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Hello, and welcome to Inside Versailles. | 0:00:06 | 0:00:08 | |
So, Greg, fascinating episode, lots going on | 0:00:08 | 0:00:11 | |
and Louise de La Valliere is on the way down. | 0:00:11 | 0:00:14 | |
Yeah, it's sort of a gradual decline for her. | 0:00:14 | 0:00:17 | |
She's had a few years as chief mistress. | 0:00:17 | 0:00:19 | |
-She's had a run. -She's had a good run. | 0:00:19 | 0:00:21 | |
And she's had a few pregnancies, a couple of kids, | 0:00:21 | 0:00:24 | |
but Louis's obviously starting to look elsewhere, | 0:00:24 | 0:00:27 | |
and I think she's also starting to feel a bit left out, | 0:00:27 | 0:00:30 | |
and we see that scene where she's now starting to think | 0:00:30 | 0:00:32 | |
about maybe going to a convent. | 0:00:32 | 0:00:34 | |
So the problem is that Louis liked witty, fun women, | 0:00:34 | 0:00:37 | |
and Louise was virtuous, but not actually very witty. | 0:00:37 | 0:00:41 | |
But Athenais, the lady-in-waiting to Marie-Therese, | 0:00:41 | 0:00:44 | |
is really very clever. | 0:00:44 | 0:00:46 | |
And that really did happen in real life, didn't it, | 0:00:46 | 0:00:49 | |
that actually while both Louise and the Queen were pregnant, | 0:00:49 | 0:00:52 | |
they said, "Athenais, will you look after the King?" | 0:00:52 | 0:00:54 | |
Because they thought she wasn't a threat. | 0:00:54 | 0:00:56 | |
-Bit of a mistake there. -Classic mistake. | 0:00:56 | 0:00:58 | |
-Yeah, classic mistake. -Inviting your enemy in. | 0:00:58 | 0:01:00 | |
Exactly the same happened with Edward VIII's mistress - she said, | 0:01:00 | 0:01:03 | |
"Oh, Wallis, would you look after him while I'm away in America?" | 0:01:03 | 0:01:06 | |
Oh, dear. Got back and he was well and truly looked after. | 0:01:06 | 0:01:08 | |
-Yes. -Oh, crikey! | 0:01:08 | 0:01:10 | |
So, Athenais is witty, she's fun | 0:01:10 | 0:01:14 | |
and she's also got a pretty mean tongue - | 0:01:14 | 0:01:16 | |
she likes to insult people and Louis thinks that's hilarious, doesn't he? | 0:01:16 | 0:01:20 | |
Yeah, Louis likes a strong woman, | 0:01:20 | 0:01:21 | |
as long as they're not meddling in politics. | 0:01:21 | 0:01:23 | |
-No. -But if they're sharp and witty and they can give him | 0:01:23 | 0:01:27 | |
a bit of a back-and-forth banter, he enjoys that, | 0:01:27 | 0:01:30 | |
and Athenais is a beauty, but she's also whip-smart. | 0:01:30 | 0:01:33 | |
Louis likes his girls around - he has them around him the whole time | 0:01:33 | 0:01:36 | |
and also he does actually take them to battle with him. | 0:01:36 | 0:01:39 | |
Yeah, he's gone on tour with his ladies | 0:01:39 | 0:01:41 | |
and he's presumably wanting to show off, | 0:01:41 | 0:01:43 | |
he's taken them off to watch him fight. | 0:01:43 | 0:01:46 | |
But on that note, we should probably get on to war actually, | 0:01:46 | 0:01:48 | |
because that's what Louis loves doing most | 0:01:48 | 0:01:50 | |
and that's what we've seen Louis and Philippe doing in this episode. | 0:01:50 | 0:01:53 | |
So I think it's time we go and meet Dr Phil McCluskey. | 0:01:53 | 0:01:55 | |
Talk about battle. | 0:01:55 | 0:01:57 | |
-Hello, Phil. -Hello. | 0:01:57 | 0:01:59 | |
So, Phil, what's going on in this picture here? | 0:01:59 | 0:02:03 | |
So this is a picture of a battle that took place during | 0:02:03 | 0:02:06 | |
the War of Devolution. | 0:02:06 | 0:02:08 | |
This is Louis that you can see here in the foreground. | 0:02:08 | 0:02:10 | |
-Here? There he is. -There. | 0:02:10 | 0:02:12 | |
-Right in the middle of the painting. -Exactly. | 0:02:12 | 0:02:14 | |
Looking at us, saying, "Look, chaps, this is my war." | 0:02:14 | 0:02:17 | |
Indeed. | 0:02:17 | 0:02:18 | |
This is a piece of royal propaganda, because in actual fact Louis | 0:02:18 | 0:02:22 | |
