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September 3rd, 1939, and families all over the country | 0:00:02 | 0:00:04 | |
flock to their radios... | 0:00:04 | 0:00:06 | |
'I have to tell you now that no such undertaking has been received | 0:00:06 | 0:00:09 | |
'and that consequently this country is at war with Germany...' | 0:00:09 | 0:00:15 | |
In that brief moment, life in our country changed for ever. | 0:00:17 | 0:00:21 | |
World War II had begun, but victory wouldn't be assured | 0:00:21 | 0:00:24 | |
by military might alone. | 0:00:24 | 0:00:26 | |
The Blitz, evacuation, rationing, the loss of loved ones - | 0:00:26 | 0:00:31 | |
the war on the home front meant that everyone had to do their bit. | 0:00:31 | 0:00:34 | |
From the country's women who took on everything, farming, | 0:00:36 | 0:00:39 | |
factory work, even flying Spitfires, | 0:00:39 | 0:00:41 | |
to the nation's auxiliary firemen | 0:00:41 | 0:00:44 | |
who worked through the terror of countless air raids. | 0:00:44 | 0:00:46 | |
This is the story of ordinary people doing extraordinary things. | 0:00:46 | 0:00:51 | |
This is How We Won The War. | 0:00:51 | 0:00:53 | |
Today, I'm crossing over the River Severn into Wales. | 0:01:01 | 0:01:05 | |
This small nation is famed for its striking and rugged landscape | 0:01:05 | 0:01:08 | |
and the warm welcome it affords visitors, | 0:01:08 | 0:01:11 | |
but there's more to Wales than meets the eye. | 0:01:11 | 0:01:13 | |
On today's programme, I'll be discovering how women of the Women's Auxiliary Air Force | 0:01:13 | 0:01:18 | |
took control of the barrage balloons protecting the skies above Cardiff... | 0:01:18 | 0:01:22 | |
It was a rough, tough life for a woman. | 0:01:22 | 0:01:26 | |
..taking a London evacuee back to the home | 0:01:27 | 0:01:29 | |
that kept him safe throughout the war... | 0:01:29 | 0:01:32 | |
We went through that door, and that became, from that minute, home. | 0:01:32 | 0:01:37 | |
..and exploring the site of one of the war's most daring escapes. | 0:01:37 | 0:01:42 | |
The British guards, guarding this very camp, | 0:01:42 | 0:01:44 | |
gave the prisoners, the escaped prisoners, a push start. | 0:01:44 | 0:01:47 | |
Wales did more than its fair share during the war. | 0:01:58 | 0:02:01 | |
Its coal fields kept industry and transport running. | 0:02:03 | 0:02:06 | |
Personalities like Dylan Thomas got involved in the propaganda battle. | 0:02:06 | 0:02:10 | |
It's even thought that the Welsh language was used | 0:02:10 | 0:02:13 | |
to encode secret messages and fool the enemy. | 0:02:13 | 0:02:16 | |
Wartime Wales was full of secrets and surprises. | 0:02:16 | 0:02:20 | |
'Defending a city the size of Cardiff would prove difficult, | 0:02:23 | 0:02:26 | |
'but one solution was the use of barrage balloons. | 0:02:26 | 0:02:30 | |
'By 1940, there were some 1400 | 0:02:30 | 0:02:33 | |
'that had been deployed at strategic sites up and down the country | 0:02:33 | 0:02:36 | |
'Here in Cardiff, they proved to be an important part of the city's air defences.' | 0:02:36 | 0:02:41 | |
-I'm looking forward to seeing the view up here, Peter. -It's fantastic. | 0:02:41 | 0:02:44 | |
'Peter Garwood, barrage balloon historian, | 0:02:44 | 0:02:46 | |
'has brought me to Cardiff Castle for a birds' eye view of the city.' | 0:02:46 | 0:02:51 | |
Now for anybody not familiar with a barrage balloon, | 0:02:51 | 0:02:53 | |
just describe it, and tell us how they worked. | 0:02:53 | 0:02:56 | |
Right. It's a bag of hydrogen gas, 65 foot long, 25 foot in diameter, | 0:02:56 | 0:03:01 | |
with three big lobes on the back to stabilise it when it was flying, | 0:03:01 | 0:03:05 | |
and then you had a cable which ran from the bottom of the balloon | 0:03:05 | 0:03:09 | |
to a winch on the ground, | 0:03:09 | 0:03:11 | |
and it was then flown up to around 6,000, 7,000 foot. | 0:03:11 | 0:03:15 | |
Longer than two London buses, | 0:03:15 | 0:03:17 | |
the balloons would force the Luftwaffe to fly high in the sky, | 0:03:17 | 0:03:20 | |
taking them into the range of anti-aircraft fire, | 0:03:20 | 0:03:23 | |
and leaving them unable to dive-bomb and drop their payloads accurately. | 0:03:23 | 0:03:28 | |
For a German pilot, the looming inflatables could be lethal. | 0:03:28 | 0:03:33 | |
The cables were equipped with either two parachutes or a parachute and a bomb attached. | 0:03:33 | 0:03:38 | |
Planes would either be dragged out of the sky or blown up. | 0:03:38 | 0:03:41 | |
We had pilots who would deliberately fly into cables | 0:03:43 | 0:03:46 | |
