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When Edward Ware bought a building plot in a West Country village, he thought he would make a killing. | 0:00:43 | 0:00:51 | |
But his plans for six luxury homes were halted when archaeologists uncovered an ancient burial ground. | 0:00:51 | 0:00:59 | |
This sounds like a really exciting site, at least 2 to 3,000 years old, | 0:01:10 | 0:01:16 | |
but the big unknown is how many were buried there and who were they? | 0:01:16 | 0:01:21 | |
'The site lies in an old farmyard in the small village of Bleadon near Weston-super-Mare. | 0:01:24 | 0:01:30 | |
'Before being allowed to build, the developer had to have an archaeological survey done. | 0:01:30 | 0:01:37 | |
'By chance, one of the first trenches uncovered a ring of six strange pits. | 0:01:37 | 0:01:44 | |
'Two contained human remains. | 0:01:44 | 0:01:47 | |
'Andrew Young, in charge of the excavation, showed me the burials. | 0:01:47 | 0:01:52 | |
'But the bones in the first one were in a very poor state.' | 0:01:52 | 0:01:56 | |
As you can see, there are a number of long bones - two parallel here, | 0:01:56 | 0:02:02 | |
and a socket end, possibly a femur, in front of us. | 0:02:02 | 0:02:06 | |
-It doesn't look like someone's body laid in here, does it? -No. -The bits are all over the place. | 0:02:06 | 0:02:13 | |
'In the second pit, the burial looked far more promising. | 0:02:13 | 0:02:18 | |
'With the skull and the leg bones starting to appear, | 0:02:18 | 0:02:22 | |
'it looked like a male.' | 0:02:22 | 0:02:24 | |
I suppose we're used to graves being elongated and people being buried laid out. | 0:02:24 | 0:02:31 | |
This pit here is a more appropriate grave for somebody buried in this crouched position. | 0:02:31 | 0:02:38 | |
A position that maybe has ideas of being asleep or slightly submissive | 0:02:38 | 0:02:44 | |
or maybe even reflects the way in which a baby lies in the foetal position. | 0:02:44 | 0:02:51 | |
'The burials have caused quite a stir in the village. | 0:02:51 | 0:02:55 | |
'Archaeologist Vince Russett is giving guided tours.' | 0:02:55 | 0:02:59 | |
What you can see here is the excavation of human remains | 0:02:59 | 0:03:04 | |
of late Bronze Age date - that's probably about 1000 BC. | 0:03:04 | 0:03:09 | |
They're important as it's rare to find skeletons of this date. | 0:03:09 | 0:03:14 | |
An important thing is that they are human remains. | 0:03:14 | 0:03:18 | |
We have to treat these people with dignity - they are our ancestors. | 0:03:18 | 0:03:23 | |
Not an archaeological feature | 0:03:23 | 0:03:25 | |
in the way potshards or a grain are. | 0:03:25 | 0:03:28 | |
They are dead people and we must consider that all the time. | 0:03:28 | 0:03:32 | |
'With the burials getting so much media attention, | 0:03:32 | 0:03:36 | |
'how could Andy and Vince be sure they dated from the Bronze Age, 3,000 years ago?' | 0:03:36 | 0:03:43 | |
When we opened the trenches, we exposed the pits and some of them were looked at partly excavated. | 0:03:43 | 0:03:50 | |
From those pits, we recovered... | 0:03:50 | 0:03:52 | |
'Andy had the evidence - fragments of pottery from a burial pit.' | 0:03:52 | 0:03:57 | |
We could only say late prehistoric - plain, black and not Roman or later. | 0:03:57 | 0:04:03 | |
We had to send it to a specialist to get definition on that. | 0:04:03 | 0:04:07 | |
