Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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The laws of the land are wrong. It shouldn't be allowed on the streets. | 0:00:02 | 0:00:05 | |
I think it's disgusting, to be quite frank with you. | 0:00:05 | 0:00:07 | |
I think man ought to go with a woman and woman ought to go with a man. | 0:00:07 | 0:00:11 | |
Every so often the world changes beyond our wildest dreams. | 0:00:11 | 0:00:15 | |
The past 50 years has been an incredible journey for lesbian, gay, | 0:00:15 | 0:00:19 | |
bisexual, transgender and queer people in Britain. | 0:00:19 | 0:00:22 | |
We've gone from being thrown in jail | 0:00:22 | 0:00:24 | |
for loving someone for a single night... | 0:00:24 | 0:00:26 | |
..to walking down the aisle with that very same person. | 0:00:26 | 0:00:31 | |
They told us that it would take 200 years | 0:00:31 | 0:00:34 | |
before we could get to that point | 0:00:34 | 0:00:37 | |
and we thought, "No! We want it now and we're going to have it now." | 0:00:37 | 0:00:43 | |
In this series, ordinary people from across the country | 0:00:43 | 0:00:46 | |
have been digging out and sharing with us | 0:00:46 | 0:00:49 | |
the mementos that marked this transformation | 0:00:49 | 0:00:52 | |
and have changed their lives. | 0:00:52 | 0:00:54 | |
From the street to the park, | 0:00:54 | 0:00:55 | |
the camera went everywhere with me. | 0:00:55 | 0:00:58 | |
Yes. Me with a pussy bow. | 0:00:58 | 0:01:01 | |
"We're lesbians, we're oppressed, we're angry." | 0:01:01 | 0:01:03 | |
I'm going to get a tattoo of that. | 0:01:03 | 0:01:05 | |
My passport to gay life. | 0:01:05 | 0:01:07 | |
Not many people had one. | 0:01:07 | 0:01:09 | |
To my knowledge, Freddie Mercury. | 0:01:09 | 0:01:12 | |
The result is a crowd-sourced collection of some of the rarest, | 0:01:12 | 0:01:16 | |
most personal, most heartbreaking and inspiring artefacts | 0:01:16 | 0:01:21 | |
in our history. | 0:01:21 | 0:01:22 | |
I was formally recognised as me, as being female. | 0:01:22 | 0:01:27 | |
I don't know why it was called Jeremy. | 0:01:27 | 0:01:29 | |
It's a bit camp, isn't it? It's like a camp boy's name. | 0:01:29 | 0:01:32 | |
Together, they tell the story of an extraordinary 50 years. | 0:01:32 | 0:01:36 | |
We were like volcanoes. | 0:01:36 | 0:01:38 | |
No-one in history had ever done what we were doing. | 0:01:38 | 0:01:41 | |
What you did meant that I could have a better time being a gay woman. | 0:01:41 | 0:01:45 | |
It's a story of all of us, | 0:01:45 | 0:01:47 | |
the people we loved and the people we sometimes hated. | 0:01:47 | 0:01:50 | |
There were three policemen outside | 0:01:50 | 0:01:53 | |
and I saw a pair of eyes peering down at me. | 0:01:53 | 0:01:57 | |
-It's the story of my life. -And mine. | 0:01:57 | 0:01:59 | |
In this episode, we see how we went from being isolated and alone | 0:01:59 | 0:02:03 | |
to coming together as a community. | 0:02:03 | 0:02:06 | |
And then being tested to the limit. | 0:02:06 | 0:02:09 | |
So unfurl a Pride banner... | 0:02:11 | 0:02:13 | |
..wedge open that closet door... | 0:02:13 | 0:02:14 | |
..and settle in for The People's History Of LGBTQ Britain. | 0:02:14 | 0:02:18 | |
Welcome to the '60s. | 0:02:28 | 0:02:30 | |
Out on the streets things are changing, | 0:02:30 | 0:02:32 | |
and they aren't slowing down for anyone. | 0:02:32 | 0:02:35 | |
SIREN WAILS | 0:02:35 | 0:02:38 | |
Evening. Do you realise you went through a red light back there? | 0:02:38 | 0:02:41 | |
Oh, I'm terribly sorry, Officer. I'm rushing to get to work. | 0:02:41 | 0:02:44 | |
I'm so late. | 0:02:44 | 0:02:46 | |
In July 1967, there was a quiet revolution. | 0:02:47 | 0:02:51 | |
Homosexuality was partially decriminalised, | 0:02:51 | 0:02:54 | |
and for many gay men, it meant the chance to begin to live openly. | 0:02:54 | 0:02:58 | |
Hi! Come on in. | 0:02:58 | 0:03:00 | |
You're right on time. | 0:03:00 | 0:03:02 | |
Hidden away in this house in Wiltshire | 0:03:02 | 0:03:04 | |
are some of the rarest artefacts in British gay history. | 0:03:04 | 0:03:07 | |
A time capsule from that historic moment | 0:03:07 | 0:03:10 | |
when the '60s finally swung in our direction. | 0:03:10 | 0:03:13 | |
It might be a bit dusty. | 0:03:13 | 0:03:15 | |
You know, it's nearly 47 years ago since these came out. | 0:03:15 | 0:03:18 | |
In the heady days of 1969, | 0:03:18 | 0:03:21 | |
Tim found himself writing for a young upstart magazine. | 0:03:21 | 0:03:24 | |
It would become a landmark, | 0:03:24 | 0:03:26 | |
proudly announcing its gayness on the front cover for the first time. | 0:03:26 | 0:03:29 | |
Its name was Jeremy. | 0:03:29 | 0:03:31 | |
The term "gay power" was not in general use at that time. | 0:03:31 | 0:03:35 | |
I think this is probably the first time it appeared in England | 0:03:35 | 0:03:38 | |
on the front of any magazine or newspaper. | 0:03:38 | 0:03:40 | |
For some, they were a key part of the Swinging '60s, | 0:03:40 | 0:03:42 | |
written in an office on Carnaby Street | 0:03:42 | 0:03:45 | |
and offering gay men a breath of the heady optimism | 0:03:45 | 0:03:47 | |
blowing through Britain at the time. | 0:03:47 | 0:03:49 | |
It was an attempt to provide the gay world with a magazine of their own. | 0:03:49 | 0:03:54 | |
There was nothing quite like it. | 0:03:54 | 0:03:56 | |
Before that, there were physique magazines, | 0:03:56 | 0:03:59 | |
which were pictures of people in gymnasiums doing muscle exercises, | 0:03:59 | 0:04:03 | |
but they weren't gay magazines. | 0:04:03 | 0:04:05 | |
There's all kinds of stuff here. | 0:04:05 | 0:04:06 | |
There's a thing called The Hollow Crown, | 0:04:06 | 0:04:08 | |
a round-up of all the queer kings of England. | 0:04:08 | 0:04:10 | |
This is a gay horoscope. | 0:04:10 | 0:04:13 | |
Stargaze. | 0:04:13 | 0:04:14 | |
It had the gay skinheads in it. | 0:04:14 | 0:04:16 | |
People used to brush a little bit of bleach over certain areas | 0:04:16 | 0:04:19 | |
to emphasise certain contours in their body. | 0:04:19 | 0:04:23 | |
I never did that. | 0:04:23 | 0:04:24 | |
Newsagents wouldn't stock Jeremy. | 0:04:26 | 0:04:28 | |
It was subscription only and money was always tight. | 0:04:28 | 0:04:32 | |
See, we invented this, it's called Jeremy Fundies. | 0:04:32 | 0:04:34 | |
Jeremy Fundies were just briefs. | 0:04:34 | 0:04:36 | |
Now, men didn't wear briefs, it was very much a Y-front world. | 0:04:36 | 0:04:40 | |
People had never thought about being able to wear things like that. | 0:04:40 | 0:04:44 | |
We bought them in bulk from Vince, this underwear shop, | 0:04:44 | 0:04:48 | |
and then we'd sell them under our own name. | 0:04:48 | 0:04:51 | |
It was one way of making money for the magazine. | 0:04:51 | 0:04:53 | |
The sudden death of a Hollywood icon in the summer of 1969 | 0:04:53 | 0:04:58 | |
secured a place in music history for Jeremy magazine. | 0:04:58 | 0:05:01 | |
One day, we got this phone call from the manager of a young singer | 0:05:01 | 0:05:05 | |
who'd been very affected by the way the gay community had turned out | 0:05:05 | 0:05:09 | |
a few months before this at Judy Garland's death. | 0:05:09 | 0:05:13 | |
The manager wanted to promote this person to the gay community, | 0:05:13 | 0:05:19 | |
so we spent two weeks with him, covering everything he did. | 0:05:19 | 0:05:23 | |
The photographs are awful, | 0:05:23 | 0:05:25 | |
and although he gave us some interesting stuff to talk about... | 0:05:25 | 0:05:28 | |
"Bowie For A Song" - what an awful title that is. | 0:05:28 | 0:05:31 | |
I didn't do that one. | 0:05:31 | 0:05:33 | |
"It's a bitterly cold December afternoon. | 0:05:33 | 0:05:35 | |
"David is rehearsing a Save the Children charity show | 0:05:35 | 0:05:38 | |
"at the Palladium. | 0:05:38 | 0:05:39 | |
"Isolated in a single spot | 0:05:39 | 0:05:41 | |
"against mammoth projections of the Apollo space shot, | 0:05:41 | 0:05:44 | |
"David performs Space Oddity." | 0:05:44 | 0:05:47 | |
# Ground Control to Major Tom... # | 0:05:47 | 0:05:51 | |
"I'm a loner, I don't feel the need for conventional relationships. | 0:05:53 | 0:05:57 | |
"From the Purcell Rooms to Palladium, | 0:05:57 | 0:06:00 | |
"from Zen Buddhism to Art Nouveau, | 0:06:00 | 0:06:02 | |
"Tim Hughes, a breakdown of the prismatic personality | 0:06:02 | 0:06:06 | |
"of Britain's pop phenomena, David Bowie." | 0:06:06 | 0:06:09 | |
# ..This is Ground Control to Major Tom | 0:06:09 | 0:06:12 | |
# You've really made the grade... # | 0:06:12 | 0:06:15 | |
This was the first article, I think, | 0:06:15 | 0:06:17 | |
where he intimated that he might be bisexual. | 0:06:17 | 0:06:20 | |
He still owes me for an Indian meal. | 0:06:23 | 0:06:25 | |
I remember we took him for an Indian meal and he said, | 0:06:25 | 0:06:28 | |
"I don't have any money." | 0:06:28 | 0:06:30 | |
I don't know why it was called Jeremy. | 0:06:32 | 0:06:34 | |
It's a bit camp, isn't it? It's like a camp boy's name. | 0:06:34 | 0:06:37 | |
For the generation reading Jeremy magazine, | 0:06:37 | 0:06:40 | |
a new life was just beginning. | 0:06:40 | 0:06:42 | |
Two years before, things felt very different. | 0:06:42 | 0:06:45 | |
Being gay before 1967 meant living in fear - | 0:06:48 | 0:06:52 | |
fear of yourself and who you were, | 0:06:52 | 0:06:54 | |
fear of being found out and sent to jail | 0:06:54 | 0:06:56 | |
and fear of having your name printed in the papers for everyone to see. | 0:06:56 | 0:07:00 | |
At 5.50am on 3rd July 1967, for gay men, life changed for ever. | 0:07:03 | 0:07:09 | |