to test out the parachute systems or the parachute with a bomb system, | 0:03:46 | 0:03:51 | |
and even cable cutters. We had pilots who would do that. | 0:03:51 | 0:03:55 | |
I mean, I think they were crazy, but they all survived. | 0:03:55 | 0:03:58 | |
Were there any stationed here within the castle? | 0:03:58 | 0:04:01 | |
Yes. Over here you can have a little look at the castle lawn, | 0:04:01 | 0:04:05 | |
and there's a very famous picture of a balloon on this green here. | 0:04:05 | 0:04:10 | |
Maintaining and launching balloons was originally a man's job. | 0:04:11 | 0:04:16 | |
But after a successful trial, the work was undertaken by members | 0:04:16 | 0:04:19 | |
of the Women's Auxiliary Air Force too. | 0:04:19 | 0:04:21 | |
Hazel Barrow was one of the balloon operators | 0:04:23 | 0:04:25 | |
stationed at Cardiff Castle. | 0:04:25 | 0:04:28 | |
Her father, a Royal Marine, wasn't best pleased | 0:04:28 | 0:04:30 | |
when his daughter chose to join the WAAF | 0:04:30 | 0:04:32 | |
over the Women's Royal Naval Service. | 0:04:32 | 0:04:35 | |
He was so cross. He said "I don't know why you joined the air force". | 0:04:35 | 0:04:38 | |
I said, "I joined because my fiance was in the air force | 0:04:38 | 0:04:42 | |
"and that's why I wanted to go into it. | 0:04:42 | 0:04:45 | |
And I liked the colour of the uniform. | 0:04:45 | 0:04:47 | |
I've got blue eyes and it went with my eyes, you see, so that was it. | 0:04:47 | 0:04:54 | |
I was absolutely elated when I joined. | 0:04:55 | 0:04:58 | |
I didn't know what hard work I was in for. | 0:04:58 | 0:05:01 | |
I didn't know what life on a balloon site was going to be. | 0:05:01 | 0:05:05 | |
It was a rough, tough life for a woman. | 0:05:05 | 0:05:08 | |
Women were split into pairs | 0:05:10 | 0:05:12 | |
to operate the various parts of equipment. | 0:05:12 | 0:05:14 | |
I used to love being in the winch. | 0:05:14 | 0:05:17 | |
I used to love paying out a cable | 0:05:17 | 0:05:21 | |
and sending the balloon up in the air, you know. | 0:05:21 | 0:05:24 | |
The surroundings at the castle were glorious, | 0:05:25 | 0:05:27 | |
but the work was anything but. To stop them flying away, | 0:05:27 | 0:05:31 | |
each balloon was tethered to concrete blocks weighing up to a tonne each. | 0:05:31 | 0:05:35 | |
The work was physically demanding, no two ways about it. | 0:05:35 | 0:05:40 | |
The fact that you were on these for two solid hours, | 0:05:40 | 0:05:44 | |
and the wind was always changing, like it does here, you know, | 0:05:44 | 0:05:49 | |
and you were constantly dragging these blinking concrete blocks. | 0:05:49 | 0:05:53 | |
Manoeuvring the massive inflatables was tough work, and dangerous too. | 0:05:53 | 0:05:58 | |
Quite a lot of ladies injured themselves with balloons | 0:05:58 | 0:06:01 | |
because, imagine, there was a balloon going up on a cable, | 0:06:01 | 0:06:03 | |
there'd be stray rope, catch around your leg, | 0:06:03 | 0:06:05 | |
break your leg, break your arm, take your finger off. | 0:06:05 | 0:06:09 | |
There were a few incidents where the balloon might go up, | 0:06:09 | 0:06:12 | |
and some of the WAAFs were known to have hung on for grim death, | 0:06:12 | 0:06:16 | |
and ended up 20 or 30 foot in the air. | 0:06:16 | 0:06:19 | |
If they fell, they were injured. | 0:06:19 | 0:06:20 | |
The balloon operators faced another peril from the skies. | 0:06:20 | 0:06:24 | |
The sight of balloons would help highlight potential targets for German pilots. | 0:06:24 | 0:06:29 | |
If it just so happened that a balloon popped up out of the clouds, | 0:06:29 | 0:06:33 | |
he would be thinking that, quite potentially, there must be a target down there. | 0:06:33 | 0:06:37 | |
As a consequence, he would jettison his bombs as near as he could. | 0:06:37 | 0:06:42 | |
In May 1943, in the last big air raid on Cardiff Docks, | 0:06:42 | 0:06:47 | |
a bomb would claim the lives of three female balloon operators. | 0:06:47 | 0:06:51 | |
Across the country, brave men and women had put themselves in danger, | 0:06:51 | 0:06:56 | |
wrestling with the balloons day and night to defend our skies. | 0:06:56 | 0:06:59 | |
The psychological effect for the Luftwaffe, | 0:06:59 | 0:07:03 | |
the psychological benefit for the public, seeing these things | 0:07:03 | 0:07:07 | |
flying in the sky around their cities, was incalculable. | 0:07:07 | 0:07:11 | |
Before I joined up, I worked in a large drapery store | 0:07:11 | 0:07:14 | |
and I had no idea that I was going to be able to do this sort of thing. | 0:07:14 | 0:07:19 | |
I was proud of what I did. | 0:07:21 | 0:07:22 | |
