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For Victorian Britons, George Bradshaw was a household name. | 0:00:04 | 0:00:08 | |
At a time when railways were new, Bradshaw's guidebook inspired them | 0:00:09 | 0:00:13 | |
to take to the tracks. | 0:00:13 | 0:00:15 | |
I'm using a Bradshaw's Guide to understand | 0:00:15 | 0:00:18 | |
how trains transformed Britain - | 0:00:18 | 0:00:21 | |
its landscape, its industries, society and leisure time. | 0:00:21 | 0:00:26 | |
As I crisscross the country 150 years later, | 0:00:26 | 0:00:30 | |
it helps me to discover the Britain of today. | 0:00:30 | 0:00:33 | |
I'm now completing my railway journey from Dover to Land's End. | 0:00:53 | 0:00:58 | |
These tracks over the years have brought millions of holiday makers | 0:00:58 | 0:01:01 | |
to beaches in Devon and Cornwall, but today, my focus is more strategic. | 0:01:01 | 0:01:07 | |
I want to know how we kept the navy supplied with rum, | 0:01:07 | 0:01:10 | |
and how Victorians shrank imperial connections from weeks to minutes. | 0:01:10 | 0:01:15 | |
Following my Bradshaw's, I'm travelling from east to west. | 0:01:21 | 0:01:25 | |
My journey started at the crossing point closest to France | 0:01:25 | 0:01:29 | |
and took me through military defences and seaside resorts | 0:01:29 | 0:01:32 | |
and across glorious countryside. | 0:01:32 | 0:01:35 | |
I'll end at the first | 0:01:35 | 0:01:36 | |
and last place in England. | 0:01:36 | 0:01:38 | |
My final leg starts in Plymouth. | 0:01:39 | 0:01:42 | |
I make a stop in Saltash and St Austell, | 0:01:42 | 0:01:45 | |
before travelling on to the last station in England. | 0:01:45 | 0:01:48 | |
'On this journey, I attempt to learn the difficult art of crimping...' | 0:01:51 | 0:01:55 | |
Don't think much of yours, Jason. | 0:01:55 | 0:01:57 | |
'..marvel at one of Brunel's finest feats...' | 0:01:57 | 0:02:01 | |
It's lovely to see a structure that's still here so long after | 0:02:01 | 0:02:03 | |
it was built, still in use for its original purpose. | 0:02:03 | 0:02:07 | |
'..discover how a small bay in Cornwall | 0:02:07 | 0:02:10 | |
'effectively controlled the British Empire...' | 0:02:10 | 0:02:12 | |
Cornwall is still the hub of communication. | 0:02:12 | 0:02:15 | |
They carry messages all over the world. | 0:02:15 | 0:02:17 | |
'..and pick up the essentials of the Cornish language.' | 0:02:17 | 0:02:20 | |
Yeghes da! | 0:02:20 | 0:02:21 | |
As I near the end of my journey, my first stop today will be Plymouth, | 0:02:28 | 0:02:32 | |
described by Bradshaw's as, | 0:02:32 | 0:02:34 | |
"a first-class fortress and dockyard in Devonshire. | 0:02:34 | 0:02:38 | |
"The dockyard and harbour are at Devonport, | 0:02:38 | 0:02:41 | |
"the victualling office is at Stonehouse, | 0:02:41 | 0:02:43 | |
and there are other establishments, | 0:02:43 | 0:02:45 | |
but Plymouth is the common name for all. | 0:02:45 | 0:02:48 | |
"Victualling" - that's an interesting word, bearing in mind | 0:02:48 | 0:02:51 | |
that a navy fights on its stomach. | 0:02:51 | 0:02:53 | |
Built up around the natural harbour of Plymouth Sound, | 0:02:55 | 0:02:58 | |
the city has forever been defined by its maritime location. | 0:02:58 | 0:03:02 | |
It's been home to the Royal Navy since the 17th century, | 0:03:03 | 0:03:07 | |
and today is the largest naval base in western Europe. | 0:03:07 | 0:03:10 | |
The vast site employs 2,500 personnel | 0:03:11 | 0:03:15 | |
and generates about 10% of Plymouth's income. | 0:03:15 | 0:03:18 | |
This railway station opened in 1877, connecting Plymouth to London. | 0:03:20 | 0:03:25 | |
Intrigued by how the navy kept itself in food and drink, | 0:03:28 | 0:03:32 | |
I'm at the Royal William Victualling Yard | 0:03:32 | 0:03:34 | |
to meet Bob Cook, a volunteer from the Naval Heritage Centre. | 0:03:34 | 0:03:38 | |
Bob, according to Bradshaw's, the victualling office is "a quadrangle | 0:03:40 | 0:03:44 | |
"which costs £1.5m and includes | 0:03:44 | 0:03:48 | |
"biscuit-making machinery, cooperage and immense provision stores." | 0:03:48 | 0:03:52 | |
Why was this built and when? | 0:03:52 | 0:03:55 | |
It started, the concept, from 1822, to centralise | 0:03:55 | 0:04:00 | |
much of their storage and their manufacturing processes, | 0:04:00 | 0:04:04 | |
