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In 1840, one man transformed travel in Britain. | 0:00:06 | 0:00:09 | |
His name was George Bradshaw, | 0:00:09 | 0:00:12 | |
and his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
Stop by stop he told them where to go, what to see, and where to stay. | 0:00:17 | 0:00:24 | |
And now, 170 years later, | 0:00:24 | 0:00:26 | |
I am aboard for a series of rail adventures | 0:00:26 | 0:00:29 | |
across the United Kingdom | 0:00:29 | 0:00:30 | |
to see what of Bradshaw's Britain remains. | 0:00:30 | 0:00:34 | |
I'm embarked on a new railway journey | 0:00:54 | 0:00:56 | |
from one cathedral city to another, from Norwich to Chichester. | 0:00:56 | 0:01:01 | |
But even using my high Victorian guidebook, this journey | 0:01:01 | 0:01:04 | |
will be more secular than ecclesiastical, | 0:01:04 | 0:01:07 | |
not so much heavenly as earthy. | 0:01:07 | 0:01:10 | |
On this leg, I'll hang out with a notorious Victorian criminal. | 0:01:12 | 0:01:16 | |
This is a replica of James Rush's death mask. | 0:01:16 | 0:01:20 | |
It does show very clearly | 0:01:20 | 0:01:21 | |
where the rope has cut directly into his neck. | 0:01:21 | 0:01:24 | |
Isn't that grim?! | 0:01:24 | 0:01:25 | |
'Meet a polecat who is just a nipper.' | 0:01:25 | 0:01:28 | |
Ooh! | 0:01:28 | 0:01:31 | |
'And chip away at an age-old craft.' | 0:01:31 | 0:01:34 | |
Could you make a flint out of that? | 0:01:34 | 0:01:36 | |
Yeah, it's perfect. | 0:01:36 | 0:01:37 | |
My journey begins in Norwich and continues southwest into Suffolk. | 0:01:42 | 0:01:46 | |
From Ipswich, I'll head south to Chelmsford, | 0:01:46 | 0:01:50 | |
and travel across the Thames through the Medway towns to Dover. | 0:01:50 | 0:01:54 | |
After making my way back through Kent, | 0:01:55 | 0:01:57 | |
my journey will take me along the Sussex coast | 0:01:57 | 0:02:00 | |
and end in the cathedral town of Chichester. | 0:02:00 | 0:02:02 | |
This East Anglian leg begins in the ancient city of Norwich, | 0:02:04 | 0:02:08 | |
burrows southwest deep into Thetford's rabbit warrens, | 0:02:08 | 0:02:12 | |
before turning northwest | 0:02:12 | 0:02:13 | |
to finish in the flinty countryside of Brandon. | 0:02:13 | 0:02:16 | |
My first stop will be Norwich, | 0:02:23 | 0:02:25 | |
which, Bradshaw's tells me, "is an old cathedral town | 0:02:25 | 0:02:28 | |
"and the capital of Norfolk, | 0:02:28 | 0:02:30 | |
"agreeably situated on the banks of the Wensum. | 0:02:30 | 0:02:33 | |
"The prospect of the city is imposing and beautiful." | 0:02:33 | 0:02:37 | |
Until the arrival of the railways in the 1840s | 0:02:37 | 0:02:40 | |
the city depended on its river | 0:02:40 | 0:02:41 | |
for communication with the outside world, | 0:02:41 | 0:02:43 | |
and even now it has that feeling of being the end of the line, | 0:02:43 | 0:02:48 | |
for worse and better. | 0:02:48 | 0:02:50 | |
Today I am greeted by this grand terminus, built in 1886, | 0:02:55 | 0:02:59 | |
but when the railways first arrived in the city, in 1844, | 0:02:59 | 0:03:03 | |
the station was far more modest, | 0:03:03 | 0:03:05 | |
providing only a single-track line to the coast. | 0:03:05 | 0:03:08 | |
The rest of the country remained inaccessible by train until the completion | 0:03:09 | 0:03:13 | |
of this impressive swing bridge over the River Wensum in 1845. | 0:03:13 | 0:03:17 | |
The line was extended down to London | 0:03:19 | 0:03:21 | |
opening the door to trade, | 0:03:21 | 0:03:22 | |
and to fashionable tourists from the capital. | 0:03:22 | 0:03:25 | |
The first stop recommended in my Bradshaw's guide | 0:03:25 | 0:03:29 | |
is a marvel of medieval architecture. | 0:03:29 | 0:03:31 | |
Bradshaw's comments that "the lofty spire | 0:03:31 | 0:03:34 | |
"of Norwich Cathedral gives it the air of great magnificence." | 0:03:34 | 0:03:39 | |
Lofty, yes, at 315 feet. Begun shortly after the Norman conquest, | 0:03:39 | 0:03:45 | |
completed within a century. | 0:03:45 | 0:03:47 | |
Imagine how important Norwich must have been in those days | 0:03:47 | 0:03:50 | |
that they built here | 0:03:50 | 0:03:51 | |
a structure the like of which most people had never seen. | 0:03:51 | 0:03:56 | |
Built on the lucrative wool trade | 0:03:58 | 0:04:00 | |
Norwich was so important in medieval times | 0:04:00 | 0:04:03 | |
that it ranked as England's second city. | 0:04:03 | 0:04:06 | |
It remains East Anglia's largest city. | 0:04:06 | 0:04:09 | |
I'll start my visit by testing locals | 0:04:09 | 0:04:12 | |
on one of the city's most famous daughters. | 0:04:12 | 0:04:15 | |
She is immortalised in every purse and wallet. | 0:04:15 | 0:04:18 | |
Excuse me! | 0:04:18 | 0:04:19 | |
I'm not trying to bribe you. | 0:04:19 | 0:04:21 | |
