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Queen Victoria and her husband, Prince Albert, had a dream for the | 0:00:04 | 0:00:08 | |
monarchy - a dream that would depend for its success on their four sons. | 0:00:08 | 0:00:14 | |
They saw their court as a new Camelot | 0:00:14 | 0:00:19 | |
and what they were doing in rearing these sons, in particular, | 0:00:19 | 0:00:22 | |
was creating a new order of chivalry. | 0:00:22 | 0:00:25 | |
Princes must be raised to look as if they deserve their position, | 0:00:25 | 0:00:30 | |
princes must be better than anyone else | 0:00:30 | 0:00:35 | |
Bertie and Affie, Leopold and Arthur - | 0:00:35 | 0:00:39 | |
they would be standard-bearers of a new moral monarchy. | 0:00:39 | 0:00:44 | |
But princes rarely turn out that way. | 0:00:47 | 0:00:50 | |
Bertie is a throwback - | 0:00:52 | 0:00:55 | |
he has a nicely old-fashioned aristocratic attitude towards sex, | 0:00:55 | 0:00:59 | |
which is that you get as much of it as you can with whoever you can. | 0:00:59 | 0:01:02 | |
Affie is like a kind of second-rate version of Bertie, you know, | 0:01:05 | 0:01:09 | |
he's really not very bright. | 0:01:09 | 0:01:11 | |
And he's constantly having affairs with other people. | 0:01:11 | 0:01:14 | |
The relationship between Victoria | 0:01:14 | 0:01:16 | |
and her sons would be an epic drama of sex | 0:01:16 | 0:01:20 | |
and defiance... | 0:01:20 | 0:01:22 | |
..a battle of wills the Queen was determined to win. | 0:01:23 | 0:01:27 | |
Really one could only call her a control freak. | 0:01:29 | 0:01:32 | |
Her behaviour was that of a domestic dictator. | 0:01:32 | 0:01:36 | |
"Every inch of liberty is taken away from one, and one is watched, | 0:01:37 | 0:01:41 | |
"and everything one says or does is reported". | 0:01:41 | 0:01:46 | |
Then there was this kind of sense that, you know, you may be able | 0:01:46 | 0:01:49 | |
to defy a mother but how dare you even consider defying a sovereign. | 0:01:49 | 0:01:54 | |
The battle with the Queen would dominate - and scar - her sons. | 0:01:54 | 0:01:58 | |
But it would have a surprising outcome - and from it, the monarchy | 0:02:00 | 0:02:04 | |
would emerge re-invigorated in ways Victoria could never have foreseen. | 0:02:04 | 0:02:09 | |
On November 25th 1861 the Queen's husband, Prince Albert, | 0:02:20 | 0:02:24 | |
dashed to Cambridge for a meeting with their oldest son, Bertie, | 0:02:24 | 0:02:28 | |
who would later rule as King Edward VII. | 0:02:28 | 0:02:31 | |
The 20-year-old Prince of Wales, who was at university, | 0:02:35 | 0:02:38 | |
had committed what his parents believed to be a mortal sin - | 0:02:38 | 0:02:43 | |
he'd had sex, with a woman, while staying at an army base in Ireland. | 0:02:43 | 0:02:48 | |
The problem with Bertie's escapade | 0:02:50 | 0:02:52 | |
with Nellie Clifden, who was a good-time girl-cum-actress | 0:02:52 | 0:02:56 | |
was that it was pretty average rites of passage for any young | 0:02:56 | 0:02:59 | |
Victorian gentleman, they all went off | 0:02:59 | 0:03:02 | |
and had a night with a prostitute or went to a brothel. | 0:03:02 | 0:03:05 | |
But Albert's response was absolutely hysterical, | 0:03:05 | 0:03:08 | |
he had this pathological fear about the power of sex | 0:03:08 | 0:03:12 | |
and what it could do in terms of bringing scandal and dishonour | 0:03:12 | 0:03:15 | |
on the British Royal Family and he went into complete meltdown. | 0:03:15 | 0:03:21 | |
Victoria and Albert were engaged in a project to rescue | 0:03:26 | 0:03:29 | |
the monarchy, | 0:03:29 | 0:03:31 | |
to convert it into a model family which ordinary | 0:03:31 | 0:03:34 | |
people could look up to and admire. | 0:03:34 | 0:03:36 | |
At the heart of the project was a romantic fantasy - | 0:03:38 | 0:03:42 | |
that at Windsor Castle they had recreated the court of Camelot. | 0:03:42 | 0:03:46 | |
Queen Victoria's favourite painting of Albert was of him | 0:03:48 | 0:03:50 | |
wearing medieval armour, and I think she did think of him | 0:03:50 | 0:03:54 | |
as a sort of pure medieval knight, a kind of King Arthur figure. | 0:03:54 | 0:03:57 | |
And I think she thought she was handing on to her sons | 0:03:57 | 0:04:00 | |
ideals of purity and chivalry. | 0:04:00 | 0:04:03 | |
The aim was to bury the memory of the debauched House of Hanover | 0:04:05 | 0:04:09 | |
who had ruled Britain before Victoria - | 0:04:09 | 0:04:12 | |
and so insulate the monarchy from the revolutions sweeping Europe. | 0:04:12 | 0:04:16 | |
Theirs would be a new dynasty for a new age - pure and virtuous. | 0:04:20 | 0:04:25 | |
Their sons - latter-day knights. | 0:04:25 | 0:04:29 | |
It was a fantasy that had sexual morality - | 0:04:29 | 0:04:33 | |
personified by the saintly Albert - at its core. | 0:04:33 | 0:04:37 | |
But Bertie had let the side down. | 0:04:39 | 0:04:42 | |
As he and his father walked in the countryside near Cambridge, | 0:04:48 | 0:04:51 | |
they were caught in a downpour. | 0:04:51 | 0:04:53 | |
Albert returned to Windsor with a fever... | 0:04:57 | 0:05:01 | |
and was dead within three weeks. | 0:05:01 | 0:05:03 | |
The Queen was inconsolable. | 0:05:05 | 0:05:08 | |
He was her world. | 0:05:10 | 0:05:12 | |
