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One thousand years of history under one roof - | 0:00:02 | 0:00:06 | |
the National Archives, a treasure house of secrets. | 0:00:06 | 0:00:10 | |
The records of extraordinary times and people. | 0:00:11 | 0:00:15 | |
These files are this nation's story, our shared past. | 0:00:15 | 0:00:20 | |
Documents housed here were highly classified, | 0:00:20 | 0:00:24 | |
intended for the eyes of only the privileged few. | 0:00:24 | 0:00:28 | |
Protected from your sight for decades. | 0:00:28 | 0:00:32 | |
But not now. | 0:00:32 | 0:00:33 | |
I've been granted special access to files once kept hush-hush. | 0:00:38 | 0:00:44 | |
I'll unearth amazing tales from our hidden history. | 0:00:44 | 0:00:48 | |
Forget what you've been told - these documents tell the truth. | 0:00:49 | 0:00:54 | |
Coming up in this programme - traitors and spies. | 0:01:05 | 0:01:09 | |
How the Gunpowder Plot was foiled | 0:01:09 | 0:01:12 | |
and how the best-known conspirator confessed. | 0:01:12 | 0:01:15 | |
This is a terrible instrument of torture. | 0:01:15 | 0:01:19 | |
Guy Fawkes was secured by the wrists here and by the ankles there. | 0:01:19 | 0:01:23 | |
The fictional agent and his real-life inspiration. | 0:01:23 | 0:01:28 | |
How close do you think SOE was to James Bondism? | 0:01:28 | 0:01:32 | |
I think one of the closest parallels you can draw are | 0:01:32 | 0:01:34 | |
some of the devices that SOE produced. | 0:01:34 | 0:01:36 | |
And many of these were extraordinary. | 0:01:36 | 0:01:38 | |
And the not-so-great escape. | 0:01:38 | 0:01:40 | |
The secret file on the jailbreak by one of our most notorious traitors. | 0:01:40 | 0:01:45 | |
The rope ladder, enormous rope ladder which | 0:01:45 | 0:01:48 | |
could loop over the wall on one side | 0:01:48 | 0:01:49 | |
and come down the other side with knitting needles for rungs. | 0:01:49 | 0:01:53 | |
MUSIC: Anarchy in the UK by the Sex Pistols | 0:01:56 | 0:02:01 | |
The face that launched a thousand protests. | 0:02:01 | 0:02:05 | |
The image that's become associated with disorder and even anarchy. | 0:02:05 | 0:02:10 | |
Because the real man represented by this mask aimed at | 0:02:10 | 0:02:14 | |
nothing short of the complete destruction of the British state. | 0:02:14 | 0:02:19 | |
And on the 5th of November 1605, he nearly achieved it. | 0:02:19 | 0:02:24 | |
MUSIC CONTINUES | 0:02:24 | 0:02:28 | |
The failure of Guy Fawkes and his fellow conspirators to blow up the | 0:02:32 | 0:02:37 | |
Houses of Parliament turned him into the ultimate antihero. | 0:02:37 | 0:02:42 | |
And today he remains the supreme traitor, | 0:02:42 | 0:02:45 | |
to be ritually punished, year after year. | 0:02:45 | 0:02:47 | |
His arrest and torture are part of our history, but the role | 0:03:01 | 0:03:06 | |
that the King played in his brutal interrogation has rarely been told. | 0:03:06 | 0:03:11 | |
Inside the National Archives, the entire story is laid bare. | 0:03:11 | 0:03:16 | |
These extraordinary documents tell us how the King gave his | 0:03:22 | 0:03:26 | |
instructions for the interrogation of Guy Fawkes - 16 questions. | 0:03:26 | 0:03:32 | |
Where he was born, what were his parents' names, what age he is of, | 0:03:32 | 0:03:39 | |
how he hath lived, by what trade of life, if he was ever in service. | 0:03:40 | 0:03:48 | |
Now that was an important question, | 0:03:48 | 0:03:50 | |
because he had in fact served with the Spanish Catholic forces | 0:03:50 | 0:03:54 | |
before returning to England to carry out the plot. | 0:03:54 | 0:03:57 | |
Torture was not legal and this secret note implicates | 0:03:57 | 0:04:02 | |
the King in the sordid business of extracting a confession. | 0:04:02 | 0:04:06 | |
He says here at the end, | 0:04:08 | 0:04:10 | |
"If he will not other ways confess, the gentler tortures are to | 0:04:10 | 0:04:15 | |
"be first used unto him and 'Sic per gradus ad ima tenditur'. | 0:04:15 | 0:04:23 | |
"And ever by degrees to the worst. | 0:04:23 | 0:04:27 | |
