Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some scenes of a sexual nature | 0:00:02 | 0:00:04 | |
I think it shouldn't be allowed on the street. | 0:00:04 | 0:00:06 | |
I think it's disgusting, to be quite frank with you. | 0:00:06 | 0:00:08 | |
I think man ought to go with a woman and woman ought to go with a man. | 0:00:08 | 0:00:12 | |
Every so often, the world changes beyond our wildest dreams. | 0:00:12 | 0:00:15 | |
The past 50 years has been an incredible journey for lesbian, gay, | 0:00:15 | 0:00:19 | |
bisexual, transgender and queer people in Britain. | 0:00:19 | 0:00:22 | |
We've gone from being thrown in jail for loving someone for a single night... | 0:00:22 | 0:00:27 | |
..to walking down the aisle with that very same person. | 0:00:27 | 0:00:30 | |
In this series, ordinary people from across the country | 0:00:32 | 0:00:36 | |
have been digging out and sharing with us the mementos that mark this | 0:00:36 | 0:00:40 | |
transformation and have changed their lives. | 0:00:40 | 0:00:44 | |
This is my Navy-issue suitcase. | 0:00:44 | 0:00:46 | |
That's me at the front corner. | 0:00:46 | 0:00:48 | |
The result is a crowd-sourced collection of some of the rarest, | 0:00:48 | 0:00:52 | |
most personal, most heartbreaking and inspiring artefacts in our history. | 0:00:52 | 0:00:59 | |
They came in and said, get up, get dressed, get downstairs. | 0:00:59 | 0:01:01 | |
You're under arrest. | 0:01:01 | 0:01:03 | |
Together, they tell the story of an extraordinary 50 years. | 0:01:03 | 0:01:07 | |
For the first time in my life, I was, like, oh, my God, I'm home! | 0:01:07 | 0:01:12 | |
We knew right from our first kiss that we would always be together. | 0:01:12 | 0:01:16 | |
It's the story of all of us. | 0:01:16 | 0:01:17 | |
The people we loved and the people we sometimes hated. | 0:01:17 | 0:01:20 | |
It was a dangerous and frightening time, | 0:01:22 | 0:01:24 | |
but it taught you how to be alive. | 0:01:24 | 0:01:27 | |
It's the story of my life. | 0:01:27 | 0:01:28 | |
And mine. | 0:01:28 | 0:01:30 | |
Tonight, we're in the era when pop culture moved the LGBTQ story | 0:01:30 | 0:01:35 | |
from the fringes into the mainstream. | 0:01:35 | 0:01:37 | |
That is George Michael's signature, and after that, | 0:01:37 | 0:01:41 | |
George gave me a kiss, so I'll never forget that night. | 0:01:41 | 0:01:44 | |
When a kiss, song or a concert gave hope to millions living in isolation. | 0:01:45 | 0:01:50 | |
I felt this extraordinary sense of connection with the community. | 0:01:50 | 0:01:55 | |
I don't care what you say, this is my life and this is the way I'm | 0:01:55 | 0:01:58 | |
going to lead it. | 0:01:58 | 0:01:59 | |
So, unfurl a Pride banner. | 0:02:04 | 0:02:06 | |
Wedge open that closet door. | 0:02:06 | 0:02:07 | |
And settle in for The People's History Of LGBTQ Britain. | 0:02:07 | 0:02:11 | |
One bag, here! Hello, mate. | 0:02:23 | 0:02:25 | |
# Never felt like this until I kissed ya... # | 0:02:25 | 0:02:29 | |
It started with a kiss in the most unlikely of places. | 0:02:29 | 0:02:34 | |
BBC One, 17th of November 1987, EastEnders. | 0:02:36 | 0:02:41 | |
And 14 million people were watching. | 0:02:43 | 0:02:45 | |
Now look, I don't want to get into an argument with you, | 0:02:53 | 0:02:55 | |
but promise me you'll take the day off and I'll ring you lunchtime, OK? | 0:02:55 | 0:02:58 | |
I won't know what the score is until I get there. | 0:02:58 | 0:03:00 | |
Is that it, I hear you say? | 0:03:00 | 0:03:02 | |
Blink and you'd miss it, | 0:03:02 | 0:03:05 | |
but in 1987, two men kissing on mainstream TV, this was big. | 0:03:05 | 0:03:10 | |
I watched it at home surrounded by my family and I was terrified they | 0:03:13 | 0:03:17 | |
might catch me enjoying the storyline. | 0:03:17 | 0:03:19 | |
Let's face it, they didn't know that I was gay and I certainly wasn't | 0:03:19 | 0:03:22 | |
going to give it away. In fact, this was the look on my face. | 0:03:22 | 0:03:25 | |
That is me pretending not to enjoy something, but inside, | 0:03:27 | 0:03:30 | |
I was doing cartwheels! | 0:03:30 | 0:03:32 | |
Are you trying to tell me that you and Colin are... | 0:03:32 | 0:03:34 | |
..homosexuals? | 0:03:35 | 0:03:37 | |
Sure. Didn't you know? | 0:03:37 | 0:03:38 | |
I'm sorry, Barry, but I'll have to give you your keys back. | 0:03:38 | 0:03:41 | |
While Dot might not have liked it, the EastEnders kiss was a small, | 0:03:44 | 0:03:47 | |
but hugely significant moment. | 0:03:47 | 0:03:50 | |
It exposed a divided Britain. | 0:03:50 | 0:03:52 | |
There were those who thought it was high time | 0:03:53 | 0:03:55 | |
real gay relationships were reflected on TV | 0:03:55 | 0:03:57 | |
and then there were those who thought, "no, thanks." | 0:03:57 | 0:04:01 | |
So far we've had over 20 calls from viewers who thought it was disgusting. | 0:04:02 | 0:04:06 | |
They include Mrs Margaret Palmer, | 0:04:06 | 0:04:08 | |
who says her children will not be allowed to watch it again, | 0:04:08 | 0:04:11 | |
Mrs Grace Bullock from Bamburgh, who thought it was absolutely disgusting, | 0:04:11 | 0:04:14 | |
Mandy Gumson from Liverpool didn't agree with it and | 0:04:14 | 0:04:17 | |
Robert Head thought it was repugnant. | 0:04:17 | 0:04:19 | |
At the same time Colin and Barry were kissing on EastEnders, | 0:04:21 | 0:04:24 | |
a storm was raging over a school book that showed a little girl | 0:04:24 | 0:04:29 | |
living with her dad and his gay lover. | 0:04:29 | 0:04:32 | |
DOOR BELL RINGS | 0:04:32 | 0:04:34 | |
Come in. I think I've got something to show you. | 0:04:37 | 0:04:41 | |
When Austin Allen heard about the scandal, | 0:04:43 | 0:04:45 | |
he was curious and went out and bought the infamous book. | 0:04:45 | 0:04:49 | |
30 years on, he still has his original copy. | 0:04:49 | 0:04:52 | |
This is Jenny Lives With Eric And Martin. | 0:04:55 | 0:05:00 | |
Are you sitting comfortably? | 0:05:00 | 0:05:02 | |
Then I'll begin. | 0:05:02 | 0:05:03 | |
It is Saturday. | 0:05:05 | 0:05:07 | |
Jenny opens her eyes. | 0:05:07 | 0:05:09 | |
She looks over to the curtains. | 0:05:09 | 0:05:11 | |
Yes, the sun is shining outside. | 0:05:11 | 0:05:15 | |
Dad, Dad! | 0:05:15 | 0:05:17 | |
Wake up! | 0:05:17 | 0:05:18 | |
This schoolbook was an attempt to teach children | 0:05:20 | 0:05:22 | |
about gay and lesbian families. | 0:05:22 | 0:05:25 | |
But for large parts of the press and the Conservative government, | 0:05:29 | 0:05:33 | |
it was nothing short of a homosexual recruiting manual. | 0:05:33 | 0:05:37 | |
It was quickly dubbed "the sickest book in Britain". | 0:05:37 | 0:05:39 | |
Children who need to be taught to respect traditional moral values are | 0:05:41 | 0:05:45 | |
being taught that they have an inalienable right to be gay. | 0:05:45 | 0:05:49 | |
For Thatcher and her government, this was their evidence that we were | 0:05:51 | 0:05:57 | |
going too far and this was perfect to feed their homophobia. | 0:05:57 | 0:06:02 | |
The government saw this children's book as part of a worrying rise in | 0:06:04 | 0:06:08 | |
the visibility and acceptance of lesbian and gay lifestyles. | 0:06:08 | 0:06:12 | |
This was the atmosphere in which Austin started a teaching job in Bradford. | 0:06:12 | 0:06:18 | |
I'd been teaching there for a while and I suppose some of the older | 0:06:18 | 0:06:21 | |
children were curious and simply asked me if I was gay. | 0:06:21 | 0:06:27 | |
And I answered honestly and said, "Yes, that's right, I am gay." | 0:06:27 | 0:06:32 | |
The next day, a teacher came into the classroom and asked me to go to | 0:06:35 | 0:06:40 | |
the head teacher's office. | 0:06:40 | 0:06:41 | |
So I went down to his study and he basically sacked me. | 0:06:42 | 0:06:48 | |
He sacked me not, as he said, because I was gay, | 0:06:48 | 0:06:53 | |
but because the children and pupils had found out that I was gay and | 0:06:53 | 0:06:57 | |
therefore my credibility as a teacher had plummeted to zero, | 0:06:57 | 0:07:03 | |
which, of course, I knew it hadn't. | 0:07:03 | 0:07:05 | |
When I got home, | 0:07:08 | 0:07:10 | |
I rang a very good friend of mine to tell him what had happened to me. | 0:07:10 | 0:07:15 | |
He said, "I was about to ring you to ask you if you'd seen Newsnight | 0:07:15 | 0:07:21 | |
"last night because apparently there has been | 0:07:21 | 0:07:24 | |
