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Hello, and welcome to Inside Versailles, | 0:00:06 | 0:00:08 | |
where we'll go into a bit more detail about what we've just seen. | 0:00:08 | 0:00:11 | |
And today, we're thrilled to be joined by Kit Heyam, | 0:00:11 | 0:00:14 | |
who's going to talk particularly about gender and sexuality. | 0:00:14 | 0:00:17 | |
So, we've got this incredible portrait today of Philippe, | 0:00:17 | 0:00:20 | |
Louis' brother, and this episode really shows the tension between these two brothers. | 0:00:20 | 0:00:24 | |
It wasn't easy being a king's brother, was it, Kit? | 0:00:24 | 0:00:27 | |
No. He was brought up by his mother, Anne of Austria, | 0:00:27 | 0:00:30 | |
who was very aware that a king's younger brother was a very, very dangerous thing. | 0:00:30 | 0:00:33 | |
She'd seen Louis and Philippe's uncle, Gaston, rebel against the Crown | 0:00:33 | 0:00:36 | |
in the civil wars that took place in France when Louis and Philippe were young, | 0:00:36 | 0:00:40 | |
and so she was very keen that Philippe was not going to grow up to be a threat to Louis. | 0:00:40 | 0:00:43 | |
So, he wasn't given much of a political education, and when he grew up, | 0:00:43 | 0:00:46 | |
he wasn't given much of a role in governing the state, as you might expect for a king's brother. | 0:00:46 | 0:00:50 | |
So, he gets dressed as a little girl, growing up. | 0:00:50 | 0:00:53 | |
He does. I mean, everyone in that period was dressed as a little girl | 0:00:53 | 0:00:56 | |
until the age of about seven. | 0:00:56 | 0:00:58 | |
But what, of course, distinguished Philippe is that, when he grew up, | 0:00:58 | 0:01:01 | |
he continued to wear dresses in various situations. | 0:01:01 | 0:01:03 | |
Is there an element that his dressing up in women's clothes | 0:01:04 | 0:01:08 | |
is a way of him sort of getting back at Louis to try and embarrass him? | 0:01:08 | 0:01:12 | |
Or is Louis OK with it? Do we know anything about that? | 0:01:12 | 0:01:15 | |
Well, I think it's interesting that, obviously, Philippe hadn't | 0:01:15 | 0:01:17 | |
been given a role in governing the state very much as an adult. | 0:01:17 | 0:01:20 | |
This gave him a certain amount of freedom, because, | 0:01:20 | 0:01:23 | |
when it comes to things like this - men dressing up as women - | 0:01:23 | 0:01:27 | |
context is everything, right? | 0:01:27 | 0:01:28 | |
So, if something's not disrupting the social order, | 0:01:28 | 0:01:31 | |
then it's largely left alone. | 0:01:31 | 0:01:33 | |
If we contrast Philippe to someone like Henry III, | 0:01:33 | 0:01:36 | |
who was on the French throne in the late 16th century, | 0:01:36 | 0:01:38 | |
he gets slaughtered in the popular press for wearing earrings, | 0:01:38 | 0:01:41 | |
-wearing jewellery, wearing make-up. -Earrings! -Earrings in both ears! | 0:01:41 | 0:01:44 | |
-Oh, my goodness! -God forbid! -Too shocking! | 0:01:44 | 0:01:48 | |
So, erm...but, the subtext of the opposition to him and his favourites | 0:01:48 | 0:01:52 | |
dressing that way is an opposition to there being too many young, | 0:01:52 | 0:01:55 | |
fashionable men having power at court, and not enough old, | 0:01:55 | 0:01:57 | |
experienced men being consulted on the running of the country. | 0:01:57 | 0:02:00 | |
So, they're kind of taking his gender nonconformity and using | 0:02:00 | 0:02:03 | |
it as a stick to beat him with for other political crimes. | 0:02:03 | 0:02:06 | |
Philippe, he doesn't have a role in the governing of the state, | 0:02:06 | 0:02:08 | |
so, in some ways, he's got that freedom to dress how he wants, | 0:02:08 | 0:02:11 | |
and it may be that that was a way of getting back at Louis | 0:02:11 | 0:02:14 | |
for not giving him much of a political role. | 0:02:14 | 0:02:15 | |
Well, one of the people that we see him with in the drama is Chevalier de Lorraine, who... | 0:02:15 | 0:02:19 | |
-Chevalier, what a man. -Great hair, great tache... -Great hair. -Handsome cheekbones. | 0:02:19 | 0:02:24 | |
You know, he's a real guy, so this is a true story, | 0:02:24 | 0:02:27 | |
but what was their relationship like at court and what was the gossip about them? | 0:02:27 | 0:02:30 | |