"And so God speed your good work." | 0:04:27 | 0:04:30 | |
Signed James R. | 0:04:30 | 0:04:32 | |
Can you imagine a head of state today putting | 0:04:33 | 0:04:37 | |
his or her signature to such a document? | 0:04:37 | 0:04:40 | |
For the Protestant King James, this was intensely personal. | 0:04:41 | 0:04:46 | |
The Gunpowder Plot was a treasonous attempt by Catholic plotters | 0:04:46 | 0:04:50 | |
to assassinate him and his entire government. | 0:04:50 | 0:04:54 | |
When Fawkes was discovered in cellars beneath Parliament, he was | 0:04:54 | 0:04:58 | |
within hours of lighting the fuse that would blow the building apart. | 0:04:58 | 0:05:03 | |
The torture authorised and encouraged | 0:05:06 | 0:05:09 | |
by the King four centuries ago would occur here. | 0:05:09 | 0:05:13 | |
The Tower of London instilled terror in those brought for interrogation | 0:05:13 | 0:05:18 | |
or execution. | 0:05:18 | 0:05:20 | |
But if Guy Fawkes was frightened, he didn't show it. | 0:05:20 | 0:05:23 | |
He was amazingly defiant. | 0:05:25 | 0:05:27 | |
And not only was he defiant, he was making racist comments | 0:05:27 | 0:05:30 | |
about the King's Scottish origins and he said he wished that the | 0:05:30 | 0:05:33 | |
explosive had gone off so he could blast all Scotsmen back to Scotland. | 0:05:33 | 0:05:38 | |
Er, and the King was, despite himself, very impressed by | 0:05:38 | 0:05:41 | |
this show of bravado | 0:05:41 | 0:05:42 | |
and he commented to his courtiers afterwards that | 0:05:42 | 0:05:45 | |
he'd been a fine, strapping, defiant brave fellow. | 0:05:45 | 0:05:48 | |
But nevertheless, he gave personal orders that, | 0:05:48 | 0:05:52 | |
starting with the gentler methods, | 0:05:52 | 0:05:54 | |
more and more extreme methods of torture should be used on Fawkes. | 0:05:54 | 0:05:57 | |
As he was led through the Tower, Guy Fawkes would have known | 0:06:03 | 0:06:07 | |
what torment to expect. | 0:06:07 | 0:06:09 | |
The rack was amongst the most notorious of | 0:06:11 | 0:06:14 | |
the Tower's inhuman devices. | 0:06:14 | 0:06:16 | |
This is a terrible instrument of torture. | 0:06:28 | 0:06:32 | |
Guy Fawkes was secured by the wrists here and by the ankles there. | 0:06:32 | 0:06:36 | |
The torturer, by means of this lever, was able to rotate this | 0:06:36 | 0:06:40 | |
roller in that direction, and that in the other, | 0:06:40 | 0:06:43 | |
so that Guy Fawkes's body was gradually drawn apart, | 0:06:43 | 0:06:47 | |
dislocating his limbs, causing ruptures to the internal organs. | 0:06:47 | 0:06:52 | |
There's grim handwritten evidence in documents | 0:06:54 | 0:06:57 | |
about the effectiveness of such unspeakable suffering. | 0:06:57 | 0:07:01 | |
Have you ever thought what is the impact on a man of torture? | 0:07:01 | 0:07:06 | |
Well, here us an indication in this very precious | 0:07:07 | 0:07:12 | |
and very valuable and delicate document. | 0:07:12 | 0:07:16 | |
Here, on the 7th of November, | 0:07:18 | 0:07:21 | |
he signs a document clearly, | 0:07:21 | 0:07:22 | |
legibly, firmly, | 0:07:22 | 0:07:24 | |
Guido Fawkes. | 0:07:24 | 0:07:26 | |
Then he's pulled apart on the rack | 0:07:27 | 0:07:30 | |
for two full days. | 0:07:30 | 0:07:32 | |
On the 9th of November, | 0:07:32 | 0:07:34 | |
he's forced to sign another declaration. | 0:07:34 | 0:07:36 | |
Ha! | 0:07:37 | 0:07:38 | |
The effect of the pain. | 0:07:40 | 0:07:42 | |
He's named Robert Catesby, | 0:07:42 | 0:07:44 | |
John Grant, | 0:07:44 | 0:07:46 | |
Thomas Wintour | 0:07:46 | 0:07:47 | |
as co-conspirators, | 0:07:47 | 0:07:49 | |
and he's signed his confession, | 0:07:49 | 0:07:51 | |
but not the strong, clear, | 0:07:51 | 0:07:53 | |
confident hand of 48 hours before. | 0:07:53 | 0:07:55 | |
No, now it is the feeblest, weakest, | 0:07:55 | 0:07:58 | |
scarcely perceptible signature. | 0:07:58 | 0:08:00 | |
Such has been the impact of the torment on him. | 0:08:01 | 0:08:04 | |
Fawkes and the other conspirators were put on trial | 0:08:10 | 0:08:13 | |
in January 1606. | 0:08:13 | 0:08:15 | |
The King watched in secret | 0:08:16 | 0:08:18 | |