I've got a £5 note here. | 0:04:21 | 0:04:23 | |
I wonder if you know who that is? | 0:04:23 | 0:04:25 | |
-Erm... -She is Elizabeth Fry. | 0:04:25 | 0:04:28 | |
Well done! | 0:04:28 | 0:04:29 | |
-Hello there! -Hello. -So now, who's this on the back of the £5 note? | 0:04:29 | 0:04:33 | |
It's Elizabeth Fry. | 0:04:33 | 0:04:35 | |
And what's she doing here? | 0:04:35 | 0:04:36 | |
Well, I imagine she's in... | 0:04:36 | 0:04:39 | |
What was the name of that prison in London where she went to? | 0:04:39 | 0:04:42 | |
-New... -Newgate! That's it! | 0:04:42 | 0:04:45 | |
Well, I had to help you a bit | 0:04:45 | 0:04:46 | |
so I'll give you 9.5 out of 10! | 0:04:46 | 0:04:48 | |
-Thank you very much. -Bye-bye now! | 0:04:48 | 0:04:50 | |
-Pleasure to meet you. -Thank you. Bye. | 0:04:50 | 0:04:52 | |
Born in Norwich in 1780 to a wealthy Quaker family, | 0:04:53 | 0:04:57 | |
Elizabeth Fry moved to London aged 20. | 0:04:57 | 0:05:00 | |
There she visited the notorious Newgate prison | 0:05:00 | 0:05:04 | |
and encountered cruel, squalid conditions, | 0:05:04 | 0:05:07 | |
particularly among women prisoners and their newborn babies. | 0:05:07 | 0:05:10 | |
Elizabeth Fry became formidable in the movement for prison reform, | 0:05:10 | 0:05:15 | |
and extraordinarily influential for a woman of her day. | 0:05:15 | 0:05:18 | |
Indeed, it's a former prison I'm going to visit next. | 0:05:19 | 0:05:22 | |
Originally a royal palace built for William the Conqueror, | 0:05:22 | 0:05:25 | |
it was used as a gaol from the 14th until the 19th century. | 0:05:25 | 0:05:29 | |
"The great Norman keep | 0:05:29 | 0:05:32 | |
"and the barbican bridge are incorporated | 0:05:32 | 0:05:34 | |
"with the county jail built in 1818 for 200 prisoners." | 0:05:34 | 0:05:40 | |
So elegant, I'm guessing that only the cream | 0:05:40 | 0:05:43 | |
of the criminal fraternity did their porridge here. | 0:05:43 | 0:05:46 | |
Nowadays, the castle is run as a museum. | 0:05:47 | 0:05:50 | |
I'm meeting Annie Perry, who knows more about its dark past. | 0:05:50 | 0:05:54 | |
-Annie. -Hello, Michael. | 0:05:54 | 0:05:57 | |
Bradshaw's talks about parts of the castle | 0:05:57 | 0:05:59 | |
being incorporated in the county jail in 1818 | 0:05:59 | 0:06:02 | |
but I suspect there have been dungeons here long before that. | 0:06:02 | 0:06:05 | |
There are parts of the castle, | 0:06:05 | 0:06:07 | |
the original castle keep, that were used as prison cells | 0:06:07 | 0:06:09 | |
and dungeons many hundreds of years before that. | 0:06:09 | 0:06:12 | |
What sort of conditions in Victorian times were the prisoners living in? | 0:06:12 | 0:06:16 | |
Well, you have John Howard, | 0:06:16 | 0:06:18 | |
who's considered one of the very early, if not the first prison reformer, | 0:06:18 | 0:06:22 | |
visiting all of the gaols and prisons in England in the 1770s. | 0:06:22 | 0:06:27 | |
He comes to Norwich castle on a number of occasions | 0:06:27 | 0:06:30 | |
and reports that there are really quite bad conditions here. | 0:06:30 | 0:06:33 | |
Campaigners like John Howard and Elizabeth Fry | 0:06:35 | 0:06:37 | |
championed the redesign of prisons. | 0:06:37 | 0:06:40 | |
Their work achieved a gradual change in attitude towards prisoners | 0:06:40 | 0:06:44 | |
in the late 18th and early 19th centuries, | 0:06:44 | 0:06:46 | |
balancing punishment with rehabilitation. | 0:06:46 | 0:06:49 | |
And what kind of a prison does that give us? | 0:06:51 | 0:06:54 | |
The prison is based on a design called a radial gaol, | 0:06:54 | 0:06:57 | |
there's a central area, which would be the governor's house, | 0:06:57 | 0:07:00 | |
which would also include the chapel and the school room, | 0:07:00 | 0:07:04 | |
and then different cells radiating out | 0:07:04 | 0:07:06 | |
around the edges as well, with exercise yards in between. | 0:07:06 | 0:07:10 | |
They're looking to have individual cells for prisoners | 0:07:10 | 0:07:14 | |
to be able to separate categories of prisoners | 0:07:14 | 0:07:17 | |
and to be able to separate male and female prisoners. | 0:07:17 | 0:07:20 | |
Interestingly, | 0:07:20 | 0:07:22 | |
people would commit petty offences | 0:07:22 | 0:07:24 | |
to actually get put into prison | 0:07:24 | 0:07:26 | |
because the conditions in the workhouses were actually worse. | 0:07:26 | 0:07:29 | |
As part of the restructuring of the gaol, | 0:07:30 | 0:07:32 | |
a new courthouse was built at the base of the castle mound | 0:07:32 | 0:07:35 | |
linked directly to the prison by an internal tunnel. | 0:07:35 | 0:07:39 | |
So, Michael, I've brought you here to our restored court room. | 0:07:39 | 0:07:43 | |
Judge behind us, dock just there, I imagine? | 0:07:45 | 0:07:48 | |
