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Last summer, the peace of this quiet English garden was shattered | 0:00:31 | 0:00:36 | |
by the discovery of a huge grave. | 0:00:36 | 0:00:39 | |
Who lies in it, and why were they buried here? | 0:00:39 | 0:00:44 | |
It's an archaeological mystery which has brought me to the Cotswolds, to Malmesbury. | 0:00:53 | 0:01:00 | |
In the medieval period, it had some important inhabitants - | 0:01:00 | 0:01:05 | |
a local gardener may well have dug one of them up! | 0:01:05 | 0:01:10 | |
It's all happened in the shadow of Malmesbury's imposing abbey, in the grounds of Abbey House. | 0:01:10 | 0:01:18 | |
Martin Roberts, the gardener, was planting when his spade struck something hard. | 0:01:18 | 0:01:24 | |
How did you find a coffin in the garden?! | 0:01:24 | 0:01:29 | |
I were digging a rose bed - and looking out for a pipe... | 0:01:29 | 0:01:33 | |
'The garden is in the grounds of the original abbey, | 0:01:33 | 0:01:38 | |
'which Henry VIII disbanded in 1539. | 0:01:38 | 0:01:41 | |
'At the end, a magnificent medieval stone coffin - at least 6-700 years old.' | 0:01:41 | 0:01:48 | |
-Beautiful, isn't it? -Mm! | 0:01:48 | 0:01:51 | |
'A second, simpler burial suggests the coffin may be part of a cemetery.' | 0:01:51 | 0:01:57 | |
-What was your first reaction when you found it? -Shock, amazement. | 0:01:57 | 0:02:03 | |
I wasn't sure what I'd found - | 0:02:03 | 0:02:06 | |
I cleared that area, there. | 0:02:06 | 0:02:08 | |
I was clearing it away with my hands, then I saw a row of teeth. | 0:02:08 | 0:02:14 | |
And you realised it was occupied! | 0:02:14 | 0:02:17 | |
It's so fine, so beautifully made. | 0:02:17 | 0:02:20 | |
It suggests it's somebody quite important. | 0:02:20 | 0:02:24 | |
'Whoever lies in the coffin had qualified for a grand send-off. | 0:02:24 | 0:02:30 | |
'I was struck by the size - over seven foot long. | 0:02:30 | 0:02:34 | |
'Inside, it's 6ft4 from head to toe. | 0:02:34 | 0:02:37 | |
'By medieval standards, this person must have been a giant! | 0:02:37 | 0:02:43 | |
'Excavation will give us more clues about this extraordinary person.' | 0:02:45 | 0:02:51 | |
Abbey House and the gardens belong to postmodernist architect Ian Pollard | 0:02:54 | 0:03:00 | |
and his wife Barbara, a former model. | 0:03:00 | 0:03:05 | |
They're not the most orthodox pair, but a giant amongst the roses was, even for them, a bit surreal. | 0:03:05 | 0:03:12 | |
After the initial shock, the coffin seemed unusually large. | 0:03:12 | 0:03:17 | |
All I could think of was, "Gosh, the person must have been enormous." | 0:03:17 | 0:03:22 | |
I was astounded they were so large. | 0:03:22 | 0:03:26 | |
It's always been the abbot's garden, | 0:03:26 | 0:03:30 | |
so the fact there is an enormous stone coffin in it seems most peculiar - | 0:03:30 | 0:03:37 | |
who on earth could it be?! | 0:03:37 | 0:03:41 | |
One thing's likely - the person was probably connected with the abbey. | 0:03:41 | 0:03:46 | |
I began to look for clues in the abbey church - all that remains of the original buildings. | 0:03:46 | 0:03:53 | |
1,300 years ago, the abbey was founded by Benedictine monks. | 0:03:53 | 0:03:58 | |
Its history's packed with people who would warrant such a burial. | 0:03:58 | 0:04:03 | |
There's the first abbot, St Aldhelm, | 0:04:03 | 0:04:07 | |
legendary worker of miracles. | 0:04:07 | 0:04:09 | |
He looks like quite a tall man! | 0:04:09 | 0:04:12 | |
It could be my hero, Brother Elmer, the monk who thought he could fly - | 0:04:14 | 0:04:20 | |
