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On this building site, near Bristol, they've found a huge stone coffin. | 0:00:30 | 0:00:35 | |
It's been in the earth for centuries. | 0:00:38 | 0:00:41 | |
What's it doing in the middle of nowhere? | 0:00:41 | 0:00:45 | |
And who was inside it? | 0:00:45 | 0:00:49 | |
Lifting it out will be very hard, but it's what's under the lid that will really astonish the experts. | 0:00:49 | 0:00:56 | |
This unusual burial has brought me to the West Country. | 0:01:06 | 0:01:10 | |
Everywhere you look around Bristol, it seems houses are being built. | 0:01:10 | 0:01:17 | |
They're not the first to live here - something has come up locally | 0:01:17 | 0:01:23 | |
which shows that people lived here since the Roman times. | 0:01:23 | 0:01:27 | |
The find's been made at Mangotsfield School. | 0:01:29 | 0:01:33 | |
I assume it's closed down - or the kids have a lot to answer for! | 0:01:33 | 0:01:39 | |
The burial's under what used to be the playing field. | 0:01:39 | 0:01:44 | |
I've come to help solve the mystery, with a team of archaeologists - | 0:01:44 | 0:01:49 | |
led by an old colleague and friend of mine, Andy Young. | 0:01:49 | 0:01:54 | |
-Hello, Andy. -Hi. -What have you found this time? | 0:01:54 | 0:01:58 | |
-It's a Roman sarcophagus, we think. -Did you know that, at first? | 0:01:58 | 0:02:04 | |
No, it could have been a piece of masonry, part of a building. | 0:02:04 | 0:02:10 | |
Not until we cleaned it up, did we realise what we had. | 0:02:10 | 0:02:14 | |
'So, it is Roman and a sarcophagus. Mark Corney is a Roman expert.' | 0:02:14 | 0:02:20 | |
Can he say when this person was buried? | 0:02:20 | 0:02:25 | |
-For now, all I can say is that this kind of burial is third or fourth century - later Roman. -Right. | 0:02:25 | 0:02:31 | |
Can we get any idea whether it's a Pagan or a Christian burial? | 0:02:31 | 0:02:36 | |
It's aligned north-east/south-west, so it's likely to be Pagan. | 0:02:36 | 0:02:41 | |
Even Christians of the late Roman period tended to be buried east/west. | 0:02:41 | 0:02:46 | |
The chances are this person believed in the gods rather than a god. | 0:02:46 | 0:02:51 | |
The developers are eager to start sinking foundations. | 0:02:54 | 0:02:58 | |
The sarcophagus and its contents will have to be moved soon. | 0:02:58 | 0:03:04 | |
It's a job for a civil engineer. | 0:03:04 | 0:03:07 | |
Put beams - one down each of the sides - underneath, along the length. | 0:03:07 | 0:03:14 | |
A couple of rail tracks, effectively. Clamp the ends of these beams. | 0:03:14 | 0:03:19 | |
Then bring in a crane to lift it out in one piece. | 0:03:19 | 0:03:23 | |
You can't get a steel cradle for a sarcophagus off-the-shelf. So, one's had to be made specially. | 0:03:23 | 0:03:30 | |
It's four big bits of steel, bolted together, with lifting eyes on. | 0:03:30 | 0:03:36 | |
It's an interesting thought that, about 1,500 years ago, | 0:03:41 | 0:03:46 | |
there was another group of people digging the original hole | 0:03:46 | 0:03:50 | |
to put the sarcophagus in. | 0:03:50 | 0:03:52 | |
I wonder whether they were looking forward to their lunch break, too! | 0:03:52 | 0:03:57 | |
We're digging out the natural rock, underneath the sarcophagus, | 0:04:08 | 0:04:12 | |
so that we can get the steel cradle underneath it, to lift it. | 0:04:12 | 0:04:17 | |
But it's got to go under quite a long way. Which means undermining it, which is not very easy. | 0:04:17 | 0:04:24 | |
'And also potentially risky.' | 0:04:26 | 0:04:29 | |
A bloody great crack in the corner! | 0:04:29 | 0:04:32 | |
I'm afraid it's emergency surgery until I think of how to... | 0:04:32 | 0:04:37 | |
-You haven't got any rope on site? -Yeah, there should be some. | 0:04:37 | 0:04:41 | |
