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'For Victorian Britons, George Bradshaw was a household name. | 0:00:04 | 0:00:08 | |
'At a time when railways were new, | 0:00:09 | 0:00:11 | |
'Bradshaw's guidebook inspired them to take to the tracks.' | 0:00:11 | 0:00:15 | |
I'm using a Bradshaw's guide | 0:00:15 | 0:00:17 | |
to understand how trains transformed Britain. | 0:00:17 | 0:00:21 | |
Its landscape, its industries, society and leisure time. | 0:00:21 | 0:00:26 | |
As I crisscross the country 150 years later, | 0:00:26 | 0:00:30 | |
it helps me to discover the Britain of today. | 0:00:30 | 0:00:33 | |
I'm now crossing Lincolnshire, continuing my journey | 0:00:57 | 0:01:00 | |
towards one of Britain's | 0:01:00 | 0:01:01 | |
most ancient Christian sites at Lindisfarne. | 0:01:01 | 0:01:05 | |
In the decades before my guidebook was published, | 0:01:05 | 0:01:07 | |
religious tolerance had made great advances in Britain. | 0:01:07 | 0:01:11 | |
The bars against Catholics and Protestants | 0:01:11 | 0:01:14 | |
who didn't conform to the Church of England holding public office | 0:01:14 | 0:01:17 | |
had been lifted in the 1820s | 0:01:17 | 0:01:19 | |
and Jews could take their seats in the House of Commons | 0:01:19 | 0:01:22 | |
without swearing a Christian oath from the 1850s. | 0:01:22 | 0:01:26 | |
But my Bradshaw's reminds me that in previous centuries, | 0:01:26 | 0:01:30 | |
some religious minorities had preferred to travel abroad | 0:01:30 | 0:01:34 | |
rather than to stay at home and face persecution. | 0:01:34 | 0:01:38 | |
My journey, which began in the East Midlands city of Derby, | 0:01:45 | 0:01:48 | |
continued on to Nottinghamshire | 0:01:48 | 0:01:50 | |
and will now work its way through to Wakefield in West Yorkshire. | 0:01:50 | 0:01:54 | |
It will then head east to the mighty Humber estuary, | 0:01:54 | 0:01:57 | |
catch the sweet smell of success in York, | 0:01:57 | 0:02:00 | |
then continue up the coast to the industrial cities of the North, | 0:02:00 | 0:02:04 | |
reaching its conclusion on Northumberland's Holy Island. | 0:02:04 | 0:02:07 | |
Today's leg begins in Boston, in the flatlands of Lincolnshire, | 0:02:09 | 0:02:13 | |
slices into Nottinghamshire, | 0:02:13 | 0:02:15 | |
stops off at a South Yorkshire stately home | 0:02:15 | 0:02:17 | |
and weaves through West Yorkshire | 0:02:17 | 0:02:20 | |
before finishing with a ghostly ride to Hensall. | 0:02:20 | 0:02:23 | |
I'll put my culinary skills to the test | 0:02:25 | 0:02:28 | |
using the nation's favourite cooking apple. | 0:02:28 | 0:02:31 | |
Just putting a bit of vigour into this, show it who's boss. | 0:02:31 | 0:02:34 | |
Learn about the forgotten lives in a Victorian lunatic asylum. | 0:02:34 | 0:02:38 | |
There are 2,861 women, men and children | 0:02:38 | 0:02:43 | |
buried three deep in unmarked graves. | 0:02:43 | 0:02:46 | |
'And take the wheel of a surprisingly speedy steam engine.' | 0:02:46 | 0:02:50 | |
I had no idea you were going to go so fast. | 0:02:50 | 0:02:53 | |
-We're ticking over. -Ha-ha! | 0:02:53 | 0:02:55 | |
"Boston," says my guidebook, "is a port in Lincolnshire | 0:03:06 | 0:03:09 | |
"on the Witham, near the Wash. | 0:03:09 | 0:03:11 | |
"Its namesake, one of the most polished towns in the United States, | 0:03:11 | 0:03:16 | |
"was founded by settlers from this place | 0:03:16 | 0:03:18 | |
"who fled thither for conscience sake about 1630." | 0:03:18 | 0:03:23 | |
So that's how Boston Lincs links with Boston Massachusetts. | 0:03:23 | 0:03:28 | |
'By Bradshaw's time, Boston Massachusetts | 0:03:28 | 0:03:32 | |
'was one of the world's wealthiest trading ports, | 0:03:32 | 0:03:34 | |
'far outstripping the original Boston, | 0:03:34 | 0:03:37 | |
'which had had its heyday back in the 13th century, | 0:03:37 | 0:03:39 | |
'thanks to a then-booming wool trade. | 0:03:39 | 0:03:43 | |
'Victorian visitors to Boston Lincolnshire | 0:03:43 | 0:03:45 | |
'would not find a great city to compare with its namesake, | 0:03:45 | 0:03:49 | |
'but they would have a prospect of it from afar, | 0:03:49 | 0:03:52 | |
'thanks to a very prominent landmark.' | 0:03:52 | 0:03:54 | |
Visible from many, many miles away across the Lincolnshire plain | 0:03:56 | 0:04:00 | |
is the enormous tower of St Botolph's Church. | 0:04:00 | 0:04:03 | |
The church being known, I suppose ironically | 0:04:03 | 0:04:05 | |
