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For Edwardian Britons, | 0:00:04 | 0:00:05 | |
a Bradshaw's was an indispensable guide | 0:00:05 | 0:00:09 | |
to a railway network at its peak. | 0:00:09 | 0:00:11 | |
I'm using an early-20th-century edition | 0:00:13 | 0:00:16 | |
to navigate a vibrant and optimistic Britain | 0:00:16 | 0:00:19 | |
at the height of its power and influence in the world. | 0:00:19 | 0:00:22 | |
But a nation wrestling with political, social, | 0:00:24 | 0:00:28 | |
and industrial unrest at home. | 0:00:28 | 0:00:31 | |
My rail journey from Hull to North Wales | 0:00:56 | 0:00:58 | |
reaches its halfway point in South Yorkshire and Nottinghamshire. | 0:00:58 | 0:01:03 | |
At the beginning of the 20th century, | 0:01:03 | 0:01:05 | |
Britain, which had had the world's largest economy, | 0:01:05 | 0:01:08 | |
based on coal and steel, was being overtaken | 0:01:08 | 0:01:11 | |
by the United States and Germany. | 0:01:11 | 0:01:14 | |
Meanwhile, decades of economic growth in Britain | 0:01:14 | 0:01:17 | |
had created a powerful working class | 0:01:17 | 0:01:20 | |
increasingly led by educated men towards being assertive. | 0:01:20 | 0:01:25 | |
My journey started in East Yorkshire | 0:01:43 | 0:01:46 | |
and continued to the historic city of York. | 0:01:46 | 0:01:50 | |
From there, I proceeded inland | 0:01:50 | 0:01:52 | |
across the industrial heartlands of West and South Yorkshire. | 0:01:52 | 0:01:57 | |
I'll go on to Liverpool, | 0:01:57 | 0:01:59 | |
and then along the North Wales coast, | 0:01:59 | 0:02:02 | |
until I end in Caernarfon. | 0:02:02 | 0:02:05 | |
I begin this section of my trip in the Steel City of Sheffield. | 0:02:05 | 0:02:09 | |
I'll travel to Eastwood and Langley Mill, | 0:02:11 | 0:02:13 | |
on the border between Nottinghamshire and Derbyshire, | 0:02:13 | 0:02:17 | |
and I'll finish in the market town of Nantwich. | 0:02:17 | 0:02:20 | |
On this trip, things are hotting up... | 0:02:22 | 0:02:25 | |
-The heat was intense, glowing red. -When the next one comes out, | 0:02:25 | 0:02:28 | |
that'll be at 1,250 degrees centigrade. | 0:02:28 | 0:02:32 | |
..I freewheel to new heights... | 0:02:32 | 0:02:34 | |
So... Whoa! | 0:02:34 | 0:02:37 | |
Yeah, power is kicking in. Zooming up the hill. | 0:02:37 | 0:02:40 | |
..and experience a life of brine. | 0:02:40 | 0:02:44 | |
I can smell the salt in the water. | 0:02:44 | 0:02:47 | |
I'm not particularly tempted to taste it. | 0:02:47 | 0:02:50 | |
My first stop is Sheffield. | 0:03:04 | 0:03:07 | |
By the beginning of the 20th century, | 0:03:07 | 0:03:09 | |
it was a busy industrial city, | 0:03:09 | 0:03:12 | |
attracting entrepreneurs from far and wide. | 0:03:12 | 0:03:15 | |
Due to advances made in the production of steel | 0:03:18 | 0:03:21 | |
in the 18th century, | 0:03:21 | 0:03:23 | |
Sheffield became prosperous and large and world-famous. | 0:03:23 | 0:03:28 | |
But it must have taken its toll, in terms of smoke | 0:03:28 | 0:03:32 | |
and dirt and slums, because George Orwell wrote, | 0:03:32 | 0:03:36 | |
"Sheffield, I suppose, can claim to be called | 0:03:36 | 0:03:39 | |
"the ugliest town in the Old World." | 0:03:39 | 0:03:42 | |
Well, with this marvellous plaza outside the station, | 0:03:42 | 0:03:46 | |
it's clearly lost that title. | 0:03:46 | 0:03:48 | |
In 1850, Sheffield produced half the world's steel. | 0:03:49 | 0:03:54 | |
By the beginning of the 20th century, | 0:03:54 | 0:03:56 | |
it had become a powerhouse, | 0:03:56 | 0:03:58 | |
engaged in the manufacture of armaments for the Royal Navy. | 0:03:58 | 0:04:02 | |
I'm headed to the Kelham Island Museum | 0:04:02 | 0:04:05 | |
on the River Don to see an engine | 0:04:05 | 0:04:08 | |
that dates back to the era that shocks us with its scale. | 0:04:08 | 0:04:12 | |
David, I'm Michael. How do you do? | 0:04:12 | 0:04:14 | |
Welcome to the museum and the River Don Engine. | 0:04:14 | 0:04:18 | |
I'm meeting local historian David Boursnell. | 0:04:18 | 0:04:22 | |