-And what have they confirmed? -That it's late Bronze Age around 1000 BC. | 0:04:07 | 0:04:13 | |
'Back at the site, the better-preserved burial | 0:04:13 | 0:04:17 | |
'was coming out of the ground piece by piece. | 0:04:17 | 0:04:21 | |
'Every part is labelled and bagged before going to the bone specialist. | 0:04:21 | 0:04:26 | |
'Records show that the village of Bleadon dates back to Saxon times. | 0:04:28 | 0:04:33 | |
'But I wanted to know what the area would have been like in the Bronze Age. | 0:04:33 | 0:04:39 | |
'Our illustrator, Jane Brayne, is an expert at recreating the past. | 0:04:39 | 0:04:44 | |
'But she needs to start from today's landscape - this tower gives a wonderful view.' | 0:04:44 | 0:04:50 | |
-You've got the main landforms in with the ridge behind. -Yes. | 0:04:50 | 0:04:56 | |
And the Celtic fields which are those bits up there. | 0:04:56 | 0:05:00 | |
And the edge seems to come just behind those houses there. | 0:05:00 | 0:05:05 | |
And the site is right at the edge of the dry area | 0:05:05 | 0:05:10 | |
-and by those drainage ditches, it would have been a wet, marshy environment. -Yes. | 0:05:10 | 0:05:17 | |
-It gives it a very enclosed, safe sense. -Yes. | 0:05:17 | 0:05:21 | |
Probably why the medieval village is also here. | 0:05:21 | 0:05:25 | |
We'll add environmental detail | 0:05:25 | 0:05:28 | |
-when we get the information. -Once we know about tree cover and so on. | 0:05:28 | 0:05:33 | |
-Right, OK. Well, that's great. Hot day up here. -Phorr, yeah! | 0:05:33 | 0:05:38 | |
'Much of the information Jane needs will come from the site itself. | 0:05:38 | 0:05:44 | |
'Every bucket of excavated soil is painstakingly sieved, | 0:05:44 | 0:05:49 | |
'revealing tiny carbonised seeds | 0:05:49 | 0:05:52 | |
'and the bones of fish and small animals. | 0:05:52 | 0:05:55 | |
'Samples of soil are taken, which will tell us about the vegetation | 0:05:55 | 0:06:00 | |
'which once covered and surrounded the site. | 0:06:00 | 0:06:05 | |
'And in fields below the village, deep cores are bored from the soil | 0:06:10 | 0:06:15 | |
'to find out how long ago it stopped being a marsh.' | 0:06:15 | 0:06:21 | |
I hope I've got a head for heights cos I'm going up to look at the site from above. | 0:06:21 | 0:06:27 | |
What you get from up here, about 60ft above the site, is an idea of its layout. | 0:06:34 | 0:06:40 | |
For the first time I can really see | 0:06:40 | 0:06:43 | |
that there's a cluster of six pits in a circle, two of which we know have got complete burials in them. | 0:06:43 | 0:06:50 | |
Another contains bits of human bone and the others haven't been studied. | 0:06:50 | 0:06:56 | |
And further on from that, | 0:06:56 | 0:06:58 | |
they've been burying animals - sheep, possibly some bits of pig | 0:06:58 | 0:07:03 | |
so there were all sorts of strange, probably ritual activities going on. | 0:07:03 | 0:07:08 | |
'Back at the burial, there were problems - time to remove the skull | 0:07:08 | 0:07:14 | |
'but it just wouldn't budge.' | 0:07:14 | 0:07:16 | |
-There's not much more we can do. -Is that going in the right place? | 0:07:16 | 0:07:22 | |
As it's stuck we'll have to pull. | 0:07:24 | 0:07:27 | |
Let's try and free it if we can. | 0:07:27 | 0:07:30 | |
We have been but with the gravel on the side, you can't get much down. | 0:07:30 | 0:07:36 | |