and affectionately, The Stump. | 0:04:05 | 0:04:07 | |
TANNOY: Boston now, your next stop. Thank you. | 0:04:07 | 0:04:10 | |
There's no definitive explanation for its long-held nickname. | 0:04:10 | 0:04:14 | |
But getting off at Boston, I can take a closer look at it. | 0:04:14 | 0:04:17 | |
-Morning. -Morning. | 0:04:23 | 0:04:25 | |
-Are you from Boston? -Yes. Yes. | 0:04:25 | 0:04:27 | |
-You've got a lot of history here. Are you proud of it? -Oh, very much. | 0:04:27 | 0:04:30 | |
The Stump, it's one of the tallest churches I've ever seen. | 0:04:30 | 0:04:33 | |
-Oh, it's lovely. And I got married there. -Did you? -Yes. | 0:04:33 | 0:04:36 | |
We've had our ruby wedding last year, so... | 0:04:36 | 0:04:38 | |
Congratulations. So marriages made in The Stump last. | 0:04:38 | 0:04:42 | |
It must be the water in Boston. | 0:04:42 | 0:04:43 | |
THEY LAUGH | 0:04:43 | 0:04:45 | |
Perhaps it was the landscape, or the way of life | 0:04:45 | 0:04:47 | |
that, back in the 17th century, drew its people | 0:04:47 | 0:04:50 | |
to religious non-conformity. | 0:04:50 | 0:04:53 | |
During that time, hundreds of puritans from the area | 0:04:53 | 0:04:56 | |
tried to flee the country in order to profess | 0:04:56 | 0:04:59 | |
their Christian faith in their own way. | 0:04:59 | 0:05:02 | |
One group, including those who were | 0:05:02 | 0:05:04 | |
later to be known as the Pilgrim Fathers, | 0:05:04 | 0:05:06 | |
was imprisoned at the Boston Guildhall | 0:05:06 | 0:05:09 | |
during its efforts to emigrate. | 0:05:09 | 0:05:12 | |
I've come to meet Boston's museum manager, | 0:05:12 | 0:05:14 | |
Luke Skerritt, to learn more. | 0:05:14 | 0:05:16 | |
What was it that made some people so desperate | 0:05:16 | 0:05:20 | |
that they would leave the country | 0:05:20 | 0:05:22 | |
under the burden of the established church? | 0:05:22 | 0:05:25 | |
The established church had a really prescriptive | 0:05:25 | 0:05:28 | |
method of worship that they wished everybody to ascribe to. | 0:05:28 | 0:05:32 | |
Parts of that reflect in the Book of Common Prayer, | 0:05:32 | 0:05:35 | |
which sets out how you conduct the worship. | 0:05:35 | 0:05:38 | |
It was longwinded, so ministers | 0:05:38 | 0:05:40 | |
didn't actually have time to preach as part of it. | 0:05:40 | 0:05:43 | |
That's what they really reacted against. | 0:05:43 | 0:05:45 | |
I'm wondering why Boston, | 0:05:45 | 0:05:47 | |
why Lincolnshire was a hotbed of dissent. | 0:05:47 | 0:05:49 | |
The Fenland area, there's some isolation | 0:05:49 | 0:05:52 | |
from the main parts of the country. | 0:05:52 | 0:05:54 | |
The people here are used to being independent. | 0:05:54 | 0:05:57 | |
And that Fenland, it stretches down all the way to Cambridgeshire. | 0:05:57 | 0:06:02 | |
And a lot of Cambridge, it was a breeding ground | 0:06:02 | 0:06:05 | |
for quite important vicars | 0:06:05 | 0:06:06 | |
who were really questioning the Bible at that time. | 0:06:06 | 0:06:10 | |
One of those Cambridge-educated clerics is the connection | 0:06:11 | 0:06:15 | |
between this Boston and the one in the United States. | 0:06:15 | 0:06:19 | |
His name was John Cotton, | 0:06:19 | 0:06:20 | |
and he became vicar at St Botolph's in 1612. | 0:06:20 | 0:06:24 | |
And for 21 years, his legendary three-hour sermons filled the pews. | 0:06:24 | 0:06:31 | |
John Cotton was a very charismatic individual. | 0:06:31 | 0:06:34 | |
He was very passionate about his interpretation of the Bible | 0:06:34 | 0:06:39 | |
and was quite a strong non-conformist. | 0:06:39 | 0:06:42 | |
They wouldn't use the sign of the cross in baptism. | 0:06:42 | 0:06:46 | |
He wouldn't have people kneel for communion. | 0:06:46 | 0:06:48 | |
And the church authorities didn't like at all what was going on. | 0:06:48 | 0:06:53 | |
How does this lead to an expedition to America? | 0:06:53 | 0:06:57 | |
He invokes his congregation | 0:06:57 | 0:06:59 | |
to aspire to having new faith in new lands. | 0:06:59 | 0:07:04 | |
And they take the opportunity to sail | 0:07:04 | 0:07:07 | |
as part of the Massachusetts Bay Company in 1630. | 0:07:07 | 0:07:10 | |
The Massachusetts Bay Company was a joint stock-trading association | 0:07:11 | 0:07:16 | |
set up to colonise a tract of land in New England. | 0:07:16 | 0:07:20 | |
The flotilla of ships that set sail for Massachusetts in 1630 | 0:07:20 | 0:07:24 | |
carried around 700 colonists | 0:07:24 | 0:07:26 | |
