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Gentlemen, our Colonel in-Chief, her Majesty the Queen. | 0:00:05 | 0:00:08 | |
GOD SAVE THE QUEEN PLAYS | 0:00:10 | 0:00:16 | |
Behold, not a single officer of the Royal Scots Dragoon Guards | 0:00:16 | 0:00:21 | |
has risen to his feet. That's tradition. | 0:00:21 | 0:00:23 | |
And what of this, the 4th/7th Royal Dragoon Guards | 0:00:36 | 0:00:39 | |
talking their way through the national anthem? | 0:00:39 | 0:00:42 | |
That's tradition. | 0:00:42 | 0:00:44 | |
GAVEL BANGS | 0:00:53 | 0:00:56 | |
It would seem that Rocket Troop Royal Horse Artillery | 0:00:56 | 0:00:59 | |
have been asleep since 1952. | 0:00:59 | 0:01:02 | |
Mr Vice, the King. | 0:01:02 | 0:01:04 | |
Gentlemen. | 0:01:06 | 0:01:08 | |
The King. | 0:01:10 | 0:01:11 | |
ALL: The King. | 0:01:11 | 0:01:12 | |
Others, beneath the imperious gaze of a long-dead foreign monarch, | 0:01:18 | 0:01:22 | |
would appear to play the wrong national anthem altogether. | 0:01:22 | 0:01:25 | |
That's tradition too. | 0:01:25 | 0:01:27 | |
At the turn of the century, | 0:01:27 | 0:01:28 | |
none other than Tsar Nicholas the last of Russia | 0:01:28 | 0:01:31 | |
was Colonel in-Chief of the Royal Scots Dragoon Guards. | 0:01:31 | 0:01:34 | |
He loved them and used to entertain them on his yacht. | 0:01:34 | 0:01:37 | |
And before his assassination, | 0:01:37 | 0:01:38 | |
he used to send them little presents in a frame by Faberge. | 0:01:38 | 0:01:42 | |
Attention! | 0:01:48 | 0:01:49 | |
Some traditions are common to the British Army and will never change. | 0:01:51 | 0:01:56 | |
Corporal Whitney, long hair, sir. You want to get that off today. | 0:01:56 | 0:02:01 | |
Corporal Whitney, long hair, sir. | 0:02:02 | 0:02:04 | |
Apart from discipline, what emerges | 0:02:04 | 0:02:06 | |
when you delve into British military tradition | 0:02:06 | 0:02:08 | |
is that there's no such entity as a British Army. | 0:02:08 | 0:02:10 | |
What you find is a confederation of regiments, | 0:02:10 | 0:02:12 | |
hopefully fighting on the same side, | 0:02:13 | 0:02:15 | |
all fiercely preserving their individuality | 0:02:15 | 0:02:18 | |
by being as different from one another as possible. | 0:02:18 | 0:02:21 | |
Edinburgh Castle was the obvious place to start, | 0:02:25 | 0:02:28 | |
since it's the home of the oldest regiment in the British Army, | 0:02:28 | 0:02:31 | |
the Royal Scots, the first Regiment of Foot, | 0:02:31 | 0:02:34 | |
raised in 1633. | 0:02:34 | 0:02:36 | |
What appeared to be a modest welcome proved nothing of the sort. | 0:02:40 | 0:02:44 | |
In the highest of all traditions, | 0:02:44 | 0:02:45 | |
the first Regiment of Foot explained they've no traditions whatsoever. | 0:02:45 | 0:02:50 | |
Why should they, the exemplars, indulge in eccentric customs? | 0:02:50 | 0:02:53 | |
It's up to the other regiments, they insisted, | 0:02:53 | 0:02:55 | |
to make themselves different to us. | 0:02:55 | 0:02:58 | |
Over, and emphatically out. | 0:03:00 | 0:03:02 | |
So we tried a more responsive castle, Windsor. | 0:03:06 | 0:03:09 | |
Its lovely deanery may well evoke images of orthodox theology, | 0:03:09 | 0:03:13 | |
but both its library and incumbent, | 0:03:13 | 0:03:15 | |
the Right Reverend Michael Mann, Dean of Windsor, spring surprises. | 0:03:15 | 0:03:19 | |
Every single book here is on a military subject, | 0:03:19 | 0:03:22 | |
and there are other artefacts | 0:03:22 | 0:03:24 | |
which caused the Queen to observe on one occasion, | 0:03:24 | 0:03:27 | |
"Doesn't look much like a deanery, does it?" | 0:03:27 | 0:03:29 | |
Yes, I suppose I'm rather a bogus churchman in that sense, | 0:03:29 | 0:03:33 | |
because... Indeed, my wife gets me under the Trades Description Act. | 0:03:34 | 0:03:38 | |
She married a soldier and ended up with a parson. | 0:03:38 | 0:03:40 | |