If we could use the Spanish windlass method, that would hold it. | 0:04:41 | 0:04:46 | |
There should be some nylon rope. | 0:04:46 | 0:04:49 | |
I suspect that rope won't hold this anyway. | 0:04:49 | 0:04:53 | |
Raymond! Get the bar! | 0:04:53 | 0:04:56 | |
Hmm, it's moving in all sorts of directions. | 0:04:57 | 0:05:01 | |
< I don't see no bar in there! | 0:05:01 | 0:05:04 | |
There's a bar outside. It's there. I've just brought a steel bar over! | 0:05:04 | 0:05:10 | |
Some of the cracks, that you could see originally, are opening up. | 0:05:10 | 0:05:15 | |
It really looks very unstable. We've got to try to strap it all together, before we continue. | 0:05:15 | 0:05:22 | |
Otherwise, I think the whole thing's just going to fall apart. | 0:05:22 | 0:05:28 | |
Have we got another wedge? | 0:05:28 | 0:05:30 | |
Andy feels we can hold it together. | 0:05:30 | 0:05:33 | |
But the heavy stone-lid is just helping to force the cracks apart. | 0:05:33 | 0:05:38 | |
We'll survive. | 0:05:40 | 0:05:42 | |
The lid's got to come off! | 0:05:42 | 0:05:45 | |
This isn't as it was planned, but it's a really exciting moment. | 0:05:45 | 0:05:49 | |
Soon, I think we'll know whether there's anybody inside or not. | 0:05:49 | 0:05:54 | |
I'll take a bit of the loose off, to see if there's anything inside. | 0:05:59 | 0:06:04 | |
I don't think I can bear it if it's empty, after all the effort. | 0:06:04 | 0:06:09 | |
-Ooh, what's that? -Good question. | 0:06:13 | 0:06:16 | |
-Is that a tooth? -Yeah. -Ah! | 0:06:16 | 0:06:19 | |
-It's a jaw. -Is that the jaw? -Hmm. | 0:06:20 | 0:06:23 | |
There's an eye. | 0:06:24 | 0:06:26 | |
Oh, so that's the... The upper jaw, there. That's right. | 0:06:27 | 0:06:32 | |
Well, I think that's resolved one question anyway - | 0:06:32 | 0:06:36 | |
it does look as if it's occupied. | 0:06:36 | 0:06:39 | |
We now need to think about getting the cradle underneath proper. | 0:06:39 | 0:06:44 | |
'Some strapping keeps the sides together. But pressure from the soil inside makes the cracks grow. | 0:06:44 | 0:06:51 | |
'We need the cradle in there, to provide support - and quickly!' | 0:06:51 | 0:06:56 | |
They're going to be heavy. Whoarr! | 0:06:56 | 0:06:59 | |
It can go in a bit more. Try getting that in. | 0:07:05 | 0:07:09 | |
Never thought it would be like this. | 0:07:09 | 0:07:12 | |
Yeah, we haven't got two bars. | 0:07:12 | 0:07:14 | |
Argh! | 0:07:17 | 0:07:19 | |
Right, washers! | 0:07:26 | 0:07:28 | |
-It's on the cradle. -That's right, and we'll straighten it up tomorrow. | 0:07:33 | 0:07:38 | |
We've minimised the damage, and it's still worthwhile. | 0:07:38 | 0:07:42 | |
What a day! | 0:07:42 | 0:07:44 | |
'But it's not over. The sarcophagus is ready for the lift - | 0:07:51 | 0:07:55 | |
'but if the cracks spread, even a cradle might not stop a collapse. | 0:07:55 | 0:08:01 | |
'It's going to be a very nervous morning.' | 0:08:01 | 0:08:05 | |
This is when we find out whether your design's going to work! | 0:08:06 | 0:08:10 | |
-There we go. -Well, it hasn't fallen to bits yet. | 0:08:10 | 0:08:15 | |
We made it. | 0:08:17 | 0:08:19 | |
'No collapse - despite the whole lot weighing in at over a tonne. | 0:08:20 | 0:08:25 | |
'Adam's cradle has kept it all in one piece.' | 0:08:25 | 0:08:29 | |
ADAM: Right corner first! | 0:08:42 | 0:08:45 | |
It's actually gone a lot better than I thought it was going to. | 0:08:47 | 0:08:52 | |
I thought the bottom might go - drop the burial all over the floor! | 0:08:52 | 0:08:58 | |
But I think Andy planned it so well, and it's all worked tremendously. | 0:08:58 | 0:09:03 | |
After years in rural isolation, our coffin and its occupant reach town. | 0:09:07 | 0:09:12 | |
