Browse content similar to Mysteries. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
1,000 years of history under one roof - | 0:00:02 | 0:00:06 | |
The National Archives, a treasure house of secrets, | 0:00:06 | 0:00:11 | |
the records of extraordinary times and people. | 0:00:11 | 0:00:15 | |
These files are this nation's story, | 0:00:15 | 0:00:18 | |
our shared past. | 0:00:18 | 0:00:20 | |
Documents housed here were highly classified, | 0:00:20 | 0:00:24 | |
intended for the eyes of only the privileged few, | 0:00:24 | 0:00:28 | |
protected from your sight for decades, but not now. | 0:00:28 | 0:00:33 | |
I've been granted special access to files once kept hush-hush. | 0:00:37 | 0:00:43 | |
I'll unearth amazing tales from our hidden history. | 0:00:43 | 0:00:48 | |
Forget what you've been told. These documents tell the truth. | 0:00:48 | 0:00:53 | |
Coming up in this programme, a letter from Jack the Ripper. | 0:01:04 | 0:01:08 | |
"I have laughed when they look so clever | 0:01:10 | 0:01:12 | |
"and talk about being on the right track. | 0:01:12 | 0:01:15 | |
"How can they catch me?" | 0:01:15 | 0:01:17 | |
This isn't a straightforward psychopath | 0:01:17 | 0:01:19 | |
who has no understanding of human emotion or empathy | 0:01:19 | 0:01:22 | |
and so it's someone we would think of as pure evil. | 0:01:22 | 0:01:25 | |
Wartime poster, post-war conspiracy theory. | 0:01:25 | 0:01:29 | |
The explosive hypothesis of why Kitchener vanished. | 0:01:29 | 0:01:32 | |
He proposed that Kitchener had actually been murdered | 0:01:32 | 0:01:35 | |
and the sinking of the Hampshire was deliberate. | 0:01:35 | 0:01:38 | |
And is the truth in here? | 0:01:40 | 0:01:42 | |
The top-secret government files on unidentified flying objects. | 0:01:42 | 0:01:47 | |
State documents may be classified confidential, | 0:02:00 | 0:02:04 | |
secret, top-secret. | 0:02:04 | 0:02:07 | |
No wonder conspiracy theories abound. | 0:02:07 | 0:02:11 | |
Are conspiracies behind our most enduring mysteries? | 0:02:11 | 0:02:15 | |
Well, none has endured like this one, | 0:02:16 | 0:02:20 | |
the shadow solitary figure | 0:02:20 | 0:02:22 | |
stalking the gas-lit streets of Victorian London, | 0:02:22 | 0:02:26 | |
selecting his victims with meticulous care, | 0:02:26 | 0:02:30 | |
disembowelling them | 0:02:30 | 0:02:31 | |
in cold blood | 0:02:31 | 0:02:33 | |
and taunting the police with cryptic clues. | 0:02:33 | 0:02:37 | |
He remains our best-known | 0:02:37 | 0:02:39 | |
serial killer, | 0:02:39 | 0:02:41 | |
but our image of him is based mainly on a letter | 0:02:41 | 0:02:45 | |
which may be a hoax or may be from the killer. | 0:02:45 | 0:02:50 | |
And here I have that very letter | 0:02:50 | 0:02:53 | |
delivered to London's Central News Agency | 0:02:53 | 0:02:56 | |
on September the 27th, 1888 | 0:02:56 | 0:03:00 | |
shortly after two prostitutes had been murdered and mutilated. | 0:03:00 | 0:03:05 | |
It starts with the words Dear Boss | 0:03:05 | 0:03:08 | |
and ends with the signature Jack the Ripper. | 0:03:08 | 0:03:13 | |
"I keep on hearing the police have caught me, | 0:03:14 | 0:03:17 | |
"but they won't fix me just yet. | 0:03:17 | 0:03:19 | |
"I've laughed when they look so clever | 0:03:19 | 0:03:21 | |
"and talk about being on the right track. | 0:03:21 | 0:03:24 | |
"How can they catch me?" | 0:03:24 | 0:03:26 | |
'But the final paragraph is the most unnerving of all | 0:03:27 | 0:03:32 | |
'because it makes a prediction.' | 0:03:32 | 0:03:33 | |
"The next job I do, I shall clip the lady's ears off | 0:03:35 | 0:03:38 | |
"and send them to the police officers just for jolly. | 0:03:38 | 0:03:42 | |
"Wouldn't you? | 0:03:42 | 0:03:44 | |
"My knife's so nice and sharp, | 0:03:44 | 0:03:46 | |
"I want to get to work right away if I get a chance." | 0:03:46 | 0:03:51 | |
Three days later, two more butchered women | 0:03:51 | 0:03:54 | |
were found in London's East End | 0:03:54 | 0:03:57 | |
and an ear of one of the victims - Catherine Eddowes - | 0:03:57 | 0:04:00 | |
had been partially severed. | 0:04:00 | 0:04:02 | |