I'd never thought of doing anything else, | 0:03:40 | 0:03:43 | |
I'd always wanted to be a soldier from the age of two or three. | 0:03:43 | 0:03:46 | |
I'd never thought of anything else at all. | 0:03:46 | 0:03:49 | |
And I went into a regiment where we have strong family connections, | 0:03:49 | 0:03:54 | |
my wife is the granddaughter, the daughter, the wife, | 0:03:54 | 0:03:58 | |
the sister and the mother of an officer in the KDGs, | 0:03:58 | 0:04:01 | |
or now the QDGs as they are amalgamated. | 0:04:01 | 0:04:04 | |
So, it's been a very strong link, | 0:04:04 | 0:04:08 | |
and I've never thought of doing anything else at all. | 0:04:08 | 0:04:10 | |
It was the Church which was rather the surprise, | 0:04:10 | 0:04:13 | |
particularly to my fellow officers. | 0:04:13 | 0:04:15 | |
Obviously no Dean to be trifled with, | 0:04:15 | 0:04:18 | |
but how much importance does he place on tradition? | 0:04:18 | 0:04:21 | |
Well, in spite of what everyone says, I personally think | 0:04:21 | 0:04:25 | |
the British people, as a people, are a very traditional people. | 0:04:25 | 0:04:29 | |
Every human being needs to have roots. | 0:04:29 | 0:04:33 | |
They need to know where they come from. | 0:04:33 | 0:04:36 | |
Look at the way the Americans spend endless dollars | 0:04:36 | 0:04:40 | |
on genealogical tables. | 0:04:40 | 0:04:42 | |
We all need to know where we come from. | 0:04:42 | 0:04:45 | |
A Muslim said to me, "If you don't know where you've come from, | 0:04:45 | 0:04:50 | |
"how can you know who you are or where you're going?" | 0:04:50 | 0:04:53 | |
And in that sense we need tradition, that sense of continuity, | 0:04:53 | 0:04:58 | |
and a sense of not just being here for ourselves, | 0:04:58 | 0:05:02 | |
but here because of those who've gone before | 0:05:02 | 0:05:04 | |
and for those who are going to follow after. | 0:05:04 | 0:05:07 | |
And tradition reinforces this very strongly. | 0:05:07 | 0:05:11 | |
It's part of a moving tapestry. | 0:05:11 | 0:05:13 | |
MILITARY MARCHING MUSIC PLAYS | 0:05:13 | 0:05:16 | |
The United States Army, sir! By God! | 0:05:19 | 0:05:23 | |
Yee-hah! Yee-hah! | 0:05:23 | 0:05:26 | |
An attachment to a cavalry regiment | 0:05:26 | 0:05:28 | |
as idiosyncratic as the 4th/7th Royal Dragoon Guards | 0:05:28 | 0:05:31 | |
can at first bemuse an American officer like Major Joe Rafeenie. | 0:05:31 | 0:05:36 | |
It was quite surprising, | 0:05:36 | 0:05:37 | |
I first observed it with the 13/18th Royal Hussars, | 0:05:37 | 0:05:41 | |
who were visiting our cavalry unit in Monheim, Germany in the '70s. | 0:05:41 | 0:05:45 | |
And we were on the parade field and they were invited for a review, | 0:05:45 | 0:05:48 | |
past the tanks, and the troops marched. | 0:05:48 | 0:05:50 | |
And when they played the British national anthem, | 0:05:50 | 0:05:53 | |
there were three officers there from the 13th/18th | 0:05:53 | 0:05:55 | |
who immediately found the nearest chairs | 0:05:55 | 0:05:57 | |
and sat down and went on talking. | 0:05:58 | 0:05:59 | |
The Americans were standing to attention, | 0:05:59 | 0:06:01 | |
and here's the British officers, | 0:06:01 | 0:06:03 | |
and they're sitting down and talking. | 0:06:03 | 0:06:05 | |
So when it was over I said, "You're going to have to explain it." | 0:06:05 | 0:06:09 | |
I hope with all due respect to the regiment I have this right, | 0:06:09 | 0:06:12 | |
it was explained to me they were being honoured by Queen Mary, | 0:06:12 | 0:06:16 | |
they're called Queen Mary's Own, at a banquet one evening, | 0:06:16 | 0:06:19 | |
and I'm not exactly sure who at the head table | 0:06:19 | 0:06:21 | |
had had quite a bit to drink | 0:06:21 | 0:06:23 | |
and didn't feel like standing when it was played, | 0:06:23 | 0:06:25 | |
and it's said Queen Mary turned to everybody and said, | 0:06:25 | 0:06:28 | |