'In the roaring cauldrons of the Swansea valley, | 0:07:30 | 0:07:32 | |
'in the stamp and clutter and glare of the black and red works, | 0:07:32 | 0:07:37 | |
'where the fires never go out, | 0:07:37 | 0:07:39 | |
'they fight with blinding, blazing rods and piston rams.' | 0:07:39 | 0:07:42 | |
Dylan Thomas' 1942 script for the film, | 0:07:42 | 0:07:44 | |
Wales: Green Mountain, Black Mountain may have been propaganda, | 0:07:44 | 0:07:49 | |
but it spoke of the country's industrial strength, | 0:07:49 | 0:07:52 | |
so important to our war effort. | 0:07:52 | 0:07:55 | |
Coal was central to our manufacturing. | 0:07:55 | 0:07:58 | |
We relied on it to produce everything from boats to bombs | 0:07:58 | 0:08:02 | |
to bullets. You name it, demand was enormous. | 0:08:02 | 0:08:04 | |
And here in South Wales, they produced some of the world's best. | 0:08:04 | 0:08:09 | |
I've come to the Big Pit, the National Coal Museum in Blaenavon, | 0:08:09 | 0:08:12 | |
to hear more about one unusual group of conscripts. | 0:08:12 | 0:08:15 | |
They'd help power the nation's war machine, not on the frontlines, | 0:08:15 | 0:08:20 | |
but down the mines. Former miner, Ceri Thompson, | 0:08:20 | 0:08:23 | |
has offered to take me underground. | 0:08:23 | 0:08:25 | |
I mean, it's impossible to overstate the importance of coal. | 0:08:25 | 0:08:29 | |
It was highly important in our time, | 0:08:29 | 0:08:31 | |
because warfare was such a mechanised thing. | 0:08:31 | 0:08:33 | |
the shipping, tanks, guns, you know, made of steel. | 0:08:33 | 0:08:36 | |
Everything come from coal originally. | 0:08:36 | 0:08:38 | |
By the summer of 1943, 36,000 men had left the coal industry. | 0:08:38 | 0:08:45 | |
Britain was facing a coal shortage | 0:08:45 | 0:08:47 | |
and more manpower was required, fast. | 0:08:47 | 0:08:50 | |
Ernie Bevin, Minister of Employment, | 0:08:50 | 0:08:53 | |
he decides that they would take a certain percentage of the conscripts | 0:08:53 | 0:08:57 | |
and put them into the coal mines, not into the armed forces. | 0:08:57 | 0:09:01 | |
Whether you ended up in the forces or the mines was a real lottery. | 0:09:01 | 0:09:05 | |
It's said Bevin's secretary originally picked conscription numbers out of his hat. | 0:09:05 | 0:09:11 | |
Warwick Taylor was 18, and had set his sights on joining the RAF | 0:09:11 | 0:09:15 | |
when his number came up. | 0:09:15 | 0:09:16 | |
Chap at the Ministry of Labour said, "Hard luck, chum, | 0:09:16 | 0:09:19 | |
"you're going in the mines." I said, "Oh, no, I'm not, | 0:09:19 | 0:09:22 | |
"I'm going to the Royal Air Force. Already trained for it. | 0:09:22 | 0:09:24 | |
He said, "You've been balloted to go in the mines." | 0:09:24 | 0:09:27 | |
These people didn't come from the valleys, | 0:09:27 | 0:09:30 | |
they came from places like Hampshire, Essex, | 0:09:30 | 0:09:32 | |
all over the place, you know, never even seen a coal mine. | 0:09:32 | 0:09:35 | |
Named after the Minister of Employment, | 0:09:35 | 0:09:38 | |
over 48,000 Bevin Boys would be recruited between 1943 and 1948. | 0:09:38 | 0:09:44 | |
They were given four weeks' training before being sent down the mines. | 0:09:44 | 0:09:49 | |
Across the country, young lads who'd dreamt of fighting | 0:09:49 | 0:09:52 | |
on the frontlines suddenly found themselves plunging into the darkness of the nation's mines. | 0:09:52 | 0:09:57 | |
If one's going to get a taste of what an inexperienced Bevin boy, | 0:09:59 | 0:10:03 | |
which would probably be someone like me, | 0:10:03 | 0:10:05 | |
would have to get to grips with, | 0:10:05 | 0:10:07 | |
-this is the perfect place to come, isn't it? -Yeah. | 0:10:07 | 0:10:10 | |
My goodness. | 0:10:13 | 0:10:15 | |
'With the more experienced miners tackling the job | 0:10:15 | 0:10:18 | |
'of actually harvesting the coal, | 0:10:18 | 0:10:19 | |
'most Bevin Boys would carry out the tough work | 0:10:19 | 0:10:22 | |
'of transporting it to the surface.' | 0:10:22 | 0:10:24 | |
A lot of the Bevin boys who came in would have been doing | 0:10:24 | 0:10:27 | |
the labouring jobs, working round the pit bottom area, | 0:10:27 | 0:10:31 | |
the transport systems of the mine. | 0:10:31 | 0:10:33 | |
They'd had to be taught how to stop drams with pieces of wood. | 0:10:33 | 0:10:36 | |
So these drams, these are the carts carrying the coal out? | 0:10:36 | 0:10:38 | |
Yeah. They hold about a ton and a half, two tons. | 0:10:38 | 0:10:41 | |
The wheel is going round there, so if you put it in there, | 0:10:41 | 0:10:45 | |
it comes round there and stops it. | 0:10:45 | 0:10:48 | |