who were to found their new Christian community | 0:07:26 | 0:07:29 | |
and the settlement that was to become the city of Boston USA. | 0:07:29 | 0:07:34 | |
Like Boston, my next destination also has associations | 0:07:39 | 0:07:43 | |
with unconventional worship. | 0:07:43 | 0:07:45 | |
To get there, I need to head west | 0:07:45 | 0:07:48 | |
to pick up a connection in Grantham. | 0:07:48 | 0:07:50 | |
I'm on the East Coast Main Line, headed for Newark. | 0:08:00 | 0:08:04 | |
My destination is actually Southwell. | 0:08:04 | 0:08:06 | |
And Bradshaw's says, "A Christian church was founded there | 0:08:06 | 0:08:10 | |
"as far back as 62 AD by Paulinus, Archbishop of York. | 0:08:10 | 0:08:16 | |
"And it has a large and ancient collegiate church, or minster." | 0:08:16 | 0:08:20 | |
It's a stained-glass window in that church | 0:08:20 | 0:08:23 | |
which is at the core of my expedition. | 0:08:23 | 0:08:25 | |
Southwell once had a station, | 0:08:30 | 0:08:32 | |
but thanks to the Beeching cuts, | 0:08:32 | 0:08:35 | |
the final whistle blew there in 1964. | 0:08:35 | 0:08:37 | |
So I'm getting off eight miles east at Newark Northgate. | 0:08:37 | 0:08:41 | |
Southwell is an elegant market town 15 miles northeast of Nottingham. | 0:08:41 | 0:08:46 | |
Its centrepiece is a massive and austerely beautiful minster, | 0:08:46 | 0:08:51 | |
considered by many to be one of England's finest medieval churches. | 0:08:51 | 0:08:56 | |
Stained-glass windows are normally devoted to the Madonna and child, | 0:08:56 | 0:09:00 | |
the Trinity, saints. | 0:09:00 | 0:09:03 | |
This one is devoted to the Bramley apple, | 0:09:03 | 0:09:06 | |
meaning there must be something sacred, holy, | 0:09:06 | 0:09:08 | |
or at least celebrating that it's a gift from God. | 0:09:08 | 0:09:11 | |
Indeed, this humble fruit | 0:09:15 | 0:09:16 | |
is held in deep reverence by the people of Southwell. | 0:09:16 | 0:09:20 | |
They named their library after it and their newspaper. | 0:09:20 | 0:09:23 | |
And each October, there's a festival to celebrate its greatness. | 0:09:23 | 0:09:27 | |
'And the root of this fervour took hold | 0:09:27 | 0:09:29 | |
'at the beginning of the 1800s in an unassuming cottage garden, | 0:09:29 | 0:09:33 | |
'where I'm meeting Adrian Barlow, | 0:09:33 | 0:09:36 | |
the chief executive of English Apples and Pears.' | 0:09:36 | 0:09:39 | |
Adrian, hello. | 0:09:41 | 0:09:42 | |
Hello, Michael. How are you? | 0:09:42 | 0:09:44 | |
-Very, very well. -Excellent. | 0:09:44 | 0:09:46 | |
A Bramley apple, I assume, but not any old Bramley apple. | 0:09:46 | 0:09:50 | |
Absolutely right. This is the original Bramley tree. | 0:09:50 | 0:09:53 | |
And it really is an extraordinary story. | 0:09:53 | 0:09:56 | |
Because the cottage was owned by the Brailsford family | 0:09:56 | 0:09:59 | |
and young Mary Ann was watching her mother | 0:09:59 | 0:10:03 | |
prepare some apples for cooking | 0:10:03 | 0:10:05 | |
and she took a pip and planted it | 0:10:05 | 0:10:07 | |
and here is the tree that it grew into. | 0:10:07 | 0:10:09 | |
And so, this seed that got planted was in some way a new variant? | 0:10:09 | 0:10:16 | |
Absolutely. Absolutely right. | 0:10:16 | 0:10:17 | |
It was just a one-in-several-million chance | 0:10:17 | 0:10:21 | |
that this tree turned out to produce apples | 0:10:21 | 0:10:24 | |
which are absolutely unrivalled | 0:10:24 | 0:10:27 | |
in terms of their cooking abilities. | 0:10:27 | 0:10:29 | |
It has a wonderful taste. | 0:10:29 | 0:10:31 | |
It's a mix of tartness and sugars. | 0:10:31 | 0:10:34 | |
And that taste comes right through the cooking process undiminished. | 0:10:34 | 0:10:39 | |
And who first recognised that this was such a special apple? | 0:10:39 | 0:10:42 | |
Well, a local nurseryman, Henry Merryweather, said, | 0:10:42 | 0:10:46 | |
"Oh, I've heard about these apples. Where do they come from?" | 0:10:46 | 0:10:49 | |
And by that time, the Brailsfords had moved out | 0:10:49 | 0:10:52 | |
and Matthew Bramley lived here. | 0:10:52 | 0:10:53 | |
So Henry Merryweather said to him, | 0:10:53 | 0:10:56 | |
"I would like to take some cuttings from your tree | 0:10:56 | 0:10:58 | |
"and to propagate the variety." | 0:10:58 | 0:11:00 | |
Matthew Bramley said, "Fine, but you must call it the Bramley Seedling." | 0:11:00 | 0:11:05 | |