"some new legislation introduced into Parliament." | 0:07:24 | 0:07:29 | |
The proposed legislation was known as Clause 28. | 0:07:30 | 0:07:33 | |
It was an attempt by the government to stop what they saw as the | 0:07:33 | 0:07:37 | |
promotion of homosexuality in schools, | 0:07:37 | 0:07:40 | |
but it didn't stop in the classroom. | 0:07:40 | 0:07:43 | |
The legislation also suggested that gay and lesbian relationships were unnatural. | 0:07:43 | 0:07:48 | |
It says that homosexuality really is unacceptable. | 0:07:50 | 0:07:54 | |
It actually makes homosexuals, lesbians and gay men second-rate citizens. | 0:07:54 | 0:08:00 | |
20 years after the historic change of 1967 when homosexuality was | 0:08:02 | 0:08:07 | |
decriminalised, this felt like a huge step backwards. | 0:08:07 | 0:08:11 | |
The fight against this new clause would become one of the defining | 0:08:12 | 0:08:16 | |
moments in LGBTQ history. | 0:08:16 | 0:08:18 | |
As a young gay man, I didn't really mix with lesbians. | 0:08:19 | 0:08:22 | |
In fact, in the '70s and '80s, some gay men were quite separatist, | 0:08:22 | 0:08:26 | |
even a little bit sexist. | 0:08:26 | 0:08:28 | |
But all that was about to change. | 0:08:28 | 0:08:31 | |
Clause 28 meant we forgot all about our disagreements with the menfolk, | 0:08:31 | 0:08:35 | |
as lesbians were up for a fight, too. | 0:08:35 | 0:08:38 | |
# Tell me why... # | 0:08:40 | 0:08:44 | |
CHANTING | 0:08:45 | 0:08:48 | |
-REPORTER: -It was the biggest demonstration Manchester has seen. | 0:08:48 | 0:08:51 | |
The procession stretched for nearly two miles around the city streets. | 0:08:51 | 0:08:55 | |
On the 20th February 1988, | 0:08:56 | 0:08:59 | |
20,000 people from all over Britain travelled to Manchester to chant, | 0:08:59 | 0:09:04 | |
sing and knock out a tune. | 0:09:04 | 0:09:06 | |
Equal rights! | 0:09:06 | 0:09:08 | |
Equal rights! | 0:09:08 | 0:09:11 | |
Louise Carolin was just 21 when she travelled up from Cambridge and | 0:09:11 | 0:09:15 | |
she's kept a precious and personal memento from that historic day. | 0:09:15 | 0:09:19 | |
I've got a recording that I made with a friend on the demonstration | 0:09:23 | 0:09:30 | |
in Manchester and I haven't listened to it for 20 years. | 0:09:30 | 0:09:34 | |
This is the Bigot's Bootleg, which is what we named our recording. | 0:09:36 | 0:09:40 | |
What do we want? Equal rights! When do we want it? Now! | 0:09:41 | 0:09:44 | |
It really brings it all back. | 0:09:59 | 0:10:00 | |
It was really personal because, you know, that legislation was about | 0:10:02 | 0:10:06 | |
protecting the children and this idea that we | 0:10:06 | 0:10:09 | |
were somehow a threat to the children, it was so toxic, you know? | 0:10:09 | 0:10:14 | |
So although we were angry and although we felt threatened, | 0:10:14 | 0:10:17 | |
Section 28 actually brought the community together and, you know, | 0:10:17 | 0:10:22 | |
kind of galvanised people. | 0:10:22 | 0:10:23 | |
At the time of the march, Louise was working for Shocking Pink, | 0:10:26 | 0:10:29 | |
the first magazine made by and for young women to offer readers | 0:10:29 | 0:10:34 | |
positive images of lesbian lives. | 0:10:34 | 0:10:36 | |
We made the tape because we wanted to do an article in the magazine. | 0:10:36 | 0:10:40 | |
Shall I show you? | 0:10:40 | 0:10:41 | |
So this is Shocking Pink, the one that had the article in, | 0:10:45 | 0:10:48 | |
and I think the cover gives quite a good idea of what it's like inside. | 0:10:48 | 0:10:52 | |
For this issue, we did this thing, because we used to sell it on | 0:10:52 | 0:10:55 | |
marches like this. Shocking Pink, Shocking Pink, | 0:10:55 | 0:10:57 | |
and if people kind of sneered and said, "No, no, I don't think so," | 0:10:57 | 0:11:00 | |
we'd spin it over and go, bride? | 0:11:00 | 0:11:02 | |
And sometimes we got sales from that. | 0:11:02 | 0:11:05 | |
That's the spread that we created. | 0:11:05 | 0:11:07 | |
We've just transcribed some of the interviews from the march. | 0:11:07 | 0:11:10 | |
Ah, now, look, there's lovely Sue Johnson who played Sheila Grant | 0:11:10 | 0:11:14 | |
on Brookside and she gave a really impassioned speech. | 0:11:14 | 0:11:16 | |
When I first heard about Clause 28, | 0:11:17 | 0:11:21 | |
I thought about Hitler's burning of the books. | 0:11:21 | 0:11:23 | |
We've got the crowd response with roars of, | 0:11:23 | 0:11:25 | |
"Sheila! Sheila! Sheila!" | 0:11:25 | 0:11:27 | |
-CROWD: -Sheila! Sheila! Sheila!" | 0:11:27 | 0:11:29 | |
We were so hungry for affirmation, for people to say, you know, this is wrong. | 0:11:31 | 0:11:36 | |
Geoff and Peter travelled up from Shrewsbury to join the thousands | 0:11:40 | 0:11:44 | |
protesting in Manchester. | 0:11:44 | 0:11:45 | |
So, let's have a look upstairs, cos this is where all the gubbins is. | 0:11:47 | 0:11:51 | |
Up here in the attic is a room full of memories. | 0:11:52 | 0:11:56 | |
This is a short-lived organisation called | 0:11:56 | 0:11:58 | |
Organisation For Lesbian And Gay Action and this banner, | 0:11:58 | 0:12:06 | |
Shropshire Olga, was made the night before the march. | 0:12:06 | 0:12:08 | |
Not terribly brilliantly, but it is eye-catching. | 0:12:08 | 0:12:12 | |
Geoff and Peter marched that day because Clause 28 said lesbian or | 0:12:15 | 0:12:20 | |
gay families were just pretend ones, they weren't real. | 0:12:20 | 0:12:24 | |
Only the heterosexual family was normal. | 0:12:24 | 0:12:27 | |
Yeah, well our son Liam was born in 1988, so we were looking ahead to, | 0:12:27 | 0:12:33 | |
you know, this is going to be law. | 0:12:33 | 0:12:35 | |
We've brought a child into this world who is going to be part of a | 0:12:36 | 0:12:39 | |
pretended family, as far as the government's concerned. | 0:12:39 | 0:12:41 | |
What's that going to do for him? | 0:12:41 | 0:12:43 | |
MUSIC: Never Tear Us Apart by INXS | 0:12:43 | 0:12:48 | |
I do love the of the reflection of the water. | 0:12:50 | 0:12:52 | |
-It is nice, isn't it? -Yeah. | 0:12:52 | 0:12:54 | |
It's heart-wrenching to think that somebody might see you as lesser | 0:12:57 | 0:13:00 | |
or different because of who your parents are. | 0:13:00 | 0:13:02 | |
My family's special. | 0:13:05 | 0:13:06 | |
You couldn't tell me my family isn't a real family, you know what I mean? | 0:13:08 | 0:13:12 | |
The love, the guidance, the everything, | 0:13:12 | 0:13:17 | |
everything that should be there is there and yeah, | 0:13:17 | 0:13:20 | |
I wouldn't trade that for anything. | 0:13:20 | 0:13:21 | |
Opposition to the clause wasn't just coming from within the gay community. | 0:13:27 | 0:13:31 | |
High-profile members of the public started to join the fight. | 0:13:31 | 0:13:35 | |
Artists and celebrities who feared the legislation would gag their | 0:13:36 | 0:13:39 | |
freedom of expression. | 0:13:39 | 0:13:41 | |
If the wrong people use Clause 28, | 0:13:43 | 0:13:46 | |
as they can use it, to victimise homosexuals, | 0:13:46 | 0:13:50 | |
to stop certain plays being performed, to stop certain films | 0:13:50 | 0:13:54 | |
being shown, then it means yet another loss of liberty. | 0:13:54 | 0:13:57 | |
The funny thing about this period was that some of my heroes started | 0:14:00 | 0:14:04 | |
to openly reveal themselves. | 0:14:04 | 0:14:06 | |
Stephen Fry, Sir Ian McKellen, Neil Tennant from the Pet Shop Boys. | 0:14:06 | 0:14:10 | |
Actors, pop stars, comedians. | 0:14:10 | 0:14:13 | |
These people are not afraid to stand up and say, | 0:14:13 | 0:14:15 | |
"You know what? We know who we are. We're not second-class citizens. | 0:14:15 | 0:14:19 | |
"We've got nothing to be ashamed of." | 0:14:19 | 0:14:21 | |
And do you know what? They did something about it. | 0:14:21 | 0:14:24 | |
So for someone like me, growing up in isolation at home and amongst my | 0:14:24 | 0:14:28 | |
friends, it was a revelation and a lifeline. | 0:14:28 | 0:14:30 | |
MUSIC: West End Girls By Pet Shop Boys | 0:14:30 | 0:14:32 | |
And on one magical night in 1988, here at the Piccadilly Theatre, | 0:14:36 | 0:14:41 | |
the greatest British stars of a generation gathered for an evening | 0:14:41 | 0:14:44 | |
of entertainment, celebrating lesbian and gay culture. | 0:14:44 | 0:14:48 | |
I've been doing my washing today. | 0:14:51 | 0:14:53 | |
I haven't got a stitch on, except my shoes. | 0:14:53 | 0:14:56 | |