How do I feel about this extraordinary bit of paper? | 0:04:02 | 0:04:07 | |
Without this, | 0:04:07 | 0:04:09 | |
this killer would not have gone into history as Jack the Ripper, | 0:04:09 | 0:04:13 | |
probably the most notorious serial killer | 0:04:13 | 0:04:17 | |
in British legal history. | 0:04:17 | 0:04:19 | |
And then - horrible thought - | 0:04:19 | 0:04:22 | |
this may actually be the handwriting, | 0:04:22 | 0:04:24 | |
this may be the work | 0:04:24 | 0:04:26 | |
of that mass killer, that perverted mind. | 0:04:26 | 0:04:30 | |
On the other hand, it could be a fake. | 0:04:36 | 0:04:40 | |
The police weren't sure at the time | 0:04:40 | 0:04:42 | |
and experts have debated its authenticity for decades. | 0:04:42 | 0:04:46 | |
It's all added to the sense of mystery | 0:04:48 | 0:04:51 | |
which continues to fascinate right up to the present day. | 0:04:51 | 0:04:55 | |
Today, Jack the Ripper is big business. | 0:05:00 | 0:05:03 | |
His legend has spawned books, movies, merchandise, | 0:05:03 | 0:05:08 | |
even walking tours like this. | 0:05:08 | 0:05:11 | |
But none would exist without that letter | 0:05:11 | 0:05:14 | |
now lying in the Archive. | 0:05:14 | 0:05:15 | |
So, you are, at most, going to get | 0:05:17 | 0:05:19 | |
maybe six inches radius pool of light | 0:05:19 | 0:05:21 | |
around just the base of each lamppost | 0:05:21 | 0:05:23 | |
and other than this kind of flickering puddle of light, | 0:05:23 | 0:05:25 | |
the rest of these alleyways would be plunged into a thick, inky darkness. | 0:05:25 | 0:05:29 | |
So dark, in fact, to the point where you wouldn't even be able | 0:05:29 | 0:05:32 | |
to see your own hands in front of your face. | 0:05:32 | 0:05:34 | |
And I like to think that that's the perfect environment | 0:05:34 | 0:05:37 | |
for the world's first highly publicised | 0:05:37 | 0:05:40 | |
and internationally recognised serial killer | 0:05:40 | 0:05:43 | |
to begin his Autumn of Terror. | 0:05:43 | 0:05:45 | |
Does recounting the story of Jack the Ripper | 0:05:47 | 0:05:50 | |
teach us history or merely prolong a hoax? | 0:05:50 | 0:05:54 | |
Retired detective Trevor Marriott | 0:05:54 | 0:05:56 | |
believes that the infamous letter was written not by the murderer, | 0:05:56 | 0:06:00 | |
but by a journalist with an eye for a headline. | 0:06:00 | 0:06:03 | |
The prime suspect, I think, was a man by the name of Thomas Bulling | 0:06:03 | 0:06:07 | |
who worked for the Central News Agency. | 0:06:07 | 0:06:10 | |
Well, of course the Central News Agency | 0:06:10 | 0:06:12 | |
is where the Ripper letter - | 0:06:12 | 0:06:13 | |
the Dear Boss letter - was actually delivered to. | 0:06:13 | 0:06:16 | |
And so, clearly, whoever wrote the letter | 0:06:16 | 0:06:18 | |
and had it delivered to the Central News Agency | 0:06:18 | 0:06:21 | |
would have actually known that it would have got maximum exposure, | 0:06:21 | 0:06:25 | |
as against somebody just sending it to one of the other newspapers | 0:06:25 | 0:06:29 | |
that were in and around London at the time. | 0:06:29 | 0:06:32 | |
A reporter making things up? Surely not. | 0:06:33 | 0:06:37 | |
But let's say he did. | 0:06:37 | 0:06:38 | |
Let's say he wrote the letter to create an artificial link | 0:06:38 | 0:06:42 | |
between a series of random murders to create a sensational story. | 0:06:42 | 0:06:47 | |
It still doesn't explain this. | 0:06:47 | 0:06:49 | |
The letter predicts that there may be mutilation | 0:06:51 | 0:06:54 | |
of the ears of the next victim | 0:06:54 | 0:06:56 | |
and in the interval, the next victim has been mutilated. | 0:06:56 | 0:06:59 | |
Isn't that suggestive that the letter is genuine? | 0:06:59 | 0:07:02 | |
No, I don't think it is, to be totally honest. | 0:07:02 | 0:07:04 | |
I think when you look at the ear, | 0:07:04 | 0:07:07 | |
it was just probably a very lucky coincidence. | 0:07:07 | 0:07:11 | |
In such a small sort of area, | 0:07:11 | 0:07:13 | |
you had something like about 70,000 residents. | 0:07:13 | 0:07:16 | |
'Since the Dear Boss letter | 0:07:17 | 0:07:19 | |