as the list of charges was read out against the plotters. | 0:08:18 | 0:08:22 | |
Even though Fawkes pleaded not guilty, | 0:08:22 | 0:08:25 | |
the verdict was never in doubt - | 0:08:25 | 0:08:28 | |
guilty of high treason! | 0:08:28 | 0:08:30 | |
Despite his dislocated limbs, | 0:08:32 | 0:08:34 | |
there was enough life left in Guy Fawkes | 0:08:34 | 0:08:36 | |
for a public execution. | 0:08:36 | 0:08:39 | |
He was dragged from the Tower of London | 0:08:39 | 0:08:41 | |
and through the streets of the capital, | 0:08:41 | 0:08:43 | |
to a place where, as the law prescribed, | 0:08:43 | 0:08:45 | |
he would be first hanged and then disembowelled. | 0:08:45 | 0:08:48 | |
And the site of his execution | 0:08:48 | 0:08:51 | |
was to be the very place that he'd tried to blow up, | 0:08:51 | 0:08:55 | |
the Palace of Westminster. | 0:08:55 | 0:08:56 | |
After the hanging and the quartering | 0:09:01 | 0:09:04 | |
came the scattering. | 0:09:04 | 0:09:06 | |
Fawkes' body parts were distributed | 0:09:06 | 0:09:08 | |
to the four corners of the kingdom. | 0:09:08 | 0:09:11 | |
King James was determined to send out a message | 0:09:11 | 0:09:15 | |
to other would-be traitors, | 0:09:15 | 0:09:17 | |
wherever they might lurk. | 0:09:17 | 0:09:20 | |
Today, any revelation that the state's authorities | 0:09:22 | 0:09:25 | |
are complicit in the use of torture | 0:09:25 | 0:09:28 | |
causes a scandal. | 0:09:28 | 0:09:30 | |
But in 1605, | 0:09:30 | 0:09:32 | |
the country celebrated the King's survival. | 0:09:32 | 0:09:35 | |
It wasn't squeamish about the agonies endured by the traitors. | 0:09:35 | 0:09:40 | |
Remember, remember the 5th of November... | 0:09:40 | 0:09:43 | |
and the man whose grisly end is commemorated | 0:09:43 | 0:09:48 | |
whenever we burn a guy. | 0:09:48 | 0:09:50 | |
My next story from the archives concerns the most audacious | 0:09:54 | 0:09:59 | |
fake ID in history. | 0:09:59 | 0:10:01 | |
Today, we still honour the heroism of our armed forces | 0:10:06 | 0:10:10 | |
in the Second World War. | 0:10:10 | 0:10:12 | |
Alongside the Army, Royal Navy and RAF | 0:10:12 | 0:10:16 | |
was another vital organisation that worked in secret. | 0:10:16 | 0:10:20 | |
The Special Operations Executive, | 0:10:20 | 0:10:23 | |
or SOE, | 0:10:23 | 0:10:24 | |
was set up by Churchill to conduct reconnaissance, | 0:10:24 | 0:10:28 | |
espionage and sabotage | 0:10:28 | 0:10:31 | |
in Nazi-occupied Europe. | 0:10:31 | 0:10:33 | |
This top-secret file gives a clue | 0:10:33 | 0:10:36 | |
to the SOE's extraordinary skill | 0:10:36 | 0:10:39 | |
in deceiving the enemy. | 0:10:39 | 0:10:41 | |
During World War II, | 0:10:44 | 0:10:46 | |
they produced documents for spies | 0:10:46 | 0:10:49 | |
and for those escaping from the Nazi regime, | 0:10:49 | 0:10:54 | |
for all of the occupied countries. | 0:10:54 | 0:10:57 | |
This book is full of their forgeries. | 0:10:57 | 0:11:01 | |
They produced literally hundreds of thousands of forged documents | 0:11:01 | 0:11:07 | |
and they enlisted, for the purpose, | 0:11:07 | 0:11:10 | |
people who, in pre-war life, had been criminals, | 0:11:10 | 0:11:14 | |
master forgers who were able to reproduce | 0:11:14 | 0:11:19 | |
every crest and stamp, | 0:11:19 | 0:11:22 | |
and impersonate every piece of type. | 0:11:22 | 0:11:26 | |
This magnificent, | 0:11:26 | 0:11:28 | |
meticulous work | 0:11:28 | 0:11:30 | |
must have made an important contribution to our war effort. | 0:11:30 | 0:11:34 | |
The SOE became so expert at forging Nazi official documents | 0:11:34 | 0:11:39 | |
that it couldn't resist showing off. | 0:11:39 | 0:11:41 | |
I have in my hands | 0:11:42 | 0:11:44 | |
a Deutsches Reich Reisepass, | 0:11:44 | 0:11:46 | |
a German Reich's passport, | 0:11:46 | 0:11:49 | |
issued during World War II. | 0:11:49 | 0:11:51 | |
It's stamped with a J, | 0:11:52 | 0:11:54 | |
as required by Nazi law, | 0:11:54 | 0:11:56 | |
indicating that the holder is, in fact, a Jew. | 0:11:56 | 0:12:00 | |
He is a painter by profession | 0:12:00 | 0:12:03 | |