He arranged, controlled, organised every aspect of her life | 0:05:13 | 0:05:19 | |
and the family's life. | 0:05:19 | 0:05:20 | |
She said it was like tearing the flesh from her bones. | 0:05:24 | 0:05:28 | |
She was utterly rudderless. | 0:05:28 | 0:05:30 | |
A single mother of 42 - she would now have to cope alone, not just | 0:05:32 | 0:05:38 | |
with Bertie, but three other boys - | 0:05:38 | 0:05:40 | |
Alfred, always known as Affie, who was 17, | 0:05:40 | 0:05:45 | |
Arthur, who was 11, | 0:05:45 | 0:05:48 | |
and the youngest, Leopold, who was eight. | 0:05:48 | 0:05:51 | |
As they approached manhood, the prospect filled Victoria with dread. | 0:05:53 | 0:05:57 | |
Sex was an area that she couldn't control. | 0:05:59 | 0:06:02 | |
The Queen was no prude, but when it came to telling her boys how | 0:06:02 | 0:06:06 | |
to behave in that area, she was at a loss, all at sea, | 0:06:06 | 0:06:10 | |
because in that area, in particular, she needed her husband. | 0:06:10 | 0:06:14 | |
Victoria had no doubt whom she held responsible for her loss - | 0:06:16 | 0:06:20 | |
the Prince of Wales. | 0:06:20 | 0:06:22 | |
Basically, Victoria blamed Bertie for Albert's death. | 0:06:23 | 0:06:28 | |
She decided that it was the shock of the Nellie Clifden affair that | 0:06:28 | 0:06:32 | |
had sort of tipped Albert over | 0:06:32 | 0:06:35 | |
and she decided that it was Bertie's terrible, terrible behaviour | 0:06:35 | 0:06:38 | |
and character that had killed her beloved husband. | 0:06:38 | 0:06:42 | |
In letters, Victoria made her feelings plain. | 0:06:42 | 0:06:46 | |
"I never can or shall look at him without a shudder. | 0:06:48 | 0:06:52 | |
"This dreadful, dreadful cross kills me." | 0:06:52 | 0:06:54 | |
The terrifying thing about that line in the letter is not, | 0:06:56 | 0:07:00 | |
"I never can," it's "I never SHALL look at him," | 0:07:00 | 0:07:03 | |
as if she's preparing for the rest of her life to reject her son. | 0:07:03 | 0:07:07 | |
Victoria's relationship with her eldest son had been | 0:07:08 | 0:07:12 | |
difficult from the first. | 0:07:12 | 0:07:15 | |
From earliest infancy, Bertie was a disappointment to both | 0:07:15 | 0:07:18 | |
of his parents. | 0:07:18 | 0:07:20 | |
The problem with Bertie is that he is temperamentally | 0:07:20 | 0:07:24 | |
very different from Prince Albert, and that is unforgivable. | 0:07:24 | 0:07:29 | |
Victoria's letters | 0:07:30 | 0:07:32 | |
when Bertie was a child suggest an almost physical distaste. | 0:07:32 | 0:07:38 | |
"Handsome I cannot think him, with that painfully small | 0:07:38 | 0:07:41 | |
"and narrow head, those immense features and total want of chin." | 0:07:41 | 0:07:46 | |
Even his voice annoyed her, making her... | 0:07:47 | 0:07:50 | |
"So nervous I could hardly bear it." | 0:07:50 | 0:07:52 | |
To help create the perfect knight of their fantasy, Victoria | 0:07:56 | 0:08:00 | |
and Albert had imposed on Bertie an intense educational regime, | 0:08:00 | 0:08:05 | |
which overwhelmed him. | 0:08:05 | 0:08:06 | |
His parents' disapproval crushed him. | 0:08:09 | 0:08:12 | |
Bertie didn't realise that he was going to become King of England | 0:08:15 | 0:08:19 | |
because he assumed it would be his older sister, Vicky, | 0:08:19 | 0:08:21 | |
and it had to be pointed out to him by a tutor that he would be | 0:08:21 | 0:08:24 | |
King, because he was just convinced that Vicky was | 0:08:24 | 0:08:27 | |
so much cleverer than he was that she would automatically be Queen. | 0:08:27 | 0:08:31 | |
"I had no boyhood," Bertie would lament in later life. | 0:08:32 | 0:08:37 | |
Now his misdemeanour with Nellie Clifden meant that, | 0:08:38 | 0:08:42 | |
for Victoria, her son, christened Albert after his father, | 0:08:42 | 0:08:46 | |
was not just a disappointment, but a disgrace. | 0:08:46 | 0:08:50 | |
She had one Albert being replaced by another Albert | 0:08:51 | 0:08:55 | |
and it was like some horrible joke. | 0:08:55 | 0:08:57 | |
This dreadful, kind of, parody of | 0:08:58 | 0:09:00 | |
her husband suddenly sitting there smirking at her. | 0:09:00 | 0:09:05 | |
Her life just fell apart. | 0:09:05 | 0:09:07 | |
Victoria was forced to confront a dreadful truth - | 0:09:11 | 0:09:15 | |
her oldest son had not inherited his father's personality - | 0:09:15 | 0:09:19 | |
he'd inherited hers. | 0:09:19 | 0:09:21 | |
Queen Victoria, is a Hanoverian, you know, | 0:09:24 | 0:09:27 | |
her father was a Hanoverian, and she has many of the characteristics. | 0:09:27 | 0:09:30 | |
She loves sex. | 0:09:30 | 0:09:32 | |
She has a terrible temper, and a huge amount of common sense, | 0:09:32 | 0:09:36 | |
basically, and her son, Bertie, is a copy of her, but more extreme. | 0:09:36 | 0:09:41 | |
For Victoria, sex outside marriage was a threat to the dynasty - | 0:09:43 | 0:09:48 | |
and in letters to Bertie she piled on the guilt. | 0:09:48 | 0:09:52 | |
"Let it be your constant admonition to make up, | 0:09:53 | 0:09:55 | |
"by a future spotless life, for that which, alas, | 0:09:55 | 0:09:59 | |
"can never be undone." | 0:09:59 | 0:10:01 | |
Her relationship with her second son, Prince Alfred, | 0:10:04 | 0:10:08 | |
was initially less complex. | 0:10:08 | 0:10:10 | |