And so you're telling me that all the, I suppose by now, millions | 0:11:05 | 0:11:08 | |
-of Bramley apple trees originate with this one here. -Absolutely. | 0:11:08 | 0:11:14 | |
Bramley became a firm Victorian favourite, | 0:11:14 | 0:11:18 | |
winning first-class certificates from horticultural societies. | 0:11:18 | 0:11:22 | |
And its popularity hasn't waned. | 0:11:22 | 0:11:24 | |
Because today, 95% of apples sold | 0:11:24 | 0:11:26 | |
commercially for cooking are Bramley. | 0:11:26 | 0:11:29 | |
To gain first-hand experience of this famed fruit, | 0:11:29 | 0:11:32 | |
at the aptly-named local pub, | 0:11:32 | 0:11:34 | |
I'm helping chef Jack Arkless | 0:11:34 | 0:11:37 | |
to make one of his specialties - a classic Bramley apple pie. | 0:11:37 | 0:11:41 | |
We need to cook the apples slightly with a bit of sugar and lemon juice. | 0:11:41 | 0:11:45 | |
A really good squeeze of lemon juice. | 0:11:46 | 0:11:49 | |
Now, I don't like too much sugar in my apple pie. | 0:11:49 | 0:11:51 | |
Normally put about two tablespoons in for this amount of apples. | 0:11:51 | 0:11:55 | |
I'd probably say that's about perfect. | 0:11:59 | 0:12:01 | |
Mm! Doesn't that look good? | 0:12:03 | 0:12:05 | |
It smells rather good, as well, actually, doesn't it? | 0:12:05 | 0:12:08 | |
-I have a feeling the difficult bit comes now. -Yes, it does indeed. | 0:12:08 | 0:12:12 | |
Just putting a bit of vigour into this, show it who's boss. | 0:12:13 | 0:12:16 | |
I think you're doing quite well there. Just check the size of it. | 0:12:17 | 0:12:20 | |
That looks about right. | 0:12:20 | 0:12:22 | |
If we just lift the pie over it, I'm just going to hover over. | 0:12:22 | 0:12:25 | |
-You can see that that's about right. -About right. | 0:12:25 | 0:12:29 | |
This is the moment that sorts out the chefs of talent | 0:12:29 | 0:12:34 | |
from the mediocre. Whoops! | 0:12:34 | 0:12:37 | |
THEY CHUCKLE | 0:12:37 | 0:12:39 | |
Let's see that. | 0:12:39 | 0:12:40 | |
Hold the rolling pin up a little bit. That's it. | 0:12:40 | 0:12:44 | |
-Mm. -That's not bad. -Hm. Just... | 0:12:44 | 0:12:46 | |
MICHAEL LAUGHS | 0:12:46 | 0:12:48 | |
Just a couple of strategic holes here and there. | 0:12:48 | 0:12:50 | |
Now, if you wouldn't mind, Jack, I think you'd better take over. | 0:12:50 | 0:12:53 | |
Absolutely. No problem. | 0:12:53 | 0:12:55 | |
Outside, a crowd of locals has gathered, | 0:12:55 | 0:12:58 | |
hungry for a slice of the action. | 0:12:58 | 0:13:00 | |
-Hello, everybody! -ALL: Hello! | 0:13:02 | 0:13:04 | |
-Here is one that somebody else made earlier. -Oh, I say! | 0:13:04 | 0:13:09 | |
-Let us celebrate the Bramley apple together. -Yes. -It's beautiful. | 0:13:09 | 0:13:14 | |
-Shall I be Mum? -Yeah. -Very good. | 0:13:14 | 0:13:16 | |
-What do you think of that? -Perfect! | 0:13:16 | 0:13:19 | |
-Do we think the Bramley apple is pretty good? -Very good. | 0:13:19 | 0:13:21 | |
-The best, I would've thought. -It cooks well. | 0:13:21 | 0:13:23 | |
It cooks soft, but it doesn't fall flat. It goes fluffy. | 0:13:23 | 0:13:26 | |
How would you compare it? It's better than French apples, is it? | 0:13:26 | 0:13:29 | |
-Of course it's better! -THEY LAUGH | 0:13:29 | 0:13:32 | |
So, ladies and gentlemen, I propose a toast | 0:13:32 | 0:13:35 | |
to the lady who discovered the Bramley apple, Mary Ann Brailsford, | 0:13:35 | 0:13:39 | |
and I would like to couple the name of George Bradshaw, | 0:13:39 | 0:13:41 | |
who led me here to your excellent company today. Cheers! | 0:13:41 | 0:13:44 | |
'Reluctantly leaving the delicious Bramleys of Nottinghamshire behind, | 0:13:47 | 0:13:51 | |
'I'm heading northwest to Sheffield in South Yorkshire, | 0:13:51 | 0:13:54 | |
'where I'm going to pick up a train that will take me | 0:13:54 | 0:13:57 | |
'two short stops to Chapeltown.' | 0:13:57 | 0:13:58 | |
Last train of the day. Nearly time for my rest. | 0:14:02 | 0:14:05 | |
'From Chapeltown on the northern fringes of Sheffield, | 0:14:07 | 0:14:10 | |
'my guidebook is leading me four miles | 0:14:10 | 0:14:12 | |
'into South Yorkshire countryside | 0:14:12 | 0:14:13 | |
'to what I'm hoping will be a suitable place to break my journey.' | 0:14:13 | 0:14:17 | |
What would I do without Bradshaw's, | 0:14:30 | 0:14:32 | |
which has brought me to Wortley Hall, | 0:14:32 | 0:14:34 | |
the beautiful old seat of Lord Wharncliffe? | 0:14:34 | 0:14:38 | |