and famously jumped from the abbey's 430ft spire to prove it! | 0:04:20 | 0:04:25 | |
REPORTER: Stuntman Colin Skeeping | 0:04:25 | 0:04:28 | |
leapt off the abbey to recall the day in the year 1000 | 0:04:28 | 0:04:33 | |
when Brother Elmer, a Benedictine monk, decided to take to the air. | 0:04:33 | 0:04:38 | |
Despite no safety wire, Elmer flew 200yds and survived - but broke both legs. | 0:04:38 | 0:04:45 | |
Perhaps the most tantalising possibility of all is Athelstan, | 0:04:50 | 0:04:56 | |
the first Saxon King of all England. | 0:04:56 | 0:04:59 | |
His tomb lies in the abbey, but it's empty. | 0:04:59 | 0:05:03 | |
It is rumoured his bones were removed, to avoid relic hunters, | 0:05:03 | 0:05:08 | |
and buried in the abbot's garden - which now belongs to the Pollards. | 0:05:08 | 0:05:13 | |
Could the coffin Martin discovered really contain King Athelstan? | 0:05:13 | 0:05:18 | |
The problem is, Athelstan died in 939, and the coffin in the garden looks 300 years later - | 0:05:18 | 0:05:26 | |
so I'm not convinced it's him. | 0:05:26 | 0:05:29 | |
Many people would disagree. | 0:05:29 | 0:05:31 | |
The feverish speculation of the press | 0:05:31 | 0:05:35 | |
puts Athelstan or a giant monk as hot favourites. | 0:05:35 | 0:05:40 | |
The Pollards share their find with locals. | 0:05:45 | 0:05:48 | |
By now, everyone's an expert - even before the bones are uncovered! | 0:05:48 | 0:05:54 | |
"Seven foot long." Very tall! | 0:05:54 | 0:05:57 | |
When Henry closed the monasteries down - about 1530 - what happened then...? | 0:05:57 | 0:06:04 | |
"Was it King Athelstan, St Aldhelm...?" | 0:06:04 | 0:06:07 | |
-From a romantic point of view, we hope it's Athelstan. -You never know. | 0:06:07 | 0:06:14 | |
Gosh, Hale-Bopp comet, and then this...?! | 0:06:14 | 0:06:17 | |
I imagine it's a monk from the abbey. | 0:06:17 | 0:06:21 | |
-It's a Saxon bishop... Was it the bishop of the abbey? -Something to do with King Athelstan. | 0:06:21 | 0:06:28 | |
King Athelstan might have been buried around about there - | 0:06:28 | 0:06:34 | |
what evidence there is, I don't know. | 0:06:34 | 0:06:37 | |
It must have been very unusual to have somebody so tall in that age. | 0:06:37 | 0:06:42 | |
We need archaeologists. | 0:06:42 | 0:06:44 | |
Archaeologist John Humble's first job is to remove the exposed skull. | 0:06:47 | 0:06:53 | |
The whole garden is protected as a Scheduled Ancient Monument - | 0:06:53 | 0:06:59 | |
it's been disturbed, so English Heritage must now decide what to do. | 0:06:59 | 0:07:04 | |
After Martin the gardener found the coffin, | 0:07:04 | 0:07:09 | |
the decision was made to excavate the burial that lies within it. | 0:07:09 | 0:07:14 | |
So John, an English Heritage archaeologist, is working on it. | 0:07:14 | 0:07:19 | |
The first stage is to create an accurate plan. | 0:07:19 | 0:07:24 | |
I'm taking out the upper levels of soil - | 0:07:24 | 0:07:28 | |
there's six inches to go before we see any bones. | 0:07:28 | 0:07:32 | |
I'm eager to see the skeleton. | 0:07:34 | 0:07:37 | |
I hope we'll find the evidence we need to identify him - or her. | 0:07:37 | 0:07:42 | |
After a couple of days, our first clue - | 0:07:49 | 0:07:52 | |
the bones are emerging as a complete skeleton. | 0:07:52 | 0:07:58 | |
They don't look like Athelstan's reburied bones, | 0:07:58 | 0:08:02 | |
so we'll definitely have to rule him out. | 0:08:02 | 0:08:06 | |
Sadly, we eliminate another character - | 0:08:09 | 0:08:13 | |
the skeleton doesn't quite fill the coffin. | 0:08:13 | 0:08:19 | |