"Gentlemen, don't worry about standing, just continue to sit." | 0:06:28 | 0:06:31 | |
And from that day they continue to sit and never stand up. | 0:06:31 | 0:06:35 | |
And here they are, the 13th/18th Royal Hussars | 0:06:35 | 0:06:38 | |
very much at home in their Tidworth barracks, | 0:06:38 | 0:06:41 | |
a repository, rich not only in tradition but exotic furniture. | 0:06:41 | 0:06:44 | |
The tour guide is Major Willy Peter. | 0:06:44 | 0:06:48 | |
This is the anteroom, it equates really to the living room, | 0:06:48 | 0:06:53 | |
drawing room, sitting room of the mess. | 0:06:53 | 0:06:56 | |
And in much the same way that your sitting room or drawing room, | 0:06:56 | 0:07:00 | |
it contained your best property, | 0:07:00 | 0:07:02 | |
and here we see property dating back over 200 years. | 0:07:03 | 0:07:08 | |
And like the property | 0:07:08 | 0:07:09 | |
you have in your home, it has a variety of sources. | 0:07:09 | 0:07:12 | |
Some of it you'll have bought, some of it you'll have been given, | 0:07:12 | 0:07:18 | |
and probably not in your case, some of it has been nicked. | 0:07:18 | 0:07:21 | |
And if we look round now, we can see, for instance, this table. | 0:07:21 | 0:07:27 | |
This was liberated by the regiment in 1812 after the Battle of Victoria. | 0:07:27 | 0:07:34 | |
It belonged to King Joseph Bonaparte, the brother of Napoleon Bonaparte. | 0:07:34 | 0:07:39 | |
And he was King of Spain at the time, | 0:07:39 | 0:07:42 | |
and he was quietly doing a runner after losing the Battle of Victoria, | 0:07:42 | 0:07:46 | |
and the 13th Light Dragoons fell upon his baggage train. | 0:07:46 | 0:07:50 | |
Proudly they display a contemporary picture of the massive ransacking. | 0:07:50 | 0:07:54 | |
Yes, a little light looting by the 13th Light Dragoons, | 0:07:54 | 0:07:57 | |
fine picture showing people really hard at work, | 0:07:57 | 0:08:01 | |
making their day's pay stretch as far as they possibly could. | 0:08:01 | 0:08:05 | |
But one gathers that looting wasn't universally acclaimed. | 0:08:05 | 0:08:09 | |
No, the Duke of Wellington, | 0:08:09 | 0:08:10 | |
who commanded all the British troops in Spain, | 0:08:11 | 0:08:13 | |
got pretty hacked off with it. | 0:08:13 | 0:08:15 | |
And in fact I think the 18th Light Dragoons, | 0:08:15 | 0:08:17 | |
or the 18th Hussars as they were then, | 0:08:17 | 0:08:20 | |
were threatened with disbandment if they did it once again. | 0:08:20 | 0:08:23 | |
But unfortunately we don't have any of the stuff | 0:08:23 | 0:08:25 | |
they nicked at that moment. | 0:08:25 | 0:08:27 | |
And going on further round, | 0:08:27 | 0:08:30 | |
we do have something marginally more substantial in this piano, | 0:08:30 | 0:08:33 | |
which is reputed to have come from the Japanese embassy in Berlin. | 0:08:33 | 0:08:37 | |
It's a handy little object, easy to conceal about the person, | 0:08:37 | 0:08:41 | |
and must have taken a great deal of effort | 0:08:41 | 0:08:43 | |
to get back to the regiment in 1945, | 0:08:44 | 0:08:46 | |
when we finished the advance through north-west Europe. | 0:08:46 | 0:08:50 | |
It is appalling, and would cost us, we estimate, | 0:08:50 | 0:08:55 | |
£20,000 to have it put back in perfect working order | 0:08:55 | 0:08:58 | |
as Mr Steinway originally made it. | 0:08:58 | 0:09:01 | |
I should think the Japanese embassy | 0:09:01 | 0:09:03 | |
have probably replaced it with a Yamaha now. | 0:09:03 | 0:09:05 | |
In peacetime you've never thought | 0:09:10 | 0:09:12 | |
of sending that piano back to the Japanese? | 0:09:12 | 0:09:14 | |
Well, the postage would be quite expensive. | 0:09:14 | 0:09:18 | |
There's an equally off-key footnote | 0:09:22 | 0:09:24 | |
to that loot-rich Battle of Victoria in 1813. | 0:09:24 | 0:09:27 | |
Replenishing their alcohol supplies at the enemy's expense, | 0:09:27 | 0:09:31 | |