'has been good for business over the years, | 0:07:19 | 0:07:21 | |
'presumably the leader of this tour thinks it's genuine.' | 0:07:21 | 0:07:25 | |
And what do you make of that letter? | 0:07:25 | 0:07:27 | |
I think it's very neat. | 0:07:27 | 0:07:30 | |
I think it's a very kind of... | 0:07:30 | 0:07:33 | |
It's a bit served up on a plate kind of thing. | 0:07:33 | 0:07:35 | |
I think it most likely probably was the work of a journalist. | 0:07:35 | 0:07:39 | |
I'd like to seek out other points of view. | 0:07:47 | 0:07:50 | |
Donna Youngs is a criminologist and psychological profiler. | 0:07:50 | 0:07:55 | |
The kinds of particular details... | 0:07:57 | 0:08:00 | |
For example, in the letter, | 0:08:00 | 0:08:02 | |
the offender talks about putting the blood | 0:08:02 | 0:08:04 | |
into a ginger beer bottle | 0:08:04 | 0:08:06 | |
rather than simply talking about putting it into a bottle. | 0:08:06 | 0:08:09 | |
Now, those sorts of details are often indicators of truthfulness, | 0:08:09 | 0:08:13 | |
of somebody who really has gone through that experience. | 0:08:13 | 0:08:17 | |
If the letter that I've seen signed Jack the Ripper | 0:08:17 | 0:08:20 | |
is genuinely from the killer, why would he write a letter? | 0:08:20 | 0:08:24 | |
The personalities of the sorts of people | 0:08:24 | 0:08:26 | |
that can do these sorts of crimes | 0:08:26 | 0:08:29 | |
means that, actually, they would find it excruciatingly painful | 0:08:29 | 0:08:33 | |
not to be at the centre of the attention that they're creating. | 0:08:33 | 0:08:37 | |
They'll be excited about getting away with it | 0:08:37 | 0:08:40 | |
and they may even be insulted | 0:08:40 | 0:08:42 | |
at the possibility that the police think it's somebody else. | 0:08:42 | 0:08:45 | |
Extraordinary. | 0:08:45 | 0:08:47 | |
What do you take from the letter | 0:08:47 | 0:08:49 | |
in terms of the personality of the writer, | 0:08:49 | 0:08:52 | |
the sort of background of the writer? | 0:08:52 | 0:08:54 | |
The handwriting is actually very elegant. | 0:08:54 | 0:08:57 | |
As psychologists, we like to look at what the purpose of the letter was, | 0:08:57 | 0:09:01 | |
what the individual was trying to achieve, | 0:09:01 | 0:09:03 | |
to tell us something about that individual. | 0:09:03 | 0:09:05 | |
This letter is gleeful and is seeking to say that | 0:09:05 | 0:09:10 | |
they're not actually ashamed of what they've done, | 0:09:10 | 0:09:13 | |
which, in turn, suggests that they do indeed, | 0:09:13 | 0:09:15 | |
in fact, actually recognise that what they've done | 0:09:15 | 0:09:18 | |
is something that other people would find horrific. | 0:09:18 | 0:09:21 | |
This isn't a straightforward psychopath | 0:09:21 | 0:09:23 | |
who has no understanding of human emotion or empathy, | 0:09:23 | 0:09:26 | |
but it is someone who knows that what they've done is very wrong | 0:09:26 | 0:09:29 | |
and so it's someone we would think of as pure evil. | 0:09:29 | 0:09:33 | |
-Pure evil? -Yes. | 0:09:33 | 0:09:34 | |
The Ten Bells pub, famous because the Ripper's final victim - | 0:09:38 | 0:09:42 | |
Mary Jane Kelly - was often seen drinking in there, | 0:09:42 | 0:09:45 | |
also walking around the outside looking for her next client. | 0:09:45 | 0:09:48 | |
Is it worse than you thought, the details? | 0:09:50 | 0:09:53 | |
The details, yeah, yeah. | 0:09:53 | 0:09:55 | |
He shined it down on the ground and indeed, this woman is dead. | 0:09:55 | 0:09:58 | |
-That was a great tour. Great tour. -Thank you. | 0:10:03 | 0:10:05 | |
I understand it so much better than I did before, | 0:10:05 | 0:10:08 | |
the horror and the fact that it all happened in such a small area. | 0:10:08 | 0:10:11 | |
Thank you for sharing the horror with me. Wow. | 0:10:11 | 0:10:14 | |
'The mystery surrounding Jack the Ripper's identity | 0:10:14 | 0:10:17 | |
'has led to many conspiracy theories. | 0:10:17 | 0:10:20 | |
'It was a powerful politician, a famous author, | 0:10:20 | 0:10:23 | |
'a member of the royal family, even a woman. | 0:10:23 | 0:10:28 | |
