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Ever since I was a small boy | 0:00:11 | 0:00:13 | |
I've been fascinated by stories of the Wild West. | 0:00:13 | 0:00:17 | |
What now?! | 0:00:17 | 0:00:18 | |
GUNSHOT | 0:00:18 | 0:00:20 | |
Stories of cowboys, Indians, wagon trains and the Gold Rush. | 0:00:20 | 0:00:24 | |
But for me, those stories are inseparable from the landscapes | 0:00:26 | 0:00:30 | |
in which they took place - | 0:00:30 | 0:00:32 | |
the mountains, the deserts and the Great Plains. | 0:00:32 | 0:00:35 | |
In this series I'll be discovering how the early pioneers | 0:00:40 | 0:00:43 | |
conquered the mighty mountain ranges | 0:00:43 | 0:00:46 | |
and the vast expanses of the Great Plains, | 0:00:46 | 0:00:50 | |
how the homesteaders and cowboys overcame extreme temperatures, | 0:00:50 | 0:00:54 | |
blizzards and drought. | 0:00:54 | 0:00:55 | |
And I will be finding out how the plants, animals | 0:00:55 | 0:00:58 | |
and natural resources of this unknown wilderness | 0:00:58 | 0:01:02 | |
offered unimaginable wealth and opportunities for the new nation. | 0:01:02 | 0:01:06 | |
The pioneers who headed west across America in the 1840s | 0:01:21 | 0:01:25 | |
really were remarkable people, | 0:01:25 | 0:01:28 | |
but I don't think anything could possibly have prepared them | 0:01:28 | 0:01:31 | |
for this - the desert. | 0:01:31 | 0:01:33 | |
It's hard to get a sense of scale of this vast landscape. | 0:01:35 | 0:01:39 | |
One way to appreciate just how intimidating it must have been | 0:01:39 | 0:01:43 | |
to new arrivals is to see it from the air. | 0:01:43 | 0:01:45 | |
This was the last great frontier. | 0:01:49 | 0:01:52 | |
It wasn't somewhere the immigrants wanted to settle. | 0:01:52 | 0:01:55 | |
The desert was so hostile it was to be avoided wherever possible, | 0:01:55 | 0:01:59 | |
and only ventured across in extreme circumstances. | 0:01:59 | 0:02:03 | |
8% of the United States is arid land, some of it classified | 0:02:05 | 0:02:09 | |
as the harshest desert to be found anywhere on the planet. | 0:02:09 | 0:02:13 | |
This is the great Monument Valley. Stunning, isn't it? | 0:02:15 | 0:02:19 | |
Looks really green at the moment because this is the monsoon season. | 0:02:19 | 0:02:23 | |
But it is a desert. They only get eight inches of rain a year here. | 0:02:23 | 0:02:26 | |
You can be burned in the daytime, | 0:02:28 | 0:02:30 | |
but at night the elevation, coupled with clear skies, | 0:02:30 | 0:02:33 | |
means that the temperatures plummet. | 0:02:33 | 0:02:36 | |
This high desert can be a very cold place, too. | 0:02:36 | 0:02:40 | |
The deserts of North America lie in the southwest of the continent. | 0:02:46 | 0:02:50 | |
The Great Basin Desert is a cold desert sandwiched on a high plateau | 0:02:50 | 0:02:54 | |
between the Rocky Mountains and the Sierra Nevada. | 0:02:54 | 0:02:58 | |
Further south are America's three hot deserts - | 0:02:58 | 0:03:02 | |
the Mojave, the Sonoran and Chihuahuan deserts. | 0:03:02 | 0:03:07 | |
But I'm beginning my journey in Monument Valley. | 0:03:07 | 0:03:10 | |
This stunning landscape's not only scorching hot and bone dry, | 0:03:15 | 0:03:20 | |
it's convoluted and rocky, | 0:03:20 | 0:03:22 | |
the result of millions of years of battering | 0:03:22 | 0:03:25 | |
by the Earth's geological forces. | 0:03:25 | 0:03:28 | |
160 million years ago, | 0:03:28 | 0:03:31 | |
Monument Valley lay under a vast inland sea | 0:03:31 | 0:03:34 | |
which deposited a thick bed of sandstone. | 0:03:34 | 0:03:38 | |
100 million years later, | 0:03:38 | 0:03:40 | |
volcanic activity tilted and folded the Earth's surface, | 0:03:40 | 0:03:44 | |
leaving these great sheets of sandstone pointing skyward. | 0:03:44 | 0:03:49 | |
The wind has been carving out these amazing rock pillars ever since. | 0:03:49 | 0:03:53 | |
This is a really distinctive landscape. | 0:03:53 | 0:03:56 | |
You've got the flat-topped mesas, | 0:03:56 | 0:03:59 | |
the small hills and buttes, the big ones, | 0:03:59 | 0:04:01 | |
very distinctive and very familiar | 0:04:01 | 0:04:03 | |
because this has been the backdrop of so many movies. | 0:04:03 | 0:04:06 | |
In fact, this is called John Ford Point. | 0:04:06 | 0:04:10 | |
One of my favourite movies was made here, She Wore A Yellow Ribbon, | 0:04:10 | 0:04:13 | |
and today of course, tourists flock here to photograph this landscape | 0:04:13 | 0:04:18 | |
and be inspired by it. But they also have a chance to meet | 0:04:18 | 0:04:22 | |
the native people for whom this is their traditional homeland - | 0:04:22 | 0:04:26 | |
the Navajo. | 0:04:26 | 0:04:27 | |
There were many Native American tribes living in the deserts | 0:04:30 | 0:04:33 | |
in the early 1800s, with names like the Hopi, the Apache, the Navajo. | 0:04:33 | 0:04:39 | |
Each adapted differently. | 0:04:39 | 0:04:42 | |
Some, like the Apache, were warriors | 0:04:42 | 0:04:45 | |
but most - like the Navajo - were farmers, who in addition to hunting | 0:04:45 | 0:04:49 | |
and gathering learnt to exploit the precious resources of the desert. | 0:04:49 | 0:04:54 | |
Unlike the nomadic tribes of the Great Plains, | 0:04:56 | 0:04:59 | |
the Navajo were farmers and settled in this harsh landscape. | 0:04:59 | 0:05:03 | |
Their traditional homes, called hogans, | 0:05:05 | 0:05:08 | |
were supported by a wooden frame, coated in thick mud | 0:05:08 | 0:05:11 | |
sun-baked into a rock-hard shell. | 0:05:11 | 0:05:14 | |
These thick walls would be cool in summer, | 0:05:15 | 0:05:18 | |
and in winter very effective at retaining heat. | 0:05:18 | 0:05:21 | |
The packed earth was a simple, local and abundant building material, | 0:05:23 | 0:05:28 | |
but the wooden logs were much scarcer in this desert landscape | 0:05:28 | 0:05:32 | |
and were highly prized. | 0:05:32 | 0:05:34 | |
There are still a few hogans on the property of Navajo elder, | 0:05:34 | 0:05:38 | |
Effie Haliday. | 0:05:38 | 0:05:40 | |
These logs were from my grandpa. | 0:05:40 | 0:05:43 | |
So, when my grandpa passed on, the wood was given to my mum. | 0:05:43 | 0:05:47 | |
So, let me get this right, | 0:05:47 | 0:05:49 | |
-so the wood's been used in more than one hogan? -Yeah. | 0:05:49 | 0:05:52 | |
Because you save the logs, | 0:05:52 | 0:05:54 | |
-because there are no trees here? -Yeah, mm-hm. | 0:05:54 | 0:05:57 | |
-Can we look inside? -Yes. | 0:05:57 | 0:05:59 | |
-It's a lot cooler in here, isn't it? -Mm-hm. -It's nice, | 0:06:01 | 0:06:05 | |
there's a nice atmosphere in here. | 0:06:05 | 0:06:07 | |
I mean, these are absolutely perfect for these conditions, aren't they? | 0:06:07 | 0:06:10 | |
-Mm-hm. -I can see some bark and things. | 0:06:10 | 0:06:12 | |
Yes, they put all the barks that they have, you know, | 0:06:12 | 0:06:16 | |
trim all those logs off and after that they pack it down with the mud. | 0:06:16 | 0:06:20 | |
Every time it rains and it starts washing the mud off, | 0:06:20 | 0:06:25 | |
you repack it and then pound it down with a shovel | 0:06:25 | 0:06:28 | |
and then later on it kind of bakes the clay, hard as a rock. | 0:06:28 | 0:06:34 | |
-It's beautiful in here. -Mm-hm. Shall we have something to eat? | 0:06:34 | 0:06:37 | |
Yes, why not? That's a good idea. | 0:06:37 | 0:06:39 | |
-It's about that time, isn't it? -Yeah. | 0:06:39 | 0:06:42 | |
-Looks like we might get rain. -Yeah. | 0:06:42 | 0:06:44 | |
THUNDER RUMBLES | 0:06:44 | 0:06:47 | |
Something's cooking. | 0:06:47 | 0:06:48 | |
'Effie's daughters and granddaughter have already got a traditional | 0:06:51 | 0:06:55 | |
'Navajo lunch under way - blue corn mush and frybread.' | 0:06:55 | 0:06:58 | |
THUNDER RUMBLES | 0:06:58 | 0:06:59 | |
-That's looking delicious. -There we go. | 0:06:59 | 0:07:02 | |
-And you got it just done before the rain. -Yes. -Smells good. | 0:07:02 | 0:07:07 | |
'It's wonderful to be with Effie's family. | 0:07:07 | 0:07:10 | |
'Navajo society is matriarchal, | 0:07:10 | 0:07:12 | |
'meaning the woman is at the centre of their belief system, | 0:07:12 | 0:07:16 | |
'the source of wisdom. | 0:07:16 | 0:07:17 | |
'Her knowledge and possessions are passed on to her daughters | 0:07:17 | 0:07:21 | |
'and granddaughters, just as Effie has inherited this hogan | 0:07:21 | 0:07:25 | |
'from her mother, and her grandmother before that.' | 0:07:25 | 0:07:28 | |
It has a little bit of corn and you can kind of dip in to it. | 0:07:31 | 0:07:35 | |
That's delicious. | 0:07:35 | 0:07:36 | |
They also pass on their history through storytelling, | 0:07:38 | 0:07:41 | |