David, here we are by a beautiful, shiny, | 0:04:22 | 0:04:26 | |
wonderfully painted and beautifully preserved, | 0:04:26 | 0:04:29 | |
enormous Edwardian steam engine. What was it for? | 0:04:29 | 0:04:32 | |
It was built in 1904 to power an armour plate mill | 0:04:32 | 0:04:36 | |
in the Don Valley, and it's been here since the mid-'70s. | 0:04:36 | 0:04:39 | |
-And does it still run? -It does. | 0:04:39 | 0:04:42 | |
Weighing 400 tonnes and running at 12,000 horsepower, | 0:04:55 | 0:05:01 | |
this is the most powerful working steam engine in Europe. | 0:05:01 | 0:05:05 | |
Unusually, it can reverse itself in an instant | 0:05:05 | 0:05:09 | |
so that the armour plate can be rolled first this way | 0:05:09 | 0:05:13 | |
and then the other through the mill. | 0:05:13 | 0:05:15 | |
David, that really was impressive. | 0:05:23 | 0:05:25 | |
The size of the pistons, | 0:05:25 | 0:05:27 | |
they're kind of silky but immensely powerful. | 0:05:27 | 0:05:30 | |
-They're actually quite terrifying. -It is. | 0:05:30 | 0:05:32 | |
It's a lovely, very impressive machine. | 0:05:32 | 0:05:34 | |
This engine produced armour plate for the warship that transformed | 0:05:36 | 0:05:41 | |
the Royal Navy - HMS Dreadnought. | 0:05:41 | 0:05:45 | |
It was launched by King Edward VII in 1906. | 0:05:45 | 0:05:48 | |
Dreadnought means "fear nothing", | 0:05:50 | 0:05:52 | |
for it could outgun and outpace any battleship afloat. | 0:05:52 | 0:05:58 | |
The Dreadnought was known as the all-big-gun battleship. | 0:05:58 | 0:06:01 | |
It had ten 12-inch guns, | 0:06:01 | 0:06:04 | |
as opposed to the previous generation of battleships, | 0:06:04 | 0:06:07 | |
which had four 12-inch guns, | 0:06:07 | 0:06:09 | |
and then an array of secondary armament. | 0:06:09 | 0:06:11 | |
The reason for that is that it was much easier to aim a broadside | 0:06:11 | 0:06:15 | |
if all the guns were the same size | 0:06:15 | 0:06:17 | |
and were thus landing in the same place, | 0:06:17 | 0:06:20 | |
and you could see where they landed more accurately | 0:06:20 | 0:06:23 | |
than if you had a whole variety of different guns | 0:06:23 | 0:06:25 | |
with different ranges. | 0:06:25 | 0:06:27 | |
How did our potential enemies, | 0:06:27 | 0:06:29 | |
the Germans in particular, react to the dreadnoughts? | 0:06:29 | 0:06:32 | |
Slowly, I think, is the answer to that, | 0:06:32 | 0:06:34 | |
and by the First World War, we had roughly twice the number | 0:06:34 | 0:06:37 | |
of dreadnought battleships as the next two countries put together. | 0:06:37 | 0:06:42 | |
Despite its position far from the sea, | 0:06:42 | 0:06:45 | |
Sheffield still manufactures critical components | 0:06:45 | 0:06:49 | |
for modern naval defence. | 0:06:49 | 0:06:50 | |
Sheffield Forgemasters represents a 21st-century iteration | 0:06:52 | 0:06:57 | |
of a long tradition of steel making that goes back to the 18th century. | 0:06:57 | 0:07:03 | |
Graham Honeyman is chief executive. | 0:07:03 | 0:07:05 | |
Graham, here, one begins to get a sense | 0:07:07 | 0:07:09 | |
of the scale of your operation. | 0:07:09 | 0:07:11 | |
I just walked past this menacingly glowing tube of steel. | 0:07:11 | 0:07:15 | |
I was within about 12ft, and the heat was intense. | 0:07:15 | 0:07:19 | |
-This is a colossal operation. -It is. The temperature of that | 0:07:19 | 0:07:22 | |
is at the lower end of what we forge at, | 0:07:22 | 0:07:24 | |
which is 750 degrees centigrade. | 0:07:24 | 0:07:26 | |
But when the next one comes out, | 0:07:26 | 0:07:28 | |
that'll be at 1,250 degrees centigrade. | 0:07:28 | 0:07:31 | |
1,250 is an almost unimaginable temperature to me. | 0:07:31 | 0:07:35 | |
Yeah, it is a very, very high temperature. | 0:07:35 | 0:07:37 | |
-What is this item? -This item is an eccentric shaft for India. | 0:07:37 | 0:07:41 | |
It's to do with shipbuilding. | 0:07:41 | 0:07:43 | |
All products here are bespoke, | 0:07:43 | 0:07:45 | |
and can take up to 18 months to complete. | 0:07:45 | 0:07:48 | |
The company is at the forefront of technology | 0:07:48 | 0:07:51 | |