I'm all in the rude under this dress. | 0:14:58 | 0:15:00 | |
Working backstage was a 26-year-old Ian Elmslie. | 0:15:03 | 0:15:07 | |
Ian, what important memorabilia have you brought to show us today? | 0:15:09 | 0:15:12 | |
I've brought along a programme for Before The Act, | 0:15:12 | 0:15:16 | |
which was presented in this absolutely magnificent theatre. | 0:15:16 | 0:15:20 | |
Packed to the rafters, unfilmed. | 0:15:20 | 0:15:23 | |
If you weren't here, you missed it. | 0:15:23 | 0:15:25 | |
And every piece of work presented in the evening had been written by a | 0:15:25 | 0:15:28 | |
-gay man or lesbian. -Everything? | 0:15:28 | 0:15:30 | |
Everything. Every single piece of work, every piece of music, every | 0:15:30 | 0:15:33 | |
song, every extract from a play. | 0:15:33 | 0:15:35 | |
But not necessarily the performers? | 0:15:35 | 0:15:36 | |
No, no, no, we let the straights in. | 0:15:36 | 0:15:38 | |
LAUGHTER | 0:15:38 | 0:15:40 | |
We had Vanessa Redgrave there, Judi Dench. | 0:15:40 | 0:15:43 | |
Pinter was there. Sheila Hancock was there, | 0:15:43 | 0:15:45 | |
which was a huge thrill for me. | 0:15:45 | 0:15:47 | |
Gary Oldman was there, and this is an autograph from | 0:15:47 | 0:15:51 | |
Neil Tennant and Chris Lowe, better known as the Pet Shop Boys. | 0:15:51 | 0:15:54 | |
This was the first time that they'd ever played live in front of an | 0:15:54 | 0:15:57 | |
audience, but because all the material for the evening was written | 0:15:57 | 0:16:01 | |
by a gay man or lesbian, the fact that they did one of their own | 0:16:01 | 0:16:05 | |
songs, It Couldn't Happen Here, informed the audience watching that | 0:16:05 | 0:16:09 | |
this was written by a gay man. | 0:16:09 | 0:16:11 | |
So you just go, "Oh, right, OK." | 0:16:11 | 0:16:13 | |
Welcome to the club. We always knew you had it in you. | 0:16:13 | 0:16:16 | |
MUSIC: It Couldn't Happen Here by Pet Shop Boys | 0:16:16 | 0:16:19 | |
Alan Bennett came out that evening. | 0:16:25 | 0:16:28 | |
Stephen Fry came out that evening. | 0:16:28 | 0:16:31 | |
That's quite powerful, isn't it? | 0:16:31 | 0:16:33 | |
-Enormously. -It just reminded you that you're not alone. | 0:16:33 | 0:16:35 | |
You've got this huge army of talent and support, and a voice. | 0:16:35 | 0:16:40 | |
And to see people that you admire, you admire their work, | 0:16:40 | 0:16:43 | |
who now actually come out of their comfort zone in a way. | 0:16:43 | 0:16:46 | |
-Yeah. -You could not witness an evening like this and not be | 0:16:46 | 0:16:48 | |
empowered by what you had seen. | 0:16:48 | 0:16:50 | |
# Get up out of your rocking chair, grandma... # | 0:16:59 | 0:17:02 | |
Despite all this opposition, | 0:17:02 | 0:17:04 | |
the government was determined to press on with Section 28, | 0:17:04 | 0:17:08 | |
but on the 23rd of May 1988, the night before it became law, | 0:17:08 | 0:17:12 | |
there was one last memorable protest. | 0:17:12 | 0:17:15 | |
Good evening. The headlines at six o'clock. | 0:17:17 | 0:17:19 | |
-In the House of Lords... -Stop Section 28! | 0:17:19 | 0:17:21 | |
-..a vote is taking place now on a challenge to the poll tax. -Stop Section 28! | 0:17:21 | 0:17:24 | |
Tory rebels had said the tax is unfair and unpopular. | 0:17:24 | 0:17:28 | |
And I do apologise if you're hearing quite a lot of noise in this studio | 0:17:28 | 0:17:31 | |
at the moment. I'm afraid that we have rather been invaded by some people. | 0:17:31 | 0:17:36 | |
Lovely. Thanks very much. | 0:17:38 | 0:17:40 | |
We're protesting about rights for lesbian and gay people. | 0:17:40 | 0:17:43 | |
As if us lesbians haven't suffered enough. | 0:17:49 | 0:17:52 | |
Being sat on by Nicholas Witchell?! | 0:17:53 | 0:17:55 | |
I was at school when Section 28 became law. | 0:17:57 | 0:18:00 | |
It was quite a traditional Scottish school. | 0:18:00 | 0:18:02 | |
We didn't talk about emotions, never mind whether you were gay or not, | 0:18:02 | 0:18:06 | |
but inside I was seething. | 0:18:06 | 0:18:09 | |
I wasn't the only one. | 0:18:10 | 0:18:12 | |
It was a shock to the entire lesbian, gay, bi, trans and queer community. | 0:18:12 | 0:18:17 | |
All those protests had been in vain, | 0:18:17 | 0:18:21 | |
but as we moved into the 1990s, | 0:18:21 | 0:18:23 | |
there was a rethink by campaigners on how to fight for equality. | 0:18:23 | 0:18:26 | |
On the one hand, you had Stonewall, | 0:18:28 | 0:18:30 | |
a pressure group formed to politely meet and lobby those in power. | 0:18:30 | 0:18:33 | |
Diplomacy was its driving force. | 0:18:33 | 0:18:36 | |
There is a shift somewhere in Downing Street and I suspect | 0:18:36 | 0:18:40 | |
it's coming from the top. | 0:18:40 | 0:18:41 | |
And then you had those who took a more unorthodox approach. | 0:18:44 | 0:18:48 | |
They didn't want to meet politicians, didn't want to shake hands. | 0:18:48 | 0:18:51 | |
Far less saintly, they favoured flamboyant stunts. | 0:18:51 | 0:18:55 | |
I am Sister Frigidity of the Nocturnal Emission. | 0:18:56 | 0:19:00 | |
Sis Fridge for short. | 0:19:00 | 0:19:03 | |
WHISTLE BLOWS | 0:19:03 | 0:19:04 | |
In the bag is my nun's habit and all sorts of paraphernalia from my time | 0:19:04 | 0:19:10 | |
as a Sister Of Perpetual Indulgence and a member of Outrage. | 0:19:10 | 0:19:14 | |
Outrage was like Stonewall's badly behaved sister. | 0:19:18 | 0:19:22 | |
A grassroots movement formed of gay men and lesbians, it revelled in the | 0:19:22 | 0:19:26 | |
art of the spectacle. | 0:19:26 | 0:19:27 | |
A bit of fancy dress, add some camp and mix with street theatre. | 0:19:27 | 0:19:31 | |
Peter Tatchell was one of the group's co-founders and most | 0:19:33 | 0:19:36 | |
high-profile provocateurs. | 0:19:36 | 0:19:38 | |
We were two sides of Outrage, one was the positive aspect of | 0:19:38 | 0:19:43 | |
bringing a little excitement and enjoyment into people's life and the | 0:19:43 | 0:19:47 | |
other one was to challenge the homophobia which | 0:19:47 | 0:19:50 | |
was rife in the 1990s. | 0:19:50 | 0:19:52 | |
I've got a dirty habit... | 0:19:54 | 0:19:56 | |
The habit allowed us to be very public about our sexuality. | 0:20:01 | 0:20:05 | |
You can't ignore a series of gay men in nun's habits walking down the street. | 0:20:08 | 0:20:15 | |
One of the things that I brought along was our Sis List, | 0:20:15 | 0:20:19 | |
which is a list of all the sisters, | 0:20:19 | 0:20:22 | |
so we've got Sister Ejaculata of the Imminent Spattering, | 0:20:22 | 0:20:27 | |
Sister Moses of the Parting Cheeks, Sister Ophelia Balls. | 0:20:27 | 0:20:31 | |
Is that enough for the moment? | 0:20:33 | 0:20:35 | |
# Sex, sex, sex, sex crime... # | 0:20:35 | 0:20:38 | |
Outrage were referred to as homosexual terrorists. | 0:20:40 | 0:20:43 | |
It was about going to where we saw the problem being | 0:20:44 | 0:20:48 | |
and making a noise about it, so we would go to police stations | 0:20:48 | 0:20:53 | |
and hand ourselves in as sex criminals. | 0:20:53 | 0:20:56 | |
MUSIC: Sexcrime (Nineteen Eighty-Four) By Eurhythmics | 0:20:56 | 0:21:01 | |
We were poking fun at the establishment, whatever it was, | 0:21:01 | 0:21:06 | |
because it was out of step with the time. | 0:21:06 | 0:21:08 | |
It's good looking back and thinking, | 0:21:10 | 0:21:12 | |
we were there and we did do something, we weren't quiet, | 0:21:12 | 0:21:15 | |
we were who we were. | 0:21:15 | 0:21:17 | |
I miss it. There were a lot of people that I miss | 0:21:18 | 0:21:21 | |
that have passed on | 0:21:21 | 0:21:23 | |
and it was an exciting time, it was a dangerous and frightening time, | 0:21:23 | 0:21:28 | |
but it taught you how to be alive. | 0:21:28 | 0:21:30 | |
Yeah. | 0:21:32 | 0:21:33 | |
In the '90s, you didn't have to wear a habit and call yourself | 0:21:39 | 0:21:42 | |
Sister Frigidity to upset the law. | 0:21:42 | 0:21:45 | |
Just being gay and having a night out could do the trick. | 0:21:45 | 0:21:48 | |
In fact, more gay men were arrested in 1990 then in 1966, | 0:21:50 | 0:21:54 | |
when homosexuality was still illegal. | 0:21:54 | 0:21:57 | |
A gay man can be arrested for importuning - | 0:21:59 | 0:22:01 | |
that is asking another man to go to bed with him, even if it is clear | 0:22:01 | 0:22:04 | |
that the other man wants to. | 0:22:04 | 0:22:06 | |