And since I'm not here at Lord Wharncliffe's invitation, | 0:14:38 | 0:14:42 | |
I'm guessing that it's changed ownership. | 0:14:42 | 0:14:44 | |
A changeover did indeed happen in the early 1950s, | 0:14:45 | 0:14:49 | |
when a group of trade unionists re-established Wortley | 0:14:49 | 0:14:53 | |
as a recreation and education centre for working people. | 0:14:53 | 0:14:57 | |
The hall also operates as a hotel. | 0:14:57 | 0:15:00 | |
And this evening, I'm fortunate enough | 0:15:00 | 0:15:02 | |
to be receiving some South Yorkshire hospitality | 0:15:02 | 0:15:05 | |
from general manager Johnathan da Rosa. | 0:15:05 | 0:15:08 | |
So, was this a bit like the Workers' Educational Association | 0:15:08 | 0:15:11 | |
-that my parents used to belong to? -Absolutely. | 0:15:11 | 0:15:13 | |
Trade unions use us, the Co-op use us, | 0:15:13 | 0:15:15 | |
the Labour party's got an office here, | 0:15:15 | 0:15:17 | |
Aslef also have a room sponsored by them, but still, | 0:15:17 | 0:15:20 | |
the primary goal is to provide education for working-class people. | 0:15:20 | 0:15:24 | |
So, I've come to a stately home of the Labour movement? | 0:15:24 | 0:15:28 | |
You have indeed. You're in enemy country, some might say. | 0:15:28 | 0:15:32 | |
I think I'm going to stand out a bit in my blue jacket. | 0:15:32 | 0:15:35 | |
-Absolutely. But you're more than welcome. -Cheers. | 0:15:35 | 0:15:38 | |
'After a restful and, I'm pleased to report, | 0:15:46 | 0:15:49 | |
'completely altercation-free evening, | 0:15:49 | 0:15:52 | |
'I'm ready to resume my journey. | 0:15:52 | 0:15:54 | |
'From Chapeltown, I'm heading 20 miles north through Yorkshire.' | 0:15:54 | 0:15:58 | |
My next stop will be Wakefield. | 0:16:02 | 0:16:04 | |
Bradshaw's tells me the town contains | 0:16:04 | 0:16:07 | |
"several important public buildings. | 0:16:07 | 0:16:09 | |
"There's the house of correction | 0:16:09 | 0:16:11 | |
"and the pauper lunatic asylum on the York Road. | 0:16:11 | 0:16:15 | |
"Originally intended for 400, | 0:16:15 | 0:16:17 | |
"but now capable of accommodating 800 patients." | 0:16:17 | 0:16:21 | |
On my travels, I've sometimes considered | 0:16:21 | 0:16:23 | |
Victorian attitudes to mental health. | 0:16:23 | 0:16:26 | |
And today, I'd like to think about those people | 0:16:26 | 0:16:29 | |
set aside from Victorian society | 0:16:29 | 0:16:31 | |
and largely forgotten in death. | 0:16:31 | 0:16:34 | |
During the 1800s, the approach to mental illness | 0:16:35 | 0:16:38 | |
underwent significant reform. | 0:16:38 | 0:16:40 | |
Legislation was passed | 0:16:40 | 0:16:42 | |
that meant that every county was obliged to provide asylum. | 0:16:42 | 0:16:45 | |
'As well as that in Wakefield, mentioned in my Bradshaw's, | 0:16:49 | 0:16:52 | |
'three others were created in the area. | 0:16:52 | 0:16:55 | |
'One of those was built north of the city in Menston in 1888. | 0:16:58 | 0:17:03 | |
'And there, I'm meeting writer Mark Davis, | 0:17:03 | 0:17:05 | |
'who's done extensive research into the imposing institution | 0:17:05 | 0:17:09 | |
'and written a book about some of the many patients who stayed here.' | 0:17:09 | 0:17:14 | |
Tell me specifically about this magnificent building at Menston. | 0:17:14 | 0:17:17 | |
When it was built, certain people said it was far too | 0:17:17 | 0:17:21 | |
magnificent, far too much money had been spent. | 0:17:21 | 0:17:24 | |
You go in and there's intricate mosaic tiles, | 0:17:24 | 0:17:27 | |
there's beautiful stained glass and there's a magnificent ballroom. | 0:17:27 | 0:17:31 | |
Most of these places were built on curved driveways. | 0:17:31 | 0:17:33 | |
Did you notice the curve as you came up? | 0:17:33 | 0:17:35 | |
Coining the phrase, going around the bend. | 0:17:35 | 0:17:38 | |
So we'd have these beautiful buildings, | 0:17:38 | 0:17:40 | |
but hidden from the gaze of the public. | 0:17:40 | 0:17:43 | |
Ha! That is extraordinary. No railway station, alas. | 0:17:43 | 0:17:47 | |
Well, there was a railway and it was joined | 0:17:47 | 0:17:49 | |
by the Midland line down on Buckle Lane | 0:17:49 | 0:17:52 | |
and it actually came around the back of the hospital. | 0:17:52 | 0:17:55 | |
It was used, basically, to bring in goods. | 0:17:55 | 0:17:57 | |
Because what we had here was quite literally a self-contained | 0:17:57 | 0:18:01 | |
village for the apparently insane. | 0:18:01 | 0:18:03 | |