< See if you can give him a gentle rock now - | 0:07:37 | 0:07:41 | |
see if you get any movement at all. | 0:07:41 | 0:07:44 | |
No, nothing. < Nothing at all? | 0:07:44 | 0:07:48 | |
-Something's come out. -Never mind, it'll break anyway, up to a point. | 0:07:48 | 0:07:54 | |
-Oh, yes... -Hold on tight there. Excellent! -His jaw too. | 0:07:54 | 0:08:00 | |
I'm quite surprised that he came out in one piece, really. | 0:08:00 | 0:08:05 | |
I was expecting him to just collapse but it's good. | 0:08:05 | 0:08:09 | |
'Several weeks later, I caught up with the man from Bleadon | 0:08:12 | 0:08:17 | |
'in a laboratory where he's been examined by human bones specialist Simon Mays.' | 0:08:17 | 0:08:23 | |
It seems ages since I've seen him. | 0:08:23 | 0:08:26 | |
Looks very different as well. | 0:08:26 | 0:08:29 | |
I suppose last time I saw the burial, it was all crouched. | 0:08:29 | 0:08:35 | |
Oh, no! What happened to the skull? | 0:08:35 | 0:08:38 | |
Last time I saw that, it was in one piece - it was cracked a bit | 0:08:38 | 0:08:44 | |
-but it's fallen to bits. -Yeah, yeah. | 0:08:44 | 0:08:47 | |
It was only held together by soil and when cleaned, it fell apart. | 0:08:47 | 0:08:52 | |
Oh, dear. Well, if we accept that that's a bit of a disaster, | 0:08:52 | 0:08:57 | |
-what have you been able to find out about the person? -Well, firstly, it's a man. | 0:08:57 | 0:09:03 | |
-And how old was he? -It's the teeth that really tell us about that. | 0:09:03 | 0:09:08 | |
This is part of his upper jaw. The white enamel crown on this molar has been completely worn away. | 0:09:08 | 0:09:16 | |
-And that sort of thing is probably characteristic of a man in his fifties when he died. -Right. | 0:09:16 | 0:09:23 | |
'His dental health was dreadful. | 0:09:23 | 0:09:26 | |
'But it was the shape of his lower jaw that surprised me.' | 0:09:26 | 0:09:30 | |
The jaws of people in the medieval period and before that | 0:09:30 | 0:09:35 | |
are much more robust than are jaws of modern people. | 0:09:35 | 0:09:40 | |
Is that cos they had harder stuff to chew? | 0:09:40 | 0:09:43 | |
Yes. Their diet was very coarse whereas we eat factory-made pap! | 0:09:43 | 0:09:49 | |
So, are we all becoming weak-jawed? Would our jaws look very different? | 0:09:49 | 0:09:55 | |
I think they would. If we could bring this person to life, or anyone else from the medieval period, | 0:09:55 | 0:10:02 | |
they would look very lantern-jawed compared with us. | 0:10:02 | 0:10:06 | |
'As if abscesses weren't enough, | 0:10:06 | 0:10:09 | |
-'he also seemed to have fairly bad arthritis.' -If we look here, | 0:10:09 | 0:10:14 | |
-the light is catching that. -It's shiny. -Exactly. | 0:10:14 | 0:10:18 | |
That should be a dull surface - the shine signifies advanced arthritis. | 0:10:18 | 0:10:24 | |
-So, is one bone rubbing on another and wearing it away? -Exactly. | 0:10:24 | 0:10:29 | |
'By the end of my talk with Simon, I was getting a picture of Bleadon man - 5'6" tall and muscular. | 0:10:29 | 0:10:37 | |
'But did all that arthritis suggest a hard life? | 0:10:37 | 0:10:42 | |
'We know he was 50 when he died but when? | 0:10:42 | 0:10:46 | |
'To find out, Simon will send a bit of leg bone away for carbon dating. | 0:10:46 | 0:10:51 | |
'The discovery of the Bleadon man made me wonder if any of his relatives live in the village today. | 0:10:51 | 0:10:59 | |