I never expected Athelstan, but I WAS hoping for a giant. | 0:08:19 | 0:08:23 | |
But this skeleton doesn't fill the coffin, so that idea's out, too. | 0:08:23 | 0:08:29 | |
We're going to have to look harder to find out who this was. | 0:08:29 | 0:08:34 | |
I'm quite sure the skeleton still has a lot more to tell us - | 0:08:34 | 0:08:39 | |
but not here. | 0:08:39 | 0:08:41 | |
It has to be carefully taken apart, | 0:08:41 | 0:08:44 | |
then bagged and sent to the lab. | 0:08:44 | 0:08:47 | |
I can tell you there are no signs the legs have ever been broken - | 0:08:47 | 0:08:53 | |
at least not until John started to lift them! | 0:08:53 | 0:08:58 | |
So another potential candidate has to go - Elmer the flying monk! | 0:08:58 | 0:09:03 | |
Is that another piece? | 0:09:05 | 0:09:07 | |
But I'm still convinced this is someone important - | 0:09:10 | 0:09:14 | |
perhaps a senior monk, or even an abbot. | 0:09:14 | 0:09:19 | |
Before the bones can be examined, we need to clean them up. | 0:09:25 | 0:09:31 | |
Whoever this is had some serious dental problems! | 0:09:31 | 0:09:36 | |
Look at the state of this side! | 0:09:38 | 0:09:41 | |
Oh, that really IS in a bad way! | 0:09:41 | 0:09:44 | |
That root's all rotted away - | 0:09:44 | 0:09:47 | |
right deep down in the jaw. | 0:09:47 | 0:09:50 | |
Very painful! | 0:09:50 | 0:09:52 | |
-With such rotten teeth, they must have had appalling breath! -Yes. | 0:09:52 | 0:09:58 | |
The last time I saw this... | 0:09:58 | 0:10:01 | |
'For a more definitive opinion, | 0:10:01 | 0:10:04 | |
'I've come to top bone expert, Dr Simon Maze.' | 0:10:04 | 0:10:08 | |
The first question is, is it a male? | 0:10:08 | 0:10:12 | |
-We assumed it was a monk, and was therefore male. Were we right? -Yes. | 0:10:12 | 0:10:19 | |
We can be fairly sure it's a male from the pelvis - | 0:10:19 | 0:10:24 | |
from this notch here. | 0:10:24 | 0:10:26 | |
-It's fairly narrow - that indicates it's a male. -That's a relief. | 0:10:26 | 0:10:31 | |
We had everybody saying this person was enormously tall - a 6ft4 giant! | 0:10:31 | 0:10:37 | |
How tall did he turn out to be? | 0:10:37 | 0:10:40 | |
We estimate height in skeletons by measuring the leg bones. | 0:10:40 | 0:10:46 | |
This individual turned out to be | 0:10:46 | 0:10:50 | |
about 5ft-10. | 0:10:50 | 0:10:51 | |
No giant, then? | 0:10:51 | 0:10:54 | |
Not by medieval standards - | 0:10:54 | 0:10:56 | |
he's a few inches above medieval average for men. | 0:10:56 | 0:11:01 | |
So still pretty tall. And his age? | 0:11:01 | 0:11:04 | |
The best way of estimating age is by looking at the wear on the teeth. | 0:11:04 | 0:11:10 | |
-They look pretty worn! -Yes, and the crowns of these two have worn away. | 0:11:10 | 0:11:15 | |
That suggests that he was about perhaps in his fifties when he died. | 0:11:15 | 0:11:22 | |
-Quite a good age! -Yeah. | 0:11:22 | 0:11:25 | |
So we've got a picture of a man - about 5ft10 tall, late middle age... | 0:11:25 | 0:11:31 | |
-Can you get any idea of his health from the bones? -Yes. If we look at the teeth, | 0:11:31 | 0:11:38 | |
there are dental problems here. | 0:11:38 | 0:11:42 | |
The pulp cavity had actually been exposed because of the extreme wear, | 0:11:42 | 0:11:48 | |
and infection has passed into the pulp cavity, down the root canal, | 0:11:48 | 0:11:54 | |
and has set up an abscess in the jaw. | 0:11:54 | 0:11:57 | |
So, dreadful toothache. Any other problems? | 0:11:57 | 0:12:01 | |
In the bones that make up the instep of the foot, | 0:12:01 | 0:12:06 | |
we can see there is new bone formation on there. | 0:12:06 | 0:12:10 | |