The Sexual Offences Act limped through Parliament | 0:07:09 | 0:07:12 | |
after an all-night sitting and many, many years of arguments. | 0:07:12 | 0:07:16 | |
It contained many restrictions that almost look funny to us now. | 0:07:16 | 0:07:22 | |
You could only have sex in a private house and behind a locked door. | 0:07:22 | 0:07:25 | |
So if your flatmates were in, that was illegal. | 0:07:25 | 0:07:28 | |
If you swapped phone numbers with a man and there was a potential | 0:07:28 | 0:07:31 | |
you might have sex, then that was illegal, too. | 0:07:31 | 0:07:33 | |
And you both had to be over 21 or face a long jail sentence. | 0:07:33 | 0:07:37 | |
The heterosexual age of consent was 16. | 0:07:37 | 0:07:40 | |
Many battles lay ahead, but in a very important way, | 0:07:40 | 0:07:43 | |
for huge numbers of people forced to live secret lives, | 0:07:43 | 0:07:46 | |
their world changed overnight. | 0:07:46 | 0:07:49 | |
But for all the promise of the 1967 Act, there was one big omission - | 0:07:52 | 0:07:57 | |
women. | 0:07:57 | 0:07:58 | |
We lesbians were never included in the anti-homosexuality laws. | 0:07:58 | 0:08:03 | |
We fell outside the definition of what sex could be. | 0:08:03 | 0:08:06 | |
Instead, lesbians were virtually invisible. | 0:08:06 | 0:08:09 | |
On top of that, the new law only applied in England and Wales. | 0:08:09 | 0:08:13 | |
Homosexuality was only decriminalised here in Scotland | 0:08:13 | 0:08:17 | |
in 1980, and in Northern Ireland two years later. | 0:08:17 | 0:08:20 | |
There was a very long way to go. | 0:08:20 | 0:08:22 | |
This is Delmonicas. | 0:08:22 | 0:08:24 | |
I was 14 when I first came into this pub, | 0:08:24 | 0:08:27 | |
and it was the only gay pub in Glasgow that I knew of | 0:08:27 | 0:08:30 | |
that women could come into, and so this is where you came. | 0:08:30 | 0:08:33 | |
So when I had my first ever date, by way of seduction, | 0:08:33 | 0:08:37 | |
she read me passages from... | 0:08:37 | 0:08:38 | |
Oranges Are Not The Only Fruit. | 0:08:38 | 0:08:41 | |
It has a special place in my history. | 0:08:41 | 0:08:44 | |
Now, if you know about this book, | 0:08:44 | 0:08:45 | |
you'll know it's not a romantic book. | 0:08:45 | 0:08:47 | |
Part of it is about kind of casting out the devil from a gay child. | 0:08:47 | 0:08:50 | |
So it's things like... I mean, it's torturous. | 0:08:50 | 0:08:53 | |
"I think we cried each other to sleep, | 0:08:53 | 0:08:54 | |
"but somewhere in the night I stretched out to her | 0:08:54 | 0:08:56 | |
"and kissed her and kissed her until we were both sweating and crying | 0:08:56 | 0:09:00 | |
"with mixed-up bodies and swollen faces." | 0:09:00 | 0:09:02 | |
Now, of course it works. | 0:09:02 | 0:09:04 | |
Books can make incredible things happen, | 0:09:05 | 0:09:08 | |
even more important than my first kiss. | 0:09:08 | 0:09:10 | |
For lesbians in the 1960s there were whispers of one novel in particular. | 0:09:10 | 0:09:15 | |
If you could get your hands on it, it might just change your world. | 0:09:15 | 0:09:18 | |
In 1928, a novel by Radclyffe Hall caused an almighty scandal. | 0:09:24 | 0:09:28 | |
It simply depicted a lesbian relationship, | 0:09:28 | 0:09:31 | |
an unhappy one at that, but just by saying that we exist, | 0:09:31 | 0:09:35 | |
it was dragged through the courts and banned as obscene. | 0:09:35 | 0:09:38 | |
The editor of the Sunday Express wrote, | 0:09:38 | 0:09:40 | |
"I would rather give a child a phial of prussic acid than this novel. | 0:09:40 | 0:09:43 | |
"Poison kills the body, but moral poison kills the soul." | 0:09:43 | 0:09:47 | |
It virtually disappeared from Britain for nearly 40 years | 0:09:47 | 0:09:50 | |
and was only becoming widely available again in the late '60s, | 0:09:50 | 0:09:53 | |
which is when Gill found it. | 0:09:53 | 0:09:56 | |
So tell me about this book. The Well Of Loneliness. | 0:09:56 | 0:09:58 | |
Why is it so important to you? | 0:09:58 | 0:10:00 | |
It was one of the first novels I read that contained... | 0:10:00 | 0:10:03 | |
..a story about lesbians. | 0:10:05 | 0:10:06 | |
And she comes across as being a bit of a tomboy. | 0:10:06 | 0:10:09 | |
Well, that was similar to myself | 0:10:09 | 0:10:11 | |
because I was very sporty when I was a child, so that resonated with me. | 0:10:11 | 0:10:16 | |
Here was somebody else that had, like, these same... | 0:10:16 | 0:10:19 | |
kind of similar characteristics. | 0:10:19 | 0:10:20 | |
Of course, the French have always been more laissez faire | 0:10:20 | 0:10:24 | |
when it comes to love, and the book was never banned there. | 0:10:24 | 0:10:28 | |
In fact, Paris book-sellers did a roaring trade selling it to Brits | 0:10:28 | 0:10:31 | |
trying to sneak a copy home from their holidays. | 0:10:31 | 0:10:34 | |
There's a section where they're all gathering in Paris. | 0:10:34 | 0:10:37 | |
That just totally fascinated me. | 0:10:37 | 0:10:39 | |
Like, here's a whole bunch of women having a gay old time in Paris. | 0:10:39 | 0:10:43 | |
I really, really enjoyed that section of the book. | 0:10:43 | 0:10:45 | |
The hysteria around The Well Of Loneliness eventually subsided, | 0:10:45 | 0:10:48 | |
to the point that, in 1974, | 0:10:48 | 0:10:50 | |
it was even selected as The Book At Bedtime on Radio 4. | 0:10:50 | 0:10:54 | |
It's a hugely powerful book. | 0:10:54 | 0:10:56 | |
And I mean the last sentence, "Acknowledge us, oh, God, | 0:10:56 | 0:10:58 | |
"before the whole world. Give us also the right to our existence." | 0:10:58 | 0:11:02 | |
So we've got one book that was written in 1928, and that was it? | 0:11:02 | 0:11:06 | |
Yeah, that was it. | 0:11:06 | 0:11:07 | |
Being a lesbian was never illegal, | 0:11:07 | 0:11:09 | |
but it didn't mean that life was easy. | 0:11:09 | 0:11:12 | |
You were often just completely invisible | 0:11:12 | 0:11:14 | |
until suddenly you weren't. | 0:11:14 | 0:11:17 | |
My mum came on the phone. | 0:11:17 | 0:11:19 | |
She worked in a hairdresser's. | 0:11:19 | 0:11:20 | |
She said, "I was washing your friend's hair today in the shop." | 0:11:20 | 0:11:23 | |
And I went, "Right, uh-huh." | 0:11:23 | 0:11:24 | |
And she said, "She told me that you were gay. Is this true?" | 0:11:24 | 0:11:27 | |
And I went, "No, it's not true." | 0:11:27 | 0:11:29 | |
-So you denied it? -I denied it, | 0:11:29 | 0:11:30 | |
and she kept going on and on and on about it on the phone. | 0:11:30 | 0:11:33 | |
Eventually I went, "Right, OK, Mum, it's true. | 0:11:33 | 0:11:36 | |
"And by the way, while we're on the subject, | 0:11:36 | 0:11:38 | |
"I've met somebody and I'm moving up to Aberdeen." | 0:11:38 | 0:11:41 | |
"Dear Gillian, nice to get your letter | 0:11:41 | 0:11:43 | |
"and know that you're all right. | 0:11:43 | 0:11:44 | |
"I respect your feelings in regards to myself not understanding, | 0:11:44 | 0:11:48 | |
"but I thought you would have known me by this time. | 0:11:48 | 0:11:51 | |
"I have a very open mind regarding these situations. | 0:11:51 | 0:11:54 | |
"I wonder if it was something in your childhood that I did wrong | 0:11:54 | 0:11:57 | |
"to make you feel that way. | 0:11:57 | 0:11:59 | |
"I feel a bit sorry for you both, as people still do not | 0:11:59 | 0:12:02 | |
"understand these situations. | 0:12:02 | 0:12:04 | |
"If things don't work out, | 0:12:04 | 0:12:06 | |
"don't do anything silly without coming to your mother. | 0:12:06 | 0:12:09 | |
"It is best you never let Dad know | 0:12:09 | 0:12:12 | |
"as it goes against all his principles. | 0:12:12 | 0:12:14 | |
"I think he would disown you. | 0:12:14 | 0:12:16 | |
"Love to you both, Mum." | 0:12:16 | 0:12:18 | |
That's what a lot of us grew up with, isn't it? | 0:12:18 | 0:12:20 | |
The bit that really got me... | 0:12:20 | 0:12:22 | |
Oh! | 0:12:22 | 0:12:24 | |
Did she do something wrong to make you like that? | 0:12:27 | 0:12:29 | |
Uh-huh. I know. | 0:12:29 | 0:12:31 | |
From Aberdeen to Brighton, by the late '60s, | 0:12:34 | 0:12:37 | |
lesbians and gays were desperate to do the things | 0:12:37 | 0:12:39 | |
their straight mates had taken for granted. | 0:12:39 | 0:12:42 | |
Going out, getting drunk, clubbing, and the other, if you were lucky. | 0:12:42 | 0:12:47 | |
Images of that special moment in LGBTQ history are hard to find. | 0:12:50 | 0:12:55 | |
Nigel has dug his out for us. | 0:12:55 | 0:12:57 | |
Yes. | 0:12:59 | 0:13:00 | |
Oh, my goodness me. | 0:13:03 | 0:13:05 | |
Me with a pussy bow. | 0:13:05 | 0:13:07 | |
There's me dressed in junk shop clothes. | 0:13:07 | 0:13:11 | |
And there I am again with a pussy bow. | 0:13:11 | 0:13:14 | |
1967, the year that the law was changed. | 0:13:14 | 0:13:18 | |
But pubs frequented by gay men were often raided by the police | 0:13:18 | 0:13:22 | |
and if you did find somewhere to dance, | 0:13:22 | 0:13:24 | |
you certainly weren't allowed to touch each other. | 0:13:24 | 0:13:27 | |
As the pubs kicked out, | 0:13:27 | 0:13:28 | |
the race was on to find an underground party | 0:13:28 | 0:13:30 | |
on the wrong side of the tracks, | 0:13:30 | 0:13:32 | |
where you could dance with someone properly and not get arrested. | 0:13:32 | 0:13:36 | |
Nigel Quiney was leading the pack. | 0:13:36 | 0:13:38 | |
Drink-up time at the Coleherne. | 0:13:38 | 0:13:40 | |
"Where are the parties? Where are the parties?" | 0:13:40 | 0:13:42 | |
Gay men sometimes found themselves coming together with other outsiders | 0:13:42 | 0:13:45 | |
in '60s Britain. | 0:13:45 | 0:13:47 | |
For a very small sum, half a crown, | 0:13:47 | 0:13:49 | |