But while the law was still failing to come to terms with the times, | 0:22:08 | 0:22:12 | |
a vibrant and confident queer scene was blossoming. | 0:22:12 | 0:22:16 | |
And in 1991, a new type of gay bar opened in Soho. | 0:22:16 | 0:22:21 | |
It was called The Village and I used to drink there regularly. | 0:22:21 | 0:22:25 | |
This was one of the first places that had clear glass windows where | 0:22:28 | 0:22:32 | |
you could see in and outside. | 0:22:32 | 0:22:34 | |
"So?" I hear you cry. "That's how glass works." | 0:22:34 | 0:22:37 | |
Well, it was symbolic. | 0:22:37 | 0:22:39 | |
It meant you were no longer ashamed having to go to a bar | 0:22:39 | 0:22:43 | |
with darkened windows down a small alleyway. | 0:22:43 | 0:22:46 | |
It was very, very important. It meant we were going places. | 0:22:46 | 0:22:50 | |
There were also new gay clubs springing up all over the country | 0:22:53 | 0:22:56 | |
with alluring names like Joy, Flesh, and Love Muscle. | 0:22:56 | 0:23:00 | |
But there was one venue that came alive in the dead of night when | 0:23:03 | 0:23:07 | |
everything else was closing, that would go on to achieve legendary status. | 0:23:07 | 0:23:11 | |
It was called Trade, | 0:23:13 | 0:23:14 | |
and everyone was welcome, regardless of their sexuality, | 0:23:14 | 0:23:17 | |
social background or gender. | 0:23:17 | 0:23:20 | |
So, my flat is little bit like a nightclub, it's very psychedelic, | 0:23:22 | 0:23:27 | |
very colourful, it's quite kitsch, quite camp, a bit like me. | 0:23:27 | 0:23:32 | |
Bright Daffodil's piece of memorabilia isn't under her bed or | 0:23:34 | 0:23:39 | |
in the attic of her home. It IS her home. | 0:23:39 | 0:23:41 | |
Inspired by the club that changed her life. | 0:23:41 | 0:23:45 | |
So the bathroom in Turnmills, at Trade, was all this mosaic tiling | 0:23:47 | 0:23:51 | |
which I've mimicked in my own bathroom. | 0:23:51 | 0:23:55 | |
I've got my little Trade bathroom here and there's a kind of pop art | 0:23:55 | 0:23:59 | |
theme to the wallpaper, as well. | 0:23:59 | 0:24:02 | |
I've got funny lights flashing on so I can have, like, a disco bath. | 0:24:02 | 0:24:06 | |
MUSIC: Nightclubbing by Grace Jones | 0:24:06 | 0:24:12 | |
I grew up in Dudley, in the West Midlands. | 0:24:15 | 0:24:19 | |
There was absolutely no gay scene in Dudley whatsoever, I mean, | 0:24:19 | 0:24:24 | |
you would kind of get, like, beaten up for being remotely feminine. | 0:24:24 | 0:24:29 | |
And then one night, this big muscly knight in shining armour showed up | 0:24:30 | 0:24:35 | |
from London and he had a thing for pretty boys and he asked me | 0:24:35 | 0:24:40 | |
if I wanted to go to Trade when I finished work at six in the morning. | 0:24:40 | 0:24:44 | |
My God, that night changed my life. | 0:24:45 | 0:24:47 | |
Advertised as "the original all-night bender", | 0:24:50 | 0:24:53 | |
Trade was the first legal club in the UK to open all night long. | 0:24:53 | 0:24:57 | |
It launched the career of DJ Tony De Vit, | 0:24:57 | 0:25:00 | |
the godfather of hard house. | 0:25:00 | 0:25:03 | |
MUSIC PLAYS | 0:25:03 | 0:25:04 | |
I mean, it was packed and I can just see this sea of the most beautiful | 0:25:08 | 0:25:15 | |
people that I'd ever seen in my life and these were gay men but they | 0:25:15 | 0:25:19 | |
weren't the kind of gay men that I'd ever seen, | 0:25:19 | 0:25:23 | |
they were all like very macho, very brute, and I can hear this | 0:25:23 | 0:25:28 | |
boom-pam, boom-pam, boom-pam... | 0:25:28 | 0:25:31 | |
And everybody's kind of like rocking with the music | 0:25:31 | 0:25:34 | |
and it's kind of like... It's a vibration, you know? | 0:25:34 | 0:25:37 | |
For the first time in my life I was like, "Oh, my God, I'm home." | 0:25:38 | 0:25:42 | |
MUSIC PLAYS | 0:25:42 | 0:25:45 | |
You know, I used to get spat on in the street where I come from, | 0:25:47 | 0:25:50 | |
soup thrown over me, beaten up, I've had knives pulled on me, | 0:25:50 | 0:25:54 | |
guns pulled on me, and you know in Trade, I was treated like a human being, | 0:25:54 | 0:25:58 | |
I was treated with respect and I was celebrated for my queerness, you know. | 0:25:58 | 0:26:03 | |
And that means a lot to somebody who's come from darkness, | 0:26:03 | 0:26:06 | |
it was light, pure light. | 0:26:06 | 0:26:08 | |
MUSIC: Army Dreamers by Kate Bush | 0:26:09 | 0:26:12 | |
Trade was a place where we were encouraged to be open about our sexuality. | 0:26:12 | 0:26:16 | |
But, above ground in 1990s Britain, there were still many places where | 0:26:18 | 0:26:23 | |
that certainly wasn't the case. | 0:26:23 | 0:26:24 | |
The most antiquated of them all was Britain's armed services. | 0:26:27 | 0:26:32 | |
They were exempt from the 1967 | 0:26:32 | 0:26:34 | |
Decriminalisation Of Homosexuality Act | 0:26:34 | 0:26:36 | |
which meant that up to the year 2000, you could still be arrested | 0:26:36 | 0:26:40 | |
and court-martialed for being lesbian or gay. | 0:26:40 | 0:26:43 | |
Homosexuality and its practices are simply not compatible with service | 0:26:44 | 0:26:50 | |
life in the British Armed Forces. | 0:26:50 | 0:26:53 | |
Oh, God, this is too heavy. | 0:26:54 | 0:26:56 | |
I really shouldn't have put so much stuff in here. | 0:27:03 | 0:27:05 | |
Emma Riley has a treasure trove of memories from a life at sea. | 0:27:07 | 0:27:10 | |
This is my Navy-issue suitcase. | 0:27:12 | 0:27:14 | |
I don't think I've looked at this from more than, oh, I don't know, | 0:27:17 | 0:27:21 | |
18 and 20 years. | 0:27:21 | 0:27:22 | |
These are my service records. | 0:27:25 | 0:27:27 | |
Women's Royal Naval Service Certificate Of Service. | 0:27:27 | 0:27:29 | |
They thought I was five foot six which is not true, | 0:27:29 | 0:27:31 | |
I'm five foot seven. | 0:27:31 | 0:27:34 | |
Date of entry, 30th of July 1990. | 0:27:34 | 0:27:36 | |
I very, very distinctly remember the day that I signed the contract and | 0:27:37 | 0:27:43 | |
it's got all sorts of clauses on it but I read the one that was saying, | 0:27:43 | 0:27:47 | |
basically, homosexuality is incompatible with service life and I | 0:27:47 | 0:27:51 | |
read that quite a lot of times before I signed it, | 0:27:51 | 0:27:53 | |
but at the time I really felt that this is what I want to do, | 0:27:53 | 0:27:57 | |
this is what I believe I will be good at. | 0:27:57 | 0:28:00 | |
So I signed it and I got drafted to HMS Cornwall. | 0:28:00 | 0:28:03 | |
I was working in the com centre, the communication centre, | 0:28:06 | 0:28:09 | |
as a radio operator. | 0:28:09 | 0:28:11 | |
And we were the first batch of women to be on HMS Cornwall. | 0:28:13 | 0:28:16 | |
I very much enjoyed the work and I was good at it. | 0:28:18 | 0:28:21 | |
That's me at the front corner. | 0:28:24 | 0:28:26 | |
So, this is my parents. They were very proud. | 0:28:28 | 0:28:30 | |
For three years, Emma enjoyed Navy life. | 0:28:35 | 0:28:37 | |
She was class leader, and earmarked as officer potential. | 0:28:37 | 0:28:41 | |
Then a colleague told the Royal Navy police about Emma's sexuality. | 0:28:41 | 0:28:45 | |
One morning, at six o'clock, when I was asleep, | 0:28:47 | 0:28:50 | |
there was a knock on the door, and they basically came in and said, | 0:28:50 | 0:28:53 | |
"Get up, get dressed, get downstairs, you're under arrest." | 0:28:53 | 0:28:58 | |
And then they stood me outside, and said, | 0:28:58 | 0:28:59 | |
"We're going to search all of your belongings." | 0:28:59 | 0:29:02 | |
So they went through all my stuff, they confiscated letters, | 0:29:02 | 0:29:04 | |
they confiscated the Suede album, the original one, | 0:29:04 | 0:29:06 | |
which I eventually found out has two women kissing on the front. | 0:29:06 | 0:29:10 | |
A Julian Clary video, because, of course, | 0:29:10 | 0:29:12 | |
if you have a Julian Clary video, you must be gay. | 0:29:12 | 0:29:15 | |
And that's where they discharged me. | 0:29:17 | 0:29:19 | |
26th of November 1993. | 0:29:19 | 0:29:21 | |
Discharged shore. | 0:29:21 | 0:29:22 | |
So I had to go back home and tell my parents not only that I was being | 0:29:24 | 0:29:27 | |
thrown out of the Navy, I also had to come out to them, | 0:29:27 | 0:29:30 | |
because I hadn't actually said I was gay. | 0:29:30 | 0:29:31 | |
I was so terrified of how they were going to feel about it, | 0:29:34 | 0:29:38 | |
how disappointed they would be. | 0:29:38 | 0:29:39 | |