Yes, the dock is just up here. The judge's seat, | 0:07:48 | 0:07:50 | |
which is being restored at the moment, will be here behind us. | 0:07:50 | 0:07:54 | |
One of the most notorious trials | 0:07:54 | 0:07:57 | |
brought a local tenant farmer, James Blomfield Rush, | 0:07:57 | 0:08:00 | |
into the dock in April 1849. | 0:08:00 | 0:08:03 | |
It was a Victorian melodrama. | 0:08:03 | 0:08:06 | |
A sensation reported widely in the newspapers at the time. | 0:08:06 | 0:08:09 | |
The public gallery up here was absolutely packed. The judge, | 0:08:09 | 0:08:13 | |
Justice Baron Rolfe, actually sold tickets | 0:08:13 | 0:08:15 | |
so people could get a front row seat. | 0:08:15 | 0:08:18 | |
Accused of? | 0:08:18 | 0:08:19 | |
A double murder. | 0:08:19 | 0:08:20 | |
He was supposed to have | 0:08:20 | 0:08:22 | |
sneaked into a building called Stanfield Hall | 0:08:22 | 0:08:25 | |
and shot and killed a father and son whom he owed money to. | 0:08:25 | 0:08:28 | |
After conducting his own protracted defence | 0:08:30 | 0:08:33 | |
Rush was eventually found guilty and sentenced to hang. | 0:08:33 | 0:08:36 | |
Until 1868, hangings were conducted in public. | 0:08:36 | 0:08:40 | |
And they were popular. | 0:08:40 | 0:08:43 | |
Was the hanging a notorious event? | 0:08:43 | 0:08:46 | |
Extra trains were put on | 0:08:46 | 0:08:47 | |
to bring people from Great Yarmouth and London. | 0:08:47 | 0:08:50 | |
Possibly as many as 20,000 people | 0:08:50 | 0:08:53 | |
actually witnessed the execution, | 0:08:53 | 0:08:55 | |
which would take place publicly at the bottom of the bridge. | 0:08:55 | 0:08:58 | |
What a lovely day out, bring a picnic(!) | 0:08:58 | 0:09:00 | |
Well, if you wanted to pay for a picnic | 0:09:00 | 0:09:03 | |
you could go to the Bell Hotel | 0:09:03 | 0:09:04 | |
and if you rented the very top rooms | 0:09:04 | 0:09:06 | |
you've got an excellent view across the crowds of the execution | 0:09:06 | 0:09:10 | |
and you could pay for a room and supper. | 0:09:10 | 0:09:12 | |
The hotels were not alone | 0:09:13 | 0:09:14 | |
in capitalising on the public's gory fascination. | 0:09:14 | 0:09:18 | |
Staffordshire potteries produced collectable figurines | 0:09:18 | 0:09:21 | |
of the main characters in the Rush murders | 0:09:21 | 0:09:24 | |
to take home and display on your mantelpiece. | 0:09:24 | 0:09:26 | |
It's quite puzzling this, isn't it, | 0:09:26 | 0:09:28 | |
that the Victorians who have this interest in the connection | 0:09:28 | 0:09:32 | |
between mental health and criminality, | 0:09:32 | 0:09:34 | |
who are prison reformers, are nonetheless so ghoulish! | 0:09:34 | 0:09:37 | |
It is that real sense of macabre. | 0:09:37 | 0:09:40 | |
This fascination with the sinister | 0:09:43 | 0:09:45 | |
is borne out by a collection hidden in the castle's dungeon. | 0:09:45 | 0:09:49 | |
Well, it's horribly damp and dank and thoroughly creepy down here. | 0:09:49 | 0:09:54 | |
Well, we are in the castle's dungeons, Michael. | 0:09:54 | 0:09:56 | |
And this is what I wanted you to see. | 0:09:56 | 0:09:58 | |
This is a replica | 0:09:58 | 0:10:00 | |
-of James Rush's death mask. -Wow. | 0:10:00 | 0:10:03 | |
Prisoners' death masks | 0:10:05 | 0:10:06 | |
were used to study the contours of the criminal cranium. | 0:10:06 | 0:10:09 | |
Known as phrenology, | 0:10:09 | 0:10:11 | |
this practice examined the lumps and bumps on the surface of the head | 0:10:11 | 0:10:14 | |
in the belief that they could reveal distinctive criminal shapes. | 0:10:14 | 0:10:18 | |
Sometimes a phrenologist could be summoned before a wedding | 0:10:18 | 0:10:23 | |
to check the head of a fiance for signs of bad character. | 0:10:23 | 0:10:27 | |
In James Rush's case | 0:10:29 | 0:10:30 | |
they would be very interested in this area behind here, | 0:10:30 | 0:10:33 | |
this is your destructiveness area. | 0:10:33 | 0:10:36 | |
Your aggressive nature. | 0:10:36 | 0:10:37 | |
And his is said in his report to be most pronounced. | 0:10:37 | 0:10:41 | |
I don't want to be political but he seems to be somewhat left leaning. | 0:10:41 | 0:10:44 | |
That would be from after the execution. | 0:10:44 | 0:10:46 | |
You are left suspended for one hour | 0:10:46 | 0:10:49 | |
to make sure there's no chance of you being revived or resuscitated. | 0:10:49 | 0:10:52 | |
And this mask, as well, does show very clearly | 0:10:52 | 0:10:54 | |
where the rope has cut directly into neck. | 0:10:54 | 0:10:57 | |
Isn't that grim?! | 0:10:57 | 0:10:59 | |
Phrenology has long since been discredited and is now obsolete. | 0:11:00 | 0:11:04 | |
The legacy of prison reformers like Elizabeth Fry | 0:11:05 | 0:11:08 | |
has been longer lasting. | 0:11:08 | 0:11:10 | |
While Norwich prison was improved, | 0:11:11 | 0:11:13 | |