'But the question of who wrote the Dear Boss letter | 0:10:28 | 0:10:31 | |
'has prompted nearly as much debate. | 0:10:31 | 0:10:34 | |
'Certainly, my very short investigation | 0:10:34 | 0:10:37 | |
'shows that even seasoned experts are split. | 0:10:37 | 0:10:40 | |
'But as with all good detective stories, | 0:10:42 | 0:10:45 | |
'there's an extra twist.' | 0:10:45 | 0:10:47 | |
The letter I held in my hand | 0:10:48 | 0:10:50 | |
may have been written by history's most notorious murderer, | 0:10:50 | 0:10:54 | |
one of the most vicious killers of any place, any time. | 0:10:54 | 0:11:00 | |
That letter disappeared from the official files | 0:11:00 | 0:11:02 | |
at the beginning of the 20th century | 0:11:02 | 0:11:05 | |
and turned up again almost exactly a century | 0:11:05 | 0:11:09 | |
after the Ripper stalked these dark streets, | 0:11:09 | 0:11:12 | |
sent anonymously to Scotland Yard. | 0:11:12 | 0:11:16 | |
We don't know who wrote it, we don't know who stole it, | 0:11:16 | 0:11:19 | |
we don't know who sent it back and it gives me the creeps. | 0:11:19 | 0:11:25 | |
Nothing breeds conspiracy theories | 0:11:29 | 0:11:33 | |
more than the mysterious death of a famous person | 0:11:33 | 0:11:37 | |
and when the body is lost at sea and in the fog of war, | 0:11:37 | 0:11:41 | |
suspicions reach new depths. | 0:11:41 | 0:11:44 | |
'The document I'm looking at now reveals a conspiracy theory | 0:11:46 | 0:11:51 | |
'featuring one of our most iconic military leaders.' | 0:11:51 | 0:11:54 | |
"Your country needs you." | 0:11:56 | 0:11:59 | |
We can conjure up a picture of the moustachioed Lord Kitchener | 0:11:59 | 0:12:02 | |
in his military uniform | 0:12:02 | 0:12:04 | |
because he appeared in a highly successful recruiting poster | 0:12:04 | 0:12:08 | |
at the beginning of the Great War. | 0:12:08 | 0:12:10 | |
Like many of those recruits, he died in the conflict | 0:12:10 | 0:12:14 | |
when the cruiser HMS Hampshire hit a mine in the North Sea. | 0:12:14 | 0:12:18 | |
The government claimed that the sinking of the ship | 0:12:20 | 0:12:23 | |
was nothing more than a chance of war. | 0:12:23 | 0:12:26 | |
But the fact that Kitchener's body was never recovered | 0:12:26 | 0:12:29 | |
fuelled suspicion. | 0:12:29 | 0:12:31 | |
Some claimed foul play saying that the cruiser was sabotaged | 0:12:31 | 0:12:35 | |
with everyone from German spies to Irish rebels being blamed. | 0:12:35 | 0:12:39 | |
It was even suggested that there had been a plot | 0:12:40 | 0:12:43 | |
involving the former First Lord of the Admiralty, Winston Churchill. | 0:12:43 | 0:12:48 | |
Most people dismiss such rumours, | 0:12:48 | 0:12:50 | |
but a few became super conspiracy theorists. | 0:12:50 | 0:12:54 | |
None greater than one Frank Power | 0:12:54 | 0:12:58 | |
who, in 1926, summoned an immense mass meeting. | 0:12:58 | 0:13:06 | |
Frank Power made no secret at all of his suspicions. | 0:13:06 | 0:13:11 | |
"I'm going to suggest to you on the strongest evidence | 0:13:11 | 0:13:14 | |
"that there was internal treachery on the Hampshire. | 0:13:14 | 0:13:18 | |
"I say there was proof of that. | 0:13:18 | 0:13:20 | |
"There was another internal explosion on the Hampshire | 0:13:20 | 0:13:24 | |
"which sounded the death knell of all these men. | 0:13:24 | 0:13:27 | |
"Nobody ever knew exactly what happened. | 0:13:27 | 0:13:30 | |
"The officials did hold an inquiry, but no-one was punished." | 0:13:30 | 0:13:34 | |
Frank Power effectively claimed that Kitchener, | 0:13:35 | 0:13:38 | |
whose image had led the Empire into war, | 0:13:38 | 0:13:41 | |
was bumped off by his own side. | 0:13:41 | 0:13:44 | |
He caused a media sensation, but could he be trusted? | 0:13:44 | 0:13:48 | |
He was quite a showman. | 0:13:49 | 0:13:51 | |
I mean, initially, he proposed that Kitchener hadn't actually died | 0:13:51 | 0:13:55 | |
on the Hampshire - a double had gone down - | 0:13:55 | 0:13:57 | |
and then people asked to see the body of the real Kitchener. | 0:13:57 | 0:14:00 | |
He couldn't produce a real body so then he changed his tact | 0:14:00 | 0:14:03 | |