you could go to a flat of a black family, | 0:13:49 | 0:13:53 | |
usually sort of hosted by an elderly woman, | 0:13:53 | 0:13:57 | |
and we always called them "the aunties", because somehow | 0:13:57 | 0:14:01 | |
it was George's auntie, or... whoever's party. | 0:14:01 | 0:14:05 | |
And the auntie was around as a host. | 0:14:06 | 0:14:09 | |
A lovely, big, smiley, welcoming black lady, | 0:14:09 | 0:14:12 | |
who would hug you and give you a kiss if you were a bit upset. | 0:14:12 | 0:14:16 | |
"Oh, come on, darling. You'll be all right." | 0:14:16 | 0:14:18 | |
Picture the scene. You've got a sitting room, | 0:14:22 | 0:14:24 | |
furniture would've been pushed all the way round the walls. | 0:14:24 | 0:14:27 | |
Some of us would have brought our own gramophone records. | 0:14:30 | 0:14:33 | |
Men danced together. | 0:14:33 | 0:14:35 | |
They weren't having sex, but they were dancing together | 0:14:35 | 0:14:37 | |
as a normal couple would. | 0:14:37 | 0:14:39 | |
But unlike any normal couple, after the party, | 0:14:39 | 0:14:42 | |
the question "Your place or mine?" was fraught with difficulty. | 0:14:42 | 0:14:46 | |
Even after decriminalisation, the search for human contact | 0:14:46 | 0:14:49 | |
often drove men down underground. | 0:14:49 | 0:14:51 | |
John Lindsay, why? | 0:14:51 | 0:14:53 | |
Well, very frequently, because there's nowhere else. | 0:14:53 | 0:14:56 | |
The vast majority of gay people live in either houses or council flats, | 0:14:56 | 0:15:00 | |
frequently with their parents, frequently with their wives, | 0:15:00 | 0:15:03 | |
frequently with their children. | 0:15:03 | 0:15:05 | |
It's simply very frequently a matter, there is nowhere else to go. | 0:15:05 | 0:15:08 | |
Meeting up in public toilets, or cottaging, | 0:15:09 | 0:15:12 | |
had for decades been the only way many gay men could find sex. | 0:15:12 | 0:15:15 | |
After decriminalisation, | 0:15:15 | 0:15:17 | |
it was assumed the practice would quickly die out. | 0:15:17 | 0:15:20 | |
Instead, it continued, | 0:15:20 | 0:15:22 | |
providing quick release for men in a still hostile world, | 0:15:22 | 0:15:25 | |
and easy arrests for the police. | 0:15:25 | 0:15:28 | |
There was something about it that got the adrenaline rushing. | 0:15:28 | 0:15:33 | |
The very act of going downstairs into a gloomy subterranean place, | 0:15:33 | 0:15:38 | |
even with a rather frightful aroma, | 0:15:38 | 0:15:41 | |
there was a sexual frisson. | 0:15:41 | 0:15:46 | |
It started off just like many other nights. | 0:15:48 | 0:15:50 | |
I dressed in my usual outfit of blue jeans and sneakers, | 0:15:50 | 0:15:55 | |
got into my Ford Cortina, | 0:15:55 | 0:15:57 | |
and I started a circuit of toilets in north London | 0:15:57 | 0:16:00 | |
that I had discovered over the years. | 0:16:00 | 0:16:02 | |
There we go. | 0:16:04 | 0:16:05 | |
Now, where was this damned cottage? | 0:16:13 | 0:16:16 | |
Oh, here you are - Ducketts. It was here. | 0:16:16 | 0:16:18 | |
Some of them complain that the police are overzealous | 0:16:20 | 0:16:23 | |
and go to absurd lengths to apprehend them. | 0:16:23 | 0:16:25 | |
Constable, how many men have you arrested for gross indecency? | 0:16:25 | 0:16:29 | |
Er, this would run into hundreds. | 0:16:29 | 0:16:33 | |
I wouldn't like to say how many over that period. | 0:16:33 | 0:16:37 | |
And were they obviously homosexual? | 0:16:37 | 0:16:39 | |
-Um... Yes. -All of them? | 0:16:39 | 0:16:42 | |
Um, to me, yes. | 0:16:42 | 0:16:45 | |
The place was deserted, and lo and behold, a young man comes in. | 0:16:48 | 0:16:52 | |
Now, does he go to take a pee? | 0:16:52 | 0:16:54 | |
No, he comes and stands next door to me. | 0:16:54 | 0:16:57 | |
The pleasure of seeing each other became, shall we say, evident. | 0:16:58 | 0:17:02 | |
The two of us separate... | 0:17:03 | 0:17:04 | |
..so that things can be seen, obviously, from separate angles. | 0:17:06 | 0:17:10 | |
And above the stalls were those glass-brick vents | 0:17:13 | 0:17:17 | |
to let a certain amount of light in, | 0:17:17 | 0:17:18 | |
but several of them had been broken and removed, and what did I see? | 0:17:18 | 0:17:23 | |
I saw a pair of eyes peering down at me. | 0:17:23 | 0:17:26 | |
And the poor guy, I heard him talking to the police. | 0:17:29 | 0:17:33 | |
"I live at home with my parents. | 0:17:33 | 0:17:35 | |
"My father has a heart condition. | 0:17:35 | 0:17:37 | |
"I'm terribly concerned that this doesn't get into the local rag, | 0:17:37 | 0:17:42 | |
"into the local press." | 0:17:42 | 0:17:43 | |
And the police said, "Well, we can't guarantee anything, | 0:17:43 | 0:17:46 | |
"but we'll do the best we can." | 0:17:46 | 0:17:49 | |
And you can imagine my considerable discomfort a week later | 0:17:49 | 0:17:52 | |
when the phone went at home. | 0:17:52 | 0:17:54 | |
"Oh, Nigel. I read you've been a very naughty boy." | 0:17:54 | 0:17:57 | |
The press had written about it, | 0:17:57 | 0:17:59 | |
they had put in my name and they had put in this young man's name. | 0:17:59 | 0:18:04 | |
It could have ruined his life. | 0:18:04 | 0:18:06 | |
While many gay men found a new confidence, | 0:18:06 | 0:18:09 | |
the police also became more assertive. | 0:18:09 | 0:18:11 | |
In the first seven years after the law changed, | 0:18:11 | 0:18:14 | |
arrests for related offences were up by 66%. | 0:18:14 | 0:18:17 | |
For all the promise that surrounded the 1967 Act, | 0:18:19 | 0:18:23 | |
by the early '70s, gay people were still being treated as easy targets | 0:18:23 | 0:18:28 | |
for arrests, cheap jokes, violence and discrimination. | 0:18:28 | 0:18:32 | |
Increasingly, there was a sense of betrayal. | 0:18:32 | 0:18:35 | |
Anger was brewing. | 0:18:35 | 0:18:37 | |
It was still a Victorian morality, | 0:18:39 | 0:18:42 | |
and people believed a lot more in what the authorities said we were - | 0:18:42 | 0:18:47 | |
degenerate, criminal, not to be trusted, | 0:18:47 | 0:18:50 | |
everything you can think of. | 0:18:50 | 0:18:53 | |
Stephen, Julian and Stuart all lived together with 12 other men | 0:18:53 | 0:18:56 | |
in the Gay Liberation Front commune in Notting Hill in 1971. | 0:18:56 | 0:19:00 | |
They wanted to build a new and fairer society, | 0:19:00 | 0:19:03 | |
and to do that, they needed to unite. | 0:19:03 | 0:19:06 | |
This is the first time they've all met up in 40 years. | 0:19:06 | 0:19:10 | |
The first requirement of GLF was coming out. | 0:19:10 | 0:19:13 | |
So you put this badge on and you'd be on the Tube and people would say, | 0:19:13 | 0:19:16 | |
"Oh, what's the Gay Liberation Front?" | 0:19:16 | 0:19:18 | |
And you would say, "Well, it's a group of homosexuals | 0:19:18 | 0:19:21 | |
"who are coming together to fight for our rights." | 0:19:21 | 0:19:24 | |
It was something which you believed in the principles of | 0:19:24 | 0:19:28 | |
and tried to live out. So that's a social movement. | 0:19:28 | 0:19:31 | |
Ideas of gay liberation began to spread around the country, | 0:19:31 | 0:19:35 | |
carried by the GLF's very own home-made newspaper. | 0:19:35 | 0:19:39 | |
It's a vital piece of LGBTQ history and very few copies remain. | 0:19:39 | 0:19:44 | |
On the back is a photograph of all of us, | 0:19:46 | 0:19:50 | |
all in our finest drag, all with our knees up, | 0:19:50 | 0:19:54 | |
so it's like a knees-up in the commune. | 0:19:54 | 0:19:57 | |
This is me. This is Stuart. | 0:19:57 | 0:20:00 | |
And Julian doesn't appear | 0:20:00 | 0:20:02 | |
because he wasn't available that day for photography. | 0:20:02 | 0:20:05 | |
I think the frock that I wanted to wear was not available, | 0:20:05 | 0:20:09 | |
so I decided I was not going to be in it! | 0:20:09 | 0:20:13 | |
The commune was a refuge from the straight world outside, | 0:20:13 | 0:20:16 | |
a place where gay people could be together, | 0:20:16 | 0:20:19 | |
live freely and make plans for a better future. | 0:20:19 | 0:20:22 | |
You'd step through the gate and you would kind of leave that behind | 0:20:22 | 0:20:26 | |
and you stepped... And then you'd... | 0:20:26 | 0:20:28 | |
There'd be like a short path | 0:20:28 | 0:20:29 | |
and then there was the kitchen window there. | 0:20:29 | 0:20:32 | |
The commune was my first real sense of home. | 0:20:33 | 0:20:37 | |
It was a sort of refuge, like a safe house. | 0:20:37 | 0:20:40 | |
This little diddy house behind all these mansion blocks. | 0:20:44 | 0:20:48 | |
We didn't have a bathroom as such, but we had a toilet | 0:20:48 | 0:20:52 | |
and we had a room next to it that had a sink in it. | 0:20:52 | 0:20:54 | |
The room with all the make-up and the wash basin - that was up there. | 0:20:54 | 0:20:59 | |
And, in fact, the window that I'm looking through faced this way. | 0:20:59 | 0:21:02 | |
On Saturday night, we'd go to my old boyfriend Rose's. | 0:21:04 | 0:21:08 | |
We'd spend Saturday afternoons having a bath there | 0:21:08 | 0:21:13 | |
and then coming home to our private night for tripping with acid, | 0:21:13 | 0:21:18 | |
-which was on a Saturday night. -Yeah. | 0:21:18 | 0:21:20 | |
The GLF manifesto outlined the ways in which gay people were oppressed | 0:21:22 | 0:21:26 | |
and how this should be brought to an end. | 0:21:26 | 0:21:28 | |
They didn't just want to make life better for gay people, though. | 0:21:28 | 0:21:31 | |
They aimed to create a better world for everyone. | 0:21:31 | 0:21:34 | |
GLF did see that there was a link with capitalism | 0:21:36 | 0:21:41 | |
that was causing all these divisions within society, | 0:21:41 | 0:21:46 | |