and invests heavily in research to keep it that way. | 0:07:51 | 0:07:55 | |
Graham, sometimes, when I travel around industrial Britain, | 0:07:55 | 0:07:58 | |
it is like a tour of a museum of things that used to be. | 0:07:58 | 0:08:03 | |
-But that is not the case here? -No. | 0:08:03 | 0:08:05 | |
I'm not a history man, Michael. I look to the future. | 0:08:05 | 0:08:08 | |
We do have pride in our old industry, don't get me wrong, | 0:08:08 | 0:08:11 | |
but unless we start looking forwards, | 0:08:11 | 0:08:13 | |
then we will surely go backwards and die. | 0:08:13 | 0:08:16 | |
So, we need to keep testing ourselves. | 0:08:16 | 0:08:18 | |
That's the most important thing to me. | 0:08:18 | 0:08:20 | |
I'm leaving Sheffield and heading south. | 0:08:27 | 0:08:30 | |
I'll leave this train at Langley Mill, | 0:08:37 | 0:08:39 | |
which is known, in my Bradshaw's, as Eastwood and Langley Mill. | 0:08:39 | 0:08:43 | |
In Edwardian times, | 0:08:43 | 0:08:44 | |
Britain was still a class-riven place, | 0:08:44 | 0:08:48 | |
but it had become a game of snakes and ladders. | 0:08:48 | 0:08:52 | |
Education enabled you to rise, | 0:08:52 | 0:08:54 | |
but, equally, a woman who married below her status | 0:08:54 | 0:08:58 | |
might take an economic tumble. | 0:08:58 | 0:09:01 | |
Good themes for a novel. | 0:09:01 | 0:09:03 | |
In 1830, Eastwood was a settlement of only 28 houses, | 0:09:21 | 0:09:26 | |
but rich seams of coal threaded through the earth below. | 0:09:26 | 0:09:30 | |
By the end of the 19th century, | 0:09:30 | 0:09:32 | |
the pit village sustained a population of around 4,500. | 0:09:32 | 0:09:37 | |
In 1885, David Herbert Lawrence was born. | 0:09:37 | 0:09:41 | |
People called him Bert then, | 0:09:41 | 0:09:44 | |
better known today as DH Lawrence, | 0:09:44 | 0:09:47 | |
the novelist whose works include Women In Love, Sons And Lovers, | 0:09:47 | 0:09:51 | |
and Lady Chatterley's Lover. | 0:09:51 | 0:09:54 | |
I'm meeting associate professor in English literature | 0:09:54 | 0:09:58 | |
at the University of Nottingham, Andrew Harrison. | 0:09:58 | 0:10:01 | |
-Hello, Andrew. I'm Michael. -Hello. | 0:10:01 | 0:10:04 | |
Andrew, Princes Street is brilliantly preserved. | 0:10:04 | 0:10:07 | |
Tell me what sort of a place it was when DH Lawrence was born. | 0:10:07 | 0:10:10 | |
Well, I mean, it was very much a mining community. | 0:10:10 | 0:10:13 | |
There were ten pits within walking distance of Eastwood, | 0:10:13 | 0:10:16 | |
but there was also glorious countryside round about, | 0:10:16 | 0:10:20 | |
which Lawrence loved to escape to. | 0:10:20 | 0:10:21 | |
Would the village have been dirty? | 0:10:21 | 0:10:23 | |
Absolutely, it would have been dirty. | 0:10:23 | 0:10:25 | |
And Lawrence suffered very much from lung problems throughout his life, | 0:10:25 | 0:10:30 | |
and I think that was very much shaped by the mining conditions | 0:10:30 | 0:10:33 | |
of the town he grew up in. | 0:10:33 | 0:10:35 | |
Unlike the other children at his school, | 0:10:35 | 0:10:38 | |
DH Lawrence never dreamt of becoming a miner. | 0:10:38 | 0:10:41 | |
Instead, he won scholarships, became a teacher, | 0:10:41 | 0:10:44 | |
and started to write. | 0:10:44 | 0:10:46 | |
His childhood in Nottinghamshire | 0:10:46 | 0:10:48 | |
provided material for his work throughout his life. | 0:10:48 | 0:10:53 | |
Tell me about the mother and father. | 0:10:53 | 0:10:54 | |
The father was a miner, and was very well-known, | 0:10:54 | 0:10:58 | |
had family around him in the town. | 0:10:58 | 0:11:00 | |
I think he was very comfortable in Eastwood, | 0:11:00 | 0:11:02 | |
whereas I think Lawrence's mother felt very out of place. | 0:11:02 | 0:11:06 | |
She was middle-class. | 0:11:06 | 0:11:08 | |
In her youth, she'd received an education, | 0:11:08 | 0:11:11 | |
and had developed a love for literature | 0:11:11 | 0:11:14 | |
that she would instil in her son. | 0:11:14 | 0:11:16 | |
The gulf between his parents' origins and aspirations | 0:11:17 | 0:11:21 | |