This growth...? | 0:12:10 | 0:12:12 | |
If we compare it to a normal bone, | 0:12:12 | 0:12:16 | |
normally, they have a smooth surface. | 0:12:16 | 0:12:19 | |
This has new bone formation. | 0:12:19 | 0:12:21 | |
-Why? -There are a number of possibilities. | 0:12:21 | 0:12:26 | |
Initially, I thought it may be leprosy - | 0:12:26 | 0:12:30 | |
as well as destroying the bones of the feet and hands, | 0:12:30 | 0:12:35 | |
it can also cause new bone formation. | 0:12:35 | 0:12:38 | |
But signs of leprosy were absent in the skull, | 0:12:38 | 0:12:42 | |
so we're left with a localised infection that's affecting the left foot - it's hard to say what. | 0:12:42 | 0:12:50 | |
-So the poor chap probably had toothache and a limp, then?! -Yes. | 0:12:50 | 0:12:55 | |
-We're getting more of a picture of the person, aren't we? -Yes. | 0:12:55 | 0:13:00 | |
'But are there any signs he lived a privileged life? | 0:13:03 | 0:13:07 | |
'Simon has studied hundreds of skeletons of medieval people who didn't. | 0:13:07 | 0:13:13 | |
'Many suffered from acute sinusitis, the killer disease TB was rife, | 0:13:13 | 0:13:19 | |
'and osteoporosis was just as common then as it is now. | 0:13:19 | 0:13:24 | |
'Many children died shortly after birth - | 0:13:26 | 0:13:30 | |
'those who survived into infancy, ravaged by hunger and disease, often suffered stunted growth.' | 0:13:30 | 0:13:37 | |
These are some x-rays of femurs from child skeletons. | 0:13:37 | 0:13:41 | |
A great number of them show these white Harris lines going the width of the bone. | 0:13:41 | 0:13:48 | |
They're not just cracks? | 0:13:48 | 0:13:51 | |
Oh, no, they're lines which form in the bone when growth stops for a while, then starts again. | 0:13:51 | 0:13:59 | |
In contrast, our medieval monk is taller than average, he has no signs of TB, | 0:13:59 | 0:14:05 | |
no signs of sinusitis. | 0:14:05 | 0:14:08 | |
The picture I get is of somebody who's privileged, well fed - | 0:14:08 | 0:14:13 | |
perhaps even a bit over-fed! | 0:14:13 | 0:14:16 | |
Is this going too far? | 0:14:16 | 0:14:18 | |
I think it is - from just one individual, we can't come to those conclusions. | 0:14:18 | 0:14:25 | |
I X-rayed his leg bones - he, too, had Harris lines. | 0:14:25 | 0:14:29 | |
Harris lines on his bones show his growth stopped five times between the ages of four and nine, | 0:14:29 | 0:14:37 | |
perhaps due to illness, or starvation during the winters. | 0:14:37 | 0:14:42 | |
If he was a monk, he may not have been from a privileged background, | 0:14:42 | 0:14:47 | |
like many of his brothers. | 0:14:47 | 0:14:50 | |
Maybe his parents sent him to the abbey at a young age - one less mouth to feed. | 0:14:50 | 0:14:57 | |
The next step is to find out when he died. | 0:15:02 | 0:15:06 | |
At Oxford's radiocarbon dating laboratory, a tiny sample taken from a bone could tell us. | 0:15:06 | 0:15:14 | |
THE MACHINE WHIRRS | 0:15:14 | 0:15:17 | |
Living things contain radioactive carbon, | 0:15:21 | 0:15:24 | |
but at death, radioactivity steadily starts to fall. | 0:15:24 | 0:15:29 | |
Measuring this decrease tells you how long ago something died. | 0:15:29 | 0:15:34 | |
The dating process only works if enough pure carbon is extracted from the bone collagen. | 0:15:34 | 0:15:40 | |
To do this, the ground-up sample will be left to dissolve in acid - | 0:15:40 | 0:15:46 | |
but it will be several weeks until we get the results. | 0:15:46 | 0:15:50 | |
Before any decision is made about what should be done with the coffin, | 0:15:50 | 0:15:56 | |