and some of those stories are pretty dark. | 0:07:41 | 0:07:45 | |
Like all American Indian tribes, | 0:07:45 | 0:07:46 | |
the Navajo were under threat from the pioneers. | 0:07:46 | 0:07:50 | |
Beginning in 1825, the US Government started rolling out a plan | 0:07:51 | 0:07:56 | |
across the continent to subdue the American Indian tribes | 0:07:56 | 0:08:00 | |
by restricting them to large parcels of land called reservations. | 0:08:00 | 0:08:04 | |
Sometimes the reservations were hundreds of miles away | 0:08:06 | 0:08:09 | |
from their traditional homelands. | 0:08:09 | 0:08:11 | |
For nomadic tribes unable to hunt, | 0:08:14 | 0:08:16 | |
and for farming tribes unfamiliar with the new land, | 0:08:16 | 0:08:19 | |
it was a disaster. | 0:08:19 | 0:08:22 | |
But when they resisted they were relocated by force. | 0:08:22 | 0:08:26 | |
One of the most brutal of all of these exiles | 0:08:27 | 0:08:30 | |
was inflicted on the Navajo. | 0:08:30 | 0:08:32 | |
In 1846, the US army arrived in the Navajo's territory to claim it | 0:08:33 | 0:08:38 | |
for the United States from neighbouring Mexico. | 0:08:38 | 0:08:42 | |
For 20 years they attempted to subdue the desert tribes, | 0:08:43 | 0:08:47 | |
including the Navajo, with little success. | 0:08:47 | 0:08:50 | |
In a final showdown, the US Government force-marched | 0:08:52 | 0:08:56 | |
8,000 Navajo tribes people for 350 miles across the desert, | 0:08:56 | 0:09:01 | |
from their homes in northern Arizona, | 0:09:01 | 0:09:04 | |
down to Fort Sumner in New Mexico. | 0:09:04 | 0:09:06 | |
The conditions were appalling. During their four-year exile, | 0:09:09 | 0:09:14 | |
thousands of Navajo died from disease or starvation | 0:09:14 | 0:09:18 | |
until finally a treaty was signed | 0:09:18 | 0:09:20 | |
allowing them to return to their homelands. | 0:09:20 | 0:09:23 | |
Of course, by this time, many lives had been lost, | 0:09:24 | 0:09:28 | |
including most of Effie's ancestors. | 0:09:28 | 0:09:31 | |
My great-great-great grandma, | 0:09:32 | 0:09:36 | |
her name was Four Horned Lady. | 0:09:36 | 0:09:38 | |
And she remembered they roll her up in a big gunny bag | 0:09:38 | 0:09:44 | |
and she went and dug a hole and wiggled herself up. | 0:09:44 | 0:09:50 | |
-She took off like a rabbit and ran and ran and ran. -Good for her. | 0:09:50 | 0:09:55 | |
But then she noticed that she couldn't walk any more, | 0:09:55 | 0:09:59 | |
and her feet were full of stickers and rocks and they were swollen | 0:09:59 | 0:10:05 | |
and red and she climbed a very big tree. | 0:10:05 | 0:10:09 | |
In the morning she would wake up with a lot of frost on her blanket | 0:10:09 | 0:10:15 | |
and she would just kind of take those and make it into her drinking water. | 0:10:15 | 0:10:20 | |
And then during the day, you know, | 0:10:20 | 0:10:24 | |
she took some yucca or some roots | 0:10:24 | 0:10:28 | |
to make herself a sandal so she can walk on it. | 0:10:28 | 0:10:33 | |
That's what she was doing day after day | 0:10:33 | 0:10:36 | |
and she would still crawl around for berries to feed herself. | 0:10:36 | 0:10:40 | |
She got captured again and this time | 0:10:40 | 0:10:44 | |
she was captured with her mum, her grandma. | 0:10:44 | 0:10:47 | |
She looked at her grandma and her mum and they got tired | 0:10:47 | 0:10:51 | |
from walking and they just threw her in the wagon and they died. | 0:10:51 | 0:10:55 | |
This is when they were force marched to Fort Sumner, | 0:10:55 | 0:10:58 | |
-which is, what, 350 miles or so? -Mm-hm. | 0:10:58 | 0:11:02 | |
And she survived again. | 0:11:02 | 0:11:04 | |
But a lot didn't survive? | 0:11:04 | 0:11:06 | |
Yup, her family didn't survive. | 0:11:06 | 0:11:08 | |
Great-great Grandma used to say, | 0:11:08 | 0:11:11 | |
"None of the family would be here | 0:11:11 | 0:11:15 | |
"if I never had escaped that long walk." | 0:11:15 | 0:11:18 | |
Effie's ancestral grandmother survived | 0:11:21 | 0:11:24 | |
because she knew the desert. | 0:11:24 | 0:11:26 | |
She knew how to find water, collect berries and how to protect her feet. | 0:11:26 | 0:11:31 | |
You can get a real sense of the hardship and danger the Navajo faced | 0:11:31 | 0:11:35 | |
by seeing what happens to immigrants who try to cross the desert today. | 0:11:35 | 0:11:40 | |
Down south, in the Sonoran Desert, | 0:11:41 | 0:11:43 | |
I'm meeting up with coroner Dr Bruce Anderson. | 0:11:43 | 0:11:47 | |
How many deaths are you seeing in the desert? | 0:11:49 | 0:11:52 | |
Just under 200 a year for the last dozen years | 0:11:52 | 0:11:55 | |
-and that comes to about 2,100 people. -That's staggering. | 0:11:55 | 0:11:59 | |
It takes your breath away to think of that. | 0:11:59 | 0:12:02 | |
Tell me about the individual that you've got here. | 0:12:02 | 0:12:04 | |
We don't know who it is, it's a John Doe, | 0:12:04 | 0:12:07 | |
found in a very remote place in the desert. | 0:12:07 | 0:12:09 | |
And where's the rest of the body? | 0:12:09 | 0:12:11 | |
Probably taken away by animals. | 0:12:11 | 0:12:14 | |
There are some subtle indications, if you will, of gnaw marks. | 0:12:14 | 0:12:17 | |
You can see that there are some scratches here, some bone missing | 0:12:17 | 0:12:20 | |
and there's even a couple of punctures, right there and there. | 0:12:20 | 0:12:23 | |
-Could be... -Coyote? -..coyote. | 0:12:23 | 0:12:27 | |
Most of these people are dying from the effects of the environment. | 0:12:27 | 0:12:30 | |
In the summer time, it's due to heat...lack of water, | 0:12:30 | 0:12:34 | |
although some people are well hydrated | 0:12:34 | 0:12:37 | |
and yet go into hypothermic condition | 0:12:37 | 0:12:39 | |
because it gets so dizzyingly hot here in the summer time. | 0:12:39 | 0:12:43 | |
I'm thinking now about the Navajo, | 0:12:43 | 0:12:45 | |
who were forcibly marched 300 miles | 0:12:45 | 0:12:48 | |
and they had horrendous numbers of deaths. | 0:12:48 | 0:12:51 | |
Nobody, even if you are well trained in desert survival, | 0:12:51 | 0:12:55 | |
it's still a life-threatening endeavour | 0:12:55 | 0:12:57 | |
to try to cross the Sonoran Desert. | 0:12:57 | 0:12:59 | |
But tragically many people still do. | 0:13:01 | 0:13:03 | |
Anthropologist Robin Reineke works for the Missing Migrants programme, | 0:13:03 | 0:13:08 | |
collecting thousands of personal belongings. | 0:13:08 | 0:13:11 | |
She tries to reunite bodies with their families. | 0:13:11 | 0:13:14 | |
These are items that have been found on unidentified bodies. | 0:13:17 | 0:13:20 | |
Are people prepared when they go out into the desert? | 0:13:20 | 0:13:23 | |
I think in general, no, they are not prepared. | 0:13:23 | 0:13:25 | |
You can't be prepared for that type of journey. | 0:13:25 | 0:13:29 | |
People are walking five, six, seven, eight days in the desert. | 0:13:29 | 0:13:33 | |
These are in triple-digit temperatures | 0:13:33 | 0:13:36 | |
in very arid landscape, very remote. | 0:13:36 | 0:13:38 | |
I remember speaking to the wife of a missing man. | 0:13:38 | 0:13:42 | |
He actually died and was identified and she said, | 0:13:42 | 0:13:45 | |
"He was a gardener, he was very strong, | 0:13:45 | 0:13:47 | |
"he wouldn't just die from walking." | 0:13:47 | 0:13:49 | |
Sometimes it's really hard to understand, | 0:13:49 | 0:13:51 | |
and I was trying to explain to her that it's like walking in an oven, | 0:13:51 | 0:13:54 | |
it's really so hot that you feel it within an hour. | 0:13:54 | 0:13:59 | |
And there is still a tide of humanity trying to make their way | 0:13:59 | 0:14:02 | |
to a new life in America across the desert. | 0:14:02 | 0:14:05 | |
And there are some strong analogies, I think, to the Navajo | 0:14:05 | 0:14:09 | |
who were made to walk 300 miles through the desert, and even though | 0:14:09 | 0:14:13 | |
they were desert people, it was appalling. | 0:14:13 | 0:14:17 | |
Many, many of them died. You can't imagine the inhumanity of that time. | 0:14:17 | 0:14:23 | |
I mean, your work gives you a strange understanding of the desert. | 0:14:23 | 0:14:28 | |
How has it changed your view of the desert? | 0:14:28 | 0:14:32 | |
Well, the desert's a beautiful place. | 0:14:32 | 0:14:34 | |
The Sonoran Desert, it's the flowering desert, | 0:14:34 | 0:14:36 | |
it's an absolutely beautiful place, I love to hike in the desert. | 0:14:36 | 0:14:40 | |
But I'll never see the desert as something not connected to | 0:14:40 | 0:14:45 | |
a landscape of death, an incredibly brutal landscape. | 0:14:45 | 0:14:51 | |
A landscape that's terrifying and that's not only hard on your soul | 0:14:51 | 0:14:56 | |