and under "distinguishing features", | 0:12:03 | 0:12:05 | |
it notes that he has a small moustache. | 0:12:05 | 0:12:09 | |
This person has, in fact, emigrated to Palestine, | 0:12:09 | 0:12:13 | |
admitted through the port of Haifa on the 19th of July 1941. | 0:12:13 | 0:12:18 | |
The holder's name is Adolf Hitler. | 0:12:18 | 0:12:21 | |
Here is his photograph and his signature. | 0:12:21 | 0:12:24 | |
This is, of course, a hoax, | 0:12:24 | 0:12:27 | |
a forgery, a joke. | 0:12:27 | 0:12:30 | |
But a forgery perfect in every detail. | 0:12:30 | 0:12:33 | |
It is a playful spoof by the Special Operations Executive | 0:12:33 | 0:12:39 | |
to demonstrate that they were capable of forging anything. | 0:12:39 | 0:12:43 | |
The SOE's work was secret during wartime | 0:12:44 | 0:12:48 | |
and so it remained for decades afterwards. | 0:12:48 | 0:12:51 | |
Now, these files enable us to glimpse its breathtaking activities. | 0:12:51 | 0:12:56 | |
I must say, I was astonished when I saw this forged passport | 0:12:57 | 0:13:01 | |
of Hitler as a Jew. | 0:13:01 | 0:13:03 | |
What was your reaction when you saw it? | 0:13:03 | 0:13:05 | |
Well, it's a surprise to see it. | 0:13:05 | 0:13:07 | |
At the same time, | 0:13:07 | 0:13:08 | |
I think it's a very impressive piece of documentation. | 0:13:08 | 0:13:10 | |
It's a great example, I think, of the ingenuity | 0:13:10 | 0:13:12 | |
that the British had at that time of the war | 0:13:12 | 0:13:14 | |
and the resources that they had, as well. | 0:13:14 | 0:13:16 | |
So they had the fantastic skills of production. | 0:13:16 | 0:13:19 | |
The fake Hitler passport was a private joke within the SOE. | 0:13:20 | 0:13:25 | |
But the organisation had serious designs on the German Fuehrer. | 0:13:25 | 0:13:29 | |
There's a very famous plot called Operation Foxley. | 0:13:30 | 0:13:33 | |
That was to kill Adolf Hitler | 0:13:33 | 0:13:35 | |
and SOE put this into motion in 1944 | 0:13:35 | 0:13:39 | |
and they spent several months gathering information | 0:13:39 | 0:13:41 | |
and trying to work out various forms of killing him. | 0:13:41 | 0:13:44 | |
But, in the end, the war really sort of, um... | 0:13:44 | 0:13:46 | |
the momentum of the war took over | 0:13:46 | 0:13:47 | |
and the operation was never given the green light. | 0:13:47 | 0:13:49 | |
The SOE did get the go-ahead | 0:13:50 | 0:13:53 | |
to unite resistance movements in German-occupied countries. | 0:13:53 | 0:13:56 | |
It also set Europe ablaze | 0:13:58 | 0:14:00 | |
and devised deceptions that bought the Nazis to their knees. | 0:14:00 | 0:14:04 | |
But, apart from helping Britain to victory, | 0:14:06 | 0:14:08 | |
the Special Operations Executive provided us with another legacy. | 0:14:08 | 0:14:13 | |
The fact that its boss, one Brigadier Colin Gubbins, | 0:14:13 | 0:14:17 | |
went by the code name M should give you a clue. | 0:14:17 | 0:14:20 | |
A young Ian Fleming, later to be the author who invented James Bond, | 0:14:25 | 0:14:30 | |
worked closely with the real-life M | 0:14:30 | 0:14:33 | |
and it's clear that the SOE's inventiveness | 0:14:33 | 0:14:36 | |
was an inspiration for him as he conceived Q's gadgets and gizmos, | 0:14:36 | 0:14:42 | |
such an entertaining feature of movies like Goldfinger. | 0:14:42 | 0:14:45 | |
You'll find a little red button. | 0:14:46 | 0:14:48 | |
Whatever you do, don't touch it. | 0:14:49 | 0:14:51 | |
And why not? | 0:14:51 | 0:14:52 | |
Because you'll release this section of the roof | 0:14:52 | 0:14:55 | |
and engage and then fire the passenger ejector seat. | 0:14:55 | 0:14:58 | |
How close do you think SOE was to James Bondism? | 0:14:59 | 0:15:03 | |
I think one of the closest parallels you can draw | 0:15:03 | 0:15:06 | |
are some of the devices that SOE produced to assist its agents | 0:15:06 | 0:15:09 | |
in the work that they had to do in enemy territory. | 0:15:09 | 0:15:11 | |
And many of these were extraordinary. | 0:15:11 | 0:15:13 | |
They started off, for example, with lipsticks | 0:15:13 | 0:15:15 | |
