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September 3rd, 1939, and families all over the country flock to their radios. | 0:00:02 | 0:00:06 | |
'...no such undertaking has been received | 0:00:06 | 0:00:08 | |
'and that consequently this country is at war with Germany.' | 0:00:08 | 0:00:15 | |
In that brief moment, life in our country changed forever. | 0:00:17 | 0:00:21 | |
World War II had begun, but victory wouldn't be assured by military might alone. | 0:00:21 | 0:00:25 | |
The Blitz, evacuation, rationing, the loss of loved ones - | 0:00:27 | 0:00:31 | |
the war on the home front meant that everyone had to do their bit. | 0:00:31 | 0:00:34 | |
From the country's women who took on everything | 0:00:36 | 0:00:39 | |
farming, factory work, even flying Spitfires - | 0:00:39 | 0:00:42 | |
to the nation's auxiliary firemen who worked through the terror of countless air raids. | 0:00:42 | 0:00:47 | |
This is the story of ordinary people doing extraordinary things. | 0:00:47 | 0:00:51 | |
This is How We Won The War. | 0:00:51 | 0:00:53 | |
I'm finishing my trip around the UK in the North West of England. | 0:00:59 | 0:01:03 | |
On today's programme, I'll be down on the farm hearing how an army of women kept the nation fed. | 0:01:04 | 0:01:10 | |
Picking smelly potatoes in November | 0:01:10 | 0:01:14 | |
was a strange way to help the war effort, but it did. | 0:01:14 | 0:01:21 | |
Discovering how feathered friends kept our airmen safe. | 0:01:21 | 0:01:24 | |
Winkie getting back to Scotland was enough for that crew to be rescued. | 0:01:24 | 0:01:29 | |
And finding out how entertainers kept up the morale of both troops and workers. | 0:01:29 | 0:01:34 | |
Dean wanted to make sure that every service man and woman and in the end every civilian | 0:01:34 | 0:01:40 | |
had a chance to be entertained, | 0:01:40 | 0:01:42 | |
had a chance to put some of the black moments behind them. | 0:01:42 | 0:01:46 | |
The North West is home to both bustling industrial cities and lush rural landscapes. | 0:01:54 | 0:02:00 | |
A mixture of factories and farms in this region were to prove vital in our race to victory. | 0:02:00 | 0:02:06 | |
My first stop today is deep in the heart of the Cheshire countryside. | 0:02:07 | 0:02:11 | |
I'm keen to learn more about an army | 0:02:11 | 0:02:13 | |
that endured often appalling conditions | 0:02:13 | 0:02:15 | |
and long periods away from home and loved ones. | 0:02:15 | 0:02:18 | |
An army that fought its battles here, on English soil. | 0:02:18 | 0:02:21 | |
A Land Army. | 0:02:22 | 0:02:24 | |
In 1939, as war broke out, Britain was importing up to 70% of its food. | 0:02:26 | 0:02:33 | |
With Nazi U-Boats running a deadly campaign against supply ships, | 0:02:33 | 0:02:37 | |
the Government had to do something to stop the nation starving. | 0:02:37 | 0:02:41 | |
A work force established in World War I would be resurrected | 0:02:41 | 0:02:45 | |
and some of them would work here at Tatton Park in Knutsford. | 0:02:45 | 0:02:49 | |
Margaret Clark has a family connection with the Women's Land Army, formed in June 1939. | 0:02:49 | 0:02:55 | |
Now Margaret, you had three aunts who were Land Girls, didn't you? | 0:02:55 | 0:02:59 | |
Yes, that's right, yes. | 0:02:59 | 0:03:00 | |
So you must have learnt quite a lot about life at the time and what was involved? | 0:03:00 | 0:03:04 | |
Yes, well, they always said how lovely it was, you know? | 0:03:04 | 0:03:08 | |
And how different it was from being girls in Liverpool | 0:03:08 | 0:03:12 | |
to go suddenly into the country really. | 0:03:12 | 0:03:15 | |
Many, like Margaret's aunts, would come from towns and cities. | 0:03:15 | 0:03:19 | |
They'd be unfamiliar with country ways. | 0:03:19 | 0:03:22 | |
Recruitment posters showed smiling women in glorious sunshine, | 0:03:22 | 0:03:26 | |
but the reality often proved a shock to the system. | 0:03:26 | 0:03:29 | |
'And although a picture of farming may look like a holiday, | 0:03:29 | 0:03:32 | |
'believe me, it's one of the toughest war jobs there is, | 0:03:32 | 0:03:36 | |