but incredibly hard on you, physically. | 0:14:56 | 0:14:59 | |
Those few treasured possessions were very moving | 0:15:04 | 0:15:08 | |
and a powerful reminder of just how dangerous the desert can be. | 0:15:08 | 0:15:13 | |
It's not just the heat and the temperature of desert | 0:15:16 | 0:15:19 | |
that's a threat, there are also a lot of things in here | 0:15:19 | 0:15:22 | |
that can sting and bite | 0:15:22 | 0:15:24 | |
and, of course, they come out mostly at night when it's coolest. | 0:15:24 | 0:15:28 | |
There are snakes, tarantulas, black widow spiders, | 0:15:28 | 0:15:33 | |
and one other nasty creature that is best seen at night using a UV torch. | 0:15:33 | 0:15:38 | |
That's what I'm after. Look at that! Isn't that amazing? | 0:15:42 | 0:15:47 | |
That's a scorpion. | 0:15:47 | 0:15:49 | |
And that little chappy there is a bark scorpion. | 0:15:49 | 0:15:53 | |
It's distinguished by these long, thin, very narrow pinchers. | 0:15:53 | 0:15:58 | |
It's only about two centimetres long. | 0:15:58 | 0:16:00 | |
You see it glowing there in the UV light, that's what scorpions do. | 0:16:00 | 0:16:04 | |
They look like, almost... They look like toys, | 0:16:04 | 0:16:06 | |
like something you might get in a Christmas cracker. | 0:16:06 | 0:16:09 | |
Nobody is sure why they glow in the dark. | 0:16:09 | 0:16:12 | |
Some have suggested it might be some mechanism that helps protect them | 0:16:12 | 0:16:16 | |
from the sun's rays and others have suggested it might be some sort of | 0:16:16 | 0:16:20 | |
camouflage because they tend to come out on moonlit nights. | 0:16:20 | 0:16:25 | |
Perhaps we'll never know. | 0:16:25 | 0:16:27 | |
The key thing with scorpions is | 0:16:27 | 0:16:29 | |
if they have a big fat tail and small pinchers, | 0:16:29 | 0:16:32 | |
you can bet your bottom dollar they are going to pack a serious punch, | 0:16:32 | 0:16:35 | |
in terms of venom. And that's the case with the bark scorpion - | 0:16:35 | 0:16:39 | |
although he's only tiny, he can really spoil your day. | 0:16:39 | 0:16:42 | |
Fatalities have been known. They are rare but it can happen. | 0:16:42 | 0:16:46 | |
Oh, there he goes. He's moving. Look at that, stunning. | 0:16:46 | 0:16:50 | |
I don't like to take my eye off these fellas cos they move fast. | 0:16:50 | 0:16:54 | |
Take great care. | 0:16:54 | 0:16:55 | |
It's sobering to confront the realities of this landscape. | 0:16:58 | 0:17:02 | |
Not a place to be taken lightly. | 0:17:02 | 0:17:05 | |
Nonetheless there is real beauty here | 0:17:05 | 0:17:08 | |
and despite the harsh conditions, | 0:17:08 | 0:17:10 | |
animals and plants can make a living - providing they have | 0:17:10 | 0:17:14 | |
one key ingredient. | 0:17:14 | 0:17:16 | |
I love to sit quietly in a desert. | 0:17:17 | 0:17:20 | |
When you do, you realise how much life there is. | 0:17:20 | 0:17:23 | |
You see chipmunks running up the sand dunes, | 0:17:23 | 0:17:26 | |
you hear insects buzzing to and fro, | 0:17:26 | 0:17:28 | |
you see the busy ants and the lizards and sometimes you hear | 0:17:28 | 0:17:34 | |
the most beautiful sound that you can ever hear in the desert. | 0:17:34 | 0:17:38 | |
Can you hear it? | 0:17:38 | 0:17:40 | |
WATER TRICKLES FAINTLY | 0:17:40 | 0:17:42 | |
That is the trickling of water, | 0:17:42 | 0:17:46 | |
the very sound of life itself. | 0:17:46 | 0:17:48 | |
Water arrives in the desert in two main ways. | 0:17:51 | 0:17:54 | |
Right now the region looks pretty green. | 0:17:54 | 0:17:57 | |
That's because from mid-July to early August it's the monsoon | 0:17:57 | 0:18:01 | |
or rainy season. | 0:18:01 | 0:18:02 | |
Virtually all of the desert's rainfall will come at once. | 0:18:02 | 0:18:07 | |
Luckily for plants, animals and indeed people, there are also | 0:18:07 | 0:18:11 | |
a few very scarce water sources that will last year round. | 0:18:11 | 0:18:16 | |
This is a little creek and you can see that along here | 0:18:16 | 0:18:21 | |
you get seepages like this, little springs. | 0:18:21 | 0:18:24 | |
These are formed from cracks in the bedrock | 0:18:24 | 0:18:26 | |
where water is under pressure and is forced up | 0:18:26 | 0:18:30 | |
and comes out into the open. | 0:18:30 | 0:18:32 | |
I think this is one of the most impressive desert creeks | 0:18:32 | 0:18:36 | |
that I've ever seen because on this side | 0:18:36 | 0:18:38 | |
we've got the rock and muddy conditions | 0:18:38 | 0:18:41 | |
and on that side there's a sand dune | 0:18:41 | 0:18:43 | |
with its feet literally in the water. | 0:18:43 | 0:18:46 | |
Water like this means life in a desert. | 0:18:47 | 0:18:51 | |
I know it's an obvious thing to say, | 0:18:51 | 0:18:53 | |
but when I'm teaching desert survival it's the hardest message | 0:18:53 | 0:18:57 | |
to get across, is just how important water is. | 0:18:57 | 0:19:01 | |
If you haven't got water, you haven't got one of the fundamental | 0:19:01 | 0:19:04 | |
building blocks of life. And the clock is ticking. | 0:19:04 | 0:19:09 | |
Anyone travelling in desert knows that you travel from water source | 0:19:09 | 0:19:13 | |
to water source and if they are too far apart you can be in big trouble. | 0:19:13 | 0:19:18 | |
And in the 1840s, water sources were critical to the location | 0:19:20 | 0:19:24 | |
of the US army forts | 0:19:24 | 0:19:27 | |
that accompanied the westward moving frontier. | 0:19:27 | 0:19:30 | |
Here in the deserts of the southwest they were needed to enforce | 0:19:30 | 0:19:34 | |
the new nation's border with Mexico, and to protect prospectors, | 0:19:34 | 0:19:38 | |
railroad crews and early settlers | 0:19:38 | 0:19:41 | |
from the fierce Native American tribes. | 0:19:41 | 0:19:44 | |
Historian Rae Whitley, | 0:19:44 | 0:19:46 | |
at the Museum of the Horse Soldier, in Tucson, Arizona, told me more. | 0:19:46 | 0:19:50 | |
The military is needing to, out of necessity, have a water supply. | 0:19:52 | 0:19:56 | |
So, tradition, and because of the thinking of that era, | 0:19:56 | 0:20:00 | |
you are going to build a fort next to a river. Makes sense. | 0:20:00 | 0:20:04 | |
The problem is, in Arizona, a lot of the rivers don't flow continually, | 0:20:04 | 0:20:08 | |
and there is a lot of standing water at certain times of the year. | 0:20:08 | 0:20:11 | |
And then here in southern Arizona we have monsoons. | 0:20:11 | 0:20:14 | |
So, if a person came to survey for a fort in the height of monsoon season, | 0:20:14 | 0:20:19 | |
they will see standing water, | 0:20:19 | 0:20:21 | |
and they may think there is a spring or there is a good water supply. | 0:20:21 | 0:20:24 | |
Well, by mid-summer, they're finding that it's stagnant water | 0:20:24 | 0:20:28 | |
and the soldiers are becoming sick. | 0:20:28 | 0:20:29 | |
So there are a number of posts in Arizona that were only garrisoned | 0:20:29 | 0:20:33 | |
for about one year, one season, | 0:20:33 | 0:20:35 | |
until they figured out this is not an advantageous place to be. | 0:20:35 | 0:20:38 | |
But despite the lack of water, | 0:20:38 | 0:20:41 | |
the desert interior of the southwest was steadily colonised | 0:20:41 | 0:20:45 | |
by a network of forts from the late 1840s to the mid 1870s. | 0:20:45 | 0:20:51 | |
Almost half of cavalry troopers were immigrants. | 0:20:51 | 0:20:54 | |
Some who joined up wanted regular pay, some wanted an education, | 0:20:54 | 0:20:59 | |
and some were lured by the promise of free passage out to the West. | 0:20:59 | 0:21:04 | |
For freed slaves, army service offered social acceptance. | 0:21:04 | 0:21:09 | |
And then there were those who enlisted | 0:21:09 | 0:21:12 | |
in an effort to evade the law. | 0:21:12 | 0:21:14 | |
Wonderful collection. | 0:21:16 | 0:21:18 | |
After a cramped train or wagon journey, or a long march, | 0:21:18 | 0:21:22 | |
their arrival at a remote posting was usually something of a shock. | 0:21:22 | 0:21:27 | |
The cavalry's standard issue equipment | 0:21:27 | 0:21:30 | |
was ill-suited to the desert. | 0:21:30 | 0:21:32 | |
I know they had a lot of problems with their equipment. | 0:21:32 | 0:21:35 | |
I mean, the classic one was their boots. | 0:21:35 | 0:21:38 | |
Isn't it right that their boots fell apart? | 0:21:38 | 0:21:40 | |
Yes, the boots fell apart primarily because of the way the soles | 0:21:40 | 0:21:43 | |
were put onto the boots. | 0:21:43 | 0:21:45 | |
If you can see here, you will notice that the system that is | 0:21:45 | 0:21:48 | |
holding the sole together is a series of wooden pegs. | 0:21:48 | 0:21:52 | |