and that our liberation was really tied up | 0:21:46 | 0:21:51 | |
with the liberation of everybody in the world. | 0:21:51 | 0:21:54 | |
Often, the only weapon available to the GLF was their wit, | 0:21:57 | 0:22:00 | |
which they deployed mercilessly whenever they saw oppression. | 0:22:00 | 0:22:04 | |
In 1971, | 0:22:04 | 0:22:05 | |
a national rally was organised by Christian groups | 0:22:05 | 0:22:08 | |
opposed to what they saw as the moral degeneration of Britain. | 0:22:08 | 0:22:11 | |
This is the light of our Festival of Light. | 0:22:13 | 0:22:17 | |
Praise the Lord. | 0:22:17 | 0:22:18 | |
Some wanted the repeal of homosexual rights, abortion and prostitution. | 0:22:18 | 0:22:23 | |
The GLF saw their chance. | 0:22:23 | 0:22:25 | |
It started with slow hand-clapping when the applause died down. | 0:22:26 | 0:22:30 | |
And we released a battalion of mice. | 0:22:31 | 0:22:34 | |
We had nuns who solemnly processed to the dais, | 0:22:34 | 0:22:39 | |
where the notables were sitting | 0:22:39 | 0:22:42 | |
and then they turned round and can-canned all the way back. | 0:22:42 | 0:22:46 | |
-Give me a J... -ALL: J! | 0:22:46 | 0:22:49 | |
And there were all these people shouting, "Jesus saves, Jesus saves, | 0:22:49 | 0:22:53 | |
"Jesus saves," and it was like they all had this tunnel vision. | 0:22:53 | 0:22:57 | |
At the end of the evening, | 0:22:57 | 0:22:59 | |
the action group managed to get into the basement | 0:22:59 | 0:23:02 | |
and switch half the lights out. | 0:23:02 | 0:23:04 | |
As the message of gay liberation | 0:23:06 | 0:23:08 | |
seeped into the national conversation, | 0:23:08 | 0:23:10 | |
women and men up and down the land | 0:23:10 | 0:23:12 | |
were inspired to change their worlds. | 0:23:12 | 0:23:14 | |
Angela was a student in Manchester. | 0:23:14 | 0:23:17 | |
That's all very well, it's all happening down there, | 0:23:17 | 0:23:19 | |
but I need something happening here. | 0:23:19 | 0:23:21 | |
I was full of energy, full of the coming-out energy. | 0:23:21 | 0:23:23 | |
It spread by word of mouth and by friendship networks. | 0:23:23 | 0:23:27 | |
Gay liberation was accessible. | 0:23:27 | 0:23:28 | |
Anyone could put on a badge and be part of the gay liberation movement. | 0:23:28 | 0:23:32 | |
One night, as she discussed gay liberation in a pub, | 0:23:32 | 0:23:35 | |
Angela was approached by a stranger. | 0:23:35 | 0:23:38 | |
It was like music to my ears. | 0:23:38 | 0:23:40 | |
It was like a real wake-up call. | 0:23:40 | 0:23:41 | |
I said, "Do you mind if I join you?" | 0:23:41 | 0:23:43 | |
And they said, "No, scoot up, scoot up". | 0:23:43 | 0:23:45 | |
I didn't know who the bloody hell they were. | 0:23:45 | 0:23:47 | |
The GLF newspaper also travelled north. | 0:23:47 | 0:23:50 | |
But something important got lost in translation. | 0:23:50 | 0:23:53 | |
We'd get copies and we'd be, like, trying to find, where are we, | 0:23:53 | 0:23:56 | |
sort of thing, and then eventually they did this issue. | 0:23:56 | 0:23:58 | |
Those women there who were very active | 0:23:58 | 0:24:00 | |
in the women's and lesbian movement at the time. | 0:24:00 | 0:24:03 | |
This says, "We share the experiences of our gay brothers | 0:24:03 | 0:24:05 | |
"but, as women, we've endured them differently. | 0:24:05 | 0:24:08 | |
"We're women, we're lesbians, we're oppressed, we're angry." | 0:24:08 | 0:24:11 | |
I'm going to get a tattoo of that! | 0:24:11 | 0:24:13 | |
1970s feminism was inspiring women. | 0:24:13 | 0:24:16 | |
Angela and friends decided to get creative. | 0:24:16 | 0:24:19 | |
We had to shock people, because how else were they going to see us? | 0:24:19 | 0:24:23 | |
And we decided, maybe what we should do is get a big pot of yellow paint | 0:24:23 | 0:24:27 | |
and put "lesbians are everywhere" all around the town | 0:24:27 | 0:24:30 | |
and all around the bridges on the outskirts of the city, | 0:24:30 | 0:24:33 | |
so as that everyone coming in on Monday morning would see it, | 0:24:33 | 0:24:36 | |
and that's what we did. | 0:24:36 | 0:24:38 | |
To me, it's one of the best things I've ever heard, | 0:24:39 | 0:24:41 | |
is to just spray paint in bright yellow "lesbians are everywhere". | 0:24:41 | 0:24:44 | |
It wasn't even spraying. It was a big can of paint and a brush. | 0:24:44 | 0:24:47 | |
It got tipped up in my mother's car, so that was another story. | 0:24:47 | 0:24:50 | |
What did you say to your mother? | 0:24:50 | 0:24:51 | |
-Well, we had to clean it up. -We had to clean it up. | 0:24:51 | 0:24:54 | |
For all the audacious stunts, | 0:24:54 | 0:24:55 | |
the work of the GLF was sometimes a matter of life and death. | 0:24:55 | 0:24:59 | |
When you stepped outside this pub in the night, | 0:24:59 | 0:25:02 | |
there was a good chance that the police was either there | 0:25:02 | 0:25:04 | |
to beat you up or the public. | 0:25:04 | 0:25:06 | |
One night, this police officer ran at this young transgender person | 0:25:06 | 0:25:10 | |
and was really pounding on him, and I jumped on the policeman's back. | 0:25:10 | 0:25:13 | |
I was only a kid, but I just wanted to stop him beating up Benny. | 0:25:13 | 0:25:17 | |
And I got arrested and I was thrown in the cells. | 0:25:17 | 0:25:20 | |
At the time, Luchia was homeless and living on the streets. | 0:25:20 | 0:25:24 | |
There, she saw many other young LGBTQ people, | 0:25:24 | 0:25:28 | |
disowned by their families, | 0:25:28 | 0:25:29 | |
facing violence, mental health issues and suicide. | 0:25:29 | 0:25:33 | |
The thing that pissed me off about the whole thing was the young people | 0:25:33 | 0:25:36 | |
that died, and I always felt very strongly about that and I thought, | 0:25:36 | 0:25:40 | |
"If I ever get a voice, I'm going to speak for them." | 0:25:40 | 0:25:43 | |
I'm going to cry now, cos I can see all their little faces, | 0:25:43 | 0:25:47 | |
you know what I mean? Beautiful people, | 0:25:47 | 0:25:50 | |
just died because no-one would fucking speak up for us, you know? | 0:25:50 | 0:25:54 | |
And that drove me on. It just drove me on. | 0:25:55 | 0:25:58 | |
-That's why I didn't give a shit. -What you did meant that I... | 0:25:58 | 0:26:02 | |
..could have a better time... | 0:26:03 | 0:26:04 | |
..of being a gay woman. | 0:26:06 | 0:26:08 | |
And that was the thing about liberation. | 0:26:10 | 0:26:12 | |
When it comes along, you've got to grab it | 0:26:12 | 0:26:14 | |
and you've got to make it your own. | 0:26:14 | 0:26:16 | |
If you don't, then the chance will never come again. | 0:26:16 | 0:26:19 | |
The wave will have gone on without you. | 0:26:19 | 0:26:22 | |
By the middle of the 1970s, | 0:26:24 | 0:26:25 | |
people across Britain were beginning to understand | 0:26:25 | 0:26:28 | |
that love didn't just happen between a man and a woman. | 0:26:28 | 0:26:31 | |
But the thought that you might not feel happy in your gender at all | 0:26:31 | 0:26:34 | |
still needed a lot more explanation. | 0:26:34 | 0:26:37 | |
-TV REPORT: -Mary from Mansfield is a man in all respects save one - | 0:26:37 | 0:26:41 | |
he feels he is a woman trapped in a man's body. | 0:26:41 | 0:26:43 | |
In Britain, there are estimated to be 750 men like Mary, | 0:26:43 | 0:26:48 | |
and 250 women who feel they should be men. | 0:26:48 | 0:26:50 | |
They're known as transsexuals. | 0:26:50 | 0:26:52 | |
As a young child in the 1950s, | 0:26:52 | 0:26:55 | |
Carol had always felt more like a girl than a boy. | 0:26:55 | 0:26:58 | |
One day, she heard her dad read out a story | 0:26:58 | 0:27:00 | |
about a transgender person in the newspaper. | 0:27:00 | 0:27:03 | |
I was lying on the floor reading a comic and my ears pricked up. | 0:27:03 | 0:27:08 | |
There's somebody else like me out there. | 0:27:08 | 0:27:11 | |
And then, at the end of this story, | 0:27:11 | 0:27:13 | |
my father turned to my mum and said, | 0:27:13 | 0:27:16 | |
"Perverts like that should be locked away in a loony bin | 0:27:16 | 0:27:19 | |
"and the key thrown away." | 0:27:19 | 0:27:21 | |
-TV REPORT: -Transsexuals live in a twilight world | 0:27:21 | 0:27:24 | |
of fear, loneliness and ignorance. | 0:27:24 | 0:27:27 | |
In the already fractious British workplace of the 1970s, | 0:27:27 | 0:27:31 | |
many transgender people were finding that | 0:27:31 | 0:27:33 | |
their employers valued their skills far less than their appearance. | 0:27:33 | 0:27:38 | |
I'd already started on the pathway. | 0:27:39 | 0:27:41 | |
I was being prescribed hormones and my body was changing. | 0:27:41 | 0:27:44 | |
After years of hard work, | 0:27:44 | 0:27:47 | |
Carol had landed her dream job as a research scientist. | 0:27:47 | 0:27:50 | |
But the dreaded company medical soon came up, | 0:27:50 | 0:27:53 | |
which was quickly followed by a summons to see the boss. | 0:27:53 | 0:27:56 | |
He had a face like thunder. | 0:27:56 | 0:27:58 | |
He said, "We've heard back from the medical report and we will not allow | 0:27:58 | 0:28:03 | |
"anything like that to happen in this company." | 0:28:03 | 0:28:06 | |
After the meeting, Carol returned to the empty lab | 0:28:06 | 0:28:10 | |
with her dreams in tatters. | 0:28:10 | 0:28:11 | |
I thought everyone had gone home, and I was looking round the lab | 0:28:11 | 0:28:15 | |
and I just burst out into tears. | 0:28:15 | 0:28:17 | |
The cleaner walked in and she said to me, "What's the matter?" | 0:28:17 | 0:28:22 | |
I said, "You wouldn't understand, because it's so different." | 0:28:22 | 0:28:26 | |
And she said, "You'd be surprised what we know." | 0:28:26 | 0:28:29 | |
