:11:05 | 0:11:07 | |
Yes, well, they were packed in here but also people at that time | 0:11:07 | 0:11:10 | |
were much smaller than they are now. | 0:11:10 | 0:11:13 | |
So here's my Victorian soldier - | 0:11:13 | 0:11:15 | |
fairly cramped conditions, | 0:11:15 | 0:11:16 | |
lots of heavy equipment, | 0:11:16 | 0:11:18 | |
heavy rifle musket, | 0:11:18 | 0:11:20 | |
but nonetheless, a good deal better than many people in civilian life | 0:11:20 | 0:11:25 | |
and a great deal better than living in a tent or a wooden hut. | 0:11:25 | 0:11:28 | |
'Aldershot got its civilian station in 1870 | 0:11:29 | 0:11:33 | |
'and it's still here today. | 0:11:33 | 0:11:35 | |
'Now Paul wants to show me a Victorian railway | 0:11:35 | 0:11:38 | |
'that hasn't stood the test of time.' | 0:11:38 | 0:11:40 | |
So why have you brought me to these sidings off the main line here? | 0:11:41 | 0:11:45 | |
This is quite possibly one of the most expensive pieces | 0:11:45 | 0:11:48 | |
-of railway in the country. -Well, it certainly doesn't look it. | 0:11:48 | 0:11:52 | |
First of all, where does it go? | 0:11:52 | 0:11:54 | |
In the 1890s, the first soldiers to go out to the Boer War | 0:11:54 | 0:11:58 | |
came down these sidings on to the main line | 0:11:58 | 0:12:01 | |
-to go out to the campaign. -So why so expensive? | 0:12:01 | 0:12:04 | |
Because in 1885 they'd launched a new campaign in the Sudan | 0:12:04 | 0:12:09 | |
for which they wanted a railway to transport their goods and materials. | 0:12:09 | 0:12:12 | |
So 38 ships full of railway equipment were sent out, | 0:12:12 | 0:12:16 | |
but no sooner had the campaign started | 0:12:16 | 0:12:19 | |
that Prime Minister Gladstone pulled the plug on the campaign. | 0:12:19 | 0:12:23 | |
So the ships were sent back to Britain with all this material, | 0:12:23 | 0:12:27 | |
then used for railway lines such as this one. | 0:12:27 | 0:12:29 | |
What did that cost? | 0:12:29 | 0:12:30 | |
It was calculated that the cost at the time was £865,000 | 0:12:30 | 0:12:35 | |
which in present day values is around £73 million. | 0:12:35 | 0:12:39 | |
Extraordinary! | 0:12:40 | 0:12:42 | |
As a former Defence Secretary, I know what emphasis the Army places | 0:12:46 | 0:12:50 | |
on physical fitness, but I wonder whether that was always the case. | 0:12:50 | 0:12:54 | |
I confess that the gymnasium is not exactly my natural habitat | 0:12:56 | 0:12:59 | |
but this is a glorious building! | 0:12:59 | 0:13:03 | |
This building is from 1894, | 0:13:03 | 0:13:05 | |
but it replaced the original gymnasium | 0:13:05 | 0:13:09 | |
and this was put up in 1860. | 0:13:09 | 0:13:12 | |
It was the first gymnasium in the British Army anywhere. | 0:13:12 | 0:13:16 | |
During the Crimean War, | 0:13:16 | 0:13:18 | |
the fitness of the soldier was not as good as it should be | 0:13:18 | 0:13:22 | |
and the Army Physical Training Corps was founded here in 1860, | 0:13:22 | 0:13:27 | |
bringing in a much more scientific approach | 0:13:27 | 0:13:29 | |
to physical fitness at this time. | 0:13:29 | 0:13:32 | |
How did they set about being scientific about physical education? | 0:13:32 | 0:13:35 | |
Well, they nominated an officer, Major Frederick Hammersley, | 0:13:35 | 0:13:39 | |
and 12 non-commissioned officers | 0:13:39 | 0:13:42 | |
and they were sent to a college in Oxford to learn | 0:13:42 | 0:13:44 | |
the science of gymnastics, as it was at the time. | 0:13:44 | 0:13:47 | |
They then came back to Aldershot | 0:13:47 | 0:13:49 | |
and set up what was then known as the Army Gymnastic Service, | 0:13:49 | 0:13:53 | |