'To find out, we called a meeting | 0:10:59 | 0:11:02 | |
'and asked for volunteers to take part in a DNA survey. | 0:11:02 | 0:11:07 | |
'All were asked to give details of their forebears and donate a blood sample for analysis. | 0:11:07 | 0:11:14 | |
'By comparing the DNA from these | 0:11:14 | 0:11:17 | |
'and a sample of the bones of Bleadon man, we might find a match. | 0:11:17 | 0:11:22 | |
'Did any of them think they were related?' | 0:11:22 | 0:11:26 | |
I don't know. You don't, do you? | 0:11:26 | 0:11:29 | |
I suppose we've got to wait for you people to sort it out. | 0:11:29 | 0:11:34 | |
I shall be very surprised. | 0:11:34 | 0:11:37 | |
There's a good chance that we are interrelated one way or the other | 0:11:37 | 0:11:43 | |
if there's just a couple of villages of hunter-gatherers interbreeding. | 0:11:43 | 0:11:48 | |
'The blood samples we sent to Erica Helgelberg, at Cambridge University, | 0:11:48 | 0:11:54 | |
'who specialises in comparing DNA from different populations.' | 0:11:54 | 0:11:59 | |
Anthropologists are always rushing off and trying to get DNA samples from people all over the world. | 0:11:59 | 0:12:07 | |
We don't really know that much about the background of British people - | 0:12:07 | 0:12:14 | |
they're a mix of Celtic, Anglo-Saxon and Viking, | 0:12:14 | 0:12:18 | |
and relatively few studies have been done on British populations. | 0:12:18 | 0:12:23 | |
It's a challenge to go to an English village and find out from scratch | 0:12:23 | 0:12:29 | |
just how many DNA sequences we will detect among these villagers. | 0:12:29 | 0:12:35 | |
'From Cambridge, it was off to Manchester University | 0:12:35 | 0:12:39 | |
'to meet facial reconstruction specialist Richard Neave. | 0:12:39 | 0:12:43 | |
'I was very anxious to know if he could rebuild the shattered skull.' | 0:12:43 | 0:12:48 | |
It's as if someone's just broken it into bits, to give me hours of amusement putting it together again. | 0:12:48 | 0:12:56 | |
But all the indications are that it's going to be possible to do that. | 0:12:56 | 0:13:01 | |
'Over the next two days, Richard painstakingly assembled the skull.' | 0:13:03 | 0:13:09 | |
Ha-ha! Oh! Ah-ha! Oh! > | 0:13:09 | 0:13:11 | |
-What is it? -Oh. It's part of the nasal bone. | 0:13:11 | 0:13:15 | |
-Oh, brilliant! -My God. Now, are we lucky or what? | 0:13:15 | 0:13:20 | |
Not a desperately prepossessing looking fellow. | 0:13:20 | 0:13:25 | |
-There's our lower jaw - pretty wild, eh? -Hmm. | 0:13:25 | 0:13:30 | |
'Now the skull is complete, a plaster cast is made | 0:13:34 | 0:13:38 | |
'and this becomes the foundation for the facial reconstruction. | 0:13:38 | 0:13:43 | |
'Richard's assistant, Caroline, has to drill and insert over 20 pegs into the cast, | 0:13:44 | 0:13:51 | |
'each one representing the depth of facial tissue at that exact point.' | 0:13:51 | 0:13:56 | |
It gets more frightening as time goes on, doesn't it?! | 0:14:03 | 0:14:09 | |
The pegs were bad enough but when you put the eyeballs in as well! | 0:14:09 | 0:14:13 | |
'Next, the layers of muscle, soft tissue and skin are added.' | 0:14:15 | 0:14:20 | |
It looks like a strange hat at the moment, doesn't it? | 0:14:24 | 0:14:29 | |
'While I was away, the excavation of the second burial had been done. | 0:14:35 | 0:14:40 | |
'This turns out to be a woman, about 35 years old, who was buried with something very unexpected.' | 0:14:40 | 0:14:48 | |