'calling for really hard and skilful work, all the year round.' | 0:03:36 | 0:03:39 | |
There was one girl that came that my Auntie Mollie said she never did anything without her gloves on! | 0:03:39 | 0:03:44 | |
Even picking strawberries, she kept her gloves on! | 0:03:46 | 0:03:49 | |
The volunteers would work the land for around 48 hours a week, | 0:03:49 | 0:03:53 | |
doing everything from milking cows to harvesting crops. | 0:03:53 | 0:03:56 | |
Joy Pinder was 20 when she joined the Land Army. | 0:03:57 | 0:04:00 | |
I was young. | 0:04:00 | 0:04:02 | |
I was patriotic and you know, get out and do something | 0:04:02 | 0:04:06 | |
and the Land Army was what I wanted to do. | 0:04:06 | 0:04:09 | |
Given basic training in agricultural skills, women also received | 0:04:09 | 0:04:13 | |
a manual to help them adapt to life in the countryside. | 0:04:13 | 0:04:18 | |
But nothing could have prepared Joy for her first job as a Land Girl | 0:04:18 | 0:04:21 | |
picking potatoes in a wind-swept November. | 0:04:21 | 0:04:24 | |
It was back-breaking. | 0:04:24 | 0:04:25 | |
But the worst part about it, | 0:04:25 | 0:04:28 | |
there were piles and piles of rotting potatoes | 0:04:28 | 0:04:32 | |
that we had to sort out and it was a horrible job. | 0:04:32 | 0:04:36 | |
Then there were the farm animals to get to grips with. | 0:04:37 | 0:04:41 | |
There was just this large horse and myself and a harrow. | 0:04:41 | 0:04:46 | |
And it wouldn't go. And I felt lost. | 0:04:46 | 0:04:49 | |
I thought, "There's this young lass, in a field and not a soul in sight and a stubborn horse!" | 0:04:49 | 0:04:56 | |
But you just got on with it. | 0:04:56 | 0:04:58 | |
In 1941, as more men left agriculture to fight on the front, | 0:05:00 | 0:05:03 | |
conscription to the Land Army was introduced. | 0:05:03 | 0:05:07 | |
By 1943, some 80,000 women were digging and ploughing in fields throughout Britain. | 0:05:07 | 0:05:13 | |
Living arrangements were basic and homesickness was common, | 0:05:13 | 0:05:17 | |
but if you were lucky, farmers would ensure the girls had some brighter moments. | 0:05:17 | 0:05:22 | |
They would supply home-made cider which was quite a hoot really, | 0:05:22 | 0:05:26 | |
but there were these stone circles | 0:05:26 | 0:05:31 | |
that they chomped up and down the apples and made their own cider. | 0:05:31 | 0:05:37 | |
Which was good, it was very acceptable. | 0:05:38 | 0:05:40 | |
But the only thing was, the sheep used it as a toilet as well. | 0:05:40 | 0:05:44 | |
So that was all mixed up with the gorgeous cider we had. | 0:05:44 | 0:05:49 | |
Throughout the War, the Land Girls ensured the nation had enough food to survive. | 0:05:49 | 0:05:54 | |
And some would gain recognition. | 0:05:54 | 0:05:56 | |
'800 girls had marched through the city and now all who had done more than six years' service | 0:05:57 | 0:06:03 | |
'received special armbands from the Queen.' | 0:06:03 | 0:06:06 | |
But it would take until 2008 for the army of 250,000 women to finally receive full acknowledgement, | 0:06:06 | 0:06:13 | |
when the Government awarded them an official badge and certificate. | 0:06:13 | 0:06:17 | |
I think without them, we'd have starved. Simple as that, really. | 0:06:17 | 0:06:21 | |
Picking smelly potatoes in November | 0:06:21 | 0:06:26 | |
was a strange way to help the war effort, but it did. | 0:06:26 | 0:06:32 | |
I would have done the same thing all over again. | 0:06:33 | 0:06:37 | |
The end of the War didn't mean the end of work. | 0:06:37 | 0:06:40 | |
Many Land Girls continued to serve for another five years, | 0:06:40 | 0:06:43 | |
until the Land Army itself was disbanded in 1950. | 0:06:43 | 0:06:48 | |
Like so many other wartime occupations, they went about their task with a typical resolve | 0:06:48 | 0:06:53 | |
and purpose that we should never lose sight of. | 0:06:53 | 0:06:56 | |
COCKEREL CROWS | 0:06:56 | 0:07:00 | |
In bolstering the numbers of Land Girls or troops, conscription was vital to our war effort, | 0:07:00 | 0:07:06 | |