instead of depending on local contractors | 0:04:04 | 0:04:06 | |
for their various supplies. In the Napoleonic Wars, | 0:04:06 | 0:04:10 | |
the Victualling Board was responsible for servicing at least | 0:04:10 | 0:04:14 | |
250,000 men - the population of Plymouth - all over the world. | 0:04:14 | 0:04:18 | |
Following the Napoleonic Wars, the Royal Navy | 0:04:20 | 0:04:23 | |
wanted to improve its logistics, ready for any future conflict. | 0:04:23 | 0:04:27 | |
Architect Sir John Rennie was commissioned to build | 0:04:29 | 0:04:32 | |
a fine collection of food-provisioning buildings. | 0:04:32 | 0:04:35 | |
How did the provisions move from here to the men o' war? | 0:04:36 | 0:04:40 | |
Basically, by being transported from the harbour here | 0:04:40 | 0:04:44 | |
on small sailing barges called hoys. | 0:04:44 | 0:04:46 | |
They could take them either up to the ships or else out towards | 0:04:46 | 0:04:49 | |
Plymouth Sound if anything was anchored in that direction. | 0:04:49 | 0:04:53 | |
What was the range of facilities here? | 0:04:53 | 0:04:55 | |
Range of provisions, basically, very simply, a pound of meat a day, | 0:04:55 | 0:04:59 | |
a gallon of beer, a pound, usually, of hardtack ship's biscuit, | 0:04:59 | 0:05:03 | |
things like this. | 0:05:03 | 0:05:05 | |
Rum was one of the things supplied from here. | 0:05:05 | 0:05:07 | |
The rum was supplied and, of course, that was one feature | 0:05:07 | 0:05:10 | |
of the building behind me, the brewhouse - | 0:05:10 | 0:05:13 | |
massive, very tall, rum vats. | 0:05:13 | 0:05:16 | |
Rum for the men and gin for the officers? | 0:05:16 | 0:05:19 | |
Not necessarily. Yes, it was one of the spirits available, | 0:05:19 | 0:05:23 | |
different strengths for different ranks of the sailors. | 0:05:23 | 0:05:28 | |
Only the officers could stand the hard stuff! | 0:05:28 | 0:05:31 | |
-Bob, thank you very much, indeed. -Good to meet you. -Bye-bye. | 0:05:31 | 0:05:33 | |
Spirits formed part of the daily ration up until 1970, | 0:05:38 | 0:05:43 | |
when the Admiralty Board decided that alcohol might be | 0:05:43 | 0:05:47 | |
incompatible with the safe operation of machinery and weapons. | 0:05:47 | 0:05:51 | |
Tots of rum and gin were staples on any outgoing ship. | 0:05:55 | 0:06:01 | |
I'm meeting master distiller Sean Harrison at Plymouth Gin, | 0:06:01 | 0:06:05 | |
founded in 1793. | 0:06:05 | 0:06:07 | |
-Hello, Sean. -Hello, Michael, welcome to Plymouth Gin. | 0:06:11 | 0:06:13 | |
What an amazing building - what is the history? | 0:06:13 | 0:06:16 | |
It's very old and very interesting. | 0:06:16 | 0:06:18 | |
The oldest part is about 600 years old, | 0:06:18 | 0:06:20 | |
which was built by Blackfriars monks, | 0:06:20 | 0:06:22 | |
which is why we're called the Black Friars Distillery. | 0:06:22 | 0:06:24 | |
The bit we're in at the moment is about 400 years old, | 0:06:24 | 0:06:27 | |
and this is where every single drop | 0:06:27 | 0:06:28 | |
of Plymouth Gin has ever been made. | 0:06:28 | 0:06:30 | |
What about its relationship with the navy? | 0:06:30 | 0:06:33 | |
Because the navy went around the world, and the Empire grew | 0:06:33 | 0:06:37 | |
during the Victorian era, and everywhere the Royal Navy went, | 0:06:37 | 0:06:39 | |
-they took gin with them. -What is navy-strength gin? | 0:06:39 | 0:06:43 | |
Navy-strength gin is gin at 57%. | 0:06:43 | 0:06:44 | |
A couple of hundred years ago, they couldn't work out how much | 0:06:44 | 0:06:47 | |
alcohol there was in the product, so they used to prove it, | 0:06:47 | 0:06:50 | |
mix it with gunpowder and light the gunpowder. | 0:06:50 | 0:06:53 | |
At 57% and above, the gunpowder would still fizzle and go bang, | 0:06:53 | 0:06:56 | |
so it proved there was alcohol in the product. | 0:06:56 | 0:06:59 | |
How did gin begin its happy marriage with tonic? | 0:06:59 | 0:07:02 | |
It goes all the way back to the Indian Raj. | 0:07:02 | 0:07:05 | |
The guys wanted to have their gin because they liked it, | 0:07:05 | 0:07:07 | |
and they wanted to have their tonic, | 0:07:07 | 0:07:09 | |
which was a quinine-based drink, to protect themselves against malaria. | 0:07:09 | 0:07:12 | |
So, the two just got brought together. | 0:07:12 | 0:07:14 | |