Two and a half years younger than Bertie, Affie had | 0:10:11 | 0:10:14 | |
been his father's favourite son. | 0:10:14 | 0:10:17 | |
He was mechanically minded, he was intelligent, certainly more | 0:10:17 | 0:10:21 | |
intelligent than Bertie, and he seemed to have a lot of promise. | 0:10:21 | 0:10:25 | |
From a young age, Affie displayed a love for the Royal Navy - | 0:10:28 | 0:10:32 | |
and the image of the sailor prince captured the public imagination, | 0:10:32 | 0:10:36 | |
spawning a spate of patriotic ditties. | 0:10:36 | 0:10:39 | |
# God bless our sailor prince | 0:10:40 | 0:10:44 | |
# God bless our sailor prince | 0:10:44 | 0:10:48 | |
# Long may his name be... # | 0:10:48 | 0:10:51 | |
For a time, Prince Alfred | 0:10:51 | 0:10:53 | |
and the Prince of Wales were educated together. | 0:10:53 | 0:10:56 | |
But it was not to last. | 0:10:56 | 0:10:58 | |
When Affie was 11 and Bertie 14, | 0:11:01 | 0:11:03 | |
the two boys were caught smoking together. | 0:11:03 | 0:11:07 | |
Fearful Affie would be contaminated by Bertie's poor behaviour, | 0:11:07 | 0:11:11 | |
their parents separated them. | 0:11:11 | 0:11:13 | |
For the next three years Affie lived alone with his tutor, | 0:11:21 | 0:11:24 | |
away from his family, while Bertie stayed at home. | 0:11:24 | 0:11:28 | |
Affie taught himself the violin, in secret, to impress his parents. | 0:11:28 | 0:11:32 | |
He was not a natural musician. | 0:11:36 | 0:11:38 | |
At the age of 14 he joined the Navy. | 0:11:39 | 0:11:42 | |
He was at sea when his beloved father died, three years later. | 0:11:43 | 0:11:47 | |
You can imagine the loneliness, | 0:11:47 | 0:11:49 | |
the grief of this, really, still young boy - just 17 - on active | 0:11:49 | 0:11:54 | |
service, serving his country... | 0:11:54 | 0:11:58 | |
far away from the father | 0:11:58 | 0:12:00 | |
that he'd loved and never being able to finally say goodbye. | 0:12:00 | 0:12:04 | |
In the spring of 1862, Prince Alfred returned to a court in mourning - | 0:12:08 | 0:12:12 | |
and a Queen incapacitated with grief. | 0:12:12 | 0:12:16 | |
As if losing his father wasn't bad enough, | 0:12:18 | 0:12:20 | |
Affie was faced with a mother who frankly couldn't communicate, | 0:12:20 | 0:12:23 | |
couldn't operate effectively for a number of years. | 0:12:23 | 0:12:26 | |
In other words, in some senses, he'd lost not one parent, but two. | 0:12:26 | 0:12:30 | |
A grieving Affie returned to sea. | 0:12:32 | 0:12:36 | |
A few months later the Queen discovered he'd had sex with | 0:12:36 | 0:12:39 | |
a young woman in Malta. | 0:12:39 | 0:12:41 | |
She was horrified. | 0:12:41 | 0:12:43 | |
"Affie has dealt a heavy blow to my weak and shattered frame | 0:12:46 | 0:12:50 | |
"and I feel quite bowed down with it. | 0:12:50 | 0:12:53 | |
"There is not a particle of excuse. | 0:12:53 | 0:12:56 | |
"His conduct was both heartless and dishonourable." | 0:12:56 | 0:13:00 | |
Sailors might indulge themselves in port. Princes couldn't. | 0:13:00 | 0:13:05 | |
Like Bertie, Affie's behaviour threatened the Queen's | 0:13:05 | 0:13:08 | |
cherished vision of a virtuous, pure monarchy. | 0:13:08 | 0:13:12 | |
And he would suffer the same fate. | 0:13:12 | 0:13:14 | |
Subsequently, Queen Victoria expresses deep distrust | 0:13:15 | 0:13:19 | |
and dislike and real horror, sometimes, at the presence | 0:13:19 | 0:13:24 | |
of Affie and says that she can't bear to be with him. | 0:13:24 | 0:13:27 | |
Certainly the Queen never forgave him for that and their | 0:13:27 | 0:13:29 | |
relationship from this point onwards was fractured almost beyond repair. | 0:13:29 | 0:13:33 | |
Victoria's two oldest boys had failed her. | 0:13:36 | 0:13:40 | |
Rather than Knights of the Round Table, they'd proven all too | 0:13:40 | 0:13:44 | |
susceptible to the temptations placed in the way of princes. | 0:13:44 | 0:13:48 | |
The Queen now shifted her attention to her third son - Arthur. | 0:13:52 | 0:13:56 | |
Nine years younger than Bertie, Prince Arthur was always Victoria's | 0:13:57 | 0:14:02 | |
favourite - as she made quite clear in letters to her husband. | 0:14:02 | 0:14:06 | |
"This child is dear, dearer than the rest put together, thus after | 0:14:07 | 0:14:11 | |
"you he is the dearest and most precious object to me on earth." | 0:14:11 | 0:14:16 | |
Arthur could do no wrong. | 0:14:18 | 0:14:20 | |
The other sons suffered as a result of their being frozen | 0:14:20 | 0:14:23 | |
out of their mother's love and interests. | 0:14:23 | 0:14:25 | |
And when your mother's the Queen of England | 0:14:25 | 0:14:28 | |
it's going to have a very real impact on your life. | 0:14:28 | 0:14:31 | |
From a young age, Arthur was fascinated by the army - | 0:14:34 | 0:14:39 | |
he helped build a toy fort at Osborne House on the Isle of Wight. | 0:14:39 | 0:14:42 | |
Here at last was a prince who might truly live up to his father's | 0:14:46 | 0:14:50 | |
chivalric ideals. | 0:14:50 | 0:14:51 | |
However, Arthur's behaviour in the classroom was not much better | 0:14:55 | 0:14:59 | |
than that of his eldest brother, | 0:14:59 | 0:15:01 | |
as his tutor made clear in a letter to the Queen. | 0:15:01 | 0:15:04 | |