made a deep impression on Lawrence. | 0:11:21 | 0:11:23 | |
So, this is the house where DH Lawrence was born in 1885. | 0:11:25 | 0:11:30 | |
Andrew, extraordinary. | 0:11:34 | 0:11:35 | |
A little Victorian terrace house preserved in aspic. | 0:11:35 | 0:11:39 | |
What clues does the house offer to you? | 0:11:39 | 0:11:41 | |
Well, here, we're between two worlds in the house. | 0:11:41 | 0:11:43 | |
On the one hand, we have the very working-class heart | 0:11:43 | 0:11:46 | |
of family life - the kitchen. And we're here in the parlour - | 0:11:46 | 0:11:50 | |
the room that was only used, really, for special guests like the vicar. | 0:11:50 | 0:11:53 | |
Sons And Lovers, I suppose, is the most autobiographical novel. | 0:11:53 | 0:11:56 | |
Which bits of Lawrence's life find their way into that? | 0:11:56 | 0:12:00 | |
The novel is centrally concerned with the way that | 0:12:00 | 0:12:04 | |
a mother pushes her sons into the middle class. | 0:12:04 | 0:12:07 | |
So, the novel is about the emotional consequences of that move | 0:12:07 | 0:12:12 | |
out of a world that the boys knew into a world that's very different. | 0:12:12 | 0:12:17 | |
By delving into his personal experience, | 0:12:17 | 0:12:20 | |
Lawrence was able to give an insightful evocation | 0:12:20 | 0:12:24 | |
of working-class life. | 0:12:24 | 0:12:26 | |
It was an eye-opener for Edwardian society. | 0:12:26 | 0:12:29 | |
What's he doing that's innovative in writing? | 0:12:29 | 0:12:32 | |
Well, for a start, I think he's very interested | 0:12:32 | 0:12:35 | |
in expressing a full range of emotions, | 0:12:35 | 0:12:37 | |
including, of course, sexual feelings and sexual emotions. | 0:12:37 | 0:12:41 | |
But he's also somebody who wants to narrate those experiences | 0:12:41 | 0:12:45 | |
through the perspective of the characters, | 0:12:45 | 0:12:47 | |
and in that respect, he's very like other experimental writers of the period, | 0:12:47 | 0:12:51 | |
for instance, Virginia Woolf or James Joyce. | 0:12:51 | 0:12:53 | |
You teach Lawrence in Nottingham. | 0:12:53 | 0:12:55 | |
Maybe some of your pupils are from Eastwood. | 0:12:55 | 0:12:57 | |
How do they relate to it? | 0:12:57 | 0:12:59 | |
Well, very often, children - | 0:12:59 | 0:13:01 | |
schoolchildren - in this area, haven't read DH Lawrence. | 0:13:01 | 0:13:04 | |
But when they do read him, they have a real understanding | 0:13:04 | 0:13:06 | |
for Lawrence's use of dialect, use of language. | 0:13:06 | 0:13:09 | |
And also I think it connects them | 0:13:09 | 0:13:11 | |
to a world of coal mining which is now lost to us, | 0:13:11 | 0:13:14 | |
but which would have been intimately known | 0:13:14 | 0:13:17 | |
by their grandparents' generation. | 0:13:17 | 0:13:21 | |
The industry that shaped these streets? | 0:13:21 | 0:13:23 | |
The industry that shaped these streets | 0:13:23 | 0:13:24 | |
and shaped the very landscape in which they grew up. | 0:13:24 | 0:13:27 | |
Following the First World War, | 0:13:30 | 0:13:32 | |
Lawrence left England to live on the Continent, | 0:13:32 | 0:13:35 | |
but he regularly revisited England until he died aged 44. | 0:13:35 | 0:13:40 | |
In his short life, he had been prolific. | 0:13:42 | 0:13:45 | |
He left a body of work that captured Edwardian society | 0:13:45 | 0:13:49 | |
and turned its back on Victorian morality | 0:13:49 | 0:13:52 | |
with a radical writing style | 0:13:52 | 0:13:54 | |
and an exploration of sexuality that was unabashed. | 0:13:54 | 0:13:59 | |
DH Lawrence's father worked for a colliery company, | 0:14:01 | 0:14:05 | |
Barber and Walker. | 0:14:05 | 0:14:07 | |
This, Eastwood Hall, which is now a hotel where I'll spend the night, | 0:14:07 | 0:14:12 | |
was built by the Barber family and later occupied by the Walkers. | 0:14:12 | 0:14:16 | |
So, for the Lawrence family, | 0:14:16 | 0:14:18 | |
this house would have been associated with the money, | 0:14:18 | 0:14:21 | |
with the people who made the rules, | 0:14:21 | 0:14:23 | |