Wellington's men awarded themselves a 48-hour binge, | 0:09:31 | 0:09:34 | |
thus permitting Joseph Bonaparte to slip back to France | 0:09:34 | 0:09:36 | |
with 55,000 survivors. | 0:09:36 | 0:09:39 | |
But penance for some of the more outrageous | 0:09:44 | 0:09:46 | |
battle-fuelled transgressions is not unknown. | 0:09:46 | 0:09:48 | |
Every Tuesday and Thursday morning, for example, | 0:09:49 | 0:09:51 | |
the band of the 9th/12th Royal Lancers parades, | 0:09:51 | 0:09:54 | |
and everyone comes strictly to attention. | 0:09:54 | 0:09:57 | |
The ceremony is known somewhat euphemistically as regimental hymns. | 0:10:02 | 0:10:06 | |
Always, they play the Sicilian Vespers, but why? | 0:10:08 | 0:10:13 | |
One of the reasons we play regimental hymns | 0:10:13 | 0:10:16 | |
is during the Peninsular War, the 12th Light Dragoons raided a nunnery | 0:10:16 | 0:10:20 | |
and stole 104 bottles of wine. | 0:10:20 | 0:10:23 | |
They also raped and pillaged the nuns and the surrounding area, | 0:10:23 | 0:10:28 | |
and as a penance, the Duke of Wellington | 0:10:28 | 0:10:30 | |
said that we'd play regimental hymns for 104 years, | 0:10:30 | 0:10:33 | |
which is a tradition that's stood ever since. | 0:10:33 | 0:10:36 | |
The theft was officially expiated around 1917, | 0:10:38 | 0:10:42 | |
but doubtless with the nuns still on their conscience, | 0:10:42 | 0:10:45 | |
they've continue to parade twice a week ever since. | 0:10:45 | 0:10:47 | |
Curiously, the Pope had long since forgiven them. | 0:10:53 | 0:10:56 | |
He acknowledged their new-found piety with his personal blessing, | 0:10:56 | 0:11:00 | |
and gave them permission to adopt his favourite hymn, | 0:11:00 | 0:11:03 | |
already purloined by Imperial Russia for its national anthem. | 0:11:03 | 0:11:06 | |
In the silver room of the 14th/20th King's Hussars, | 0:11:18 | 0:11:22 | |
there's yet more evidence of how profitable it was | 0:11:22 | 0:11:25 | |
to have been on the winning side at the Battle of Victoria. | 0:11:25 | 0:11:27 | |
Happily, their most prized exhibit has been frequently washed. | 0:11:28 | 0:11:32 | |
This is what we call the Emperor, | 0:11:32 | 0:11:35 | |
which was in fact Emperor Joseph Bonaparte's chamber pot. | 0:11:35 | 0:11:39 | |
And it was looted by the regiment in 1813 | 0:11:39 | 0:11:43 | |
after the defeat of Emperor Joseph Bonaparte | 0:11:43 | 0:11:46 | |
at the Battle of Victoria in the Peninsular War. | 0:11:46 | 0:11:48 | |
And it's traditional that we drink out of this after dinner, | 0:11:48 | 0:11:54 | |
after a formal guest night, formal dinner, | 0:11:54 | 0:11:56 | |
and it has champagne in it. | 0:11:56 | 0:11:58 | |
And it's a form of loving cup. | 0:11:58 | 0:12:01 | |
The Emperor. | 0:12:01 | 0:12:02 | |
The Emperor. | 0:12:05 | 0:12:06 | |
It's one of the reasons we've always been known | 0:12:06 | 0:12:09 | |
as the Emperor's Chambermaids, | 0:12:09 | 0:12:11 | |
the fact that we have the chamber pot here. | 0:12:11 | 0:12:14 | |
Now, the 13th/18th Hussars also consider they have a right | 0:12:14 | 0:12:18 | |
to the ownership of this particular pot. | 0:12:18 | 0:12:20 | |
And they say we should have their table, | 0:12:20 | 0:12:23 | |
which they looted at the same time. | 0:12:23 | 0:12:25 | |
The answer very firmly in my mind is possession is nine-tenths of the law. | 0:12:25 | 0:12:30 | |
For regiments like the 14th/20th, | 0:12:33 | 0:12:36 | |
the visual glamour of the horse has mostly gone. | 0:12:36 | 0:12:39 | |
Today's cavalry are groomed by young men of mechanical bent. | 0:12:39 | 0:12:43 | |
With that link with history severed, | 0:12:43 | 0:12:45 | |
how do the other ranks in another era view tradition? | 0:12:45 | 0:12:48 | |
I think the British Army is the British Army | 0:12:48 | 0:12:51 | |
because of our traditions. | 0:12:51 | 0:12:53 | |