as the Government called on the country's people to do their bit. | 0:07:06 | 0:07:09 | |
One enlisted group would face extreme danger. | 0:07:09 | 0:07:13 | |
Often working behind enemy lines, they'd have to cover vast distances, | 0:07:13 | 0:07:17 | |
at speeds of around 60mph, while battling electrical storms. | 0:07:17 | 0:07:23 | |
Their missions would be carried out on a wing and a prayer. | 0:07:23 | 0:07:26 | |
Britain had used pigeons in World War I. | 0:07:34 | 0:07:36 | |
But while the Germans had maintained their fleet of birds during peacetime, | 0:07:36 | 0:07:41 | |
our Government had disbanded its flock. | 0:07:41 | 0:07:44 | |
Fanciers across the country would help Britain build a new troop of birds from scratch. | 0:07:44 | 0:07:49 | |
Peter Bryant's an expert on pigeons' wartime role. | 0:07:49 | 0:07:52 | |
Pigeons were donated by really | 0:07:52 | 0:07:54 | |
all types of people from right across the class spectrums - | 0:07:54 | 0:07:58 | |
from lords and ladies to | 0:07:58 | 0:08:00 | |
Fred Bloggs with a small loft at the bottom of his garden. | 0:08:00 | 0:08:05 | |
Over 250,000 donated birds would soon be flying under the auspices of the National Pigeon Service. | 0:08:05 | 0:08:12 | |
But that flying wouldn't always be under their own steam. | 0:08:12 | 0:08:15 | |
Every World War II bomber aircraft and reconnaissance aircraft that left our shores carried two pigeons. | 0:08:15 | 0:08:21 | |
If the aircraft then had to ditch into the sea, a message could be attached to its leg | 0:08:21 | 0:08:27 | |
and hopefully the pigeon would get back to its base | 0:08:27 | 0:08:29 | |
with the location so search and rescue could be sent out. | 0:08:29 | 0:08:33 | |
In February 1942, when an RAF Beaufort Bomber ditched in the North Sea, | 0:08:33 | 0:08:39 | |
the crew were forced to fall back on their feathered saviour. | 0:08:39 | 0:08:42 | |
Pigeon Winkie was their only hope. | 0:08:42 | 0:08:45 | |
As the crew struggled in freezing water, | 0:08:45 | 0:08:48 | |
Winkie flew over 120 miles to her home in Broughty Ferry near Dundee. | 0:08:48 | 0:08:53 | |
She arrived exhausted, but her owner alerted the RAF. | 0:08:53 | 0:08:58 | |
Winkie getting back to Scotland was enough for that crew to be rescued. | 0:08:58 | 0:09:01 | |
They held a dinner for Winkie in the officers' mess that night and Winkie attended. | 0:09:03 | 0:09:07 | |
Winkie had saved four servicemen's lives | 0:09:09 | 0:09:12 | |
and birds like her saved thousands more during the War. | 0:09:12 | 0:09:15 | |
But pigeons weren't just flying on board our aircraft. | 0:09:15 | 0:09:18 | |
With their natural homing ability, they were perfect for getting | 0:09:18 | 0:09:21 | |
important intelligence back to Britain. | 0:09:21 | 0:09:24 | |
The message would be written here, torn off, | 0:09:24 | 0:09:29 | |
and one of those would be put on the spool of the message carrier and put on the pigeon's leg. | 0:09:29 | 0:09:37 | |
And off the pigeon goes back to Blighty. | 0:09:37 | 0:09:41 | |
Often the birds would be parachuted into occupied territory, | 0:09:43 | 0:09:46 | |
where resistance fighters would use them to send key messages back to Britain. | 0:09:46 | 0:09:51 | |
Now this is an actual World War II parachute, | 0:09:51 | 0:09:55 | |
it's about the size of a lady's umbrella. | 0:09:55 | 0:09:57 | |
As you can see, the parachute cord and a hessian sort of strap here | 0:09:57 | 0:10:03 | |
and the pigeon container would actually fit in here. | 0:10:03 | 0:10:06 | |
In three separate missions, one pigeon, Commando, brought back invaluable intelligence | 0:10:08 | 0:10:13 | |
revealing the location of German troops, industrial sites and injured Allied soldiers. | 0:10:13 | 0:10:20 | |
To ensure the pigeons had a safe passage home, birds of prey were culled along our coastlines, | 0:10:20 | 0:10:26 | |
but the brave birds bringing messages back to base faced other dangers. | 0:10:26 | 0:10:30 | |
The Germans attempted to shoot the pigeons out of the sky. | 0:10:30 | 0:10:35 | |
