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Bonjour. Welcome to Inside Versailles, | 0:00:06 | 0:00:08 | |
where we'll be chatting more about the history | 0:00:08 | 0:00:10 | |
behind the show we've just seen. | 0:00:10 | 0:00:12 | |
-And it's a really exciting start, isn't it? -Amazing episode. | 0:00:12 | 0:00:15 | |
Power, intrigue, glamour, amazing costumes | 0:00:15 | 0:00:18 | |
and quite a lot of bedroom action. | 0:00:18 | 0:00:20 | |
Absolutely, which I think is valid, because Louis XIV, | 0:00:20 | 0:00:23 | |
he was known for loving the ladies. | 0:00:23 | 0:00:25 | |
The most important lady, really, diplomatically, | 0:00:25 | 0:00:27 | |
we've just seen giving birth to a black baby. | 0:00:27 | 0:00:30 | |
This is an amazing moment. | 0:00:30 | 0:00:32 | |
There really was a baby | 0:00:32 | 0:00:34 | |
and there was some discussion about what colour it was. | 0:00:34 | 0:00:37 | |
It's controversial stuff, but we should talk about the queen herself. | 0:00:37 | 0:00:40 | |
So here's the queen. | 0:00:40 | 0:00:41 | |
She is a great diplomatic match | 0:00:41 | 0:00:43 | |
because she's the Spanish princess. | 0:00:43 | 0:00:45 | |
She is not really Louis' type. | 0:00:45 | 0:00:47 | |
She's not witty. She can't speak French. | 0:00:47 | 0:00:49 | |
She prefers to play with her dogs and her dwarves. | 0:00:49 | 0:00:52 | |
So Louis very much sees her as someone that he takes for politics, | 0:00:52 | 0:00:56 | |
but not for love. | 0:00:56 | 0:00:57 | |
In terms of the scene, we've got so many people | 0:00:57 | 0:00:59 | |
packed into that bedroom, watching the...you know, the birth. | 0:00:59 | 0:01:02 | |
Oh, public birth was the thing. | 0:01:02 | 0:01:04 | |
We see the queen in the drama saying, "There's too many people," | 0:01:04 | 0:01:06 | |
but actually, for a queen, she had a tiny crowd. | 0:01:06 | 0:01:09 | |
Usually, those birthing chambers were so full of people | 0:01:09 | 0:01:12 | |
that poor old Marie Antoinette, some years later, | 0:01:12 | 0:01:14 | |
she had to have the windows open because it was just so overwhelming. | 0:01:14 | 0:01:18 | |
Births were packed out. | 0:01:18 | 0:01:19 | |
It was an honour, and also people were there | 0:01:19 | 0:01:21 | |
to make sure that the right baby came and was kept. | 0:01:21 | 0:01:24 | |
-So no stunt babies brought in. -No stunt babies. | 0:01:24 | 0:01:26 | |
OK, that's interesting. | 0:01:26 | 0:01:28 | |
So, Marie-Therese, | 0:01:28 | 0:01:29 | |
not particularly charismatic, | 0:01:29 | 0:01:31 | |
which is why, perhaps, Louis is drawn to... | 0:01:31 | 0:01:33 | |
Somebody else, and that is Henriette-Anne. | 0:01:33 | 0:01:36 | |
We've got a portrait of her here, | 0:01:36 | 0:01:38 | |
looking absolutely marvellous. | 0:01:38 | 0:01:40 | |
We first see her in the drama | 0:01:40 | 0:01:42 | |
coming out of the water in a sort of 17th-century swimsuit. | 0:01:42 | 0:01:45 | |
-Yes, although it's not really a swimsuit. -(Not really.) | 0:01:45 | 0:01:47 | |
It's more her underwear. | 0:01:47 | 0:01:49 | |
She's English. She's been brought up at the French court. | 0:01:49 | 0:01:51 | |
She comes here from England aged, what, two? | 0:01:51 | 0:01:53 | |
Aged two, after her father, Charles I, | 0:01:53 | 0:01:56 | |
is about to be executed. | 0:01:56 | 0:01:58 | |
She's sent over, and there she grows up with Louis. | 0:01:58 | 0:02:01 | |
It's a perfect friendship and he really, really loves her. | 0:02:01 | 0:02:04 | |
Only one tiny problem. | 0:02:04 | 0:02:07 | |
Minor snag is that she's married to his brother, | 0:02:07 | 0:02:09 | |
and, under 17th-century Catholic law, | 0:02:09 | 0:02:12 | |
there's no such thing as a sister-in-law. | 0:02:12 | 0:02:14 | |