Now, that's fine if you have enough humidity in the air | 0:21:52 | 0:21:55 | |
but here in Arizona it's actually going to shrink those pegs | 0:21:55 | 0:21:58 | |
because of the lack of humidity and when those pegs fall, | 0:21:58 | 0:22:02 | |
soon thereafter, so will your sole. | 0:22:02 | 0:22:05 | |
-And are these some of the water bottles from the era? -Yes. | 0:22:05 | 0:22:08 | |
These canteens are telling of the era. | 0:22:08 | 0:22:11 | |
The first series comes from the Civil War, so the Civil War surplus | 0:22:11 | 0:22:15 | |
would have been accompanying these soldiers in the 1870s and then this | 0:22:15 | 0:22:19 | |
comes out in the 1880s but both of them have a feature which is | 0:22:19 | 0:22:23 | |
extremely important for the soldier in Arizona and that's this covering. | 0:22:23 | 0:22:26 | |
What you will do when you're filling this canteen is submerge | 0:22:26 | 0:22:29 | |
the whole canteen, get this wet, hang it in a tree and the breeze | 0:22:29 | 0:22:33 | |
will cool this off and it in fact gives you some cool water. | 0:22:33 | 0:22:37 | |
-How many canteens did a man have? -A man was issued one. | 0:22:37 | 0:22:41 | |
One canteen. Not a lot of water. | 0:22:41 | 0:22:44 | |
-A quart? -Exactly. | 0:22:44 | 0:22:46 | |
This was a really hostile land. I mean, you've got Spanish bayonet... | 0:22:46 | 0:22:51 | |
cholla cactus, covered in thorns. You've got fish-hook cactus, | 0:22:51 | 0:22:56 | |
-bark scorpions, black widows and rattlesnakes. -Yes. | 0:22:56 | 0:23:00 | |
You know, something you don't see in the movies is every morning | 0:23:00 | 0:23:04 | |
the soldiers are waking up and they'd have their morning cough, | 0:23:04 | 0:23:07 | |
which is how you knew all the soldiers were rising - you have | 0:23:07 | 0:23:10 | |
about ten minutes of chest rattle, and then you have | 0:23:10 | 0:23:12 | |
everyone complaining about what had bit them in the middle of the night, | 0:23:12 | 0:23:16 | |
shaking out their boots hoping not to get bitten again for breakfast. | 0:23:16 | 0:23:19 | |
So, you'll have a number of soldiers that can't, for example, ride | 0:23:19 | 0:23:22 | |
that day because they have a huge bite from a scorpion or spider | 0:23:22 | 0:23:26 | |
on their backside. And if you took all of those things | 0:23:26 | 0:23:29 | |
out of the equation you'll have a wind storm every couple of days | 0:23:29 | 0:23:32 | |
and if you get caught in that, in a sandstorm that can, in fact, | 0:23:32 | 0:23:37 | |
tear the hide right off of you. | 0:23:37 | 0:23:40 | |
So everything out here is a potential threat to you. | 0:23:40 | 0:23:44 | |
In fact, more soldiers died from illness | 0:23:44 | 0:23:47 | |
than as a result of engagement with the enemy. | 0:23:47 | 0:23:50 | |
But incredibly, despite the conditions, | 0:23:50 | 0:23:52 | |
some of the soldiers brought their families with them. | 0:23:52 | 0:23:56 | |
When I look at items like this and I see the sugar tongs or marbles | 0:23:56 | 0:24:00 | |
in this area, knowing that Fort Wingate would have been crawling with | 0:24:00 | 0:24:05 | |
everything from spiders and scorpions to the enemy, at times people still | 0:24:05 | 0:24:12 | |
try to have moments that seemed civilised, if you will. | 0:24:12 | 0:24:18 | |
If you look at the picture of Fort Grant. | 0:24:18 | 0:24:21 | |
That's actually a rowing pond that has been built there, | 0:24:21 | 0:24:25 | |
so the officers' wives and children can row their boats. | 0:24:25 | 0:24:28 | |
You know, at the time this was happening their husbands | 0:24:28 | 0:24:31 | |
are fighting Apache no more than 20 miles off post. | 0:24:31 | 0:24:34 | |
Back in the late 1800s, it would not have been safe to be here, | 0:24:39 | 0:24:43 | |
not for me, that's for sure. | 0:24:43 | 0:24:46 | |
This is Apache country. | 0:24:46 | 0:24:49 | |
Don't be fooled by Hollywood when they put them way out | 0:24:49 | 0:24:52 | |
in the low desert. This is where they liked to be. | 0:24:52 | 0:24:55 | |
It's arid but it's mountainous and that was part of their secret. | 0:24:55 | 0:24:59 | |
Up here the Apache could disappear, | 0:24:59 | 0:25:02 | |
and to try and winkle them out of these fortresses | 0:25:02 | 0:25:05 | |
was just about impossible. | 0:25:05 | 0:25:08 | |
One of the other secrets, of course, was the rain. | 0:25:08 | 0:25:11 | |
There are lots of little kettles, | 0:25:11 | 0:25:12 | |
little defiles in the landscape of the mountains that will hold | 0:25:12 | 0:25:16 | |
that water and keep it in shade so that even during the dry periods | 0:25:16 | 0:25:20 | |
of the year, the Apache knew where to find water. | 0:25:20 | 0:25:24 | |
When it came to their equipment, they hardly needed anything. | 0:25:26 | 0:25:29 | |
This landscape was very giving despite its aridity. | 0:25:29 | 0:25:32 | |
They just needed a knife and their shoes. | 0:25:32 | 0:25:36 | |
Apache moccasins were the most important | 0:25:37 | 0:25:40 | |
piece of equipment that they had. | 0:25:40 | 0:25:43 | |
Something like this. | 0:25:43 | 0:25:45 | |
Hard soles that can withstand the sharp, abrasive rocks | 0:25:45 | 0:25:49 | |
of the landscape, that can protect them against thorns - | 0:25:49 | 0:25:53 | |
this is a spiky landscape. | 0:25:53 | 0:25:55 | |
There were also snakes and scorpions. | 0:25:55 | 0:25:58 | |
A raised toe to give further protection from the spikes | 0:25:58 | 0:26:02 | |
in the terrain. | 0:26:02 | 0:26:03 | |
Real Apache moccasins were tall, they came high up the leg, | 0:26:03 | 0:26:07 | |
which meant they could run through the cactuses and the thorns | 0:26:07 | 0:26:10 | |
and not end up spending the rest of the night pulling them out. | 0:26:10 | 0:26:13 | |
The desert may have looked empty to the newly arrived US Army, | 0:26:14 | 0:26:18 | |
but it gave the Apache everything they needed. | 0:26:18 | 0:26:21 | |
If ever there was an icon of the West it has to be this, | 0:26:26 | 0:26:31 | |
the magnificent saguaro cactus. | 0:26:31 | 0:26:34 | |
They don't put out branches like this until they are 75 years old | 0:26:34 | 0:26:38 | |
and they live for about a century and a half. | 0:26:38 | 0:26:42 | |
It can stand upright like this | 0:26:42 | 0:26:44 | |
because inside there is a complicated structure of woody ribs, | 0:26:44 | 0:26:49 | |
like this. And when the cactus dies and the flesh falls away, | 0:26:49 | 0:26:54 | |
you are left with this skeletal frame that's inside it. | 0:26:54 | 0:26:58 | |
And sticks like this had a lot of uses for the native people, | 0:26:58 | 0:27:01 | |
including the manufacture of fire sticks. | 0:27:01 | 0:27:04 | |
The nomadic Apache lived a simple lifestyle, | 0:27:06 | 0:27:09 | |
constructing temporary shelters known as wickiups. | 0:27:09 | 0:27:12 | |
A framework of flexible poles was covered with dried grass | 0:27:12 | 0:27:16 | |
or when pursued, with simple pieces of canvas. | 0:27:16 | 0:27:19 | |
All throughout this country there are useful plants, | 0:27:21 | 0:27:24 | |
and this was one of the most important to the Apache. | 0:27:24 | 0:27:27 | |
This is the agave and the choke of this plant was their staple food | 0:27:27 | 0:27:32 | |
and they'd cook it underground for four days to make it | 0:27:32 | 0:27:35 | |
into this sugary pulpy mass. | 0:27:35 | 0:27:38 | |
But it had other uses, too. | 0:27:38 | 0:27:40 | |
You take one of these very spiky leaves | 0:27:40 | 0:27:45 | |
and with a knife you scrape back | 0:27:45 | 0:27:49 | |
just below the spine like that... | 0:27:49 | 0:27:53 | |
all round. | 0:27:53 | 0:27:54 | |
Then you cut through the leaf | 0:27:56 | 0:27:59 | |
like that, just in the middle. | 0:27:59 | 0:28:02 | |
Then bend that over the knife | 0:28:05 | 0:28:08 | |
and pull very slowly but firmly. | 0:28:08 | 0:28:12 | |
What you can feel are the fibres coming out from the leaf. | 0:28:20 | 0:28:23 | |
They stay attached to the spine, | 0:28:26 | 0:28:30 | |
which forms a needle, and this is what was used to sew clothing, | 0:28:30 | 0:28:34 | |
tucked down the side of their moccasins, | 0:28:34 | 0:28:37 | |
ready to repair their footwear as needed. | 0:28:37 | 0:28:40 | |
It's that kind of detailed knowledge and the way they used the plants - | 0:28:40 | 0:28:44 | |
they had every resource they needed for life right here. | 0:28:44 | 0:28:48 | |
When the frontier reached the desert, | 0:28:50 | 0:28:52 | |
the cavalry were soon to find that the forts and battle tactics | 0:28:52 | 0:28:56 | |
employed on the Great Plains were futile | 0:28:56 | 0:28:59 | |