They also had a hawk unit, so they were actually using | 0:10:35 | 0:10:38 | |
birds of prey to take pigeons out of the sky as well. | 0:10:38 | 0:10:41 | |
If pigeons arrived home injured, demand for their services meant | 0:10:41 | 0:10:44 | |
they'd be simply be patched up and sent off on another mission. | 0:10:44 | 0:10:49 | |
After the War, Dickin Medals were awarded to animals | 0:10:49 | 0:10:52 | |
who'd shown courage and bravery in their war time service. | 0:10:52 | 0:10:55 | |
32 went to pigeons, including Winkie and Commando. | 0:10:55 | 0:11:00 | |
They really did make a major contribution to Britain's war effort. | 0:11:00 | 0:11:05 | |
Absolutely fantastic contribution. Very much undersung. | 0:11:05 | 0:11:09 | |
Two Lancashire-born entertainers, | 0:11:16 | 0:11:18 | |
George Formby and Gracie Fields, to many, embodied | 0:11:18 | 0:11:21 | |
the best of the North West a rich mixture of saucy humour and hard work. | 0:11:21 | 0:11:27 | |
They were two skills that one organisation in particular would make very good use of | 0:11:27 | 0:11:32 | |
as it took on one of the toughest challenges of the war keeping up morale. | 0:11:32 | 0:11:36 | |
In 1939, the Government recognised our troops would need a distraction from the horrors of war. | 0:11:38 | 0:11:44 | |
Theatre and film producer Basil Dean worked with others to come up with a morale-boosting solution | 0:11:44 | 0:11:49 | |
the Entertainments National Service Association. | 0:11:49 | 0:11:53 | |
Alan Grace has researched the ENSA story. | 0:11:53 | 0:11:56 | |
Dean wanted to make sure that every service man and woman and in the end every civilian | 0:11:58 | 0:12:02 | |
had a chance to be entertained, | 0:12:02 | 0:12:04 | |
had a chance to put some of the black moments behind them. | 0:12:04 | 0:12:08 | |
ENSA's first show was staged in Surrey, | 0:12:08 | 0:12:12 | |
but soon the era's biggest stars | 0:12:12 | 0:12:13 | |
like Tommy Trinder and Gracie Fields - | 0:12:13 | 0:12:16 | |
were treading the boards further afield | 0:12:16 | 0:12:18 | |
to sprinkle some showbiz glamour over our tired troops. | 0:12:18 | 0:12:22 | |
'This is our second ENSA concert today. | 0:12:22 | 0:12:25 | |
'We've already played to 3,000 people | 0:12:25 | 0:12:28 | |
and here, somewhere I mustn't mention, | 0:12:28 | 0:12:32 | |
'is a wonderful audience waiting for the most wonderful and delightful | 0:12:32 | 0:12:37 | |
woman that's ever stepped, | 0:12:37 | 0:12:38 | |
'Miss Gracie Fields - and here she is.' | 0:12:38 | 0:12:41 | |
This is a most unusual recording, | 0:12:41 | 0:12:43 | |
because it's Gracie Fields in November 1939, in France. | 0:12:43 | 0:12:46 | |
# You're the whole world # | 0:12:46 | 0:12:49 | |
# The whole world to me! # | 0:12:49 | 0:12:55 | |
What it shows is not only Gracie at her best, | 0:12:57 | 0:13:01 | |
but the reaction of the men who'd travelled quite some distance | 0:13:01 | 0:13:04 | |
to come and hear her sing. | 0:13:04 | 0:13:06 | |
Top talent was proving wildly popular, but impresario Basil | 0:13:07 | 0:13:11 | |
worried that they weren't to everyone's tastes. | 0:13:11 | 0:13:14 | |
There were people who loved drama, | 0:13:14 | 0:13:16 | |
there were people who loved opera, or ballet or classical music | 0:13:16 | 0:13:20 | |
and so he pushed forward the case there should be | 0:13:20 | 0:13:23 | |
a possibility to bring these shows into the equation. | 0:13:23 | 0:13:27 | |
One recruit that satisfied the aim of widening ENSA's appeal | 0:13:27 | 0:13:32 | |
was cellist Pauline Leighton. | 0:13:32 | 0:13:34 | |
Like the majority of ENSA's casts, | 0:13:34 | 0:13:37 | |
Pauline wasn't a celebrity, but a talented civilian. | 0:13:37 | 0:13:40 | |
She signed up for ENSA in 1941 as part of a classical quartet. | 0:13:40 | 0:13:45 | |
They'd never had an all-girls little group before. | 0:13:45 | 0:13:49 | |
They'd had a comedian, a squeezebox, a singer | 0:13:49 | 0:13:53 | |
and a pianist, or something or a conjurer or something, | 0:13:53 | 0:13:58 | |