which were converted to hold written messages right at the start. | 0:15:15 | 0:15:19 | |
And then they move on to things like explosive rats, for example. | 0:15:19 | 0:15:23 | |
Rats? | 0:15:23 | 0:15:24 | |
Explosive rats, which were... | 0:15:24 | 0:15:25 | |
Where they would take the carcass of a rat and the skin of a rat | 0:15:25 | 0:15:29 | |
and they would take out the insides, scrape out all the insides, | 0:15:29 | 0:15:32 | |
replace that with explosives and then leave the rat lying around, | 0:15:32 | 0:15:35 | |
perhaps in a marshalling yard or in a factory, | 0:15:35 | 0:15:38 | |
in the hope that a worker would come along and idly pick up this rat | 0:15:38 | 0:15:40 | |
and throw it into a local furnace | 0:15:40 | 0:15:42 | |
and then the furnace would explode, causing damage. | 0:15:42 | 0:15:45 | |
Its influence lives on in the Bond movies. | 0:15:46 | 0:15:49 | |
But the SOE was dissolved officially in January 1946, | 0:15:49 | 0:15:54 | |
no longer needed, it seemed, in peacetime. | 0:15:54 | 0:15:56 | |
I've had the privilege of seeing the file with Hitler's passport here. | 0:15:58 | 0:16:01 | |
Do you think we know all about SOE now? | 0:16:01 | 0:16:04 | |
No, I don't think so. | 0:16:05 | 0:16:07 | |
I don't think we'll ever know the full story of SOE. | 0:16:07 | 0:16:09 | |
A lot of documents were destroyed after the war, | 0:16:09 | 0:16:11 | |
so it's incredible, in fact, | 0:16:11 | 0:16:13 | |
that some of these documents, like this one, like Hitler's passport, | 0:16:13 | 0:16:16 | |
do survive today. | 0:16:16 | 0:16:17 | |
But, sadly, for every Hitler's passport, | 0:16:17 | 0:16:19 | |
there may be a dozen other documents that don't exist. | 0:16:19 | 0:16:21 | |
Very intriguing. | 0:16:21 | 0:16:23 | |
Espionage achieved another golden era | 0:16:28 | 0:16:31 | |
at the height of the Cold War, | 0:16:31 | 0:16:33 | |
when British intelligence services pitted their wits | 0:16:33 | 0:16:37 | |
against the Soviet KGB. | 0:16:37 | 0:16:39 | |
The West had its agents, the Russians had theirs. | 0:16:41 | 0:16:44 | |
What both sides feared were the double agents, | 0:16:45 | 0:16:49 | |
people thought to be working for us, | 0:16:49 | 0:16:51 | |
who were, actually, supplying secrets to the other side. | 0:16:51 | 0:16:54 | |
George Blake was one of Britain's most notorious double agents. | 0:16:56 | 0:17:01 | |
Recruited by MI6 during the Second World War, | 0:17:01 | 0:17:05 | |
he later offered his services to the KGB | 0:17:05 | 0:17:09 | |
and betrayed dozens of British agents. | 0:17:09 | 0:17:11 | |
When he was discovered, Blake was tried for treason, | 0:17:13 | 0:17:16 | |
found guilty | 0:17:16 | 0:17:17 | |
and jailed for 42 years, | 0:17:17 | 0:17:20 | |
one of the longest sentences in British legal history. | 0:17:20 | 0:17:23 | |
But just five years into that term, | 0:17:24 | 0:17:26 | |
Blake escaped over the wall of London's Wormwood Scrubs Prison. | 0:17:26 | 0:17:31 | |
-REPORTER: -It's believed that he got out of B Block, | 0:17:32 | 0:17:34 | |
where he is housed with 320 other long-term first offenders, | 0:17:34 | 0:17:38 | |
by smashing a window and sawing through an iron bar. | 0:17:38 | 0:17:40 | |
Blake's escape was highly embarrassing for the British state. | 0:17:41 | 0:17:45 | |
How could it lose one of its most infamous prisoners, | 0:17:45 | 0:17:49 | |
a notorious traitor? | 0:17:49 | 0:17:50 | |
Not surprisingly, the authorities wanted to keep their failings quiet. | 0:17:51 | 0:17:55 | |
But now they can be revealed. | 0:17:56 | 0:17:58 | |
Here is the secret file on the way that he was being treated in prison. | 0:18:00 | 0:18:05 | |
"During the first part of Blake's sentence, | 0:18:06 | 0:18:09 | |
"he was treated with as much consideration as was consistent | 0:18:09 | 0:18:12 | |
"with preventing his escape." | 0:18:12 | 0:18:15 | |
Ho-ho...! | 0:18:15 | 0:18:16 | |
"The object being to see whether | 0:18:16 | 0:18:18 | |
"as favourable treatment as possible | 0:18:18 | 0:18:20 | |