against the strategy of the Apache warriors. | 0:28:59 | 0:29:03 | |
It was the beginning of 40 years of unrelenting warfare | 0:29:04 | 0:29:08 | |
between the two sides. | 0:29:08 | 0:29:10 | |
If you came in here after the Apache | 0:29:10 | 0:29:13 | |
it was like walking into a wasp's nest, and although the cards | 0:29:13 | 0:29:17 | |
were stacked against them, | 0:29:17 | 0:29:18 | |
because the army were determined to put an end to the Apache Wars, | 0:29:18 | 0:29:23 | |
the Apache put up one incredible fight. | 0:29:23 | 0:29:27 | |
They were masters of decoying their enemies into ambushes. | 0:29:27 | 0:29:32 | |
To my mind, they were probably the finest guerrilla fighters | 0:29:32 | 0:29:35 | |
the world has ever known. | 0:29:35 | 0:29:38 | |
They knew how to skirmish, to carry out a fighting withdrawal | 0:29:38 | 0:29:42 | |
and to lay a snap ambush - | 0:29:42 | 0:29:44 | |
all of the techniques that are taught to the military today. | 0:29:44 | 0:29:48 | |
To get a sense of their unique fighting style, | 0:29:54 | 0:29:57 | |
I've come to see an old friend, Apache historian Jay Van Orden. | 0:29:57 | 0:30:01 | |
So why have you brought me up here then, Jay? | 0:30:01 | 0:30:04 | |
Actually, this is a very historical spot. | 0:30:04 | 0:30:08 | |
In 1869, a wagon train, the Tully and Ochoa Freighting Company, | 0:30:08 | 0:30:15 | |
was making their monthly trip from Tucson up to Camp Grant, | 0:30:15 | 0:30:21 | |
and at that point, about 80 Apaches sprung up | 0:30:21 | 0:30:27 | |
and thus began a ten-hour battle. | 0:30:27 | 0:30:29 | |
Ten hours, that's a very long battle for the Apache. | 0:30:29 | 0:30:33 | |
Yes, it is. | 0:30:33 | 0:30:34 | |
I wish we could see that, it must have been quite a sight. | 0:30:34 | 0:30:37 | |
Well, surprisingly, this is another unique aspect to this battle - | 0:30:37 | 0:30:42 | |
one of the participants was an artist. | 0:30:42 | 0:30:45 | |
This artist, Edward Zins, did it with incredible detail. | 0:30:45 | 0:30:51 | |
I can see the mountains are just as they are depicted. | 0:30:51 | 0:30:55 | |
I mean, this peak here is over there. | 0:30:55 | 0:30:58 | |
There's the mid range of mountains. | 0:30:58 | 0:31:00 | |
-So that would put these wagons on that rise just below us. -Yes. | 0:31:00 | 0:31:06 | |
So, what happened? | 0:31:06 | 0:31:08 | |
The main reason why the wagon master was not afraid to give up the wagons | 0:31:08 | 0:31:13 | |
because he had a secret - a cannon - | 0:31:13 | 0:31:16 | |
and they rolled a cannon out and the Indians were surprised | 0:31:16 | 0:31:19 | |
and that helped to keep them at bay for most of the day. | 0:31:19 | 0:31:23 | |
I guess what he is hoping is to hold out long enough for the cavalry | 0:31:23 | 0:31:27 | |
to turn up, just in the nick of time, of course, and save the day? | 0:31:27 | 0:31:31 | |
The cavalry gallop in, firing and shooting and added to the firepower | 0:31:31 | 0:31:37 | |
of the Americans against the Apaches. | 0:31:37 | 0:31:40 | |
What do you think? | 0:31:40 | 0:31:42 | |
I think we should go and have a walk across the battle field. | 0:31:42 | 0:31:44 | |
-Let's do it. -Let's do it. | 0:31:44 | 0:31:46 | |
Your feeling is that the wagons were down here | 0:31:49 | 0:31:52 | |
somewhere on top of this rise. | 0:31:52 | 0:31:54 | |
The Apache knew how to use the ground, we know that they | 0:31:54 | 0:31:57 | |
could hide in nine inches of grass | 0:31:57 | 0:32:00 | |
and there is plenty of dead ground all around but you've still got | 0:32:00 | 0:32:03 | |
to come up the steep sides of this slope. | 0:32:03 | 0:32:06 | |
It's a long shot for an arrow. | 0:32:06 | 0:32:08 | |
You'd be vulnerable to gunfire to shoot anywhere near here. | 0:32:10 | 0:32:14 | |
But they did use slingshots, | 0:32:14 | 0:32:17 | |
and that also makes me wonder about this location because the slingshot | 0:32:17 | 0:32:20 | |
gives you a chance to not only throw a heavy lethal rock with force | 0:32:20 | 0:32:25 | |
from a longer range than a bow, | 0:32:25 | 0:32:28 | |
but also you can do it from within cover. | 0:32:28 | 0:32:30 | |
You can shoot it out from behind the cover of a bank | 0:32:30 | 0:32:33 | |
and just keep raining them down in the hope that you'll be lucky. | 0:32:33 | 0:32:37 | |
-You got plenty of rocks. -And there's no shortage of ammunition. | 0:32:37 | 0:32:40 | |
-Let's have a look and see how it does, shall we? -All right. | 0:32:40 | 0:32:44 | |
I'll put a stone in there, a big stone. | 0:32:44 | 0:32:46 | |
STONE WHOOSHES AND CLATTERS | 0:32:49 | 0:32:51 | |
-Quite a sound, Jay. -Yes, it certainly is. | 0:32:51 | 0:32:53 | |
STONE WHOOSHES AND CLATTERS | 0:32:55 | 0:32:57 | |
-You can hear it. -You can hear it go. | 0:32:57 | 0:32:59 | |
I mean, those stones fly. | 0:33:01 | 0:33:03 | |
Very simple, lightweight, | 0:33:05 | 0:33:08 | |
and in this environment an inexhaustible supply of ammunition. | 0:33:08 | 0:33:11 | |
Under the cover of darkness, the cavalry and teamsters were able | 0:33:13 | 0:33:17 | |
to flee back to Tucson, leaving the wagons, | 0:33:17 | 0:33:20 | |
goods and livestock to the Apache. | 0:33:20 | 0:33:22 | |
The deserts in America provide some of the most beautiful landscapes | 0:33:27 | 0:33:31 | |
to be explored. | 0:33:31 | 0:33:32 | |
They are very diverse, though. A lot of people think that deserts are | 0:33:32 | 0:33:36 | |
places of cactus and sand dunes, and it's true that there are deserts | 0:33:36 | 0:33:41 | |
like that, but here, as in most places, deserts are mainly rocky. | 0:33:41 | 0:33:46 | |
All those rocks make it difficult to walk in, | 0:33:46 | 0:33:49 | |
and difficult to ride a horse in and difficult to drive a car in. | 0:33:49 | 0:33:53 | |
They are dangerous places. | 0:33:53 | 0:33:55 | |
It's amazing that the pioneers had to cross this | 0:33:55 | 0:33:58 | |
with the technology of the 1800s. | 0:33:58 | 0:34:01 | |
And this is what 1800s state of the art technology looked like - | 0:34:06 | 0:34:10 | |
the stagecoach. | 0:34:10 | 0:34:12 | |
In 1849, a quarter of a million men had headed west to California | 0:34:12 | 0:34:17 | |
in the Gold Rush, most of them leaving their families behind. | 0:34:17 | 0:34:22 | |
This mass migration created a need for a communication | 0:34:22 | 0:34:26 | |
across the vast continent. | 0:34:26 | 0:34:28 | |
And in the days before the railroads and telegrams, | 0:34:28 | 0:34:32 | |
it was the stagecoach that carried the mail that kept them in touch. | 0:34:32 | 0:34:36 | |
On these vehicles, people, post and wealth | 0:34:38 | 0:34:42 | |
was transported across the West. | 0:34:42 | 0:34:45 | |
In-between the relay stations, these wagons were pretty isolated | 0:34:45 | 0:34:49 | |
so I've been given the job of riding shotgun for protection. | 0:34:49 | 0:34:54 | |
Of course, vehicles like this attracted the unwanted attention | 0:34:55 | 0:34:59 | |
of both hostile Native Americans and bandits. | 0:34:59 | 0:35:02 | |
In the remote open spaces of the desert | 0:35:02 | 0:35:05 | |
you were incredibly vulnerable. | 0:35:05 | 0:35:06 | |
Mind you, these vehicles are notoriously uncomfortable. | 0:35:08 | 0:35:12 | |
I think I better go and check on my guest. I think we'll pull up. | 0:35:12 | 0:35:15 | |
Whoa, boy. | 0:35:15 | 0:35:17 | |
Excellent. | 0:35:17 | 0:35:19 | |
We can see how he's getting on. | 0:35:19 | 0:35:21 | |
My passenger is a stage coach specialist, historian Bob Stewart. | 0:35:21 | 0:35:27 | |
I've read accounts of people getting sea sick in these things. | 0:35:27 | 0:35:30 | |
You probably could. It depends on the type of road you were on. | 0:35:30 | 0:35:33 | |
It probably was quite torturous at times. | 0:35:33 | 0:35:36 | |
Why were these stagecoaches established? | 0:35:36 | 0:35:39 | |
California became a state in 1850 | 0:35:39 | 0:35:42 | |
and, of course, between California and the East Coast there was | 0:35:42 | 0:35:46 | |
a huge bunch of land and very few people were living in it. | 0:35:46 | 0:35:52 | |
But California wanted to have mail service. | 0:35:52 | 0:35:55 | |
So, in the 1850s, John Butterfield got the idea to create | 0:35:55 | 0:36:00 | |
a stage line that would carry mail from St Louis to go to Los Angeles | 0:36:00 | 0:36:05 | |
and San Francisco. | 0:36:05 | 0:36:07 | |
The first stagecoaches established a continental trail | 0:36:10 | 0:36:13 | |
across the country. But its route through the Rocky Mountains | 0:36:13 | 0:36:17 | |
was impassable in the winter snows. | 0:36:17 | 0:36:20 | |
