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One thousand years of history under one roof, | 0:00:02 | 0:00:06 | |
the National Archives, a treasure house of secrets. | 0:00:06 | 0:00:11 | |
The records of extraordinary times and people. | 0:00:11 | 0:00:15 | |
These files are this nation's story, our shared past. | 0:00:15 | 0:00:20 | |
Documents housed here were highly classified, | 0:00:20 | 0:00:24 | |
intended for the eyes of only the privileged few, | 0:00:24 | 0:00:28 | |
protected from your sight for decades - | 0:00:28 | 0:00:31 | |
but not now. | 0:00:31 | 0:00:33 | |
I've been granted special access to files once kept hush-hush. | 0:00:37 | 0:00:44 | |
I'll unearth amazing tales from our hidden history. | 0:00:44 | 0:00:48 | |
Forget what you've been told - these documents tell the truth. | 0:00:48 | 0:00:53 | |
Coming up in this programme - celebrity scandals. | 0:01:05 | 0:01:09 | |
The musicians who rocked the establishment | 0:01:10 | 0:01:13 | |
and the detective determined to bust them. | 0:01:13 | 0:01:16 | |
This was the last famous trial against pop stars. | 0:01:16 | 0:01:18 | |
Do you think anybody was tipping off the press? | 0:01:18 | 0:01:21 | |
That's a very difficult question. It certainly wasn't me. | 0:01:21 | 0:01:24 | |
The unknown Oscar - | 0:01:24 | 0:01:25 | |
how Wilde's private life was exposed to the public. | 0:01:25 | 0:01:29 | |
The lynchpin in the whole case - "Did you kiss him?" | 0:01:29 | 0:01:33 | |
"Oh, no, he was far too ugly." | 0:01:33 | 0:01:34 | |
Whoops. | 0:01:34 | 0:01:35 | |
And spying on the King. | 0:01:35 | 0:01:37 | |
The files that show how the police slandered his lover Wallis Simpson. | 0:01:37 | 0:01:42 | |
Are you surprised that Special Branch were spying on this couple? | 0:01:42 | 0:01:46 | |
No, because the establishment was terrified of having | 0:01:46 | 0:01:49 | |
Wallis Simpson as Queen Wallie. | 0:01:49 | 0:01:52 | |
So they were looking for every reason not to like her. | 0:01:52 | 0:01:56 | |
You know the saying - | 0:01:58 | 0:02:00 | |
"If you can remember the 1960s, you weren't really there." | 0:02:00 | 0:02:05 | |
Well, I was a youthful and innocent spectator living in 1960s London... | 0:02:05 | 0:02:09 | |
..enjoying the pretty girls... | 0:02:11 | 0:02:12 | |
..ogling their avant-garde fashion, | 0:02:14 | 0:02:17 | |
and above all, loving the music. | 0:02:17 | 0:02:20 | |
MUSIC: It's All Over Now by the Rolling Stones. | 0:02:20 | 0:02:23 | |
And this - Carnaby Street - was its epicentre | 0:02:27 | 0:02:31 | |
and the generation that gathered here was young and rebellious | 0:02:31 | 0:02:35 | |
and experimental and part of the permissive society, | 0:02:35 | 0:02:38 | |
which for some represented a threat to traditional British values. | 0:02:38 | 0:02:45 | |
The biggest threat, it seemed, came from the Rolling Stones. | 0:02:50 | 0:02:53 | |
# Let it roll right now... # | 0:02:55 | 0:02:58 | |
As tales of their excess filled the tabloids, | 0:03:01 | 0:03:04 | |
stories of their drug use brought a crackdown by the authorities. | 0:03:04 | 0:03:08 | |
From the late '60s to the early '70s, | 0:03:08 | 0:03:11 | |
there was high-profile bust after high-profile bust. | 0:03:11 | 0:03:16 | |
Why were the police determined to go after them? | 0:03:17 | 0:03:20 | |
What happened during those arrests? | 0:03:20 | 0:03:22 | |
The secrets are in these documents that remained sealed for decades. | 0:03:22 | 0:03:27 | |
What I have here is a Metropolitan Police file dated July 1973 | 0:03:31 | 0:03:37 | |
of a raid that occurred in Cheyne Walk in London | 0:03:37 | 0:03:40 | |
against Keith Richards and Anita Pallenberg, | 0:03:40 | 0:03:42 | |
who were discovered in bed together there. | 0:03:42 | 0:03:45 | |
It is a great big, thick Metropolitan Police file | 0:03:45 | 0:03:50 | |
and it contains, amongst other things, | 0:03:50 | 0:03:53 | |
a huge list of the things that were found there. | 0:03:53 | 0:03:55 | |
Oh, my goodness, Keith. What a beginning. | 0:03:55 | 0:03:58 | |
One Smith and Wesson revolver. Wow. | 0:03:58 | 0:04:01 | |
Any number of tablets - white, green, brown, | 0:04:01 | 0:04:04 | |
virtually every colour. It goes on and on and on. | 0:04:04 | 0:04:07 | |