Confused about the Victorians and mental health. | 0:18:03 | 0:18:05 | |
Do you think of them as progressive, or primitive? | 0:18:05 | 0:18:08 | |
I think there was certainly a vision | 0:18:08 | 0:18:11 | |
and an idea for people to do something better for mankind. | 0:18:11 | 0:18:15 | |
However, everything went wrong. | 0:18:15 | 0:18:17 | |
Quite simply because of the sheer volume of people | 0:18:17 | 0:18:20 | |
coming through the doors. | 0:18:20 | 0:18:21 | |
So from being a place where people could recover, | 0:18:21 | 0:18:25 | |
it became the administration of people of large numbers. | 0:18:25 | 0:18:28 | |
And of course, we have to remember in Victorian times, | 0:18:28 | 0:18:31 | |
madness was deemed to be hereditary. | 0:18:31 | 0:18:33 | |
And therefore, families abandoned people. | 0:18:33 | 0:18:35 | |
They didn't want to be associated. | 0:18:35 | 0:18:37 | |
The institution evolved dramatically | 0:18:37 | 0:18:40 | |
and the buildings were dedicated | 0:18:40 | 0:18:42 | |
to mental healthcare right up to 2003. | 0:18:42 | 0:18:45 | |
Since then, they've been developed for residential use, | 0:18:45 | 0:18:49 | |
but in one corner of the grounds | 0:18:49 | 0:18:51 | |
is a very significant part of the original asylum, | 0:18:51 | 0:18:55 | |
which is cared for by Mark and a group of local volunteers. | 0:18:55 | 0:18:58 | |
We're a little distance from the asylum now. What is this ground? | 0:19:00 | 0:19:03 | |
This is land set aside for the disposal of the asylum dead. | 0:19:03 | 0:19:07 | |
Across this great expanse, | 0:19:07 | 0:19:10 | |
there are buried 2,861 men, women and children, | 0:19:10 | 0:19:15 | |
three deep, in unmarked graves. | 0:19:15 | 0:19:17 | |
When Mark and his team took on the custody of this site in 2010, | 0:19:17 | 0:19:23 | |
they fully restored the then-derelict chapel | 0:19:23 | 0:19:26 | |
into a place of remembrance and reflection. | 0:19:26 | 0:19:29 | |
So these are photographs of patients from the 19th century. | 0:19:29 | 0:19:33 | |
But you have managed to find out | 0:19:33 | 0:19:35 | |
the life histories of some of these people. | 0:19:35 | 0:19:37 | |
Yeah. This is John Constantine. | 0:19:37 | 0:19:39 | |
He was admitted when he was just 10 years old. Deaf and dumb. | 0:19:39 | 0:19:43 | |
His mother couldn't handle him. | 0:19:43 | 0:19:45 | |
And he lived for 50 years under care and treatment before dying aged 65. | 0:19:45 | 0:19:50 | |
And when you look at some of his notes, | 0:19:50 | 0:19:53 | |
they really are quite derogatory. | 0:19:53 | 0:19:55 | |
He's referred to as this, "dummy patient. A good imbecile worker." | 0:19:55 | 0:20:00 | |
He may not have been insane at all. | 0:20:00 | 0:20:02 | |
Unable to communicate, more than anything. | 0:20:02 | 0:20:04 | |
And where does John Constantine lie, exactly? | 0:20:04 | 0:20:07 | |
John's out there with the rest. | 0:20:07 | 0:20:09 | |
Identified quite simply by a row number and a grave number. | 0:20:09 | 0:20:13 | |
But you've given that number now a name. | 0:20:13 | 0:20:16 | |
And a voice, hopefully. | 0:20:16 | 0:20:17 | |
'To continue my travels, I'm re-boarding the train at Wakefield | 0:20:21 | 0:20:25 | |
'and heading 11 miles west.' | 0:20:25 | 0:20:27 | |
This train will take me as far as Knottingley. | 0:20:30 | 0:20:33 | |
As Bradshaw's reminds me, "Here, the line branches off to Goole." | 0:20:33 | 0:20:37 | |
I'm keen not to miss my connection | 0:20:37 | 0:20:39 | |
as the train onwards runs just once every 24 hours. | 0:20:39 | 0:20:44 | |
'As railways proliferated during the 1800s, | 0:20:46 | 0:20:49 | |
'competition between rail companies was fierce | 0:20:49 | 0:20:52 | |
'and regulations minimal. | 0:20:52 | 0:20:54 | |
'But in 1844, a law imposed duties on railway companies, | 0:20:54 | 0:20:59 | |
'instructing them to run certain services | 0:20:59 | 0:21:01 | |
'known ever since as parliamentary trains. | 0:21:01 | 0:21:04 | |
'In some parts of the country today, | 0:21:06 | 0:21:07 | |
'there are services that run only because the law requires it. | 0:21:07 | 0:21:11 | |
'Sometimes known as ghost trains. | 0:21:11 | 0:21:13 | |
'And one of those links Knottingley and Goole. | 0:21:13 | 0:21:17 | |
'I'm hoping to continue my journey | 0:21:17 | 0:21:19 | |
'by catching one of these elusive trains, | 0:21:19 | 0:21:21 | |
'but I've enough time before it's due | 0:21:21 | 0:21:24 | |