In 1857, John Butterfield won the US Mail contract | 0:36:20 | 0:36:24 | |
because his route headed south, and was open all year round. | 0:36:24 | 0:36:30 | |
The downside was that it was 2,800 miles long | 0:36:30 | 0:36:34 | |
and took passengers through some of the most hostile deserts on Earth. | 0:36:34 | 0:36:39 | |
Tell me about the wagons themselves | 0:36:42 | 0:36:44 | |
because the terrain they are having to cross is astonishing. | 0:36:44 | 0:36:47 | |
The wagons, basically, were small and lightweight | 0:36:47 | 0:36:50 | |
so that the horses could pull them quite easily. | 0:36:50 | 0:36:53 | |
They were suspended between the axels on what were called through braces, | 0:36:53 | 0:36:58 | |
which were leather looped between the axels | 0:36:58 | 0:37:02 | |
with the body riding on top of it. | 0:37:02 | 0:37:04 | |
Now, you couldn't use steel springs because they would have broken. | 0:37:04 | 0:37:09 | |
The coaches out here in the rugged areas had no windows, | 0:37:09 | 0:37:12 | |
had no doors - they were basic. | 0:37:12 | 0:37:15 | |
They would have drop-down canvas coverings over the windows | 0:37:15 | 0:37:19 | |
for when it was a dust storm or rain storm. | 0:37:19 | 0:37:22 | |
It must have been uncomfortable to be inside one of these. | 0:37:22 | 0:37:25 | |
Well, yes. It was state of the art, though, | 0:37:25 | 0:37:29 | |
let's first remember that, for 1860, 1850. | 0:37:29 | 0:37:32 | |
I don't think the passengers would call it wonderful! | 0:37:32 | 0:37:36 | |
The journey itself would have been very, very uncomfortable. | 0:37:36 | 0:37:42 | |
I mean, you would have been sitting elbow to elbow, | 0:37:42 | 0:37:45 | |
shoulder to shoulder with the person next to you, | 0:37:45 | 0:37:48 | |
if the coach was full of nine people, which was the capacity. | 0:37:48 | 0:37:51 | |
The seat width was 15 inches per passenger. | 0:37:51 | 0:37:55 | |
There were three rows, | 0:37:55 | 0:37:56 | |
and the middle row passengers dovetailed their legs | 0:37:56 | 0:38:01 | |
into the passengers who were facing backwards. | 0:38:01 | 0:38:05 | |
Now, 2,800 miles of dovetailed legs | 0:38:05 | 0:38:09 | |
doesn't sound very comfortable. | 0:38:09 | 0:38:12 | |
On top of it, the mail was often on the floor | 0:38:12 | 0:38:15 | |
and your entire possessions were on your lap. | 0:38:15 | 0:38:19 | |
So if you packed a valise or a suitcase or however you were packed, | 0:38:19 | 0:38:23 | |
you were going to sit with that on your lap the entire time. | 0:38:23 | 0:38:26 | |
Plus you had to get out, to help push the coach through mud | 0:38:26 | 0:38:30 | |
or if you were going to walk through an area that was heavily sand duned. | 0:38:30 | 0:38:35 | |
It would be easy to bog down a heavy coach. | 0:38:35 | 0:38:37 | |
There were Indian attacks, certainly they were always something | 0:38:37 | 0:38:43 | |
you had to keep in mind as a possibility. | 0:38:43 | 0:38:46 | |
I mean, you see in the westerns | 0:38:46 | 0:38:48 | |
people in the stagecoaches with arrows coming at them and they are | 0:38:48 | 0:38:52 | |
shooting out the windows, is that what happened? | 0:38:52 | 0:38:54 | |
Well, I've seen a provisions list that was recommended | 0:38:54 | 0:38:58 | |
for travelling on the Wells Fargo coaches, | 0:38:58 | 0:39:02 | |
which asked you to bring a Sharps rifle, 200 rounds of ammunition, | 0:39:02 | 0:39:08 | |
enough powder, a Colt revolver, | 0:39:08 | 0:39:11 | |
three pounds of lead | 0:39:11 | 0:39:13 | |
and additional powder for your Colt revolver, | 0:39:13 | 0:39:19 | |
so I'm going to say there was a reason for that. | 0:39:19 | 0:39:23 | |
When was the last coach to leave? | 0:39:23 | 0:39:25 | |
On the Butterfield, in 1861. | 0:39:25 | 0:39:28 | |
-Short-lived. -It was. It was two and a half years. | 0:39:28 | 0:39:33 | |
But we started to have railroads that were connected coast to coast | 0:39:33 | 0:39:37 | |
right soon thereafter, | 0:39:37 | 0:39:39 | |
and that pretty much did away with long distance travel by coach. | 0:39:39 | 0:39:43 | |
As quickly as they'd started, | 0:39:45 | 0:39:47 | |
the Butterfield, like other stage coaches, would come to an end. | 0:39:47 | 0:39:51 | |
The Butterfield route took 25 days, | 0:39:51 | 0:39:54 | |
but by 1890 there were six transcontinental railroads | 0:39:54 | 0:39:58 | |
straddling the continent, cutting the journey time to just six days. | 0:39:58 | 0:40:02 | |
Well, Bob, I can hear the horses are chomping at the bit there. | 0:40:04 | 0:40:07 | |
I think they want to get moving, | 0:40:07 | 0:40:09 | |
so I think we should make some dust. | 0:40:09 | 0:40:11 | |
-It's been a pleasure, Ray. -It's been nice talking to you. | 0:40:11 | 0:40:14 | |
-Did you have your ticket? -Yes! | 0:40:14 | 0:40:16 | |
THEY LAUGH | 0:40:16 | 0:40:18 | |
It's no wonder that these hot southern deserts | 0:40:23 | 0:40:27 | |
with scorching temperatures, hostile Indians, and no water | 0:40:27 | 0:40:31 | |
were not seen as places to settle by the early pioneers. | 0:40:31 | 0:40:35 | |
They were just to be crossed as quickly and as safely as possible. | 0:40:35 | 0:40:40 | |
But not even the hostile desert could deter the prospectors who, | 0:40:40 | 0:40:45 | |
in the 1860s and '70s, | 0:40:45 | 0:40:47 | |
struck off across the continent in search of silver and gold. | 0:40:47 | 0:40:52 | |
Now, this is southern Arizona. | 0:40:52 | 0:40:54 | |
Back in the 1800s, there would have been no buildings here at all. | 0:40:54 | 0:40:59 | |
In fact, all there was here were venomous snakes, spiny cactus | 0:40:59 | 0:41:03 | |
and very hostile Indians. | 0:41:03 | 0:41:05 | |
But even they would act as no deterrent for mining prospectors, | 0:41:05 | 0:41:09 | |
and just over the hill here, a big silver strike was made | 0:41:09 | 0:41:13 | |
and this town grew up. | 0:41:13 | 0:41:15 | |
This is one of the most famous Western towns of them all - | 0:41:15 | 0:41:18 | |
Tombstone. | 0:41:18 | 0:41:19 | |
One of those prospectors was a man called Ed Schieffelin, | 0:41:25 | 0:41:29 | |
a soldier in the 1870s. | 0:41:29 | 0:41:32 | |
He took it upon himself to come up into this area and prospect. | 0:41:32 | 0:41:35 | |
Well, all his mates said, "You're crazy. | 0:41:35 | 0:41:38 | |
"All you're going to find up there are rattlesnakes | 0:41:38 | 0:41:40 | |
"and hostile Indians. You'll end up dead". | 0:41:40 | 0:41:43 | |
Well, he didn't. In fact, he found silver and struck it lucky. | 0:41:43 | 0:41:46 | |
So he named this town "Tombstone", | 0:41:46 | 0:41:49 | |
the obvious choice! | 0:41:49 | 0:41:51 | |
If there's anyone who can help paint a picture of life | 0:41:51 | 0:41:55 | |
in this desert town in the 1880s, | 0:41:55 | 0:41:58 | |
it's local historian Marshall Trimble. | 0:41:58 | 0:42:01 | |
So here we are, walking up the main street of Tombstone. | 0:42:01 | 0:42:06 | |
Today it's a tourist town, but this was a hive of activity. | 0:42:06 | 0:42:09 | |
There were thousands of people here. | 0:42:09 | 0:42:11 | |
It was one of the largest cities in Arizona around 1880, | 0:42:11 | 0:42:14 | |
1881, when all the action was taking place here. | 0:42:14 | 0:42:18 | |
It was the grand-daddy of the silver strikes in Arizona. | 0:42:18 | 0:42:20 | |
There were several mines, several rich silver mines out here. | 0:42:20 | 0:42:24 | |
Someone told me, like, a million dollars | 0:42:24 | 0:42:27 | |
was mined from one of the mines here? | 0:42:27 | 0:42:29 | |
They figure, in those dollars, | 0:42:29 | 0:42:31 | |
about 80 million dollars came out of this town. | 0:42:31 | 0:42:34 | |
-80 million! Gosh! Staggering. -Yeah. | 0:42:34 | 0:42:36 | |
And that's just an estimate. | 0:42:36 | 0:42:39 | |
So, this town grew from nothing to a hive of humanity | 0:42:39 | 0:42:44 | |
-in virtually no time at all? -Almost overnight. | 0:42:44 | 0:42:48 | |
Tombstone, like many mining towns, was a remote and isolated place. | 0:42:48 | 0:42:53 | |
Whilst California had become a state in 1850, | 0:42:53 | 0:42:57 | |
and formed its own local government and militia, | 0:42:57 | 0:43:00 | |
much of the desert in the Southwest was federal territory | 0:43:00 | 0:43:04 | |
and ruled by Washington, DC, | 0:43:04 | 0:43:06 | |
2,000 miles away on the eastern seaboard. | 0:43:06 | 0:43:10 | |
Travel was slow and communications were limited. | 0:43:12 | 0:43:16 | |
This meant that, when trouble erupted, | 0:43:16 | 0:43:19 | |
it took time for law enforcement officers | 0:43:19 | 0:43:21 | |
to get to these distant communities. | 0:43:21 | 0:43:24 | |