Now, here we have some of the conversations, | 0:04:13 | 0:04:15 | |
very tense conversations that took place between the Met | 0:04:15 | 0:04:19 | |
and Keith Richards. | 0:04:19 | 0:04:21 | |
A policeman says, "What's in this envelope?" | 0:04:21 | 0:04:23 | |
Richards says "Grass." | 0:04:23 | 0:04:25 | |
"How do you know when I haven't shown it to you yet?" | 0:04:25 | 0:04:27 | |
"Well, I guessed. It is grass, isn't it?" | 0:04:27 | 0:04:30 | |
And then Keith Richards tries to imply | 0:04:30 | 0:04:32 | |
that it belongs to somebody else. | 0:04:32 | 0:04:34 | |
And then I rather like this. | 0:04:34 | 0:04:37 | |
There's a moment where they're searching the house | 0:04:37 | 0:04:39 | |
and, of course, Keith Richards heads towards the bathroom, | 0:04:39 | 0:04:41 | |
maybe to dispose of certain substances, | 0:04:41 | 0:04:45 | |
and the policewoman says, "Keith! Would you come back here?" | 0:04:45 | 0:04:48 | |
He said, "Mr Richards to you." | 0:04:48 | 0:04:52 | |
Well, I wonder how Keith - Mr Richards - would have felt | 0:04:52 | 0:04:57 | |
when he was being charged with these offences | 0:04:57 | 0:04:59 | |
had he known that his friend and fellow Rolling Stone | 0:04:59 | 0:05:02 | |
would one day become Sir Mick Jagger? | 0:05:02 | 0:05:05 | |
MUSIC: Gimme Shelter by the Rolling Stones | 0:05:05 | 0:05:11 | |
But this was far from a one-off case. | 0:05:11 | 0:05:15 | |
By the time of that 1973 raid, | 0:05:16 | 0:05:18 | |
the police had been targeting rock stars for seven years. | 0:05:18 | 0:05:22 | |
And driving much of it was a plain-clothes drug squad detective | 0:05:23 | 0:05:27 | |
from Scotland Yard, Norman alias Nobby Pilcher. | 0:05:27 | 0:05:31 | |
He'd convinced his superiors to pour resources | 0:05:33 | 0:05:36 | |
into investigating the rich and famous. | 0:05:36 | 0:05:38 | |
Nigel Gunning, as a Detective Constable, worked for Nobby Pilcher. | 0:05:39 | 0:05:44 | |
He was a South London boy with a good CID officer's background. | 0:05:44 | 0:05:49 | |
He was a great guy to work for, devoted to what he was doing. | 0:05:49 | 0:05:52 | |
He was also quite charming but could be very, very hardnosed at times. | 0:05:52 | 0:05:57 | |
But overall, he was very, very shrewd. | 0:05:57 | 0:06:00 | |
Was he, in any sense, a crusader? | 0:06:00 | 0:06:02 | |
He'd find a hoop to hang something on. | 0:06:02 | 0:06:04 | |
We will try and clean up London and deal with the drugs situation | 0:06:04 | 0:06:08 | |
as we knew it then, which has now spiralled out of all proportion. | 0:06:08 | 0:06:12 | |
No rock star was exempt from Pilcher's attention. | 0:06:14 | 0:06:18 | |
As well as busting the Stones, he arrested the folk singer Donovan | 0:06:18 | 0:06:22 | |
and raided the home of Eric Clapton. | 0:06:22 | 0:06:24 | |
His crackdown bought him tabloid fame, | 0:06:25 | 0:06:28 | |
especially when he and his team targeted a Beatle. | 0:06:28 | 0:06:32 | |
You were involved in a raid on John Lennon and Yoko Ono. | 0:06:33 | 0:06:37 | |
Yes, I was. And some alleged drugs were found, | 0:06:37 | 0:06:41 | |
which subsequently were analysed. | 0:06:41 | 0:06:43 | |
John and Yoko were gathered up and taken out the front door | 0:06:43 | 0:06:48 | |
and suddenly, we were surrounded by lots of still cameras. | 0:06:48 | 0:06:52 | |
Press photographers snapped John and Yoko as they were led | 0:06:52 | 0:06:55 | |
out of their apartment and down to the station. | 0:06:55 | 0:06:59 | |
How were the paparazzi there? | 0:06:59 | 0:07:01 | |
The suspicion was that the police had tipped them off. | 0:07:01 | 0:07:05 | |
And as these formerly secret files now reveal, | 0:07:05 | 0:07:09 | |
even the Home Secretary was suspicious, | 0:07:09 | 0:07:11 | |
asking Pilcher why a simple arrest | 0:07:11 | 0:07:14 | |
had involved seven officers and two dogs | 0:07:14 | 0:07:18 | |
and why photographers were there within minutes. | 0:07:18 | 0:07:21 | |
It is notable that many of the raids on rock stars | 0:07:24 | 0:07:27 | |
were accompanied by extraordinary publicity at the moment of the raid. | 0:07:27 | 0:07:32 | |
Now, do you think anybody was tipping off the press? | 0:07:32 | 0:07:34 | |
That's a very difficult question. It certainly wasn't me. | 0:07:34 | 0:07:37 | |
To answer your question, it's not impossible. | 0:07:37 | 0:07:39 | |