"might persuade him to cooperate with the security services | 0:18:20 | 0:18:24 | |
"in making disclosures. | 0:18:24 | 0:18:25 | |
For a while, the authorities must have thought | 0:18:26 | 0:18:29 | |
their approach was the right one. | 0:18:29 | 0:18:30 | |
Blake appeared to be a model prisoner. | 0:18:30 | 0:18:34 | |
They didn't know that he was planning his great escape, | 0:18:34 | 0:18:37 | |
communicating with an accomplice on the outside | 0:18:37 | 0:18:40 | |
with a walkie-talkie that had been smuggled in. | 0:18:40 | 0:18:43 | |
It seems to me that the security services | 0:18:44 | 0:18:47 | |
had always underestimated George Blake | 0:18:47 | 0:18:51 | |
and so it was possible for him to escape. | 0:18:51 | 0:18:55 | |
These police reports document what is known | 0:18:57 | 0:19:00 | |
of the events of that night. | 0:19:00 | 0:19:03 | |
It's clear that the authorities have no idea where Blake is. | 0:19:04 | 0:19:08 | |
"Estimation of time varies enormously in prison, | 0:19:08 | 0:19:11 | |
"but I can find no tangible evidence | 0:19:11 | 0:19:13 | |
"of Blake's whereabouts after 6pm." | 0:19:13 | 0:19:16 | |
The prison authorities, so complacent about their inmate, | 0:19:17 | 0:19:21 | |
don't even know where he's meant to be | 0:19:21 | 0:19:23 | |
and, therefore, aren't sure whether he's escaped. | 0:19:23 | 0:19:26 | |
In the interval, they have discovered a ladder, | 0:19:28 | 0:19:31 | |
which has been thrown over the prison wall from the outside. | 0:19:31 | 0:19:33 | |
"This ladder had 20 rungs, each about a foot apart. | 0:19:33 | 0:19:37 | |
"Each rung was reinforced | 0:19:37 | 0:19:39 | |
"with Milward steel knitting needles, size 13, | 0:19:39 | 0:19:44 | |
"which are very thin and pliable and covered with grey plastic material." | 0:19:44 | 0:19:48 | |
The identification of Blake as the escaped prisoner is made quite late. | 0:19:51 | 0:19:56 | |
"At 8.10pm, Chief Officer Whittaker handed the police | 0:19:56 | 0:20:00 | |
"a photograph of George Blake, | 0:20:00 | 0:20:02 | |
"taken in prison on the 2nd of January 1965. | 0:20:02 | 0:20:05 | |
"This was the first time that it became known with certainty | 0:20:05 | 0:20:10 | |
"that the escaped prisoner was, in fact, George Blake, the spy." | 0:20:10 | 0:20:14 | |
"The conclusions of this report are that George Blake, | 0:20:16 | 0:20:19 | |
"by reason of his long sentence, | 0:20:19 | 0:20:21 | |
"had nothing whatsoever to lose by escaping | 0:20:21 | 0:20:24 | |
"and was, therefore, a potential escaper at all times. | 0:20:24 | 0:20:28 | |
"The structural condition of HM Prison Wormwood Scrubs | 0:20:28 | 0:20:32 | |
"presents no problem to a person determined to escape." | 0:20:32 | 0:20:38 | |
The British authorities had entrusted | 0:20:39 | 0:20:41 | |
one of their most important spies to an insecure prison. | 0:20:41 | 0:20:46 | |
These files represent a comedy of incompetence. | 0:20:46 | 0:20:50 | |
The people who helped Blake to escape weren't professionals, | 0:20:52 | 0:20:56 | |
as the authorities assumed. | 0:20:56 | 0:20:58 | |
Once he'd made it to the other side of the wall, | 0:20:59 | 0:21:01 | |
Blake had a new set of problems. | 0:21:01 | 0:21:04 | |
In fact, the escape turned into something of a farce. | 0:21:04 | 0:21:07 | |
His accomplices, Michael Randle, Pat Pottle and Sean Bourke | 0:21:11 | 0:21:16 | |
were not crack KGB agents. | 0:21:16 | 0:21:19 | |
They were, actually, three former inmates, | 0:21:20 | 0:21:22 | |
who'd met Blake in Wormwood Scrubs. | 0:21:22 | 0:21:24 | |
Their plan to spring him was high on daring but low on detail. | 0:21:25 | 0:21:30 | |
This is slightly the shambolic bit about it, I suppose. | 0:21:31 | 0:21:34 | |
It's a very long rope ladder. | 0:21:34 | 0:21:36 | |
It has knitting needles for rungs. | 0:21:36 | 0:21:38 | |
And so, it's thrown over. | 0:21:38 | 0:21:40 | |
What they didn't realise, or what they'd forgotten about, | 0:21:40 | 0:21:43 | |
is when Blake gets to the top there and looks down | 0:21:43 | 0:21:47 | |
the 20 feet down the other side, | 0:21:47 | 0:21:49 | |