It's going to be excavated in an old warehouse - with a strong floor. | 0:09:12 | 0:09:17 | |
It's such a relief, now that the sarcophagus is safely back here. | 0:09:17 | 0:09:23 | |
This is the next stage of excitement - | 0:09:23 | 0:09:26 | |
we start work and we find out what's inside it. | 0:09:26 | 0:09:30 | |
A big job. It will take some time for Andy Clarke to remove the soil. | 0:09:33 | 0:09:39 | |
So I'll find out more about the rest of the site. | 0:09:39 | 0:09:43 | |
Apart from our burial, all that's been found are Roman ditches. | 0:09:45 | 0:09:51 | |
But they do contain some interesting finds. | 0:09:51 | 0:09:55 | |
Will they give us some clues about the person in the sarcophagus? | 0:10:00 | 0:10:06 | |
-There's a full range of local, domestic pottery. -Pots and things. | 0:10:06 | 0:10:12 | |
You've got this nice deep pie-dish. | 0:10:12 | 0:10:16 | |
There's an oval-shaped one here. Complete with a handle, there would have been another one the other end. | 0:10:16 | 0:10:23 | |
We've got pieces that give us clues as to people's diet. | 0:10:23 | 0:10:26 | |
This is a mortarium - a mixing bowl. | 0:10:26 | 0:10:30 | |
You've got these little grits set in it, for grinding your food down. | 0:10:30 | 0:10:35 | |
And we've even got the spout here, for pouring the liquid or pulp away. | 0:10:35 | 0:10:40 | |
We've also got evidence of materials coming from around the empire. | 0:10:40 | 0:10:45 | |
This is part of a very large storage jar, or amphora - that contained either wine or oil - from Spain. | 0:10:46 | 0:10:54 | |
This points to these people being quite well-off. | 0:10:54 | 0:10:59 | |
I mean, they've got wine and nice pottery for the table. | 0:10:59 | 0:11:03 | |
Yes. I think so, looking at the other material. | 0:11:03 | 0:11:07 | |
You've got these items. These are pieces of hollow square bricks. | 0:11:07 | 0:11:13 | |
This took the hot air up from the underfloor heating - a flue tile. | 0:11:13 | 0:11:19 | |
-Where's the building that these came from? -Outside our area. | 0:11:19 | 0:11:24 | |
These fragments suggest that there's a fine building somewhere. | 0:11:24 | 0:11:28 | |
-You'd only find those in a posh building? -With heating, or a bath. | 0:11:28 | 0:11:34 | |
And they found something else in the Roman ditches. | 0:11:36 | 0:11:40 | |
It's been sent to Bradford University. | 0:11:40 | 0:11:43 | |
I can appreciate the pottery, but this stuff? | 0:11:43 | 0:11:47 | |
Dr Gerry McDonnell specialises in slag - the waste products of metalworking. | 0:11:47 | 0:11:54 | |
He found that, at the site, they were working iron, copper and lead. | 0:11:54 | 0:11:58 | |
Is it unusual to find three sorts of metals, all being worked on the same site? | 0:11:58 | 0:12:05 | |
Of this variety, it is. On many Roman sites, | 0:12:05 | 0:12:09 | |
we find evidence for iron and copper working. | 0:12:09 | 0:12:13 | |
But there aren't many sites where we've got iron, copper alloy and leadwork. | 0:12:13 | 0:12:20 | |
I think that what we're seeing is an aspect of this settlement's economy. | 0:12:20 | 0:12:24 | |
Under a microscope, a featureless lump of lead slag from a hearth shows an amazing amount of detail. | 0:12:24 | 0:12:32 | |
The crystals have frozen. | 0:12:32 | 0:12:36 | |
To that smith, this was a waste product, which they threw away. | 0:12:36 | 0:12:41 | |
But what were they doing? | 0:12:41 | 0:12:44 | |
The lead is a puzzle - it could have been smelted for many reasons. | 0:12:44 | 0:12:48 | |
Under his scanning electron microscope - with a magnification of 5,000 times - | 0:12:48 | 0:12:55 | |
he's spotted little impurities, | 0:12:55 | 0:12:58 | |
specks of copper and silver. | 0:12:58 | 0:13:01 | |
He thinks he now has our answer. | 0:13:01 | 0:13:04 | |