"Prince Arthur has not even on any single one occasion done | 0:15:05 | 0:15:09 | |
"anything which was recommended to him kindly. | 0:15:09 | 0:15:12 | |
"By firmness alone and that of an unintermittent | 0:15:12 | 0:15:15 | |
"and most trying kind, has any improvement ever been obtained." | 0:15:15 | 0:15:19 | |
The Queen, though, was determined her angel could do no wrong. | 0:15:20 | 0:15:25 | |
"Dear boy, he is so innocent, so amiable and affectionate that | 0:15:26 | 0:15:30 | |
"I tremble to think to what his pure heart and mind may be exposed. | 0:15:30 | 0:15:34 | |
"There is no blemish, no fault like there was in poor Affie - | 0:15:34 | 0:15:39 | |
"no falsehoods and want of principle, nothing but real goodness". | 0:15:39 | 0:15:43 | |
For the rest of his youth, Victoria would have one | 0:15:44 | 0:15:47 | |
goal for Arthur above all others - to keep him | 0:15:47 | 0:15:52 | |
as far away as possible from his libidinous older brothers. | 0:15:52 | 0:15:56 | |
The heir, the sailor, | 0:16:01 | 0:16:04 | |
the soldier - the first three sons had their roles clearly outlined. | 0:16:04 | 0:16:09 | |
But what of the fourth - Prince Leopold? | 0:16:10 | 0:16:12 | |
Twelve years younger than Bertie, Leopold was the cleverest and most | 0:16:16 | 0:16:20 | |
intellectually curious of the boys, as Victoria herself recognised. | 0:16:20 | 0:16:25 | |
"His mind and head are far the most like of any of the boys | 0:16:26 | 0:16:29 | |
"to his dear Father." | 0:16:29 | 0:16:31 | |
But he was not a child she warmed to. | 0:16:32 | 0:16:34 | |
As with Bertie, her criticisms focused on his appearance. | 0:16:34 | 0:16:38 | |
"A very common looking child, very plain in the face, | 0:16:40 | 0:16:43 | |
"clever but an oddity, and not an engaging child. | 0:16:43 | 0:16:48 | |
"The ugliest and least pleasing of the whole family." | 0:16:48 | 0:16:51 | |
If we look back on the letters Queen Victoria wrote, describing | 0:16:53 | 0:16:58 | |
Leopold as a small child, there are moments which strike | 0:16:58 | 0:17:02 | |
horror into one's heart, she is overwhelmed by his physical | 0:17:02 | 0:17:06 | |
ugliness, she describes him as common-looking. | 0:17:06 | 0:17:08 | |
Leopold had haemophilia - a disease which prevents | 0:17:13 | 0:17:16 | |
the blood from clotting. | 0:17:16 | 0:17:19 | |
Potentially fatal, he had inherited it from his mother - | 0:17:20 | 0:17:25 | |
although she was not a sufferer. | 0:17:25 | 0:17:28 | |
From Victoria and her children, | 0:17:28 | 0:17:30 | |
the disease would flow into the royal bloodlines | 0:17:30 | 0:17:33 | |
of Europe, afflicting the monarchies of Spain, Germany and Russia. | 0:17:33 | 0:17:39 | |
Leopold's illness was diagnosed when he was six years old. | 0:17:40 | 0:17:44 | |
She punishes both herself and Leopold for his illness. | 0:17:45 | 0:17:49 | |
At the same time, she turns him into an emblem of Victorian popular | 0:17:49 | 0:17:54 | |
culture, which is this figure of the saintly suffering invalid. | 0:17:54 | 0:17:59 | |
It was a sentimental image, familiar to the readers of Dickens. | 0:18:00 | 0:18:05 | |
Like the little boy in Dombey and Son, who is ever so sweet | 0:18:05 | 0:18:09 | |
and saintly, and close to heaven, and he might die at any moment, | 0:18:09 | 0:18:14 | |
but that's OK, because God will take him. | 0:18:14 | 0:18:18 | |
She's trying to cast Leopold in that mould, | 0:18:18 | 0:18:21 | |
which is really rather unfortunate, because what she has is not | 0:18:21 | 0:18:25 | |
a saintly child, it's a very feisty, sort of, quick-tempered child, | 0:18:25 | 0:18:29 | |
who is determined he's going to overcome his illness. | 0:18:29 | 0:18:33 | |
Prince Leopold was abroad convalescing when his father died. | 0:18:39 | 0:18:42 | |
Ever self-absorbed, his mother wrote him an anguished letter. | 0:18:44 | 0:18:47 | |
"Poor Mama is more wretched, | 0:18:50 | 0:18:51 | |
"more miserable than any being in this world can be! | 0:18:51 | 0:18:55 | |
"I pine and long for your dearly beloved Papa so dreadfully!" | 0:18:55 | 0:18:59 | |
When Leopold returned to Britain, Victoria sent his tutor firm | 0:19:02 | 0:19:06 | |
instructions. | 0:19:06 | 0:19:07 | |
"Take care and make poor little Leopold understand | 0:19:09 | 0:19:12 | |
"that his return will be a very sad one, that he | 0:19:12 | 0:19:15 | |
"comes back to a house of mourning and that his poor, | 0:19:15 | 0:19:18 | |
"broken-hearted mother cannot bear noise, excitement, etc." | 0:19:18 | 0:19:23 | |
Not yet nine, the walls were closing in on Leopold. | 0:19:26 | 0:19:30 | |
In time, his home would become a prison. | 0:19:32 | 0:19:34 | |
Victoria, meanwhile, | 0:19:39 | 0:19:40 | |
was still wrestling with the morals of her eldest son | 0:19:40 | 0:19:43 | |
and heir - rumoured - in the wake of the Nellie Clifden affair - to have | 0:19:43 | 0:19:48 | |
developed an insatiable appetite for the pleasures of the flesh. | 0:19:48 | 0:19:53 | |
Because of Bertie getting into all these scrapes and Victoria | 0:19:55 | 0:19:59 | |
and Albert both having no sense of humour | 0:19:59 | 0:20:01 | |
and no sense of proportion about it at all, it became essential... | 0:20:01 | 0:20:04 | |
once Victoria was widowed, to marry Bertie off, in a hurry. | 0:20:04 | 0:20:09 | |