but never a group like ours, so we were rather unique when we started. | 0:13:58 | 0:14:04 | |
Pauline and her colleagues were soon flown off | 0:14:04 | 0:14:07 | |
to far-flung battle hot spots like Algiers, | 0:14:07 | 0:14:10 | |
sharing the bill with an eclectic assortment of artistes. | 0:14:10 | 0:14:14 | |
Tommy Trinder kept coming on when he shouldn't. | 0:14:14 | 0:14:17 | |
I was used as a stooge. | 0:14:17 | 0:14:19 | |
And he said, "My aunt used to play the cello, | 0:14:19 | 0:14:22 | |
"but she was a lady - she played it side-saddle!" | 0:14:22 | 0:14:25 | |
Which made them laugh. | 0:14:27 | 0:14:29 | |
ENSA's entertainers were kept busy right around the world. | 0:14:30 | 0:14:35 | |
In one month alone, the organisation brought up the curtain on 8,500 shows. | 0:14:35 | 0:14:39 | |
And those shows weren't just limited to the stage - | 0:14:39 | 0:14:42 | |
comedian Stainless Stephen went AWOL from a show in the Far East. | 0:14:42 | 0:14:47 | |
A report came back from the front line, "We've got a chap here, | 0:14:47 | 0:14:50 | |
"who's an entertainer, who's hopping from foxhole to foxhole | 0:14:50 | 0:14:53 | |
"to put on a little entertainment for the boys in the foxhole." | 0:14:53 | 0:14:57 | |
But then, he made what could have been a fatal mistake. | 0:14:57 | 0:15:00 | |
He saw some more troops in the distance. He was just about to get up and go across, | 0:15:00 | 0:15:03 | |
and he was pulled back because they were Japanese troops. | 0:15:03 | 0:15:07 | |
So he was prepared to get up close to where it hurt, | 0:15:07 | 0:15:10 | |
and you'll find this time and time again with the ENSA parties. | 0:15:10 | 0:15:14 | |
Danger wasn't all ENSA performers had to endure. | 0:15:14 | 0:15:17 | |
Camp conditions were about as far as you could get | 0:15:17 | 0:15:19 | |
from the luxuries of backstage dressing rooms back home. | 0:15:19 | 0:15:23 | |
There were stories of rats running across stages, | 0:15:23 | 0:15:26 | |
rats running across the feet of the audience. | 0:15:26 | 0:15:29 | |
Stories of cockroaches everywhere, of electricity that didn't work, | 0:15:29 | 0:15:33 | |
of having to put your make-up on by starlight or moonlight | 0:15:33 | 0:15:37 | |
because there was no electricity. | 0:15:37 | 0:15:39 | |
Despite the conditions, ENSA was working magic, | 0:15:39 | 0:15:43 | |
keeping up morale amongst our battle-weary troops. | 0:15:43 | 0:15:47 | |
Now Basil Dean turned his attention to raising the spirits | 0:15:47 | 0:15:49 | |
of wartime factory workers. | 0:15:49 | 0:15:52 | |
What Dean wanted to do was give them something, even if it was only | 0:15:52 | 0:15:55 | |
for half an hour, to take their minds away from the tragedies | 0:15:55 | 0:15:58 | |
which were happening overseas, and just give them a little boost. | 0:15:58 | 0:16:01 | |
Soon, ENSA performers were unpacking instruments | 0:16:01 | 0:16:04 | |
in factory canteens across the country. | 0:16:04 | 0:16:07 | |
While shift workers ate their main hot meal, | 0:16:07 | 0:16:10 | |
at midday and midnight, performers like Pauline put on a show. | 0:16:10 | 0:16:12 | |
It was amazing, the atmosphere, | 0:16:12 | 0:16:14 | |
because they hurried over getting their meals, and they were as quiet | 0:16:14 | 0:16:17 | |
as anything when we were playing. The applause was incredible. | 0:16:17 | 0:16:20 | |
APPLAUSE AND CHEERING | 0:16:20 | 0:16:22 | |
But would Basil's idea work today? | 0:16:22 | 0:16:24 | |
This BAE Systems facility in Lancashire builds advanced aircraft | 0:16:25 | 0:16:30 | |
like the Eurofighter Typhoon. | 0:16:30 | 0:16:32 | |
But 70 years ago, Hampden | 0:16:32 | 0:16:34 | |
and Halifax bombers were flying from factories on this very site. | 0:16:34 | 0:16:38 | |
'It's precisely the kind of place that would have | 0:16:38 | 0:16:41 | |
'welcomed entertainers like this String Quartet.' | 0:16:41 | 0:16:45 | |
Well, ladies and gentlemen, thank you very much for letting us | 0:16:45 | 0:16:48 | |
interrupt your hard-earned lunch. | 0:16:48 | 0:16:50 | |
We'd like to take you back to the 1940s, | 0:16:50 | 0:16:53 | |