And I thought, "Oh, my God! She knows!" | 0:28:29 | 0:28:33 | |
What Carol also didn't know was that | 0:28:33 | 0:28:36 | |
the cleaner was a steward in the union | 0:28:36 | 0:28:38 | |
and wanted to take the matter further. | 0:28:38 | 0:28:41 | |
They thought it was so unjust. | 0:28:41 | 0:28:43 | |
She said to me, "They are quite prepared to go out on strike." | 0:28:43 | 0:28:46 | |
The sympathy shown by the cleaners wasn't reflected in the wider world. | 0:28:46 | 0:28:50 | |
The few transgender people in the public eye | 0:28:50 | 0:28:53 | |
were seen as fair game for anybody. | 0:28:53 | 0:28:56 | |
I mean, I had people coming up and poking me in the breasts | 0:28:56 | 0:28:58 | |
and saying, "Are they real?" | 0:28:58 | 0:29:00 | |
And pulling my hair and saying, "Is that real?" You know? | 0:29:00 | 0:29:03 | |
In the end, you wondered who was the freak - was it you or was it them? | 0:29:03 | 0:29:08 | |
Years after overhearing her father, | 0:29:09 | 0:29:12 | |
Carol faced the prospect of becoming one of those transgender people | 0:29:12 | 0:29:15 | |
in the newspapers herself. | 0:29:15 | 0:29:17 | |
The strike would have caused a national sensation. | 0:29:17 | 0:29:20 | |
Carol decided to pack her things, leave and begin a new life. | 0:29:20 | 0:29:23 | |
I didn't want to be a celebrity | 0:29:25 | 0:29:27 | |
and I didn't want to be sort of | 0:29:27 | 0:29:30 | |
recognised and sort of... | 0:29:30 | 0:29:32 | |
..ill-treated on the streets, | 0:29:33 | 0:29:35 | |
and so, in the end, I had to say, | 0:29:35 | 0:29:37 | |
"Thank you so much but, no, | 0:29:37 | 0:29:39 | |
"I'm going to actually disappear and start my new life." | 0:29:39 | 0:29:43 | |
The ability to change a birth certificate after transitioning | 0:29:45 | 0:29:47 | |
didn't come until 2004, but Carol was allowed to change her passport. | 0:29:47 | 0:29:53 | |
This is taken on the beach at Biarritz in France. | 0:29:53 | 0:29:58 | |
As you can see, I was a lot slimmer then. | 0:29:58 | 0:30:01 | |
Having this in my new name was so important. | 0:30:01 | 0:30:04 | |
I was formally recognised as me, as being female. | 0:30:04 | 0:30:09 | |
And I took it out of the envelope and I burst into tears. | 0:30:09 | 0:30:14 | |
By the mid-'70s, lesbian, gay, bisexual, | 0:30:16 | 0:30:19 | |
transgender and queer people were increasingly out and proud, | 0:30:19 | 0:30:22 | |
on television and on the streets | 0:30:22 | 0:30:24 | |
but, for many, the sense of shame and confusion was crippling. | 0:30:24 | 0:30:29 | |
For an innocent young lad growing up in a quiet seaside town, | 0:30:29 | 0:30:32 | |
the only way out was to be anything but gay. | 0:30:32 | 0:30:35 | |
It just felt so wrong. | 0:30:35 | 0:30:37 | |
I was just playing this game of being a heterosexual. | 0:30:37 | 0:30:40 | |
You've read in the paper that maybe it could be fixed. | 0:30:40 | 0:30:43 | |
That's the sort of route I gravitated towards, | 0:30:43 | 0:30:46 | |
so I thought, "Well, maybe I could hypnotise myself." | 0:30:46 | 0:30:50 | |
I got a book out on self-hypnosis, read it, tried it. | 0:30:50 | 0:30:54 | |
Of course that didn't work. | 0:30:54 | 0:30:56 | |
As the decade progressed, public attitudes towards gays, | 0:30:56 | 0:31:00 | |
lesbians and bisexual people were shifting. | 0:31:00 | 0:31:03 | |
It's a personal matter, doesn't concern anybody else. | 0:31:03 | 0:31:06 | |
There's no harm in them. It's not their fault. | 0:31:06 | 0:31:08 | |
They want medicine, definitely. They wouldn't go on like that. | 0:31:08 | 0:31:11 | |
Many no longer saw them as evil or wrong. | 0:31:11 | 0:31:15 | |
Instead, they were objects of pity | 0:31:15 | 0:31:16 | |
who could be helped by science and cured. | 0:31:16 | 0:31:18 | |
But in order to see a psychiatrist, | 0:31:18 | 0:31:20 | |
doctors sometimes required your parents' permission, | 0:31:20 | 0:31:24 | |
which was awkward at best, | 0:31:24 | 0:31:25 | |
especially if they didn't even know you were gay. | 0:31:25 | 0:31:29 | |
He took me into the surgery, grabbed me by the arm, | 0:31:29 | 0:31:32 | |
sat me down between them and said, "Your son has come to see me. | 0:31:32 | 0:31:36 | |
"He's confessed to masturbation." | 0:31:36 | 0:31:37 | |
I thought, "What?!" | 0:31:37 | 0:31:40 | |
He said, "He has homosexual inclinations | 0:31:40 | 0:31:42 | |
"and I've told him that this is a sinful practice | 0:31:42 | 0:31:45 | |
"and that he must cut his hair and behave more manly." | 0:31:45 | 0:31:48 | |
Mum, she thought it was all her fault, the way she brought me up, | 0:31:48 | 0:31:51 | |
and I said, "Don't be silly. I just am this way." | 0:31:51 | 0:31:55 | |
Dad said he'd known some blokes in the RAF who were that way. | 0:31:55 | 0:32:00 | |
This wasn't the way I wanted it to happen, | 0:32:00 | 0:32:02 | |
but it was the only way, if I was going to get to see a psychiatrist | 0:32:02 | 0:32:06 | |
who I thought would make me into a heterosexual. | 0:32:06 | 0:32:09 | |
Brian wrote down his thoughts | 0:32:09 | 0:32:10 | |
after his consultation with the psychiatrist. | 0:32:10 | 0:32:13 | |
"He told me, as I was 21 and it was all legal now, | 0:32:13 | 0:32:18 | |
"and you can go and bugger whoever you like. | 0:32:18 | 0:32:20 | |
"I told him I was profoundly unhappy and extremely lonely. | 0:32:20 | 0:32:23 | |
"I tried telling him about | 0:32:23 | 0:32:25 | |
"my completely impotent experiences with girlfriends | 0:32:25 | 0:32:28 | |
"but he dismissed these as nerves and told me all I had to do | 0:32:28 | 0:32:32 | |
"was to find a decent girl. | 0:32:32 | 0:32:34 | |
"He then said that if that didn't work and I was still worried about | 0:32:34 | 0:32:38 | |
"indulging in homosexual acts, then he could arrange for an operation, | 0:32:38 | 0:32:42 | |
"thereby incapacitating any sexual acts." | 0:32:42 | 0:32:46 | |
Until 1973, homosexuality was officially categorised | 0:32:46 | 0:32:50 | |
as a mental illness. | 0:32:50 | 0:32:52 | |
Thousands of men and women undertook treatment to be cured | 0:32:52 | 0:32:55 | |
and live what they saw as a normal life. | 0:32:55 | 0:32:57 | |
Their bodies were subjected to electric shocks, | 0:32:57 | 0:33:00 | |
brain surgery and chemical injections, all on the NHS. | 0:33:00 | 0:33:03 | |
Facing the possibility of chemical castration, | 0:33:03 | 0:33:07 | |
Brian nervously awaited the expert diagnosis. | 0:33:07 | 0:33:11 | |
"He assured me I wasn't a homosexual. | 0:33:11 | 0:33:14 | |
" 'I can always tell a homosexual when I see one.' " | 0:33:14 | 0:33:17 | |
And I left the psychiatrist's that day feeling, | 0:33:17 | 0:33:19 | |
well, I can't be a homosexual, can I, after all, | 0:33:19 | 0:33:21 | |
because he's told me, he's an expert. | 0:33:21 | 0:33:24 | |
By the mid-1970s, | 0:33:24 | 0:33:26 | |
the role of psychiatry and imposing cures on LGBT people | 0:33:26 | 0:33:29 | |
was increasingly coming in for criticism. | 0:33:29 | 0:33:31 | |
Do you want aversion therapy? | 0:33:31 | 0:33:34 | |
-ALL: No! -Do you want psychiatric aid? | 0:33:34 | 0:33:38 | |
I didn't want to live a secret life. | 0:33:38 | 0:33:39 | |
I didn't want to hide who I was away any more. | 0:33:39 | 0:33:43 | |
So I stuck a gay lib badge on and walked round the town, | 0:33:43 | 0:33:46 | |
and if people were shocked, well, that's their problem. | 0:33:46 | 0:33:49 | |
They can deal with it. | 0:33:49 | 0:33:51 | |
With so many in the LGBTQ community, | 0:33:54 | 0:33:57 | |
being honest about who you are has meant having to pack your bags, | 0:33:57 | 0:34:01 | |
leave your home and your family | 0:34:01 | 0:34:03 | |
and move to somewhere else to start a new life again. | 0:34:03 | 0:34:06 | |
I'm off to see an extraordinary person, | 0:34:07 | 0:34:10 | |
someone who knows the pain of separation only too well. | 0:34:10 | 0:34:13 | |
Sandi is in her 70s and grew up in a children's home just after the war. | 0:34:13 | 0:34:18 | |
You left school, | 0:34:18 | 0:34:20 | |
you worked for a couple of years and then you got married, | 0:34:20 | 0:34:23 | |
cos that's the way it was back then. | 0:34:23 | 0:34:25 | |
I used to read a little magazine that was called True Romance, | 0:34:27 | 0:34:31 | |
and it was about a man and a woman falling in love, | 0:34:31 | 0:34:34 | |
living happily ever after, so I was looking for that kind of lifestyle. | 0:34:34 | 0:34:39 | |
I met a guy from Liverpool | 0:34:40 | 0:34:42 | |
and he was the first person who said he loved me. | 0:34:42 | 0:34:45 | |
-So I married him, yeah. -Wow! | 0:34:45 | 0:34:47 | |
I had four children in five years. | 0:34:50 | 0:34:53 | |
I had them all at home for a year. | 0:34:53 | 0:34:56 | |
Their father was away at sea, so I was like a single parent. | 0:34:56 | 0:34:59 | |
But I loved it. I had a family of my own for the first time. | 0:34:59 | 0:35:03 | |
After six years, he came out the Navy and came and lived with me. | 0:35:05 | 0:35:09 | |
Even though I had four children to him, I loved my kids, | 0:35:09 | 0:35:13 | |
I was really aware of not being happy after a year. | 0:35:13 | 0:35:18 | |
Something had to be done. | 0:35:18 | 0:35:20 | |
Something needed to change. | 0:35:20 | 0:35:21 | |
Like so many women in the 1970s and '80s, | 0:35:21 | 0:35:25 | |
Sandi was faced with an agonising choice - | 0:35:25 | 0:35:27 | |
spend the rest of her life with a man she didn't love | 0:35:27 | 0:35:30 | |
or somehow try to live true to herself as a lesbian. | 0:35:30 | 0:35:34 | |
Divorce proceedings began. | 0:35:34 | 0:35:36 | |
