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'For Victorian Britons, George Bradshaw was a household name. | 0:00:03 | 0:00:08 | |
'At a time when railways were new, | 0:00:08 | 0:00:10 | |
'Bradshaw's guidebook inspired them to take to the tracks.' | 0:00:10 | 0:00:14 | |
I'm using a Bradshaw's guide to understand | 0:00:15 | 0:00:18 | |
how trains transformed Britain. | 0:00:18 | 0:00:20 | |
Its landscape, its industries, | 0:00:20 | 0:00:22 | |
society and leisure time. | 0:00:22 | 0:00:25 | |
As I crisscross the country 150 years later, | 0:00:25 | 0:00:29 | |
it helps me to discover the Britain of today. | 0:00:29 | 0:00:33 | |
I'm in the historic county of East Yorkshire, | 0:00:55 | 0:00:57 | |
continuing my journey towards Lindisfarne. | 0:00:57 | 0:01:01 | |
Building a bridge or tunnel across the mighty Humber estuary | 0:01:01 | 0:01:04 | |
defied even Victorian engineers. | 0:01:04 | 0:01:07 | |
But on this part of my journey, | 0:01:07 | 0:01:09 | |
I hope to learn about 19th-century figures of religious conviction | 0:01:09 | 0:01:14 | |
who toiled to tear down injustices | 0:01:14 | 0:01:17 | |
and to construct the rights of man. | 0:01:17 | 0:01:19 | |
My journey started in a significant centre of the Industrial Revolution, | 0:01:24 | 0:01:29 | |
continued on to Nottinghamshire | 0:01:29 | 0:01:31 | |
and wended its way to Wakefield. | 0:01:31 | 0:01:33 | |
It will now bear east to skirt a vast estuary | 0:01:33 | 0:01:37 | |
and turn back inland to be tempted in Yorkshire's county town. | 0:01:37 | 0:01:41 | |
Then it will then head up the coast | 0:01:41 | 0:01:43 | |
to the industrial cities of the north, | 0:01:43 | 0:01:45 | |
to end on Northumberland's Holy Island. | 0:01:45 | 0:01:47 | |
Today's leg begins in Hessle, on the north bank of the Humber, | 0:01:49 | 0:01:52 | |
makes a short hop to Hull, | 0:01:52 | 0:01:54 | |
learns the tale of a bandit in Beverley, | 0:01:54 | 0:01:57 | |
then takes in the sea air at Scarborough | 0:01:57 | 0:01:59 | |
and finishes with the sweet treats of York. | 0:01:59 | 0:02:01 | |
On this stretch, I step inside | 0:02:04 | 0:02:06 | |
a record-breaking feat of engineering. | 0:02:06 | 0:02:09 | |
Douglas, you people built a bridge on an extraordinary scale. | 0:02:09 | 0:02:13 | |
This is a massive chamber. | 0:02:13 | 0:02:15 | |
Learn of the conditions endured by a prisoner of conscience. | 0:02:15 | 0:02:18 | |
The soldiers stole his bread and his water. | 0:02:18 | 0:02:21 | |
He was treated something like an animal in a zoo. | 0:02:21 | 0:02:23 | |
And brew up a Quaker-approved Victorian cuppa. | 0:02:23 | 0:02:26 | |
Well, it looks as appetising as mud. | 0:02:26 | 0:02:30 | |
Bradshaw's tells me that, | 0:02:39 | 0:02:40 | |
"the River Humber, the main estuary into which the Ouse | 0:02:40 | 0:02:43 | |
"and the Yorkshire streams with the Trent flow, | 0:02:43 | 0:02:46 | |
"is here two-miles broad and widens to five or six miles | 0:02:46 | 0:02:50 | |
"before it joins the sea. | 0:02:50 | 0:02:53 | |
"The eastern portion of this elevated district | 0:02:53 | 0:02:56 | |
"commands a magnificent view of that vast estuary." | 0:02:56 | 0:03:00 | |
I wonder why it was that the Victorians, who conquered the Dee, | 0:03:00 | 0:03:04 | |
the Firth of Forth and the Severn, | 0:03:04 | 0:03:07 | |
were unable to master the Humber? | 0:03:07 | 0:03:09 | |
Covering an area of over 75,000 acres, | 0:03:12 | 0:03:16 | |
this is a tidal estuary on an epic scale. | 0:03:16 | 0:03:19 | |
For the Victorians, it formed a barrier | 0:03:19 | 0:03:22 | |
to effective trade and communication | 0:03:22 | 0:03:25 | |
and they campaigned hard to have something done about it. | 0:03:25 | 0:03:28 | |
But it wasn't until over 100 years later in 1973 | 0:03:30 | 0:03:34 | |
that construction began on the extraordinary structure | 0:03:34 | 0:03:37 | |
that was finally to span the Humber's huge expanse. | 0:03:37 | 0:03:40 | |
'I'm hopping out at Hessle, | 0:03:44 | 0:03:46 | |
'which is a small town on the north bank of the estuary, | 0:03:46 | 0:03:49 | |
'and the closest stop to the magnificent bridge. | 0:03:49 | 0:03:51 | |
'With a dramatic view of it at the water's edge, | 0:03:54 | 0:03:57 | |
'I'm joining regional historian, Richard Clarke.' | 0:03:57 | 0:04:00 | |
Now, if I know my Victorians, they must have been itching | 0:04:01 | 0:04:05 | |
to build a crossing, either a bridge or a tunnel across the Humber. | 0:04:05 | 0:04:08 | |
