Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Bonjour! | 0:00:06 | 0:00:07 | |
Welcome to Inside Versailles, where we have seen...well, | 0:00:07 | 0:00:09 | |
new people arriving at court, which is a good thing, | 0:00:09 | 0:00:12 | |
but we're seeing poisonings - bad thing. | 0:00:12 | 0:00:15 | |
What are the kind of pressures at court for these new families | 0:00:15 | 0:00:18 | |
arriving and why is that contributing to | 0:00:18 | 0:00:20 | |
a sort of atmosphere of murder and intrigue? | 0:00:20 | 0:00:23 | |
To us, Versailles is so beautiful, so glamorous but, to them, | 0:00:23 | 0:00:26 | |
it was cramped and dark and damp. | 0:00:26 | 0:00:29 | |
And also, they were crammed in with the people they hated most. | 0:00:29 | 0:00:32 | |
Unsurprisingly, you not only got jealousy, cruelty and rivalries, | 0:00:32 | 0:00:37 | |
but also we're starting to see just a little bit of poison and murder. | 0:00:37 | 0:00:41 | |
And maybe we'll see some more. | 0:00:41 | 0:00:43 | |
The other thing we've seen is Athenais dancing in | 0:00:43 | 0:00:46 | |
a pretty tight-fitting corset and now going into labour. | 0:00:46 | 0:00:50 | |
It's interesting because Athenais is the maitresse-en-titre - | 0:00:50 | 0:00:53 | |
she's the official mistress, she's got all the power. | 0:00:53 | 0:00:55 | |
She is legit, in some ways, and yet there's still pressure on her | 0:00:55 | 0:00:58 | |
because, actually, the Church isn't too keen. | 0:00:58 | 0:01:01 | |
And here we're seeing a portrait of Jacques-Benigne Bossuet, | 0:01:01 | 0:01:04 | |
and we've seen tonight he's been remonstrating with the King | 0:01:04 | 0:01:07 | |
and with Athenais, saying she's got to give up the affair - | 0:01:07 | 0:01:11 | |
it's scandalous and immoral. | 0:01:11 | 0:01:13 | |
So he is the main religious figure at court, isn't he? | 0:01:13 | 0:01:17 | |
So Bossuet's quite supportive of the absolute divine right of | 0:01:17 | 0:01:20 | |
Louis to rule, but he is not supportive of his rather | 0:01:20 | 0:01:23 | |
dubious morality and, of course, the great problem with Athenais - | 0:01:23 | 0:01:28 | |
unlike Louise de La Valliere, who we saw in Series 1, | 0:01:28 | 0:01:30 | |
flagellating herself, devastated - Athenais simply doesn't care. | 0:01:30 | 0:01:34 | |
She does it for show and she's openly and obviously Louis' mistress, | 0:01:34 | 0:01:39 | |
and that really sets her in opposition to Bossuet, | 0:01:39 | 0:01:42 | |
who thinks this is disgraceful behaviour. | 0:01:42 | 0:01:44 | |
So she is scandalised at court and, as you say, the Church is conflicted | 0:01:44 | 0:01:49 | |
on this because you can't criticise the King, | 0:01:49 | 0:01:51 | |
but you can perhaps try and set a moral guidance. | 0:01:51 | 0:01:55 | |
And we know from history that Louis regularly went to confession | 0:01:55 | 0:01:58 | |
and he sometimes would skip the sort of basic Eucharist because | 0:01:58 | 0:02:02 | |
he felt guilty about things. | 0:02:02 | 0:02:04 | |
And sometimes the priests would give him an unconsecrated host | 0:02:04 | 0:02:08 | |
so it looked like he was taking communion, but he wasn't really. | 0:02:08 | 0:02:11 | |
But you might say, | 0:02:11 | 0:02:12 | |
why does the Church put up with Louis behaving in this immoral way? | 0:02:12 | 0:02:15 | |
And it's really because their interests are | 0:02:15 | 0:02:16 | |
so tied because what they think is that Louis' | 0:02:16 | 0:02:19 | |
going to impose Catholic orthodoxy on France and get rid of the Protestants, | 0:02:19 | 0:02:24 | |
and also get rid of some of those very annoying | 0:02:24 | 0:02:27 | |
-Catholic sects. -Yes, they're called the Jansenists. -Oh, horrors! | 0:02:27 | 0:02:30 | |
And they are quite a weird bunch because they believe in predestination - | 0:02:30 | 0:02:35 | |
they believe that only a certain set of people are going to be going | 0:02:35 | 0:02:39 | |
to heaven, that God has already decided who they are in advance. | 0:02:39 | 0:02:42 | |
And, to Catholics, they go, ooh! | 0:02:42 | 0:02:44 | |
That's not how we do things around here. | 0:02:44 | 0:02:45 | |
And Bossuet will be saying, no, no, no, as long as you do the Seven Sacraments | 0:02:45 | 0:02:48 | |
and all the things a good Catholic does, you go to heaven. | 0:02:48 | 0:02:51 | |
-And Jansenists say, well, you know, maybe not. -Maybe not. | 0:02:51 | 0:02:54 | |
And that's scary because it means that some people might not | 0:02:54 | 0:02:57 | |
get to go to heaven, even if they're good Catholics. | 0:02:57 | 0:02:59 | |
And also, it takes away quite a lot of control from the priests | 0:02:59 | 0:03:02 | |
-because the priests are the gateway to heaven. -Exactly. | 0:03:02 | 0:03:05 | |
You have to do what they say, and if it doesn't matter what they say, | 0:03:05 | 0:03:08 | |
-then that's pretty scary for them. -Absolutely. | 0:03:08 | 0:03:10 | |
But this is also interesting cos it's about the Pope versus Louis, | 0:03:10 | 0:03:14 | |
and Bossuet's sort of stuck in the middle because he's ultimately a fan | 0:03:14 | 0:03:17 | |
of Louis, he's one of Louis' chief supporters, | 0:03:17 | 0:03:20 | |
and yet it's the Pope who appoints him. | 0:03:20 | 0:03:23 | |
It is, and we always see kings in opposition to monasteries | 0:03:23 | 0:03:26 | |
because they're so powerful, they've got so much land, they've got so much money, | 0:03:26 | 0:03:30 | |
but they're not answerable to the King - they're answerable to Rome. | 0:03:30 | 0:03:33 | |
But it's interesting, isn't it, because you have the Chevalier de la Reine, | 0:03:33 | 0:03:36 | |
who couldn't be more wild in his behaviour? | 0:03:36 | 0:03:38 | |
But he is the titular head of four abbeys, | 0:03:38 | 0:03:42 | |
-so so many powerful aristocrats are linked to these monasteries. -Absolutely. | 0:03:42 | 0:03:45 | |
So they are bases of not only religion and not only money, but also of power. | 0:03:45 | 0:03:49 | |
It also sums up a singular battle going on at the courts | 0:03:49 | 0:03:52 | |
between the faction...the devout faction called le Devout and then | 0:03:52 | 0:03:56 | |
also the party aspects of the Palace - the glory, the glamour, | 0:03:56 | 0:04:00 | |
the sex, the rock and roll. | 0:04:00 | 0:04:02 | |
So there's a man here at odds with himself, isn't there? | 0:04:02 | 0:04:06 | |
He's torn between being the playboy king and being the good Catholic. | 0:04:06 | 0:04:09 | |
Let's see how the series progresses. | 0:04:09 | 0:04:11 | |
-Join us next week for more Inside Versailles. Bonsoir! -Bonsoir! | 0:04:11 | 0:04:15 |