When you go up to the court, maybe somebody, you know, saw the paperwork | 0:07:39 | 0:07:43 | |
and made a phone call and the press would turn up with still cameras. | 0:07:43 | 0:07:46 | |
Lennon's arrest made headlines, but the biggest drugs case of all | 0:07:48 | 0:07:52 | |
involved, once again, the Rolling Stones. | 0:07:52 | 0:07:55 | |
MUSIC: Let It Rock by the Rolling Stones | 0:07:55 | 0:07:58 | |
In February 1967, the West Sussex force mounted a raid on a mansion. | 0:08:00 | 0:08:06 | |
Inside were Mick Jagger and Keith Richards. | 0:08:06 | 0:08:09 | |
During the operation, police found cannabis and amphetamines | 0:08:11 | 0:08:16 | |
and charged both men with drugs offences. | 0:08:16 | 0:08:18 | |
Cue a media frenzy. | 0:08:19 | 0:08:21 | |
Smoking cannabis resin, better known as hashish... | 0:08:21 | 0:08:25 | |
Richards, who earlier had talked in his evidence | 0:08:25 | 0:08:27 | |
of what he called "petty morals"... | 0:08:27 | 0:08:29 | |
Four months later, the trial, and guilty verdicts. | 0:08:29 | 0:08:33 | |
The judge jailed Jagger for three months and Richards for a year. | 0:08:33 | 0:08:38 | |
Stones fans were outraged. | 0:08:38 | 0:08:41 | |
Judge Block said sternly to Richards | 0:08:41 | 0:08:43 | |
that the offence of which he'd been found guilty | 0:08:43 | 0:08:46 | |
carried a maximum sentence of 10 years. | 0:08:46 | 0:08:48 | |
There was a gasp of pure horror from the youngsters | 0:08:48 | 0:08:50 | |
crowded into the public gallery. | 0:08:50 | 0:08:53 | |
In the event, after their trials Jagger and Richards spent | 0:08:53 | 0:08:56 | |
just one night in the cells before being released pending an appeal - | 0:08:56 | 0:09:01 | |
an appeal that was successful. | 0:09:01 | 0:09:03 | |
Jagger received a conditional discharge | 0:09:03 | 0:09:05 | |
and Richards' conviction was overturned. | 0:09:05 | 0:09:08 | |
# If I have to sleep on your doorstep all night and day... # | 0:09:08 | 0:09:12 | |
Despite that judicial leniency, Pilcher and other detectives | 0:09:12 | 0:09:17 | |
pursued rock stars for drug taking throughout the '60s and beyond. | 0:09:17 | 0:09:21 | |
In 1973, Richards again became the focus | 0:09:23 | 0:09:27 | |
of that extraordinary raid that I read about. | 0:09:27 | 0:09:30 | |
I've come to where he was tried - | 0:09:40 | 0:09:43 | |
the Great Marlborough Street Magistrates Court, now a restaurant. | 0:09:43 | 0:09:47 | |
I've invited my next witness to meet me here. | 0:09:48 | 0:09:50 | |
Simon Wells, do you promise to tell the truth, the whole truth | 0:09:53 | 0:09:56 | |
and nothing but the truth? | 0:09:56 | 0:09:57 | |
Yes, Your Honour. | 0:09:57 | 0:09:58 | |
Is this or is this not the magistrates court where | 0:09:58 | 0:10:01 | |
Anita Pallenberg and Keith Richards were tried on drugs offences? | 0:10:01 | 0:10:05 | |
Very much so. Way back in... | 0:10:05 | 0:10:07 | |
Well, it must be over 40 years now, | 0:10:07 | 0:10:09 | |
emanating from the charges in Cheyne Walk residence, 25 charges. | 0:10:09 | 0:10:14 | |
I feel this was the last-ditch attempt of the drug squad | 0:10:14 | 0:10:16 | |
to try and put a Stone in jail. | 0:10:16 | 0:10:18 | |
Once again, the attempt to imprison Richards failed. | 0:10:20 | 0:10:24 | |
He pleaded guilty to the drugs charges, | 0:10:24 | 0:10:26 | |
but the magistrates imposed minuscule fines | 0:10:26 | 0:10:29 | |
of just £10 on each offence. | 0:10:29 | 0:10:32 | |
So, a very different outcome from the 1967 trial | 0:10:32 | 0:10:37 | |
where Keith Richards had received a one-year custodial sentence. | 0:10:37 | 0:10:41 | |
By this point, I think though, | 0:10:41 | 0:10:43 | |
the steam had run out of the whole prosecution against pop stars. | 0:10:43 | 0:10:47 | |
Decades after they were pursued by the police, | 0:10:47 | 0:10:50 | |
the Stones continue to roll, | 0:10:50 | 0:10:52 | |
defying their age to pack out stadia around the world. | 0:10:52 | 0:10:56 | |
But what of the detective Norman 'Nobby' Pilcher? | 0:10:58 | 0:11:00 | |
MUSIC: I Am The Walrus by the Beatles | 0:11:00 | 0:11:03 | |
Well, at the end of 1967, he found himself immortalised on vinyl. | 0:11:03 | 0:11:08 | |
In the Beatles track I Am The Walrus, | 0:11:09 | 0:11:11 | |