He had a copper and silver brooch and wanted to recover the silver. | 0:13:04 | 0:13:09 | |
If he just melted that brooch, then the silver would just be dissolved. | 0:13:09 | 0:13:14 | |
But, if he was to put that material into liquid lead, melt it all together, and then blow air over it, | 0:13:14 | 0:13:21 | |
the lead would oxidise and take away the copper, leaving his silver. | 0:13:21 | 0:13:27 | |
That process leaves a residue called litharge, which is similar to this. | 0:13:27 | 0:13:32 | |
So it might be connected with jewellery-making? | 0:13:32 | 0:13:36 | |
Jewellery-making... is a strong possibility. | 0:13:36 | 0:13:41 | |
It's amazing what you can tell from rubbish! | 0:13:41 | 0:13:45 | |
But I'm going back to Bristol - there's a surprise waiting for me. | 0:13:45 | 0:13:50 | |
What's that doing there? | 0:13:55 | 0:13:57 | |
That's kind of what I thought when I found it. | 0:13:57 | 0:14:01 | |
-But we already had a skull. -It IS unusual. | 0:14:01 | 0:14:05 | |
So, now we've got two skulls. It's more of a detective story - trying to find out what's going on. | 0:14:05 | 0:14:12 | |
A desirable property, this was! | 0:14:12 | 0:14:15 | |
Yes, only one previous owner! | 0:14:15 | 0:14:17 | |
Well, this really is an incredible discovery. | 0:14:17 | 0:14:22 | |
When Andy started digging he didn't expect to find another skull! | 0:14:22 | 0:14:28 | |
We all thought that it would be straightforward. | 0:14:28 | 0:14:32 | |
Now, we haven't got the foggiest idea what's going to be in here. | 0:14:32 | 0:14:38 | |
I was hoping that it would become clearer as Andy exposed more bones. | 0:14:38 | 0:14:43 | |
Instead, it just gets stranger! | 0:14:43 | 0:14:45 | |
There's one complete skeleton on the bottom. | 0:14:45 | 0:14:49 | |
Then there's the extra skull, and yet more bones. | 0:14:49 | 0:14:53 | |
Is there an extra skeleton in here? | 0:14:53 | 0:14:56 | |
There's nothing else, apart from lots of rusty nails by the feet. | 0:14:56 | 0:15:01 | |
It's another job for Mark Corney! | 0:15:01 | 0:15:03 | |
Andy found four seperate feet down this end. | 0:15:03 | 0:15:07 | |
And, all round this area, there's loads of little nails. | 0:15:07 | 0:15:12 | |
-Are they bits of coffin? -Ah, no. No, no, no. | 0:15:12 | 0:15:16 | |
-They're hobnails. -What? Off boots? -No, from sandals - | 0:15:16 | 0:15:20 | |
thick-soled, leather sandals. | 0:15:20 | 0:15:23 | |
If you look carefully at some of these, | 0:15:23 | 0:15:27 | |
it seems to be mineralised leather on the studs. | 0:15:27 | 0:15:31 | |
-So, quite thick-soled? -Yeah. | 0:15:31 | 0:15:34 | |
And you often find them in graves like this. | 0:15:34 | 0:15:38 | |
Often down at the lower end, where the feet are. | 0:15:38 | 0:15:43 | |
The sandals have been on the feet, or just placed carefully at the end. | 0:15:43 | 0:15:48 | |
They're not part of a wooden lining? | 0:15:48 | 0:15:51 | |
-No, they're footwear. -Footwear. | 0:15:51 | 0:15:54 | |
Some think that they're symbolic of the long journey to the afterworld. | 0:15:54 | 0:15:59 | |
-So you're equipped for the long walk. -Special heavy-duty ones? -Exactly. | 0:15:59 | 0:16:04 | |
1,600 years ago, those rusty bits of iron began as shiny hobnails. | 0:16:04 | 0:16:11 | |
Mark Beabey turns out hundreds of pairs of period shoes each year, | 0:16:15 | 0:16:20 | |
from his small workshop in Leeds. | 0:16:20 | 0:16:23 | |
And he's going to make a pair for us - hobnails and all. | 0:16:23 | 0:16:26 | |
Roman sandals were quite sophisticated - more like a shoe. | 0:16:35 | 0:16:40 | |
But there's no difference between his and hers, or left and right. | 0:16:40 | 0:16:45 | |
They're all made just the same. | 0:16:45 | 0:16:47 | |
OK, the glue isn't entirely correct - | 0:16:51 | 0:16:54 | |