To keep him out of mischief, Bertie was packed off on a trip to | 0:20:13 | 0:20:16 | |
the Holy Land, with a middle-aged clergyman. | 0:20:16 | 0:20:20 | |
They had to send him | 0:20:20 | 0:20:22 | |
abroad in such a way as he couldn't pick up prostitutes everywhere | 0:20:22 | 0:20:25 | |
between Paris, Vienna, Jerusalem, wherever he was travelling. | 0:20:25 | 0:20:29 | |
So they sent him on a tour of the Levant with the future | 0:20:29 | 0:20:33 | |
Dean Stanley - | 0:20:33 | 0:20:36 | |
it's a ridiculous... | 0:20:36 | 0:20:37 | |
holiday that they sent him on, I mean, totally inappropriate. | 0:20:37 | 0:20:41 | |
While Bertie toured the monasteries of the Middle East, | 0:20:42 | 0:20:45 | |
his mother set in train plans for a wedding with | 0:20:45 | 0:20:48 | |
Princess Alexandra of Denmark, known as Alex. | 0:20:48 | 0:20:53 | |
Alex was rather like Bertie, not particularly well educated. | 0:20:53 | 0:20:59 | |
She was very beautiful and she was very good natured. | 0:20:59 | 0:21:02 | |
I don't think she was particularly bright | 0:21:02 | 0:21:04 | |
and she certainly wasn't interested in any intellectual pursuits. | 0:21:04 | 0:21:08 | |
Perfect for Bertie, in other words. | 0:21:08 | 0:21:10 | |
And the prince was happy to do as he was told. | 0:21:12 | 0:21:14 | |
One of the things that his parents had managed to school him in was | 0:21:15 | 0:21:19 | |
the fact that you would marry the person that you were told to marry. | 0:21:19 | 0:21:24 | |
And I think he decided that that was fine, you know, | 0:21:24 | 0:21:26 | |
that was his fate and actually, thank god, you know, | 0:21:26 | 0:21:29 | |
they'd chosen somebody who was pretty and fun. | 0:21:29 | 0:21:32 | |
TRUMPET VOLUNTARY | 0:21:32 | 0:21:35 | |
The young couple were married at Windsor in March 1863. | 0:21:38 | 0:21:43 | |
The Queen, still dressed in mourning, | 0:21:45 | 0:21:47 | |
a somewhat gloomy presence. | 0:21:47 | 0:21:50 | |
After the ceremony Bertie and his bride were obliged to share | 0:21:52 | 0:21:56 | |
the wedding photo with the groom's mother, who resolutely | 0:21:56 | 0:21:59 | |
ignored them, staring instead at a bust of her dead husband. | 0:21:59 | 0:22:04 | |
The Queen installed the newlyweds at Marlborough House, | 0:22:10 | 0:22:13 | |
just a few hundred yards from Buckingham Palace. | 0:22:13 | 0:22:16 | |
It quickly became clear she expected to exert the same control | 0:22:17 | 0:22:21 | |
over Bertie's adult life, as she had over his childhood. | 0:22:21 | 0:22:24 | |
Victoria, right from the beginning of the marriage, tries to set | 0:22:26 | 0:22:30 | |
a timetable, she tries to dictate how much time | 0:22:30 | 0:22:34 | |
they are allowed out, how much time Alexandra is allowed, for | 0:22:34 | 0:22:37 | |
example, riding in the park, which I think, initially, is not at all. | 0:22:37 | 0:22:41 | |
Victoria recruited the household servants as spies - including the | 0:22:45 | 0:22:50 | |
doctor who was required to pass on details of Alex's menstrual cycle. | 0:22:50 | 0:22:55 | |
Really, one could only call her a control freak. | 0:22:56 | 0:22:59 | |
She went on and on and on. | 0:22:59 | 0:23:01 | |
And she felt that, as Queen, she had the right to go on and on. | 0:23:01 | 0:23:05 | |
But Bertie was showing surprising resourcefulness. | 0:23:08 | 0:23:12 | |
Bertie was very good at somehow slipping through these nooses. | 0:23:13 | 0:23:17 | |
He reacted to her by being incredibly polite | 0:23:17 | 0:23:21 | |
You never see in his letters, or in his behaviour, that he's exactly | 0:23:21 | 0:23:24 | |
scared of her, but he works out ways of, sort of, skirting her. | 0:23:24 | 0:23:29 | |
And very quickly, he and Alexandra managed to establish, actually, | 0:23:30 | 0:23:34 | |
a very, very sociable circle at Marlborough House. | 0:23:34 | 0:23:38 | |
Gradually, Bertie dismissed the servants the Queen had | 0:23:42 | 0:23:45 | |
imposed on him and began to display qualities his mother lacked. | 0:23:45 | 0:23:50 | |
I think he realises the one thing he has, that his parents don't | 0:23:53 | 0:23:56 | |
have, is he can make people like him. | 0:23:56 | 0:23:59 | |
I think his parents had no use for charm. | 0:23:59 | 0:24:01 | |
Marlborough House was the opposite of the Queen's gloomy court - | 0:24:04 | 0:24:08 | |
open, inclusive, glamorous. | 0:24:08 | 0:24:11 | |
It reflected Bertie's extrovert personality | 0:24:11 | 0:24:14 | |
and provided an alternative vision of monarchy - one where the stress | 0:24:14 | 0:24:18 | |
was not on morality and sexual purity, but on theatre and show. | 0:24:18 | 0:24:24 | |
The Queen, though, could see only danger in the prince's | 0:24:32 | 0:24:35 | |
lifestyle and his aristocratic friends. | 0:24:35 | 0:24:38 | |
"At no time for the last 60 or 70 years was frivolity, | 0:24:39 | 0:24:43 | |
"the love of pleasure, self-indulgence | 0:24:43 | 0:24:46 | |
"and idleness carried to such excess as now in the higher classes. | 0:24:46 | 0:24:52 | |
"It resembles the time before the first French Revolution. | 0:24:52 | 0:24:56 | |
"It is most alarming, although you do not observe it, | 0:24:56 | 0:24:59 | |
"nor will you hear it." | 0:24:59 | 0:25:01 | |