What's all this hubble-bubble here? | 0:07:14 | 0:07:16 | |
What we see here is a spirit safe, and this is gin. | 0:07:16 | 0:07:19 | |
And this is our first chance to see it, | 0:07:19 | 0:07:20 | |
and making sure that the still is doing what we hope it will do. | 0:07:20 | 0:07:23 | |
-It's raining gin. -It's raining gin, yep. | 0:07:23 | 0:07:26 | |
In the 17th century, gin reached Britain from the Netherlands, | 0:07:26 | 0:07:30 | |
where it was prized for its medicinal properties. | 0:07:30 | 0:07:34 | |
It soon became a cheap tipple, taken up by the poor | 0:07:35 | 0:07:38 | |
and the cause of many social ills. | 0:07:38 | 0:07:40 | |
In the mid-18th century, laws regulated its manufacture and sale. | 0:07:43 | 0:07:47 | |
During the Victorian era, the quality of gin was improved | 0:07:47 | 0:07:51 | |
and it climbed the social ladder. | 0:07:51 | 0:07:53 | |
OK, Michael, here's a chance to make some gin. | 0:07:56 | 0:07:58 | |
-Whoopee! -So what we have got in front of us is eight ingredients. | 0:07:58 | 0:08:01 | |
The one in the middle, which is juniper. | 0:08:01 | 0:08:04 | |
Right, junipers we've got to have. | 0:08:04 | 0:08:06 | |
That'll be fine. Slowly, slowly tip. | 0:08:06 | 0:08:08 | |
You've now made gin, | 0:08:11 | 0:08:12 | |
so now what we're going to do is massage the flavours a little bit. | 0:08:12 | 0:08:15 | |
What was newly popular at the time of my Bradshaw's Guide? | 0:08:15 | 0:08:18 | |
Well, the great thing about gin is, it's linked to the flavours | 0:08:18 | 0:08:21 | |
we discovered as we go through that 150-year period, from 1750 to 1900. | 0:08:21 | 0:08:25 | |
-So, liquorice was becoming quite popular at that time. -No. -Not good? | 0:08:25 | 0:08:30 | |
We've got orange and lemon, coriander seeds, angelica root. | 0:08:30 | 0:08:35 | |
So there's loads of different flavours you can play around with. | 0:08:35 | 0:08:38 | |
Being Spanish, a touch of lemon. | 0:08:38 | 0:08:41 | |
So you just need to rip it up so it goes through the hole. Quite small. | 0:08:41 | 0:08:44 | |
Think I might just have one more flavour. Coriander. | 0:08:46 | 0:08:50 | |
And if that's all your ingredients, | 0:08:53 | 0:08:54 | |
that's the makings of your gin. Now you need to pick it up | 0:08:54 | 0:08:57 | |
and we need to take it over to the heat source, | 0:08:57 | 0:08:59 | |
where we're going to boil it and create gin. | 0:08:59 | 0:09:02 | |
That's it, just put it into there, and then what we're going to do | 0:09:02 | 0:09:05 | |
is connect it from one side to the other with this piece of glass here. | 0:09:05 | 0:09:08 | |
And then we put on some water. | 0:09:08 | 0:09:10 | |
Effectively, what we are going to do is heat this up, | 0:09:10 | 0:09:12 | |
turn it into a vapour, it's going to come over here | 0:09:12 | 0:09:14 | |
to this water condenser, where we're going to take the heat | 0:09:14 | 0:09:18 | |
out of it and collect 100ml. And that will be your gin. | 0:09:18 | 0:09:21 | |
-That will be Portillo's Ruin. -Yes. | 0:09:21 | 0:09:24 | |
As Royal Navy ships conveyed Plymouth Gin around the globe, | 0:09:25 | 0:09:29 | |
it became, by 1900, the world's largest volume brand of gin, | 0:09:29 | 0:09:33 | |
with 1,000 cases a week going to New York alone. | 0:09:33 | 0:09:37 | |
I wonder whether I've made an equally-appealing blend. | 0:09:37 | 0:09:40 | |
So, Michael, here's your gin that you made earlier. | 0:09:40 | 0:09:43 | |
Fantastic. | 0:09:43 | 0:09:44 | |
Ooh! | 0:09:50 | 0:09:51 | |
That is powerful. | 0:09:51 | 0:09:53 | |
So if we pour a little measure into each of the glasses. | 0:09:53 | 0:09:56 | |
-Those Spanish lemons are really coming through. -They are. | 0:09:58 | 0:10:01 | |
Here goes the taste... | 0:10:01 | 0:10:03 | |
I...am a gin-ius. | 0:10:05 | 0:10:07 | |
I'm joining the Cornish Main Line, constructed by two railway companies | 0:10:13 | 0:10:17 | |
during the 1850s. | 0:10:17 | 0:10:19 | |
As I leave Devon behind, I pass into | 0:10:25 | 0:10:27 | |
my eighth county of this adventure, | 0:10:27 | 0:10:31 | |
and a moment I've been anticipating. | 0:10:31 | 0:10:33 | |
And now, one of the great treats of my journey, | 0:10:35 | 0:10:38 | |
the Royal Albert Bridge, crossing the River Tamar, | 0:10:38 | 0:10:42 | |