There were schemes being talked about | 0:04:08 | 0:04:10 | |
from the railway-mania age of the 1840s onwards. | 0:04:10 | 0:04:14 | |
And so, by the late 19th century, | 0:04:14 | 0:04:17 | |
the idea was to build a cantilever bridge | 0:04:17 | 0:04:20 | |
and on the principle of the Forth Bridge, a rail bridge, | 0:04:20 | 0:04:23 | |
but the cantilever bridge would've needed | 0:04:23 | 0:04:26 | |
a lot of pillars into the bed of the estuary. | 0:04:26 | 0:04:29 | |
And, of course, we have to remember that the time we're talking about, | 0:04:29 | 0:04:33 | |
100 years ago, or so, this estuary would've had many, | 0:04:33 | 0:04:37 | |
many more craft on it crisscrossing out to the North Sea. | 0:04:37 | 0:04:41 | |
And so these pillars were always perceived | 0:04:41 | 0:04:45 | |
to be a potential hazard to navigation. | 0:04:45 | 0:04:48 | |
Now, evidently, you did eventually get a bridge. | 0:04:48 | 0:04:51 | |
-Yes. -How did that come about? | 0:04:51 | 0:04:53 | |
Once you had the Golden Gate Bridge in San Francisco | 0:04:53 | 0:04:58 | |
and examples like that of a very wide-span suspension bridge, | 0:04:58 | 0:05:03 | |
it was realised that it was physically possible | 0:05:03 | 0:05:05 | |
to bridge the Humber without having all these pillars. | 0:05:05 | 0:05:09 | |
By the time work began | 0:05:12 | 0:05:13 | |
on the long-awaited bridge in the early 1970s, | 0:05:13 | 0:05:16 | |
the ascendancy of the car had put pay to Victorian dreams | 0:05:16 | 0:05:21 | |
of a bridge for both railway and road. | 0:05:21 | 0:05:24 | |
In 1981, when finally opened by Queen Elizabeth II, | 0:05:25 | 0:05:29 | |
it was the longest single-span suspension bridge in the world. | 0:05:29 | 0:05:33 | |
And remained so for 17 years, | 0:05:33 | 0:05:35 | |
until surpassed by the Akashi Kaikyo Bridge in Japan. | 0:05:35 | 0:05:40 | |
Douglas Strachan spent seven years as resident engineer | 0:05:44 | 0:05:48 | |
during the bridge's construction. | 0:05:48 | 0:05:49 | |
And today he's giving me the privilege | 0:05:49 | 0:05:52 | |
of accessing parts that very few get to see. | 0:05:52 | 0:05:55 | |
Douglas, I take it from the noise | 0:05:58 | 0:06:00 | |
that we are underneath the traffic crossing the bridge. | 0:06:00 | 0:06:02 | |
Yes. We're in the box girders. | 0:06:02 | 0:06:05 | |
There are 124 of these boxes, | 0:06:05 | 0:06:08 | |
and so you can walk from anchorage to anchorage | 0:06:08 | 0:06:10 | |
through this tunnel of steel boxes. | 0:06:10 | 0:06:13 | |
The anchorages at either end of a suspension bridge | 0:06:13 | 0:06:17 | |
secure vast cables slung between the two towers | 0:06:17 | 0:06:21 | |
to support the load-bearing deck below. | 0:06:21 | 0:06:24 | |
Although the Victorians did build suspension bridges | 0:06:24 | 0:06:28 | |
like Brunel's at Clifton, | 0:06:28 | 0:06:29 | |
they didn't have the technology to span the daunting distance | 0:06:29 | 0:06:33 | |
between the banks of the Humber. | 0:06:33 | 0:06:36 | |
Later ingenuity unravelled the solution. | 0:06:36 | 0:06:39 | |
Tell me about cable-spinning, which is the essence of this technology. | 0:06:40 | 0:06:44 | |
We're taking thousands of wires | 0:06:44 | 0:06:48 | |
five millimetres in diameter | 0:06:48 | 0:06:50 | |
across the river, back and forward, | 0:06:50 | 0:06:52 | |
and building up 15,000 parallel wires | 0:06:52 | 0:06:55 | |
and then compacting them into one round cable. | 0:06:55 | 0:07:00 | |
To see these cable-spun wires close up, | 0:07:00 | 0:07:03 | |
Douglas is taking me to the anchorage on the north bank, | 0:07:03 | 0:07:06 | |
constructed from a staggering 160,000 tonnes of concrete. | 0:07:06 | 0:07:12 | |
Douglas, you people built a bridge on an extraordinary scale. | 0:07:12 | 0:07:16 | |
This is a massive chamber. | 0:07:16 | 0:07:18 | |
And if I understand it, these are the wires that support | 0:07:18 | 0:07:20 | |
-the bridge arriving at their anchorage. -Yes. | 0:07:20 | 0:07:23 | |
And you can see behind me where the round cable is then split up | 0:07:23 | 0:07:28 | |
into the strands that I've been talking about earlier. | 0:07:28 | 0:07:32 | |
And these wires, what sort of weight are they? | 0:07:32 | 0:07:35 | |
Well, the cables themselves are about 15,000 tonnes of wire | 0:07:35 | 0:07:42 | |
and it's 70,000 kilometres in length. | 0:07:42 | 0:07:46 | |