Victoria now devoted her efforts to keeping her remaining | 0:25:05 | 0:25:09 | |
sons as far away as possible from the den of upper class | 0:25:09 | 0:25:12 | |
iniquity that was Marlborough House. | 0:25:12 | 0:25:15 | |
Where Affie and Arthur were concerned, | 0:25:18 | 0:25:20 | |
she had the ideal solution. | 0:25:20 | 0:25:22 | |
What Victoria's reign coincides with is the most extraordinary | 0:25:24 | 0:25:27 | |
expansion of Empire. | 0:25:27 | 0:25:29 | |
And it was genius, in a sense, for Albert | 0:25:29 | 0:25:32 | |
and later Victoria to set up a system which is still in play | 0:25:32 | 0:25:35 | |
today, of sending young princes out into the world to somehow bind | 0:25:35 | 0:25:40 | |
the mother country to these far-flung colonies. | 0:25:40 | 0:25:43 | |
The princes would be ambassadors of Empire - binding colonies, | 0:25:47 | 0:25:51 | |
not just to the mother country, but to the crown. | 0:25:51 | 0:25:54 | |
But for Affie - the second son - | 0:25:57 | 0:25:59 | |
it was a role that did not come naturally. | 0:25:59 | 0:26:03 | |
Affie does seem to have been rather boring, | 0:26:03 | 0:26:06 | |
the kind of man who would start an anecdote about something that | 0:26:06 | 0:26:09 | |
had doubtless happened to him a very long way away, on some voyage, | 0:26:09 | 0:26:13 | |
on some trip, and everybody would quietly edge out of the room. | 0:26:13 | 0:26:17 | |
His violin playing hadn't improved, either. | 0:26:21 | 0:26:24 | |
It came to epitomise a grating, discordant personality. | 0:26:24 | 0:26:28 | |
"Fiddle out of tune and noise abominable," | 0:26:30 | 0:26:34 | |
complained one unwilling listener. | 0:26:34 | 0:26:36 | |
Deprived of his beloved father, distant from his mother, by | 0:26:38 | 0:26:42 | |
his mid-20s, Affie had a reputation as a drinker and a womanizer. | 0:26:42 | 0:26:47 | |
He is a kind of second-rate version of Bertie, you know, | 0:26:48 | 0:26:53 | |
he's really not very bright, he's really not very interesting. | 0:26:53 | 0:26:56 | |
and he's constantly having affairs with other people. | 0:26:56 | 0:26:59 | |
In 1867, Affie was dispatched to Australia. | 0:27:02 | 0:27:06 | |
His limitations were cruelly exposed. | 0:27:06 | 0:27:09 | |
Affie proved to be the most incompetent | 0:27:09 | 0:27:15 | |
ambassador for Britain that you could possibly imagine, really. | 0:27:15 | 0:27:19 | |
He wasn't a particularly tactful figure. | 0:27:19 | 0:27:21 | |
I mean, there he was, scooting through Australia, waiting to be | 0:27:21 | 0:27:24 | |
received by all of these local dignitaries. | 0:27:24 | 0:27:27 | |
If he didn't fancy meeting them, he would just drive the coach | 0:27:27 | 0:27:31 | |
straight past and leave them all standing there. | 0:27:31 | 0:27:33 | |
What he was really interested in doing was shooting things. | 0:27:35 | 0:27:40 | |
He shot possums, | 0:27:40 | 0:27:42 | |
wombats. | 0:27:42 | 0:27:44 | |
He had no restraint, at all, when it came to massacring animals. | 0:27:44 | 0:27:51 | |
GUNSHOTS AND SCREAMING | 0:27:51 | 0:27:54 | |
But the tour ended in high drama. | 0:27:54 | 0:27:57 | |
On March 12, 1868, at a picnic in Sydney, Prince Alfred | 0:27:57 | 0:28:01 | |
suddenly found himself at the other end of the barrel. | 0:28:01 | 0:28:04 | |
This character comes up and shoots him in the back, | 0:28:07 | 0:28:09 | |
almost from point blank range. | 0:28:09 | 0:28:10 | |
Now, very luckily, the bullet just misses his spine, | 0:28:10 | 0:28:14 | |
passes through his chest cavity and lodges in his ribs at the front. | 0:28:14 | 0:28:19 | |
And this is a shot, frankly, that easily could have killed him. | 0:28:19 | 0:28:23 | |
The would-be assassin was an Irish republican. | 0:28:23 | 0:28:26 | |
The Prince made a swift recovery. | 0:28:26 | 0:28:29 | |
But the Queen was unsympathetic - seeming almost to resent | 0:28:30 | 0:28:34 | |
the attention her son was receiving. | 0:28:34 | 0:28:37 | |
"I am not as proud of Affie as you might think, for he is | 0:28:37 | 0:28:41 | |
"so conceited himself, and at the present moment receives ovations as | 0:28:41 | 0:28:45 | |
"if he had done something, instead of God's mercy having spared his life." | 0:28:45 | 0:28:50 | |
Prince Arthur - Victoria's favourite - proved rather more | 0:28:53 | 0:28:57 | |
successful as a colonial ambassador. | 0:28:57 | 0:28:59 | |
He also delighted his mother by managing to steer | 0:29:00 | 0:29:03 | |
clear of sexual scandal. | 0:29:03 | 0:29:05 | |
"I have excellent accounts of Arthur. He at least follows | 0:29:07 | 0:29:11 | |
"in his beloved father's footsteps as regards character and sense of duty." | 0:29:11 | 0:29:16 | |
But for the fourth son - Leopold - | 0:29:17 | 0:29:19 | |
watching his brothers travel the world, there was only frustration. | 0:29:19 | 0:29:23 | |
Battling his haemophilia, | 0:29:30 | 0:29:31 | |
Prince Leopold had grown into an intelligent, thoughtful teenager. | 0:29:31 | 0:29:35 | |
A talented pianist, | 0:29:37 | 0:29:39 | |
he yearned to escape the stifling atmosphere at court. | 0:29:39 | 0:29:42 | |
But for him there could be no knightly role. | 0:29:45 | 0:29:48 | |
Instead, his mother continued to treat him as a saintly invalid. | 0:29:50 | 0:29:53 | |