turned up too late to this battle in order to play a real part in it. | 0:02:22 | 0:02:27 | |
This is just after the Siege of Lille, which is... | 0:02:27 | 0:02:29 | |
Louis personally commands. | 0:02:29 | 0:02:32 | |
So they're showing the triumph of the French army here. | 0:02:32 | 0:02:34 | |
-And maybe this is Philippe, possibly, here? -I think so, yes. | 0:02:34 | 0:02:37 | |
We're not quite sure - could be him, looks quite similar. | 0:02:37 | 0:02:39 | |
So he's in the background, he's hidden away. Louis's here - | 0:02:39 | 0:02:42 | |
look at the triumph, look at the amazing success we've had. | 0:02:42 | 0:02:45 | |
Is that representative of what happened in the wars? | 0:02:45 | 0:02:47 | |
Yes, and I think the fact, as you pointed out, | 0:02:47 | 0:02:49 | |
that Philippe probably played a more prominent role as a commander | 0:02:49 | 0:02:53 | |
than is being allowed for here. | 0:02:53 | 0:02:55 | |
Louis was very concerned and actually quite deeply anxious | 0:02:55 | 0:02:58 | |
that he not be outshone by members of his family | 0:02:58 | 0:03:01 | |
and Philippe was very much placed in kind of reserve. | 0:03:01 | 0:03:04 | |
-Even though he was doing all the work? -Yeah. | 0:03:04 | 0:03:07 | |
What is the War of Devolution? | 0:03:07 | 0:03:08 | |
Cos, you know, you've introduced that idea. | 0:03:08 | 0:03:10 | |
It sounds quite a complicated phrase. | 0:03:10 | 0:03:13 | |
It's not a place, so... | 0:03:13 | 0:03:14 | |
-There's no town called Devolution. -No. | 0:03:14 | 0:03:17 | |
What is the reason for going to war? | 0:03:17 | 0:03:19 | |
You know, we hear about the Duke of Cassel in the drama | 0:03:19 | 0:03:22 | |
talking about a pretext for war - so a suggestion that there's | 0:03:22 | 0:03:25 | |
something a bit dubious about the cause for war. | 0:03:25 | 0:03:27 | |
How has Louis swung this? | 0:03:27 | 0:03:29 | |
Well, a lot of the wars in this period actually were | 0:03:29 | 0:03:31 | |
based on quite trumped-up legal arguments. | 0:03:31 | 0:03:34 | |
Phil, you're saying they just went to war for the sake of it? | 0:03:34 | 0:03:37 | |
-Fancy! -Fancy(!) | 0:03:37 | 0:03:39 | |
But, in this case, it's about inheritance. | 0:03:39 | 0:03:42 | |
Louis uses his lawyers to claim that his wife, Marie-Therese, | 0:03:42 | 0:03:47 | |
is basically the right heir to the Spanish Netherlands, | 0:03:47 | 0:03:52 | |
based on the fact that, at their marriage, she gave up her rights | 0:03:52 | 0:03:55 | |
to these territories conditional on a dowry. | 0:03:55 | 0:03:58 | |
The dowry, however, was never paid. | 0:03:58 | 0:04:00 | |
The Spanish Netherlands is sort of what we'd say as modern-day Belgium | 0:04:00 | 0:04:03 | |
-and Luxembourg and bits of France and Germany. -Flanders. | 0:04:03 | 0:04:06 | |
-Yeah. -But also bits of what we now think of as France as well. | 0:04:06 | 0:04:09 | |
So Louis is adding territory | 0:04:09 | 0:04:11 | |
that we now think of as being part of France. | 0:04:11 | 0:04:13 | |
So he's... Has he created modern France, geographically? | 0:04:13 | 0:04:16 | |
He's certainly pushing it in that direction to what we would recognise | 0:04:16 | 0:04:20 | |
as France's borders today | 0:04:20 | 0:04:21 | |
-which are kind of like, the hexagon, as it's called. -Yeah. | 0:04:21 | 0:04:24 | |
So, glory... | 0:04:24 | 0:04:25 | |
It's vital for a prince, it's vital for a king to go to war. | 0:04:25 | 0:04:29 | |
You've got to be glorious. | 0:04:29 | 0:04:30 | |
But, actually, Louis himself - | 0:04:30 | 0:04:32 | |
does he really like leading from the front? | 0:04:32 | 0:04:34 | |
Yes, I think he does, but I think he also accepts his limitations. | 0:04:34 | 0:04:38 | |
He realises... He's aware that he's not the greatest commander. | 0:04:38 | 0:04:41 | |
He actually has plenty of very competent generals | 0:04:41 | 0:04:44 | |