So one of the first things they'd be taught how to do is that. | 0:10:48 | 0:10:51 | |
After a couple of weeks, they'd be throwing them in. | 0:10:51 | 0:10:56 | |
But of course, make a mistake, you'd lose a finger. | 0:10:56 | 0:11:00 | |
It would be a lonely and grim job for the young lads. | 0:11:00 | 0:11:03 | |
But a lot of Bevin boys, of course, | 0:11:03 | 0:11:05 | |
would have been ones or twos in places like this all day. | 0:11:05 | 0:11:08 | |
Perhaps freezing cold or boiling hot, | 0:11:08 | 0:11:10 | |
-according to where they were in the mine. -Just shovelling? | 0:11:10 | 0:11:13 | |
Shovelling all day. And it'd be damp down here, water down here. | 0:11:13 | 0:11:16 | |
Rats running under your feet. It's not that pleasant a place at all. | 0:11:16 | 0:11:21 | |
After only three weeks working underground, | 0:11:21 | 0:11:23 | |
the dank conditions took their toll on Warwick | 0:11:23 | 0:11:26 | |
when he was struck down with double pneumonia. | 0:11:26 | 0:11:29 | |
By the time I got to Newport Hospital, I was actually unconscious. | 0:11:29 | 0:11:32 | |
Consultant saw me, one million units of penicillin | 0:11:32 | 0:11:36 | |
every eight hours for a week. | 0:11:36 | 0:11:39 | |
And that saved my life. Temperature was 106.7. | 0:11:39 | 0:11:43 | |
I came round and found my parents sitting by my bedside. | 0:11:43 | 0:11:46 | |
But it didn't get me out of the mines. | 0:11:46 | 0:11:48 | |
After three months spent working outdoors as an electrician | 0:11:48 | 0:11:51 | |
at an army gun site, Warwick passed a medical | 0:11:51 | 0:11:55 | |
and was sent back down the mines. | 0:11:55 | 0:11:57 | |
At the time you think, I just want to get out of here, that's it. | 0:11:57 | 0:12:00 | |
You know, I shouldn't be here. | 0:12:00 | 0:12:01 | |
Life threatening illnesses and hard labour | 0:12:01 | 0:12:05 | |
weren't all the army of Bevin boys had to put up with. | 0:12:05 | 0:12:08 | |
A favourite trick down here in Wales was with the pit ponies. | 0:12:08 | 0:12:13 | |
Right, they used to think, we'll have fun and games with these lads. | 0:12:13 | 0:12:17 | |
Get Warwick here and Charlie over there to work with the pit pony. | 0:12:17 | 0:12:21 | |
And we said, "Come on, get up, come on, come on." | 0:12:21 | 0:12:26 | |
Pony wouldn't move. | 0:12:26 | 0:12:27 | |
Course, the miners would be standing back laughing their heads off. | 0:12:27 | 0:12:31 | |
Only understood the commands in Welsh! | 0:12:31 | 0:12:34 | |
But those miners, if you were in trouble underground, | 0:12:37 | 0:12:39 | |
or in danger, they would be there to help you, no question. | 0:12:39 | 0:12:43 | |
The fuel Bevin Boys and miners produced during the war was crucial | 0:12:43 | 0:12:48 | |
in keeping the nation running, | 0:12:48 | 0:12:50 | |
and ensuring our factories could supply our troops. | 0:12:50 | 0:12:53 | |
We feel we did our bit to help the nation at the time. 48,000 of us. | 0:12:53 | 0:12:57 | |
It was absolutely vital. If we hadn't produced that coal, it would have gone under. | 0:12:57 | 0:13:01 | |
They didn't want to do it, they were conscripted, but they did it. | 0:13:01 | 0:13:05 | |
And the majority of them did it very well, and they stuck it out. | 0:13:05 | 0:13:08 | |
-Yeah. -So I think we can be very proud of them. | 0:13:08 | 0:13:10 | |
Soldiers returning from war would receive medals and heroes' welcomes, | 0:13:10 | 0:13:15 | |
but despite their contribution being just as important, | 0:13:15 | 0:13:19 | |
the boys sent down the mines got nothing. | 0:13:19 | 0:13:21 | |
Many Bevin Boys have mixed feelings about their experiences, | 0:13:23 | 0:13:27 | |
and when you remember that they were forced to do one of the toughest jobs | 0:13:27 | 0:13:31 | |
that wartime Britain had to offer, it's easy to see why. | 0:13:31 | 0:13:34 | |
They often see themselves as forgotten heroes, | 0:13:34 | 0:13:36 | |
but without them and their backbreaking efforts, | 0:13:36 | 0:13:39 | |
there's a very good chance that the nation's industry | 0:13:39 | 0:13:42 | |
would have come to a grinding halt. | 0:13:42 | 0:13:44 | |
From Blaenavon, I'm heading further into South Wales | 0:13:47 | 0:13:50 | |
to a site just outside Bridgend. | 0:13:50 | 0:13:52 | |
On the face of it, | 0:13:53 | 0:13:54 | |
this unremarkable-looking bit of heathland | 0:13:54 | 0:13:57 | |
looks like the sort of thing you'd find anywhere in the country, | 0:13:57 | 0:14:00 | |
but hidden away under the trees and the scrub are the remains | 0:14:00 | 0:14:04 | |
of Britain's most notorious prisoner of war camp. | 0:14:04 | 0:14:06 | |