to saying Kitchener had actually been murdered | 0:14:03 | 0:14:05 | |
and the sinking of the Hampshire was deliberate. | 0:14:05 | 0:14:08 | |
The government struggled to dismiss Frank Power as a nobody | 0:14:10 | 0:14:14 | |
since he had an audience. | 0:14:14 | 0:14:16 | |
He started off writing a column for the Sunday Referee, a popular journal | 0:14:16 | 0:14:20 | |
and his column about various conspiracy theories | 0:14:20 | 0:14:22 | |
to do with Kitchener became wildly successful. | 0:14:22 | 0:14:25 | |
He started trying to make films about Kitchener's demise | 0:14:25 | 0:14:28 | |
and he was making money and getting fame. | 0:14:28 | 0:14:30 | |
But the more Power peddled his claim | 0:14:32 | 0:14:34 | |
that Kitchener had been murdered, the more the public wanted proof. | 0:14:34 | 0:14:38 | |
"Where's the body?" they demanded. | 0:14:38 | 0:14:40 | |
Well, in 1926, he claimed to have found it in a grave in Norway | 0:14:40 | 0:14:46 | |
and he vowed to bring it back for a hero's burial in Britain. | 0:14:46 | 0:14:50 | |
This news captivated the nation and the newspapers. | 0:14:54 | 0:14:58 | |
"Kitchener's grave found. | 0:14:59 | 0:15:02 | |
"Great soldier's remains brought to England," | 0:15:02 | 0:15:05 | |
says the Referee on August the 8th, 1926 | 0:15:05 | 0:15:09 | |
in an article by...Frank Power. | 0:15:09 | 0:15:12 | |
The nation held its breath. | 0:15:13 | 0:15:15 | |
But Power had overlooked a very important point - | 0:15:17 | 0:15:21 | |
you can't bury a body in Britain without a certificate. | 0:15:21 | 0:15:24 | |
You can't issue the certificate without examining the body | 0:15:25 | 0:15:29 | |
and you can't examine the body if it's locked in a coffin. | 0:15:29 | 0:15:33 | |
The Metropolitan Police naturally became interested | 0:15:33 | 0:15:36 | |
and when the coffin arrived in London, | 0:15:36 | 0:15:40 | |
they examined it. | 0:15:40 | 0:15:42 | |
"When the lid was unscrewed, there was...nothing in the shell | 0:15:42 | 0:15:48 | |
"but traces of a substance like tar." | 0:15:48 | 0:15:52 | |
But then, as the fraud is revealed, | 0:15:52 | 0:15:56 | |
the tone of the press changes completely. | 0:15:56 | 0:15:59 | |
The Sunday Express, 22nd of August. | 0:15:59 | 0:16:02 | |
"The Kitchener outrage - | 0:16:02 | 0:16:05 | |
"gambling on a hero's coffin, dicing on his shroud." | 0:16:05 | 0:16:10 | |
There was a clear message from the British press to Mr Frank Power - | 0:16:10 | 0:16:15 | |
this country does not need you. | 0:16:15 | 0:16:18 | |
Here's a mystery for you to solve. | 0:16:37 | 0:16:40 | |
What sort of person leaves the comfort of his home | 0:16:40 | 0:16:43 | |
to set up camp in the freezing, pitch-black darkness | 0:16:43 | 0:16:48 | |
with only a vacuum flask and a soggy sandwich for company | 0:16:48 | 0:16:53 | |
and accessorised by a pair of binoculars? | 0:16:53 | 0:16:56 | |
The sad life of an ex-MP? | 0:16:56 | 0:16:59 | |
No, the real answer is out of this world. | 0:16:59 | 0:17:02 | |
The wonders of the stars and planets at night... | 0:17:04 | 0:17:09 | |
..that some people are looking for | 0:17:10 | 0:17:13 | |
and discover something altogether weird. | 0:17:13 | 0:17:18 | |
In December 1980, there were reports | 0:17:18 | 0:17:21 | |
of unexplained lights over Rendlesham Forest in Suffolk. | 0:17:21 | 0:17:26 | |
The sightings occurred over two nights. | 0:17:26 | 0:17:29 | |
It is Britain's most famous unidentified flying object incident. | 0:17:29 | 0:17:34 | |
The Ministry of Defence said it would not investigate | 0:17:34 | 0:17:38 | |
as the event posed no threat to national security. | 0:17:38 | 0:17:42 | |
The truth, however, is in here, | 0:17:42 | 0:17:45 | |
in MOD files that remained secret for 30 years, | 0:17:45 | 0:17:50 | |
accounts from those who witnessed the phenomena at first hand. | 0:17:50 | 0:17:55 | |
"The individuals reported seeing | 0:17:56 | 0:17:59 | |
"a strange glowing object in the forest. | 0:17:59 | 0:18:02 | |