I'm extremely lucky, because they... | 0:29:41 | 0:29:42 | |
They were... | 0:29:44 | 0:29:45 | |
Excuse me. They were brilliant. | 0:29:45 | 0:29:47 | |
They were lovely. They were totally supportive of me, | 0:29:47 | 0:29:50 | |
and have been ever since and ever will be. | 0:29:50 | 0:29:52 | |
I am very lucky to have the parents that I have. | 0:29:52 | 0:29:55 | |
They said, "Don't worry, we love you." | 0:29:57 | 0:29:59 | |
MUSIC: To The End By Blur | 0:30:01 | 0:30:04 | |
Emma was one of hundreds kicked out of the Armed Forces every year | 0:30:07 | 0:30:10 | |
in the 1990s for being gay or lesbian. | 0:30:10 | 0:30:13 | |
The Army alone discharged 298 people in 1999 because of their sexuality. | 0:30:16 | 0:30:21 | |
# Well, you and I... # | 0:30:26 | 0:30:29 | |
But while our outdated institutions were looking to the past, | 0:30:30 | 0:30:34 | |
once again it was a bit of TV pop culture that in 1994 | 0:30:34 | 0:30:38 | |
was showing the reality of life. | 0:30:38 | 0:30:41 | |
# Looks like we've made it to the end... # | 0:30:41 | 0:30:46 | |
I'm going to tell you about the most exciting night of my life. | 0:30:47 | 0:30:51 | |
I was in my bleak student flat in Glasgow, | 0:30:51 | 0:30:53 | |
I was on my own in the kitchen. | 0:30:53 | 0:30:55 | |
On the table there was a tiny television. | 0:30:55 | 0:30:57 | |
Come here. | 0:31:00 | 0:31:03 | |
I can't tell you how exciting that still is to see. | 0:31:23 | 0:31:28 | |
It really is the most important moment in television in my entire life. | 0:31:28 | 0:31:33 | |
It was two attractive young women, | 0:31:33 | 0:31:35 | |
they were falling in love with each other. | 0:31:35 | 0:31:37 | |
They were best friends, there was unrequited love, | 0:31:37 | 0:31:40 | |
and then it came to fruition. | 0:31:40 | 0:31:41 | |
It gave hope to lesbians all around the country when Beth and Margaret first kissed. | 0:31:41 | 0:31:48 | |
It was truly exhilarating. | 0:31:49 | 0:31:51 | |
I remember sitting on my own thinking, maybe that could happen to me. | 0:31:51 | 0:31:55 | |
Maybe I can find love with somebody. | 0:31:55 | 0:31:58 | |
It is... | 0:31:58 | 0:32:00 | |
It still gives me chills to watch that. | 0:32:00 | 0:32:03 | |
All I can say is, "Thank you, Brookside." | 0:32:03 | 0:32:07 | |
MUSIC: Expectations by Belle and Sebastian | 0:32:07 | 0:32:10 | |
# Monday morning wake up knowing that you've got to go to school... # | 0:32:10 | 0:32:14 | |
Do you know, the funny thing about that incredible lesbian episode of Brookside | 0:32:14 | 0:32:20 | |
is that it was written by a guy called Shaun. | 0:32:20 | 0:32:23 | |
And he's in this cafe right here. | 0:32:23 | 0:32:26 | |
I don't know if you know this, but you're responsible for probably the | 0:32:36 | 0:32:39 | |
most exciting night of my entire life. | 0:32:39 | 0:32:42 | |
-I'm not aware of it. -And I don't suppose you had any idea at the time | 0:32:43 | 0:32:46 | |
it would be so amazing. | 0:32:46 | 0:32:48 | |
I think that's incredible, and that's what we wanted to do. | 0:32:48 | 0:32:51 | |
I know, for myself, when I was a teenager, growing up, | 0:32:51 | 0:32:54 | |
there weren't those role models. | 0:32:54 | 0:32:56 | |
I didn't have those moments. | 0:32:56 | 0:32:58 | |
There was nothing on screen that made me actually think, | 0:32:58 | 0:33:01 | |
"Do you know what? Maybe it is OK to be gay. | 0:33:01 | 0:33:04 | |
"Maybe being gay isn't a bad thing." | 0:33:04 | 0:33:06 | |
So, you know, the fact that it had such a positive impact on a lot of | 0:33:08 | 0:33:12 | |
young people at the time, is, you know, job well done. | 0:33:12 | 0:33:15 | |
In fact, as we're talking about that, I did bring some photographs. | 0:33:15 | 0:33:19 | |
This is post-lesbian kiss. | 0:33:19 | 0:33:21 | |
-There's me with Anna Friel. -That's you with Anna Friel! | 0:33:21 | 0:33:24 | |
I wish I'd been at that party. | 0:33:24 | 0:33:27 | |
After that, everyone wanted to go out with someone who looked like Anna Friel. | 0:33:27 | 0:33:31 | |
And if you didn't look like Anna Friel, which, | 0:33:31 | 0:33:33 | |
I'll be honest with you, I didn't look like Anna Friel, | 0:33:33 | 0:33:36 | |
it meant you were abandoned. | 0:33:36 | 0:33:37 | |
I feel quite bad about that. | 0:33:37 | 0:33:39 | |
Shaun grew up in Liverpool, on the Norris estate. | 0:33:42 | 0:33:45 | |
I kind of had my whole childhood stolen off me, really. | 0:33:47 | 0:33:51 | |
People saying, you know, "You're gay, queer," this and that, | 0:33:51 | 0:33:54 | |
and then physically beating you, spitting at you. | 0:33:54 | 0:33:57 | |
You know, gangs of people beating you up, | 0:33:57 | 0:34:00 | |
and telling you that is a disgusting, horrible thing. | 0:34:00 | 0:34:03 | |
Late at night, when my younger sister would be two, | 0:34:03 | 0:34:06 | |
three years old, asleep in bed, and there would just be bricks | 0:34:06 | 0:34:09 | |
coming through the window. | 0:34:09 | 0:34:11 | |
MUSIC: Rubber Ring By The Smiths | 0:34:11 | 0:34:14 | |
At the age of 16, Shaun discovered salvation through a modern-day | 0:34:16 | 0:34:21 | |
Mancunian poet. | 0:34:21 | 0:34:22 | |
Getting into the Smiths, Morrissey's lyrics, it's almost like this person | 0:34:25 | 0:34:29 | |
you've never met is singing about your life. | 0:34:29 | 0:34:31 | |
Instantly, you feel less lonely. | 0:34:31 | 0:34:33 | |
I decided to write a play based on one of their songs. | 0:34:33 | 0:34:36 | |
# The rain falls hard on a humdrum town | 0:34:36 | 0:34:40 | |
# This town has dragged you down... # | 0:34:40 | 0:34:44 | |
I took the song, William, It Was Really Nothing, | 0:34:44 | 0:34:46 | |
invented characters around the lyrics, and wrote this short play. | 0:34:46 | 0:34:51 | |
And then it was shortlisted, eventually, | 0:34:51 | 0:34:54 | |
it was put on at the Royal Court in London. | 0:34:54 | 0:34:56 | |
Morrissey got to hear about it, | 0:34:56 | 0:34:58 | |
and a letter dropped on the doormat in my old house, | 0:34:58 | 0:35:01 | |
83 Branthwaite Crescent, Norris Green. | 0:35:01 | 0:35:03 | |
-Shaun... -Oh, my word! | 0:35:08 | 0:35:10 | |
You are a star, William is just the beginning, | 0:35:10 | 0:35:12 | |
and I'll see you at the Royal Court. | 0:35:12 | 0:35:14 | |
Your friend, Morrissey. | 0:35:14 | 0:35:16 | |
# Would you like to marry me? | 0:35:17 | 0:35:19 | |
# And if you like you can buy the ring | 0:35:19 | 0:35:22 | |
# She doesn't care about anything... # | 0:35:22 | 0:35:24 | |
That was actually just the beginning of a friendship, | 0:35:24 | 0:35:29 | |
and getting to know him. | 0:35:29 | 0:35:30 | |
Have you got any photographs at all, of you and Morrissey? | 0:35:30 | 0:35:32 | |
Yeah, I've brought a couple. | 0:35:32 | 0:35:34 | |
This was my idol, my icon. This is the person who gave me hope, | 0:35:35 | 0:35:40 | |
who inspired me to write, who made me feel less alone where I lived, | 0:35:40 | 0:35:43 | |
just through the sheer power of his music. | 0:35:43 | 0:35:46 | |
To me, it didn't really matter what anybody else thought. | 0:35:47 | 0:35:50 | |
Morrissey liked what I wrote, that was the main thing. | 0:35:50 | 0:35:52 | |
As lesbian, gay, bi, trans and queer people, that's LGBTQ, | 0:35:54 | 0:36:00 | |
moved from the margins to the mainstream, so did their wallets. | 0:36:00 | 0:36:04 | |
In the mid-90s, the phrase "the pink pound" was used to | 0:36:06 | 0:36:10 | |
describe our spending power, worth £6 billion to the economy every year. | 0:36:10 | 0:36:14 | |
MUSIC: Give A Little Respect by Erasure | 0:36:14 | 0:36:17 | |
There were lifestyle magazines, bespoke clothing ranges, | 0:36:17 | 0:36:21 | |
even the first out and proud gay doll. | 0:36:21 | 0:36:24 | |
And politics was finally catching up too. | 0:36:25 | 0:36:29 | |
Stephen, Labour Party, 20,500... | 0:36:29 | 0:36:35 | |
Stephen Twigg was the first openly gay man to be elected. | 0:36:35 | 0:36:38 | |
He swept into Parliament in 1997 as part of the new Labour government. | 0:36:38 | 0:36:44 | |
The party had actively championed LGBTQ rights | 0:36:44 | 0:36:48 | |
and pledged to repeal the hated Section 28. | 0:36:48 | 0:36:51 | |
There was a feeling of hope which culminated on July the 5th 1997 | 0:36:56 | 0:37:01 | |
when a quarter of a million people gathered here on Clapham Common. | 0:37:01 | 0:37:04 | |