This was Island Farm. | 0:14:06 | 0:14:08 | |
Local Historian Brett Exton is giving me a guided tour. | 0:14:11 | 0:14:15 | |
It was built in 1938, '39 to house the ammunition factory workers, | 0:14:17 | 0:14:22 | |
then it was used by the Americans prior to D-Day, | 0:14:22 | 0:14:24 | |
and it was in the end of 1944 | 0:14:24 | 0:14:27 | |
that it was used to house the low-ranking German prisoners. | 0:14:27 | 0:14:31 | |
It was called Camp 198 at that point. | 0:14:31 | 0:14:34 | |
Prisoners would often be allowed out of the camp on escorted walks, | 0:14:34 | 0:14:38 | |
leading to encounters with locals. | 0:14:38 | 0:14:41 | |
David James' mother told him stories about meeting Island Farm POWs. | 0:14:41 | 0:14:45 | |
They would often stop and break rank | 0:14:47 | 0:14:49 | |
and come into the garden in the front of the house | 0:14:49 | 0:14:52 | |
and tell my mother they had daughters or sons back home, | 0:14:52 | 0:14:57 | |
they didn't know if they were still there or not, | 0:14:57 | 0:15:00 | |
and they would leave sweets and chocolates | 0:15:00 | 0:15:02 | |
in the pram for my sister. | 0:15:02 | 0:15:04 | |
What did the locals make | 0:15:04 | 0:15:06 | |
of having all these enemy prisoners dumped on them? | 0:15:06 | 0:15:10 | |
There was always the threat of invasion into the UK, | 0:15:10 | 0:15:12 | |
so to suddenly have 2,000 prisoners in close proximity | 0:15:12 | 0:15:16 | |
to your home town must have really made it real. | 0:15:16 | 0:15:19 | |
Across the country, | 0:15:19 | 0:15:20 | |
people would find themselves face to face with prisoners of war. | 0:15:20 | 0:15:24 | |
In Monmouthshire, the sight of POWs had a marked impact | 0:15:24 | 0:15:28 | |
on teacher, Mary Collins. | 0:15:28 | 0:15:30 | |
She recorded her thoughts as part of the Mass Observation Project, | 0:15:30 | 0:15:34 | |
an archive of personal writings held at the University of Sussex. | 0:15:34 | 0:15:38 | |
"Saturday Nov 17th, 1944. | 0:15:39 | 0:15:43 | |
"Some 400 German prisoners of war went up through the town. | 0:15:43 | 0:15:49 | |
"They did look a sorry lot in their dreary green-grey uniforms. | 0:15:49 | 0:15:54 | |
"They were all ages. Young, blonde specimens looking about 16 | 0:15:54 | 0:15:59 | |
"and stooping men looking more like 60. | 0:15:59 | 0:16:03 | |
"I think the sight of prisoners | 0:16:03 | 0:16:05 | |
"affects me more deeply than any other side of war. | 0:16:05 | 0:16:10 | |
"It offends my very strong love of personal liberty | 0:16:10 | 0:16:14 | |
"and brings home the futility of warfare. | 0:16:14 | 0:16:17 | |
"I said, 'Oh, the dreariness of it all' and one woman said, | 0:16:17 | 0:16:21 | |
"'Oh, but Mrs Collins, I hate them so'. | 0:16:21 | 0:16:26 | |
"She is mothering a son lost on operations | 0:16:26 | 0:16:29 | |
"so I could not tell her that was an unintelligent outlook." | 0:16:29 | 0:16:32 | |
POWs had been arriving at Island Farm since November 1944, | 0:16:34 | 0:16:39 | |
and they'd been busy. | 0:16:39 | 0:16:41 | |
There is this great secret about Island Farm, | 0:16:41 | 0:16:45 | |
and that is, well, the great escape. | 0:16:45 | 0:16:47 | |
The biggest escape from any prisoner of war camp in Great Britain. | 0:16:47 | 0:16:50 | |
Come on, let's have a look inside. | 0:16:50 | 0:16:52 | |
Pretty stark conditions, weren't they, really, for these guys? | 0:16:54 | 0:16:58 | |
It's starting to show the signs of age now, | 0:16:58 | 0:17:00 | |
the plaster's starting to fall off. | 0:17:00 | 0:17:03 | |
On the night of the 10th of March, 1945, | 0:17:03 | 0:17:06 | |
POWs made a daring break for freedom, | 0:17:06 | 0:17:09 | |
crawling through a tunnel they'd dug. | 0:17:09 | 0:17:11 | |
Because of a rare bat colony, | 0:17:11 | 0:17:13 | |
we can't access the actual room where the tunnel started, | 0:17:13 | 0:17:16 | |
so Brett's taken me to one which has the same layout. | 0:17:16 | 0:17:20 | |
And wasn't there a big picture on the wall? | 0:17:20 | 0:17:22 | |
Yeah, there's a lady. It's obviously been drawn by one of the prisoners. | 0:17:22 | 0:17:26 | |
It's a distraction picture, it is. | 0:17:26 | 0:17:27 | |
So the guards would come in and look up... | 0:17:27 | 0:17:30 | |
Yeah, some scantily-clad lady in the room, | 0:17:30 | 0:17:33 | |
probably wouldn't pay much attention to the floor. | 0:17:33 | 0:17:35 | |
As another distraction, | 0:17:35 | 0:17:37 | |
the prisoners would throw paper aeroplanes out their windows. | 0:17:37 | 0:17:40 | |
Guards, worried they contained messages, | 0:17:40 | 0:17:43 | |
would spend hours searching for them, | 0:17:43 | 0:17:45 | |