Local people settled things for themselves. | 0:43:24 | 0:43:27 | |
In a town like this you had the cowboys out here | 0:43:27 | 0:43:30 | |
who were rustling cows. They came in when they had money | 0:43:30 | 0:43:32 | |
and got kind of Western, as they say. | 0:43:32 | 0:43:35 | |
Along with cattle rustling, other common crimes were claim jumping, | 0:43:35 | 0:43:39 | |
trail and train hold ups and, of course, bank robberies. | 0:43:39 | 0:43:43 | |
Oh, that's got to hurt! | 0:43:46 | 0:43:48 | |
What now?! | 0:43:48 | 0:43:49 | |
The gun carrying culture and the large number of guns | 0:43:49 | 0:43:53 | |
in circulation after the Civil War ended in 1865, | 0:43:53 | 0:43:57 | |
meant that shootings were a common way of settling quarrels. | 0:43:57 | 0:44:00 | |
Throw up your hands, boys! We're here for your guns! | 0:44:00 | 0:44:03 | |
Look, I don't want to fight you. | 0:44:03 | 0:44:05 | |
One of the most famous, now re-enacted daily in Tombstone, | 0:44:05 | 0:44:09 | |
was, of course, the gunfight at the OK Corral. | 0:44:09 | 0:44:12 | |
Wait! Don't shoot! Don't shoot! | 0:44:19 | 0:44:21 | |
APPLAUSE | 0:44:29 | 0:44:32 | |
"John Martin. Killed." | 0:44:36 | 0:44:38 | |
In 1882 there were a lot of deaths. | 0:44:38 | 0:44:40 | |
Mm-hm. That was the heyday. That was the real heyday. | 0:44:40 | 0:44:44 | |
Law and order was enforced by a small number of marshals | 0:44:44 | 0:44:47 | |
and sheriffs, as well as local vigilante committees | 0:44:47 | 0:44:51 | |
who dealt out rough and ready justice. | 0:44:51 | 0:44:55 | |
Billy Grounds, he was killed out here in a gunfight, | 0:44:55 | 0:44:59 | |
he was an outlaw. | 0:44:59 | 0:45:01 | |
This is the famous Boot Hill cemetery. | 0:45:01 | 0:45:04 | |
-How does it get its name? -Boot Hill? -Yeah. | 0:45:04 | 0:45:07 | |
They died with their boots on. | 0:45:07 | 0:45:09 | |
And all of these Western towns had a boot hill. | 0:45:09 | 0:45:12 | |
And that was just the saying for a guy that died with his boots on. | 0:45:12 | 0:45:16 | |
It means he died violently, | 0:45:16 | 0:45:18 | |
never got a chance to take his boots off and die in bed. | 0:45:18 | 0:45:22 | |
Some of these head stones are quite revealing, aren't they? | 0:45:22 | 0:45:26 | |
"Here lies George Johnson, hanged by mistake, 1882. | 0:45:26 | 0:45:30 | |
"He was right, we was wrong, but we strung him up and now he's gone." | 0:45:30 | 0:45:36 | |
It just shows those people had a sense of humour. | 0:45:36 | 0:45:39 | |
They had a sense of humour but it also dispels the myth of | 0:45:39 | 0:45:43 | |
the nobleness of the Wild West. | 0:45:43 | 0:45:45 | |
It was a wild and tough place, wasn't it? | 0:45:45 | 0:45:47 | |
Death was pretty commonplace. People died of diseases, | 0:45:47 | 0:45:51 | |
they died of injuries, of accidents. | 0:45:51 | 0:45:53 | |
Of course, some of them really deserved their reputations, | 0:45:53 | 0:45:56 | |
-didn't they? -Oh, yeah. | 0:45:56 | 0:45:57 | |
This was an escape for people who didn't fit anywhere else. | 0:45:57 | 0:46:00 | |
Thousands of men lived short, violent and unrecorded lives. | 0:46:04 | 0:46:10 | |
Only a few outlaws achieved the long-lasting notoriety | 0:46:10 | 0:46:13 | |
of Jesse James, Billy the Kid and Butch Cassidy and the Wild Bunch. | 0:46:13 | 0:46:18 | |
The so-called "Outlaw Trail" was a network of trails | 0:46:22 | 0:46:26 | |
linking safe havens for bandits, all the way from Mexico to Canada. | 0:46:26 | 0:46:31 | |
This route enabled a safe passage for wanted men and smuggled goods. | 0:46:31 | 0:46:36 | |
The safe havens were hide-outs | 0:46:40 | 0:46:42 | |
tucked away in the inaccessible terrain. | 0:46:42 | 0:46:45 | |
Many were never penetrated by law officers. | 0:46:45 | 0:46:48 | |
I'm travelling north to Utah, to the Great Basin Desert, | 0:46:48 | 0:46:52 | |
to try and find one. | 0:46:52 | 0:46:53 | |
This is the high desert. I really like it. | 0:46:55 | 0:46:59 | |
It's a beautiful terrain. Soft, pastel shades. | 0:46:59 | 0:47:03 | |
But look how broken that terrain is. | 0:47:03 | 0:47:05 | |
The very remoteness and inaccessibility of this country | 0:47:05 | 0:47:09 | |
would shape its history. | 0:47:09 | 0:47:11 | |
Because this would be exactly the right country | 0:47:11 | 0:47:15 | |
for bandits to hide out in. | 0:47:15 | 0:47:17 | |
That area over there is called Robbers Roost, | 0:47:17 | 0:47:20 | |
and that was an almost impregnable fortress that housed one of the most | 0:47:20 | 0:47:25 | |
famous bandit gangs - the Wild Bunch and Butch Cassidy. | 0:47:25 | 0:47:29 | |
Here, it was their intimate knowledge of the geography | 0:47:30 | 0:47:34 | |
of the region that was to give these bandits the upper hand. | 0:47:34 | 0:47:38 | |
That is the sound of a life or death chase. | 0:47:41 | 0:47:45 | |
An outlaw pursued by the posse. | 0:47:45 | 0:47:48 | |
And do you know, I think they might get him! | 0:47:48 | 0:47:51 | |
You see that scene in just about every Western movie, | 0:47:57 | 0:48:01 | |
but what I want to know is, did that really happen? | 0:48:01 | 0:48:04 | |
Hightailing was a race for life, | 0:48:10 | 0:48:12 | |
the outlaw making a dash across open country, pursued by a posse | 0:48:12 | 0:48:17 | |
of local vigilantes determined to drive him from town, or worse. | 0:48:17 | 0:48:23 | |
But if the bandit was first to reach the broken badlands | 0:48:23 | 0:48:26 | |
then he'd be home and dry. | 0:48:26 | 0:48:29 | |
A modern day hightailer, West Taylor, | 0:48:36 | 0:48:39 | |
has offered to show me how. | 0:48:39 | 0:48:41 | |
So you've successfully caught this sorry looking individual. | 0:48:41 | 0:48:44 | |
-We've got one. We got him. -Don't take any nonsense from him. | 0:48:44 | 0:48:48 | |
Tell me, in all truth, did posses ever catch up with people? | 0:48:48 | 0:48:53 | |
Not much out here on the roost. If an outlaw could make it out here to this | 0:48:53 | 0:48:57 | |
part of the world he had it made and he knew it, | 0:48:57 | 0:48:59 | |
cos once he gets off some of these cliffs and the canyons, | 0:48:59 | 0:49:02 | |
no posse would go out there, it's a death trap. | 0:49:02 | 0:49:04 | |
And the outlaws had the advantage because they knew the canyons. | 0:49:04 | 0:49:07 | |
Absolutely, they knew where they were going | 0:49:07 | 0:49:09 | |
and the posse knows not to go over that hill because once they get | 0:49:09 | 0:49:12 | |
over there one gunman can hold off 50 riders on one of those ledges. | 0:49:12 | 0:49:15 | |
So posses knew it, outlaws knew it, it was just a race. | 0:49:15 | 0:49:18 | |
The local posse would generate, | 0:49:18 | 0:49:20 | |
get a group of guys, and they're getting store keepers and farmers | 0:49:20 | 0:49:24 | |
and the banker, you know? They're not getting hard-core cowboys | 0:49:24 | 0:49:27 | |
to go on these posse rides, they're getting the guys from town, | 0:49:27 | 0:49:30 | |
you know, and it's kind of their civic duty so they saddle up and go. | 0:49:30 | 0:49:35 | |
But once they get up to a point it's like, | 0:49:35 | 0:49:37 | |
"We're done, this is it, we gave it a go." | 0:49:37 | 0:49:40 | |
George Armstrong Chapel was my third great grandfather | 0:49:43 | 0:49:46 | |
and he was one of the few sheriffs at the time that dared | 0:49:46 | 0:49:50 | |
to come out here, because it was in his county, | 0:49:50 | 0:49:53 | |
so he had much more of a civic duty to come into it. | 0:49:53 | 0:49:56 | |
And he was the only sheriff to actually make an arrest | 0:49:56 | 0:49:59 | |
on Robbers Roost and bring somebody back out. | 0:49:59 | 0:50:02 | |
There wasn't even a jail built in 1895 when my grandfather | 0:50:02 | 0:50:05 | |
was the sheriff here, so he would take them back to his house in Limon, | 0:50:05 | 0:50:09 | |
and he had a granary out back of the house and he would actually | 0:50:09 | 0:50:12 | |
take the prisoners that he had out to the granary | 0:50:12 | 0:50:16 | |
and lock and barricade them inside the granary, | 0:50:16 | 0:50:19 | |
where his wife and kids would take meals out to them until they waited | 0:50:19 | 0:50:22 | |
for transportation to go up to the county for the court hearing. | 0:50:22 | 0:50:25 | |
I mean, this guy is lucky cos we can't find a tree for miles around | 0:50:25 | 0:50:29 | |
to hang him from so we'll have to take him back to town. | 0:50:29 | 0:50:31 | |
-Maybe drag him on his belly for a while. -It's up to you. | 0:50:31 | 0:50:35 | |
Right, we'll take him in. | 0:50:37 | 0:50:38 | |
West is taking me into the canyons of Robbers Roost, | 0:50:49 | 0:50:53 | |