Mike Atkinson was one of them and he has a cherished memento from that day. | 0:37:07 | 0:37:10 | |
I found this last night, late last night. | 0:37:13 | 0:37:16 | |
I suddenly remembered I owned this precious, | 0:37:16 | 0:37:19 | |
historically important garment. | 0:37:19 | 0:37:21 | |
This is one of the official Pride '97 T-shirts. | 0:37:21 | 0:37:24 | |
Designed to be worn tucked in, I feel. | 0:37:26 | 0:37:28 | |
MUSIC: Disco 2000 By Pulp | 0:37:28 | 0:37:33 | |
Pride festivals had been going since the 1970s when they were political | 0:37:33 | 0:37:38 | |
demonstrations, with a few hundred brave souls bearing home-made banners. | 0:37:38 | 0:37:43 | |
But by 1997, it had changed beyond all recognition. | 0:37:46 | 0:37:50 | |
# Our mothers said we could be sister and brother | 0:37:50 | 0:37:53 | |
# Your name is Deborah, Deborah... # | 0:37:53 | 0:37:56 | |
I think people forget how much optimism was in the air 20 years ago. | 0:37:56 | 0:38:02 | |
One of the things you always experienced on Pride days | 0:38:03 | 0:38:06 | |
is when you were travelling on the tube to the festival site, | 0:38:06 | 0:38:09 | |
and the nearer you got to the tube station, | 0:38:09 | 0:38:12 | |
the gayer the tube train became. | 0:38:12 | 0:38:15 | |
And it felt like the whole world had gone gay. | 0:38:15 | 0:38:18 | |
That's the one day in the year when you were in the majority. | 0:38:18 | 0:38:22 | |
And that was always a lovely feeling. | 0:38:22 | 0:38:24 | |
We were quite near the front, slightly to the right of the main stage. | 0:38:27 | 0:38:31 | |
So it would've been over there. | 0:38:31 | 0:38:33 | |
The first act I definitely remember seeing on stage was none other than Gina G. | 0:38:33 | 0:38:39 | |
Performing Ooh, Ah, Just A Little Bit. | 0:38:39 | 0:38:42 | |
Come on, you hussies! | 0:38:42 | 0:38:43 | |
Let's get the show on the road! | 0:38:43 | 0:38:46 | |
One of the defining gay anthems of the era. | 0:38:46 | 0:38:50 | |
# Just a little bit | 0:38:50 | 0:38:51 | |
# You know what I'm looking for | 0:38:51 | 0:38:53 | |
# Ooh aah, just a little bit | 0:38:53 | 0:38:54 | |
# Ooh aah, little bit more | 0:38:54 | 0:38:56 | |
# Ooh aah, just a little bit... # | 0:38:56 | 0:38:58 | |
So we all bopped around to Gina. | 0:38:58 | 0:39:00 | |
Next on were the Pet Shop Boys. | 0:39:02 | 0:39:04 | |
It turns out, on a Gay Pride Day, | 0:39:07 | 0:39:11 | |
the lyrics of Go West take on a different twist. | 0:39:11 | 0:39:14 | |
# Together | 0:39:16 | 0:39:17 | |
# We will go our way | 0:39:17 | 0:39:20 | |
# Together | 0:39:20 | 0:39:21 | |
# We will leave someday | 0:39:21 | 0:39:24 | |
# Together | 0:39:24 | 0:39:25 | |
# Your hand in my hands | 0:39:25 | 0:39:28 | |
# Together | 0:39:28 | 0:39:29 | |
# We will make our plans... # | 0:39:29 | 0:39:33 | |
It's a song of hope, hope for freedom. | 0:39:33 | 0:39:35 | |
And a sense of optimism, that we're nearly there. | 0:39:35 | 0:39:39 | |
We're on the verge of stepping into the promised land. | 0:39:39 | 0:39:43 | |
That was moving. And the tear ducts started to prick. | 0:39:43 | 0:39:46 | |
Also performing was Holly Johnson, from Frankie Goes To Hollywood, | 0:39:49 | 0:39:53 | |
with the Power Of Love. | 0:39:53 | 0:39:56 | |
# The power of love | 0:39:56 | 0:39:58 | |
# A force from above | 0:39:58 | 0:40:03 | |
# Cleaning my soul... # | 0:40:03 | 0:40:07 | |
And, again, something strange happened. | 0:40:07 | 0:40:10 | |
About halfway through the song, | 0:40:10 | 0:40:13 | |
down at the south side of the park, fireworks started to go off. | 0:40:13 | 0:40:16 | |
I turned my back on the main stage, looked behind me, | 0:40:20 | 0:40:25 | |
and everywhere, it was the strangest thing, | 0:40:25 | 0:40:27 | |
everywhere they were people embracing, and kissing, and hugging. | 0:40:27 | 0:40:32 | |
Couples snogging. | 0:40:32 | 0:40:34 | |
# Cleaning my soul | 0:40:35 | 0:40:40 | |
# Flame on burn desire... # | 0:40:43 | 0:40:46 | |
And I felt at this extraordinary sense of connection with the whole event, | 0:40:46 | 0:40:53 | |
and with the community. | 0:40:53 | 0:40:55 | |
At that point, the tears really did start to flow. | 0:40:57 | 0:41:00 | |
It was a really memorable end to what I think was a significant Pride. | 0:41:00 | 0:41:05 | |
Thank you. You've been fabulous. | 0:41:09 | 0:41:13 | |
Even though lesbian, gay, | 0:41:18 | 0:41:19 | |
bisexual, transgender and queer life was more accepted than ever, | 0:41:19 | 0:41:24 | |
the decision to come out was still very personal, | 0:41:24 | 0:41:26 | |
and could be a very difficult experience. | 0:41:26 | 0:41:29 | |
Especially if you were one of the biggest stars in the world. | 0:41:29 | 0:41:33 | |
-REPORTER: -George Michael was arrested at a park last month | 0:41:33 | 0:41:37 | |
in Beverly Hills, where, in the public toilets, police say, | 0:41:37 | 0:41:40 | |
they caught him engaging in a lewd act. | 0:41:40 | 0:41:42 | |
And for the teenage Simon Johnson, | 0:41:48 | 0:41:50 | |
the coming out of George Michael led to a special keepsake. | 0:41:50 | 0:41:53 | |
This is my ticket to the 1999 Stonewall equality show. | 0:41:56 | 0:42:01 | |
And the signature is upside down, | 0:42:01 | 0:42:03 | |
but if I turn it the other way around, | 0:42:03 | 0:42:05 | |
that is George Michael's signature. | 0:42:05 | 0:42:08 | |
And after that, they were cameras all around us, | 0:42:08 | 0:42:10 | |
and they were shouting at him to give me a kiss. | 0:42:10 | 0:42:12 | |
And so George Michael gave me a kiss, so, I'll never forget that night! | 0:42:12 | 0:42:17 | |
MUSIC: Let's Go Outside by George Michael | 0:42:17 | 0:42:19 | |
The next day, my dad came home with the Sun newspaper, | 0:42:24 | 0:42:28 | |
and on the front page, the Sun had covered the same concert that I'd | 0:42:28 | 0:42:33 | |
been at the night before. | 0:42:33 | 0:42:34 | |
My dad said to me, "Have you been to gay concerts?" | 0:42:34 | 0:42:37 | |
And I said to him, "No, I've been to a concert, yes." | 0:42:37 | 0:42:41 | |
And he said to me, "Are you gay?" | 0:42:41 | 0:42:42 | |
And I said, "No." | 0:42:42 | 0:42:44 | |
And I thought, why have you said that? | 0:42:44 | 0:42:47 | |
And so he asked me again, he said, "Are you gay?" | 0:42:47 | 0:42:49 | |
And I went, "Yes." It just came out. | 0:42:49 | 0:42:52 | |
And then he started shouting for my mother. | 0:42:52 | 0:42:54 | |
My mother comes upstairs, and he said to my mum, | 0:42:54 | 0:42:57 | |
"Have you heard what your son's got to say? | 0:42:57 | 0:42:59 | |
And she just said, "I know what he's going to say. I've known all this time." | 0:42:59 | 0:43:03 | |
For a young gay teenager living and going to school in a small village | 0:43:06 | 0:43:09 | |
in North Lincolnshire was difficult. | 0:43:09 | 0:43:11 | |
Bullied and considered uncool, until one night, when a ground-breaking | 0:43:12 | 0:43:16 | |
bit of television completely reinvented his image. | 0:43:16 | 0:43:19 | |
I was about 17 when the first episode aired | 0:43:21 | 0:43:24 | |
and I made sure that I was home for it. | 0:43:24 | 0:43:26 | |
It was worth it. Totally worth it. | 0:43:27 | 0:43:29 | |
It just felt like it was opening up a completely different world. | 0:43:31 | 0:43:35 | |
Something I hadn't seen before. | 0:43:35 | 0:43:36 | |
Queer As Folk was different because it was the first programme to put | 0:43:38 | 0:43:42 | |
gay life centre stage. | 0:43:42 | 0:43:43 | |
It was funny and naughty. | 0:43:43 | 0:43:46 | |
What do you like doing in bed? | 0:43:46 | 0:43:48 | |
-Rimming. -Yeah? | 0:43:48 | 0:43:51 | |
I think one of the best bits was going into school the next day, | 0:43:51 | 0:43:54 | |
and my girlfriends had watched it as well, and I guess, I hate to say it, | 0:43:54 | 0:43:58 | |
but a bit of cool factor, because they knew that I was gay, | 0:43:58 | 0:44:01 | |
and they were really intrigued and interested about being, you know, | 0:44:01 | 0:44:05 | |
me, and being gay. So I felt, finally, acceptance. | 0:44:05 | 0:44:08 | |
But, within months of Queer As Folk airing, | 0:44:13 | 0:44:16 | |
there was a brutal reminder that, for some people, | 0:44:16 | 0:44:18 | |
gay life was still unacceptable. | 0:44:18 | 0:44:20 | |
On the 30th of April 1999, three people were killed | 0:44:27 | 0:44:31 | |
and more than 70 injured when a neo-Nazi planted a nail bomb in the | 0:44:31 | 0:44:35 | |