he can't come down on the ladder | 0:21:49 | 0:21:51 | |
because there's nothing to secure it at the top, | 0:21:51 | 0:21:54 | |
there's no hook or anything like that. | 0:21:54 | 0:21:55 | |
They'd forgotten about that. | 0:21:55 | 0:21:57 | |
So, he jumps. | 0:21:57 | 0:21:58 | |
And, as he jumps, he twists a little bit in midair. | 0:21:58 | 0:22:01 | |
When he lands on the ground here, he lands on his wrist, | 0:22:01 | 0:22:05 | |
his face gets injured, | 0:22:05 | 0:22:07 | |
but his wrist is very badly broken. | 0:22:07 | 0:22:09 | |
Sean Bourke bundled Blake into a getaway car. | 0:22:10 | 0:22:14 | |
Destination? A safe house a short distance from the prison. | 0:22:14 | 0:22:18 | |
But minutes later, near-disaster struck again. | 0:22:18 | 0:22:21 | |
It's raining, so the visibility isn't great. | 0:22:22 | 0:22:25 | |
The windows are all steamed up | 0:22:25 | 0:22:27 | |
and Bourke drives his car into the back of the car in front | 0:22:27 | 0:22:32 | |
as they approach a passenger crossing. | 0:22:32 | 0:22:34 | |
And the driver gets out to remonstrate with Bourke, | 0:22:34 | 0:22:38 | |
but Bourke isn't having any of it. | 0:22:38 | 0:22:39 | |
He has to get to that safe house as quick as possible. | 0:22:39 | 0:22:42 | |
Blake made it to a bedsit half a mile from the jail. | 0:22:43 | 0:22:47 | |
But when this proved unsuitable, | 0:22:47 | 0:22:48 | |
the gang had to move him to a number of other addresses. | 0:22:48 | 0:22:52 | |
His escape was very big news and a huge manhunt was underway. | 0:22:53 | 0:22:58 | |
With the police issuing an all-ports alert, | 0:23:00 | 0:23:03 | |
Blake's accomplices now faced the problem | 0:23:03 | 0:23:05 | |
of smuggling him out of Britain. | 0:23:05 | 0:23:07 | |
Gang member Mike Randle came up with an unusual, even bizarre, plan. | 0:23:08 | 0:23:14 | |
Michael Randle had read a book about an American journalist, | 0:23:15 | 0:23:20 | |
who'd wanted to go into the Deep South | 0:23:20 | 0:23:22 | |
to investigate racial segregation | 0:23:22 | 0:23:24 | |
and he'd taken this drug that changed the colour of his skin. | 0:23:24 | 0:23:28 | |
And the thought was, how are we going to get Blake out of the country? | 0:23:28 | 0:23:31 | |
We need to disguise him, perhaps. | 0:23:31 | 0:23:33 | |
Shall we go and find this drug? | 0:23:33 | 0:23:35 | |
See if we can get enough quantities of this drug | 0:23:35 | 0:23:37 | |
to change the colour of his skin | 0:23:37 | 0:23:39 | |
to make him look, if not black, Arabic, perhaps. | 0:23:39 | 0:23:42 | |
In December 1966, eight weeks after the prison escape, | 0:23:44 | 0:23:48 | |
the gang made their move. | 0:23:48 | 0:23:50 | |
They got hold of a camper van and fitted it with a secret compartment | 0:23:50 | 0:23:54 | |
in which Blake could hide. | 0:23:54 | 0:23:56 | |
They took a ferry at Dover, sailed to Ostend | 0:24:00 | 0:24:03 | |
and drove all the way to East Germany. | 0:24:03 | 0:24:06 | |
Despite all the pitfalls along the way, | 0:24:07 | 0:24:09 | |
Blake had made it to his destination, | 0:24:09 | 0:24:12 | |
the Communist bloc. | 0:24:12 | 0:24:14 | |
George Blake's escape from Wormwood Scrubs | 0:24:15 | 0:24:17 | |
reads like a rollicking good spy novel, | 0:24:17 | 0:24:20 | |
full of action and intrigue | 0:24:20 | 0:24:22 | |
and somewhat unbelievable characters. | 0:24:22 | 0:24:25 | |
But, for the British authorities, | 0:24:25 | 0:24:27 | |
there was nothing entertaining about it. | 0:24:27 | 0:24:30 | |
He had betrayed Allied agents, | 0:24:30 | 0:24:33 | |
allegedly leading to the deaths of many. | 0:24:33 | 0:24:36 | |
And nothing more undermines or corrodes an intelligence service | 0:24:36 | 0:24:42 | |
than suspicion and paranoia. | 0:24:42 | 0:24:44 | |
That fear that you can trust nobody. | 0:24:45 | 0:24:49 | |
To appreciate Britain's discomfort over this whole episode, | 0:24:55 | 0:24:59 | |
we have to remember that this happened in the mid-1960s. | 0:24:59 | 0:25:02 | |
Just how sensitive would this case have been during that era? | 0:25:03 | 0:25:08 | |