Actually, they got together during the War of Devolution, | 0:02:30 | 0:02:33 | |
when France was occupying the Spanish Netherlands. | 0:02:33 | 0:02:36 | |
And, after that, the Chevalier became a part of Philippe's entourage, | 0:02:36 | 0:02:39 | |
which is something he did financially very well out of, | 0:02:39 | 0:02:42 | |
but there was a genuine emotional relationship there, as well. | 0:02:42 | 0:02:45 | |
Philippe called the Chevalier, "the best friend I have an earth." | 0:02:45 | 0:02:48 | |
And also, the relationship with Henriette-Anne, | 0:02:48 | 0:02:50 | |
there's this real tension between the three of them. | 0:02:50 | 0:02:53 | |
-It's a three-way relationship, isn't it? -Exactly, yeah. | 0:02:53 | 0:02:55 | |
I mean, we should remember the way that 17th-century people | 0:02:55 | 0:02:58 | |
looked at sex is that they didn't see it as an identity. | 0:02:58 | 0:03:01 | |
Sexuality was just something you did. | 0:03:01 | 0:03:02 | |
Erm, so, at most, it was kind of habit or a preference or a... | 0:03:02 | 0:03:05 | |
They talk about Philippe having "le gout abominable", the abominable taste, | 0:03:05 | 0:03:09 | |
for sleeping with men. | 0:03:09 | 0:03:10 | |
Erm, so, they wouldn't necessarily have assumed that just | 0:03:10 | 0:03:13 | |
because he was sleeping with the Chevalier he couldn't have | 0:03:13 | 0:03:16 | |
a functional relationship with Henriette. | 0:03:16 | 0:03:17 | |
But, that said, his relationship with Henriette was not | 0:03:17 | 0:03:20 | |
a wildly successful one. | 0:03:20 | 0:03:22 | |
They were both kind of as bad as each other in terms | 0:03:22 | 0:03:24 | |
of sleeping with other people. | 0:03:24 | 0:03:26 | |
Erm, Henriette actually seduced one of Philippe's old partners, | 0:03:26 | 0:03:29 | |
the Comte de Guise, to kind of get back at him. | 0:03:29 | 0:03:31 | |
To what extent is the Catholic Church turning a blind eye | 0:03:31 | 0:03:34 | |
to Philippe and his cross-dressing and his affairs with men? | 0:03:34 | 0:03:37 | |
Or are they rather upset about this? Is this a problem? | 0:03:37 | 0:03:40 | |
Erm, well, it is against French law, for sure, | 0:03:40 | 0:03:42 | |
and it is condemned by the Church. | 0:03:42 | 0:03:44 | |
In this period generally, unless there's a compelling political reason | 0:03:44 | 0:03:47 | |
that you have to take notice that sex between men is going on, | 0:03:47 | 0:03:50 | |
they'd really rather not. | 0:03:50 | 0:03:52 | |
-Don't ask, don't tell. -Exactly. -And, of course, you can't prove anything. | 0:03:52 | 0:03:56 | |
The only proof that you ever have of a relationship is the child, really. | 0:03:56 | 0:03:59 | |
So, no-one's actually going to prove that they're not just having a chat in his bedroom. | 0:03:59 | 0:04:02 | |
-Having a chat! -Having a chat. -It's a lovely euphemism. -Playing chess. | 0:04:02 | 0:04:06 | |
So, Philippe's got this really quite moving plight | 0:04:06 | 0:04:08 | |
because he's clever, he's interesting, he's an amazing war leader. | 0:04:08 | 0:04:12 | |
He's clearly charismatic, and yet he can't really put his talents to any use at all. | 0:04:12 | 0:04:16 | |
Yeah, I mean, we see, in this episode, him begging Louis to go to war | 0:04:16 | 0:04:19 | |
and that was something that kind of happened again and again. | 0:04:19 | 0:04:22 | |
He had to really kind of persuade his brother to let him have a role in doing anything. | 0:04:22 | 0:04:25 | |
-Louis wasn't keen for Philippe... -Because he was so jealous. | 0:04:25 | 0:04:28 | |
Yeah. He wasn't keen for Philippe to get any kind of military glory. | 0:04:28 | 0:04:31 | |
-He had everything and he didn't want his brother to have a single little thing. -Exactly. | 0:04:31 | 0:04:35 | |
And, on that note, I think we should probably leave it there | 0:04:35 | 0:04:37 | |
cos we're running out of time, but join us next week, | 0:04:37 | 0:04:40 | |
when we'll have much more glorious, wonderful French history for you. | 0:04:40 | 0:04:43 | |
And, hopefully, more interesting insights into Louis | 0:04:43 | 0:04:45 | |
-and the drama you've seen tonight. Bonsoir. -Bonsoir. -Bonsoir. | 0:04:45 | 0:04:48 |