"All the essentially English notions of manliness must be | 0:29:56 | 0:29:59 | |
"put out of the question." | 0:29:59 | 0:30:01 | |
"He must be constantly watched. | 0:30:01 | 0:30:03 | |
I do not wish that any attempt should be made to | 0:30:03 | 0:30:06 | |
remove him from me." | 0:30:06 | 0:30:08 | |
Victoria compounded Leopold's problems by placing him | 0:30:10 | 0:30:14 | |
in the care of Archie Brown, younger brother of her | 0:30:14 | 0:30:18 | |
unpopular highland servant, John Brown. | 0:30:18 | 0:30:20 | |
What the Queen had done was to put a bully in charge of her son. | 0:30:22 | 0:30:26 | |
And there are no two ways about it, Archie Brown bullied him. | 0:30:26 | 0:30:30 | |
Leopold described his treatment in letters. | 0:30:33 | 0:30:36 | |
"He is fearfully insolent to me. | 0:30:37 | 0:30:39 | |
Hitting me on the face with spoons for fun. | 0:30:39 | 0:30:41 | |
He does nothing but jeer at and be impertinent to me every day. | 0:30:41 | 0:30:45 | |
I could tear him limb from limb... I loathe him so." | 0:30:45 | 0:30:48 | |
Archie taunts and teases him. | 0:30:53 | 0:30:56 | |
And he's completely at the mercy of this. | 0:30:56 | 0:30:59 | |
And the gentlemen of the household knew this. | 0:31:00 | 0:31:04 | |
And were on Leopold's side, and tried very, very hard | 0:31:04 | 0:31:08 | |
to suggest to the Queen that Archie Brown was not the right person. | 0:31:08 | 0:31:12 | |
And of course all the Queen saw was English prejudice, | 0:31:13 | 0:31:17 | |
and she didn't listen. | 0:31:17 | 0:31:19 | |
And this went on for years. | 0:31:19 | 0:31:22 | |
Leopold was now approaching the age Victoria feared most in her sons. | 0:31:25 | 0:31:30 | |
But where sex was concerned, she felt his haemophilia | 0:31:30 | 0:31:33 | |
made him different, as she told one of her daughters. | 0:31:33 | 0:31:36 | |
"But oh! The illness of a good child is so far less trying | 0:31:39 | 0:31:43 | |
than the sinfulness of one's sons, like your elder brothers. | 0:31:43 | 0:31:47 | |
Oh! Then one feels that death in purity | 0:31:47 | 0:31:49 | |
is so far preferable to life in sin and degradation!" | 0:31:49 | 0:31:53 | |
She's talking about a boy of 13 here. | 0:31:56 | 0:31:59 | |
And the one thing Leopold very definitely doesn't want | 0:31:59 | 0:32:03 | |
is to die in purity or any other way. | 0:32:03 | 0:32:06 | |
He'd rather have the life in sin and degradation. | 0:32:06 | 0:32:09 | |
In letters to friends, Leopold poured out his anger. | 0:32:10 | 0:32:15 | |
"The life here is becoming daily more odious and intolerable. | 0:32:15 | 0:32:19 | |
"Every inch of liberty is taken away from one, and one is watched, | 0:32:22 | 0:32:26 | |
"and everything one says or does is reported. | 0:32:26 | 0:32:29 | |
"Oh, how I do wish I could escape from this detestable house. | 0:32:30 | 0:32:34 | |
"I am looking forward to the day I shall be able to burst | 0:32:34 | 0:32:38 | |
"the bars of my iron cage and fly away for ever." | 0:32:38 | 0:32:42 | |
The battle of wills was also intensifying between the Queen | 0:32:47 | 0:32:51 | |
and the Prince of Wales. | 0:32:51 | 0:32:53 | |
Everything Victoria, disapproved of, Bertie does. | 0:32:54 | 0:32:57 | |
Victoria was really down on smoking, | 0:32:57 | 0:32:59 | |
Bertie is never without a cigar in his hand. | 0:32:59 | 0:33:02 | |
Victoria disapproved of dining out with the aristocracy. | 0:33:02 | 0:33:05 | |
Bertie is constantly dining out with the aristocracy. | 0:33:05 | 0:33:07 | |
It is a rebellion. | 0:33:07 | 0:33:09 | |
Um, against um, what Victoria's court stands for. | 0:33:09 | 0:33:12 | |
The Prince of Wales was now in his late 20s. | 0:33:17 | 0:33:20 | |
He was a father of three. | 0:33:20 | 0:33:22 | |
But his sociability was beginning to tip over into a voracious hedonism. | 0:33:22 | 0:33:28 | |
'Bertie was in every sense a very greedy person. | 0:33:30 | 0:33:33 | |
I suppose if you were a psychiatrist you would say that was | 0:33:33 | 0:33:36 | |
a sign that he was a very needy person, emotionally.' | 0:33:36 | 0:33:39 | |
And so I think he looked, as he grew up, | 0:33:39 | 0:33:42 | |
for emotional satisfaction from physical appetites. | 0:33:42 | 0:33:47 | |
As Bertie's waistline spread, the image of a pure, | 0:33:49 | 0:33:53 | |
chivalric knight fitted ever less comfortably. | 0:33:53 | 0:33:57 | |
Bertie is a throwback. | 0:33:58 | 0:33:59 | |
He has an old-fashioned aristocratic attitude towards sex, | 0:33:59 | 0:34:03 | |
which is that you get as much of it as you can with whoever you can, | 0:34:03 | 0:34:07 | |
you try not to get caught and if you do you pay people off. | 0:34:07 | 0:34:10 | |
Freed of parental constraint, | 0:34:12 | 0:34:14 | |
Bertie plunged himself into a world of pleasure... | 0:34:14 | 0:34:17 | |
CORK POPS | 0:34:17 | 0:34:18 | |
..regularly visiting brothels and keeping a string of high-society mistresses. | 0:34:18 | 0:34:23 | |
Behaviour that may also have had its roots in his unhappy childhood. | 0:34:24 | 0:34:28 | |
Many people would think he was a scarred human being. | 0:34:30 | 0:34:32 | |
Freud says the reason men go to prostitutes is to take | 0:34:32 | 0:34:35 | |