And that's about one-and-a-half times around the world. | 0:07:46 | 0:07:49 | |
And so, what is the innovation since Victorian times? | 0:07:49 | 0:07:52 | |
I suppose it's the stronger materials | 0:07:52 | 0:07:55 | |
and using the wires are a major step forward. | 0:07:55 | 0:07:59 | |
And so, cable-spinning was the technology | 0:07:59 | 0:08:02 | |
that enabled 20th-century engineers | 0:08:02 | 0:08:04 | |
to do what Victorians had not been able to achieve? | 0:08:04 | 0:08:07 | |
Exactly. | 0:08:07 | 0:08:09 | |
'Continuing my journey, I'm going to make a short trip | 0:08:12 | 0:08:15 | |
'further east along the Humber | 0:08:15 | 0:08:16 | |
'by re-boarding the train at Hessle.' | 0:08:16 | 0:08:18 | |
My next stop is Kingston upon Hull. | 0:08:22 | 0:08:25 | |
Bradshaw says that it's, "on the Yorkshire side of the Humber | 0:08:25 | 0:08:28 | |
"in a very flat and uninviting spot. | 0:08:28 | 0:08:32 | |
"But it is admirably fitted for trade." | 0:08:32 | 0:08:35 | |
To our national disgrace, well into the 19th century, | 0:08:35 | 0:08:39 | |
part of British trade involved a triangle | 0:08:39 | 0:08:42 | |
that carried rum and sugar from the Caribbean to Europe, | 0:08:42 | 0:08:45 | |
brandy and guns from Europe to Africa | 0:08:45 | 0:08:48 | |
and cargoes of slaves from Africa to the Caribbean. | 0:08:48 | 0:08:52 | |
Situated 25 miles from the North Sea, | 0:08:54 | 0:08:57 | |
where the River Hull meets the Humber, | 0:08:57 | 0:09:01 | |
Kingston upon Hull, from the 12th century, | 0:09:01 | 0:09:04 | |
grew as a significant trading and seafaring hub. | 0:09:04 | 0:09:07 | |
I love the station at Kingston upon Hull | 0:09:11 | 0:09:14 | |
with its massive spans of glass. | 0:09:14 | 0:09:16 | |
It's the end of the line | 0:09:16 | 0:09:18 | |
and the station has a way of saying to you, | 0:09:18 | 0:09:20 | |
"Why would you want to go any further, anyway?" | 0:09:20 | 0:09:22 | |
'One man with firmly-rooted local loyalties was William Wilberforce. | 0:09:25 | 0:09:30 | |
'Fervent social reformer and perhaps the city's most famous son.' | 0:09:30 | 0:09:34 | |
"The African slave trade is contrary | 0:09:38 | 0:09:40 | |
"to the principles of justice, humanity and sound policy." | 0:09:40 | 0:09:45 | |
So begins the Act of Parliament | 0:09:45 | 0:09:47 | |
carried by William Wilberforce in 1807. | 0:09:47 | 0:09:50 | |
And here stands his column, which, according to Bradshaw's, | 0:09:50 | 0:09:53 | |
"was erected on 1st August, 1834, | 0:09:53 | 0:09:56 | |
"the day of Negro emancipation. | 0:09:56 | 0:09:59 | |
"Wilberforce was born in Hull and died in 1833. | 0:09:59 | 0:10:04 | |
"But not until he had the happiness | 0:10:04 | 0:10:07 | |
"of knowing that the great work of his useful life was achieved." | 0:10:07 | 0:10:11 | |
The abolition of the slave trade and then of slavery itself | 0:10:11 | 0:10:15 | |
was the work of many decades | 0:10:15 | 0:10:18 | |
and I'm here in Hull to meet an old colleague | 0:10:18 | 0:10:21 | |
who well understands the tribulations of fighting | 0:10:21 | 0:10:25 | |
a reluctant parliament. | 0:10:25 | 0:10:26 | |
Born here in 1759 to a wealthy merchant family, | 0:10:29 | 0:10:34 | |
Wilberforce was just 20 when he entered politics. | 0:10:34 | 0:10:37 | |
His childhood home was opened as a museum in 1906 | 0:10:39 | 0:10:44 | |
and that's where I'm meeting one of his successors as a Hull MP, | 0:10:44 | 0:10:48 | |
Alan Johnson, who also happens to be | 0:10:48 | 0:10:50 | |
a regular on-screen political sparring partner of mine. | 0:10:50 | 0:10:54 | |
-Alan. -Michael. -Good to see you. -Welcome to Hull. | 0:10:56 | 0:10:59 | |
Thank you very much and here we are with the great man. | 0:10:59 | 0:11:01 | |
The great man himself. | 0:11:01 | 0:11:03 | |
Is he a hero of yours? | 0:11:03 | 0:11:04 | |
He is and he's a hero to the city. | 0:11:04 | 0:11:07 | |
The reason that not a single slave was traded through the port of Hull | 0:11:07 | 0:11:12 | |
was because of Wilberforce. | 0:11:12 | 0:11:14 | |
He is probably the greatest person ever born in this city. | 0:11:14 | 0:11:20 | |
Now, the abolition of the slave trade was a long old process, | 0:11:20 | 0:11:25 | |
so Wilberforce had to show a lot of commitment to it. | 0:11:25 | 0:11:28 | |
Yes, and from a very young age. | 0:11:28 | 0:11:31 | |
Everyone was against opposition to the slave trade, virtually. | 0:11:31 | 0:11:34 | |
It was a crucial part of the British economy, | 0:11:34 | 0:11:37 | |