only to find in most cases that they were blank. | 0:17:45 | 0:17:48 | |
With loud singing covering the noise of covert digging, | 0:17:48 | 0:17:51 | |
slowly, but surely, the tunnel was taking shape. | 0:17:51 | 0:17:53 | |
But what did they do with all the soil? | 0:17:53 | 0:17:56 | |
Well, that's very ingenious because when they arrived at the camp, | 0:17:56 | 0:17:59 | |
they found materials still left over. | 0:17:59 | 0:18:01 | |
They must have squirreled away a piece of plasterboard, | 0:18:01 | 0:18:04 | |
and they fastened it on to the end of a wall that already existed, | 0:18:04 | 0:18:07 | |
extending it by a couple of feet, making a false cavity. | 0:18:07 | 0:18:11 | |
But they didn't have any nails or any screws | 0:18:11 | 0:18:13 | |
so they made up some porridge, | 0:18:13 | 0:18:15 | |
and it must have been one heck of a strong brew of porridge, | 0:18:15 | 0:18:18 | |
because it stood the test of time. The wall didn't actually collapse until the '80s, | 0:18:18 | 0:18:23 | |
and then it revealed the secret | 0:18:23 | 0:18:24 | |
of where the soil had been hid all these years. | 0:18:24 | 0:18:27 | |
At 10pm, the escape started. | 0:18:28 | 0:18:30 | |
Well prepared, the prisoners lined the tunnel with old clothes | 0:18:30 | 0:18:34 | |
to stop them getting muddy. | 0:18:34 | 0:18:36 | |
Curry powder was sprinkled around the edge of the perimeter | 0:18:36 | 0:18:39 | |
so guard dogs would be unable to pick up their scent. | 0:18:39 | 0:18:42 | |
Seventy got through the tunnel. | 0:18:42 | 0:18:43 | |
When the seventieth prisoner got out of the tunnel, | 0:18:43 | 0:18:46 | |
he wasn't appropriately dressed, he'd gate-crashed the escape. | 0:18:46 | 0:18:50 | |
He had a white kit bag, so as he exited the tunnel, | 0:18:50 | 0:18:53 | |
one of the guards saw him. | 0:18:53 | 0:18:56 | |
Actually shot him and he received hospital treatment for gunshot wounds in the local hospital. | 0:18:56 | 0:19:01 | |
But at that point, seventy had got out through the tunnel exit. | 0:19:01 | 0:19:05 | |
The prisoners would get help from an unexpected source | 0:19:05 | 0:19:07 | |
when they came across a car like this one | 0:19:07 | 0:19:10 | |
belonging to the local doctor. | 0:19:10 | 0:19:12 | |
They were pushing the car up the road, trying to get it started, | 0:19:12 | 0:19:15 | |
but coming down the other way was some guards, | 0:19:15 | 0:19:17 | |
coming back to this very camp, spotted them in trouble, | 0:19:17 | 0:19:20 | |
but mistook them for Norwegians, so they said to the Germans, | 0:19:20 | 0:19:23 | |
"If you get in the car, we'll give you a bump start", | 0:19:23 | 0:19:26 | |
so the British guards who were guarding this very camp, | 0:19:26 | 0:19:29 | |
gave the prisoners, the escaped prisoners, a push start. | 0:19:29 | 0:19:31 | |
The town was on high alert as the prisoners scrambled to freedom, | 0:19:33 | 0:19:38 | |
but not everyone was in a hurry to help track them down. | 0:19:38 | 0:19:41 | |
The Home Guard Sergeant rushed down to me and he said, | 0:19:41 | 0:19:44 | |
"Ivor, get your uniform on." I said, "What's the matter, Dai?", | 0:19:44 | 0:19:47 | |
"Oh, the prisoners of war have busted out." | 0:19:47 | 0:19:49 | |
And I said to him, "I couldn't care two hoots if the bloody whole German army was out, | 0:19:49 | 0:19:54 | |
"I'm going up Langerworth for a walk." But I said, | 0:19:54 | 0:19:56 | |
"I'll tell you what I'll do, if I find them, I'll let you know". | 0:19:56 | 0:19:59 | |
Which incidentally is exactly what happened! | 0:19:59 | 0:20:02 | |
And how long were they on the run for? | 0:20:02 | 0:20:04 | |
All were recaptured in a week. | 0:20:04 | 0:20:06 | |
Obviously some were captured within a couple of hours, | 0:20:06 | 0:20:10 | |
some within a couple of days, but the last were within the week. | 0:20:10 | 0:20:13 | |
In November 1945, Camp 198 became Special Camp 11. | 0:20:13 | 0:20:19 | |
It would hold some of the leading members of the Wehrmacht, | 0:20:19 | 0:20:22 | |
Germany's armed forces, who would later stand trial at Nuremberg. | 0:20:22 | 0:20:27 | |
Today, the buildings lie derelict, | 0:20:27 | 0:20:29 | |
with little trace of their exciting and dramatic past. | 0:20:29 | 0:20:32 | |
Prior to the outbreak of war, a different kind of escape plan | 0:20:37 | 0:20:41 | |
was being drawn up, one which would save young lives. | 0:20:41 | 0:20:45 | |
With predictions of four million civilian deaths in London alone, | 0:20:45 | 0:20:50 | |
the Government came up with Operation Pied Piper, | 0:20:50 | 0:20:53 | |