but Mark wasn't prepared to boil up a load of hooves just for us. | 0:16:54 | 0:16:59 | |
Hammering the hobnails against the iron last turns their points over. | 0:17:04 | 0:17:09 | |
The nail grips the layers of leather together. | 0:17:09 | 0:17:13 | |
The pattern on the sole - decorative as well as practical - | 0:17:15 | 0:17:20 | |
is based on a complete fourth century shoe from London, now in the British Museum. | 0:17:20 | 0:17:26 | |
-Finished? -Mm. -Great. | 0:17:26 | 0:17:29 | |
-One pair of fourth century Roman shoes. -It's a beautiful pattern, but... | 0:17:29 | 0:17:35 | |
Oh, I see. This is where the nails hit the last. | 0:17:35 | 0:17:39 | |
-That's right. -Hit the last, and just curled over. | 0:17:39 | 0:17:43 | |
These must have played havoc with a mosaic floor. | 0:17:43 | 0:17:47 | |
With all the bones exposed, it's clear that what we've got is unique. | 0:17:47 | 0:17:53 | |
There are two burials in there. | 0:17:53 | 0:17:55 | |
The first time this has ever been seen in Roman Britain. | 0:17:55 | 0:18:01 | |
And it's also clear that the people weren't buried at the same time. | 0:18:01 | 0:18:06 | |
One was buried long enough to become a skeleton. | 0:18:06 | 0:18:09 | |
When exhumed, all the bones from the knees upwards were taken out. | 0:18:09 | 0:18:14 | |
A second body was put in, and the bones replaced in a very odd way. | 0:18:14 | 0:18:19 | |
The skull was on the legs. The thigh bones on the waist and neck. | 0:18:19 | 0:18:24 | |
And the arm bones by the side. | 0:18:24 | 0:18:27 | |
This must have had meaning to those who carried out the second burial. | 0:18:27 | 0:18:32 | |
Its meaning is lost to us, but the bones may have other tales to tell. | 0:18:32 | 0:18:38 | |
With the sarcophagus empty, the crack is now clearly visible, | 0:18:38 | 0:18:44 | |
and runs from one end to the other. | 0:18:44 | 0:18:47 | |
It's astonishing that it survived the lift. | 0:18:47 | 0:18:50 | |
Both skeletons have come to the Bristol Royal Infirmary, | 0:18:50 | 0:18:55 | |
Rheumatologist Dr Gerry Barber studies ancient skeletons | 0:18:55 | 0:19:01 | |
in her research into the causes and origins of disease. | 0:19:01 | 0:19:05 | |
First, she'll tell me about the newcomer to the sarcophagus. | 0:19:05 | 0:19:10 | |
This is the skeleton of a male. | 0:19:10 | 0:19:13 | |
In measuring the long bones, we worked out that this individual was about 5ft 9ins or 175 cm, | 0:19:13 | 0:19:20 | |
which is well within the normal range for a Roman population. | 0:19:20 | 0:19:24 | |
The average man was about 5ft 7ins. So, slightly taller than normal. | 0:19:24 | 0:19:31 | |
Do you know how old he was? | 0:19:31 | 0:19:33 | |
There are two ways to try and find that out. | 0:19:33 | 0:19:37 | |
One is changes in the pelvis, and the way that your teeth wear down. | 0:19:37 | 0:19:42 | |
But he doesn't have many teeth. | 0:19:42 | 0:19:44 | |
He's lost a lot during life, as you can see here. | 0:19:44 | 0:19:49 | |
All this - the sockets have fused up. | 0:19:49 | 0:19:51 | |
But the teeth he has are quite worn. | 0:19:51 | 0:19:54 | |
This person was at least 35 to 45 before those teeth fell out. | 0:19:54 | 0:19:59 | |
-So what are you going to say? He's more than 45? -Yes, 45 or over. | 0:19:59 | 0:20:05 | |
Did he show other signs of disease? | 0:20:05 | 0:20:08 | |
Well, we do have evidence for arthritis on the spine, which does tend to happen in older people. | 0:20:08 | 0:20:15 | |
What about the other skeleton? | 0:20:15 | 0:20:18 | |
If you look at them together, the most striking difference is the size. | 0:20:18 | 0:20:23 | |
If I bring over the arm bone of the first skeleton and compare it to the arm bone of this skeleton. | 0:20:23 | 0:20:31 | |