we've invited two very different experts to tell us more about it. | 0:15:56 | 0:16:02 | |
-Where's the stone from? -It's a fine oolite. | 0:16:02 | 0:16:06 | |
It's from this region - probably not Malmesbury itself. | 0:16:06 | 0:16:11 | |
It was carefully selected to be one of the better stones, I would think. | 0:16:11 | 0:16:16 | |
Tony, you're the stonemason. | 0:16:16 | 0:16:19 | |
How do you chop it out from a block? | 0:16:19 | 0:16:22 | |
Firstly, it would be drawn out with a thing called a drag. | 0:16:22 | 0:16:27 | |
A mason would mark the whole caboodle out using that. | 0:16:27 | 0:16:32 | |
Then, using an axe similar to this, | 0:16:32 | 0:16:35 | |
he would very carefully chip away from that drag line. | 0:16:35 | 0:16:40 | |
-So none of it's sawn, then? -Nope. | 0:16:40 | 0:16:43 | |
But this is terribly flat. | 0:16:43 | 0:16:46 | |
What about these marks over here? Are they the same instrument? | 0:16:46 | 0:16:51 | |
There were various types of axe. I found this one near a medieval wall. | 0:16:51 | 0:16:58 | |
I actually dug it up. | 0:16:58 | 0:17:00 | |
It would appear that it's a similar tool, | 0:17:00 | 0:17:05 | |
and probably contemporary to this coffin. | 0:17:05 | 0:17:09 | |
There's a vague possibility | 0:17:09 | 0:17:12 | |
that this was the tool that did this job. | 0:17:12 | 0:17:16 | |
Was that used to do the head recess? | 0:17:16 | 0:17:19 | |
Yeah - it's not actually difficult to form those... | 0:17:19 | 0:17:24 | |
What's also interesting is that whoever did this was right-handed | 0:17:24 | 0:17:30 | |
because, as a right-handed person, it's easy for me to chop this way. | 0:17:30 | 0:17:36 | |
But, working left-handed, I have to work this way. | 0:17:36 | 0:17:41 | |
See how the axe goes into these...erm...recessions here? | 0:17:41 | 0:17:46 | |
So that side is completely different. | 0:17:46 | 0:17:49 | |
What about the craftsmanship, David? | 0:17:49 | 0:17:53 | |
A lot of work went into it - it was destined for somebody important. | 0:17:53 | 0:17:59 | |
The medieval man's bones are now spread all round the country. | 0:17:59 | 0:18:04 | |
While his right fibula is being carbon dated in Oxford, | 0:18:04 | 0:18:09 | |
his skull is at University College, | 0:18:09 | 0:18:13 | |
where Dr Robin Richards will use it to rebuild the face. | 0:18:13 | 0:18:17 | |
The skull is scanned with a laser | 0:18:20 | 0:18:24 | |
to produce a three-dimensional image. | 0:18:24 | 0:18:27 | |
The missing bits of bone have been built up with wax to aid the laser. | 0:18:27 | 0:18:33 | |
Now the contours of the skull have been captured, | 0:18:35 | 0:18:40 | |
we've got the foundation of his face. | 0:18:40 | 0:18:44 | |
Robin's programme works out where the muscles and soft tissues go. | 0:18:44 | 0:18:49 | |
We look at it from different viewpoints - that's fine. | 0:18:51 | 0:18:56 | |
Now I just find a suitable prototype face. | 0:18:56 | 0:19:00 | |
We know he died aged about 50, | 0:19:00 | 0:19:03 | |
so we need a selection of 50-year-old male faces, which we blend to make an average face - | 0:19:03 | 0:19:11 | |
free from any unusual features. | 0:19:11 | 0:19:13 | |
Now Robin can stretch the face of Mr Average over the computerised skull. | 0:19:19 | 0:19:27 | |
What emerges | 0:19:27 | 0:19:29 | |
is our first glimpse of the medieval man buried in the coffin. | 0:19:29 | 0:19:32 | |
Illustrator Jane Brayne will use this image as the basis for a portrait. | 0:19:39 | 0:19:46 | |
This chap, I think, has got an incredibly strong face. | 0:19:46 | 0:19:51 | |