in an area at the foot of the old Norman castle | 0:11:13 | 0:11:16 | |
another group was penned in. | 0:11:16 | 0:11:18 | |
"The Cattle Market, one of the largest out of London, | 0:11:19 | 0:11:22 | |
"is held on a piece of ground to the south of the castle," says Bradshaw. | 0:11:22 | 0:11:26 | |
It's not there any more, it's been moved. I'd better hoof it! | 0:11:26 | 0:11:31 | |
Norfolk has always been rich farming country. | 0:11:33 | 0:11:37 | |
Indeed, the considerable wealth of medieval Norwich | 0:11:37 | 0:11:40 | |
came from the wool trade, | 0:11:40 | 0:11:41 | |
and the livestock market | 0:11:41 | 0:11:43 | |
has always been important to the city's economy. | 0:11:43 | 0:11:46 | |
Originally situated in the city centre, | 0:11:46 | 0:11:48 | |
it moved to a more spacious plot two miles away in the 1960s. | 0:11:48 | 0:11:53 | |
It's one of the few livestock markets in Britain today. | 0:11:53 | 0:11:55 | |
David Ball knows more. | 0:11:57 | 0:11:58 | |
Welcome to Norwich livestock market! | 0:11:58 | 0:12:00 | |
Thank you! | 0:12:00 | 0:12:01 | |
My Bradshaw's tells me that Norfolk | 0:12:01 | 0:12:04 | |
is the biggest agricultural area, and talks about Norwich | 0:12:04 | 0:12:06 | |
as being one of the largest markets outside London. | 0:12:06 | 0:12:09 | |
I assume there's been a market here since, really, time immemorial. | 0:12:09 | 0:12:12 | |
Is that right? | 0:12:12 | 0:12:13 | |
This one's been here for 50 years. | 0:12:13 | 0:12:15 | |
The previous site of the market made extensive use of the trains, did it? | 0:12:15 | 0:12:19 | |
Without a doubt, especially to take stock away from market. | 0:12:19 | 0:12:22 | |
It was a collection centre for a big area of Norfolk | 0:12:22 | 0:12:25 | |
but then people came from all over the country. | 0:12:25 | 0:12:28 | |
A lot of people came from London and places like that, | 0:12:28 | 0:12:31 | |
and into that part of the world, to take the meat away | 0:12:31 | 0:12:34 | |
because it was still commutable | 0:12:34 | 0:12:36 | |
where they could do the journey and slaughter them the next day. | 0:12:36 | 0:12:40 | |
Do you think Victorian animal husbandry was quite good, actually? | 0:12:40 | 0:12:44 | |
Oh, I think it was, cos it was on a much smaller scale, | 0:12:44 | 0:12:47 | |
much more personal, that's what I think makes a huge difference. | 0:12:47 | 0:12:51 | |
Things have changed so much | 0:12:51 | 0:12:53 | |
that a townie like me might ask, why do you still need a market, | 0:12:53 | 0:12:55 | |
why do you need people to come to a single place to buy their sheep and their cattle? | 0:12:55 | 0:12:59 | |
Because it gives them an opportunity to know where they've come from, | 0:12:59 | 0:13:02 | |
how they're bred, what they're fed on, | 0:13:02 | 0:13:05 | |
and everything that goes with it. | 0:13:05 | 0:13:07 | |
The present market's fortnightly cattle auctions | 0:13:07 | 0:13:10 | |
draw scores of famers and traders from all over the region. | 0:13:10 | 0:13:14 | |
Hundreds of cattle and calves change hands, | 0:13:15 | 0:13:18 | |
with prime beasts selling for thousands of pounds. | 0:13:18 | 0:13:21 | |
I'm taking up my position | 0:13:22 | 0:13:24 | |
next to local calf and cattle salesman Roger Long. | 0:13:24 | 0:13:27 | |
You're buying the tiny calves, are you? | 0:13:29 | 0:13:31 | |
Yes, the smaller calves. | 0:13:31 | 0:13:32 | |
Something we can take home and produce into beef. | 0:13:32 | 0:13:35 | |
As the auction gets under way, | 0:13:37 | 0:13:39 | |
I've got little time to watch | 0:13:39 | 0:13:40 | |
and learn the minute bidding gestures of the experts | 0:13:40 | 0:13:43 | |
before Roger lets me loose to buy on his behalf. | 0:13:43 | 0:13:46 | |
Selling 126, Hamish. | 0:13:46 | 0:13:48 | |
I'm hoping that a subtle twitch of the Bradshaw's | 0:13:48 | 0:13:50 | |
will be enough to seal the deal! | 0:13:50 | 0:13:53 | |
5, 10, 15. | 0:13:54 | 0:13:57 | |
Come on, Michael, one more. 25. | 0:13:58 | 0:14:00 | |
Going at 25. | 0:14:00 | 0:14:02 | |
Selling on my left. | 0:14:02 | 0:14:04 | |
325. | 0:14:04 | 0:14:05 | |
Michael Portillo! | 0:14:05 | 0:14:06 | |
325. | 0:14:06 | 0:14:08 | |
That was absolutely thrilling, | 0:14:08 | 0:14:10 | |
my little gestures managed to get me a beautiful calf. | 0:14:10 | 0:14:14 | |
10, 12, 14. | 0:14:14 | 0:14:17 | |
I'd love to stay and perfect my bidding technique | 0:14:19 | 0:14:22 | |
but I've a train to catch. | 0:14:22 | 0:14:23 | |
I've retraced my steps to Norwich Station | 0:14:23 | 0:14:26 | |
and am heading 30 miles west on the mainline across East Anglia. | 0:14:26 | 0:14:30 | |
Next stop Thetford. | 0:14:31 | 0:14:33 | |
My guidebook tells me | 0:14:33 | 0:14:35 | |
that it was the ancient capital of East Anglia, | 0:14:35 | 0:14:37 | |