There's quite a difference! | 0:20:31 | 0:20:32 | |
This individual is female and she was probably about 4ft 11ins. | 0:20:32 | 0:20:37 | |
-So, that's quite small then? -Well, it's slightly smaller than average. | 0:20:37 | 0:20:42 | |
But it is still completely within acceptable means for these skeletons. | 0:20:42 | 0:20:47 | |
I thought, from looking at the bits I saw before, that she was elderly. | 0:20:47 | 0:20:52 | |
Because the skull is broken, we are able to use a new technique of ours. | 0:20:52 | 0:20:57 | |
What I've actually found is that, by looking inside the broken skull, | 0:20:57 | 0:21:03 | |
we can actually see little pits on the inside. | 0:21:03 | 0:21:07 | |
-Like that one there? -Yeah. | 0:21:07 | 0:21:10 | |
These are caused by vessels in the skull growing upwards. Old people get one about every five years. | 0:21:10 | 0:21:17 | |
The other way - tooth attrition - we're looking at things wearing down. | 0:21:17 | 0:21:22 | |
This INCREASES as you get older. | 0:21:22 | 0:21:25 | |
So how old is she on this basis? | 0:21:25 | 0:21:28 | |
She would be about 50 years old. | 0:21:28 | 0:21:30 | |
I assume that this couple must have been related. | 0:21:33 | 0:21:37 | |
Man and wife? Possible, given their ages. | 0:21:37 | 0:21:41 | |
Or mother and son? Remember, she died first. | 0:21:41 | 0:21:45 | |
We may never know, but we might find out where they came from. | 0:21:45 | 0:21:50 | |
Then, the Roman Empire stretched from North Africa to Hadrian's Wall. | 0:21:50 | 0:21:55 | |
They could have come from almost anywhere. | 0:21:55 | 0:21:59 | |
At Sheffield University, they think that the answer lies deep in the enamel of the teeth. | 0:22:04 | 0:22:11 | |
Teeth contain small amounts of lead from the place where we grew up. | 0:22:11 | 0:22:16 | |
Thin slices are cut from the couple's teeth, and put under a high-intensity laser beam. | 0:22:16 | 0:22:23 | |
A section is vaporised across the slice. | 0:22:28 | 0:22:31 | |
Analysis reveals minute traces of lead isotopes, within the enamel. | 0:22:31 | 0:22:36 | |
These give the origin of the lead. | 0:22:36 | 0:22:40 | |
We believe that's the lead that was ingested by the person - as part of their childhood diet. | 0:22:40 | 0:22:47 | |
And we're hoping that the isotopic composition of this lead will tell us where it comes from, | 0:22:47 | 0:22:55 | |
and therefore, perhaps, where the person actually originated. | 0:22:55 | 0:23:00 | |
So you could tell whether this person was a Roman, or born here? | 0:23:00 | 0:23:05 | |
We hope so, yes. | 0:23:05 | 0:23:07 | |
The tests showed that neither person came from Rome or mainland Europe. | 0:23:07 | 0:23:14 | |
In fact, they grew up near Bristol. | 0:23:14 | 0:23:16 | |
Were they Romanised Britains or descendants of Roman settlers? | 0:23:16 | 0:23:22 | |
The man's lead levels were ten times more than the average in Britain today! | 0:23:22 | 0:23:28 | |
Maybe the result of all that lead smelting on the site? | 0:23:28 | 0:23:33 | |
We would have liked to know what both people looked like. | 0:23:33 | 0:23:38 | |
But only the man's skull was complete enough to provide clues. | 0:23:38 | 0:23:42 | |
Facial reconstruction expert, Dr Robin Richards, will rebuild his face. | 0:23:42 | 0:23:47 | |
-What have you done to him?! -Well, we did some work to fill in the gaps, | 0:23:47 | 0:23:53 | |
so that it now looks reasonably like it did when he died, | 0:23:53 | 0:23:58 | |
-rather than in pieces. -And you need to do this for the laser? | 0:23:58 | 0:24:02 | |
We need a reasonably accurate contour over the bony surfaces of the face. | 0:24:02 | 0:24:09 | |
At University College London, the contours are mapped by laser | 0:24:09 | 0:24:14 | |
and fed into Robin's computer. | 0:24:14 | 0:24:16 | |