This is the court case for custody | 0:35:36 | 0:35:38 | |
-and it was all built around me being gay. -So, in essence, | 0:35:38 | 0:35:42 | |
you had the full power of the authorities directed against you? | 0:35:42 | 0:35:45 | |
The judge was female. | 0:35:45 | 0:35:47 | |
She said, "You won't have custody of your daughters, | 0:35:47 | 0:35:50 | |
"cos you're a lesbian and you're unfit to mother them, | 0:35:50 | 0:35:54 | |
"but you can have custody of your son." | 0:35:54 | 0:35:56 | |
I felt a big hot sweat come over me then, because it made me think, | 0:35:56 | 0:36:01 | |
"Wow, I must be really bad if I can't have my daughters." | 0:36:01 | 0:36:05 | |
And I remember thinking right there and then, "How can I separate them? | 0:36:05 | 0:36:10 | |
"How can I take the boy out of a family that he's grown up with?" | 0:36:10 | 0:36:14 | |
Even though I'd never had a family before, I said, | 0:36:14 | 0:36:17 | |
"I want them to stay together like a family." | 0:36:17 | 0:36:20 | |
I knelt down and I was their height and gave them all a hug and that, | 0:36:20 | 0:36:26 | |
and I had this really heavy pain in my heart, in my chest, | 0:36:26 | 0:36:31 | |
which must have been my heart. | 0:36:31 | 0:36:33 | |
I went back to my bedsit | 0:36:33 | 0:36:35 | |
and I realised that I had to start my life again. | 0:36:35 | 0:36:39 | |
Now alone, Sandi began the painful process of getting back on her feet. | 0:36:40 | 0:36:45 | |
One day, she found an object that gave her a reason to live again. | 0:36:45 | 0:36:49 | |
I had a friend who was selling a camera. | 0:36:51 | 0:36:54 | |
I started taking photos then, taking photos of my friend. | 0:36:54 | 0:36:58 | |
Wherever we were, on the street, we'd go to the park, | 0:36:58 | 0:37:01 | |
and I'd take photos of us. | 0:37:01 | 0:37:03 | |
In fact, the camera went everywhere with me. | 0:37:03 | 0:37:06 | |
As time passed, | 0:37:07 | 0:37:08 | |
Sandi was able to form relationships with her children again | 0:37:08 | 0:37:12 | |
and they became part of her photographs, too. | 0:37:12 | 0:37:15 | |
These are my four children, very young. | 0:37:15 | 0:37:18 | |
That's the oldest one, Dawn. | 0:37:18 | 0:37:19 | |
-It's a weird shape, though, the picture. Why is that? -Well... | 0:37:19 | 0:37:22 | |
SHE LAUGHS | 0:37:22 | 0:37:23 | |
I done the standard thing that when a woman leaves her boyfriend | 0:37:23 | 0:37:27 | |
or husband, you chop them off in the photos. | 0:37:27 | 0:37:31 | |
-Oh, right, so he's gone? -He's gone, yeah. | 0:37:31 | 0:37:34 | |
This is quite early on after I've been divorced | 0:37:35 | 0:37:38 | |
and had my kids taken off me. | 0:37:38 | 0:37:41 | |
I've reinvented myself and the... Holly was out being gay. | 0:37:41 | 0:37:45 | |
These two aren't. | 0:37:45 | 0:37:46 | |
I was out being gay. | 0:37:46 | 0:37:48 | |
Is that who I think it is? | 0:37:48 | 0:37:49 | |
Yeah, it's Holly. Bezzie mate. | 0:37:49 | 0:37:51 | |
I knew him when he was a young teenager. | 0:37:51 | 0:37:53 | |
# Relax, don't do it | 0:37:53 | 0:37:55 | |
# When you want to go to it... # | 0:37:55 | 0:37:57 | |
But this is where he used to sign on. | 0:37:57 | 0:38:00 | |
There's Chris Bernard, who directed Letter To Brezhnev. | 0:38:00 | 0:38:03 | |
He used to sign on then. | 0:38:03 | 0:38:05 | |
We all used to sign on there. | 0:38:05 | 0:38:07 | |
If you think about it, | 0:38:07 | 0:38:08 | |
this picture actually represents a vision of hope. | 0:38:08 | 0:38:11 | |
Look at these two guys, who've gone on | 0:38:11 | 0:38:12 | |
-to do amazing things. -Look where they are, yeah. | 0:38:12 | 0:38:15 | |
# The power of love... # | 0:38:15 | 0:38:17 | |
Back in them days, you know, | 0:38:17 | 0:38:18 | |
it wasn't about falling in love and settling down, | 0:38:18 | 0:38:22 | |
happy ever after, or anything like that. | 0:38:22 | 0:38:25 | |
It was about telling each other our stories. | 0:38:25 | 0:38:27 | |
How we came out, who we were, what we expected. | 0:38:27 | 0:38:31 | |
And it was like we were all new and fresh at being gay. | 0:38:31 | 0:38:35 | |
As the 1980s dawned, it felt like a whole new era for many LGBTQ people. | 0:38:37 | 0:38:43 | |
Life certainly wasn't easy but now, if you grew up feeling isolated, | 0:38:43 | 0:38:47 | |
the big cities at least shone with possibility. | 0:38:47 | 0:38:50 | |
Across the land, small-town boys and girls and everyone in between | 0:38:53 | 0:38:58 | |
packed their bags and headed towards the lights. | 0:38:58 | 0:39:01 | |
In Northern Ireland, six-year-old Frankie O'Reilly | 0:39:04 | 0:39:07 | |
turned up for the first day of a new school term | 0:39:07 | 0:39:09 | |
and met his new classmates. | 0:39:09 | 0:39:12 | |
I'd seen all the new class lined up | 0:39:12 | 0:39:15 | |
and in the middle was this boy and I had said, "What's your name?" | 0:39:15 | 0:39:19 | |
He said, "Georgie." | 0:39:19 | 0:39:20 | |
I said, "My name's Frankie. | 0:39:20 | 0:39:22 | |
"Would you like to sit with me?" | 0:39:22 | 0:39:23 | |
He came back to my home for his tea afterwards. | 0:39:23 | 0:39:26 | |
From that day onwards, we've been inseparable. | 0:39:26 | 0:39:30 | |
Look at that. Got some of the albums here | 0:39:32 | 0:39:34 | |
of photographs of Georgie and I. | 0:39:34 | 0:39:37 | |
We grew up during the Troubles, with bombs going off and crossfire. | 0:39:38 | 0:39:43 | |
You would have to just lie on the ground | 0:39:43 | 0:39:46 | |
and let the bullets go over your head. | 0:39:46 | 0:39:48 | |
If you turned the wrong corner and walked into a street gang, | 0:39:50 | 0:39:53 | |
automatically, they would go, "Queer boys!" | 0:39:53 | 0:39:56 | |
We would never run without saying, | 0:39:56 | 0:39:59 | |
"You didn't say that last night when I was fucking the ass off you." | 0:39:59 | 0:40:03 | |
And then we would run for our lives. | 0:40:03 | 0:40:06 | |
By the time we were 16, we knew that Derry was far too small for us, | 0:40:06 | 0:40:11 | |
and it was, "London, here we come." | 0:40:11 | 0:40:14 | |
Around the same time, in Middlesbrough, | 0:40:15 | 0:40:17 | |
Sue Wade was also packing her bags, | 0:40:17 | 0:40:19 | |
with a dream in her head and a song in her heart. | 0:40:19 | 0:40:22 | |
With her partner at the time, | 0:40:22 | 0:40:24 | |
she found a basement just off Oxford Street | 0:40:24 | 0:40:26 | |
and set out to make a new nightclub for a new era. | 0:40:26 | 0:40:30 | |
She hasn't been back in 30 years. | 0:40:31 | 0:40:34 | |
I have to get the number right. Is it the... This one, was it? | 0:40:35 | 0:40:38 | |
That's the one. Yeah, it looks different. | 0:40:38 | 0:40:40 | |
It's exciting! | 0:40:40 | 0:40:41 | |
Wow! | 0:40:43 | 0:40:44 | |
If you'd have come in the '80s, | 0:40:45 | 0:40:46 | |
this is what I would have looked like on the door, sitting, | 0:40:46 | 0:40:49 | |
waiting and beckoning you in for a good time. | 0:40:49 | 0:40:52 | |
One night, a mysterious American arrived at the club. | 0:40:52 | 0:40:55 | |
Years later, Sue found out that | 0:40:55 | 0:40:57 | |
it was the renowned author Armistead Maupin | 0:40:57 | 0:40:59 | |
and he had immortalised the place in one of the best-loved novels | 0:40:59 | 0:41:02 | |
in modern American literature. | 0:41:02 | 0:41:05 | |
"London's most fashionable dyke nightclub | 0:41:05 | 0:41:08 | |
"was a place in Mayfair called Heds. | 0:41:08 | 0:41:11 | |
"Four or five lesbian couples | 0:41:11 | 0:41:13 | |
"were slow-dancing to Anne Murray beneath a jerky mirror ball." | 0:41:13 | 0:41:17 | |
I'm sorry about that! | 0:41:17 | 0:41:19 | |
"Michael sat down at one of the couches | 0:41:19 | 0:41:21 | |
"and motioned Wilfred to join him." | 0:41:21 | 0:41:24 | |
I'm sort of getting a bit excited. | 0:41:24 | 0:41:27 | |
-She wants to come back! -My heart's going a little bit. | 0:41:27 | 0:41:30 | |
Sue's club is now, sadly, an unrented, empty office. | 0:41:30 | 0:41:34 | |
Sue's was part of a new generation of clubs | 0:41:45 | 0:41:48 | |
which wanted to do away with the narrow stereotypes | 0:41:48 | 0:41:51 | |
of what a lesbian could be, which had defined them for decades. | 0:41:51 | 0:41:55 | |
-TV REPORT: -The swashbuckling approach, the heartiness, | 0:41:57 | 0:41:59 | |
the thumping stride, the tough man's clothes - | 0:41:59 | 0:42:02 | |
these things are natural to some lesbians | 0:42:02 | 0:42:04 | |
but mostly unacceptable to people outside that world. | 0:42:04 | 0:42:08 | |
This means that for lesbians who want to relax in the kind of clothes | 0:42:08 | 0:42:10 | |
in the kind of way that makes them happy, there are few places to go. | 0:42:10 | 0:42:14 | |
One of them is a club in Chelsea, | 0:42:14 | 0:42:15 | |
a place where there's no longer any need to pretend. | 0:42:15 | 0:42:18 | |
I think we should be allowed to go where we like, | 0:42:18 | 0:42:20 | |
dressed in what we like, and be accepted generally by society. | 0:42:20 | 0:42:23 | |
By the 1980s, | 0:42:26 | 0:42:27 | |
old divisions of butch women and their femme counterparts | 0:42:27 | 0:42:30 | |
were being broadened out. | 0:42:30 | 0:42:32 | |
This was a club for everyone. | 0:42:32 | 0:42:34 | |
I've got some pictures. | 0:42:36 | 0:42:38 | |
It was very mixed. | 0:42:38 | 0:42:40 | |
It wasn't fixed on one particular type of lesbian | 0:42:40 | 0:42:43 | |
or gay or transgender person. That's me. | 0:42:43 | 0:42:47 | |
Everyone sort of banded together, where they didn't fit in. | 0:42:48 | 0:42:52 | |
Sometimes the music would stop for a show. | 0:42:52 | 0:42:54 | |
The most fondly remembered was the androgynous | 0:42:54 | 0:42:57 | |