and your very own ENSA performance. | 0:16:53 | 0:16:56 | |
MUSIC: "Hungarian Dance No. 5" by Johannes Brahms | 0:16:56 | 0:17:00 | |
I thought it was very different from what we normally hear at dinner time, | 0:17:17 | 0:17:20 | |
coming in to the canteen, but, yeah, very impressive. | 0:17:20 | 0:17:23 | |
To come out and get something like that in your dinner hour for five | 0:17:23 | 0:17:27 | |
or 15 minutes or so, excellent, great. Great, great thing to do. | 0:17:27 | 0:17:31 | |
ENSA events created light moments | 0:17:31 | 0:17:34 | |
amongst the darkness of war for our troops and workers. | 0:17:34 | 0:17:37 | |
And we decided we should do something special for Pauline | 0:17:37 | 0:17:40 | |
to repay her efforts in the war years. | 0:17:40 | 0:17:42 | |
MUSIC: "Cello Suite No.1" by Johann Sebastian Bach | 0:17:42 | 0:17:45 | |
-Bravo! Well done! -APPLAUSE | 0:18:17 | 0:18:19 | |
From September, 1939 to March, 1946, | 0:18:21 | 0:18:26 | |
ENSA staged a staggering 2½ million live or film-based shows, | 0:18:26 | 0:18:30 | |
reaching 300 million people. | 0:18:30 | 0:18:33 | |
It was an organisation sometimes stretched, | 0:18:33 | 0:18:36 | |
leading to claims its initials really stood for "Every Night Something Awful", | 0:18:36 | 0:18:40 | |
but the effect the men and women of ENSA casts across the world | 0:18:40 | 0:18:43 | |
had on our morale is incalculable. | 0:18:43 | 0:18:46 | |
There was one piece of news everyone in Britain wanted to hear | 0:18:55 | 0:18:58 | |
throughout the war, an announcement that would change everything. | 0:18:58 | 0:19:02 | |
John Greenwood, from Manchester, recorded his wait for the news | 0:19:02 | 0:19:05 | |
as part of his contribution to the Mass Observation project. | 0:19:05 | 0:19:09 | |
A collection of almost 300,000 pages of personal diaries, | 0:19:09 | 0:19:13 | |
like John's, are held at the University of Sussex. | 0:19:13 | 0:19:16 | |
Wednesday, May 2nd, 1945. | 0:19:17 | 0:19:20 | |
The news this morning is very full of Hitler's death. | 0:19:20 | 0:19:23 | |
People are not apparently convinced. | 0:19:23 | 0:19:26 | |
Quite a number of people hope it's true, but require further evidence. | 0:19:26 | 0:19:30 | |
Monday, 7th May. | 0:19:30 | 0:19:32 | |
Excitement grew more and more. Then the evening news came in, and there | 0:19:32 | 0:19:36 | |
it was in black and white, "Germans Sign Unconditional Surrender Terms". | 0:19:36 | 0:19:41 | |
"War in Europe Ended". | 0:19:41 | 0:19:45 | |
People were putting out flags and buntings. | 0:19:45 | 0:19:47 | |
60% of the Jacks were upside down. | 0:19:47 | 0:19:49 | |
Soon after, Stan rang up asking how did I interpret the news? | 0:19:51 | 0:19:54 | |
I said I took that tomorrow and the day afterwards were public holidays. | 0:19:54 | 0:19:58 | |
He thought that the affair was falling rather flat, | 0:19:58 | 0:20:00 | |
and people did not understand what to do. | 0:20:00 | 0:20:03 | |
I said, I, at any rate, understood it to be a holiday. | 0:20:03 | 0:20:08 | |
I'm finishing my journey in Liverpool. | 0:20:12 | 0:20:14 | |
The city's strategic position on Britain's west coast made it | 0:20:14 | 0:20:17 | |
one of the most important ports in the country. | 0:20:17 | 0:20:20 | |
So when victory in Europe was finally declared, | 0:20:21 | 0:20:24 | |
as you can imagine, the people of this city embraced it warmly. | 0:20:24 | 0:20:28 | |
By May of 1945, Liverpool was a beaten-up city, | 0:20:30 | 0:20:33 | |
but it wasn't a beaten one. | 0:20:33 | 0:20:36 | |
It had suffered greatly in the war, both in casualties | 0:20:36 | 0:20:39 | |
and property damage. | 0:20:39 | 0:20:40 | |
It was harsh, it was difficult. | 0:20:40 | 0:20:42 | |
Morale was not low, but it had taken a serious battering. | 0:20:42 | 0:20:48 | |
On the afternoon of the 7th of May, 1945, | 0:20:48 | 0:20:52 | |
Germany's unconditional surrender was signed. | 0:20:52 | 0:20:55 | |
Later that day, the BBC interrupted normal programming for a short statement. | 0:20:55 | 0:21:00 | |