Admiral Duncan pub in London's Soho. | 0:44:35 | 0:44:38 | |
It was the biggest homophobic attack in British history. | 0:44:39 | 0:44:42 | |
It was a sign that for all the progress made, | 0:44:44 | 0:44:47 | |
violent hate crime is never far away for our community. | 0:44:47 | 0:44:50 | |
Something I'm all too well aware of. | 0:44:52 | 0:44:54 | |
This is Jody's name badge. | 0:44:58 | 0:45:00 | |
He was one of the show managers here at Jongleurs. | 0:45:00 | 0:45:03 | |
He was a very fine young man. | 0:45:03 | 0:45:04 | |
And... | 0:45:04 | 0:45:06 | |
We became good friends. | 0:45:06 | 0:45:08 | |
One night, in 2005, on his way home, he was physically kicked, | 0:45:08 | 0:45:16 | |
assaulted, and beaten to death in a homophobic attack. | 0:45:16 | 0:45:20 | |
Now, that really, really made me angry. | 0:45:22 | 0:45:25 | |
Living in London, a cosmopolitan city, you think, wow, tolerance, | 0:45:26 | 0:45:31 | |
acceptance, yet, there are people out there who are prepared to attack | 0:45:31 | 0:45:38 | |
a complete stranger to the point of death because you don't understand, | 0:45:38 | 0:45:44 | |
agree, accept who they are. | 0:45:44 | 0:45:48 | |
I was given this badge by Jody's family. | 0:45:51 | 0:45:54 | |
Serving as a constant reminder that, yes, homophobia still exists. | 0:45:54 | 0:45:58 | |
The paradox about these attacks is that they were happening just as we | 0:46:03 | 0:46:07 | |
were starting to enjoy equal rights. | 0:46:07 | 0:46:09 | |
Years of lobbying, marching, | 0:46:13 | 0:46:15 | |
and wearing fancy dress were finally paying off | 0:46:15 | 0:46:19 | |
as the Labour Party started to push through historic changes. | 0:46:19 | 0:46:23 | |
In 2000, nearly 35 years after homosexuality was decriminalised, | 0:46:24 | 0:46:28 | |
the age of consent was brought into line with the heterosexual one of 16. | 0:46:28 | 0:46:33 | |
The armed services ban was overturned... | 0:46:34 | 0:46:37 | |
..and Section 28, for which no-one was ever prosecuted, | 0:46:39 | 0:46:43 | |
was repealed in Scotland. | 0:46:43 | 0:46:44 | |
Westminster followed suit three years later. | 0:46:44 | 0:46:47 | |
And then, in 2005, we saw something that marked a transformation | 0:46:51 | 0:46:55 | |
in the battle for equality. | 0:46:55 | 0:46:57 | |
It's something that most people could never have imagined in their lifetime. | 0:46:59 | 0:47:05 | |
Two words. Short and simple. But so very symbolic. | 0:47:05 | 0:47:09 | |
And those two words... | 0:47:09 | 0:47:11 | |
I do. | 0:47:11 | 0:47:13 | |
MUSIC: At Last by Ella Fitzgerald | 0:47:15 | 0:47:19 | |
It was called the Civil Partnership Act, | 0:47:20 | 0:47:22 | |
and it allowed couples of the same sex to have legal recognition of | 0:47:22 | 0:47:25 | |
their relationship, similar to a marriage. | 0:47:25 | 0:47:27 | |
My wife and I tied the knot as soon as we could, | 0:47:31 | 0:47:33 | |
and so did Susan and Gerrie. | 0:47:33 | 0:47:35 | |
Thank you, every single one of you for being here. | 0:47:36 | 0:47:39 | |
For our 20 years together! | 0:47:39 | 0:47:41 | |
CHEERING AND APPLAUSE | 0:47:42 | 0:47:45 | |
-ALL: -Cheers! | 0:47:45 | 0:47:47 | |
We knew right from the beginning of our relationship, | 0:47:52 | 0:47:54 | |
from our first kiss, that we would always be together. | 0:47:54 | 0:47:57 | |
Why was it important to you personally, to do this? | 0:47:58 | 0:48:01 | |
We had already made our vows to each other about ten years before that, | 0:48:01 | 0:48:06 | |
on a little boat in Perthshire. | 0:48:06 | 0:48:07 | |
But for us, to make that public statement, | 0:48:08 | 0:48:11 | |
with all our friends and family, around about us, just was very, | 0:48:11 | 0:48:16 | |
very important. | 0:48:16 | 0:48:18 | |
Everybody that was there, probably with the exception of my parents, | 0:48:18 | 0:48:22 | |
-were happy for us. -That's so true! | 0:48:22 | 0:48:24 | |
I had to strategically place Gerrie so I couldn't see my mother's face, | 0:48:25 | 0:48:29 | |
which was a bit like fizz at the time! | 0:48:29 | 0:48:31 | |
There has to be someone at a lesbian wedding who's unhappy. | 0:48:31 | 0:48:33 | |
There has to be someone. | 0:48:33 | 0:48:34 | |
For many, civil ceremonies were an important and historic first step. | 0:48:38 | 0:48:42 | |
But not quite full marriage. | 0:48:42 | 0:48:44 | |
That would have to wait until 2014, | 0:48:46 | 0:48:48 | |
introduced by the then Prime Minister David Cameron, | 0:48:48 | 0:48:51 | |
who said it was one of his proudest achievements. | 0:48:51 | 0:48:54 | |
When it became law that you could get married, | 0:48:55 | 0:48:59 | |
did you get married as well? | 0:48:59 | 0:49:00 | |
We absolutely did! | 0:49:00 | 0:49:02 | |
Very much so. | 0:49:02 | 0:49:04 | |
We were the first women in Scotland to exchange those immortal, | 0:49:04 | 0:49:08 | |
legal vows of equal marriage. | 0:49:08 | 0:49:10 | |
Nicola Sturgeon was our witness. | 0:49:10 | 0:49:12 | |
We never expected that we would be able to have either a civil | 0:49:12 | 0:49:15 | |
partnership or a marriage. | 0:49:15 | 0:49:16 | |
But those two changes to have come within a decade, it's just amazing. | 0:49:18 | 0:49:22 | |
CHEERING | 0:49:24 | 0:49:26 | |
Same-sex marriage sent a powerful message of equality. | 0:49:29 | 0:49:32 | |
It didn't matter any longer whether you were straight or gay. | 0:49:32 | 0:49:35 | |
MUSIC: Ces Bottes Sont Faites Pour Marcher by Eileen | 0:49:35 | 0:49:38 | |
But for one section of our community, | 0:49:38 | 0:49:40 | |
the road to acceptance has been slower. | 0:49:40 | 0:49:43 | |
In Britain today, there are thought to be around 650,000 people who feel | 0:49:43 | 0:49:47 | |
a different gender to the one they were born into. | 0:49:47 | 0:49:50 | |
We're in complete limbo, we're neither male nor female. | 0:49:51 | 0:49:54 | |
The law says we're male, but physically, we're female. | 0:49:54 | 0:49:57 | |
Trans people finally got legal status in 2004. | 0:49:59 | 0:50:04 | |
But, as with everything in life, it's the small things that matter. | 0:50:04 | 0:50:08 | |
For Jennifer Black, it was the purchase of an item | 0:50:08 | 0:50:11 | |
she'd secretly coveted for years as a man. | 0:50:11 | 0:50:14 | |
Today, I've come down with my Ugg boots. | 0:50:18 | 0:50:21 | |
I bought them here in Covent Garden, four years ago today. | 0:50:21 | 0:50:24 | |
It was the day I transitioned, | 0:50:24 | 0:50:26 | |
and these were the first item of clothing that I bought. | 0:50:26 | 0:50:29 | |
I'd always wanted a pair. | 0:50:29 | 0:50:31 | |
My friend Tina said they're like wearing little clouds on your feet, | 0:50:31 | 0:50:35 | |
in heaven. And that just summed them up for me. | 0:50:35 | 0:50:37 | |
They're so beautiful. These boots mean so much to me. | 0:50:37 | 0:50:40 | |
It was the start of a new life. It was a whole new chapter for me. | 0:50:40 | 0:50:44 | |
And I'll never part with these boots, no matter how ragged they get! | 0:50:44 | 0:50:47 | |
I knew I was different from other children from a very, very early age. | 0:50:54 | 0:50:57 | |
I just didn't understand why. | 0:50:57 | 0:50:59 | |
It was around the 14 mark, when I said to my dad, you know, | 0:51:01 | 0:51:05 | |
I don't feel right. | 0:51:05 | 0:51:07 | |
I don't understand. I feel like I shouldn't be a boy. | 0:51:07 | 0:51:09 | |
My dad arranged to take me to the local doctor, | 0:51:12 | 0:51:15 | |
and the doctor explained to me that this was just a phase I was going | 0:51:15 | 0:51:18 | |
through, and I would grow out of it. | 0:51:18 | 0:51:20 | |
Part of you wants to believe it is just a phase | 0:51:21 | 0:51:23 | |
and you kind of say in your head, yes, it is, you know. | 0:51:23 | 0:51:26 | |
This is something I will grow out of. | 0:51:26 | 0:51:28 | |
But you don't. You don't grow out of it. | 0:51:28 | 0:51:30 | |
It doesn't go away. It never leaves you. | 0:51:30 | 0:51:32 | |
For 40 years, Jennifer lived as a man, got married, and even had a family. | 0:51:35 | 0:51:39 | |
I tried my hardest to live an ordinary life, to just be a normal man, | 0:51:41 | 0:51:47 | |
but with these thoughts all the time inside me that things weren't right. | 0:51:47 | 0:51:51 | |
In 2013, I realised I had to do something about it. | 0:51:53 | 0:51:57 | |