and from that grew the Army Physical Training Corps as we know it today. | 0:13:53 | 0:13:58 | |
Do you think for the individual it can make the difference | 0:13:58 | 0:14:01 | |
between life and death, and for the army | 0:14:01 | 0:14:03 | |
can it make the difference between defeat and victory? | 0:14:03 | 0:14:05 | |
Oh, very much so, yes. | 0:14:05 | 0:14:07 | |
Without the necessary fitness in the field. | 0:14:07 | 0:14:10 | |
a soldier cannot fight to the full capacity. | 0:14:10 | 0:14:13 | |
Portillo versus the British Army. | 0:14:18 | 0:14:21 | |
They don't stand a chance. | 0:14:21 | 0:14:22 | |
Get those knees up, Portillo, get those knees up nice and high. | 0:14:25 | 0:14:28 | |
And now slightly leaning back again and flicking the toes up | 0:14:28 | 0:14:32 | |
and carry on normal jogging. | 0:14:32 | 0:14:33 | |
Listen to voice command. When I say direction change, | 0:14:33 | 0:14:36 | |
pick up the leading foot and turn and run in the opposite direction... | 0:14:36 | 0:14:39 | |
When does this finish? | 0:14:39 | 0:14:41 | |
Change! | 0:14:41 | 0:14:43 | |
-Well done. -That was a surprise. | 0:14:43 | 0:14:46 | |
And bouncing off the toes. | 0:14:46 | 0:14:48 | |
HE BREATHES HEAVILY | 0:14:48 | 0:14:51 | |
Five press-ups, off you go. | 0:14:51 | 0:14:52 | |
Well, I survived about five minutes. | 0:14:52 | 0:14:55 | |
I imagine these guys will be going on for, I don't know, | 0:14:55 | 0:14:59 | |
30, 45 minutes. | 0:14:59 | 0:15:02 | |
You've got to admire them... | 0:15:02 | 0:15:04 | |
Well done, guys, carry on. | 0:15:04 | 0:15:06 | |
Keep it going, guys! | 0:15:06 | 0:15:08 | |
To reach my next destination I'm using North Camp, | 0:15:13 | 0:15:16 | |
a station opened to troops in 1858. | 0:15:16 | 0:15:19 | |
From there, I'm heading one stop to Farnborough North. | 0:15:21 | 0:15:24 | |
Having reminded myself how the military | 0:15:25 | 0:15:28 | |
dedicates its lives to the service of Her Majesty the Queen, | 0:15:28 | 0:15:32 | |
I'm now interested to see how another group, | 0:15:32 | 0:15:35 | |
established in the community since late Victorian times | 0:15:35 | 0:15:38 | |
dedicates its lives to the service of God. | 0:15:38 | 0:15:42 | |
Put through my paces by the Army, | 0:15:44 | 0:15:45 | |
I'm seeking a tranquil spot to reflect on my journey so far. | 0:15:45 | 0:15:49 | |
What better place to rest my weary limbs | 0:15:50 | 0:15:52 | |
than the invitingly named Monastery of St Michael? | 0:15:52 | 0:15:56 | |
-Hello. -Hello. | 0:15:57 | 0:15:58 | |
I'm looking for the Benedictine monastery of St Michael's. | 0:15:58 | 0:16:03 | |
Yes, it's across the road there and it'll be up to your right-hand side. | 0:16:03 | 0:16:07 | |
Oh, great! | 0:16:07 | 0:16:08 | |
Have you any idea why there is a monastery here? | 0:16:08 | 0:16:10 | |
The only thing I know about it is Princess Eugenie is buried there. | 0:16:10 | 0:16:14 | |
Beyond that I don't know. | 0:16:14 | 0:16:16 | |
Thank you very much for the directions, | 0:16:16 | 0:16:19 | |
-I'll make my way. Thank you. -Bye-bye. Bye-bye. | 0:16:19 | 0:16:21 | |
This Eugenie was actually a French empress, | 0:16:21 | 0:16:25 | |
and I'm intrigued to know why such a personage is buried | 0:16:25 | 0:16:29 | |
in a suburban town just a stone's throw from a commuter line. | 0:16:29 | 0:16:34 | |
This is the most extraordinary sight, | 0:16:37 | 0:16:39 | |
about as far from my concept of Farnborough as it's possible to get. | 0:16:39 | 0:16:42 | |
It appears to be a medieval French castle, | 0:16:42 | 0:16:46 | |
next to a Victorian house, | 0:16:46 | 0:16:49 | |