carrying us into Cornwall. Built by Isambard Kingdom Brunel, | 0:10:42 | 0:10:47 | |
one of his finest achievements and one of the most | 0:10:47 | 0:10:52 | |
beautiful pieces of infrastructure on all of the UK rail network. | 0:10:52 | 0:10:55 | |
'I'm alighting at Saltash, the nearest station, | 0:11:12 | 0:11:15 | |
'to meet local railway historian Paul Burkhalter.' | 0:11:15 | 0:11:19 | |
Hello, Paul, it's lovely to be in Cornwall, and what a way to arrive. | 0:11:19 | 0:11:23 | |
The Admiralty insisted on a bridge with a 100ft clearance. | 0:11:23 | 0:11:27 | |
Isambard Kingdom Brunel responded with an engineering masterpiece | 0:11:27 | 0:11:32 | |
which he called "the bowstring suspension bridge" | 0:11:32 | 0:11:37 | |
Paul, how complicated was it to build this bridge? | 0:11:37 | 0:11:40 | |
Well, you've got to remember, Michael, that this was | 0:11:40 | 0:11:42 | |
at the forefront of engineering intelligence of the time. | 0:11:42 | 0:11:45 | |
There was no big bridge building expertise in that era, | 0:11:45 | 0:11:49 | |
they had to evolve as they built. | 0:11:49 | 0:11:51 | |
-How long did the project take? -This took six years to build. | 0:11:51 | 0:11:55 | |
They started in 1853, finished, | 0:11:55 | 0:11:58 | |
as the bridge says, 1859. | 0:11:58 | 0:12:00 | |
Is it really a suspension bridge? | 0:12:00 | 0:12:02 | |
Yes, suspension chains are holding the bridge deck, and the tubes, | 0:12:02 | 0:12:06 | |
the huge tubes at the top, | 0:12:06 | 0:12:09 | |
are forcing the piers outward, | 0:12:09 | 0:12:11 | |
so, yes, it is a form of suspension bridge. | 0:12:11 | 0:12:13 | |
What difference did it make having the bridge? | 0:12:13 | 0:12:15 | |
Oh, tremendous. It opened up Cornwall | 0:12:15 | 0:12:19 | |
to all sorts of new ventures, | 0:12:19 | 0:12:21 | |
particularly in the agricultural world. | 0:12:21 | 0:12:24 | |
So, the railway bridge was not built for the tourists? | 0:12:24 | 0:12:27 | |
No, it wasn't, but it came very soon after, | 0:12:27 | 0:12:29 | |
because the Great Western Railway was a great self-publicist | 0:12:29 | 0:12:32 | |
and promoted the tourist industry. | 0:12:32 | 0:12:35 | |
You had the posters, the artwork talking about the Cornish Riviera, | 0:12:35 | 0:12:39 | |
so yes, it came very quickly after that. | 0:12:39 | 0:12:41 | |
It's looking pristine and handsome at the moment. | 0:12:41 | 0:12:45 | |
It's just had a big restoration. | 0:12:45 | 0:12:46 | |
It has, Network Rail, £15m project, took them five years. | 0:12:46 | 0:12:51 | |
It's only just finished this year and, a few weeks ago, | 0:12:51 | 0:12:54 | |
they organised a celebration walk | 0:12:54 | 0:12:56 | |
across the bridge to mark the end of that project. | 0:12:56 | 0:12:59 | |
You sound quite emotional about this bridge. Would that be right? | 0:12:59 | 0:13:03 | |
It's lovely to see a structure still here | 0:13:03 | 0:13:05 | |
so long after it was built, | 0:13:05 | 0:13:07 | |
still in use for its original purpose. | 0:13:07 | 0:13:09 | |
Isambard Kingdom Brunel. He's just an amazing man. | 0:13:10 | 0:13:13 | |
Yes. And of course, he died not long after the bridge | 0:13:13 | 0:13:16 | |
was opened later that year, in 1859. | 0:13:16 | 0:13:19 | |
-So, it stands as his headstone. -Yes. | 0:13:19 | 0:13:23 | |
Back on the rails, I head out of Saltash, with a last | 0:13:28 | 0:13:33 | |
backward glance at Brunel's work. | 0:13:33 | 0:13:35 | |
I'm travelling to my final destination of the day - St Austell. | 0:13:36 | 0:13:41 | |
Bradshaw's notes the tin and copper mines | 0:13:41 | 0:13:44 | |
being worked in his day. | 0:13:44 | 0:13:46 | |
But as that industry has been largely worked out, | 0:13:46 | 0:13:48 | |
I'm interested in a Cornish element that's on the rise. | 0:13:48 | 0:13:52 | |
Bradshaw's quotes what it claims is a well-known rhyme. | 0:13:53 | 0:13:57 | |
"By Tre, Pol and Pen, you may know Cornish men." | 0:13:57 | 0:14:00 | |
Then, it gives examples from place names - | 0:14:00 | 0:14:03 | |
Tregothnan, Polperro, Penryn, | 0:14:03 | 0:14:05 | |
and it strikes me that, now I'm in Cornwall, | 0:14:05 | 0:14:08 | |
I should learn a few words of Cornish. | 0:14:08 | 0:14:11 | |
The Cornish language was in decline for centuries. | 0:14:11 | 0:14:14 | |