to a part of the outlaw trail known as the "Angel Trail", | 0:50:53 | 0:50:57 | |
to help me understand how the landscape protected bandits | 0:50:57 | 0:51:00 | |
from the law. | 0:51:00 | 0:51:02 | |
So this is an unusual trail by American standards, | 0:51:02 | 0:51:06 | |
this is the Angel Trail and it ends here. How does it get its name? | 0:51:06 | 0:51:10 | |
The outlaws had a theory that if you made it across the Angel Trail, | 0:51:10 | 0:51:15 | |
across this section of the trail, | 0:51:15 | 0:51:17 | |
then you had to have angels with you to ensure your safety to make it | 0:51:17 | 0:51:21 | |
-across to the other side. -Why was that? | 0:51:21 | 0:51:23 | |
Cliffs, slick rock, sandstone, one missed step | 0:51:23 | 0:51:27 | |
and you could be 50 to 100 feet to your death. You've got to remember | 0:51:27 | 0:51:30 | |
some of these posse horses are, you know, a plough horse or a horse | 0:51:30 | 0:51:34 | |
they use to pull a wagon. These weren't off-road type horses, | 0:51:34 | 0:51:38 | |
so once the posse got to some of these off-road situations, | 0:51:38 | 0:51:41 | |
their horses just wouldn't perform, they just couldn't do it. | 0:51:41 | 0:51:44 | |
I imagine back then if we had stood here at this time of day | 0:51:44 | 0:51:47 | |
you wouldn't feel safe. | 0:51:47 | 0:51:48 | |
Even knowing it well, there's dangers out here | 0:51:48 | 0:51:50 | |
that are just unforeseen and there's been a couple of times we've been | 0:51:50 | 0:51:53 | |
riding out here and ended up into some quicksand and that is like | 0:51:53 | 0:51:58 | |
just walking along or just standing like you and I talking right here | 0:51:58 | 0:52:01 | |
and having someone just pull a sheet of earth from right underneath you, | 0:52:01 | 0:52:04 | |
and it's over before you even know you're in it and that's a death trap. | 0:52:04 | 0:52:08 | |
And in this arid land it's the last thing you'd really expect to see. | 0:52:08 | 0:52:11 | |
Both times that I ended up in the quicksand out here | 0:52:11 | 0:52:14 | |
I was riding a mustang, or a wild horse, and these horses seem to | 0:52:14 | 0:52:17 | |
instinctively know what to do in it. | 0:52:17 | 0:52:19 | |
Whereas I was, kind of, was in a bit of a panic mode | 0:52:19 | 0:52:22 | |
but the mustangs started crawling to their side | 0:52:22 | 0:52:25 | |
and just kind of crawled in a circle and got themselves up on their side. | 0:52:25 | 0:52:29 | |
They knew better than to try and stand up and they just kept clawing | 0:52:29 | 0:52:31 | |
-in a circle until they got to some solid ground. -Amazing. | 0:52:31 | 0:52:34 | |
It was impressive and inspiring to me. | 0:52:34 | 0:52:37 | |
I did the same as I was crawling out on my belly. | 0:52:37 | 0:52:40 | |
I've often wondered how, with a posse of lawmen on their tails, | 0:52:44 | 0:52:48 | |
the bandits were able to disappear. | 0:52:48 | 0:52:51 | |
But their secret was their specially trained horses | 0:52:51 | 0:52:54 | |
and intimate knowledge of the terrain. | 0:52:54 | 0:52:57 | |
West has offered to show me how it's done. | 0:52:57 | 0:53:01 | |
So this is it. My goodness me. | 0:53:03 | 0:53:06 | |
You are telling me you are going to go down here on a horse? | 0:53:06 | 0:53:08 | |
Yeah, this would be one of those spots that the outlaws could get to | 0:53:08 | 0:53:12 | |
-and get their horses off of and posse horses would say no. -Wow. | 0:53:12 | 0:53:17 | |
I take my hat off to you, because this isn't just steep, | 0:53:17 | 0:53:21 | |
it's loose, it's incredibly loose. | 0:53:21 | 0:53:24 | |
I wouldn't do it if I wasn't on a trusted horse | 0:53:24 | 0:53:26 | |
and one I know can handle this and is familiar with this | 0:53:26 | 0:53:29 | |
-type of terrain and this type of riding. -OK. | 0:53:29 | 0:53:32 | |
At the end of the day it's only television, no pressure. | 0:53:32 | 0:53:36 | |
I'm going to step back and watch. Good luck. | 0:53:36 | 0:53:40 | |
It's pretty tense now - | 0:54:04 | 0:54:06 | |
imagine doing it after a long run, | 0:54:06 | 0:54:08 | |
knowing the law is hot on your trail! | 0:54:08 | 0:54:11 | |
Boy, you can't buy adrenaline like that on the street! | 0:54:41 | 0:54:44 | |
I'm telling you! | 0:54:44 | 0:54:45 | |
For me, it's a point of trust. | 0:54:47 | 0:54:50 | |
She's got to make that jump, she's got to turn, | 0:54:50 | 0:54:52 | |
she's got a lot to do with her feet to keep me from going 100 feet down. | 0:54:52 | 0:54:56 | |
-That was awesome! -And what about the horses themselves, | 0:54:56 | 0:54:59 | |
what makes them good for this? | 0:54:59 | 0:55:01 | |
She's a mustang so she has been a wild horse for three years | 0:55:01 | 0:55:04 | |
of her life, so she is more than comfortable | 0:55:04 | 0:55:08 | |
-surviving in terrain like this. -And this is what the outlaws did? | 0:55:08 | 0:55:11 | |
Absolutely, they make it down off of this, across the river, | 0:55:11 | 0:55:15 | |
-they're home free. -I can understand, the butcher and the shop keepers | 0:55:15 | 0:55:19 | |
-and the posse, they're not going to follow. -You're not going to get | 0:55:19 | 0:55:22 | |
your plough horse out here and get him to come off of this. | 0:55:22 | 0:55:25 | |
It's too much to risk. If I'm a farmer and I break | 0:55:25 | 0:55:27 | |
my plough horse's leg I can't provide for my family now. | 0:55:27 | 0:55:31 | |
-It's not a risk I would take. -I take my hat off to you, that's fantastic, | 0:55:31 | 0:55:34 | |
that's one of the most amazing things I've ever seen. | 0:55:34 | 0:55:37 | |
-That's brilliant, thank you. -All right. | 0:55:37 | 0:55:40 | |
At about the same time that West's sheriff ancestor was chasing outlaws | 0:55:44 | 0:55:49 | |
across these high deserts, | 0:55:49 | 0:55:51 | |
another pursuit was taking place in the hot deserts of the South. | 0:55:51 | 0:55:55 | |
The desert mountains of Arizona were a refuge | 0:55:57 | 0:56:00 | |
for America's last Indian resistance - | 0:56:00 | 0:56:03 | |
the great warrior bands of the Apache nation. | 0:56:03 | 0:56:07 | |
Since the 1840s, when the western frontier had rolled across | 0:56:07 | 0:56:11 | |
these mountains and encountered the Apache, conflict was ever present. | 0:56:11 | 0:56:17 | |
For over 40 years, the US Army and the Apache tribes had clashed | 0:56:17 | 0:56:22 | |
in a series of brutal battles and skirmishes | 0:56:22 | 0:56:25 | |
over their right to this land. | 0:56:25 | 0:56:27 | |
Without a doubt, the most famous of all the Apache was Geronimo, | 0:56:29 | 0:56:34 | |
and he was the last of the Apache war leaders to put up a resistance | 0:56:34 | 0:56:39 | |
and what a resistance he left. | 0:56:39 | 0:56:42 | |
He was a real thorn in the side of the American government, | 0:56:42 | 0:56:45 | |
like a cactus thorn in their foot. | 0:56:45 | 0:56:48 | |
He caused them serious embarrassment. | 0:56:48 | 0:56:50 | |
In 1881, the US Army deployed 5,000 men | 0:56:50 | 0:56:54 | |
and the Mexican Army a further 300, | 0:56:54 | 0:56:58 | |
to hunt down Geronimo and his followers. | 0:56:58 | 0:57:01 | |
By that time, there were only 34 men, | 0:57:01 | 0:57:05 | |
women and children in his group, | 0:57:05 | 0:57:08 | |
yet they managed to avoid capture for over a year. | 0:57:08 | 0:57:12 | |
Well, the pursuit that followed him | 0:57:12 | 0:57:15 | |
eventually wore down the morale of his small band | 0:57:15 | 0:57:19 | |
and he was persuaded to surrender, | 0:57:19 | 0:57:23 | |
and that effectively ended Indian resistance in North America, | 0:57:23 | 0:57:28 | |
one last bright flame of resistance. | 0:57:28 | 0:57:32 | |
The Indian Wars were finally at an end. | 0:57:32 | 0:57:35 | |
Just a few years later, the American government would declare | 0:57:35 | 0:57:40 | |
the wild frontier closed. | 0:57:40 | 0:57:42 | |
When the frontier rolled across the deserts of North America, | 0:57:46 | 0:57:50 | |
it gave birth to some of the most colourful chapters of the Wild West. | 0:57:50 | 0:57:54 | |
Lawlessness flourished in these remote regions. | 0:57:56 | 0:57:59 | |
And outlaws sought refuge in the broken desert landscape. | 0:58:02 | 0:58:05 | |
Native peoples were pushed from their homelands | 0:58:07 | 0:58:10 | |
and relocated to reservations. | 0:58:10 | 0:58:13 | |
And this was where the Indian Wars were declared over. | 0:58:13 | 0:58:18 | |
But here, in the American deserts, | 0:58:18 | 0:58:21 | |
I found that part of America that truly cannot be tamed. | 0:58:21 | 0:58:26 | |
This remains the Wild West. | 0:58:26 | 0:58:30 |