The one day we weren't on site, look what came up with the burial. | 0:14:48 | 0:14:53 | |
I think this object will change the whole way we think about the site. | 0:14:53 | 0:14:59 | |
'At the conservation centre in Salisbury, I met with Mark Corney. | 0:14:59 | 0:15:05 | |
'I wanted his expert opinion on this new find | 0:15:05 | 0:15:08 | |
'which had now been X-rayed.' | 0:15:08 | 0:15:10 | |
-Ignore all these - this is the one. -That's the one you're interested in. | 0:15:12 | 0:15:17 | |
Right. It's a brooch, what's called a penannular brooch. | 0:15:17 | 0:15:22 | |
Of late Bronze Age, we understood. | 0:15:22 | 0:15:24 | |
-Oh! Sorry to disappoint you - no. -Why not? -This is Iron Age. | 0:15:24 | 0:15:30 | |
It's a type that is not known before about 300 BC. | 0:15:30 | 0:15:36 | |
A problem with a Bronze Age date - | 0:15:36 | 0:15:39 | |
this is iron and you don't get that then! | 0:15:39 | 0:15:43 | |
So, we have to rethink about the burial date? | 0:15:43 | 0:15:47 | |
Quite considerably. But it's still interesting - | 0:15:47 | 0:15:51 | |
this type of brooch in iron is quite rare. | 0:15:51 | 0:15:54 | |
-It's just about 600 years later than we thought. -Yes. | 0:15:54 | 0:15:58 | |
'Funny how such a small find can change ideas. | 0:15:58 | 0:16:02 | |
'But does anything else indicate the Iron Age? | 0:16:02 | 0:16:06 | |
'At Bristol University, I met Vanessa Straker, | 0:16:06 | 0:16:10 | |
'an environmentalist, who's been analysing seeds from the site.' | 0:16:10 | 0:16:14 | |
-So, did all that sieving on site pay off? -Yes. | 0:16:14 | 0:16:18 | |
We've found a nice collection of the remains of the crops that were consumed by the people | 0:16:18 | 0:16:25 | |
-who lived there. -What were they growing? -Wheat and barley. | 0:16:25 | 0:16:29 | |
These are the two sorts found in the samples from Bleadon. | 0:16:29 | 0:16:34 | |
-Which one's which? -This is a modern ear of emmer wheat here on the left. | 0:16:34 | 0:16:39 | |
And on the right is spelt wheat. | 0:16:39 | 0:16:41 | |
Neither has been grown in Britain for hundreds of years. | 0:16:41 | 0:16:45 | |
It's much harder to extract the grain from these "hulled" wheats | 0:16:45 | 0:16:50 | |
than it is from modern "free-threshing" wheats. | 0:16:50 | 0:16:54 | |
It would have been more complicated to extract the grain for consumption from these wheats. | 0:16:54 | 0:17:01 | |
-So, hard work for the farmers. -Yes. | 0:17:01 | 0:17:04 | |
If you didn't know what date this site was, and you'd looked at all the seeds, what would you suggest? | 0:17:04 | 0:17:12 | |
I would think it was late prehistoric, | 0:17:14 | 0:17:17 | |
um, most probably Iron Age. | 0:17:17 | 0:17:20 | |
'At Southampton University, animal bones specialist Dale Sergeantson | 0:17:20 | 0:17:26 | |
'had just received a huge pile of bones from the site.' | 0:17:26 | 0:17:30 | |
My image of this man from Bleadon is that he's a farmer. | 0:17:30 | 0:17:35 | |
Does your first look at the animal bones bear this out? | 0:17:35 | 0:17:39 | |
Yes. Lots and lots of sheep, | 0:17:39 | 0:17:42 | |
including a lot of young sheep. | 0:17:42 | 0:17:45 | |
A certain amount of cattle and very, very few pigs or possibly even none at all. | 0:17:45 | 0:17:52 | |
Did they also have sheep dogs, then? | 0:17:52 | 0:17:55 | |