How many points are there over it? | 0:24:16 | 0:24:18 | |
It's something like about 40,000. | 0:24:18 | 0:24:21 | |
It's like it's made of wire - almost transparent. | 0:24:21 | 0:24:25 | |
So the computer takes the points... | 0:24:25 | 0:24:28 | |
And draws a patch to make a continuous surface. | 0:24:28 | 0:24:31 | |
Right. What's the next stage? | 0:24:31 | 0:24:34 | |
To take this data across to another computer where we have an average face that will act as a reference. | 0:24:34 | 0:24:42 | |
Robin has produced an average face, | 0:24:42 | 0:24:45 | |
from a group of males of similar age, which can be warped | 0:24:45 | 0:24:50 | |
onto the skull in his computer. | 0:24:50 | 0:24:53 | |
The skull and the face are matched up, point for point, | 0:24:53 | 0:24:57 | |
to give an impression of what our man looked like. | 0:24:57 | 0:25:00 | |
It shows a man with even features, perhaps not distinctive, | 0:25:00 | 0:25:05 | |
but with quite a narrow face and a longish nose. | 0:25:05 | 0:25:09 | |
It's up to illustrator Jane Brayne | 0:25:09 | 0:25:13 | |
to make him really look like a man of his age and times. | 0:25:13 | 0:25:17 | |
A Roman face, but he's not Roman - | 0:25:17 | 0:25:19 | |
-he comes from the Bristol area. -Right! | 0:25:19 | 0:25:23 | |
What's he going to look like, though? | 0:25:23 | 0:25:26 | |
Well, he would have had short hair, and I've got this which shows a man | 0:25:26 | 0:25:32 | |
with short, curly hair which I think would be nice. | 0:25:32 | 0:25:36 | |
And it shows the kind of garment he would have worn. | 0:25:36 | 0:25:40 | |
-Is that a toga, then? -No. Togas were out by this time. | 0:25:40 | 0:25:44 | |
This kind of tunic is a dalmatic - | 0:25:44 | 0:25:47 | |
worn all over the Roman Empire at this date by people of this status. | 0:25:47 | 0:25:52 | |
-That's amazing, to be so sure about the clothes. -It is. | 0:25:52 | 0:25:56 | |
Jane's portrait can be combined now with the original skull scan | 0:26:07 | 0:26:12 | |
to produce a 3D image. | 0:26:12 | 0:26:14 | |
It's a technique developed by Doctor Gus Alussi | 0:26:14 | 0:26:18 | |
at the Royal National Throat, Nose and Ear Hospital. | 0:26:18 | 0:26:23 | |
Gus, you're a surgeon. So why are you involved in all this? | 0:26:23 | 0:26:28 | |
We've been involved in computers in medicine and surgery, particularly for teaching | 0:26:28 | 0:26:34 | |
and in particular, using 3D reconstructed models. | 0:26:34 | 0:26:38 | |
In this case, we're using a soft tissue model from the skull CT scan. | 0:26:38 | 0:26:44 | |
So, can you take a two-dimensional image | 0:26:44 | 0:26:48 | |
and turn it into a real face? | 0:26:48 | 0:26:50 | |
Indeed, we use the artist's impression of the Roman face | 0:26:50 | 0:26:55 | |
and we wrap it around the model that was produced by the computer reconstruction. | 0:26:55 | 0:27:01 | |
He suddenly looks human! The last time I saw him | 0:27:01 | 0:27:06 | |
was Robin's reconstruction - it was a strange colour. | 0:27:06 | 0:27:10 | |
But all the flesh tones | 0:27:10 | 0:27:12 | |
-just make him look like a person, don't they? -That's right. | 0:27:12 | 0:27:17 | |
So, here he is - the man from the sarcophagus. | 0:27:18 | 0:27:22 | |
We know he'd adopted a Roman lifestyle with its luxuries. | 0:27:22 | 0:27:26 | |
We can suggest that he was a metal worker - all that lead in his bones. | 0:27:26 | 0:27:31 | |
We also know that when he died, he chose to be buried with somebody - a woman. | 0:27:31 | 0:27:38 | |
The woman he shared the sarcophagus with. | 0:27:38 | 0:27:41 | |
But what the bond was between them, I think, is something that we'll never know. | 0:27:41 | 0:27:47 | |
Subtitles by Jane French and Judith Eacott, BBC - 1998 | 0:28:08 | 0:28:13 |