John Lennon supposedly refers to his old adversary as Semolina Pilchard. | 0:11:11 | 0:11:16 | |
# Semolina Pilchard | 0:11:16 | 0:11:18 | |
# Climbing up the Eiffel Tower... # | 0:11:21 | 0:11:24 | |
A bit of an indignity for a proud detective? | 0:11:24 | 0:11:27 | |
Yes. | 0:11:27 | 0:11:28 | |
But a few years later, things became a whole lot worse for him. | 0:11:28 | 0:11:32 | |
What happened to Norman Pilcher in the end? | 0:11:33 | 0:11:36 | |
Well, he was found guilty on a perjury charge in 1973. | 0:11:36 | 0:11:39 | |
He'd tried to go to Australia but was deported straight back | 0:11:39 | 0:11:43 | |
and he was jailed for four years | 0:11:43 | 0:11:44 | |
and I think many people in the counter culture | 0:11:44 | 0:11:47 | |
were clapping their hands with joy. | 0:11:47 | 0:11:48 | |
# I am the walrus Goo goo g'joob. # | 0:11:48 | 0:11:51 | |
My next story is about a talent that many celebrities possess | 0:11:59 | 0:12:03 | |
for self destruction. | 0:12:03 | 0:12:05 | |
Oscar Fingal O'Flahertie Wills Wilde, | 0:12:07 | 0:12:11 | |
playwright, poet and wit, | 0:12:11 | 0:12:14 | |
the toast of Britain's literary scene and an early modern celebrity. | 0:12:14 | 0:12:18 | |
But at the very height of his career, | 0:12:20 | 0:12:21 | |
when his comic masterpiece The Importance Of Being Earnest | 0:12:21 | 0:12:24 | |
was playing on the London stage, | 0:12:24 | 0:12:27 | |
he made a calamitous error that would lead to his downfall. | 0:12:27 | 0:12:30 | |
There's a document in the National Archives rarely seen, | 0:12:32 | 0:12:35 | |
tiny in size, massive in its consequences. | 0:12:35 | 0:12:39 | |
In the 19th century, every gentleman carried a calling card. | 0:12:40 | 0:12:43 | |
When he made a visit, it could be presented, | 0:12:43 | 0:12:45 | |
carried up to the drawing room by the servants | 0:12:45 | 0:12:48 | |
to announce who it was who had arrived. | 0:12:48 | 0:12:50 | |
But also, more sinisterly, it could be used as part of a ritual | 0:12:50 | 0:12:53 | |
that might lead to a duel, | 0:12:53 | 0:12:55 | |
perhaps presented with a militaristic click of the heels. | 0:12:55 | 0:12:58 | |
It was perhaps in that tradition that a card was presented | 0:12:59 | 0:13:02 | |
by the Marquess of Queensberry, a man who was desperately upset | 0:13:02 | 0:13:06 | |
that his son had been involved in a four-year homosexual affair. | 0:13:06 | 0:13:10 | |
He presented the card at the Albemarle Club to Oscar Wilde | 0:13:10 | 0:13:16 | |
and on the card he wrote, "For Oscar Wilde, posing sodomite." | 0:13:16 | 0:13:22 | |
This tiny document, this calling card, | 0:13:22 | 0:13:25 | |
the very thing that I have before me here, | 0:13:25 | 0:13:27 | |
unleashed the biggest social scandal of the Victorian period. | 0:13:27 | 0:13:31 | |
We know what happened from a statement made by Oscar Wilde | 0:13:36 | 0:13:39 | |
in his own handwriting. | 0:13:39 | 0:13:41 | |
"I spoke to the hall porter at the club. | 0:13:41 | 0:13:44 | |
"In handing me the envelope, | 0:13:44 | 0:13:45 | |
"he said there was a message from the defendant. | 0:13:45 | 0:13:47 | |
"The message was, 'Lord Queensberry desired me, sir, to hand you this | 0:13:47 | 0:13:52 | |
"'when you came to the club.' | 0:13:52 | 0:13:54 | |
"I read what was on the card as well as I could. | 0:13:54 | 0:13:56 | |
"Immediately, I communicated with my solicitor." | 0:13:56 | 0:13:59 | |
Oscar Wilde commenced a criminal libel proceeding | 0:14:01 | 0:14:03 | |
against Lord Queensberry. | 0:14:03 | 0:14:05 | |
Had Wilde's case against Queensberry succeeded, | 0:14:10 | 0:14:13 | |
the Marquess would have gone to jail. | 0:14:13 | 0:14:15 | |
But Queensberry was determined to turn the tables | 0:14:17 | 0:14:20 | |
and to expose Wilde as a homosexual. | 0:14:20 | 0:14:23 | |
The Marquess of Queensberry hired investigators who were able to prove | 0:14:24 | 0:14:28 | |
that Wilde was involved in a homosexual affair with his son | 0:14:28 | 0:14:31 | |
and indeed with other men. | 0:14:31 | 0:14:33 | |
This was serious for Wilde because homosexuality at the time | 0:14:33 | 0:14:36 | |
was a crime | 0:14:36 | 0:14:37 | |
and Lord Queensberry, having been acquitted, a new trial began. | 0:14:37 | 0:14:41 | |