They certainly had dogs to guard the sheep and cattle and we found a bit of evidence for them in the site. | 0:17:55 | 0:18:02 | |
That's a tooth and we can get an idea from that | 0:18:02 | 0:18:06 | |
of the sort of size of dog it was. | 0:18:06 | 0:18:09 | |
We compared it with the dogs | 0:18:09 | 0:18:12 | |
in our reference collection and it's about the same size and shape | 0:18:12 | 0:18:17 | |
as the modern collie - perhaps a little smaller. | 0:18:17 | 0:18:21 | |
-Right. That's one man and part of his dog. -Yes! | 0:18:21 | 0:18:25 | |
-What else is there? -There are some other animals. | 0:18:25 | 0:18:29 | |
There's evidence for horse from the Iron Age. | 0:18:29 | 0:18:33 | |
But what is interesting is that the most obvious finds of horse | 0:18:33 | 0:18:38 | |
are two skulls from two different pits. This is one of them. | 0:18:38 | 0:18:43 | |
You can see we've arranged the teeth in a row, | 0:18:43 | 0:18:47 | |
but you can see the state in which it was found is very fragmentary. | 0:18:47 | 0:18:52 | |
So, just the skulls? | 0:18:52 | 0:18:54 | |
-Yes. -Isn't that rather strange? | 0:18:54 | 0:18:57 | |
Well, the rest of it's eaten just as the cows and sheep were. | 0:18:57 | 0:19:01 | |
It was perfectly normal - people ate their horses in the Iron Age, | 0:19:01 | 0:19:06 | |
they ate every animal that died on the site. | 0:19:06 | 0:19:10 | |
And, in fact, that's a cow's tibia and it's been butchered | 0:19:10 | 0:19:15 | |
to be put into a cooking pot and stewed, | 0:19:15 | 0:19:19 | |
so that the lovely nutritious marrow can come out of the bone to be eaten. | 0:19:19 | 0:19:25 | |
I think we've probably got a fairly typical Iron Age assemblage here. | 0:19:27 | 0:19:32 | |
'Some of these ancient breeds are very different from today's | 0:19:32 | 0:19:37 | |
'as I found out at the Cotswold Countryside Park.' | 0:19:37 | 0:19:41 | |
These are Soays - small, slender, | 0:19:41 | 0:19:44 | |
their wool can be plucked instead of shorn and both sexes have horns. | 0:19:44 | 0:19:49 | |
These are Dexter cattle, the sort our Iron Age man would have had. | 0:19:53 | 0:19:58 | |
He would have milked them and also used them for pulling his plough. | 0:19:58 | 0:20:03 | |
They're lovely, aren't they? | 0:20:03 | 0:20:05 | |
'Everyone met to help Jane with the details for her ancient landscape. | 0:20:08 | 0:20:14 | |
'Andy was still sure that the site was Bronze Age.' | 0:20:14 | 0:20:18 | |
What you can say is that there's no Middle Bronze Age cultural material on the site | 0:20:18 | 0:20:24 | |
or later Iron Age material, excluding the possibility of that. | 0:20:24 | 0:20:30 | |
And you have to work from that starting point. | 0:20:30 | 0:20:34 | |
Well, this is interesting because... | 0:20:34 | 0:20:37 | |
Well, I didn't know about this iron brooch. | 0:20:37 | 0:20:40 | |
'But the evidence was pointing | 0:20:40 | 0:20:43 | |
'to a later date and only the radiocarbon dates would finally resolve this.' | 0:20:43 | 0:20:49 | |
This is the drawing I made on site to get a good sense of the landscape | 0:20:49 | 0:20:55 | |
and the feel of the place generally. | 0:20:55 | 0:20:57 | |
'Jane could now put the latest developments into her landscape.' | 0:20:57 | 0:21:03 | |
I made a much more detailed drawing. | 0:21:03 | 0:21:06 | |
We've included an Iron Age settlement - entirely conjectural, | 0:21:06 | 0:21:11 | |