situated on the junction of the rivers Ouse and Thet. | 0:14:37 | 0:14:41 | |
After a long day I'm going to rest my head there | 0:14:42 | 0:14:44 | |
in a house that was once thought fit for a monarch. | 0:14:44 | 0:14:47 | |
Situated a few miles from Thetford Station, | 0:14:56 | 0:15:00 | |
local landmark Lynford Hall was commissioned in 1857 | 0:15:00 | 0:15:03 | |
by Stephen Lyne Stephens, | 0:15:03 | 0:15:05 | |
a millionaire banker | 0:15:05 | 0:15:07 | |
considered the richest commoner in England at the time. | 0:15:07 | 0:15:10 | |
Not long after his death in 1860, it was put up for sale | 0:15:11 | 0:15:14 | |
and its lavish splendour came to the attention of Queen Victoria. | 0:15:14 | 0:15:18 | |
James Parry of the Breckland Society will tell me more. | 0:15:18 | 0:15:22 | |
James. | 0:15:22 | 0:15:23 | |
Michael, hello. | 0:15:23 | 0:15:26 | |
I find you in semi-regal splendour! | 0:15:26 | 0:15:27 | |
What exactly is the connection between Lynford Hall and the royal family? | 0:15:27 | 0:15:31 | |
Queen Victoria was becoming increasingly concerned | 0:15:31 | 0:15:34 | |
by the behaviour of her son, the Prince of Wales. | 0:15:34 | 0:15:36 | |
There had already been several scandals. | 0:15:36 | 0:15:38 | |
He was turning into a serial philanderer | 0:15:38 | 0:15:41 | |
and she and Prince Albert decided | 0:15:41 | 0:15:43 | |
that they had to get some stability into his life. | 0:15:43 | 0:15:46 | |
And they thought that by buying a country estate | 0:15:46 | 0:15:49 | |
they could perhaps have a little bit more control over him, | 0:15:49 | 0:15:51 | |
keep him there a little bit, spend more family time together. | 0:15:51 | 0:15:54 | |
Located on one of the best shooting estates in East Anglia | 0:15:56 | 0:15:59 | |
Lynford Hall was a serious contender for royal ownership. | 0:15:59 | 0:16:03 | |
A state-of-the-art, newly-built country estate, | 0:16:03 | 0:16:05 | |
it had 50 bedrooms with plumbed water, | 0:16:05 | 0:16:08 | |
and modern lighting, thanks to a pipe from a private gasworks. | 0:16:08 | 0:16:12 | |
It offered a mere 8,000 acres. | 0:16:13 | 0:16:15 | |
Nearby Sandringham had 20,000 and was bought instead. | 0:16:15 | 0:16:20 | |
It has remained a royal retreat ever since. | 0:16:20 | 0:16:23 | |
If things had turned out differently, | 0:16:23 | 0:16:25 | |
this could have been the place that the royal family | 0:16:25 | 0:16:27 | |
were sitting down for Christmas lunch, rather than Sandringham. | 0:16:27 | 0:16:30 | |
But instead you and I can celebrate midsummer at Lynford Hall. | 0:16:30 | 0:16:35 | |
-Cheers. -Cheers. | 0:16:35 | 0:16:36 | |
After a restful night, | 0:16:44 | 0:16:46 | |
I'm striking out further into Thetford's surrounding countryside. | 0:16:46 | 0:16:50 | |
My Bradshaw's notes that | 0:16:50 | 0:16:51 | |
"the country consists of a sandy soil | 0:16:51 | 0:16:54 | |
"and is peculiarly salubrious and pleasant in nature". | 0:16:54 | 0:16:58 | |
Such terrain isn't ideal for farming | 0:16:58 | 0:17:00 | |
but is favoured by a particular breed of burrowing creature. | 0:17:00 | 0:17:04 | |
Anne Mason of the Breckland Society | 0:17:04 | 0:17:07 | |
will tell me how the landscape of "the Brecks" | 0:17:07 | 0:17:09 | |
was ideal for a form of animal husbandry. | 0:17:09 | 0:17:13 | |
-Hello. -Hello. | 0:17:13 | 0:17:14 | |
So, what exactly is this building? | 0:17:14 | 0:17:17 | |
Well, it's known as Thetford Warren Lodge | 0:17:17 | 0:17:20 | |
and it was inhabited by a rabbit warrener. | 0:17:20 | 0:17:22 | |
And it's the symbol of a 600-year-old industry of warrening | 0:17:22 | 0:17:27 | |
which once dominated this area of East Anglia. | 0:17:27 | 0:17:29 | |
And why is it built to look like a castle? | 0:17:29 | 0:17:32 | |
It was built primarily as a defence against poachers, | 0:17:32 | 0:17:36 | |
because rabbits were highly prized luxury items in the Middle Ages. | 0:17:36 | 0:17:39 | |
It was the job of a medieval warrener | 0:17:41 | 0:17:43 | |
to nurture, protect and trap rabbits. | 0:17:43 | 0:17:46 | |
He was in effect a rabbit farmer. | 0:17:46 | 0:17:48 | |
Why were rabbits so valuable then? | 0:17:49 | 0:17:51 | |
Because they were a source of fresh meat in the winter | 0:17:51 | 0:17:54 | |
and also because their fur was used for robes and cloaks. | 0:17:54 | 0:18:00 | |
We know that Henry VII actually had a nightshirt | 0:18:00 | 0:18:02 | |
that was lined with black rabbit fur. | 0:18:02 | 0:18:05 | |
When did the rabbit business reach its peak, do you think? | 0:18:05 | 0:18:08 | |
Oh, it was actually linked to the railways. | 0:18:08 | 0:18:11 | |
Once the railway came to Thetford in 1846 | 0:18:11 | 0:18:14 | |
it provided very quick and easy transport up to London. | 0:18:14 | 0:18:19 | |