It's undergone a revival in recent decades | 0:14:14 | 0:14:17 | |
and now, around 2,000 people are said to be fluent. | 0:14:17 | 0:14:20 | |
Matthew Clark, Jerry Jeffries and Loveday Jenkin | 0:14:23 | 0:14:27 | |
meet up regularly to keep their language alive. | 0:14:27 | 0:14:30 | |
SHE SPEAKS CORNISH | 0:14:30 | 0:14:33 | |
HE RESPONDS IN CORNISH | 0:14:34 | 0:14:36 | |
I hear you all speaking Cornish. | 0:14:36 | 0:14:39 | |
How unusual does that make you these days? | 0:14:39 | 0:14:42 | |
Not as unusual as it used to be. | 0:14:42 | 0:14:43 | |
-Is that right? -Yeah, the language is expanding quite a lot. | 0:14:43 | 0:14:47 | |
Would it be an exaggeration to say it was once a dead language? | 0:14:47 | 0:14:51 | |
Well, it's quite interesting to think about that, | 0:14:51 | 0:14:54 | |
because actually, although it wasn't used as a means of communication | 0:14:54 | 0:14:57 | |
for about 70-80 years, it's never really died out, | 0:14:57 | 0:15:01 | |
the knowledge of Cornish, its just as a spoken language. | 0:15:01 | 0:15:05 | |
How closely related is it to other Celtic languages? | 0:15:05 | 0:15:08 | |
Strongest link, I suppose, is between Cornish and Breton. | 0:15:08 | 0:15:11 | |
And, in fact, up to the 1500s, it was mutually intelligible, | 0:15:11 | 0:15:15 | |
Cornish and Breton, at that time. | 0:15:15 | 0:15:17 | |
The three prefixes that people might know who know nothing of Cornish - | 0:15:17 | 0:15:21 | |
tre, pol and pen - what do they actually mean? | 0:15:21 | 0:15:25 | |
Tre, which is like a hamlet or a homestead. | 0:15:25 | 0:15:27 | |
Pol, which is a pool. | 0:15:27 | 0:15:30 | |
Pen, which is a headland or a hill. | 0:15:30 | 0:15:33 | |
And you find those in Brittany and all across the map in Wales | 0:15:33 | 0:15:37 | |
as well, that really makes a strong distinction of Celtic territory. | 0:15:37 | 0:15:42 | |
So, how do I say hello? | 0:15:42 | 0:15:43 | |
-Dydh da. -Dydh da? -Dydh da. -Dydh da. | 0:15:43 | 0:15:47 | |
How do I say thank you? | 0:15:47 | 0:15:48 | |
-Meur ras dhis. -Meur ras dhis. | 0:15:48 | 0:15:50 | |
How do I say please? | 0:15:50 | 0:15:52 | |
-Mar pleg. -Mar pleg. | 0:15:52 | 0:15:54 | |
And how do you say cheers? | 0:15:54 | 0:15:56 | |
-Yeghes da. -Yeghes da. | 0:15:56 | 0:15:58 | |
Yeghes da! Indeed, yeghes da. | 0:15:58 | 0:16:01 | |
It's the morning of my second day and I'm heading out of St Austell, | 0:16:07 | 0:16:11 | |
to enjoy my final stretches of track towards the end of the rail network. | 0:16:11 | 0:16:16 | |
My next stop will be Penzance. | 0:16:18 | 0:16:20 | |
Bradshaw's says, "This flourishing port is at the further end | 0:16:20 | 0:16:24 | |
"of Cornwall and the terminus of the West Cornwall Railway." | 0:16:24 | 0:16:28 | |
But surprisingly, in this region's spicy history, | 0:16:28 | 0:16:32 | |
there's been a strong influence from the east. | 0:16:32 | 0:16:35 | |
End of the line. | 0:16:42 | 0:16:44 | |
'Cornwall is the last county coming from London, | 0:16:44 | 0:16:47 | |
'but the first approaching from the Atlantic.' | 0:16:47 | 0:16:49 | |
'So its links across the sea have been as important as those | 0:16:49 | 0:16:52 | |
'with Britain's hinterland.' | 0:16:52 | 0:16:54 | |
"St Michael's Mount - a conspicuous granite rock. At the top, | 0:16:54 | 0:16:59 | |
"the remains of a priory founded before the Norman conquest | 0:16:59 | 0:17:04 | |
"and, for ages, resorted to by pilgrims. | 0:17:04 | 0:17:07 | |
"In olden times, this was called 'Ictis' and was a tin depot." | 0:17:07 | 0:17:13 | |
Hundreds of years before St Michael appeared as a vision | 0:17:13 | 0:17:17 | |
to fishermen, Greeks had been coming here with their ships, to carry | 0:17:17 | 0:17:22 | |
the tin to their own land, bringing with them saffron and pepper - | 0:17:22 | 0:17:28 | |
ingredients that have had a lasting effect on Cornish cuisine. | 0:17:28 | 0:17:32 | |
The pepper and spices came from afar, but the vegetables | 0:17:36 | 0:17:41 | |
came from the Cornish earth, as did the minerals hewn by the miners. | 0:17:41 | 0:17:45 | |
The miners' needs helped to shape the famous Cornish pasty. | 0:17:45 | 0:17:49 | |
I'm calling in on Jason Jobling, a master baker. | 0:17:49 | 0:17:53 | |
Jason, you, then, have your own very special - | 0:17:56 | 0:17:58 | |