It's good getting dressed up in your smart regalia | 0:12:54 | 0:12:57 | |
and spurs and everything, | 0:12:57 | 0:12:58 | |
but during the day we're just covered in oil, | 0:12:58 | 0:13:01 | |
working on these things all the time. | 0:13:01 | 0:13:03 | |
I think the relevance is basically remembering the wars | 0:13:03 | 0:13:06 | |
that people of our regiment have gone through in years gone by, | 0:13:06 | 0:13:10 | |
it makes us different from everybody else. | 0:13:10 | 0:13:14 | |
So how is the British soldier now regarded by the public? | 0:13:14 | 0:13:18 | |
They must think we're out of sight, out of mind. | 0:13:18 | 0:13:21 | |
I think generally they might think we're just a load of squaddies | 0:13:21 | 0:13:25 | |
that may get drunk occasionally and cause trouble. | 0:13:25 | 0:13:27 | |
But they forget we're just like a normal nine-to-five job, | 0:13:27 | 0:13:30 | |
and we're working hard over in Germany and everything. | 0:13:30 | 0:13:33 | |
We're only remembered when it comes to something | 0:13:33 | 0:13:35 | |
like the Falklands conflict | 0:13:35 | 0:13:37 | |
or any other conflict where they may be needed, | 0:13:37 | 0:13:39 | |
then it's all Land of Hope and Glory sort of thing. | 0:13:39 | 0:13:42 | |
LAND OF HOPE AND GLORY PLAYS | 0:13:42 | 0:13:47 | |
Military tradition may have its roots in the Crimea, Rorke's Drift, | 0:14:02 | 0:14:06 | |
the Somme, but it remains a living subject. | 0:14:06 | 0:14:09 | |
The Falklands in the '80s subscribed a new chapter, | 0:14:09 | 0:14:12 | |
and all the while another war endured, against terrorism, | 0:14:12 | 0:14:16 | |
and an enemy bereft of honour. | 0:14:16 | 0:14:19 | |
The obsequies themselves are tragically familiar, | 0:14:21 | 0:14:24 | |
for so much of military tradition is related to the deaths of comrades. | 0:14:24 | 0:14:28 | |
FUNERAL MARCH PLAYS | 0:14:28 | 0:14:31 | |
The 4th/7th Royal Dragoon Guards have a unique symbol of remembrance. | 0:14:45 | 0:14:50 | |
This is a very special piece of our property. | 0:14:50 | 0:14:54 | |
It's The Empty Saddle, | 0:14:55 | 0:14:58 | |
a horse with that unique longing for his master. | 0:14:58 | 0:15:04 | |
With reverse stirrups cast in bronze and not in silver, | 0:15:06 | 0:15:10 | |
like much of our property. | 0:15:10 | 0:15:12 | |
Which sits in a very special place on the mantelpiece, never polished, | 0:15:14 | 0:15:21 | |
and never moved, as a lasting reminder to us | 0:15:21 | 0:15:27 | |
of those nearly 300 officers and soldiers killed | 0:15:27 | 0:15:32 | |
from our two regiments in the First World War. | 0:15:32 | 0:15:35 | |
Silver, not bronze, | 0:15:42 | 0:15:43 | |
has always been the traditional hardware of the mess. | 0:15:43 | 0:15:46 | |
This modest table decoration, the Inkerman centrepiece, | 0:15:46 | 0:15:49 | |
belongs to the Royal Regiment of Wales. | 0:15:49 | 0:15:52 | |
Engraved upon it you'll find the entire regimental history, | 0:15:52 | 0:15:55 | |
including a passionate affinity with goats, | 0:15:55 | 0:15:57 | |
which began at dawn one morning in the Crimea in 1856. | 0:15:57 | 0:16:02 | |
Goats in those days were press-ganged to the battlefield | 0:16:02 | 0:16:06 | |
as meat on the hoof. | 0:16:06 | 0:16:08 | |
But one broke loose that morning and heroically charged with the troops. | 0:16:08 | 0:16:11 | |
Far from stewing him the next day, | 0:16:12 | 0:16:13 | |
they promoted him to regimental mascot. | 0:16:14 | 0:16:16 | |
Queen Victoria met him on his return, | 0:16:16 | 0:16:18 | |
and the Royal goatherd has been providing his successors ever since. | 0:16:18 | 0:16:21 | |
Today's has his own military identity card, | 0:16:24 | 0:16:27 | |
his own full-time valet with insignia of Goat Major, | 0:16:27 | 0:16:31 | |
his own chauffeur-driven transport, | 0:16:31 | 0:16:34 | |
and a goat hangar entirely to himself. | 0:16:34 | 0:16:36 | |