with the people who called the shots. | 0:14:23 | 0:14:26 | |
Here is my Bradshaw's map of the British railway system at its peak | 0:14:44 | 0:14:50 | |
at the beginning of the 20th century, | 0:14:50 | 0:14:52 | |
and what is so striking about it is the intensity of the network. | 0:14:52 | 0:14:56 | |
There are black lines absolutely everywhere. | 0:14:56 | 0:15:00 | |
Even so, you had to reach the station somehow, | 0:15:00 | 0:15:04 | |
and it might be that your factory, or your pit, | 0:15:04 | 0:15:08 | |
was still distant from the tracks. | 0:15:08 | 0:15:10 | |
The 19th century was the era of public transport. | 0:15:10 | 0:15:14 | |
The 20th ushered in personal transport, | 0:15:14 | 0:15:18 | |
and you were as likely to begin with two wheels as with four. | 0:15:18 | 0:15:22 | |
This morning, I'm travelling to Eastwood's neighbouring town, | 0:15:28 | 0:15:31 | |
Langley Mill. | 0:15:31 | 0:15:33 | |
At the time of my Bradshaw's, | 0:15:35 | 0:15:37 | |
a quiet, two-wheeled revolution was getting into gear, | 0:15:37 | 0:15:41 | |
with bicycle producer Raleigh at its forefront. | 0:15:41 | 0:15:44 | |
I've come to the company's headquarters. | 0:15:49 | 0:15:52 | |
Pippa Wibberley is managing director. | 0:15:52 | 0:15:55 | |
-Hello, Pippa. -Hello, Michael. | 0:15:55 | 0:15:58 | |
-Good to see you. -Yeah, good to see you, too. | 0:15:58 | 0:16:00 | |
So, I've always wanted to know, | 0:16:00 | 0:16:02 | |
was this company founded by a Mr, possibly a Mrs, Raleigh? | 0:16:02 | 0:16:05 | |
No, no. It was founded by Sir Frank Bowden. | 0:16:05 | 0:16:08 | |
He went on a restorative holiday in Europe | 0:16:08 | 0:16:12 | |
on his bicycle in the late 1800s. | 0:16:12 | 0:16:15 | |
He found it so beneficial to his health, | 0:16:15 | 0:16:17 | |
he really wanted to bring that to more people. | 0:16:17 | 0:16:20 | |
Came back and bought a company which just so happened | 0:16:20 | 0:16:23 | |
to be based on Raleigh Street in Nottingham. | 0:16:23 | 0:16:26 | |
At this time in the 1880s, it was all about penny-farthings, | 0:16:26 | 0:16:30 | |
so big wheel at the front, little wheel at the bottom. | 0:16:30 | 0:16:33 | |
What happened at around this period is the safety bicycle came out. | 0:16:33 | 0:16:36 | |
The big point about the safety bicycle | 0:16:36 | 0:16:38 | |
was the chain ring which allowed the wheels to be the same size. | 0:16:38 | 0:16:42 | |
Having the same-sized wheels means you can stop more easily, | 0:16:42 | 0:16:45 | |
your feet can touch the ground. | 0:16:45 | 0:16:47 | |
This is from 1899 - a Raleigh Roadster. | 0:16:47 | 0:16:49 | |
The characteristics of the modern bicycle | 0:16:49 | 0:16:52 | |
-are very much here, aren't they? -Absolutely, | 0:16:52 | 0:16:54 | |
although this bicycle wouldn't freewheel, | 0:16:54 | 0:16:56 | |
so you'd have had to keep pedalling to make the bicycle move. | 0:16:56 | 0:16:59 | |
You couldn't stop pedalling, or you'd fall off. | 0:16:59 | 0:17:02 | |
When do we move towards having gears on bikes? | 0:17:02 | 0:17:04 | |
That was at the beginning of the 1900s. | 0:17:04 | 0:17:07 | |
That's when the hub gears were invented. | 0:17:07 | 0:17:10 | |
In 1903, Frank Bowden bought the rights | 0:17:10 | 0:17:13 | |
to the world's first practical gearing system - | 0:17:13 | 0:17:16 | |
a three-speed gear hub. | 0:17:16 | 0:17:18 | |
For the first time, riders could change up or down | 0:17:18 | 0:17:22 | |
at the flick of a lever. | 0:17:22 | 0:17:24 | |
It's a cliche, I know, but at the beginning of the 20th century, | 0:17:24 | 0:17:27 | |
I think of men in cloth caps, | 0:17:27 | 0:17:29 | |
you know, cycling to the mine, cycling to the factory. | 0:17:29 | 0:17:32 | |
So, the bike becomes more universal at that time. | 0:17:32 | 0:17:35 | |
Absolutely. What you saw was this moving from being | 0:17:35 | 0:17:39 | |
a rich person's leisure pursuit | 0:17:39 | 0:17:40 | |
to being something people would use every day. | 0:17:40 | 0:17:43 | |
At the beginning of the 1900s, | 0:17:43 | 0:17:45 | |