with a Renaissance chapel beyond, | 0:16:49 | 0:16:53 | |
and, I must say, the most delightful feeling of tranquillity. | 0:16:53 | 0:16:59 | |
I'm meeting Abbot Cuthbert Brogan by the monastery's chapel | 0:17:04 | 0:17:08 | |
to find out more about this surprising Hampshire retreat. | 0:17:08 | 0:17:11 | |
How did it come to be that a Benedictine monastery | 0:17:12 | 0:17:15 | |
was built in this place? | 0:17:15 | 0:17:17 | |
The origin of the monastery is the Empress Eugenie. | 0:17:17 | 0:17:20 | |
The Empress was the widow, by the time she came to Farnborough, | 0:17:20 | 0:17:25 | |
of the emperor Napoleon III. | 0:17:25 | 0:17:27 | |
Napoleon III is the nephew of the one we all know about. | 0:17:27 | 0:17:31 | |
And she moved to Farnborough in the September of 1880 | 0:17:31 | 0:17:34 | |
and built the monastery and the church | 0:17:34 | 0:17:37 | |
and gave it to us. | 0:17:37 | 0:17:39 | |
18 years into his reign, French Emperor Napoleon III | 0:17:39 | 0:17:44 | |
lost the Franco Prussian war, in 1870, | 0:17:44 | 0:17:47 | |
was captured and exiled to England, | 0:17:47 | 0:17:50 | |
where he lived in Chislehurst, Kent, | 0:17:50 | 0:17:53 | |
with his wife Eugenie and their son Louis. | 0:17:53 | 0:17:55 | |
Napoleon died in 1873 and Louis perished in the British Army, | 0:17:57 | 0:18:02 | |
fighting Zulus, leaving Empress Eugenie heartbroken | 0:18:02 | 0:18:06 | |
and alone in Chislehurst. | 0:18:06 | 0:18:08 | |
The move to Farnborough was all about leaving behind | 0:18:09 | 0:18:12 | |
the bitter memories of Chislehurst, | 0:18:12 | 0:18:14 | |
and her sufferings in that house, | 0:18:14 | 0:18:16 | |
and creating something worthy, a permanent mausoleum | 0:18:16 | 0:18:19 | |
which, inevitably, would now have to be in England rather than in Paris. | 0:18:19 | 0:18:24 | |
Was Eugenie responsible for the architecture? | 0:18:24 | 0:18:27 | |
I thought at first it was Renaissance. | 0:18:27 | 0:18:28 | |
Now I think it's Gothic and Baroque - what is it? | 0:18:28 | 0:18:32 | |
It's a great mishmash, really. | 0:18:32 | 0:18:33 | |
Favourite churches, mostly along the Loire valley, | 0:18:33 | 0:18:37 | |
all put together - details of this one, | 0:18:37 | 0:18:39 | |
a dome from that one, a pinnacle from that one, | 0:18:39 | 0:18:42 | |
and there it is. | 0:18:42 | 0:18:44 | |
And was there already a community of Benedictine monks | 0:18:44 | 0:18:47 | |
for whom she was building this monastery? | 0:18:47 | 0:18:49 | |
No! | 0:18:50 | 0:18:51 | |
She built the monastery and then started scurrying around France | 0:18:51 | 0:18:55 | |
looking for some monks to live in it! | 0:18:55 | 0:18:57 | |
And that's easier said than done. | 0:18:57 | 0:18:59 | |
So it wasn't until 1895 that she brought | 0:18:59 | 0:19:03 | |
Benedictines from the Abbey at Solesmes in the north of France. | 0:19:03 | 0:19:07 | |
And in 1940 there was a new experiment, | 0:19:07 | 0:19:11 | |
a daring new adventure began in our house. | 0:19:11 | 0:19:13 | |
We began to speak English on Mondays and Tuesdays. | 0:19:13 | 0:19:17 | |
A devout Catholic, | 0:19:18 | 0:19:20 | |
Eugenie's motivation here at St Michael's was spiritual. | 0:19:20 | 0:19:23 | |
She spent her time and money establishing a Benedictine community | 0:19:23 | 0:19:27 | |
to pray for the family's souls during eternity | 0:19:27 | 0:19:31 | |
in the crypt that she spent years building. | 0:19:31 | 0:19:34 | |
Here they are. | 0:19:35 | 0:19:36 | |
The Emperor Napoleon III | 0:19:36 | 0:19:38 | |
and then on the left, Louis, | 0:19:38 | 0:19:41 | |
the Prince Imperial, his son, | 0:19:41 | 0:19:43 | |