I'm making contact with a source. | 0:25:08 | 0:25:11 | |
Well, we're at the heart of the Cold War in this period, the '60s. | 0:25:12 | 0:25:16 | |
The British and the West, | 0:25:16 | 0:25:19 | |
the Americans and West | 0:25:19 | 0:25:20 | |
don't know what the Russians are doing. | 0:25:20 | 0:25:22 | |
The Russians don't know | 0:25:22 | 0:25:24 | |
what the British and the Americans are doing. | 0:25:24 | 0:25:26 | |
Spies are extremely important, | 0:25:26 | 0:25:28 | |
because you're trying to gather intelligence on... | 0:25:28 | 0:25:32 | |
particularly from the West side, | 0:25:32 | 0:25:34 | |
on a very, very secretive world. | 0:25:34 | 0:25:36 | |
It's difficult to get around in the Soviet Union and the Eastern bloc. | 0:25:36 | 0:25:40 | |
It's difficult to find out information in any... | 0:25:40 | 0:25:45 | |
..any normal way, as you would now. | 0:25:45 | 0:25:48 | |
MI6 was reeling from the discovery | 0:25:48 | 0:25:51 | |
that there were other double agents in the so-called Cambridge spy ring. | 0:25:51 | 0:25:56 | |
Burgess, Maclean, Philby, Blunt were all traitors. | 0:25:56 | 0:26:01 | |
But some think that the most dangerous of all was George Blake. | 0:26:02 | 0:26:08 | |
I think he probably did more damage | 0:26:09 | 0:26:11 | |
in terms of direct damage than Philby. | 0:26:11 | 0:26:15 | |
Philby did an awful lot of damage | 0:26:15 | 0:26:17 | |
and it's difficult to get to the heart of that. | 0:26:17 | 0:26:20 | |
But, in terms of what he gave away, in immediate terms, | 0:26:20 | 0:26:23 | |
Blake was more...was worse, yeah. | 0:26:23 | 0:26:26 | |
What does it do for the reputation of the British state | 0:26:26 | 0:26:30 | |
that a man like Blake hops out of Wormwood Scrubs | 0:26:30 | 0:26:33 | |
on a ladder made of knitting needles and escapes in a camper van | 0:26:33 | 0:26:37 | |
and walks across the Iron Curtain? | 0:26:37 | 0:26:39 | |
Well, it was the final humiliation, really, wasn't it? | 0:26:39 | 0:26:42 | |
This man had destroyed our networks in East Germany, | 0:26:42 | 0:26:45 | |
he had been one of the worst traitors | 0:26:45 | 0:26:48 | |
inside our most secretive organisation, MI6, | 0:26:48 | 0:26:52 | |
and, suddenly, like a will-o'-the-wisp, | 0:26:52 | 0:26:56 | |
he disappears from the country, | 0:26:56 | 0:26:57 | |
out of one of our, supposedly, safest jails. | 0:26:57 | 0:27:00 | |
Blake may have made it to his communist masters, | 0:27:02 | 0:27:05 | |
but they were the losers in the Cold War. | 0:27:05 | 0:27:08 | |
Today, he lives in Moscow on a KGB pension, | 0:27:08 | 0:27:12 | |
with no wish to return home. | 0:27:12 | 0:27:14 | |
The prison that he escaped from remains operational, | 0:27:18 | 0:27:21 | |
with tighter security, I hope, | 0:27:21 | 0:27:23 | |
than that described in those embarrassing once-secret files. | 0:27:23 | 0:27:28 | |
The towering walls of Wormwood Scrubs... | 0:27:30 | 0:27:34 | |
Pretty daunting, you would think. | 0:27:34 | 0:27:37 | |
Unless, of course, you were as determined, ruthless, brave, | 0:27:37 | 0:27:43 | |
as good at organising a conspiracy as was George Blake. | 0:27:43 | 0:27:48 | |
In which case, these walls would be about as effective | 0:27:48 | 0:27:52 | |
as a picket fence. | 0:27:52 | 0:27:54 | |
Today's documents shine a light into the dark world of espionage. | 0:28:00 | 0:28:05 | |
Guy Fawkes' bold plot was foiled by state intelligence | 0:28:05 | 0:28:09 | |
and his mangled body dangled from a rope close to this spot. | 0:28:09 | 0:28:15 | |
The Tower had proved a more secure prison for him | 0:28:15 | 0:28:18 | |
than Wormwood Scrubs would be for George Blake. | 0:28:18 | 0:28:22 | |
British forgeries during World War II | 0:28:22 | 0:28:24 | |
were another spy success. | 0:28:24 | 0:28:27 | |
But to stamp "Jew" | 0:28:27 | 0:28:28 | |
on the counterfeit passport of Adolf Hitler, | 0:28:28 | 0:28:31 | |
who ordered the Holocaust, one of the worst mass murderers of history, | 0:28:31 | 0:28:35 | |
was surely an example of gallows humour. | 0:28:35 | 0:28:38 |