And, of course, the meat could be then transported very freshly. | 0:18:19 | 0:18:23 | |
It was actually sold at Leadenhall market | 0:18:23 | 0:18:25 | |
and it was really in response to growing demand from centres of population, | 0:18:25 | 0:18:30 | |
such as London, which had expanded so much in the 19th century. | 0:18:30 | 0:18:33 | |
On this warren of Thetford, | 0:18:33 | 0:18:35 | |
from the 1850s onwards | 0:18:35 | 0:18:38 | |
the average annual cull was 28,800 rabbits. | 0:18:38 | 0:18:43 | |
Rabbit meat became so popular that Mrs Beeton's famous Victorian book | 0:18:44 | 0:18:48 | |
of household management | 0:18:48 | 0:18:50 | |
provided more than 20 recipes for its preparation. | 0:18:50 | 0:18:53 | |
And the demand for rabbit fur in Victorian England | 0:18:53 | 0:18:56 | |
was met by two large factories | 0:18:56 | 0:18:58 | |
employing 200 people in nearby Brandon. | 0:18:58 | 0:19:01 | |
It was a significant source of employment, | 0:19:01 | 0:19:03 | |
with much of the community | 0:19:03 | 0:19:05 | |
involved in processing thousands of rabbit skins | 0:19:05 | 0:19:08 | |
for the fur and felt-making industries. | 0:19:08 | 0:19:11 | |
So extensive and regular was that rabbit trade | 0:19:11 | 0:19:14 | |
that the early morning trains going up to London | 0:19:14 | 0:19:17 | |
carrying the rabbits were known locally as bunny trains. | 0:19:17 | 0:19:20 | |
In the trade's heyday in the mid-19th century, | 0:19:21 | 0:19:24 | |
bunny trains transported 30,000 carcases a year | 0:19:24 | 0:19:27 | |
to the London markets, | 0:19:27 | 0:19:29 | |
where they were sold by the hundredweight. | 0:19:29 | 0:19:31 | |
If you had your warren near a train station, | 0:19:31 | 0:19:34 | |
farming rabbits was a lucrative business. | 0:19:34 | 0:19:37 | |
With the passing of the Ground Game Act in the 1880s, | 0:19:37 | 0:19:40 | |
anyone was allowed to hunt wild rabbits | 0:19:40 | 0:19:42 | |
and the industry went into steady decline. | 0:19:42 | 0:19:45 | |
Has it died out completely? | 0:19:46 | 0:19:47 | |
Not entirely, no. | 0:19:47 | 0:19:49 | |
And, in fact, I think it's seen a revival. | 0:19:49 | 0:19:52 | |
With so much emphasis on using local produce | 0:19:52 | 0:19:54 | |
and naturally-produced produce, | 0:19:54 | 0:19:56 | |
I think we are seeing more people eating rabbit meat. | 0:19:56 | 0:19:59 | |
The bunny trains and the rabbit fur trade have long since gone, | 0:20:02 | 0:20:05 | |
but a few warreners survive. | 0:20:05 | 0:20:08 | |
With lean, healthy and sustainable rabbit meat back on the menu, | 0:20:08 | 0:20:11 | |
there's a business in bunnies again. | 0:20:11 | 0:20:14 | |
Andy Simpson continues the tradition of the warrener. | 0:20:14 | 0:20:17 | |
He learned his trade from his father | 0:20:17 | 0:20:18 | |
and is passing it on to his son Tim. | 0:20:18 | 0:20:21 | |
This ancient form of animal husbandry is important for another reason, | 0:20:21 | 0:20:25 | |
conservation of the natural environment and pest control. | 0:20:25 | 0:20:30 | |
What would happen if you were not controlling the rabbit population? | 0:20:30 | 0:20:33 | |
They'd destroy the countryside for cattle farmers, sheep farmers. | 0:20:33 | 0:20:37 | |
The rabbits are undermining the ground, | 0:20:37 | 0:20:39 | |
they're tunnelling underneath all the time. | 0:20:39 | 0:20:41 | |
The hole that you see, it's a bit like an iceberg. | 0:20:41 | 0:20:43 | |
The hole is the tip of it, | 0:20:43 | 0:20:44 | |
the warren is expansive underneath. | 0:20:44 | 0:20:47 | |
Many years ago this park would have been full of cattle and sheep | 0:20:47 | 0:20:50 | |
and the estate ponies. | 0:20:50 | 0:20:52 | |
There's none of them here. They daren't put them in here now | 0:20:52 | 0:20:55 | |
because the cattle and ponies break their legs walking over the rabbit warrens. | 0:20:55 | 0:20:58 | |
Now, I've been ignoring up until now your box of tricks. | 0:20:58 | 0:21:03 | |
We've got a few little noses coming out of there. | 0:21:03 | 0:21:05 | |
Yep, I've got a selection of these. | 0:21:05 | 0:21:07 | |
Molly's my main working bitch. | 0:21:07 | 0:21:09 | |
This is a cross between a ferret and pole cat. | 0:21:09 | 0:21:12 | |
This won't bite. | 0:21:12 | 0:21:13 | |
-Are you sure? -Yep. | 0:21:13 | 0:21:15 | |
You are a sweet creature. | 0:21:15 | 0:21:18 | |
Where this one was a domesticated ferret, | 0:21:18 | 0:21:21 | |
these are captured wild polecats. | 0:21:21 | 0:21:24 | |
That's a little boy one. | 0:21:24 | 0:21:28 | |
Do they go rabbiting yet? | 0:21:28 | 0:21:29 | |
Not yet, no. | 0:21:29 | 0:21:30 | |
Ooh! | 0:21:30 | 0:21:32 | |
Got me! | 0:21:34 | 0:21:35 | |
You've got a claim to fame, you bit a politician! | 0:21:38 | 0:21:40 | |