BELL TOLLS | 0:21:00 | 0:21:02 | |
ANNOUNCER: This is the BBC Home Service. | 0:21:02 | 0:21:05 | |
We're interrupting programmes to make the following announcement. | 0:21:05 | 0:21:09 | |
It is understood that in accordance with | 0:21:09 | 0:21:11 | |
arrangements between the three great powers, an official announcement | 0:21:11 | 0:21:15 | |
will be broadcast by the Prime Minister at 3 o'clock tomorrow. | 0:21:15 | 0:21:21 | |
Six years of bloodshed, which had seen nearly half a million | 0:21:21 | 0:21:24 | |
British lives lost, had finally come to an end. | 0:21:24 | 0:21:27 | |
Loved ones would soon be home. | 0:21:27 | 0:21:29 | |
The country would be free from the dark nights of blackouts and the constant threat of bombing. | 0:21:29 | 0:21:34 | |
Liverpudlians breathed a collective sigh of relief | 0:21:34 | 0:21:38 | |
and flocked to St George's Hall for a celebration like no other. | 0:21:38 | 0:21:42 | |
We walked into Oxford Street. Millions of people were just | 0:21:42 | 0:21:46 | |
walking down and knowing that they were going to St George's Hall. | 0:21:46 | 0:21:51 | |
And the next thing, the crowds are coming down. A man comes along, | 0:21:51 | 0:21:55 | |
he's got a frying pan with a sausage still stuck in the fat, banging it with a spoon! | 0:21:55 | 0:22:00 | |
-HE LAUGHS -This is God's truth. | 0:22:00 | 0:22:02 | |
And we went down there and the | 0:22:02 | 0:22:04 | |
excitement was just wonderful. | 0:22:04 | 0:22:07 | |
People danced with somebody else, | 0:22:07 | 0:22:08 | |
you'd turn round to somebody else, people were singing, | 0:22:08 | 0:22:11 | |
other people were banging things. It was just wonderful. | 0:22:11 | 0:22:15 | |
And the ships' sirens were going, and hooters were going. | 0:22:15 | 0:22:19 | |
It was just euphoria, it really was. | 0:22:19 | 0:22:22 | |
I do remember the Army, | 0:22:22 | 0:22:24 | |
the boys from the hospital | 0:22:24 | 0:22:26 | |
walking down from Broad Green, | 0:22:26 | 0:22:28 | |
and we had as much food | 0:22:28 | 0:22:30 | |
as we could lay our hands on, and miraculously, some did have drink. | 0:22:30 | 0:22:35 | |
But we had a little fire, | 0:22:35 | 0:22:37 | |
and the most magnificent sight of all was darkness came, | 0:22:37 | 0:22:42 | |
and everybody lit their lights, and opened the windows. | 0:22:42 | 0:22:47 | |
People were on windowsills, people were on top of buildings. | 0:22:47 | 0:22:50 | |
The police were letting people do pretty much what they liked, | 0:22:50 | 0:22:54 | |
as long as there was no damage incurred. | 0:22:54 | 0:22:56 | |
It was... | 0:22:56 | 0:22:58 | |
spontaneous singing breaking out, cheers breaking out. | 0:22:58 | 0:23:02 | |
The next day, VE Day, the Prime Minister, Winston Churchill, | 0:23:02 | 0:23:06 | |
took to the airwaves to address a hushed nation. | 0:23:06 | 0:23:10 | |
We may allow ourselves a brief period of rejoicing. | 0:23:10 | 0:23:15 | |
But let us not forget for a moment the toils and efforts that lie ahead. | 0:23:17 | 0:23:21 | |
Japan, with all her treachery and greed, remains un-subdued. | 0:23:23 | 0:23:28 | |
We must now devote all our strength | 0:23:29 | 0:23:32 | |
and resources to the completion of our task, | 0:23:32 | 0:23:36 | |
both at home and abroad. | 0:23:36 | 0:23:39 | |
Advance Britannia! CHEERING AND APPLAUSE | 0:23:39 | 0:23:42 | |
Churchill's broadcast was met with spontaneous applause. | 0:23:42 | 0:23:46 | |
VE Day saw outbreaks of complete elation and total celebration. | 0:23:46 | 0:23:51 | |
War-weary Britain was finally getting a taste of victory. | 0:23:51 | 0:23:55 | |
And, as the stories we've heard throughout this series demonstrate, | 0:23:55 | 0:23:59 | |
that victory had been achieved by the efforts | 0:23:59 | 0:24:01 | |
and sacrifices of individuals all over the country. | 0:24:01 | 0:24:04 | |
The shrapnel came through the park and went through my back. | 0:24:06 | 0:24:10 | |
He said he thought he was going to lose me, | 0:24:10 | 0:24:13 | |
and I didn't think I would live myself, so I prepared myself to die. | 0:24:13 | 0:24:19 | |