and, I take it, secret - recipe for Cornish pasty? | 0:17:58 | 0:18:00 | |
Yeah, we have. We've been making pasties | 0:18:00 | 0:18:02 | |
since 1860 and we've developed the recipe over a number of years, | 0:18:02 | 0:18:05 | |
so we're quite proud of it, as well. | 0:18:05 | 0:18:08 | |
All right, so not everything is secret about it, | 0:18:08 | 0:18:10 | |
-because I know it's got potato, onion and swede. -That's right. | 0:18:10 | 0:18:14 | |
And I think you've got some spicy secrets in that mixture there. | 0:18:14 | 0:18:18 | |
Definitely, we've got a long history of trading | 0:18:18 | 0:18:21 | |
-with the peppercorn spices. -Aha. How do we begin? | 0:18:21 | 0:18:25 | |
So, if you can out roughly a quarter of that bowl of | 0:18:25 | 0:18:28 | |
sliced potatoes into the new bowl... | 0:18:28 | 0:18:30 | |
-One quarter exactly? -Great. | 0:18:30 | 0:18:32 | |
Half as much swede in there, please. | 0:18:32 | 0:18:34 | |
Precisely one half of the quantity of swede. | 0:18:34 | 0:18:36 | |
And then, half as much of the onion as the swede. | 0:18:36 | 0:18:40 | |
Ooh! Lovely, fragrant, tear-jerking onion. | 0:18:41 | 0:18:47 | |
So, we need some salt. And then the special pepper. | 0:18:47 | 0:18:53 | |
Then, combine that together. | 0:18:53 | 0:18:55 | |
-Turning it through. -What do we do with this now? | 0:18:55 | 0:18:58 | |
Just turn it through the same as the vegetables. | 0:18:58 | 0:19:01 | |
Oh, that chill of the meat. | 0:19:01 | 0:19:03 | |
Am I right in thinking the tin miners were great devotees | 0:19:03 | 0:19:07 | |
of the Cornish pasty? | 0:19:07 | 0:19:08 | |
Yes, the pasty suited the tin miners, they used to take it down | 0:19:08 | 0:19:11 | |
the mines and they used to eat it by the crimp edge, | 0:19:11 | 0:19:14 | |
and then, after eating it, | 0:19:14 | 0:19:15 | |
-throw the crimp edge down the mine. -Why? | 0:19:15 | 0:19:17 | |
In the mining process, they had arsenic and other minerals on | 0:19:17 | 0:19:20 | |
their hands, and they didn't have | 0:19:20 | 0:19:21 | |
that touching the food, didn't eat it. | 0:19:21 | 0:19:23 | |
So, it's not just there for decoration? | 0:19:23 | 0:19:25 | |
No, there's a story behind it. | 0:19:25 | 0:19:27 | |
These pasties are made with skirt beef. | 0:19:29 | 0:19:31 | |
The miners would have been used to all sorts of fillings, | 0:19:33 | 0:19:36 | |
from rabbit to mackerel, | 0:19:36 | 0:19:38 | |
flavoured with wild lemon grass and garlic. | 0:19:38 | 0:19:40 | |
Put a handful of vegetables on your round. | 0:19:42 | 0:19:45 | |
-Some skirt beef over the top. -Over the top. | 0:19:46 | 0:19:49 | |
Little tip, we want to create a nice little bit of gravy, | 0:19:49 | 0:19:51 | |
so we add a little bit of butter on top. | 0:19:51 | 0:19:53 | |
Such a simple idea, but I bet that is really effective. | 0:19:53 | 0:19:56 | |
So, the next stage is folding the pastry over to make a D shape. | 0:19:56 | 0:19:59 | |
-I fear that was the easy bit. -That was the easy bit. | 0:20:02 | 0:20:05 | |
-So, now we take the corner and make a triangle. -Make a triangle. | 0:20:05 | 0:20:10 | |
And then, another triangle, making this roping effect. | 0:20:10 | 0:20:13 | |
-Ooh. -Everyone's got their own unique style. The staff in our bakery | 0:20:13 | 0:20:17 | |
can tell who's crimped each pasty, each crimp is that different. | 0:20:17 | 0:20:21 | |
I think they may be able to quite easily tell who crimped | 0:20:21 | 0:20:25 | |
THIS particular pasty. | 0:20:25 | 0:20:28 | |
OK, let's hold them up, for the sake of comparison. | 0:20:28 | 0:20:31 | |
They're similar. | 0:20:31 | 0:20:33 | |
THEY LAUGH | 0:20:33 | 0:20:35 | |
Don't think much of yours, Jason. | 0:20:36 | 0:20:38 | |
After cooking them in the oven for almost an hour, | 0:20:38 | 0:20:42 | |
I take my version of the Cornish pasty around town | 0:20:42 | 0:20:46 | |
to try it out on the locals. | 0:20:46 | 0:20:48 | |
I've been making some Cornish pasties. | 0:20:48 | 0:20:50 | |
Are you not put off by the fact it's not nicely crimped? | 0:20:50 | 0:20:53 | |
-You could do better. -Well, with practise, with practise. | 0:20:53 | 0:20:56 | |
Hello. You're not put off by the way I've done them, are you? | 0:20:56 | 0:21:01 | |