so it was like trying to abolish the automotive industry today. | 0:11:37 | 0:11:41 | |
I read that at the height of the slave trade, | 0:11:41 | 0:11:44 | |
it was 80% of Britain's foreign earnings | 0:11:44 | 0:11:46 | |
and that's what Wilberforce was fighting against. | 0:11:46 | 0:11:48 | |
We all like to have done something, made a difference. | 0:11:48 | 0:11:51 | |
Wilberforce, above any other person sitting on the back benches | 0:11:51 | 0:11:54 | |
of Parliament over these hundreds of years, | 0:11:54 | 0:11:56 | |
can truly say he did that. | 0:11:56 | 0:11:58 | |
I think he had a moment of conversion, didn't he? | 0:11:58 | 0:12:00 | |
He did. He was a bit of a lad, was William. He liked his drinking, | 0:12:00 | 0:12:03 | |
he liked his gambling and then had this moment of conversion | 0:12:03 | 0:12:06 | |
when he decided that he would dedicate his life to greater, | 0:12:06 | 0:12:10 | |
more Christian, more moral purposes | 0:12:10 | 0:12:12 | |
and he did that for the rest of his life | 0:12:12 | 0:12:14 | |
and brought all the different religions together in this city. | 0:12:14 | 0:12:17 | |
For 30 years before Queen Victoria ascended the throne, | 0:12:18 | 0:12:22 | |
the Royal Navy patrolled the Atlantic, | 0:12:22 | 0:12:24 | |
stopping any ships suspected of what Parliament had decreed | 0:12:24 | 0:12:28 | |
an illegal trade. | 0:12:28 | 0:12:30 | |
Does the spirit of Wilberforce live on in Kingston upon Hull today? | 0:12:32 | 0:12:36 | |
It does. We have the Wilberforce Institute, | 0:12:36 | 0:12:39 | |
which is probably the world's leading expert in modern-day slavery. | 0:12:39 | 0:12:44 | |
Desmond Tutu is its patron and one of its founders | 0:12:44 | 0:12:47 | |
and Hull is in the lead in monitoring | 0:12:47 | 0:12:51 | |
and trying to do something about modern-day slavery, | 0:12:51 | 0:12:54 | |
because there are still 20-26 million people being traded for slavery, | 0:12:54 | 0:12:59 | |
for prostitution, children being traded for mining | 0:12:59 | 0:13:02 | |
all kinds of dangerous substances - it still goes on to this day. | 0:13:02 | 0:13:07 | |
Might William Wilberforce be dismayed that 200 years | 0:13:07 | 0:13:10 | |
after his achievement, we're discussing slavery again. | 0:13:10 | 0:13:12 | |
He would be dismayed, | 0:13:12 | 0:13:13 | |
but it doesn't detract one iota from his great achievement. | 0:13:13 | 0:13:17 | |
We need the spirit of Wilberforce to reawaken to actually deal | 0:13:17 | 0:13:21 | |
with modern slavery and I think if we do that, we do the great man justice. | 0:13:21 | 0:13:26 | |
After a long but very inspiring day, | 0:13:31 | 0:13:34 | |
I'm getting back on the train at the beautiful Hull Station | 0:13:34 | 0:13:37 | |
to find a handy place to rest | 0:13:37 | 0:13:40 | |
by wending my way north through the Yorkshire Wolds. | 0:13:40 | 0:13:43 | |
My next stop, Beverley, has, according to my guide book, | 0:13:49 | 0:13:52 | |
"a noble minster, | 0:13:52 | 0:13:54 | |
"built on the spot where St John of Beverley was buried, | 0:13:54 | 0:13:58 | |
"whose standard was carried by King Edward I | 0:13:58 | 0:14:00 | |
"in his invasion of Scotland to encourage his soldiers." | 0:14:00 | 0:14:05 | |
Those men stood and delivered, | 0:14:05 | 0:14:07 | |
which was the command given in a different context by highwaymen. | 0:14:07 | 0:14:11 | |
Intriguingly, | 0:14:15 | 0:14:16 | |
the establishment where I'm planning to rest my head for the night | 0:14:16 | 0:14:19 | |
has a connection to those infamous outlaws. | 0:14:19 | 0:14:22 | |
This former coaching inn played host | 0:14:25 | 0:14:27 | |
to one particularly notorious 18th-century bandit. | 0:14:27 | 0:14:30 | |
I'm meeting up with manager Mark Coubrough to find out more. | 0:14:32 | 0:14:36 | |
Well, now, the Beverley Arms is the only place | 0:14:36 | 0:14:38 | |
in my Bradshaw's Guide that is recommended, so here I am. | 0:14:38 | 0:14:43 | |
But I think it has a story to do with highwaymen, doesn't it? | 0:14:43 | 0:14:46 | |
Yes, I believe Dick Turpin stayed here at the hotel | 0:14:46 | 0:14:49 | |
and apparently checked in under an alias of the name Mr Palmer. | 0:14:49 | 0:14:53 | |
During the course of his stay, | 0:14:53 | 0:14:55 | |
there was an altercation with the landlord, | 0:14:55 | 0:14:57 | |
due to the landlord's cockerel making all these noises | 0:14:57 | 0:14:59 | |