Goat major, would you kindly introduce me to this chap? | 0:16:40 | 0:16:44 | |
This is 24416503 Lance Corporal Gwilym Jenkins, | 0:16:44 | 0:16:50 | |
better known to the public as Taffy Three. | 0:16:50 | 0:16:53 | |
How old is he? | 0:16:53 | 0:16:54 | |
He's 6.5 years old now. | 0:16:54 | 0:16:55 | |
So he's not old enough to smoke? | 0:16:56 | 0:16:57 | |
He doesn't smoke, but he actually eats a few a day. | 0:16:57 | 0:17:00 | |
Taff. | 0:17:00 | 0:17:01 | |
Come on. | 0:17:01 | 0:17:02 | |
Lance Corporal. | 0:17:02 | 0:17:04 | |
There you go. | 0:17:04 | 0:17:05 | |
Tremendous! | 0:17:08 | 0:17:10 | |
How many of those will he get through in a day? | 0:17:10 | 0:17:13 | |
He used to at one time, | 0:17:13 | 0:17:14 | |
he used to be on a ration for cigarettes, two a day. | 0:17:14 | 0:17:17 | |
But now they've stopped the rations, | 0:17:17 | 0:17:20 | |
but he'll still eat them for his stomach, it helps to de-worm him. | 0:17:20 | 0:17:24 | |
What, 10, 12 a day? | 0:17:25 | 0:17:26 | |
No, roughly about five. | 0:17:26 | 0:17:28 | |
Does it do him any harm at all? | 0:17:28 | 0:17:30 | |
No. | 0:17:30 | 0:17:31 | |
Does he have any other medical problems? | 0:17:31 | 0:17:33 | |
No, not as such. He's the only goat I know, | 0:17:33 | 0:17:35 | |
since I've been looking after him, to have hay fever. | 0:17:35 | 0:17:38 | |
When we put fresh straw and hay down, | 0:17:38 | 0:17:40 | |
he actually sneezes in the summer months. | 0:17:40 | 0:17:43 | |
Does he eat the grass around here? | 0:17:43 | 0:17:45 | |
No, this goat is very fussy. | 0:17:45 | 0:17:47 | |
He won't eat carrots and he won't graze. | 0:17:47 | 0:17:50 | |
Because I've actually got to cut the grass myself with a lawn mower | 0:17:50 | 0:17:54 | |
and put it to one side, and sometimes he might eat it then. | 0:17:54 | 0:17:57 | |
Other than that, he doesn't bother. | 0:17:57 | 0:17:59 | |
So he's pretty tough to look after, really? | 0:17:59 | 0:18:01 | |
Yes, because he's very fussy. | 0:18:01 | 0:18:03 | |
But so is everyone in the Royal Regiment of Wales on St David's Day. | 0:18:05 | 0:18:08 | |
The leek must slant at the prescribed angle, | 0:18:09 | 0:18:11 | |
the music evoke distant valleys and eisteddfods. | 0:18:11 | 0:18:15 | |
For Lance Corporal Jenkins, it's full dress uniform. | 0:18:19 | 0:18:23 | |
But he's more than just a pampered mascot. | 0:18:23 | 0:18:25 | |
On one occasion intruders from a rival regiments broke in | 0:18:25 | 0:18:28 | |
and cut off his beard, at a price. | 0:18:28 | 0:18:31 | |
One sustained a broken arm, another a fractured rib, | 0:18:31 | 0:18:34 | |
and all three finished up in hospital. | 0:18:34 | 0:18:36 | |
CHEERING AND MILITARY MUSIC | 0:18:41 | 0:18:45 | |
St David's Day brings an orgy of tradition. | 0:18:45 | 0:18:47 | |
To explain what's going on here, | 0:19:11 | 0:19:13 | |
we asked the regimental druid to put you in the picture. | 0:19:13 | 0:19:17 | |
HE SPEAKS IN WELSH | 0:19:17 | 0:19:21 | |
CHEERING AND APPLAUSE | 0:19:24 | 0:19:26 | |
CHEERING | 0:19:30 | 0:19:32 | |
You haven't really joined the regiment at all | 0:19:38 | 0:19:41 | |
until you've eaten a raw leek at the statutory speed. | 0:19:41 | 0:19:43 | |
I actually tried this, and will never eat a leek again. | 0:19:43 | 0:19:47 | |
CHEERING | 0:19:49 | 0:19:51 | |
CHEERING AND APPLAUSE | 0:20:15 | 0:20:18 | |
Even if it's hamburgers and beans for dinner, | 0:20:26 | 0:20:28 | |
the Queen's Royal Irish Hussars don't like their officers to miss it... | 0:20:28 | 0:20:31 | |
..nor do they overlook the common courtesies. | 0:20:34 | 0:20:38 | |
Thank you very much, would you like a drink? | 0:20:38 | 0:20:41 | |
Beer, please, sir. | 0:20:41 | 0:20:42 | |
Beer on its way. | 0:20:42 | 0:20:44 | |
It would be folly, let alone invidious, | 0:20:49 | 0:20:51 | |