a plan to evacuate around 3.5 million children to the countryside. | 0:20:53 | 0:20:58 | |
James Roffey was eight years old and living in London, when, | 0:20:58 | 0:21:02 | |
in 1939, he and his sister, Jean, brought letters home from school | 0:21:02 | 0:21:06 | |
to inform their parents they'd be leaving them to live with strangers. | 0:21:06 | 0:21:11 | |
My father, he'd been a soldier in the First World War. | 0:21:11 | 0:21:14 | |
He opened the letters and I remember clearly his words were, | 0:21:14 | 0:21:18 | |
"They told us we were fighting the wars to end all wars, | 0:21:18 | 0:21:25 | |
"but it's all starting again. They'll have to go." | 0:21:25 | 0:21:29 | |
On the 31st of August, 1939, | 0:21:29 | 0:21:32 | |
the order to start the evacuation was given. | 0:21:32 | 0:21:36 | |
In train stations across the country, | 0:21:36 | 0:21:39 | |
tiny hands clutched small suitcases | 0:21:39 | 0:21:41 | |
as children prepared to leave their mums and dads. | 0:21:41 | 0:21:43 | |
Strict rules were laid down as to what children could take with them, | 0:21:43 | 0:21:47 | |
one being a ban on hand-held toys. | 0:21:47 | 0:21:49 | |
Although iconic images show children with soft toys and dollies | 0:21:49 | 0:21:53 | |
crammed into train carriages, the reality was different. | 0:21:53 | 0:21:57 | |
They were all provided by the newspaper reporters. | 0:21:57 | 0:22:01 | |
They would hand the toys up to the children, | 0:22:01 | 0:22:03 | |
"Now hold these while I take your photograph", | 0:22:03 | 0:22:07 | |
take the photograph, take the doll and the teddy bear away. | 0:22:07 | 0:22:10 | |
Parents were kept in the dark as to where their children were being sent. | 0:22:10 | 0:22:15 | |
The railway staff were under strict orders. | 0:22:15 | 0:22:19 | |
"Do not tell the parents the destination of these evacuee trains." | 0:22:19 | 0:22:25 | |
Just like their parents, London-born eight-year-old, Jim Wright, | 0:22:25 | 0:22:30 | |
and his brother Jack had no idea where they'd arrived | 0:22:30 | 0:22:33 | |
when their train pulled in at a platform. | 0:22:33 | 0:22:35 | |
I always remember Jack, who was two years older than me, | 0:22:35 | 0:22:38 | |
he held my hand and he says, "Where are we?" | 0:22:38 | 0:22:41 | |
I said, "I don't know." Nobody knew. The teachers didn't know. | 0:22:41 | 0:22:45 | |
Then you looked at the view. | 0:22:45 | 0:22:46 | |
The train moved out, and I'd never seen one of them in my life. | 0:22:46 | 0:22:49 | |
-All the hills... -The biggest mountain I'd ever seen | 0:22:49 | 0:22:52 | |
was the sand dune on Wanstead flats. I'd never seen one of those! | 0:22:52 | 0:22:55 | |
Jim and Jack would later discover they'd arrived | 0:22:55 | 0:22:59 | |
in the village of Llanhilleth, just two of the 110,000 children | 0:22:59 | 0:23:03 | |
evacuated to Wales over the course of the war. | 0:23:03 | 0:23:06 | |
After leaving the station, | 0:23:06 | 0:23:08 | |
the two brothers were taken with other children to Cae Felin Street. | 0:23:08 | 0:23:12 | |
Today, Jim's returned. | 0:23:12 | 0:23:15 | |
Each door was open and it was full of people. | 0:23:15 | 0:23:19 | |
And we started back there. | 0:23:19 | 0:23:21 | |
And we started to come down with the billeting officers | 0:23:21 | 0:23:24 | |
and our teachers, and every so often we would stop, | 0:23:24 | 0:23:27 | |
the billeting officer would either go this side or to that side, | 0:23:27 | 0:23:31 | |
and say to whoever the householder was, | 0:23:31 | 0:23:33 | |
"You're down for a boy or a girl". "Yes." "These are yours". | 0:23:33 | 0:23:37 | |
so they went, and, right, carry on. | 0:23:37 | 0:23:39 | |
So were you scared? | 0:23:39 | 0:23:41 | |
Scared, apprehensive, excited, nervous. | 0:23:41 | 0:23:46 | |
But I had my big brother Jack with me, | 0:23:46 | 0:23:49 | |
so I wasn't too scared, cos I knew he'd... | 0:23:49 | 0:23:52 | |
The instructions from Dad was, "You look after Jim". | 0:23:52 | 0:23:55 | |
And we came, and then, "Halt." | 0:23:55 | 0:23:58 | |
We all stood round like sheep in the pen, | 0:23:58 | 0:24:01 | |
and the billeting officer went over and said "Mrs Carter, | 0:24:01 | 0:24:04 | |
"I believe you're down for one boy". | 0:24:04 | 0:24:07 | |
-In number 16? -In number 16. | 0:24:07 | 0:24:09 | |
And Jim said, "Yes", and he said, | 0:24:09 | 0:24:12 | |
"Well, I'm sorry, but I've got two brothers". | 0:24:12 | 0:24:15 | |
Without hesitation - "We'll take 'em". | 0:24:15 | 0:24:18 | |
Me, I'm standing here with Jack's arm. | 0:24:18 | 0:24:21 | |
I'm going nowhere without my big brother! | 0:24:21 | 0:24:24 | |