Oscar Wilde was tried and sent to prison. | 0:14:41 | 0:14:44 | |
Two years of hard labour must have taken a huge toil on Wilde | 0:14:46 | 0:14:51 | |
because, as the files now reveal, | 0:14:51 | 0:14:54 | |
the man who many think of as a gay icon | 0:14:54 | 0:14:57 | |
was prepared to say almost anything to get out of jail early. | 0:14:57 | 0:15:01 | |
Now, this is a pathetic document. | 0:15:01 | 0:15:03 | |
This is Wilde in prison making an appeal to the Home Secretary, | 0:15:03 | 0:15:07 | |
seeking to have his sentence commuted. | 0:15:07 | 0:15:10 | |
And now he refers to his homosexuality | 0:15:10 | 0:15:13 | |
as a "form of sexual madness". | 0:15:13 | 0:15:17 | |
He talks about diseases that ought to be treated by a physician | 0:15:17 | 0:15:22 | |
rather than crimes to be punished by a judge. | 0:15:22 | 0:15:27 | |
This is extraordinary to a modern audience | 0:15:27 | 0:15:30 | |
to talk about homosexuality in this way. | 0:15:30 | 0:15:33 | |
Perhaps Oscar Wilde's finest moment was at his trial | 0:15:33 | 0:15:36 | |
where he spoke of the love that dare not speak its name. | 0:15:36 | 0:15:40 | |
Wilde clearly made a colossal error in choosing to prosecute the libel. | 0:15:45 | 0:15:49 | |
But how did he behave once the hearing was underway? | 0:15:49 | 0:15:52 | |
His only surviving grandson, Merlin Holland, | 0:15:52 | 0:15:55 | |
has studied the transcripts. | 0:15:55 | 0:15:57 | |
They reveal that Wilde started off | 0:15:57 | 0:15:59 | |
with less than his celebrated self-assurance | 0:15:59 | 0:16:02 | |
and show how the quick wit that brought him fame and fortune | 0:16:02 | 0:16:06 | |
also proved his undoing. | 0:16:06 | 0:16:09 | |
What we've got now is Oscar starting off quite modestly, | 0:16:09 | 0:16:15 | |
finding his feet, | 0:16:15 | 0:16:18 | |
teasing Edward Carson, who was Queensberry's defence lawyer, | 0:16:18 | 0:16:22 | |
becoming overconfident and then, | 0:16:22 | 0:16:24 | |
that moment at which the whole thing turns, | 0:16:24 | 0:16:27 | |
the lynchpin in the whole case - "Did you kiss him?" | 0:16:27 | 0:16:31 | |
"Oh, no, he was far too ugly." Whoops. | 0:16:31 | 0:16:33 | |
A flippancy too far? | 0:16:33 | 0:16:35 | |
A flippancy too far and he's talked himself into prison. | 0:16:35 | 0:16:37 | |
The other document that I've seen | 0:16:40 | 0:16:42 | |
is a rather pathetic petition that he's making | 0:16:42 | 0:16:45 | |
-to see whether his sentence can be reduced. -Ah, yes. | 0:16:45 | 0:16:48 | |
And now he's talking about his homosexuality as being | 0:16:48 | 0:16:51 | |
a kind of madness, about being a disease. | 0:16:51 | 0:16:53 | |
How do you reflect on that tone? | 0:16:53 | 0:16:55 | |
I've always felt deeply uncomfortable about it. | 0:16:57 | 0:16:59 | |
I mean, I've always felt his... | 0:16:59 | 0:17:01 | |
It's the behaviour of a man | 0:17:01 | 0:17:03 | |
who's been utterly cowed, bowed down, broken by prison. | 0:17:03 | 0:17:07 | |
But I think it's one of those compromises in his life | 0:17:07 | 0:17:10 | |
which is very unexpected but so totally understandable. | 0:17:10 | 0:17:13 | |
After his eventual release, | 0:17:14 | 0:17:16 | |
Wilde never recovered from his imprisonment. | 0:17:16 | 0:17:19 | |
Within three years, he was dead. | 0:17:19 | 0:17:21 | |
Today, his literary achievements overshadow the scandal | 0:17:23 | 0:17:26 | |
that made him an outcast in his day, | 0:17:26 | 0:17:29 | |
and yet it's hard not to see his downfall | 0:17:29 | 0:17:31 | |
as part of his enduring appeal. | 0:17:31 | 0:17:34 | |
Is Oscar Wilde a gay icon, should he be and would he be pleased to be? | 0:17:34 | 0:17:38 | |
I think he is a gay icon, I think he'd be pleased to be | 0:17:38 | 0:17:43 | |
and I think he should be. | 0:17:43 | 0:17:45 | |
I think he's also a sort of role model for young people today | 0:17:45 | 0:17:50 | |
because here was a man back in Victorian times | 0:17:50 | 0:17:52 | |
who stood out against everything which was authoritarian, | 0:17:52 | 0:17:56 | |
and one loves to find someone who is older and who is historical | 0:17:56 | 0:18:02 | |
and to whom one can say, "Thank you for being a role model to me," | 0:18:02 | 0:18:06 | |
and I think in a sense, Oscar does perform that function | 0:18:06 | 0:18:08 | |