in the early hours of the morning, | 0:14:59 | 0:15:01 | |
at which point, our Mr Palmer turns around | 0:15:01 | 0:15:04 | |
and shoots the landlord's cockerel, | 0:15:04 | 0:15:06 | |
so the landlord gets the constabulary involved, | 0:15:06 | 0:15:09 | |
who come and promptly arrest our Mr Palmer. | 0:15:09 | 0:15:12 | |
Mr Palmer, while sat in the Beverley jails, | 0:15:12 | 0:15:15 | |
decides he'll write to his brother | 0:15:15 | 0:15:17 | |
and ask for a sixpence to be able to get him out of prison. | 0:15:17 | 0:15:19 | |
Unfortunately, the postmaster is his headmaster from school, | 0:15:19 | 0:15:23 | |
recognises his handwriting, | 0:15:23 | 0:15:25 | |
then gets in touch with the Beverley constabulary and says, | 0:15:25 | 0:15:29 | |
"You've not arrested a Mr Palmer. | 0:15:29 | 0:15:30 | |
"You've actually arrested THE Dick Turpin." | 0:15:30 | 0:15:33 | |
So when they did realise they had the famous highwayman Dick Turpin, | 0:15:33 | 0:15:37 | |
what was his fate? | 0:15:37 | 0:15:39 | |
At that point, I think the magistrates got together | 0:15:39 | 0:15:42 | |
and said, "You know what, we'll get a much bigger audience | 0:15:42 | 0:15:45 | |
"if we send him to York," | 0:15:45 | 0:15:46 | |
and that's where they eventually hung him | 0:15:46 | 0:15:49 | |
and did all the ghastly things that they needed to do to him. | 0:15:49 | 0:15:52 | |
Well, I hope it's not the fate of everyone | 0:15:52 | 0:15:55 | |
-who hangs out at The Beverley Arms. -I hope not! No. | 0:15:55 | 0:15:57 | |
Well, after a thankfully uneventful night | 0:16:06 | 0:16:09 | |
without even so much as a cockerel to interrupt my sleep, | 0:16:09 | 0:16:13 | |
I've just enough time before I depart on my journey | 0:16:13 | 0:16:16 | |
to take in the town's most famous landmark. | 0:16:16 | 0:16:19 | |
According to my guide book, Beverley Minister is 333 feet long | 0:16:20 | 0:16:25 | |
and I can well believe it. | 0:16:25 | 0:16:27 | |
On this trip, I have seen some superb ecclesiastical buildings | 0:16:27 | 0:16:31 | |
and it's a reminder that for most of the last 2,000 years, | 0:16:31 | 0:16:35 | |
religion mattered to us much more than anything else. | 0:16:35 | 0:16:39 | |
To reach my first destination of the day, | 0:16:43 | 0:16:45 | |
I'm continuing north from Beverley and heading for the coast. | 0:16:45 | 0:16:49 | |
I'll be leaving the train at Scarborough, | 0:16:55 | 0:16:57 | |
about which Bradshaw's is enthusiastic. | 0:16:57 | 0:17:00 | |
"Its situation is extremely beautiful and romantic, | 0:17:00 | 0:17:04 | |
"being on the recess of a fine, open bay | 0:17:04 | 0:17:07 | |
"and the town consists of several spacious streets | 0:17:07 | 0:17:10 | |
"of handsome, well-built houses rising in successive tiers | 0:17:10 | 0:17:15 | |
"from the shore in the form of an amphitheatre." | 0:17:15 | 0:17:19 | |
But I'm going there to hear about one who was a prisoner of conscience | 0:17:19 | 0:17:23 | |
and who might be forgiven, therefore, | 0:17:23 | 0:17:25 | |
for not having very happy memories of Scarborough. | 0:17:25 | 0:17:29 | |
Tickets and passes, please. | 0:17:30 | 0:17:33 | |
Thank you very much, love. | 0:17:33 | 0:17:34 | |
I'm on my way to Scarborough. | 0:17:34 | 0:17:36 | |
-Does Scarborough still attract a lot of holidaymakers? -Yes. | 0:17:36 | 0:17:39 | |
They go off into Scarborough for day trips and everything. | 0:17:39 | 0:17:42 | |
-And they're carrying picnic baskets? -Yeah, everything. | 0:17:42 | 0:17:44 | |
We're always busy. | 0:17:44 | 0:17:45 | |
It's always nice to see all the kids being energetic and excited. | 0:17:45 | 0:17:48 | |
When they're coming back, they're great, cos they're tired, | 0:17:48 | 0:17:51 | |
and they're quiet on the train. Going there, they're loud. | 0:17:51 | 0:17:53 | |
The immense popularity of this buoyant beachside town | 0:17:56 | 0:18:00 | |
really took hold in 1845 when the Scarborough to York railway opened | 0:18:00 | 0:18:05 | |
and brought with it waves of Victorian tourists. | 0:18:05 | 0:18:09 | |
One of the attractions they flocked to | 0:18:09 | 0:18:12 | |
was the town's evocative 12th-century castle. | 0:18:12 | 0:18:15 | |
Built by a succession of medieval kings, | 0:18:19 | 0:18:21 | |
this royal fortress endured countless attacks. | 0:18:21 | 0:18:24 | |
In the middle of the 17th century, | 0:18:26 | 0:18:28 | |
it served briefly as a prison | 0:18:28 | 0:18:30 | |