a typical bicycle would cost somewhere between 17 and 40 guineas, | 0:17:45 | 0:17:49 | |
which is probably about £1,500 to £3,500 in today's money. | 0:17:49 | 0:17:54 | |
By the end of the Edwardian period, | 0:17:54 | 0:17:57 | |
they've come right down to somewhere more affordable - | 0:17:57 | 0:18:00 | |
around £500 in today's money. | 0:18:00 | 0:18:02 | |
What had driven the cost down? | 0:18:02 | 0:18:04 | |
Manufacturing techniques, introduction of shift working, | 0:18:04 | 0:18:08 | |
mass production were just some of the factors. | 0:18:08 | 0:18:12 | |
When Frank Bowden bought the Raleigh Street workshop, | 0:18:12 | 0:18:15 | |
12 men produced three bicycles per week. | 0:18:15 | 0:18:19 | |
He transformed it into a company employing 5,000 people | 0:18:19 | 0:18:23 | |
who produced 100,000 cycles per year. | 0:18:23 | 0:18:27 | |
Nowadays, much of its production is sourced outside the United Kingdom, | 0:18:27 | 0:18:31 | |
but all Raleigh wheels are still assembled on site. | 0:18:31 | 0:18:35 | |
Hello, Bob. | 0:18:35 | 0:18:36 | |
Wheel build technician Bob Hastings has worked here for 40 years. | 0:18:36 | 0:18:42 | |
I see you're putting spokes in wheels. | 0:18:42 | 0:18:44 | |
-Can I help you here? -You can. Put it straight on the end of the spoke, | 0:18:44 | 0:18:49 | |
-then the motor rotates and threads it on. -Wow! | 0:18:49 | 0:18:53 | |
And in it goes. | 0:18:53 | 0:18:55 | |
-OK. Now, might I have a go at that? -You may. -Thank you very much. | 0:18:56 | 0:19:02 | |
The company produces 80,000 wheels a year, | 0:19:04 | 0:19:08 | |
and it's very much a hands-on task. | 0:19:08 | 0:19:12 | |
-So, where do I start? -You start with round one. | 0:19:12 | 0:19:14 | |
-I've got to take this one here. -That one. Touch the sensor. | 0:19:14 | 0:19:18 | |
-Touch against the sensor. -Give it a little push. | 0:19:18 | 0:19:20 | |
-And in it goes. -That's it. | 0:19:22 | 0:19:24 | |
-This is our next one? -Yeah, that's the one. | 0:19:24 | 0:19:27 | |
Yay! I'm definitely getting better at it. | 0:19:27 | 0:19:29 | |
-This will be the next one, then? -Apply pressure to it. | 0:19:29 | 0:19:31 | |
-Great. -Good. -I think you've cracked this now. | 0:19:33 | 0:19:35 | |
-OK. -Onto your second round. | 0:19:35 | 0:19:37 | |
The spokes need to be tightened with equal tension | 0:19:37 | 0:19:40 | |
to ensure that the wheel goes straight | 0:19:40 | 0:19:42 | |
and achieves the best performance. | 0:19:42 | 0:19:44 | |
-That's it. Good, good. -Last one now? | 0:19:44 | 0:19:47 | |
And the wheel is finished. | 0:19:51 | 0:19:54 | |
Apart from the introduction of the derailleur gearing system, | 0:20:00 | 0:20:04 | |
bicycles have not changed much since Edwardian times. | 0:20:04 | 0:20:09 | |
But today, a new generation of electric bicycles | 0:20:09 | 0:20:13 | |
is making an entrance. | 0:20:13 | 0:20:15 | |
Michael Kerswell is letting me take one for a spin. | 0:20:15 | 0:20:19 | |
-Hello, Mike. -Hello, Michael. -Very smart-looking machine. | 0:20:19 | 0:20:22 | |
-What is that? -Yes, this is our new Raleigh Strada, | 0:20:22 | 0:20:25 | |
-our e-bike. -E-bike - what does that mean? | 0:20:25 | 0:20:27 | |
So, it's got electric components on it, in terms of the motor, | 0:20:27 | 0:20:30 | |
and then the battery. | 0:20:30 | 0:20:31 | |
You still have to pedal. There's no throttle to it. | 0:20:31 | 0:20:33 | |
-But it gives me a bit of help? -Gives you help up the hills. | 0:20:33 | 0:20:36 | |
-Help you how much? -Well, anywhere from about 50% | 0:20:36 | 0:20:39 | |
up to 280 on this particular model. | 0:20:39 | 0:20:41 | |
So, great levels of assist there. | 0:20:41 | 0:20:43 | |
You can go up to high, go down to off. | 0:20:43 | 0:20:45 | |
So, that's entirely manual. OK. And it does have brakes? | 0:20:45 | 0:20:48 | |
-And it does have brakes. -OK, very good. | 0:20:48 | 0:20:50 | |
Let me put this thing on. | 0:20:50 | 0:20:51 | |
-Well, that hill looks like quite a challenge in itself. -Yeah. | 0:20:53 | 0:20:57 | |