"The object was described as being metallic in appearance | 0:18:02 | 0:18:06 | |
"and triangular in shape. | 0:18:06 | 0:18:08 | |
"It illuminated the entire forest with a white light. | 0:18:08 | 0:18:12 | |
"The object itself had a pulsing red light on top | 0:18:12 | 0:18:16 | |
"and a bank or banks of blue lights underneath. | 0:18:16 | 0:18:20 | |
"It was hovering or on legs. | 0:18:20 | 0:18:23 | |
"Numerous individuals including the undersigned | 0:18:23 | 0:18:26 | |
"witnessed the activities." | 0:18:26 | 0:18:28 | |
And it's signed Charles I Halt... | 0:18:28 | 0:18:30 | |
..Lieutenant Colonel, United States Air Force. | 0:18:32 | 0:18:36 | |
This man cannot be dismissed as some hysteric. | 0:18:36 | 0:18:40 | |
In fact, Lieutenant Colonel Halt was the deputy commander | 0:18:40 | 0:18:45 | |
of nearby RAF Woodbridge | 0:18:45 | 0:18:47 | |
where the American air force housed nuclear weapons. | 0:18:47 | 0:18:51 | |
On one night, he led patrols to investigate | 0:18:51 | 0:18:54 | |
what was going on in the forest. | 0:18:54 | 0:18:57 | |
He even tape-recorded some of the events. | 0:18:57 | 0:18:59 | |
"Later in the night, | 0:19:11 | 0:19:12 | |
"a red, sun-like light was seen through the trees. | 0:19:12 | 0:19:17 | |
"It moved and pulsed. | 0:19:17 | 0:19:20 | |
"At one point, it appeared to throw off glowing particles | 0:19:20 | 0:19:23 | |
"and then broke into five separate white objects and then disappeared. | 0:19:23 | 0:19:28 | |
"The object to the south was visible for two or three hours | 0:19:28 | 0:19:33 | |
"and beamed down a stream of light from time to time." | 0:19:33 | 0:19:38 | |
So, extraordinary claims. | 0:19:42 | 0:19:45 | |
On the surface, the Rendlesham case now appears far more intriguing | 0:19:45 | 0:19:50 | |
than the MOD was prepared to admit at the time | 0:19:50 | 0:19:53 | |
and with a seemingly credible witness. | 0:19:53 | 0:19:56 | |
But sceptics take a different view. | 0:19:58 | 0:20:01 | |
There's this idea that these are trained, credible witnesses, | 0:20:05 | 0:20:09 | |
but it's like police officers and pilots, | 0:20:09 | 0:20:11 | |
they're not trained to identify UFOs. | 0:20:11 | 0:20:13 | |
Nobody is trained to identify an alien spacecraft. | 0:20:13 | 0:20:16 | |
But Lieutenant Colonel Halt, | 0:20:18 | 0:20:20 | |
I mean, here is a fairly senior officer | 0:20:20 | 0:20:22 | |
at a base which I think may even have had nuclear weapons. | 0:20:22 | 0:20:25 | |
It sounds as if he's had a close encounter. | 0:20:25 | 0:20:28 | |
If these things that were seen were aliens, | 0:20:28 | 0:20:30 | |
you've got to think about this and you've got to think, | 0:20:30 | 0:20:33 | |
"Well, these are aliens that came across vast distances | 0:20:33 | 0:20:35 | |
"and where did they go during the day? | 0:20:35 | 0:20:37 | |
"Did they become invisible | 0:20:37 | 0:20:39 | |
"or did they zoom back from wherever they'd come from | 0:20:39 | 0:20:41 | |
"and then returned again the following night | 0:20:41 | 0:20:43 | |
"just to spook Colonel Halt?" | 0:20:43 | 0:20:45 | |
But nonetheless, the colonel's evidence | 0:20:46 | 0:20:49 | |
is in the government's file. | 0:20:49 | 0:20:51 | |
He recorded three depressions | 0:20:51 | 0:20:54 | |
discovered in a rough triangular formation | 0:20:54 | 0:20:57 | |
where a patrolman said that the UFO had landed. | 0:20:57 | 0:21:00 | |
What about the indentations in the ground | 0:21:07 | 0:21:09 | |
supposedly left by the craft? | 0:21:09 | 0:21:11 | |
Two bobbies came from the local police station | 0:21:11 | 0:21:15 | |
and looked at these marks on the ground | 0:21:15 | 0:21:17 | |
supposedly left by the UFO | 0:21:17 | 0:21:19 | |
and their conclusion was that it was rabbit diggings. | 0:21:19 | 0:21:22 | |
Great importance has been placed | 0:21:22 | 0:21:24 | |
on Colonel Halt's team's observations | 0:21:24 | 0:21:27 | |
of the levels of radiation, | 0:21:27 | 0:21:29 | |
which, according to their Geiger counter, | 0:21:29 | 0:21:31 | |
were ten times higher than normal. | 0:21:31 | 0:21:33 | |
The actual makers of the Geiger counter, | 0:21:33 | 0:21:35 | |