It's not crimped properly at all, sorry. | 0:21:01 | 0:21:03 | |
I'm not very good at crimping. What do you think of that? | 0:21:03 | 0:21:07 | |
That looks better than I could do | 0:21:07 | 0:21:08 | |
and I've got an A in catering and hospitality, so... | 0:21:08 | 0:21:11 | |
Have you really? | 0:21:11 | 0:21:12 | |
-Did you make them? -Yeah. -That's nice. | 0:21:12 | 0:21:14 | |
-Oh, good, thank you very much. -You've done a good job. | 0:21:14 | 0:21:17 | |
THEY LAUGH | 0:21:17 | 0:21:18 | |
The secret of a satisfactory pasty is, don't skimp on your crimp. | 0:21:18 | 0:21:21 | |
To end my coastal journey, it's fitting that the final destination | 0:21:29 | 0:21:33 | |
be at the end of Great Britain. | 0:21:33 | 0:21:36 | |
In Bradshaw's day, this headland protruding into the Atlantic | 0:21:36 | 0:21:39 | |
pointed to America and sea routes to the British Empire. | 0:21:39 | 0:21:43 | |
This is Porthcurno, about eight miles from Land's End. | 0:21:45 | 0:21:48 | |
But Land's End is just another way of saying "ocean's beginning" | 0:21:48 | 0:21:52 | |
and ,at the time of my Bradshaw's Guide, the challenge was | 0:21:52 | 0:21:55 | |
how to connect to the world beyond. | 0:21:55 | 0:21:58 | |
The telegraph system was developed in the early 19th century. | 0:22:00 | 0:22:04 | |
Railway companies established and expanded the network on land, | 0:22:04 | 0:22:08 | |
running cables alongside their tracks. | 0:22:08 | 0:22:11 | |
The next challenge was to take telegraph cables across the seas. | 0:22:11 | 0:22:16 | |
I'm meeting Gareth Parry, a volunteer at the Porthcurno Telegraph Museum. | 0:22:16 | 0:22:22 | |
Gareth, when did they first lay ocean cables | 0:22:22 | 0:22:25 | |
terminating here at Porthcurno? | 0:22:25 | 0:22:28 | |
That came in in 1870 and that was the first occasion | 0:22:28 | 0:22:32 | |
when people in this country could communicate | 0:22:32 | 0:22:35 | |
with any other part of the British Empire. | 0:22:35 | 0:22:37 | |
Prior to the cable arriving here at Porthcurno, any message | 0:22:37 | 0:22:40 | |
to Bombay, as it was called then, | 0:22:40 | 0:22:43 | |
could take six or seven weeks. | 0:22:43 | 0:22:46 | |
With a cable, that dropped down to nine minutes. | 0:22:46 | 0:22:49 | |
So, it dramatically changed the way in which this county | 0:22:49 | 0:22:51 | |
controlled the British Empire. | 0:22:51 | 0:22:54 | |
So, the cables that arrived from the Empire came later in history | 0:22:54 | 0:22:57 | |
than the first transatlantic cable - is that right? | 0:22:57 | 0:22:59 | |
Yes, the first successful transatlantic cable | 0:22:59 | 0:23:02 | |
would have been 1866. | 0:23:02 | 0:23:04 | |
These first cables across the Atlantic went from the west coast | 0:23:07 | 0:23:11 | |
of Ireland to a place called Heart's Content in Newfoundland. | 0:23:11 | 0:23:14 | |
Wealthy industrialist John Pender was the leading financier. | 0:23:15 | 0:23:19 | |
The epic undertaking faced major challenges. | 0:23:21 | 0:23:24 | |
Did they know that it was going to work? | 0:23:25 | 0:23:28 | |
No, the first attempt involved two ships having two sets of cable | 0:23:28 | 0:23:32 | |
and trying to connect up. And that failed. | 0:23:32 | 0:23:34 | |
Second attempt in 1858 did establish communication, | 0:23:34 | 0:23:38 | |
but the cable failed after a relatively short time - a few weeks. | 0:23:38 | 0:23:43 | |
A lot of effort went into improving | 0:23:43 | 0:23:45 | |
the purity of the copper in the cable. | 0:23:45 | 0:23:47 | |
The cable that had been manufactured was so heavy | 0:23:47 | 0:23:51 | |
there was only one ship that could carry it, | 0:23:51 | 0:23:53 | |
and that was Brunel's SS Great Eastern. | 0:23:53 | 0:23:55 | |
There was an attempt in 1865 and they lost the cable. | 0:23:55 | 0:24:00 | |
They returned and John Pender raised capital to get another cable made. | 0:24:00 | 0:24:04 | |
That was successful in 1866. It was primitive communication, | 0:24:04 | 0:24:08 | |
but it was communication. | 0:24:08 | 0:24:10 | |
Even after some very expensive failed attempts, | 0:24:11 | 0:24:14 | |
the backers persisted. | 0:24:14 | 0:24:16 | |
Once the technical obstacles had been overcome, the cable network | 0:24:18 | 0:24:22 | |
centred on Porthcurno spread rapidly. | 0:24:22 | 0:24:25 | |