and above the altar in the prime position, | 0:19:43 | 0:19:46 | |
the Empress Eugenie. | 0:19:46 | 0:19:48 | |
She died in 1920, so 50 years in exile and 40 of them in Farnborough. | 0:19:48 | 0:19:54 | |
And long enough to complete this extraordinary mausoleum | 0:19:54 | 0:19:58 | |
to the three of them. | 0:19:58 | 0:20:00 | |
And the monks of course, | 0:20:00 | 0:20:02 | |
repeating what often happened in the Middle Ages | 0:20:02 | 0:20:04 | |
with Royal or Imperial families, | 0:20:04 | 0:20:06 | |
the monks were brought to pray for their souls. | 0:20:06 | 0:20:08 | |
Thank you so much. | 0:20:08 | 0:20:10 | |
MONKS CHANT | 0:20:11 | 0:20:14 | |
At the heart of the Abbey's life is the daily round of offices | 0:20:20 | 0:20:25 | |
sung in Latin to Gregorian Chant. | 0:20:25 | 0:20:28 | |
I doubt there could be anything more beautiful and calming | 0:20:35 | 0:20:38 | |
before resting for the night as a guest of the monks. | 0:20:38 | 0:20:42 | |
Having enjoyed the hospitality of the monks at the monastery, | 0:20:51 | 0:20:56 | |
I've woken to this beautiful view of the chapel. | 0:20:56 | 0:20:59 | |
I've spent the night in this very comfortable room, | 0:20:59 | 0:21:02 | |
known as the bishop's room, | 0:21:02 | 0:21:04 | |
and now it's time for me to resume my travels. | 0:21:04 | 0:21:07 | |
But not wanting to leave on an empty stomach, | 0:21:09 | 0:21:11 | |
I'm breaking bread with Brother Anselm Carpenter | 0:21:11 | 0:21:15 | |
to find out why he, like his three fellow monks, | 0:21:15 | 0:21:18 | |
chose to commit his life to prayer. | 0:21:18 | 0:21:20 | |
I joined the monastery at 21, | 0:21:22 | 0:21:27 | |
straight from university | 0:21:27 | 0:21:29 | |
and I'm 28 this year, | 0:21:29 | 0:21:31 | |
although ravaged by virtue. | 0:21:31 | 0:21:34 | |
-Is it a hard life? -It brings its challenges. | 0:21:34 | 0:21:37 | |
I've always been astounded that | 0:21:37 | 0:21:40 | |
the things I thought would be difficult when I was 21 | 0:21:40 | 0:21:43 | |
are actually very easy | 0:21:43 | 0:21:45 | |
and the things which were to be very easy, | 0:21:45 | 0:21:47 | |
doing what you're told and being obedient, | 0:21:47 | 0:21:50 | |
are more difficult, more trying. | 0:21:50 | 0:21:53 | |
How does the calling express itself? | 0:21:53 | 0:21:56 | |
God wore me down. | 0:21:56 | 0:21:58 | |
The desire to try the life became more intense, | 0:21:58 | 0:22:02 | |
to the extent that I realised that I had to just give it a go, | 0:22:02 | 0:22:05 | |
because the monastic life is something that you try to live, | 0:22:05 | 0:22:09 | |
and it's something that tries you, | 0:22:09 | 0:22:12 | |
and it's through this almost dialogue of trying and being tried | 0:22:12 | 0:22:16 | |
that one hopefully realises that you're in the right place. | 0:22:16 | 0:22:19 | |
Spiritually refreshed, I've left the monastic life behind. | 0:22:27 | 0:22:32 | |
I'm going to study yet another Victorian institution. | 0:22:32 | 0:22:35 | |
This one made great progress in the field of mental health. | 0:22:35 | 0:22:39 | |
I'm heading north west, on the Ash to Wokingham branch line, | 0:22:41 | 0:22:45 | |
to my final stop, Crowthorne. | 0:22:45 | 0:22:47 | |
Crowthorne is home to Wellington College, | 0:22:47 | 0:22:51 | |
where the sons of British officers were educated. | 0:22:51 | 0:22:54 | |
Then in 1863, the year that my Bradshaw's was published, | 0:22:55 | 0:22:59 | |
a notorious new institution opened here - | 0:22:59 | 0:23:01 | |
England's first asylum for the criminally insane. | 0:23:01 | 0:23:05 | |
These forbidding walls mark the perimeter of a place | 0:23:05 | 0:23:09 | |