to a lot of young people today still. | 0:18:08 | 0:18:11 | |
Nothing sells tabloid newspapers better than salacious gossip | 0:18:23 | 0:18:27 | |
about the Royal family. | 0:18:27 | 0:18:30 | |
Normally, these scandal sheets endure only as wrapping | 0:18:30 | 0:18:34 | |
for tomorrow's fish and chips. | 0:18:34 | 0:18:37 | |
But occasionally, the tittle-tattle assumes a genuine, | 0:18:37 | 0:18:41 | |
deep-seated, constitutional significance. | 0:18:41 | 0:18:45 | |
As it did in 1936. | 0:18:46 | 0:18:49 | |
Think you've heard everything about the abdication crisis? | 0:18:49 | 0:18:52 | |
Think again. | 0:18:52 | 0:18:54 | |
These archives reveal the secret actors | 0:18:54 | 0:18:57 | |
who make this real-life drama stranger than fiction. | 0:18:57 | 0:19:00 | |
As King George V neared the end of his life, | 0:19:05 | 0:19:07 | |
his son was a very handsome Prince of Wales | 0:19:07 | 0:19:10 | |
with a very marked taste for the ladies. | 0:19:10 | 0:19:14 | |
But at a time when the press imposed self-censorship | 0:19:14 | 0:19:17 | |
in order to avoid embarrassment to the Royal family, | 0:19:17 | 0:19:20 | |
his many affairs were of no particular concern. | 0:19:20 | 0:19:23 | |
Until, that is, he took up with Mrs Wallis Simpson, | 0:19:23 | 0:19:28 | |
a married woman who, in fact, had two living husbands. | 0:19:28 | 0:19:32 | |
And then get this - Special Branch began to follow | 0:19:32 | 0:19:35 | |
the Prince of Wales and Mrs Simpson and to open a file. | 0:19:35 | 0:19:40 | |
Here we are - "Mrs Wallis Simpson. | 0:19:40 | 0:19:42 | |
"She was regarded as a person very fond of the company of men | 0:19:42 | 0:19:46 | |
"and to have had many affairs. | 0:19:46 | 0:19:49 | |
"She was with different men at these addresses." | 0:19:49 | 0:19:53 | |
Then Special Branch have pursued the Prince of Wales and Mrs Simpson | 0:19:54 | 0:19:58 | |
to an antique shop where they've done some shopping. | 0:19:58 | 0:20:02 | |
"The opinion of the dealer, | 0:20:02 | 0:20:03 | |
"expressed after his distinguished client had left, was that | 0:20:03 | 0:20:07 | |
"the lady seemed to have the Prince of Wales under her thumb." | 0:20:07 | 0:20:11 | |
Then it says, very shockingly, | 0:20:11 | 0:20:13 | |
"The Simpsons are regarded in some circles as Jews." | 0:20:13 | 0:20:17 | |
Things get worse for Mrs Simpson. | 0:20:22 | 0:20:25 | |
Special Branch is convinced that she has a secret lover. | 0:20:25 | 0:20:29 | |
"The identity has now been definitely ascertained. | 0:20:29 | 0:20:33 | |
"He is Guy Marcus Trundle, a very charming adventurer, | 0:20:33 | 0:20:37 | |
"very good-looking, well-bred and an excellent dancer. | 0:20:37 | 0:20:41 | |
"He meets Mrs Simpson quite openly at informal social gatherings | 0:20:41 | 0:20:45 | |
"as a personal friend, | 0:20:45 | 0:20:46 | |
"but secret meetings are made by appointment | 0:20:46 | 0:20:49 | |
"when intimate relations take place." | 0:20:49 | 0:20:53 | |
Now, if this file was made available to the Cabinet, | 0:20:53 | 0:20:55 | |
it's scarcely surprising that when, as King Edward VIII, | 0:20:55 | 0:20:59 | |
he sought to marry this woman and to keep the throne, | 0:20:59 | 0:21:03 | |
the Cabinet would have none of it. | 0:21:03 | 0:21:05 | |
How true were these secret Special Branch reports? | 0:21:08 | 0:21:12 | |
And why did Wallis Simpson provoke enough suspicion | 0:21:12 | 0:21:15 | |
to warrant being followed? | 0:21:15 | 0:21:17 | |
-Hello, Anne. -Hello, Michael. Lovely to meet you. -Welcome. | 0:21:20 | 0:21:23 | |
Time for afternoon tea at the sort of place that Mrs Simpson loved, | 0:21:23 | 0:21:27 | |
London's Langham Hotel, | 0:21:27 | 0:21:29 | |
with the woman who's written a definitive biography of Wallis. | 0:21:29 | 0:21:33 | |
Heavens. Pages of teas. | 0:21:33 | 0:21:35 | |
How lovely. Thank you. | 0:21:38 | 0:21:40 | |
-That's beautiful. Thank you so much. -Delightful. | 0:21:43 | 0:21:45 | |
Why did the Prince of Wales apparently fall in love with her? | 0:21:45 | 0:21:48 | |
She was different. | 0:21:48 | 0:21:50 | |
And I think the first occasion when they met, he said to her, | 0:21:50 | 0:21:54 | |
"Oh, madam, may I say how wonderful you look tonight," | 0:21:54 | 0:21:58 | |
and she shot back quick as a flash | 0:21:58 | 0:22:01 | |