to suggest that any regiment in the British Army | 0:20:51 | 0:20:54 | |
has more style than the others, | 0:20:54 | 0:20:56 | |
but the Queen's Royal Irish Hussars are certainly candidates. | 0:20:56 | 0:21:00 | |
Dinner is served, sir. | 0:21:00 | 0:21:02 | |
The taxpayer may relax, | 0:21:05 | 0:21:07 | |
this is their home and they've paid for everything themselves. | 0:21:07 | 0:21:11 | |
Except, that is, the cutlery. | 0:21:11 | 0:21:12 | |
Accidentally stumbling over a treasure house of French silver | 0:21:12 | 0:21:15 | |
after the Battle of Salamanca, | 0:21:16 | 0:21:18 | |
they borrowed it to melt it down into spoons and forks. | 0:21:18 | 0:21:21 | |
Do you always dine like this? | 0:21:23 | 0:21:25 | |
Yes. | 0:21:25 | 0:21:27 | |
We dine six nights a week exactly the same as it is tonight, | 0:21:27 | 0:21:33 | |
and we always wear our green suit. | 0:21:33 | 0:21:36 | |
The reason behind it is very simple, | 0:21:36 | 0:21:38 | |
I was taught this when I arrived in the regiment, | 0:21:38 | 0:21:41 | |
and I suspect the Cornets who arrive now are still taught it. | 0:21:41 | 0:21:45 | |
We dress for dinner and we dine like this | 0:21:45 | 0:21:48 | |
because we are lucky enough to live in a building like this | 0:21:48 | 0:21:52 | |
with pictures like this, silver like this, | 0:21:52 | 0:21:55 | |
and our mess staff make the effort of dressing up to wait upon us, | 0:21:55 | 0:22:01 | |
the chef makes an effort out in the kitchen behind, | 0:22:01 | 0:22:06 | |
and therefore we are indebted to make the effort | 0:22:06 | 0:22:09 | |
to appear in the dining room, it's as simple as that. | 0:22:09 | 0:22:11 | |
We change if we believe there is necessary change, | 0:22:11 | 0:22:15 | |
but they are the things that we value and we retain. | 0:22:15 | 0:22:18 | |
We do believe in the way we live. | 0:22:18 | 0:22:22 | |
It sounds very pompous, but it's not. | 0:22:22 | 0:22:26 | |
Being home, it's simply not done here to send meals back. | 0:22:26 | 0:22:31 | |
In the unlikely event of a grievance | 0:22:31 | 0:22:33 | |
there's an official channel, the complaints and suggestions book. | 0:22:33 | 0:22:36 | |
At the turn of the century this very volume | 0:22:36 | 0:22:39 | |
was to become almost a daily exercise book | 0:22:39 | 0:22:41 | |
for an irascible young officer of burgeoning literary talent, | 0:22:41 | 0:22:45 | |
and, as history was to prove, much else, Winston Churchill. | 0:22:45 | 0:22:49 | |
Yes, he was continually appearing in the suggestions book, | 0:22:49 | 0:22:52 | |
the wages book, the fines book, | 0:22:52 | 0:22:54 | |
and every other book that appeared in the mess at the time. | 0:22:54 | 0:22:57 | |
In fact you could say could say that he was a fairly arrogant young man | 0:22:57 | 0:23:01 | |
while he was with the 4th Hussars in India. | 0:23:01 | 0:23:04 | |
Well, this is a particular example | 0:23:04 | 0:23:07 | |
of Winston Churchill's writing at the time. | 0:23:07 | 0:23:14 | |
On 30th January 1898 he wrote, | 0:23:14 | 0:23:17 | |
"In the opinion of WSC, the general comfort and furnishing of the mess | 0:23:17 | 0:23:21 | |
"being much below the standards of all other cavalry | 0:23:21 | 0:23:24 | |
and most infantry regiments in the army, | 0:23:24 | 0:23:27 | |
"it is suggested that fresh furniture be purchased, | 0:23:27 | 0:23:30 | |
"that the carpets be exported, that the hideous wallpaper be altered, | 0:23:30 | 0:23:35 | |
"and that the mess be generally rendered | 0:23:35 | 0:23:37 | |
"more suitable to the dignity of the regiment." | 0:23:37 | 0:23:41 | |
And it's signed by WS Churchill. | 0:23:41 | 0:23:43 | |
The poor PMC at the time, someone called Hogg, | 0:23:43 | 0:23:46 | |
writes in his comments, "Where? Price? Pattern? How?" | 0:23:46 | 0:23:50 | |
And he does say that he will do something, | 0:23:50 | 0:23:53 | |