French underground sensation Ronny. | 0:42:57 | 0:42:59 | |
# To have and have not | 0:42:59 | 0:43:01 | |
# To have and have not... # | 0:43:07 | 0:43:09 | |
We got a big image of her on canvas, | 0:43:09 | 0:43:12 | |
where one side she was, like, very masculine and on the other side, | 0:43:12 | 0:43:16 | |
she was quite... with a feminine dress on. | 0:43:16 | 0:43:19 | |
And what she did, from behind it, when the music come up... | 0:43:19 | 0:43:22 | |
..she took a knife and split it and come through it and start singing, | 0:43:24 | 0:43:29 | |
you know, so it was absolutely... It was fantastic. | 0:43:29 | 0:43:31 | |
It was one of the most nerve-racking moments of my life. | 0:43:33 | 0:43:36 | |
I had finally plucked up the courage to come to the West End | 0:43:36 | 0:43:39 | |
and go to my first ever gay bar. | 0:43:39 | 0:43:41 | |
Trafalgar Square just over there, the heart of Theatreland, | 0:43:41 | 0:43:45 | |
and yes, folks, it was here. | 0:43:45 | 0:43:47 | |
It was called Brief Encounter. | 0:43:47 | 0:43:49 | |
The door was right here on the corner. | 0:43:49 | 0:43:51 | |
I walked up to the door. | 0:43:51 | 0:43:53 | |
It was there, my heart was pumping. | 0:43:53 | 0:43:55 | |
But did I go in? No, I kept walking. | 0:43:55 | 0:43:58 | |
Walked all the way round this block at least ten, 15, 20 times, scared, | 0:43:58 | 0:44:03 | |
full of fear. What was I afraid of? | 0:44:03 | 0:44:05 | |
People seeing me? | 0:44:05 | 0:44:07 | |
My aunt? | 0:44:07 | 0:44:08 | |
My aunt never came to the West End. | 0:44:08 | 0:44:10 | |
While I was walking around in circles, full of fear and shame, | 0:44:13 | 0:44:17 | |
just over there, a minute away, the most famous gay club in the world. | 0:44:17 | 0:44:21 | |
They were out, they were proud, they were loud, they were brash. | 0:44:21 | 0:44:25 | |
Their doors opened and they would say, "Guys, we're gay. | 0:44:25 | 0:44:29 | |
"Come on in!" | 0:44:29 | 0:44:31 | |
-TV REPORT: -This is Heaven, one of London's newest and smartest discos. | 0:44:33 | 0:44:38 | |
It's situated in the West End and on some nights, | 0:44:38 | 0:44:41 | |
more than 2,000 people come here. | 0:44:41 | 0:44:44 | |
But there's one rather surprising aspect about these people - | 0:44:44 | 0:44:48 | |
almost all of them are men, | 0:44:48 | 0:44:50 | |
and that's because Heaven is a gay disco, | 0:44:50 | 0:44:53 | |
a nightspot for homosexual men. | 0:44:53 | 0:44:55 | |
And someone who attended Heaven religiously was Martyn Butler. | 0:44:58 | 0:45:02 | |
Welcome to Heaven. | 0:45:03 | 0:45:04 | |
Martyn was one of the lucky few. | 0:45:04 | 0:45:07 | |
He was the proud owner of the most coveted item in gay clubland - | 0:45:07 | 0:45:10 | |
the Heaven gold card. | 0:45:10 | 0:45:13 | |
Not many people had one of those. | 0:45:13 | 0:45:15 | |
To my knowledge, Freddie Mercury, Kenny Everett. | 0:45:15 | 0:45:18 | |
Almost every star that was anything in the pop music era played here. | 0:45:18 | 0:45:22 | |
A cavernous super club was built in a former munitions store, | 0:45:24 | 0:45:28 | |
deep under London's Charing Cross. | 0:45:28 | 0:45:31 | |
I was a young gay boy, 16, in South Wales. | 0:45:31 | 0:45:35 | |
I was only really happy | 0:45:35 | 0:45:37 | |
when I suddenly found myself in amongst 2,000 people. | 0:45:37 | 0:45:41 | |
I think it's possibly due to the fact that I'm deaf. | 0:45:41 | 0:45:43 | |
Coming into a nightclub, everybody is equal. | 0:45:43 | 0:45:46 | |
The sound is so loud that you have to shout. | 0:45:46 | 0:45:49 | |
But Martyn was no ordinary punter. | 0:45:50 | 0:45:53 | |
Martyn was Heaven's head of lasers, and his light shows were legendary. | 0:45:53 | 0:45:57 | |
Pull one out. There we are. | 0:46:00 | 0:46:02 | |
And this is my crew T-shirt from all those years ago. | 0:46:02 | 0:46:05 | |
There we go. And you can see the original Heaven logo on that. | 0:46:05 | 0:46:10 | |
Very proud to be a member of the crew for Heaven. | 0:46:10 | 0:46:13 | |
My God, I've put weight on since then, but there we go. | 0:46:13 | 0:46:17 | |
Terry Higgins would be sat there, | 0:46:19 | 0:46:22 | |
there would be members of Hot Gossip, | 0:46:22 | 0:46:24 | |
Floyd and Mark Tyme. | 0:46:24 | 0:46:27 | |
Kenny Everett would be there. | 0:46:27 | 0:46:28 | |
And Grace Jones would be in the coffee bar. | 0:46:28 | 0:46:31 | |
Mr Hardware from Heaven, London. | 0:46:31 | 0:46:36 | |
As Heaven's fame spread across the globe, | 0:46:39 | 0:46:41 | |
the club even hosted the first gay beauty contest | 0:46:41 | 0:46:44 | |
in typically larger-than-life style. | 0:46:44 | 0:46:46 | |
It was a theatre, it was a social centre. | 0:46:48 | 0:46:51 | |
It is your church, the place you go to have a funeral, maybe. | 0:46:51 | 0:46:55 | |
The place to go to be sad. | 0:46:55 | 0:46:57 | |
The place to escape the tyranny of work, | 0:46:57 | 0:47:01 | |
or places to stop that terrible loneliness of living in | 0:47:01 | 0:47:04 | |
one of the greatest cities on Earth and being totally alone. | 0:47:04 | 0:47:07 | |
Come in here and you realise that there is a community. | 0:47:10 | 0:47:13 | |
There's more than one. It's not just a little group | 0:47:13 | 0:47:16 | |
here, there and everywhere, and pretending you don't exist. | 0:47:16 | 0:47:19 | |
People were out and proud. I always felt that I'd come home. | 0:47:19 | 0:47:24 | |
The boys from Northern Ireland were having the time of their lives | 0:47:25 | 0:47:29 | |
in early '80s London and eventually, | 0:47:29 | 0:47:31 | |
after a lifetime of being the very best of friends, | 0:47:31 | 0:47:34 | |
Georgie plucked up the courage to say what was blindingly obvious. | 0:47:34 | 0:47:38 | |
Well, obvious to everyone except Frankie. | 0:47:38 | 0:47:41 | |
The Black Cap used to have cabaret. | 0:47:41 | 0:47:43 | |
We would have our one night as friends out a week. | 0:47:43 | 0:47:46 | |
Georgie declared to me on this night that he loved me. | 0:47:46 | 0:47:51 | |
And he says, "Well, I think we should be together." | 0:47:51 | 0:47:54 | |
The stars collided and the very next week they went out, | 0:47:56 | 0:48:00 | |
found a flat and settled down to life as a couple. | 0:48:00 | 0:48:03 | |
We'd come from a very, very dark period. | 0:48:04 | 0:48:06 | |
Don't tell anybody, and be afraid of the police. | 0:48:06 | 0:48:10 | |
And by 1982, we had Heaven, we had our own music. | 0:48:10 | 0:48:16 | |
There was already a sense that we were taking back | 0:48:16 | 0:48:18 | |
and we were taking control. | 0:48:18 | 0:48:20 | |
Just as we were becoming free and being able to say, yes, | 0:48:20 | 0:48:24 | |
I can do this and I can talk about it openly and whatever, suddenly... | 0:48:24 | 0:48:27 | |
The past weekend should have been a time of outright celebration | 0:48:30 | 0:48:33 | |
for Britain's homosexual community, | 0:48:33 | 0:48:36 | |
as a march through London ended Gay Pride Week, | 0:48:36 | 0:48:38 | |
seven days in which they commemorated | 0:48:38 | 0:48:40 | |
the start of the gay liberation movement. | 0:48:40 | 0:48:43 | |
However, the festivities were overshadowed by fear, | 0:48:43 | 0:48:46 | |
fear of a mysterious new disease | 0:48:46 | 0:48:47 | |
that has hit the homosexual community in America | 0:48:47 | 0:48:50 | |
and has now come here. | 0:48:50 | 0:48:52 | |
The funeral of Terry Higgins took place here | 0:48:52 | 0:48:54 | |
at Golders Green crematorium in north London. | 0:48:54 | 0:48:57 | |
Higgins, a 37-year-old computer programmer, | 0:48:57 | 0:49:00 | |
died after collapsing on the floor of a gay disco called Heaven. | 0:49:00 | 0:49:03 | |
Across the country, worried men approached their doctors | 0:49:04 | 0:49:07 | |
for an AIDS test. | 0:49:07 | 0:49:09 | |
We had our tests done together. | 0:49:10 | 0:49:14 | |
The doctor sat us down. | 0:49:14 | 0:49:16 | |
He said, "The two of you should go home, put your affairs in order, | 0:49:16 | 0:49:21 | |
"and enjoy whatever time you have left. | 0:49:21 | 0:49:24 | |
"You've both got the AIDS virus." | 0:49:24 | 0:49:27 | |
We were 25 years old. | 0:49:27 | 0:49:29 | |
As the full extent of the AIDS crisis became apparent, | 0:49:29 | 0:49:33 | |
the Government launched a public information campaign. | 0:49:33 | 0:49:37 | |
A leaflet dropped through every door in the land, and on television, | 0:49:37 | 0:49:40 | |
a hard-hitting advertising campaign. | 0:49:40 | 0:49:43 | |
As a young gay man growing up then, it was more than frightening. | 0:49:43 | 0:49:47 | |
-VOICEOVER: -There is now a danger that has become a threat to us all. | 0:49:49 | 0:49:53 | |
It is a deadly disease and there is no known cure. | 0:49:53 | 0:49:56 | |
The first time I'd seen it on TV, it scared the bejesus out of me. | 0:49:56 | 0:50:01 | |
-VOICEOVER: -Anyone can get it. Man or woman. | 0:50:01 | 0:50:04 | |
As far as we knew at that point, | 0:50:04 | 0:50:06 | |
there was never going to be a cure. | 0:50:06 | 0:50:08 | |
-VOICEOVER: -..spreading... | 0:50:08 | 0:50:10 | |
Then people started dying... | 0:50:10 | 0:50:12 | |
ahead of us that were diagnosed after us. | 0:50:12 | 0:50:16 | |
The fear set in. | 0:50:16 | 0:50:18 | |
I came home one day and Georgie was in a very aggressive mood, | 0:50:23 | 0:50:28 | |
which was very unusual for Georgie, cos he was such a placid person. | 0:50:28 | 0:50:32 | |
He basically smashed the place up, and I let him do it. | 0:50:32 | 0:50:37 | |
I said to him, "Georgie, if you think by acting like that | 0:50:39 | 0:50:44 | |