-So, as I go up the hill, Mike...? -Just keep on pedalling. | 0:20:57 | 0:21:00 | |
-I'm going to give myself a little bit more power, OK? -Yeah. | 0:21:00 | 0:21:03 | |
So... Whoa! | 0:21:03 | 0:21:05 | |
I'm going to go up to a higher ratio. | 0:21:05 | 0:21:07 | |
Yeah! Power is kicking in! | 0:21:07 | 0:21:10 | |
Zooming up the hill! | 0:21:10 | 0:21:12 | |
This e-bike gives a real sense of freedom, | 0:21:12 | 0:21:16 | |
going as fast as the legal limit of 15mph. | 0:21:16 | 0:21:20 | |
They say you can tell a man who's been on an electric bike - | 0:21:20 | 0:21:24 | |
he has a smile on his face. | 0:21:24 | 0:21:26 | |
Thank you. | 0:21:42 | 0:21:43 | |
I'm switching away from the test track | 0:21:43 | 0:21:46 | |
and back to the train tracks. | 0:21:46 | 0:21:48 | |
Boarding at Derby, 11 miles from Langley Mill, | 0:21:48 | 0:21:52 | |
I'm heading west for Nantwich. | 0:21:52 | 0:21:54 | |
I'll be changing at the great railway town of Crewe, | 0:21:54 | 0:21:58 | |
whose works were in their heyday at the time of my Bradshaw's guide. | 0:21:58 | 0:22:02 | |
-OVER TANNOY: -Please retain all tickets and travel documentation | 0:22:02 | 0:22:06 | |
as ticket barriers may be in operation here. | 0:22:06 | 0:22:08 | |
For centuries, British spas have been popular, | 0:22:24 | 0:22:28 | |
and they still were 100 years ago, to judge by my Bradshaw's, | 0:22:28 | 0:22:31 | |
which lists pages of so-called hydropathic establishments. | 0:22:31 | 0:22:36 | |
If the place name ended in "wich", like Droitwich or Nantwich, | 0:22:36 | 0:22:41 | |
where I'm headed now, that could indicate an ancient saline deposit | 0:22:41 | 0:22:46 | |
and the bath would be brine. | 0:22:46 | 0:22:48 | |
Hmm, on the last day of the summer season, | 0:22:48 | 0:22:51 | |
an open-air dip - that will test whether I'm worth my salt. | 0:22:51 | 0:22:56 | |
May I see your ticket, please? | 0:22:59 | 0:23:01 | |
Nantwich for me. Is that request? | 0:23:02 | 0:23:04 | |
No, we're definitely stopping at Nantwich. | 0:23:04 | 0:23:06 | |
-Stopping at Nantwich? Thank you. -Perfect. Thank you very much. -Thank you. | 0:23:06 | 0:23:09 | |
Nantwich is a market town that lies on the Cheshire Plain, | 0:23:24 | 0:23:27 | |
on the banks of the River Weaver. | 0:23:27 | 0:23:30 | |
I'm here today because the town was once | 0:23:31 | 0:23:33 | |
one of the biggest salt producers in the country. | 0:23:33 | 0:23:36 | |
Bill Pearson knows the local history. | 0:23:37 | 0:23:40 | |
Bill, salt plays a really important part | 0:23:41 | 0:23:45 | |
-in the history of Nantwich, doesn't it? -That's correct. | 0:23:45 | 0:23:47 | |
The story begins 200 million years ago, | 0:23:47 | 0:23:50 | |
when a large part of Cheshire and Shropshire would be under the sea. | 0:23:50 | 0:23:54 | |
And then the Romans knew there was salt in Nantwich. | 0:23:54 | 0:23:58 | |
"Salary" comes from the Latin word for salt. | 0:23:58 | 0:24:00 | |
People talk about being worth their salt. | 0:24:00 | 0:24:03 | |
Before refrigeration, it was vital for preserving food, | 0:24:03 | 0:24:06 | |
as well as adding flavour. | 0:24:06 | 0:24:07 | |
-And has it been the making of Nantwich? -Yes. | 0:24:07 | 0:24:10 | |
The heyday for salt in Nantwich would be the 16th century. | 0:24:10 | 0:24:15 | |
By the 1890s, salt production had ceased to be viable in Nantwich, | 0:24:17 | 0:24:22 | |
due to competition. | 0:24:22 | 0:24:23 | |
To restart the economy, a tourist venture based on salt was launched, | 0:24:23 | 0:24:28 | |
and the Brine Baths Hotel opened. | 0:24:28 | 0:24:31 | |
It was claimed that the saltwater could cure a wide range of ailments, | 0:24:31 | 0:24:37 | |
including rheumatism, sciatica, skin disease and indigestion. | 0:24:37 | 0:24:42 | |
There was eight chambers - I think they were wooden - | 0:24:42 | 0:24:45 | |
and the patients would be strapped in and immersed in brine. | 0:24:45 | 0:24:51 | |
Why would they strap them down? | 0:24:51 | 0:24:52 | |
Because, otherwise, they would have floated out of the salt. | 0:24:52 | 0:24:55 | |