That was taken about two years before I transitioned. | 0:51:59 | 0:52:04 | |
It seems like, well, it is another lifetime ago, actually. | 0:52:04 | 0:52:06 | |
My brother, bless him, I told him what I intended to do, | 0:52:08 | 0:52:11 | |
and he sat down and he said, "Well, I have to say," he says, | 0:52:11 | 0:52:14 | |
"You're going to be a pretty ugly woman!" | 0:52:14 | 0:52:16 | |
I've got the letter here from my very first appointment with the | 0:52:17 | 0:52:22 | |
NHS Gender Service. | 0:52:22 | 0:52:24 | |
The 28th of January 2013. | 0:52:24 | 0:52:27 | |
This was the day I actually transitioned. | 0:52:29 | 0:52:31 | |
And this was the starting point, the turning point in my life, | 0:52:32 | 0:52:35 | |
a new chapter had begun. | 0:52:35 | 0:52:37 | |
So this letter, not for its content, but just what it signifies, | 0:52:37 | 0:52:41 | |
will always be important to me. | 0:52:41 | 0:52:43 | |
As important as my Ugg boots. | 0:52:43 | 0:52:44 | |
I feel more content now than I have in the previous 50-plus years of my life. | 0:52:46 | 0:52:52 | |
MUSIC: Brimful Of Asha by Cornershop | 0:52:54 | 0:52:58 | |
How we treat lesbian, gay, bisexual, trams and queer people is a vital | 0:52:58 | 0:53:02 | |
sign of the sort of society we aspire to build. | 0:53:02 | 0:53:06 | |
In the last ten years in Britain we've become more visible, | 0:53:06 | 0:53:09 | |
more accepted in the mainstream. | 0:53:09 | 0:53:11 | |
It's a badge of our modern, liberal way of life. | 0:53:11 | 0:53:14 | |
But even today in some communities, revealing one's true identity can | 0:53:16 | 0:53:21 | |
still be fraught with difficulty. | 0:53:21 | 0:53:22 | |
Birmingham Pride, and the year 2015, | 0:53:26 | 0:53:29 | |
will forever be etched in the mind of Khakan Qureshi. | 0:53:29 | 0:53:32 | |
This was when his South Asian lesbian and gay, | 0:53:33 | 0:53:36 | |
bi and trans group decided to come out of the shadows, | 0:53:36 | 0:53:39 | |
and make the most public of appearances. | 0:53:39 | 0:53:41 | |
It was a fantastic event, because we made our way down this route here. | 0:53:42 | 0:53:47 | |
The crowds were really busy. All sorts of music blaring out. | 0:53:47 | 0:53:51 | |
For me, it was... | 0:53:51 | 0:53:52 | |
It was just fantastic, really. | 0:53:53 | 0:53:55 | |
Pride is associated with vibrant colours, the occasional bit of flesh, | 0:53:56 | 0:54:01 | |
and outlandish outfits. | 0:54:01 | 0:54:02 | |
Khakan, however, decided on something a little more individual. | 0:54:04 | 0:54:07 | |
What I'm wearing right now is the outfit that I wore at | 0:54:09 | 0:54:11 | |
Birmingham Pride itself which was, like, a tweed green jacket, | 0:54:11 | 0:54:17 | |
a pink shirt, brogues, as well, which is quintessentially British. | 0:54:17 | 0:54:21 | |
And then I had of the Union Jack bag as well, | 0:54:21 | 0:54:23 | |
because it howls the fact that you're British and Asian. | 0:54:23 | 0:54:27 | |
Your skin colour tells you that you're Asian. | 0:54:27 | 0:54:29 | |
But your clothing tells the world that you're British. | 0:54:29 | 0:54:33 | |
Growing up in Birmingham, I'm the youngest of seven, | 0:54:38 | 0:54:40 | |
Muslim Pakistani background as well. | 0:54:40 | 0:54:43 | |
And my religion tells me that... | 0:54:43 | 0:54:46 | |
You know, well, I say religion, but it's people who think they know | 0:54:46 | 0:54:49 | |
the religion who'll tell you that being gay is forbidden. | 0:54:49 | 0:54:52 | |
It's haram. | 0:54:52 | 0:54:54 | |
Even now, people are fearful of what their family will think. | 0:54:56 | 0:54:59 | |
They don't want to be disowned by their parents. | 0:54:59 | 0:55:02 | |
They don't want to be ostracised within the community. | 0:55:02 | 0:55:05 | |
Homophobia is still very strong in the South Asian community. | 0:55:05 | 0:55:07 | |
So I think it's about confidence, and strength to overcome it, | 0:55:07 | 0:55:11 | |
and say, "I don't care what you say. This is my life | 0:55:11 | 0:55:13 | |
"and this is the way I'm going to lead it." | 0:55:13 | 0:55:15 | |
Never, ever, in my wildest dreams, did I think I would lead a group of | 0:55:19 | 0:55:23 | |
South Asian LGBT through Birmingham Pride. | 0:55:23 | 0:55:27 | |
WHISTLES BLOW | 0:55:27 | 0:55:28 | |
Coming together was a big effort. | 0:55:28 | 0:55:31 | |
We felt quite vulnerable. | 0:55:31 | 0:55:33 | |
We thought we're going to stick out like sore thumbs, here. | 0:55:33 | 0:55:37 | |
So we were quite subdued at the beginning. | 0:55:37 | 0:55:40 | |
But somebody decided, you know, are we going to have a chant? | 0:55:40 | 0:55:42 | |
Because the group is called Finding A Voice. | 0:55:42 | 0:55:45 | |
And we are all... "I don't know, it's going to draw more attention | 0:55:45 | 0:55:48 | |
"to the group. Shall we, shall We not?" | 0:55:48 | 0:55:49 | |
And somebody says, "Do you know what? Let's just do it!" | 0:55:49 | 0:55:53 | |
Find your voice! Find your voice! | 0:55:53 | 0:55:57 | |
We started chanting, "Find your voice! Find your voice!" | 0:55:57 | 0:56:02 | |
And then the crowds picked up on that as well, and you know, | 0:56:02 | 0:56:05 | |
to have the crowds chanting it back with us. It was just... | 0:56:05 | 0:56:08 | |
It was a fantastic memory, you know, and two years down the line, | 0:56:16 | 0:56:20 | |
it was a big moment. | 0:56:20 | 0:56:22 | |
-# Just a perfect day... -# | 0:56:22 | 0:56:24 | |
You know, we're like the hidden subculture. | 0:56:28 | 0:56:30 | |
And people think you can't be black and gay, | 0:56:31 | 0:56:34 | |
or you can't be Asian and LGBT. | 0:56:34 | 0:56:36 | |
But the reality is, we can all be what we want to be. | 0:56:36 | 0:56:39 | |
You know. Our sexual orientation, and gender identity is from A to Z. | 0:56:39 | 0:56:44 | |
MUSIC: Freedom By George Michael | 0:56:44 | 0:56:50 | |
A first Pride. | 0:56:52 | 0:56:54 | |
A pair of Ugg boots. | 0:56:54 | 0:56:56 | |
A song, march or nun's habit. | 0:56:56 | 0:57:00 | |
These were the moments that changed people's lives forever. | 0:57:01 | 0:57:04 | |
Over this series we've heard personal stories of heartbreak, | 0:57:05 | 0:57:09 | |
shame and seen how, for LGBTQ people, | 0:57:09 | 0:57:13 | |
Britain today is a very different country to the Britain of 1967. | 0:57:13 | 0:57:18 | |
In Britain 50 years ago, we were outsiders. | 0:57:20 | 0:57:23 | |
Pitied, feared, abused. | 0:57:23 | 0:57:26 | |
Since then there have been dangerous times, sad times, | 0:57:26 | 0:57:30 | |
but also times of great happiness and fun. | 0:57:30 | 0:57:32 | |
# Heaven knows I was just a young boy | 0:57:32 | 0:57:35 | |
# Didn't know what I wanted to be | 0:57:35 | 0:57:38 | |
# Didn't know what I wanted to be... # | 0:57:38 | 0:57:40 | |
Today, we can choose how we live. | 0:57:40 | 0:57:43 | |
Choose where we work, and also choose who you fall in love with. | 0:57:43 | 0:57:48 | |
And even get married to them! | 0:57:48 | 0:57:50 | |
We can also choose not to get married. | 0:57:53 | 0:57:56 | |
But that's the point. | 0:57:56 | 0:57:57 | |
We have a choice! | 0:57:57 | 0:57:58 | |
Who's going to marry me? | 0:58:01 | 0:58:02 | |
For many, it remains hard to be different. | 0:58:04 | 0:58:06 | |
And homophobia still exists. | 0:58:06 | 0:58:09 | |
But the changes we've seen during the last 50 years for LGBT life in Britain... | 0:58:09 | 0:58:14 | |
..have been nothing short of remarkable. | 0:58:14 | 0:58:17 | |
# All we have to see | 0:58:17 | 0:58:20 | |
# Is that I don't belong to you | 0:58:20 | 0:58:23 | |
# And you don't belong to me | 0:58:23 | 0:58:25 | |
# Yeah, yeah | 0:58:25 | 0:58:26 | |
# Freedom... # | 0:58:26 | 0:58:28 | |
Explore more about Britain's LGBT history and how things have changed. | 0:58:28 | 0:58:32 | |
Go to the website on screen and follow the links | 0:58:32 | 0:58:34 | |
to the Open University. | 0:58:34 | 0:58:36 | |
# Freedom # I won't let you down | 0:58:36 | 0:58:39 | |
# Freedom # So please don't give me up | 0:58:39 | 0:58:42 | |
# Freedom | 0:58:42 | 0:58:43 | |
# Cause I would really, really love to stick around | 0:58:43 | 0:58:47 | |
# Heaven knows we sure had some fun, boy | 0:58:47 | 0:58:51 | |
# What a kick, just a buddy and me What a kick, just a buddy and me | 0:58:51 | 0:58:57 | |
# We had every big-shot goodtime band on the run, boy | 0:58:57 | 0:59:01 | |
# We were living in a fantasy. # | 0:59:01 | 0:59:04 |