First thing to point out is, the nose is actually genuinely broken - | 0:19:51 | 0:19:56 | |
that's not something that the computer's done. | 0:19:56 | 0:20:01 | |
It looks as though his cheeks might be quite hollow. | 0:20:01 | 0:20:05 | |
-Yes, goodness, look at this - it's really quite pitted almost. -Yeah. | 0:20:05 | 0:20:11 | |
So that, again, is real. | 0:20:11 | 0:20:14 | |
Erm...not a very prominent chin. | 0:20:14 | 0:20:17 | |
You don't get an idea of the nose being crooked from the profile. | 0:20:17 | 0:20:22 | |
'But we need to know for certain whether or not he was a monk - I need to turn the clock back.' | 0:20:22 | 0:20:29 | |
What's left of the abbey is just a fraction | 0:20:33 | 0:20:37 | |
of what was here before Henry VIII sacked the monasteries 500 years ago. | 0:20:37 | 0:20:43 | |
This is how the abbey looks today - our burial seems a long way away. | 0:20:43 | 0:20:48 | |
At its height, the abbey was twice as big. | 0:20:48 | 0:20:52 | |
Add back the missing bits and the burial's position becomes clear - | 0:20:52 | 0:20:57 | |
it lies right next to the abbey's Lady Chapel. | 0:20:57 | 0:21:02 | |
This is what the abbey would have looked like. | 0:21:02 | 0:21:07 | |
This is a further clue to the man's identity. | 0:21:07 | 0:21:11 | |
Buried so close, he must have been a powerful member of the abbey - | 0:21:11 | 0:21:16 | |
but not an abbot, as then, he would have been buried inside. | 0:21:16 | 0:21:22 | |
In Oxford, carbon atoms from his bones | 0:21:24 | 0:21:28 | |
have been shooting around the accelerator, to give Dr Ramsay a date for us. | 0:21:28 | 0:21:35 | |
The date has come out at between 1150 and 1300. Does that make sense? | 0:21:35 | 0:21:42 | |
It fits with what we're expecting, but can't you narrow it down more? | 0:21:42 | 0:21:47 | |
I'm afraid we can't in this case, as it's been quite a complicated case for us - interestingly so. | 0:21:47 | 0:21:55 | |
We've done other tests, as well as the radiocarbon measurement, | 0:21:55 | 0:22:01 | |
and it looks as though the diet of this man had quite a big marine component - he ate fish. | 0:22:01 | 0:22:09 | |
That's strange - Malmesbury's quite a distance from the sea. | 0:22:09 | 0:22:13 | |
It IS surprising - and quite unusual. | 0:22:13 | 0:22:17 | |
They were definitely smoking fish in that period - | 0:22:17 | 0:22:21 | |
there's a fish house at Glastonbury. | 0:22:21 | 0:22:24 | |
So it's possible they transported fish... | 0:22:24 | 0:22:28 | |
-It has to be sea fish? -Yes, from this evidence. | 0:22:28 | 0:22:32 | |
It was well worth the trip to Oxford. | 0:22:32 | 0:22:37 | |
Shame the date wasn't more precise, but I'm amazed they knew his diet - | 0:22:37 | 0:22:42 | |
that really points to him being a monk. | 0:22:42 | 0:22:46 | |
CHATTER | 0:22:46 | 0:22:49 | |
Now the investigation is over, English Heritage want the coffin to be reburied - | 0:22:49 | 0:22:55 | |
but Ian and Barbara have other ideas. | 0:22:55 | 0:22:59 | |
If there was a way of not disturbing the archaeological information, | 0:22:59 | 0:23:04 | |
and sort of...lifting... There may be masses of information under there. | 0:23:04 | 0:23:10 | |
It would be nice to take it out. | 0:23:10 | 0:23:13 | |
I wouldn't like the coffin to be lifted and exposed | 0:23:13 | 0:23:19 | |
because to do that, we'd have to do yet more archaeological investigation - in a keyhole way. | 0:23:19 | 0:23:26 | |
We have uncovered it - for whatever reason. | 0:23:26 | 0:23:30 | |
I think the value that it has to all of us is quite considerable - | 0:23:30 | 0:23:36 | |