who have been consulted about this, said that, | 0:21:35 | 0:21:37 | |
when they've looked at the readings, they're completely meaningless. | 0:21:37 | 0:21:40 | |
It's exactly what you would expect in a pine forest | 0:21:40 | 0:21:43 | |
because there's a natural background radiation | 0:21:43 | 0:21:45 | |
that you would expect to find. There's nothing unusual about it. | 0:21:45 | 0:21:48 | |
For some, Rendlesham is a classic study | 0:21:48 | 0:21:51 | |
in how conspiracy theories gain traction. | 0:21:51 | 0:21:54 | |
When the authorities are quick to dismiss rumours, | 0:21:54 | 0:21:57 | |
they're accused of having something to hide. | 0:21:57 | 0:22:00 | |
35 years on, the incident still has its believers. | 0:22:00 | 0:22:04 | |
How do you reply to those who say that absence of evidence | 0:22:05 | 0:22:08 | |
is not evidence of absence? | 0:22:08 | 0:22:10 | |
Well, I would reply by saying it's impossible to prove a negative. | 0:22:10 | 0:22:13 | |
I can't prove that aliens didn't land in Rendlesham Forest. | 0:22:13 | 0:22:16 | |
Obviously, something did happen | 0:22:16 | 0:22:18 | |
because there were lots of soldiers charging around | 0:22:18 | 0:22:20 | |
thinking that they were looking at UFOs. | 0:22:20 | 0:22:22 | |
I don't think it was aliens | 0:22:22 | 0:22:24 | |
and there's only a small, tiny group of American servicemen... | 0:22:24 | 0:22:28 | |
Three, in fact. No more than that. ..who are making those claims. | 0:22:28 | 0:22:32 | |
There were lots of other people who were on the base | 0:22:32 | 0:22:34 | |
who just thought the whole thing was a load of hokum. | 0:22:34 | 0:22:38 | |
Rendlesham may be the most famous reported UFO sighting in Britain, | 0:22:38 | 0:22:42 | |
but there have been hundreds of others. | 0:22:42 | 0:22:44 | |
The Ministry of Defence has a catalogue of them, | 0:22:44 | 0:22:47 | |
including spaceships that look like Maltesers, | 0:22:47 | 0:22:50 | |
orange tennis balls and inverted ice cream cones. | 0:22:50 | 0:22:54 | |
There was about six other people with us | 0:22:54 | 0:22:56 | |
and we said to them, "Look at the lights" and they looked | 0:22:56 | 0:22:58 | |
and they were joined by more lights and in the end, we had eight lights. | 0:22:58 | 0:23:01 | |
They were just round balls with legs sticking out | 0:23:03 | 0:23:07 | |
and it just came right up beside me and... | 0:23:07 | 0:23:11 | |
..I felt a tug on my trousers. | 0:23:12 | 0:23:14 | |
Some reported sightings are frankly hard to believe. | 0:23:16 | 0:23:20 | |
The MOD files include accounts | 0:23:20 | 0:23:22 | |
from those eager to show the details of their close encounters. | 0:23:22 | 0:23:25 | |
Here is a lovely representation of a spacecraft | 0:23:27 | 0:23:32 | |
in all its beautiful colours. | 0:23:32 | 0:23:35 | |
Here it is in black and white but showing how it blasts off, | 0:23:35 | 0:23:40 | |
leaving a circle in the crops. | 0:23:40 | 0:23:43 | |
And here are some difficult-to-interpret photographs | 0:23:43 | 0:23:47 | |
taken through a window which show a series of red dots. | 0:23:47 | 0:23:50 | |
Ah! Here, very helpfully, are drawings of aliens | 0:23:52 | 0:23:57 | |
that have been done by members of the public | 0:23:57 | 0:24:00 | |
and it may not come as a huge surprise for you to know | 0:24:00 | 0:24:03 | |
that the male has pointy ears. | 0:24:03 | 0:24:06 | |
We seen them come over from over there, you know. | 0:24:09 | 0:24:12 | |
They come over, they sort of go in different sort of shapes. | 0:24:12 | 0:24:17 | |
We've invented this UFO detector and it's connected to a buzzer | 0:24:17 | 0:24:22 | |
and then should a UFO come over | 0:24:22 | 0:24:23 | |
emitting any electromagnetic frequencies, it'll set off an alarm. | 0:24:23 | 0:24:26 | |
ALARM BEEPS | 0:24:26 | 0:24:29 | |
It's really getting a bit frightening up here. | 0:24:29 | 0:24:32 | |
There's a whole formation | 0:24:32 | 0:24:34 | |
of unidentified flying objects behind us. | 0:24:34 | 0:24:38 | |
The quest for aliens isn't confined to amateur enthusiasts. | 0:24:39 | 0:24:44 | |