we've no idea whether it was there or not, | 0:21:11 | 0:21:14 | |
but it seems likely that people were living there and farming. | 0:21:14 | 0:21:19 | |
This will be the final drawing, still unfinished. | 0:21:19 | 0:21:23 | |
I'm still undecided about what to do with the excavation site itself - | 0:21:23 | 0:21:28 | |
how to make it special. For now, mounds indicate the burial pits. | 0:21:28 | 0:21:34 | |
We know now that, the whole area was much more wooded than thought, | 0:21:34 | 0:21:39 | |
so I've brought the trees forward and hopefully given a sense | 0:21:39 | 0:21:45 | |
of the settlement being surrounded by trees, by quite dense woodland - | 0:21:45 | 0:21:50 | |
the species that you would find today in this kind of environment | 0:21:50 | 0:21:55 | |
where it was really quite wet - | 0:21:55 | 0:21:57 | |
willows, which cover the Somerset levels, | 0:21:57 | 0:22:00 | |
but also oak | 0:22:00 | 0:22:03 | |
and a lot of ash, there's a lot of ash. | 0:22:03 | 0:22:07 | |
We know from the faunal remains | 0:22:07 | 0:22:10 | |
that these people had horses - three skulls were found on site - and they would have been quite small, | 0:22:10 | 0:22:18 | |
something like an Exmoor pony. | 0:22:18 | 0:22:20 | |
And we know that people in the Iron Age had dogs. | 0:22:20 | 0:22:25 | |
So, a drawing like this is very much a coming-together of a lot of different information. | 0:22:25 | 0:22:32 | |
'In Jane's final illustration, we see a landscape of fields and farms. | 0:22:32 | 0:22:37 | |
'And downhill from the settlement, lying in a woodland clearing | 0:22:37 | 0:22:42 | |
'at the edge of the salt marsh, is the burial site.' | 0:22:42 | 0:22:46 | |
'In Manchester, Richard was putting the final touches to Bleadon man.' | 0:22:54 | 0:23:00 | |
It's what they do in the barbers, isn't it? | 0:23:01 | 0:23:04 | |
I'm just kind of fidgeting about. | 0:23:04 | 0:23:07 | |
He doesn't look anything like I thought he would! | 0:23:22 | 0:23:26 | |
It really is odd because this isn't the face that I expected I was going to see. | 0:23:26 | 0:23:33 | |
I feel I've almost got to know him from having seeing him in the ground as a skeleton, | 0:23:33 | 0:23:40 | |
and then seeing Richard rebuilding the skull, and the face emerging, but it's still a surprise. | 0:23:40 | 0:23:48 | |
I think it's a very strong face, it's almost got a touch of authority or nobility about it. | 0:23:48 | 0:23:55 | |
Yet, it's a person who probably had a hard life - which figures in the Iron Age. | 0:23:55 | 0:24:02 | |
I'd love to have met him in real life and been able to talk to him | 0:24:02 | 0:24:07 | |
but that's one thing archaeology will never let us do. | 0:24:07 | 0:24:12 | |
Right. Meet Bleadon man. | 0:24:15 | 0:24:18 | |
'I took the cast of Bleadon man to show Andy and Vince.' | 0:24:20 | 0:24:25 | |
What d'you reckon? | 0:24:25 | 0:24:27 | |
Very striking, I think. | 0:24:27 | 0:24:29 | |
'But I'd just had news that Bleadon man was 2,000 years old, not 3,000. He was Iron Age, after all.' | 0:24:29 | 0:24:37 | |
So, if I said that the radiocarbon dates suggested about 100 BC... | 0:24:37 | 0:24:42 | |
-I'd be very disappointed. -Oh! That's what they are. -Oh! -I know! | 0:24:42 | 0:24:48 | |
I'll put it down gently. | 0:24:48 | 0:24:50 | |
-Really? -Yeah. | 0:24:50 | 0:24:52 | |
Well, somebody has some explaining to do! | 0:24:52 | 0:24:56 | |