and it's that period of the castle's history that interests me. | 0:18:30 | 0:18:34 | |
What a wonderful view. | 0:18:36 | 0:18:38 | |
Bradshaw's tells me that, | 0:18:38 | 0:18:40 | |
"Scarborough Castle crowns a precipitous rock | 0:18:40 | 0:18:42 | |
"about 300 feet above the waters. | 0:18:42 | 0:18:45 | |
"As this old feudal stronghold looks down upon the sea on one side, | 0:18:45 | 0:18:50 | |
"it has the town of Scarborough stretched below it. | 0:18:50 | 0:18:53 | |
"In 1666 George Fox, founder of the Society of Friends, | 0:18:53 | 0:18:58 | |
"was imprisoned in the castle," | 0:18:58 | 0:19:01 | |
and so here we find the beauty of nature | 0:19:01 | 0:19:04 | |
and the ugliness of the conflicts of man in the name of God. | 0:19:04 | 0:19:09 | |
Born in 1624, | 0:19:11 | 0:19:13 | |
George Fox had a radical approach to Christianity | 0:19:13 | 0:19:15 | |
that gained him popularity and persecution in equal measure. | 0:19:15 | 0:19:20 | |
Society of Friends members, known as Quakers, | 0:19:20 | 0:19:23 | |
relied on conscience as the basis of morality | 0:19:23 | 0:19:26 | |
and believed in the equality of men and women. | 0:19:26 | 0:19:29 | |
Many of the slave trade abolitionists | 0:19:30 | 0:19:33 | |
who joined William Wilberforce's campaign were Quakers. | 0:19:33 | 0:19:37 | |
So was George Bradshaw, so I can imagine this Scarborough site | 0:19:37 | 0:19:41 | |
would have been significant for him. | 0:19:41 | 0:19:43 | |
Rachael Holland is an historic properties steward, | 0:19:45 | 0:19:48 | |
who I'm hoping will offer some more details | 0:19:48 | 0:19:51 | |
on how George Fox came to be incarcerated here. | 0:19:51 | 0:19:55 | |
What, as far as you know, was his crime? | 0:19:55 | 0:19:57 | |
As far as I'm aware, his main crime was refusing to swear | 0:19:57 | 0:19:59 | |
an oath of allegiance to Charles II. | 0:19:59 | 0:20:01 | |
At this point, we've just finished the Civil War, Cromwell's just died, | 0:20:01 | 0:20:05 | |
and we now have the Restoration. Charles II is now in power, | 0:20:05 | 0:20:09 | |
but this is a time when religion and politics | 0:20:09 | 0:20:12 | |
were very closely intertwined | 0:20:12 | 0:20:13 | |
so for George Fox to be refusing to swear allegiance to the king | 0:20:13 | 0:20:16 | |
and refusing to swear any allegiance to any sort of physical church, | 0:20:16 | 0:20:20 | |
it was seen as being very subversive. | 0:20:20 | 0:20:22 | |
What was Fox's objection to swearing an oath? | 0:20:22 | 0:20:25 | |
Basically, he says in his diaries that any hypocrite can swear an oath. | 0:20:25 | 0:20:30 | |
He says that loyalty is proven by deeds, not by words | 0:20:30 | 0:20:33 | |
and at that time, when everybody has already sworn one oath, | 0:20:33 | 0:20:36 | |
saying that they would uphold Cromwell's rule | 0:20:36 | 0:20:38 | |
and then to turn around and say, | 0:20:38 | 0:20:39 | |
"No, actually we are going to swear an oath to Charles," | 0:20:39 | 0:20:42 | |
I can see where George Fox was coming from. | 0:20:42 | 0:20:45 | |
Their unconventional views | 0:20:45 | 0:20:47 | |
enraged the religious and political establishment | 0:20:47 | 0:20:50 | |
and between 1662 and 1670, | 0:20:50 | 0:20:53 | |
as many as 6,000 Quakers found themselves in jail. | 0:20:53 | 0:20:57 | |
Fox's spell at Scarborough Castle | 0:20:57 | 0:20:59 | |
was just one of eight prison sentences that he endured. | 0:20:59 | 0:21:04 | |
Rachael, I am trying to imagine the conditions of Fox's imprisonment. | 0:21:04 | 0:21:09 | |
Bradshaw's tells me that Fox speaks | 0:21:09 | 0:21:12 | |
of three different rooms that he successively occupied, | 0:21:12 | 0:21:15 | |
and "one of them faced the sea, and laying much open, | 0:21:15 | 0:21:19 | |
"the wind drove in the rain forcibly, | 0:21:19 | 0:21:22 | |
"so that water came over his head and ran about the room | 0:21:22 | 0:21:25 | |
"so that he was fain to skim it up with a platter." | 0:21:25 | 0:21:29 | |
Terrible conditions. | 0:21:29 | 0:21:31 | |
Very terrible conditions. | 0:21:31 | 0:21:32 | |
I believe as well that that was the last room that he was held in, | 0:21:32 | 0:21:35 | |
which many sources believe to be Cockhill Tower, | 0:21:35 | 0:21:38 | |
which he called "Purgatory". | 0:21:38 | 0:21:40 | |
Prolonged exposure to the elements caused Fox's fingers to swell | 0:21:41 | 0:21:45 | |
to double their size and his health suffered greatly, | 0:21:45 | 0:21:49 | |