so he's happy for those to lead on the battlefield, | 0:04:44 | 0:04:47 | |
but he's directing strategy from his cabinet at Versailles. | 0:04:47 | 0:04:52 | |
So he's sort of a weekend warrior. He likes to sort of turn up, | 0:04:52 | 0:04:54 | |
do a couple of days of roughing it, | 0:04:54 | 0:04:57 | |
feel like he's a soldier, and then he'll go home to his lovely palace. | 0:04:57 | 0:05:00 | |
Yeah. By this stage he's nearly 30, and I think he realises | 0:05:00 | 0:05:03 | |
he's lead quite a frivolous life until this point. | 0:05:03 | 0:05:05 | |
He needs some serious kind of military glory to prove his manhood. | 0:05:05 | 0:05:08 | |
So, in terms of this treaty then, Louis arrives and says, | 0:05:08 | 0:05:12 | |
"I've signed a treaty, the war is over. | 0:05:12 | 0:05:14 | |
"Philippe, you don't get to fight any more," | 0:05:14 | 0:05:16 | |
which obviously annoys Philippe cos he's enjoying the glory. | 0:05:16 | 0:05:19 | |
What is that treaty and has that been forced upon him? | 0:05:19 | 0:05:22 | |
Has he opted into that? | 0:05:22 | 0:05:23 | |
What's going on there? | 0:05:23 | 0:05:25 | |
So this is the Treaty of Aix-la-Chapelle. | 0:05:25 | 0:05:27 | |
Really it's not what Louis had in mind. | 0:05:27 | 0:05:30 | |
His hand has been forced by the Dutch, particularly, | 0:05:30 | 0:05:33 | |
because they get very alarmed at Louis XIV advancing towards... | 0:05:33 | 0:05:38 | |
Closer to their borders. | 0:05:38 | 0:05:40 | |
-As you would. -Indeed, as you would. | 0:05:40 | 0:05:42 | |
And so they conclude very quickly an alliance with the English and | 0:05:42 | 0:05:45 | |
the Swedish and this is basically saying, "You have to stop there. | 0:05:45 | 0:05:48 | |
"If you don't stop then we'll all join forces | 0:05:48 | 0:05:50 | |
"and force you to relinquish it." | 0:05:50 | 0:05:52 | |
And they're Protestant, these three nations, this triple alliance? | 0:05:52 | 0:05:55 | |
They're Protestant states, France is a Catholic state, | 0:05:55 | 0:05:58 | |
so there's sort of tension there. | 0:05:58 | 0:05:59 | |
But France and the Netherlands, the Dutch, | 0:05:59 | 0:06:01 | |
have been allies for a century or so. | 0:06:01 | 0:06:04 | |
So is this a sort of new shift in direction for his foreign policy? | 0:06:04 | 0:06:07 | |
Is Louis now thinking of the Dutch as the enemy | 0:06:07 | 0:06:10 | |
and Spain is in the rear window? | 0:06:10 | 0:06:12 | |
He doesn't take the Dutch as a rival, | 0:06:12 | 0:06:14 | |
he just thinks of them as sort of meddlesome. | 0:06:14 | 0:06:17 | |
He thinks it's very ungrateful considering all the help that France | 0:06:17 | 0:06:20 | |
has given to the Dutch over the last century fighting the Spanish. | 0:06:20 | 0:06:24 | |
So he decides that they need | 0:06:24 | 0:06:26 | |
putting back in their place, basically, after that. | 0:06:26 | 0:06:28 | |
And the other tricky thing for him of course is | 0:06:28 | 0:06:31 | |
he's married to a Spanish queen. | 0:06:31 | 0:06:32 | |
He's got Henriette-Anne at court who's English, | 0:06:32 | 0:06:35 | |
he has friends and allies who are Dutch. | 0:06:35 | 0:06:37 | |
Is it ever complicated for him declaring war on a rival nation | 0:06:37 | 0:06:41 | |
when he has people from those nations living in his court? | 0:06:41 | 0:06:45 | |
No, I think that's fairly standard for this time is that they accept | 0:06:45 | 0:06:49 | |
the part of the French dynasty, | 0:06:49 | 0:06:51 | |
the ruling dynasty now for all intents and purposes. | 0:06:51 | 0:06:54 | |
Unfortunately, on that note, we've run out of time. | 0:06:54 | 0:06:56 | |
-But thank you, Phil, it's been a pleasure. -Thank you, Phil. | 0:06:56 | 0:06:58 | |
And thank you for watching at home. Hopefully you'll join us next week. | 0:06:58 | 0:07:01 | |
-Bonsoir. -Bonsoir. | 0:07:01 | 0:07:03 |