-And the Carters took you in? -They took us in. | 0:24:26 | 0:24:28 | |
We went through that door and that became, from that minute, home. | 0:24:28 | 0:24:32 | |
Jim was welcomed into the home of Laura and Jim Carter, | 0:24:34 | 0:24:37 | |
and their three children. | 0:24:37 | 0:24:39 | |
The loveliest memory I've got, it was every kid, | 0:24:39 | 0:24:41 | |
as far as Jack and I were concerned, from creation, | 0:24:41 | 0:24:44 | |
all yelling and screaming, "Mrs Carter! Mrs Carter! | 0:24:44 | 0:24:47 | |
"Can they come out to play?!" We'd only just arrived. | 0:24:47 | 0:24:50 | |
-What a welcome. -Wonderful. We've never forgotten that. | 0:24:50 | 0:24:53 | |
Jim and Jack soon settled into life in the Welsh village. | 0:24:54 | 0:24:57 | |
But a year after arriving, | 0:24:57 | 0:24:59 | |
the two young boys would receive devastating news. | 0:24:59 | 0:25:02 | |
A message was sent from the headmaster to my teacher, | 0:25:02 | 0:25:05 | |
"Could Jim Wright please report to the headmasters office?", so I did. | 0:25:05 | 0:25:09 | |
I hadn't done anything wrong. | 0:25:09 | 0:25:11 | |
And my mum's there, she said, "I want you to come home now." | 0:25:11 | 0:25:14 | |
I said, "All right." So I came home with Jack, | 0:25:14 | 0:25:17 | |
we sat in that room there with Laura, and she'd got some news, | 0:25:17 | 0:25:21 | |
she'd had a telegram saying that Dad had been reported missing. | 0:25:21 | 0:25:25 | |
And no further news was available. | 0:25:25 | 0:25:28 | |
On the following day, the same thing happened, called out of school, | 0:25:28 | 0:25:31 | |
she'd had another telegram saying he'd been killed in action. | 0:25:31 | 0:25:35 | |
That's how we heard it. That was the worst day of evacuation. | 0:25:35 | 0:25:38 | |
You can't get worse than that, no matter who you are or where you are. | 0:25:38 | 0:25:42 | |
As we were filming with Jim, the current homeowner returned, | 0:25:42 | 0:25:46 | |
offering him the chance to step back in time. | 0:25:46 | 0:25:49 | |
Do you want to come in and have a look? | 0:25:49 | 0:25:52 | |
-Would you like to have a look? -I would. | 0:25:52 | 0:25:54 | |
-Come on, then! -Yeah? Come on then, let's go! | 0:25:54 | 0:25:57 | |
How about that! In you go. | 0:25:57 | 0:26:00 | |
Oh, good heavens. Oh, my sainted aunt! | 0:26:00 | 0:26:05 | |
Changed a bit? | 0:26:05 | 0:26:07 | |
I sat there, Jack there. | 0:26:07 | 0:26:11 | |
Peter, I'm not sure where he was. | 0:26:11 | 0:26:14 | |
Laura there and Mother there, and Laura had the telegram, | 0:26:14 | 0:26:20 | |
on both days, and that's when we knew, and... | 0:26:20 | 0:26:25 | |
That's, sorry... | 0:26:25 | 0:26:28 | |
'Unknown to Jim, we've laid on a reunion at the village hotel. | 0:26:30 | 0:26:36 | |
'One of the surprise guests is Mr and Mrs Carter's son, Keith, | 0:26:36 | 0:26:40 | |
'who Jim's not seen for more than 15 years.' | 0:26:40 | 0:26:43 | |
-Ah, look at this lot! Come in, Jim! -Oh, dear! | 0:26:43 | 0:26:47 | |
Here we are ! In you go, Jim. | 0:26:47 | 0:26:48 | |
-Come here... -Now then, who have we got here? | 0:26:48 | 0:26:52 | |
Oh, my God. This is Keith. | 0:26:52 | 0:26:56 | |
This is my big foster brother. | 0:26:56 | 0:27:00 | |
-This is Keith. -All right? | 0:27:00 | 0:27:01 | |
Happy families. | 0:27:03 | 0:27:04 | |
It is lovely to see you all together like this, | 0:27:20 | 0:27:23 | |
about to have something of a party, I suspect. | 0:27:23 | 0:27:26 | |
-How does the party start? -With a song. | 0:27:26 | 0:27:29 | |
-Go on, then! -No, he's going to sing. | 0:27:29 | 0:27:30 | |
# Forever and ever | 0:27:30 | 0:27:34 | |
# My heart will be true. # | 0:27:34 | 0:27:37 | |
Lovely...brilliant! | 0:27:37 | 0:27:39 | |
Well, during the Blitz on Britain, | 0:27:39 | 0:27:42 | |
1 in 10 of the deaths it caused, it's thought, were children. | 0:27:42 | 0:27:46 | |
Without evacuation and the kindness of strangers of the sort | 0:27:46 | 0:27:50 | |
that we can see here today, | 0:27:50 | 0:27:51 | |
who knows how many more young lives would have been lost? | 0:27:51 | 0:27:55 | |
Next time I'll be down on the farm, | 0:27:57 | 0:27:59 | |
hearing how an army of women kept the nation fed, | 0:27:59 | 0:28:03 | |
discovering how feathered friends kept our airmen safe... | 0:28:03 | 0:28:07 | |
Winkie getting back to Scotland was enough for that crew to be rescued. | 0:28:07 | 0:28:10 | |
..and finding out how entertainers kept troops' | 0:28:10 | 0:28:14 | |
and workers' morale high. | 0:28:14 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:34 | 0:28:38 |