whose name sends a chill through the body, Broadmoor. | 0:23:09 | 0:23:13 | |
But such a place demands an open minded approach, | 0:23:13 | 0:23:18 | |
both to the work done here by the Victorians | 0:23:18 | 0:23:20 | |
and the work done here today. | 0:23:20 | 0:23:22 | |
Broadmoor is now one of Britain's | 0:23:25 | 0:23:27 | |
three high security psychiatric hospitals. | 0:23:27 | 0:23:30 | |
The Criminal Lunatic Asylum Act of 1860 gave the Home Office | 0:23:31 | 0:23:35 | |
responsibility for caring for mentally ill people | 0:23:35 | 0:23:38 | |
who'd committed crimes. | 0:23:38 | 0:23:40 | |
Broadmoor's Victorian buildings | 0:23:40 | 0:23:42 | |
were the first specifically built for the purpose. | 0:23:42 | 0:23:45 | |
Author Mark Stevens knows more. | 0:23:47 | 0:23:50 | |
This must have been the old Victorian entrance, must it? | 0:23:52 | 0:23:54 | |
Yes, this is the iconic image of Broadmoor. | 0:23:54 | 0:23:57 | |
If you're a male patient arriving at the Victorian hospital, | 0:23:57 | 0:24:00 | |
this is your first sight. | 0:24:00 | 0:24:01 | |
Why did the Victorians choose to build Broadmoor here? | 0:24:01 | 0:24:04 | |
They wanted something that wasn't too far away London | 0:24:04 | 0:24:07 | |
and was on Government land and there was a bit of a deal clincher here - | 0:24:07 | 0:24:12 | |
there was a railway station being built nearby. | 0:24:12 | 0:24:14 | |
Most asylums were built, if not directly close to a railway station, | 0:24:14 | 0:24:18 | |
within a carriage ride away and Broadmoor's no exception. | 0:24:18 | 0:24:21 | |
'Since the 14th century | 0:24:21 | 0:24:23 | |
and throughout the Georgian 18th century, | 0:24:23 | 0:24:26 | |
'the straitjackets, public humiliations and horrific conditions | 0:24:26 | 0:24:30 | |
'of London's Saint Mary of Bethlehem Asylum | 0:24:30 | 0:24:33 | |
'better known as Bedlam, | 0:24:33 | 0:24:35 | |
'were the norm in the incarceration of the mentally ill.' | 0:24:35 | 0:24:38 | |
'I wonder whether the Victorians | 0:24:39 | 0:24:41 | |
'were more enlightened in their attitudes?' | 0:24:41 | 0:24:43 | |
When a Victorian patient arrived here, | 0:24:44 | 0:24:46 | |
what were the aspirations that they had for him? | 0:24:46 | 0:24:48 | |
They gave people regular occupation, a diet of decent food, | 0:24:48 | 0:24:53 | |
plenty of fresh air and also the notion of routine | 0:24:53 | 0:24:55 | |
so the idea of Victorian healthcare is you'll nurse somebody better | 0:24:55 | 0:24:59 | |
-using those things. -Quite progressive, really, the Victorians. | 0:24:59 | 0:25:03 | |
Set in farmland, and with workshops for shoemakers, upholsterers, | 0:25:10 | 0:25:14 | |
tinsmiths, carpenters and more, | 0:25:14 | 0:25:17 | |
at the time my guide was published, | 0:25:17 | 0:25:19 | |
Broadmoor's therapeutic regime consisted of work, exercise | 0:25:19 | 0:25:23 | |
and rest with newspapers, games | 0:25:23 | 0:25:26 | |
and a library available to all. | 0:25:26 | 0:25:28 | |
Do you think any of the Victorian principles survive today in Broadmoor? | 0:25:29 | 0:25:33 | |
Yes, I think what the Victorians did was they established | 0:25:33 | 0:25:35 | |
that people with mental illness who committed crime needed healthcare. | 0:25:35 | 0:25:39 | |
They needed a hospital, not a prison. | 0:25:39 | 0:25:41 | |
By and large, it worked. | 0:25:41 | 0:25:42 | |
You had a few convicts from the Victorian prison system | 0:25:42 | 0:25:45 | |
who thought that maybe feigning insanity would be a better idea | 0:25:45 | 0:25:48 | |
than being in prison and they soon found that actually, | 0:25:48 | 0:25:51 | |