because she'd overheard him saying to an aide, | 0:22:01 | 0:22:04 | |
"But, Sir, I thought you said all the women in this room looked ghastly." | 0:22:04 | 0:22:07 | |
And he thought this was so funny, so brash, | 0:22:07 | 0:22:10 | |
it showed such a lack of deference | 0:22:10 | 0:22:13 | |
and I think that was really what attracted him to her. | 0:22:13 | 0:22:16 | |
I think he had lots of pep | 0:22:16 | 0:22:17 | |
and I think he was very much ahead of his time. | 0:22:17 | 0:22:19 | |
If there was anything new came along, | 0:22:19 | 0:22:21 | |
I always wanted to try it out, always. | 0:22:21 | 0:22:23 | |
What sort of a woman was she? | 0:22:23 | 0:22:25 | |
Fearful, deeply insecure. | 0:22:25 | 0:22:28 | |
But I'm surprised to hear you call her insecure, | 0:22:28 | 0:22:30 | |
because the image we have of her is that she was assertive, | 0:22:30 | 0:22:34 | |
that she was witty, that she was domineering even. | 0:22:34 | 0:22:37 | |
No, this insecurity was seared deep. | 0:22:37 | 0:22:40 | |
Her late father's brother paid an allowance into her mother's account, | 0:22:40 | 0:22:45 | |
but it was irregular. | 0:22:45 | 0:22:46 | |
Sometimes there was a lot of money, sometimes there was no money at all. | 0:22:46 | 0:22:49 | |
So, Wallis grew up believing that you have to depend on men. | 0:22:49 | 0:22:53 | |
On the other hand, you can't depend on men cos you just never know, | 0:22:53 | 0:22:56 | |
they use and abuse you. | 0:22:56 | 0:22:58 | |
And that too was part of this insecurity | 0:22:58 | 0:23:01 | |
that there just was never enough money for her. | 0:23:01 | 0:23:04 | |
Ah, we're on to the scones. | 0:23:09 | 0:23:11 | |
-Oh, look, they look lovely. After you. -Don't they? | 0:23:12 | 0:23:14 | |
I've been looking at the papers of the Special Branch operation, | 0:23:14 | 0:23:19 | |
because they were tailing Wallis Simpson and the Prince of Wales. | 0:23:19 | 0:23:23 | |
Special Branch believe that Wallis Simpson | 0:23:23 | 0:23:26 | |
was having an affair with Guy Trundle. Do you believe it? | 0:23:26 | 0:23:29 | |
I don't believe it, no. | 0:23:29 | 0:23:30 | |
They were trying to find some reason, | 0:23:30 | 0:23:33 | |
because the establishment was terrified of having Wallis Simpson | 0:23:33 | 0:23:37 | |
as Queen Wallie. | 0:23:37 | 0:23:39 | |
So, they were looking for every reason not to like her. | 0:23:39 | 0:23:44 | |
And I think they found this man - Guy Trundle - | 0:23:44 | 0:23:47 | |
who was a notorious womaniser, a boaster. | 0:23:47 | 0:23:50 | |
I don't believe she had time or an appetite for this sort of man. | 0:23:50 | 0:23:55 | |
She didn't want a second-hand car salesman. | 0:23:55 | 0:23:57 | |
Did she think she was going to become Queen or...? | 0:24:00 | 0:24:03 | |
No, Wallis did not want to be Queen. | 0:24:03 | 0:24:05 | |
So you see her as really getting trapped in a situation | 0:24:05 | 0:24:08 | |
-which she hadn't intended. Is that right? -Yes. | 0:24:08 | 0:24:10 | |
I'm afraid the old cliches are the best. | 0:24:10 | 0:24:12 | |
You know, if you play with fire, you get burnt, | 0:24:12 | 0:24:14 | |
hoist by her own petard, all those things. | 0:24:14 | 0:24:17 | |
I think she thought she would have a few months of fun, | 0:24:17 | 0:24:21 | |
acquire some jewels, and then go back with a little bit more money. | 0:24:21 | 0:24:24 | |
In January 1936, when his father died, | 0:24:26 | 0:24:29 | |
the Prince of Wales became King. | 0:24:29 | 0:24:31 | |
He was determined to marry Mrs Simpson. | 0:24:31 | 0:24:34 | |
He established her in a safe house, | 0:24:34 | 0:24:37 | |
the very address that she used on her petition for a divorce. | 0:24:37 | 0:24:42 | |
The voluntary self-censorship of the press broke down, | 0:24:42 | 0:24:46 | |
the story got out and the public was shocked. | 0:24:46 | 0:24:49 | |
The Prime Minister, Mr Stanley Baldwin, | 0:24:49 | 0:24:52 | |
said that the marriage was impossible, | 0:24:52 | 0:24:55 | |
even if Mrs Simpson were not to become Queen. | 0:24:55 | 0:24:58 | |
Unable to convince the government | 0:24:58 | 0:25:01 | |
and determined to marry the woman that he loved, | 0:25:01 | 0:25:04 | |
the King was left with only one possible choice - | 0:25:04 | 0:25:08 | |
the terrible decision to abdicate. | 0:25:08 | 0:25:11 | |