but his most telling comment is to say that, | 0:23:53 | 0:23:58 | |
"Where it says the dignity of the regiment, | 0:23:58 | 0:24:00 | |
"it should read for the dignity of WS Churchill." | 0:24:01 | 0:24:03 | |
Did the regiment brush a few chips off the shoulders | 0:24:03 | 0:24:06 | |
of its most famous old boy? | 0:24:06 | 0:24:08 | |
Well, we'd like to think so, | 0:24:08 | 0:24:10 | |
we'd like to think that we had something to do | 0:24:10 | 0:24:13 | |
with producing the later man. | 0:24:13 | 0:24:15 | |
GOD SAVE THE QUEEN PLAYS | 0:24:15 | 0:24:17 | |
You'll recall earlier the 4th/7th Royal Dragoon Guards | 0:24:17 | 0:24:20 | |
talking and laughing their way through the national anthem. Why? | 0:24:20 | 0:24:23 | |
There's no disrespect meant here at all. | 0:24:25 | 0:24:27 | |
We're as loyal as the next person to the Queen, the sovereign, | 0:24:27 | 0:24:32 | |
and we always have been and we always will be. | 0:24:32 | 0:24:35 | |
The point is that our loyalty is not in question, | 0:24:35 | 0:24:37 | |
and so you will notice that we sit and continue talking | 0:24:37 | 0:24:40 | |
throughout the national anthem, | 0:24:40 | 0:24:42 | |
and that's a custom and tradition of this regiment for many, many years. | 0:24:42 | 0:24:46 | |
But the problem is always finding out why you do those things. | 0:24:46 | 0:24:50 | |
I mean, there are a variety of choices, | 0:24:50 | 0:24:52 | |
and people normally perm one of the following. | 0:24:52 | 0:24:56 | |
One, George IV as Prince Regent | 0:24:56 | 0:24:59 | |
getting utterly hat-racked in the mess, incapable of movement, | 0:24:59 | 0:25:03 | |
so the remainder of the officers remained seated out of politeness, | 0:25:03 | 0:25:06 | |
that's one variation. | 0:25:06 | 0:25:08 | |
Second variation, all the officers on board ship incapable of standing up | 0:25:08 | 0:25:13 | |
due to lowness of ceiling, or bulkhead, I believe they call it, | 0:25:13 | 0:25:17 | |
so remain seated. | 0:25:17 | 0:25:19 | |
The third one, being so incredibly brave at some point or other | 0:25:19 | 0:25:22 | |
that their loyalty was no longer in doubt so they were excused doing it. | 0:25:22 | 0:25:27 | |
I don't know why we don't do it. | 0:25:27 | 0:25:30 | |
None of which explains why the Rocket Troop toasts the King. | 0:25:30 | 0:25:34 | |
This man, Sir William Congreve, is responsible for having designed | 0:25:34 | 0:25:37 | |
the army's latest secret weapon, a rocket. | 0:25:37 | 0:25:40 | |
Even Congreve only claimed that it was for "the annoyance of the enemy". | 0:25:40 | 0:25:45 | |
It was first fired in 1813 | 0:25:45 | 0:25:47 | |
by a troop of 200 men under the command of Captain Bogue | 0:25:47 | 0:25:51 | |
at the Battle of Leipzig. | 0:25:51 | 0:25:54 | |
Not only did it achieve Congreve's | 0:25:55 | 0:25:57 | |
somewhat diffident objective of annoying the enemy, | 0:25:57 | 0:26:00 | |
it caused such widespread panic | 0:26:00 | 0:26:02 | |
that Bogue's tiny force swept up 3,000 Napoleonic prisoners. | 0:26:02 | 0:26:06 | |
In his moment of triumph, Bogue was killed. | 0:26:06 | 0:26:09 | |
The Allied Supreme Commander at Leipzig | 0:26:09 | 0:26:12 | |
was the Crown Prince of Sweden, | 0:26:12 | 0:26:14 | |
and he was so impressed that he showered Bogue's family | 0:26:14 | 0:26:16 | |
with every honour he could bestow. | 0:26:16 | 0:26:20 | |
To this day on the anniversary of Leipzig, warm messages of greeting | 0:26:20 | 0:26:23 | |
come to the Rocket Troop from the King of Sweden. | 0:26:23 | 0:26:27 | |
That's why they toast the King, and it's the only toast they drink. | 0:26:27 | 0:26:32 | |
GAVEL BANGS | 0:26:32 | 0:26:34 | |
Mr Vice, the King. | 0:26:36 | 0:26:39 | |
Gentlemen. | 0:26:39 | 0:26:41 | |
King Carl Gustaf XVI of Sweden. | 0:26:45 | 0:26:47 | |
ALL: The King. | 0:26:47 | 0:26:50 | |
Naturally it's drunk in aquavit. | 0:26:50 | 0:26:52 |