being surrounded by people who were behaving irrationally | 0:25:51 | 0:25:54 | |
was not at all a preferable option to being surrounded by | 0:25:54 | 0:25:56 | |
the certainties of your fellow convicts. | 0:25:56 | 0:25:59 | |
'Nowadays, Broadmoor treats men only, | 0:26:00 | 0:26:03 | |
'but it first opened with 95 female patients.' | 0:26:03 | 0:26:07 | |
'One of the best known was Christiana Edmunds, | 0:26:08 | 0:26:11 | |
'who was sentenced as result of evidence found on board | 0:26:11 | 0:26:14 | |
'a London to Brighton train.' | 0:26:14 | 0:26:16 | |
'Dubbed the Chocolate Cream Poisoner, | 0:26:16 | 0:26:19 | |
'she laced sweets with strychnine | 0:26:19 | 0:26:22 | |
'to see off the wife of the married man that she desired. | 0:26:22 | 0:26:25 | |
'Victorians were fascinated by true crime stories | 0:26:25 | 0:26:28 | |
'and Edmunds became something of a celebrity, | 0:26:28 | 0:26:31 | |
'like many other early Broadmoor patients.' | 0:26:31 | 0:26:34 | |
These are works by Richard Dadd | 0:26:35 | 0:26:38 | |
who's one of the more celebrated Victorian patients. | 0:26:38 | 0:26:41 | |
Dadd was a well-known artist | 0:26:41 | 0:26:43 | |
before he became consumed by the idea that | 0:26:43 | 0:26:46 | |
he was obliged to battle the devil. | 0:26:46 | 0:26:48 | |
Unfortunately for him, the devil took the form of his father | 0:26:48 | 0:26:51 | |
and he actually stabbed his father to death. | 0:26:51 | 0:26:53 | |
Dadd spent the rest of his life in asylums including Broadmoor. | 0:26:53 | 0:26:56 | |
The other very well-known Victorian example | 0:26:56 | 0:26:58 | |
is a chap called William Chester Minor. | 0:26:58 | 0:27:00 | |
He was a surgeon in the American Civil War, | 0:27:00 | 0:27:03 | |
came over to England and shot and killed a man in Lambeth, | 0:27:03 | 0:27:06 | |
but when he entered Broadmoor he brought his library with him | 0:27:06 | 0:27:09 | |
and he used this to contribute examples of word use | 0:27:09 | 0:27:11 | |
to the first Oxford English Dictionary. | 0:27:11 | 0:27:13 | |
One can only imagine how dedicated the current staff | 0:27:15 | 0:27:19 | |
at this imposing place must be. | 0:27:19 | 0:27:21 | |
And I'm heartened to hear that, | 0:27:21 | 0:27:22 | |
even when my Bradshaw's guide was published, | 0:27:22 | 0:27:25 | |
conditions here may, at the very least, have been tolerable. | 0:27:25 | 0:27:29 | |
The Duke of Wellington is one of this country's most celebrated heroes | 0:27:32 | 0:27:36 | |
but as my visit to Aldershot reminded me, | 0:27:36 | 0:27:38 | |
not all military heroes are generals, | 0:27:38 | 0:27:41 | |
nor do all heroes wear military uniform. | 0:27:41 | 0:27:44 | |
Some give service as part of their monastic life and, | 0:27:44 | 0:27:48 | |
here at Broadmoor, some Victorians toiled with scant recognition | 0:27:48 | 0:27:53 | |
to bring compassion to the treatment of the mentally ill. | 0:27:53 | 0:27:56 | |
'On the next leg of my journey, I make headlines in Reading...' | 0:28:01 | 0:28:05 | |
So you now beat the back of your flom. | 0:28:05 | 0:28:07 | |
-No, with the hairy side. -Oh, with the hairy side. | 0:28:07 | 0:28:10 | |
'..discover a Tudor entrepreneur in Newbury...' | 0:28:12 | 0:28:15 | |
Victorian historians used to label this | 0:28:15 | 0:28:18 | |
as England's first factory. | 0:28:18 | 0:28:21 | |
'..and test a bicycle with Victorian origins.' | 0:28:21 | 0:28:25 | |
A lovely smooth ride over the cobbles. | 0:28:25 | 0:28:27 | |
-Thank you very much. -You're welcome. | 0:28:27 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:34 | 0:28:38 |