'to find out from author and journalist, Michael Williams, | 0:21:24 | 0:21:26 | |
'about their history.' | 0:21:26 | 0:21:28 | |
The origin goes back to the middle of the 19th century, | 0:21:30 | 0:21:33 | |
when passengers were treated very badly by the railway companies. | 0:21:33 | 0:21:36 | |
Fares were high, people buying cheap, third-class tickets | 0:21:36 | 0:21:39 | |
had to travel in terrible conditions. | 0:21:39 | 0:21:42 | |
So along came the president of the Board of Trade, | 0:21:42 | 0:21:45 | |
one William Gladstone, who you would hardly think of as a socialist, | 0:21:45 | 0:21:48 | |
and said to the railways, unless you improve conditions | 0:21:48 | 0:21:51 | |
for the working classes, he would do all sorts of dire things. | 0:21:51 | 0:21:54 | |
So he created a minimum standard for the third-class passenger. | 0:21:54 | 0:21:58 | |
On every route, there had to be a minimum standard of the train | 0:21:58 | 0:22:01 | |
running at a minimum of 12 miles an hour, | 0:22:01 | 0:22:04 | |
the cost had to be no more than a penny a mile, | 0:22:04 | 0:22:06 | |
the train had to stop at every station | 0:22:06 | 0:22:09 | |
and there had to be some degree of comfort in the carriages. | 0:22:09 | 0:22:12 | |
How did the companies react? | 0:22:12 | 0:22:13 | |
They squealed, they howled, they hated it. | 0:22:13 | 0:22:16 | |
And what they did in the end, they circumvented it by putting | 0:22:16 | 0:22:20 | |
these parliamentary trains on at the most inconvenient times of day. | 0:22:20 | 0:22:24 | |
And actually, I mean, a train that maybe was travelling | 0:22:24 | 0:22:27 | |
at only 12 miles per hour and stopping in every single station | 0:22:27 | 0:22:30 | |
-may not have been a great experience for the passenger either. -It wasn't. | 0:22:30 | 0:22:33 | |
But actually, as the century wore on, trains got much more comfortable. | 0:22:33 | 0:22:37 | |
And it certainly did something to encourage railway travel | 0:22:37 | 0:22:40 | |
and by opening rail travel to the masses, really. | 0:22:40 | 0:22:43 | |
The painfully slow parliamentary trains were satirised | 0:22:46 | 0:22:48 | |
by Gilbert and Sullivan in The Mikado in 1885. | 0:22:48 | 0:22:52 | |
# Scribbles on windowpanes | 0:22:52 | 0:22:54 | |
# We only suffer to ride on a buffer | 0:22:54 | 0:22:59 | |
# In parliamentary trains. # | 0:22:59 | 0:23:06 | |
'Ah! My ghost train has materialised. | 0:23:06 | 0:23:08 | |
'The people piling off are leaving a regular hourly service from Leeds, | 0:23:10 | 0:23:14 | |
'and it's from here at Knottingley | 0:23:14 | 0:23:16 | |
'that the token once-a-day service commences. | 0:23:16 | 0:23:19 | |
'And it's looking decidedly empty. | 0:23:19 | 0:23:22 | |
'Today's parliamentary services | 0:23:25 | 0:23:27 | |
'have little commercial appeal to the rail companies. | 0:23:27 | 0:23:30 | |
'But being specified by law, | 0:23:30 | 0:23:32 | |
'their withdrawal would require a legal process | 0:23:32 | 0:23:35 | |
'with opportunities for objectors, which can be long and expensive. | 0:23:35 | 0:23:39 | |
'So running a very limited service, even if comically infrequent, | 0:23:39 | 0:23:44 | |
'avoids all that controversy and cost.' | 0:23:44 | 0:23:46 | |
So, how come you take the ghost train? Are you quite regular on it? | 0:23:47 | 0:23:51 | |
Yeah. My dad lives at Hensall, so it's the only station near, really, | 0:23:51 | 0:23:55 | |
and I'm working in Leeds. | 0:23:55 | 0:23:56 | |
This is pretty much like having a private train, isn't it? | 0:23:56 | 0:24:00 | |
-It works perfectly. -Are there many regulars on the train? | 0:24:00 | 0:24:03 | |
It varies day to day, but maybe half a dozen of us from Snaith. | 0:24:03 | 0:24:06 | |
-So, you must know each other quite well. -Yes, yes. | 0:24:06 | 0:24:09 | |
-You never get lonely? -No, I don't mind it. | 0:24:09 | 0:24:12 | |
I've got the paper and it gives me time to relax before I get home | 0:24:12 | 0:24:15 | |
and my dad gets on at me about something. | 0:24:15 | 0:24:17 | |
-Thank you very much. -Thank you. | 0:24:17 | 0:24:18 | |
-Enjoy your journey. -You, too. | 0:24:18 | 0:24:20 | |
'I'll get off at Hensall station | 0:24:24 | 0:24:27 | |
'to meet a man who's something of a celebrity, | 0:24:27 | 0:24:30 | |
'well-known to the parliamentary train regulars.' | 0:24:30 | 0:24:33 | |
A special train to a delightful station | 0:24:38 | 0:24:41 | |