By 1887, the undersea cable network | 0:24:25 | 0:24:28 | |
connected Britain, via relay stations, | 0:24:28 | 0:24:31 | |
to every corner of her Empire. | 0:24:31 | 0:24:34 | |
Porthcurno was the hub of communications | 0:24:36 | 0:24:39 | |
and the largest telegraph station in the world | 0:24:39 | 0:24:41 | |
What did the transatlantic cables look like? | 0:24:43 | 0:24:46 | |
I've got some samples here. You have a copper core, | 0:24:46 | 0:24:52 | |
which carries the signal, but you have to insulate it. | 0:24:52 | 0:24:55 | |
They used a material called gutta-percha, | 0:24:55 | 0:24:58 | |
which comes from a plant in the Far East, it's like rubber, | 0:24:58 | 0:25:02 | |
but more tolerant of sea conditions. Well, up to a point. | 0:25:02 | 0:25:06 | |
Certain sea creatures are rather partial to gutta-percha, | 0:25:06 | 0:25:10 | |
so you have to cover that. | 0:25:10 | 0:25:12 | |
The biggest concern for the cable manufacturers was | 0:25:12 | 0:25:15 | |
they would get damaged by busy shipping lanes. | 0:25:15 | 0:25:18 | |
If they were near the shore, you would have | 0:25:18 | 0:25:21 | |
a heavy armoured section, which is what you see on this one here. | 0:25:21 | 0:25:24 | |
-You can see, they're quite heavy. -Ooph. | 0:25:24 | 0:25:27 | |
Imagine a couple of thousand miles of that. | 0:25:27 | 0:25:30 | |
Well, you can see why they needed the SS Great Eastern to carry it. | 0:25:30 | 0:25:34 | |
In telegraph stations across the globe, | 0:25:35 | 0:25:39 | |
operators sent and deciphered | 0:25:39 | 0:25:41 | |
messages that had been framed in Morse code. | 0:25:41 | 0:25:45 | |
Thousands of operators were trained at Porthcurno, | 0:25:45 | 0:25:48 | |
up until 1993, | 0:25:48 | 0:25:50 | |
when the original cables were replaced with modern fibres. | 0:25:50 | 0:25:54 | |
It's interesting to compare what we see here with...one of | 0:25:56 | 0:26:01 | |
today's optical fibre samples. | 0:26:01 | 0:26:03 | |
Now, if you hold that to the light | 0:26:03 | 0:26:06 | |
you can see very thin strands. They are about the thickness | 0:26:06 | 0:26:09 | |
of a human hair and this has dramatically changed communication. | 0:26:09 | 0:26:14 | |
Each one of these would be capable of carrying | 0:26:14 | 0:26:17 | |
several million telephone calls. | 0:26:17 | 0:26:19 | |
Interestingly, these are coming up on the beach here at Porthcurno. | 0:26:19 | 0:26:25 | |
Cornwall is still the hub of communication for fibre optics. | 0:26:25 | 0:26:28 | |
And these carry messages all over the world. | 0:26:28 | 0:26:31 | |
With foresight and ambition, this venture laid | 0:26:33 | 0:26:37 | |
the foundations for today's World Wide Web. | 0:26:37 | 0:26:40 | |
Since I began my excursion in Dover Harbour, | 0:26:49 | 0:26:52 | |
celebrating the achievements of the first cross-Channel swimmer, | 0:26:52 | 0:26:56 | |
I've come across several Victorian heroes. | 0:26:56 | 0:26:59 | |
From inventors to writers, | 0:26:59 | 0:27:01 | |
and not forgetting one nurse - Florence Nightingale. | 0:27:01 | 0:27:05 | |
As I travelled along the south coast of England, | 0:27:05 | 0:27:08 | |
defence was much on my mind. | 0:27:08 | 0:27:10 | |
I encountered the 19th-Century fortifications, | 0:27:10 | 0:27:13 | |
designed to keep the French at bay. And the Royal Navy, | 0:27:13 | 0:27:18 | |
whose dominance of the high seas guaranteed the citizens | 0:27:18 | 0:27:22 | |
of our island a century of peace, from John o'Groats to Land's End. | 0:27:22 | 0:27:27 | |
Next time... I have a blast in Birmingham... | 0:27:37 | 0:27:40 | |
WHISTLING | 0:27:41 | 0:27:43 | |
Brilliant. That is the sound of the railways, isn't it? | 0:27:43 | 0:27:46 | |
..pay homage to a magnificent organ that inspired a great composer... | 0:27:47 | 0:27:53 | |
The City Fathers were very proud of this instrument, so it was | 0:27:53 | 0:27:56 | |
a feather in their cap that somebody like Mendelssohn should deign | 0:27:56 | 0:28:00 | |
to play on it. | 0:28:00 | 0:28:01 | |
..and get a dose of quack doctors and their bizarre remedies. | 0:28:03 | 0:28:07 | |
"Mother Siegel's Curative Syrup." There is one here called simply | 0:28:07 | 0:28:11 | |
"The Ills Of Humanity". | 0:28:11 | 0:28:14 | |
And "Pink Pills For Pale People". | 0:28:14 | 0:28:18 |