And I suspect there was other chemicals added because, | 0:24:55 | 0:24:57 | |
in some of the descriptions, the brine would fizz. | 0:24:57 | 0:25:00 | |
And there was a nurse that looked after the people, | 0:25:00 | 0:25:03 | |
who had a lovely name - Nurse Coffin. | 0:25:03 | 0:25:05 | |
MICHAEL CHUCKLES | 0:25:05 | 0:25:07 | |
Despite the investment in the Nantwich Brine Baths Hotel, | 0:25:07 | 0:25:11 | |
it was never a financial success. | 0:25:11 | 0:25:13 | |
The spa industry declined during the 20th century | 0:25:13 | 0:25:17 | |
when its medicinal benefits were questioned | 0:25:17 | 0:25:19 | |
and spa therapy was excluded from the National Health Service. | 0:25:19 | 0:25:24 | |
But for the visitor to Nantwich who's hoping for a brine bath, | 0:25:24 | 0:25:28 | |
there's still the outdoor swimming pool. | 0:25:28 | 0:25:31 | |
Shrugging off the bad weather, there are hardy swimmers here today. | 0:25:31 | 0:25:36 | |
A number of gentlemen. Some, I would say, approaching my age, | 0:25:36 | 0:25:40 | |
earnestly doing lengths up and down the pool. | 0:25:40 | 0:25:43 | |
Salt of the earth! | 0:25:43 | 0:25:44 | |
Ooh! | 0:25:48 | 0:25:49 | |
The water is allegedly 26 degrees - almost as warm as a bath - | 0:25:49 | 0:25:53 | |
and welcoming even on a rainy day. | 0:25:53 | 0:25:56 | |
I can smell the salt in the water. | 0:26:04 | 0:26:08 | |
I'm not particularly tempted to taste it. | 0:26:08 | 0:26:12 | |
-Hello, sir. -Hello. | 0:26:19 | 0:26:20 | |
You look like a man who does quite conscientious exercise. | 0:26:20 | 0:26:23 | |
I try to, yes. I eat too much, as well. | 0:26:23 | 0:26:25 | |
THEY LAUGH | 0:26:25 | 0:26:27 | |
-Have you been coming here long? -About 35 years. | 0:26:27 | 0:26:30 | |
-No! Really? -Yes, yes. -How did you find out about the place? | 0:26:30 | 0:26:33 | |
We've always come to Nantwich. My parents came, | 0:26:33 | 0:26:36 | |
been coming for longer than that. | 0:26:36 | 0:26:38 | |
My mother's been coming since the 1930s. | 0:26:38 | 0:26:40 | |
-Isn't that amazing? -Yes. -Great chunk of family history. -Yes. | 0:26:40 | 0:26:44 | |
-Is it very special having a salt pool? -Yes. | 0:26:44 | 0:26:46 | |
You feel so fresh. And you don't get the smell of chlorine, as well. | 0:26:46 | 0:26:49 | |
How often do you swim here? | 0:26:49 | 0:26:51 | |
Probably between about three, five times a week. | 0:26:51 | 0:26:54 | |
-And how many lengths? -I've been trying to do 30, | 0:26:54 | 0:26:57 | |
-which is just over half a mile. -That's amazing. | 0:26:57 | 0:26:59 | |
I'll tell you, though, with the temperature of the water, | 0:26:59 | 0:27:02 | |
on a coldish afternoon like this, it's much better in than out, | 0:27:02 | 0:27:05 | |
-isn't it? -Yes. -Let's go. | 0:27:05 | 0:27:07 | |
Whilst the steel mills of Sheffield were turning out the armour plate | 0:27:20 | 0:27:25 | |
that would clad the dreadnoughts | 0:27:25 | 0:27:27 | |
that would fight Germany in the Great War, | 0:27:27 | 0:27:29 | |
Edwardian society was changing fast. | 0:27:29 | 0:27:32 | |
The working classes aspired to better themselves. | 0:27:32 | 0:27:36 | |
The bicycle provided mobility, and education - social mobility. | 0:27:36 | 0:27:43 | |
DH Lawrence was a fine example of self-improvement. | 0:27:43 | 0:27:47 | |
The coal mines of Eastwood | 0:27:47 | 0:27:49 | |
that provided the backdrop to Sons And Lovers are no more, | 0:27:49 | 0:27:54 | |
but in Sheffield, the steelworks are forging ahead. | 0:27:54 | 0:27:59 | |
Next time, I take a rail trip down my own memory lane... | 0:27:59 | 0:28:03 | |
I had this very one when I was a child. | 0:28:03 | 0:28:06 | |
This was my starter set. | 0:28:06 | 0:28:08 | |
..hear of an Edwardian aristocrat | 0:28:08 | 0:28:10 | |
whose roses, by any other name, would smell as sweet... | 0:28:10 | 0:28:14 | |
They turned out to be named after people that the countess knew. | 0:28:14 | 0:28:19 | |
..and I learn to catch the next wave in Snowdonia. | 0:28:19 | 0:28:22 | |
Another wave coming. | 0:28:22 | 0:28:24 |