They had real steel and grit, and something that did set them aside. | 0:24:21 | 0:24:27 | |
I think they really were "The Few". | 0:24:27 | 0:24:29 | |
-I'm very proud of him. -SHE SOBS | 0:24:30 | 0:24:34 | |
Let us remember before God, and commend to his sure keeping, | 0:24:35 | 0:24:40 | |
Reginald and all those who died for their country in war. | 0:24:40 | 0:24:44 | |
She went onto the bridge which goes over the platforms, | 0:24:48 | 0:24:51 | |
and there's a huge pile of rubble and somebody said, "I'm sorry, | 0:24:51 | 0:24:54 | |
"I'm afraid Billy's under there." | 0:24:54 | 0:24:56 | |
She'd had a telegram saying he'd been killed in action. | 0:24:59 | 0:25:02 | |
And that's how we heard it. | 0:25:02 | 0:25:03 | |
That was the worst day of evacuation. | 0:25:03 | 0:25:05 | |
They had the skills, but more than that, they were rescuing | 0:25:06 | 0:25:10 | |
their own neighbours, their own friends, their own community. | 0:25:10 | 0:25:14 | |
It seemed impossible at the time... | 0:25:15 | 0:25:18 | |
..but, you know, | 0:25:20 | 0:25:22 | |
we succeeded and we showed the men a thing or two. | 0:25:22 | 0:25:27 | |
But of all the astonishing stories of sacrifice and determination | 0:25:27 | 0:25:30 | |
I've heard during this journey, | 0:25:30 | 0:25:32 | |
it's the memories of VE Day that mean so much. | 0:25:32 | 0:25:36 | |
For those actually there, VE Day marked the beginning of the end. | 0:25:36 | 0:25:40 | |
It was a day unlike any other and one they'll never forget. | 0:25:40 | 0:25:45 | |
The great day came, VE Day, Victory in Europe. | 0:25:45 | 0:25:48 | |
And I don't think I would have wanted to be anywhere else | 0:25:50 | 0:25:53 | |
but in London on that day. | 0:25:53 | 0:25:54 | |
It was fantastic - the crowds, the cheering, the flags. | 0:25:54 | 0:26:01 | |
We just went into this... | 0:26:02 | 0:26:05 | |
magic city that was alive. | 0:26:05 | 0:26:08 | |
And I've never seen so many people, anywhere. | 0:26:08 | 0:26:13 | |
And everyone was laughing | 0:26:13 | 0:26:16 | |
and doing the Lambeth Walk all along, | 0:26:16 | 0:26:21 | |
and plenty of drinks going along, and people who'd got them | 0:26:21 | 0:26:25 | |
were sharing them with others. | 0:26:25 | 0:26:27 | |
And there was bottles being passed. "Have a drink, love," | 0:26:28 | 0:26:32 | |
"You deserve it, love." | 0:26:32 | 0:26:33 | |
"Will we?" "Yes, come on, we're off duty now." | 0:26:36 | 0:26:38 | |
SHE LAUGHS | 0:26:38 | 0:26:40 | |
We were singing songs and shouting, | 0:26:41 | 0:26:45 | |
and just generally tremendous excitement, really. | 0:26:45 | 0:26:49 | |
And then, eventually, gradually, we all worked our way down to the beach, | 0:26:49 | 0:26:54 | |
and I regret to say we burnt the deckchairs! | 0:26:54 | 0:26:57 | |
SHE LAUGHS | 0:26:57 | 0:26:59 | |
We had a great big singsong, and we walked along to Downing Street, | 0:26:59 | 0:27:03 | |
cos we heard Churchill was there, and waiting till he came out, | 0:27:03 | 0:27:08 | |
and then a group of us were quite near his car, so when he got in, | 0:27:08 | 0:27:13 | |
we clambered on the back, and we had a ride down to Buckingham Palace. | 0:27:13 | 0:27:19 | |
I managed to get right to the front... | 0:27:20 | 0:27:23 | |
..of where the railings are, and so, | 0:27:25 | 0:27:29 | |
all the shouting and cheering, "We want the King! We want the King!" | 0:27:29 | 0:27:35 | |
Flags were flying and the Royal Family all came out on the balcony, | 0:27:36 | 0:27:40 | |
and you stood there, and cheered until they came out again. | 0:27:40 | 0:27:45 | |
And you felt proud to be British. | 0:27:45 | 0:27:46 | |
CHEERING AND APPLAUSE | 0:27:46 | 0:27:48 | |
The King stepped back and brought out Churchill. | 0:27:48 | 0:27:52 | |
And the crowd went mad. | 0:27:52 | 0:27:53 | |
We were selected to illuminate St Paul's Cathedral on VE night. | 0:27:55 | 0:28:01 | |
And we never, ever thought that the picture that has been famous since... | 0:28:01 | 0:28:07 | |
we were part of it, that night. | 0:28:07 | 0:28:09 |