I mean, you said that you were disappointed. Why? | 0:24:57 | 0:25:02 | |
That's an interesting question. I think it's primarily | 0:25:02 | 0:25:06 | |
because the archaeological evidence that we gathered meticulously | 0:25:06 | 0:25:11 | |
doesn't correlate with this instrumental data. | 0:25:11 | 0:25:15 | |
And it's nice that when you look at a site in that detail, | 0:25:15 | 0:25:19 | |
you expect to be able to correlate the finds, the pottery | 0:25:19 | 0:25:23 | |
with the instrumental data fairly tightly - here, we have a huge difference. | 0:25:23 | 0:25:29 | |
But the unpredictability is the very reason why Andrew and I actually do this. | 0:25:29 | 0:25:36 | |
Now, we've got to explain how we fit this all together again. | 0:25:36 | 0:25:41 | |
We've had one idea about what the site was like and what age it was. | 0:25:41 | 0:25:46 | |
Now, we've got more complicating factors with a later date. | 0:25:46 | 0:25:51 | |
Fine! So we go back and ask new questions. | 0:25:51 | 0:25:54 | |
And hopefully, we can explain where all this fits in. | 0:25:54 | 0:25:58 | |
'Back in Bleadon, the burial site has sadly disappeared under the new houses.' | 0:26:00 | 0:26:06 | |
I'm Julian Richards, the archaeologist working on the series. | 0:26:06 | 0:26:11 | |
'In the village hall, nine months after his discovery, | 0:26:11 | 0:26:15 | |
'it was time for the villagers to meet their ancestor.' | 0:26:15 | 0:26:19 | |
And so, the question is now, | 0:26:19 | 0:26:22 | |
do any of you recognise this person? | 0:26:22 | 0:26:26 | |
George Wall. > | 0:26:26 | 0:26:27 | |
EVERYONE LAUGHS | 0:26:27 | 0:26:30 | |
What? There's somebody in the village that looks like this? | 0:26:30 | 0:26:35 | |
Ah! | 0:26:35 | 0:26:37 | |
Well, that's quite interesting. That seemed to be fairly unanimous. | 0:26:41 | 0:26:46 | |
There was a shout from several people about it. | 0:26:46 | 0:26:50 | |
The profile might be a giveaway... | 0:26:50 | 0:26:52 | |
'Another surprise was the results of the DNA study | 0:26:52 | 0:26:56 | |
'and Erica was here to explain.' | 0:26:56 | 0:26:59 | |
We can't say for sure that you're direct descendants | 0:26:59 | 0:27:04 | |
but it's quite clear that you do trace back to a common origin with this man and I think that's nice. | 0:27:04 | 0:27:11 | |
'Out of 48 people who gave blood, the DNA sequence of five matched with Bleadon man. But who are they?' | 0:27:11 | 0:27:19 | |
Move right in close - that's it! | 0:27:19 | 0:27:22 | |
Can you tip the head down for me? | 0:27:22 | 0:27:24 | |
< Can you lean right in close together? Heads as close as you can. | 0:27:24 | 0:27:30 | |
At least it's warm! | 0:27:30 | 0:27:31 | |
'After the meeting, it was time for a photo call. | 0:27:31 | 0:27:36 | |
'And we gave all of Bleadon man's five descendants | 0:27:36 | 0:27:40 | |
'certificates to mark the occasion.' | 0:27:40 | 0:27:43 | |
-How do you feel being related to him? -I'm not very keen. | 0:27:43 | 0:27:47 | |
-You're not?! You think he looks a bit miserable? -I do. Horrible nose! | 0:27:47 | 0:27:53 | |
Let's have a look. Hang on. What d'you reckon? | 0:27:56 | 0:28:00 | |
ALL: No! | 0:28:00 | 0:28:02 | |
I don't know! There's something there, I think. | 0:28:02 | 0:28:05 | |
-There is, is there? -Yeah. | 0:28:05 | 0:28:08 | |
Subtitles by Judith Eacott BBC - 1998 | 0:28:31 | 0:28:35 |