far more than if it is reburied. | 0:23:36 | 0:23:39 | |
The Pollards would like to put the coffin on permanent display, but Amanda isn't convinced. | 0:23:39 | 0:23:46 | |
The coffin would suffer if it was exposed to the elements. | 0:23:46 | 0:23:51 | |
If we can find a way to protect it, and if you'll go along with that... | 0:23:51 | 0:23:57 | |
-And if we fail, then we'll... -Failure, what's that?! | 0:23:57 | 0:24:02 | |
..then we'll protect it the only other way that we can - | 0:24:02 | 0:24:07 | |
backfill it. | 0:24:07 | 0:24:09 | |
Yes, but let's work on it on a positive basis. | 0:24:09 | 0:24:14 | |
I think we can, at a pinch, accept that, but I don't think it will work. | 0:24:14 | 0:24:19 | |
Jane has now added in the details of our monk's clothing and haircut, | 0:24:19 | 0:24:25 | |
to make him a black-habited Benedictine. | 0:24:25 | 0:24:30 | |
'We've come to the Royal National Throat, Nose and Ear Hospital. | 0:24:31 | 0:24:37 | |
'Surgeon Gus Alusi has a way of visualising the skull and the face in three dimensions.' | 0:24:37 | 0:24:44 | |
Have you managed | 0:24:44 | 0:24:46 | |
-to put Jane's painting and Robin's reconstruction together? -Yes. | 0:24:46 | 0:24:51 | |
We put the painting around the reconstruction. | 0:24:51 | 0:24:56 | |
He looks great! There's his broken nose. | 0:24:56 | 0:25:00 | |
And it helps once you get the flesh tones back onto it - | 0:25:00 | 0:25:05 | |
-for the first time, it starts to look like a person. -Absolutely. | 0:25:05 | 0:25:10 | |
We used all the evidence we could find to create this picture. | 0:25:12 | 0:25:17 | |
Although he ended up as a respected member of a religious community, | 0:25:17 | 0:25:22 | |
his bones tell us starvation and disease featured in his childhood. | 0:25:22 | 0:25:27 | |
We can sympathise, too, with his suffering - toothache was as bad then as it is today! | 0:25:27 | 0:25:34 | |
But we can't be sure how he died. | 0:25:34 | 0:25:37 | |
We can, though, be fairly certain he died in the abbey, | 0:25:37 | 0:25:42 | |
spending his last days in its infirmary. | 0:25:42 | 0:25:46 | |
Before his burial in the coffin, in a ceremony unchanged for centuries, | 0:25:57 | 0:26:02 | |
his fellow monks would have placed his body in a temporary coffin - for an all-night vigil. | 0:26:02 | 0:26:09 | |
THEY SING A RELIGIOUS CHANT | 0:26:09 | 0:26:12 | |
At dawn, he would have been carried to a plot next to the Lady Chapel | 0:26:23 | 0:26:29 | |
and buried wearing only the coarse hair shirt he wore underneath his black habit. | 0:26:29 | 0:26:36 | |
THE LAWNMOWER'S ENGINE SHUDDERS | 0:26:39 | 0:26:42 | |
Ian and Barbara haven't managed to come up with a solution to displaying the coffin, | 0:26:46 | 0:26:54 | |
so it has to be filled in. | 0:26:54 | 0:26:57 | |
Amanda's agreed to it being opened up for display in warm weather. | 0:26:57 | 0:27:03 | |
..the logical way. | 0:27:03 | 0:27:06 | |
The bones are still in a box in the Ancient Monuments Laboratory, | 0:27:06 | 0:27:12 | |
pending removal to a local museum. | 0:27:12 | 0:27:15 | |
This is very different from the ceremony carried out here 700 years ago. | 0:27:17 | 0:27:24 | |
You might think the monk's bones should be put back in the grave, | 0:27:24 | 0:27:29 | |
or that they're better off in a museum, where perhaps in a few years science will tell us more. | 0:27:29 | 0:27:37 | |
I feel I've got to know the person over the months - this is where I say goodbye. | 0:27:37 | 0:27:44 | |
Subtitles by Stephanie Donohue, BBC - 1997 | 0:28:04 | 0:28:09 |