In America since 1984, astronomers at | 0:24:45 | 0:24:49 | |
the Search For Extraterrestrial Intelligence Institute | 0:24:49 | 0:24:53 | |
have looked for signs of life beyond our solar system. | 0:24:53 | 0:24:57 | |
But if such life exists, | 0:24:58 | 0:25:00 | |
we may get the first inkling of it here in Britain. | 0:25:00 | 0:25:04 | |
In search of scientific objectivity, | 0:25:16 | 0:25:19 | |
I've come to the UCL Observatory in North West London, | 0:25:19 | 0:25:24 | |
which is equipped with a number of telescopes, | 0:25:24 | 0:25:26 | |
including this beautiful instrument made by Cooke in 1862. | 0:25:26 | 0:25:32 | |
The people who work here are in the business of explaining phenomena | 0:25:32 | 0:25:36 | |
and if extraterrestrials really are in the habit | 0:25:36 | 0:25:40 | |
of visiting planet Earth, | 0:25:40 | 0:25:42 | |
you'd think that they might see them coming. | 0:25:42 | 0:25:45 | |
But beyond this observatory, | 0:25:47 | 0:25:49 | |
British scientists have now set up the UK's own network | 0:25:49 | 0:25:52 | |
to attempt to establish if there is extraterrestrial life. | 0:25:52 | 0:25:56 | |
I wonder, the more we understand the vastness of the universe - | 0:25:57 | 0:26:02 | |
if you CAN understand its vastness - | 0:26:02 | 0:26:04 | |
the more it may seem improbable that we are alone. | 0:26:04 | 0:26:08 | |
I mean, you know, it seems almost logical that out there somewhere, | 0:26:08 | 0:26:11 | |
there must be some other life in such a vast space. | 0:26:11 | 0:26:14 | |
That's what people usually say - there must be something out there. | 0:26:14 | 0:26:17 | |
Do you have an open mind on extraterrestrials? | 0:26:17 | 0:26:20 | |
I mean, for example, do you think it's possible | 0:26:20 | 0:26:22 | |
that one day we will find them? | 0:26:22 | 0:26:24 | |
Yes, I do, especially now when astrobiology redefined | 0:26:24 | 0:26:29 | |
what the other life may look like. | 0:26:29 | 0:26:31 | |
So, you mean we may have to content ourselves | 0:26:31 | 0:26:33 | |
with a little bacteria or something like that? | 0:26:33 | 0:26:35 | |
Well, the definition of life has been made much more simple. | 0:26:35 | 0:26:39 | |
We are basically looking for the basic origins of life | 0:26:39 | 0:26:43 | |
and the higher the chance to discover it is so. | 0:26:43 | 0:26:46 | |
Which makes me think that scientists aren't on the lookout | 0:26:48 | 0:26:51 | |
for the sort of spaceship I've seen in the Archives. | 0:26:51 | 0:26:54 | |
Of course not. | 0:26:54 | 0:26:56 | |
Instead, they record radio wave signals | 0:26:56 | 0:26:58 | |
coming from the sky to analyse them for patterns. | 0:26:58 | 0:27:02 | |
Does that imply, then, that we're looking for people | 0:27:02 | 0:27:05 | |
-who know about radio waves? -Yes. | 0:27:05 | 0:27:07 | |
-Ah. But now... -That is the assumption. | 0:27:07 | 0:27:10 | |
Just before I blast off, | 0:27:26 | 0:27:28 | |
and in case any conspiracy theorists are watching, | 0:27:28 | 0:27:31 | |
I must declare a personal interest when it comes to UFOs. | 0:27:31 | 0:27:35 | |
In 1996, people were still writing | 0:27:35 | 0:27:38 | |
to the Secretary of State for Defence | 0:27:38 | 0:27:41 | |
claiming that they'd seen unidentified flying objects. | 0:27:41 | 0:27:44 | |
Here's one addressed to the Secretary of State, | 0:27:44 | 0:27:46 | |
Mr Michael...Portillo in 1996 | 0:27:46 | 0:27:51 | |
and those replying on my behalf say, | 0:27:51 | 0:27:54 | |
"We do not attempt to identify the precise nature | 0:27:54 | 0:27:57 | |
"of each reported sighting. | 0:27:57 | 0:27:59 | |
"From the types of descriptions we receive, however, | 0:27:59 | 0:28:01 | |
"aircraft or natural phenomena | 0:28:01 | 0:28:04 | |
"probably account for most of the observations." | 0:28:04 | 0:28:09 | |
Well, I know that many, many people do believe | 0:28:09 | 0:28:14 | |
in unidentified flying objects | 0:28:14 | 0:28:16 | |
and so I'm sure that if I were to challenge them, | 0:28:16 | 0:28:19 | |
they would say we're not alone. | 0:28:19 | 0:28:21 |