With the two pesky polecats back in their cage, | 0:21:44 | 0:21:46 | |
it's time for me to hop back to Thetford Station | 0:21:46 | 0:21:48 | |
where I'm going to board my next train northwest to Brandon. | 0:21:48 | 0:21:52 | |
This train is going to take me out of Norfolk | 0:21:59 | 0:22:02 | |
over the border into Suffolk and the town of Brandon. | 0:22:02 | 0:22:06 | |
Bradhaw's tells me that, | 0:22:06 | 0:22:07 | |
"this place formerly supplied the government with gun flints." | 0:22:07 | 0:22:10 | |
Enough to spark anybody's interest. | 0:22:10 | 0:22:13 | |
Immediately I can see how important flint is to this area. | 0:22:18 | 0:22:23 | |
Even the buildings here are faced with the stone. | 0:22:23 | 0:22:26 | |
This place is blessed | 0:22:26 | 0:22:27 | |
with some of the best quality flint in Britain | 0:22:27 | 0:22:29 | |
and flint was key to the local economy for a very long time. | 0:22:29 | 0:22:33 | |
I've come to Grime's Graves, | 0:22:36 | 0:22:38 | |
an ancient flint mine just outside Brandon. | 0:22:38 | 0:22:41 | |
I'd like to find out how old the area's flint business is, | 0:22:41 | 0:22:44 | |
from archaeologist Dave Field. | 0:22:44 | 0:22:46 | |
-Hello, Dave! -Hello, Michael, pleased to meet you. | 0:22:46 | 0:22:49 | |
My Bradshaw's tells me | 0:22:49 | 0:22:50 | |
that Brandon supplied gunflints to the government. Tell me about that. | 0:22:50 | 0:22:53 | |
Yes, that's very true. | 0:22:53 | 0:22:55 | |
In particular during the Napoleonic wars, | 0:22:55 | 0:22:58 | |
an enormous quantity of gunflints were shipped out. | 0:22:58 | 0:23:01 | |
There are stories of something like a million per month at one time. | 0:23:01 | 0:23:04 | |
There was a particularly good seam of flint here. | 0:23:04 | 0:23:07 | |
Jet black, very few imperfections. | 0:23:07 | 0:23:09 | |
Exceedingly good sparkability, and sparking properties | 0:23:09 | 0:23:13 | |
were of primary importance for musketry. | 0:23:13 | 0:23:16 | |
Particularly for military purposes. | 0:23:16 | 0:23:18 | |
You can imagine at the battle of Waterloo, | 0:23:18 | 0:23:21 | |
you wouldn't want your musket to misfire too many times! | 0:23:21 | 0:23:23 | |
Was it ever possible to mass-produce gunflints? | 0:23:23 | 0:23:26 | |
No, this was a cottage industry. | 0:23:26 | 0:23:28 | |
The Brandon knappers | 0:23:28 | 0:23:29 | |
had something like a five or six year apprenticeship | 0:23:29 | 0:23:31 | |
before they could be set loose and set up their own business. | 0:23:31 | 0:23:34 | |
We're in an area which bears the scars of human activity, | 0:23:34 | 0:23:39 | |
but I assume this is nothing to do with the Napoleonic era, is it? | 0:23:39 | 0:23:42 | |
No, no, no, this is all prehistoric. | 0:23:42 | 0:23:44 | |
The Neolithic miners got here long before the gunflint miners. | 0:23:44 | 0:23:48 | |
It seems that flint knapping is a skill that's as old as the hills. | 0:23:49 | 0:23:53 | |
This site has now been dated to over 4,000 years ago. | 0:23:53 | 0:23:56 | |
Grime's Graves contains traces of 400 Neolithic mineshafts | 0:23:56 | 0:24:01 | |
and is one of the most important prehistoric sites in Britain. | 0:24:01 | 0:24:05 | |
What was Neolithic man using it for? | 0:24:05 | 0:24:07 | |
They were using it for a variety of things. | 0:24:07 | 0:24:10 | |
It's reckoned that enough flint was extracted from here | 0:24:10 | 0:24:14 | |
in the Neolithic period | 0:24:14 | 0:24:15 | |
to make something like eight million stone axes. | 0:24:15 | 0:24:18 | |
Enormous quantities were shipped out. | 0:24:18 | 0:24:20 | |
Much more so in the Neolithic period than in the gunflint era. | 0:24:20 | 0:24:22 | |
I'm going to take a closer look. | 0:24:22 | 0:24:25 | |
You get a real sense | 0:24:29 | 0:24:30 | |
of descending into the bowels of the earth, don't you? | 0:24:30 | 0:24:33 | |
The greenery peters out, the rock begins, temperature falls. | 0:24:33 | 0:24:36 | |
It does indeed. It's pretty constant down here. | 0:24:36 | 0:24:39 | |
And it's a real labyrinth. All these little galleries interconnect. | 0:24:39 | 0:24:43 | |
Theoretically you could work your way right across the site underground. | 0:24:43 | 0:24:47 | |
You can see the hollows here where a large nodule has been extracted. | 0:24:47 | 0:24:52 | |
The idea, of course, | 0:24:52 | 0:24:53 | |
was to extract every available piece of good black flint | 0:24:53 | 0:24:57 | |
that you could do without the roof falling in. | 0:24:57 | 0:25:00 | |
So, how did these Neolithic mines come to light, | 0:25:00 | 0:25:03 | |
if that's the right expression? | 0:25:03 | 0:25:04 | |
Well, it was following | 0:25:04 | 0:25:07 | |
the period of publication of Darwin's Origin Of Species. | 0:25:07 | 0:25:10 | |