'I have found it impossible to carry the heavy burden of responsibility | 0:25:13 | 0:25:18 | |
'and to discharge my duties as King, as I here would wish to do, | 0:25:18 | 0:25:23 | |
'without the help and support of the woman I love.' | 0:25:23 | 0:25:28 | |
To this day, people argue about whether Edward | 0:25:31 | 0:25:34 | |
could have kept the throne if he married Mrs Simpson. | 0:25:34 | 0:25:38 | |
I've come to Fleet Street, where in 1936, journalists' typewriters | 0:25:38 | 0:25:42 | |
went into overdrive when news of the scandal broke, | 0:25:42 | 0:25:46 | |
to meet someone who feels that the truth has been kept secret | 0:25:46 | 0:25:50 | |
for too long. | 0:25:50 | 0:25:51 | |
-Hello, Susan. -Hello, Michael. | 0:25:51 | 0:25:52 | |
Historian Susan Williams has an explosive theory | 0:25:52 | 0:25:56 | |
about the real reason that Prime Minister Stanley Baldwin | 0:25:56 | 0:25:59 | |
was so set against Edward. | 0:25:59 | 0:26:01 | |
Certainly, one of the things that bothered the Prime Minister | 0:26:01 | 0:26:05 | |
and also other aspects of the establishment, if you like, | 0:26:05 | 0:26:09 | |
was his support for the long-term unemployed. | 0:26:09 | 0:26:12 | |
He went to South Wales and he visited the long-term unemployed, | 0:26:12 | 0:26:16 | |
who received him in their heart and were so pleased that he came | 0:26:16 | 0:26:20 | |
and he said, "Something must be done to bring work to these people," | 0:26:20 | 0:26:24 | |
and the Conservative-dominated government | 0:26:24 | 0:26:27 | |
was really unhappy about this behaviour | 0:26:27 | 0:26:30 | |
because they perceived it as criticism | 0:26:30 | 0:26:33 | |
of what they were failing to do. | 0:26:33 | 0:26:35 | |
So, your view is that the government engineered the abdication | 0:26:35 | 0:26:38 | |
because they didn't like the policies of the King? | 0:26:38 | 0:26:41 | |
Yes, I think that's right. | 0:26:41 | 0:26:43 | |
It's not simply that he went to South Wales | 0:26:43 | 0:26:45 | |
and was perceived to be criticising the Government implicitly, | 0:26:45 | 0:26:49 | |
but also, that visit to South Wales was recorded on news reels | 0:26:49 | 0:26:54 | |
and news reels were shown all over Britain. | 0:26:54 | 0:26:56 | |
Baldwin told the King that to marry Wallis, he must abdicate. | 0:26:58 | 0:27:02 | |
But was it as straightforward as that? | 0:27:04 | 0:27:07 | |
Do you think there was a compromise that would have enabled the King | 0:27:07 | 0:27:11 | |
to marry Mrs Simpson and be on the throne? | 0:27:11 | 0:27:14 | |
Well, there really was a compromise and a solution | 0:27:14 | 0:27:18 | |
and it was put forward by Winston Churchill, Edward's champion, | 0:27:18 | 0:27:21 | |
and that was for a morganatic marriage, | 0:27:21 | 0:27:24 | |
by which Mrs Simpson would be Edward's wife but not his Queen. | 0:27:24 | 0:27:28 | |
But the Prime Minister asserted | 0:27:28 | 0:27:30 | |
that a morganatic marriage was unacceptable. | 0:27:30 | 0:27:33 | |
Edward and Mrs Simpson moved to France | 0:27:33 | 0:27:35 | |
and lived the rest of their lives in exile | 0:27:35 | 0:27:38 | |
as the Duke and Duchess of Windsor. | 0:27:38 | 0:27:40 | |
How, decades later, did he feel about the awesome choice that he'd made? | 0:27:40 | 0:27:45 | |
'Do you have any regrets at all | 0:27:45 | 0:27:48 | |
about not having gone on being King?' | 0:27:48 | 0:27:50 | |
No, I would like to have | 0:27:50 | 0:27:51 | |
but I was going to do it under my own conditions. | 0:27:51 | 0:27:54 | |
So, I do not have any regrets. | 0:27:54 | 0:27:56 | |
Today's documents have been scandalous. | 0:27:58 | 0:28:02 | |
A playwright involved in a gay liaison, | 0:28:02 | 0:28:05 | |
a musician caught in possession of mind-altering substances | 0:28:05 | 0:28:09 | |
and a monarch wishing to wed a woman with two living husbands. | 0:28:09 | 0:28:14 | |
Perhaps it was the misfortune of Oscar Wilde, Keith Richards | 0:28:14 | 0:28:18 | |
and King Edward VIII to be born too early. | 0:28:18 | 0:28:21 | |
Now homosexuality is legal, | 0:28:21 | 0:28:24 | |
sex, drugs and rock and roll has become a cliche, | 0:28:24 | 0:28:28 | |
and nowadays we can even contemplate a king being married to a divorcee. | 0:28:28 | 0:28:34 |