-You're a sister. -You're a sister. | 0:02:14 | 0:02:16 | |
So, the idea is, basically, | 0:02:16 | 0:02:18 | |
that if you're having an affair with your sister, that is a sin. | 0:02:18 | 0:02:21 | |
That's incest. It's straight to hell. | 0:02:21 | 0:02:23 | |
It is. "Do not pass Go." | 0:02:23 | 0:02:25 | |
And not even Louis is going to do that. | 0:02:25 | 0:02:27 | |
No. So, in the drama, we see him quite happily cavorting with her | 0:02:27 | 0:02:30 | |
and some historians have gone down that path, | 0:02:30 | 0:02:33 | |
but I think it's more likely there was certainly an emotional affair. | 0:02:33 | 0:02:36 | |
I think they had a dangerous friendship | 0:02:36 | 0:02:38 | |
-and it COULD have tipped over. -Yeah. | 0:02:38 | 0:02:40 | |
But even flirting with your sister-in-law | 0:02:40 | 0:02:42 | |
is outrageously shocking, and they've got this amazing idea | 0:02:42 | 0:02:45 | |
to cover up this shocking affair that's going on. | 0:02:45 | 0:02:48 | |
So what they're going to do, their cunning plan, | 0:02:48 | 0:02:51 | |
is to use someone as a clever decoy. | 0:02:51 | 0:02:54 | |
-Yeah, it's a genius plan. -Genius. | 0:02:54 | 0:02:56 | |
Apart from the fact that Louis then falls in love with the decoy. | 0:02:56 | 0:02:59 | |
Well, let's have a look at the decoy. | 0:02:59 | 0:03:01 | |
And the decoy is this lady here, | 0:03:01 | 0:03:03 | |
Louise de La Valliere. | 0:03:03 | 0:03:04 | |
We see her in the drama, giggling at mass with the king. | 0:03:04 | 0:03:07 | |
-Yes. -And she is the lady-in-waiting to Henriette. | 0:03:07 | 0:03:10 | |
So the idea is that they're going to pretend that he's flirting with her, | 0:03:10 | 0:03:14 | |
but really he's going to be flirting with Henriette. | 0:03:14 | 0:03:17 | |
But it works too well. | 0:03:17 | 0:03:18 | |
Yeah. I mean, she's beautiful. She's young - she's 16 or so - | 0:03:18 | 0:03:21 | |
and one of the things that Louis loves about her, | 0:03:21 | 0:03:23 | |
and many of his mistresses, is that she loves to hunt and to ride. | 0:03:23 | 0:03:26 | |
So that's why she's all Diana'd-up here. | 0:03:26 | 0:03:28 | |
Yes. Diana, goddess of the hunt. | 0:03:28 | 0:03:29 | |
She can ride, she can shoot, and that's... | 0:03:29 | 0:03:31 | |
-What more could you want in a girl? -Well, yeah, but it's also useful, | 0:03:31 | 0:03:34 | |
because you can take her away from the prying eyes of the court. | 0:03:34 | 0:03:37 | |
You can take her off a few miles out and go "chasing stag", | 0:03:37 | 0:03:40 | |
but, actually, you're having a lot more fun rolling in the hay. | 0:03:40 | 0:03:42 | |
What about his 30 promise? | 0:03:42 | 0:03:44 | |
So this is the thing. | 0:03:44 | 0:03:46 | |
When he's in his 20s, he promises his mother and his queen | 0:03:46 | 0:03:49 | |
-that when he hits 30, he's going to stop flirting. -Settle down. | 0:03:49 | 0:03:51 | |
You know, he's going to be a proper husband and king. | 0:03:51 | 0:03:54 | |
At the beginning of this drama, he's 29 years old. | 0:03:54 | 0:03:56 | |
-He's on the threshold of 30. -Oh, carpe diem. -Carpe diem. | 0:03:56 | 0:03:59 | |
Grab those moments. | 0:03:59 | 0:04:00 | |
Carpe ladies, I think is also happening at the moment. | 0:04:00 | 0:04:03 | |
The question is, is he actually going to settle down, | 0:04:03 | 0:04:05 | |
or is he going to keep with the wandering eye - | 0:04:05 | 0:04:08 | |
and the wandering hands? | 0:04:08 | 0:04:10 | |
Well, what an episode. | 0:04:10 | 0:04:12 | |
It's been full of sex and drama and excitement and violence - | 0:04:12 | 0:04:15 | |
and there's lots more next week. | 0:04:15 | 0:04:16 | |
So join us next week for more Inside Versailles. | 0:04:16 | 0:04:19 | |
-Absolutely. Bonsoir. -Bonsoir. | 0:04:19 | 0:04:21 |