"I'm going to pack my bags and leave you, | 0:50:44 | 0:50:47 | |
"you've another think coming." | 0:50:47 | 0:50:50 | |
I says, "Because no matter how angry you get, or no matter | 0:50:50 | 0:50:53 | |
"how much you destroy our home, I hope you do realise, | 0:50:53 | 0:50:56 | |
"I'm not going anywhere." | 0:50:56 | 0:50:59 | |
With the epidemic breathing down their necks, and fear everywhere, | 0:50:59 | 0:51:02 | |
people tried to get on with normal life. | 0:51:02 | 0:51:05 | |
One day, Georgie and I left here to go up to IKEA. | 0:51:06 | 0:51:11 | |
And Georgie had walked off to look at blinds, | 0:51:11 | 0:51:14 | |
and out of the side of my eye, all I could see from where I was standing | 0:51:14 | 0:51:17 | |
was that Georgie was having some kind of seizure. | 0:51:17 | 0:51:20 | |
I'd never seen it before in my life. | 0:51:20 | 0:51:22 | |
I'd known Georgie since he was a kid. | 0:51:22 | 0:51:25 | |
He's never had a seizure. | 0:51:25 | 0:51:27 | |
And for the next six months, | 0:51:27 | 0:51:29 | |
he was probably having 40 to 50 seizures a day. | 0:51:29 | 0:51:34 | |
Just before he died, | 0:51:34 | 0:51:35 | |
Georgie was filmed for a television documentary about living with AIDS. | 0:51:35 | 0:51:39 | |
But the interview was never used. | 0:51:39 | 0:51:41 | |
And this is the first time it has been seen. | 0:51:41 | 0:51:44 | |
You can make yourself a prisoner within yourself. | 0:51:44 | 0:51:47 | |
That's what I think I've done sometimes, you know? | 0:51:47 | 0:51:50 | |
All my fears, I was keeping them to myself, | 0:51:50 | 0:51:52 | |
and I should have been talking to other people. | 0:51:52 | 0:51:55 | |
And people... Everybody's in the same boat, you know? | 0:51:55 | 0:51:58 | |
There's nothing to be frightened of. | 0:51:58 | 0:52:01 | |
I think the only way to deal with fear is to face it. | 0:52:01 | 0:52:04 | |
When I go to bed at night with Georgie, | 0:52:09 | 0:52:11 | |
the last thing he does is give me a kiss. | 0:52:11 | 0:52:14 | |
And he says to me... | 0:52:14 | 0:52:16 | |
"..Maybe tomorrow, Frankie, I'll be a bit better." | 0:52:17 | 0:52:20 | |
And I swore that nobody, nobody... | 0:52:22 | 0:52:26 | |
..would ever take that hope away from him. | 0:52:27 | 0:52:31 | |
So I say to everybody, | 0:52:33 | 0:52:35 | |
we all know Georgie's dying when he tells us... | 0:52:35 | 0:52:39 | |
..he's dying. | 0:52:42 | 0:52:43 | |
And he told me the night before he died. | 0:52:44 | 0:52:47 | |
AIDS left a huge chasm in the lives of thousands of people. | 0:52:52 | 0:52:56 | |
There was little sympathy on offer, | 0:52:56 | 0:52:58 | |
and those that were left were often isolated, | 0:52:58 | 0:53:01 | |
grieving their loved ones alone. | 0:53:01 | 0:53:03 | |
Over in America, | 0:53:05 | 0:53:07 | |
a simple but brilliant idea caught hold as a way to remember the dead. | 0:53:07 | 0:53:11 | |
People would take a piece of fabric and sew a memorial | 0:53:11 | 0:53:14 | |
for those they had lost. | 0:53:14 | 0:53:16 | |
Some were happy, some were sad, some subtle, | 0:53:16 | 0:53:18 | |
some joyous and flamboyant. | 0:53:18 | 0:53:21 | |
This panel would then be added to other panels | 0:53:21 | 0:53:24 | |
to form a huge patchwork quilt of memories, loss and love. | 0:53:24 | 0:53:28 | |
It is treated as a national memorial, | 0:53:28 | 0:53:31 | |
travelling the country and displayed in Washington, DC. | 0:53:31 | 0:53:34 | |
The surprise is that in the UK | 0:53:34 | 0:53:37 | |
we have our own AIDS memorial quilt, too. | 0:53:37 | 0:53:41 | |
However, its fate has been very different. | 0:53:41 | 0:53:44 | |
The quilt was packed up | 0:53:44 | 0:53:46 | |
and a brilliant volunteer offered to house the quilt | 0:53:46 | 0:53:49 | |
in her garage in the north-east, | 0:53:49 | 0:53:52 | |
and this brilliant volunteer kept the quilt safe for ten years. | 0:53:52 | 0:53:56 | |
And thank God she did. | 0:53:56 | 0:53:58 | |
She had some kind of house fire, everyone was OK. | 0:53:59 | 0:54:03 | |
Gosh, you know, what would have happened | 0:54:03 | 0:54:06 | |
if the UK AIDS Memorial Quilt had gone up in flames? | 0:54:06 | 0:54:09 | |
In 1994, | 0:54:09 | 0:54:10 | |
the 384 panels of the UK quilt were laid out in Hyde Park in London. | 0:54:10 | 0:54:16 | |
They covered nearly 7,000 square feet. | 0:54:16 | 0:54:18 | |
It was a moment for people across the country to come together | 0:54:18 | 0:54:22 | |
and take in the magnitude of what AIDS had done. | 0:54:22 | 0:54:26 | |
The quilt has a really powerful message about resilience | 0:54:26 | 0:54:30 | |
and about hope, | 0:54:30 | 0:54:32 | |
and about the fact that we will overcome | 0:54:32 | 0:54:34 | |
some of the worst times of our lives. | 0:54:34 | 0:54:37 | |
And some of us will survive. | 0:54:37 | 0:54:40 | |
We'll lose people along the way, but actually... | 0:54:40 | 0:54:43 | |
..humans survive. | 0:54:45 | 0:54:46 | |
Michelle was working for an HIV charity which took in the quilt | 0:54:48 | 0:54:52 | |
when it was homeless ten years ago. | 0:54:52 | 0:54:54 | |
They wanted it to live again | 0:54:54 | 0:54:56 | |
and arranged an exhibition in Manchester in 2007. | 0:54:56 | 0:55:00 | |
One day during the show, a woman approached Michelle | 0:55:00 | 0:55:02 | |
searching for a panel she had made for a beloved friend. | 0:55:02 | 0:55:07 | |
She took my hand and she put these little bells in my hand | 0:55:07 | 0:55:10 | |
and I kind of closed my hand over it and she said, "I haven't... | 0:55:10 | 0:55:14 | |
"I meant to sew these on to the panel. | 0:55:14 | 0:55:17 | |
"I never got time to do it before it got sent off. | 0:55:17 | 0:55:21 | |
"So I just want to reunite them with Paul's panel." | 0:55:21 | 0:55:25 | |
The show in Manchester ten years ago was the last time | 0:55:27 | 0:55:30 | |
the entire UK AIDS Memorial Quilt was out on display. | 0:55:30 | 0:55:34 | |
After that, the quilt was boxed up and, for the last few years, | 0:55:34 | 0:55:38 | |
has been locked in a storage unit in the south-east of England. | 0:55:38 | 0:55:41 | |
Familiar bags. | 0:55:42 | 0:55:44 | |
To mark World AIDS Day, | 0:55:44 | 0:55:46 | |
a few of the panels are going on display at St Paul's Cathedral | 0:55:46 | 0:55:49 | |
and have been brought up to London. | 0:55:49 | 0:55:51 | |
Michelle is hoping to see the stranger's court jester panel | 0:55:51 | 0:55:54 | |
for the first time in ten years. | 0:55:54 | 0:55:57 | |
I used to haul these around with lots of volunteers and staff. | 0:55:57 | 0:56:01 | |
I wonder where it is. | 0:56:04 | 0:56:06 | |
Let's see. | 0:56:07 | 0:56:09 | |
Is it you? | 0:56:09 | 0:56:10 | |
So, let's see. | 0:56:15 | 0:56:17 | |
They're very heavy, you know, they're kind of weighty objects. | 0:56:17 | 0:56:23 | |
I... I've just heard a bell. | 0:56:23 | 0:56:24 | |
Have to be very careful. | 0:56:26 | 0:56:28 | |
There's our court jester. | 0:56:30 | 0:56:32 | |
How are you doing? | 0:56:33 | 0:56:34 | |
-Paul. -BELLS JINGLE | 0:56:36 | 0:56:37 | |
And there's the bells on his shoes. | 0:56:43 | 0:56:46 | |
Wow. | 0:56:47 | 0:56:49 | |
People from across the country are coming together | 0:57:02 | 0:57:05 | |
to remember those they have lost, | 0:57:05 | 0:57:06 | |
or to see this precious piece of our history at first hand | 0:57:06 | 0:57:10 | |
before it goes back into storage and an uncertain future. | 0:57:10 | 0:57:13 | |
When I think of a quilt, I think of something that is warming, | 0:57:20 | 0:57:23 | |
that you go under for protection, for cover, | 0:57:23 | 0:57:26 | |
Mum tucks you in bed at night. | 0:57:26 | 0:57:28 | |
First time seeing these panels up close and personal, | 0:57:30 | 0:57:34 | |
it's weird. Quite goosebump-y at the moment, to be honest. | 0:57:34 | 0:57:37 | |
From bells and photographs to fabric and words, | 0:57:39 | 0:57:43 | |
it's a fragile artefact from an extraordinary time. | 0:57:43 | 0:57:46 | |
It's hard to believe that AIDS came | 0:57:49 | 0:57:51 | |
barely 20 years after the optimism of 1967, | 0:57:51 | 0:57:54 | |
when in that time LGBT people | 0:57:54 | 0:57:56 | |
had gone from living isolated and fearful lives | 0:57:56 | 0:58:00 | |
and building a community that came together when it mattered most. | 0:58:00 | 0:58:05 | |
To me, the quilt says it all. | 0:58:07 | 0:58:09 | |
People's memories stitched together to tell one story. | 0:58:09 | 0:58:13 | |
Fragile, diverse, extraordinary. | 0:58:13 | 0:58:15 | |
A bit like LGBT history itself. | 0:58:15 | 0:58:18 | |
You can make yourself a prisoner within yourself. | 0:58:26 | 0:58:29 | |
All my fears, I was keeping them to myself | 0:58:29 | 0:58:32 | |
and I should have been talking to other people. | 0:58:32 | 0:58:34 | |
And people... Everybody's in the same boat, you know. | 0:58:34 | 0:58:38 | |
There's nothing to be frightened of. | 0:58:38 | 0:58:39 | |
There are people out there that care, you know? | 0:58:39 | 0:58:42 | |
You've got to look for them. | 0:58:42 | 0:58:45 | |
Next week, how two kisses on our screens rocked the world. | 0:58:48 | 0:58:52 | |
Explore more about Britain's LGBT history and how things have changed. | 0:58:52 | 0:58:56 | |
Go to the website on screen | 0:58:56 | 0:58:58 | |
and follow the links to the Open University. | 0:58:58 | 0:59:01 | |
# No need to run and hide | 0:59:01 | 0:59:04 | |
# It's a wonderful, wonderful life | 0:59:04 | 0:59:08 | |
# No need to laugh and cry | 0:59:08 | 0:59:13 | |
# It's a wonderful, wonderful life | 0:59:13 | 0:59:18 | |
# The sun's in your eyes... # | 0:59:20 | 0:59:22 |