but his faith never faltered. | 0:21:49 | 0:21:51 | |
In 1666, he was released from Scarborough Castle | 0:21:51 | 0:21:55 | |
and by the time of his death in 1691, | 0:21:55 | 0:21:57 | |
the Quaker movement had more than 50,000 followers. | 0:21:57 | 0:22:01 | |
How was he treated by those who were given charge of him? | 0:22:01 | 0:22:04 | |
It was atrocious. | 0:22:04 | 0:22:06 | |
The soldiers stole his bread and his water, | 0:22:06 | 0:22:08 | |
but worse was the fact that he was treated | 0:22:08 | 0:22:10 | |
something like an animal in a zoo. | 0:22:10 | 0:22:12 | |
They gawked at him, he says in his diaries, | 0:22:12 | 0:22:14 | |
and they tried to convert him back to the standard faith at the time, | 0:22:14 | 0:22:17 | |
but it seems that he converted more of them than they did of him. | 0:22:17 | 0:22:19 | |
I'd never thought of 16 months in Scarborough | 0:22:19 | 0:22:22 | |
as being the ultimate test of faith | 0:22:22 | 0:22:24 | |
My time here is measured in minutes, | 0:22:27 | 0:22:29 | |
because I have a train to catch, | 0:22:29 | 0:22:31 | |
taking me west to the final destination of today's journey, | 0:22:31 | 0:22:35 | |
which also has a Quaker connection. | 0:22:35 | 0:22:38 | |
SHE BLOWS WHISTLE | 0:22:38 | 0:22:40 | |
My next stop is what Bradshaw's calls | 0:22:47 | 0:22:49 | |
"the ancient capital of York and seat of the Primate of England. | 0:22:49 | 0:22:53 | |
"Situated at the junction of the three Ridings of Yorkshire | 0:22:53 | 0:22:56 | |
"on the River Ouse. | 0:22:56 | 0:22:58 | |
"Boots, shoes, combs and confectionary | 0:22:58 | 0:23:01 | |
"are the chief articles made here." | 0:23:01 | 0:23:03 | |
The men of chocolate, Joseph Rowntree - | 0:23:03 | 0:23:05 | |
who was a Quaker like George Bradshaw - | 0:23:05 | 0:23:07 | |
and Joseph Terry, have left sweet memories in York. | 0:23:07 | 0:23:11 | |
Its prime position on the rivers Ouse and Foss gave York easy access | 0:23:14 | 0:23:19 | |
to imported goods, including sugar and cocoa beans, | 0:23:19 | 0:23:23 | |
while the fertile Vale of York | 0:23:23 | 0:23:25 | |
provided many other essential confectionery ingredients. | 0:23:25 | 0:23:28 | |
When York also became a railway hub in the 19th century, | 0:23:30 | 0:23:34 | |
it had the perfect recipe for a lucrative sweet-making industry. | 0:23:34 | 0:23:39 | |
I'm here to meet Alex Hutchinson, who's the historian and archivist | 0:23:43 | 0:23:47 | |
for one of the companies that took full advantage. | 0:23:47 | 0:23:50 | |
Here we are surveying the vast estate that was Rowntree's. | 0:23:51 | 0:23:54 | |
How did this enormous business begin? | 0:23:54 | 0:23:57 | |
Well, in 1862, Henry Isaac Rowntree took over a local cocoa business | 0:23:57 | 0:24:01 | |
and he didn't do a very good job. His brother Joseph came to help him | 0:24:01 | 0:24:04 | |
and he turned it from a drinking cocoa business | 0:24:04 | 0:24:06 | |
into the huge sweet factory we know today. | 0:24:06 | 0:24:09 | |
That drinking cocoa, what was it like? Was it a good product? | 0:24:09 | 0:24:12 | |
Their first cocoa would have been quite unpalatable. | 0:24:12 | 0:24:15 | |
It was seen as a health food. | 0:24:15 | 0:24:17 | |
They were using very, very primitive manufacturing methods, | 0:24:17 | 0:24:20 | |
so it would have been quite astringent and gritty. | 0:24:20 | 0:24:22 | |
Quakers are strongly associated with chocolate making. | 0:24:22 | 0:24:25 | |
-Why? -In 1860, we passed a law, the Food and Drugs Act, | 0:24:25 | 0:24:29 | |
which prevented people from putting anything poisonous | 0:24:29 | 0:24:32 | |
or hazardous into food. | 0:24:32 | 0:24:33 | |
Before that you could put in anything you liked | 0:24:33 | 0:24:35 | |
and so people tended to trust Quakers | 0:24:35 | 0:24:37 | |
if they were buying food. and with chocolate you would sometimes get | 0:24:37 | 0:24:40 | |
unscrupulous chocolate makers adding wax or paint. But a Quaker? Never. | 0:24:40 | 0:24:44 | |
At its peak, Rowntree's employed 14,000 people. | 0:24:46 | 0:24:50 | |
As Quakers given to philanthropy and social reform, | 0:24:50 | 0:24:54 | |
they built a public library, park and theatre for their workers, | 0:24:54 | 0:24:58 | |
and also created a model village, | 0:24:58 | 0:25:00 | |
providing affordable and decent homes | 0:25:00 | 0:25:03 | |
as an alternative to inner-city slums. | 0:25:03 | 0:25:05 | |
Known as New Earswick, | 0:25:09 | 0:25:11 | |