There was a new feeling of inquiry about. | 0:25:10 | 0:25:12 | |
And it was during that period | 0:25:12 | 0:25:13 | |
that Canon William Greenwell came to the site | 0:25:13 | 0:25:16 | |
and he dug one of the shafts | 0:25:16 | 0:25:18 | |
and found that it went down something like 12 metres. | 0:25:18 | 0:25:21 | |
And he found the seam of black flint | 0:25:21 | 0:25:23 | |
and it was quite clear then what was going on. | 0:25:23 | 0:25:27 | |
That they were actually mining this material in prehistory. | 0:25:27 | 0:25:30 | |
And he used some of the gunflint miners from Brandon | 0:25:30 | 0:25:33 | |
to help him in that excavation. | 0:25:33 | 0:25:35 | |
So the gunflint miners had a big hand in the discovery of the prehistoric mining. | 0:25:35 | 0:25:41 | |
Well, I'd like to find out more about flint knapping | 0:25:41 | 0:25:44 | |
-but for that I must return to the surface. -Yes, let's do. | 0:25:44 | 0:25:47 | |
The flint knapping workshops | 0:25:50 | 0:25:52 | |
that were so busy in Brandon in the early 19th century are no more, | 0:25:52 | 0:25:57 | |
but today, some enthusiasts have revived the craft. | 0:25:57 | 0:26:01 | |
Will Lord provides traditional flints for flintlock guns | 0:26:02 | 0:26:07 | |
used by historical re-enactment groups across the globe. | 0:26:07 | 0:26:11 | |
Hello, Will! | 0:26:11 | 0:26:13 | |
Hello, Michael. Nice to meet you. | 0:26:13 | 0:26:15 | |
Good to see you. | 0:26:15 | 0:26:16 | |
I had no idea that flint would be such a big rock! | 0:26:16 | 0:26:21 | |
Yeah, we're really lucky, | 0:26:21 | 0:26:22 | |
we've got some of the best geology of flint in Britain around here. | 0:26:22 | 0:26:26 | |
What is it you are trying to make? What's the end product? | 0:26:26 | 0:26:29 | |
This is the final product. | 0:26:29 | 0:26:31 | |
And it has to be very precise, does it? | 0:26:31 | 0:26:32 | |
I notice not only that it's very square | 0:26:32 | 0:26:35 | |
but you've shaved off one side of it here. | 0:26:35 | 0:26:36 | |
Yeah, that chamfer there is really important. | 0:26:36 | 0:26:39 | |
It doesn't want to be too weak at the end of its journey. | 0:26:39 | 0:26:42 | |
First a suitable stone has to be selected | 0:26:42 | 0:26:45 | |
and quartered into a workable size. | 0:26:45 | 0:26:48 | |
Look at that, we have made an excellent choice in stone. | 0:26:51 | 0:26:55 | |
Look at this, pure black silica. | 0:26:55 | 0:26:58 | |
Isn't that absolutely glorious?! | 0:26:58 | 0:27:00 | |
Then a workable-sized flake has to be created | 0:27:00 | 0:27:03 | |
and Will is letting me have a bash. | 0:27:03 | 0:27:06 | |
Just lean it in a little bit. | 0:27:08 | 0:27:09 | |
It's all good. Just touch it on the flint. | 0:27:11 | 0:27:13 | |
Perfect. | 0:27:13 | 0:27:15 | |
Could you make a flint out of that? | 0:27:15 | 0:27:16 | |
Yeah, that's great! | 0:27:16 | 0:27:18 | |
Only now can the flake be honed | 0:27:18 | 0:27:20 | |
to the correct shape and size for a gunflint. | 0:27:20 | 0:27:23 | |
Got a bit of a shape there. | 0:27:23 | 0:27:25 | |
You have. | 0:27:25 | 0:27:26 | |
But it doesn't really, let's face it... | 0:27:26 | 0:27:29 | |
No, look at that, you've got a really good serviceable gunflint there! | 0:27:29 | 0:27:32 | |
-Well done. -Thank you. | 0:27:32 | 0:27:33 | |
I'm no expert yet, | 0:27:34 | 0:27:36 | |
but I am glad that I've had a go at man's oldest profession. | 0:27:36 | 0:27:40 | |
When Norwich acquired its cathedral and castle | 0:27:41 | 0:27:44 | |
it was one of this country's most important cities, | 0:27:44 | 0:27:47 | |
using the river and the sea to export wool to the continent. | 0:27:47 | 0:27:51 | |
When railways became the main mode of transport, | 0:27:51 | 0:27:55 | |
Norfolk was left somewhat isolated from the capital, London. | 0:27:55 | 0:27:59 | |
In such tranquillity, rabbit warrening and flint knapping could survive, | 0:27:59 | 0:28:03 | |
unaffected by the Industrial Revolution | 0:28:03 | 0:28:05 | |
transforming the rest of Britain. | 0:28:05 | 0:28:07 | |
On the next leg | 0:28:12 | 0:28:13 | |
I experience 19th-century cutting edge technology. | 0:28:13 | 0:28:17 | |
And there it goes. | 0:28:17 | 0:28:19 | |
And the extraordinary thing is that a Victorian would recognise | 0:28:19 | 0:28:22 | |
that because it was made in much the same way. | 0:28:22 | 0:28:24 | |
I shell out for seafood near Mersea Island. | 0:28:26 | 0:28:29 | |
This is the sort of oyster that once cleaned up could appear on my plate? | 0:28:29 | 0:28:32 | |
It certainly is, yes. | 0:28:32 | 0:28:33 | |
And I'm tainted in an Essex orchard. | 0:28:33 | 0:28:37 | |
That's where the phrase caught red-handed comes from. | 0:28:37 | 0:28:40 | |
Indelible stain of crime. | 0:28:40 | 0:28:42 |