and a rendezvous with a very particular person. | 0:24:41 | 0:24:45 | |
For the last 36 years, Keith Collins has lived | 0:24:46 | 0:24:49 | |
in what was once Hensall's station. | 0:24:49 | 0:24:51 | |
And having spent much of his life as a locomotive engineer | 0:24:51 | 0:24:55 | |
both in East Africa and in Britain, | 0:24:55 | 0:24:57 | |
he knows a thing or two about engines. | 0:24:57 | 0:24:59 | |
Hello, Keith. | 0:24:59 | 0:25:01 | |
Hello, there. | 0:25:01 | 0:25:03 | |
Splendid engine! | 0:25:03 | 0:25:06 | |
-You think so, do you? -Oh, I do, I do. | 0:25:06 | 0:25:09 | |
What made you want to live at the station? | 0:25:09 | 0:25:12 | |
Um...well, when you've something like this, | 0:25:12 | 0:25:15 | |
you're antisocial in a normal environment. | 0:25:15 | 0:25:18 | |
And so I moved out here, where I can bang | 0:25:18 | 0:25:21 | |
and clatter without disturbing the neighbours. | 0:25:21 | 0:25:25 | |
Tell me about this beautiful engine. | 0:25:25 | 0:25:28 | |
Well, it's a 1917 John Fowler steam tractor. | 0:25:28 | 0:25:34 | |
When I got it, it was all in bits, | 0:25:34 | 0:25:36 | |
so I rebuilt it and made it into this marvellous-looking machine. | 0:25:36 | 0:25:40 | |
It has a nice, easy turnover sound, doesn't it? | 0:25:40 | 0:25:45 | |
Music. Music, is the word. | 0:25:45 | 0:25:48 | |
-Music to your ears, yes. -Absolutely, yes. | 0:25:48 | 0:25:50 | |
It's just a pity it doesn't go anywhere. | 0:25:50 | 0:25:52 | |
Well, that can be arranged. | 0:25:52 | 0:25:54 | |
I was hoping you'd say that! | 0:25:54 | 0:25:56 | |
Shall we take a little ride? | 0:25:56 | 0:25:58 | |
Oh, it'll cost you a pint. | 0:25:58 | 0:26:01 | |
Down to the pub. | 0:26:01 | 0:26:02 | |
We're ready, are we? | 0:26:02 | 0:26:04 | |
-We're ready. -OK, wait a minute. | 0:26:04 | 0:26:05 | |
Engine room, prepare engines. | 0:26:05 | 0:26:08 | |
OK. | 0:26:08 | 0:26:10 | |
Right, turn like mad now, turn like mad. | 0:26:15 | 0:26:17 | |
Go on, go on, go on, turn like mad. Go on. | 0:26:17 | 0:26:20 | |
Right, other way, other way. Like mad. Other way, other way! | 0:26:21 | 0:26:25 | |
Wow! This is exciting! Over the railway. | 0:26:25 | 0:26:28 | |
'We're doing only 15 miles per hour, | 0:26:30 | 0:26:32 | |
'but from up here, it feels like breakneck speed.' | 0:26:32 | 0:26:35 | |
-Are you getting the hang of it? -Yeah. | 0:26:35 | 0:26:37 | |
I'd no idea you were going to go so fast. | 0:26:37 | 0:26:39 | |
Heh! We're ticking over! | 0:26:39 | 0:26:41 | |
THEY LAUGH | 0:26:41 | 0:26:43 | |
This is fantastic! | 0:26:43 | 0:26:45 | |
TOOT-TOOT! | 0:26:45 | 0:26:47 | |
How satisfying, to take an old engine like this | 0:26:47 | 0:26:51 | |
and bring it back to life! | 0:26:51 | 0:26:52 | |
What an achievement. Well done, sir! | 0:26:52 | 0:26:54 | |
It's in the blood. | 0:26:54 | 0:26:57 | |
Well, it's not only in the blood, | 0:26:57 | 0:26:58 | |
it's in the eyes and all over the skin! | 0:26:58 | 0:27:01 | |
THEY LAUGH | 0:27:01 | 0:27:03 | |
If you don't fancy waiting 24 hours | 0:27:16 | 0:27:18 | |
for the next parliamentary train to chug into view, | 0:27:18 | 0:27:21 | |
then a steam engine may be a viable alternative. | 0:27:21 | 0:27:25 | |
During this part of the journey, | 0:27:25 | 0:27:26 | |
I have encountered people excluded from the mainstream. | 0:27:26 | 0:27:29 | |
Non-conformists who emigrated in order to worship as they chose. | 0:27:29 | 0:27:35 | |
And 19th-century lunatics sent to asylums on the edge of the city. | 0:27:35 | 0:27:40 | |
But whereas for the insane, | 0:27:40 | 0:27:42 | |
there isn't even a headstone by which to be remembered, | 0:27:42 | 0:27:45 | |
for the Pilgrim Fathers, | 0:27:45 | 0:27:47 | |
they're commemorated by Boston Massachusetts. | 0:27:47 | 0:27:51 | |
TOOT! | 0:27:51 | 0:27:52 | |
'Next time, I step inside | 0:28:01 | 0:28:02 | |
'a record-breaking feat of engineering.' | 0:28:02 | 0:28:06 | |
Douglas, you people built a bridge on an extraordinary scale. | 0:28:06 | 0:28:10 | |
This is a massive chamber. | 0:28:10 | 0:28:11 | |
'Learn of the conditions endured by a prisoner of conscience.' | 0:28:11 | 0:28:15 | |
The soldier stole his bread and water. | 0:28:15 | 0:28:17 | |
He was treated something like an animal in a zoo. | 0:28:17 | 0:28:19 | |
'And brew up a Quaker-approved Victorian cuppa.' | 0:28:19 | 0:28:23 | |
Well, it looks as appetising as mud. | 0:28:23 | 0:28:27 |