the village was built to include plenty of green space, | 0:25:11 | 0:25:14 | |
its own village hall... | 0:25:14 | 0:25:16 | |
but no pub, and it remains dry to this day. | 0:25:16 | 0:25:20 | |
There were three things that the Rowntrees really objected to, | 0:25:20 | 0:25:23 | |
which they called "concrete forms of sin" | 0:25:23 | 0:25:26 | |
and that was alcoholism, priestcraft and Toryism. | 0:25:26 | 0:25:30 | |
-Ah, in ascending order. -Yes. | 0:25:30 | 0:25:32 | |
When the entrepreneurial Joseph stepped in to help his brother, | 0:25:33 | 0:25:36 | |
he set about expanding and modernising the company's output. | 0:25:36 | 0:25:40 | |
He developed a range of chocolate products | 0:25:40 | 0:25:43 | |
and his masterstroke was hiring a Frenchman to make fruit pastilles, | 0:25:43 | 0:25:47 | |
a trade dominated by the French. | 0:25:47 | 0:25:50 | |
Today, in the factory's development kitchen, | 0:25:50 | 0:25:52 | |
I'm going back to where it all began... | 0:25:52 | 0:25:55 | |
So we have the cocoa beans, | 0:25:55 | 0:25:57 | |
which are roasted and ground down into cocoa nibs. | 0:25:57 | 0:26:00 | |
..by helping head confectioner Vicky Geal | 0:26:00 | 0:26:02 | |
to try to replicate that original 1860s cocoa recipe. | 0:26:02 | 0:26:06 | |
Start grinding. | 0:26:06 | 0:26:07 | |
I'm just grinding these down, | 0:26:07 | 0:26:08 | |
-trying to get them into a powder, am I? -Yep. | 0:26:08 | 0:26:11 | |
This takes quite a lot of effort, doesn't it? | 0:26:11 | 0:26:13 | |
It does, it's very labour intensive, which is why we're glad now | 0:26:13 | 0:26:16 | |
we've got the machinery to be able to do this | 0:26:16 | 0:26:18 | |
instead of doing it by hand. | 0:26:18 | 0:26:19 | |
You didn't tell me that! | 0:26:19 | 0:26:20 | |
Right, whoa! | 0:26:23 | 0:26:25 | |
What we need to do now is add your Icelandic moss. | 0:26:25 | 0:26:29 | |
Icelandic moss? | 0:26:29 | 0:26:30 | |
Why would you add moss? | 0:26:30 | 0:26:32 | |
In the 1860s, the Rowntrees added a kind of lichen called Icelandic moss | 0:26:32 | 0:26:37 | |
to their cocoa to improve the health benefits, also to absorb the fat. | 0:26:37 | 0:26:40 | |
Er...eurgh! | 0:26:40 | 0:26:42 | |
Bitter aftertaste. | 0:26:42 | 0:26:44 | |
For teetotal Quakers like the Rowntrees, | 0:26:44 | 0:26:47 | |
cocoa was a wholesome alternative to the alcoholic drinks | 0:26:47 | 0:26:50 | |
which they blamed for many of society's ills. | 0:26:50 | 0:26:54 | |
Well, it looks as appetising as mud. | 0:26:54 | 0:26:57 | |
How does it taste? | 0:26:59 | 0:27:00 | |
It's full of bits, but I don't know. | 0:27:00 | 0:27:03 | |
If you were a Victorian, it'd be new. | 0:27:03 | 0:27:05 | |
You'd probably be willing to pay for that. | 0:27:05 | 0:27:07 | |
If you thought it was doing you some good... | 0:27:07 | 0:27:09 | |
Yeah, well, it tastes bad enough | 0:27:09 | 0:27:11 | |
that you would think it was doing you some good. | 0:27:11 | 0:27:13 | |
Finishing today's journey with a nourishing Victorian elixir | 0:27:13 | 0:27:17 | |
seems rather fitting...even if it was a little lumpy and bitter. | 0:27:17 | 0:27:22 | |
During the course of my travels with Bradshaw's, | 0:27:22 | 0:27:25 | |
I've discovered how much we owe the Victorians | 0:27:25 | 0:27:28 | |
for our physical environment - | 0:27:28 | 0:27:30 | |
our railway network, our sewers, even our parliament in London, | 0:27:30 | 0:27:34 | |
but we also inherited many of their values. | 0:27:34 | 0:27:39 | |
By degrees, they built our parliamentary democracy, | 0:27:39 | 0:27:42 | |
abolished slavery and child labour, universalised education, | 0:27:42 | 0:27:46 | |
hugely enlarging the rights of man. | 0:27:46 | 0:27:50 | |
The rights of women, however, | 0:27:50 | 0:27:52 | |
in particular the right to vote, | 0:27:52 | 0:27:54 | |
were left over to be dealt with in the 20th century. | 0:27:54 | 0:27:57 | |
Next time, I'll feel the heat of a Victorian furnace... | 0:28:05 | 0:28:08 | |
Look at that, a nice little flambe for us. | 0:28:08 | 0:28:11 | |
..learn how investigative journalism was born... | 0:28:11 | 0:28:14 | |
He built the devil up, and just like any good newspaper man, | 0:28:14 | 0:28:17 | |
he took great delight in knocking the devil down. | 0:28:17 | 0:28:20 | |
..and hear how a remarkable Bible survived down the centuries. | 0:28:20 | 0:28:25 | |
-It's quite a large book to lose, actually. -It certainly is! | 0:28:25 | 0:28:29 |