revenge on their mother. | 0:34:35 | 0:34:37 | |
His long-suffering wife, Alex, had little alternative | 0:34:40 | 0:34:44 | |
but to tolerate Bertie's philandering. | 0:34:44 | 0:34:46 | |
But then in 1870, Bertie's scandalous private life | 0:34:48 | 0:34:53 | |
burst into the open when he was named in a high-profile divorce case. | 0:34:53 | 0:34:57 | |
It's tremendously humiliating and it's extremely shocking and he | 0:35:00 | 0:35:05 | |
is certainly seen as having pulled the Royal Family into disrepute. | 0:35:05 | 0:35:09 | |
This was a direct threat to the Queen's vision of a pure | 0:35:10 | 0:35:14 | |
and virtuous monarchy. | 0:35:14 | 0:35:16 | |
But when the prince appeared in court something strange happened. | 0:35:18 | 0:35:22 | |
He was asked just a handful of questions | 0:35:22 | 0:35:25 | |
and allowed to leave the witness box. | 0:35:25 | 0:35:27 | |
Someone in the background, it seems, had pulled strings. | 0:35:28 | 0:35:33 | |
Whenever there's a crisis this happens, Victoria stands by him. | 0:35:35 | 0:35:38 | |
And that was very important to his survival in the case. | 0:35:38 | 0:35:41 | |
Because it meant the government, Gladstone, the Prime Minister, also backed Bertie. | 0:35:41 | 0:35:46 | |
And that meant that he wasn't... He was given an easy ride in court, | 0:35:46 | 0:35:50 | |
he wasn't given a tough cross-examination. | 0:35:50 | 0:35:52 | |
I mean, I don't think for a moment she believed | 0:35:52 | 0:35:55 | |
that Bertie was innocent, in these various divorce cases. | 0:35:55 | 0:35:58 | |
I think that she felt she had to say so, | 0:35:58 | 0:36:02 | |
for the good name of the Royal Family. | 0:36:02 | 0:36:05 | |
Mother and son had closed ranks. | 0:36:07 | 0:36:10 | |
And by 1870, the Queen had good reason to feel the monarchy was under threat. | 0:36:10 | 0:36:16 | |
She had been in mourning for almost a decade, effectively a recluse, | 0:36:19 | 0:36:24 | |
and the sympathy of the British people was beginning to wear thin. | 0:36:24 | 0:36:28 | |
William Gladstone, a Liberal Prime Minister Victoria loathed, | 0:36:28 | 0:36:32 | |
expressed the problem bluntly. | 0:36:32 | 0:36:34 | |
"To speak in rude and general terms, the Queen is invisible | 0:36:34 | 0:36:39 | |
and the Prince of Wales is not respected." | 0:36:39 | 0:36:42 | |
One wag placed a sign on the railings at Buckingham Palace | 0:36:43 | 0:36:47 | |
declaring the premises vacant, | 0:36:47 | 0:36:49 | |
the late occupant having retired from business. | 0:36:49 | 0:36:52 | |
With republican sentiment growing, the Prince of Wales | 0:36:53 | 0:36:57 | |
found himself with a rare opportunity to lecture his mother. | 0:36:57 | 0:37:01 | |
"If you sometimes came to London from Windsor | 0:37:01 | 0:37:04 | |
"and then drove for an hour in the Park, the people would be overjoyed. | 0:37:04 | 0:37:09 | |
"We live in radical times, and the more the people see | 0:37:09 | 0:37:12 | |
"the Sovereign the better it is for the people and the country". | 0:37:12 | 0:37:16 | |
But the Queen refused to budge. | 0:37:18 | 0:37:20 | |
And Bertie, along with the rest of his siblings, | 0:37:21 | 0:37:25 | |
knew that a direct confrontation with her was out of the question. | 0:37:25 | 0:37:29 | |
She let them know at all times that she wasn't just their mother, | 0:37:31 | 0:37:34 | |
she was their Queen, and they had no chance to disobey her. | 0:37:34 | 0:37:39 | |
They know that she can get you a job, | 0:37:41 | 0:37:43 | |
she can dish out a nice house, and she can certainly dish out... | 0:37:43 | 0:37:47 | |
..money, you know, from the civil list. | 0:37:47 | 0:37:50 | |
The family was at an impasse, the Queen refusing to end her seclusion, | 0:37:53 | 0:37:59 | |
the children terrified to challenge her. | 0:37:59 | 0:38:01 | |
It was the greatest crisis of Victoria's reign. | 0:38:02 | 0:38:06 | |
Then, in November 1871, the Prince of Wales fell ill | 0:38:10 | 0:38:14 | |
at his newly-acquired country estate of Sandringham in Norfolk. | 0:38:14 | 0:38:19 | |
The diagnosis typhoid. | 0:38:19 | 0:38:22 | |
The very illness from which his father was believed to have died from precisely ten years before. | 0:38:22 | 0:38:29 | |
Queen Victoria comes up to Sandringham. | 0:38:31 | 0:38:33 | |
It's all slightly embarrassing, because Bertie with his typhoid, is raving away. | 0:38:33 | 0:38:37 | |
He's got terrible dementia and raving away mentioning the names | 0:38:37 | 0:38:41 | |
of various mistresses that he shouldn't mention, and Alex | 0:38:41 | 0:38:43 | |
has to be sent out of the room because he's saying such unmentionable things. | 0:38:43 | 0:38:48 | |
And all the Royal princes are sort of giggling, you know, | 0:38:48 | 0:38:51 | |
all his brothers are giggling downstairs at the things that he's saying. | 0:38:51 | 0:38:54 | |
So, on the one hand it's quite funny, but on the other hand, | 0:38:54 | 0:38:57 | |
nobody...You know, there was a real danger that he might die. | 0:38:57 | 0:39:00 | |
The illness reached its climax on December 14th, the anniversary of Albert's death. | 0:39:02 | 0:39:08 | |
The newspapers carried regular bulletins. | 0:39:10 | 0:39:12 | |
And the prince's life hung in the balance. | 0:39:14 | 0:39:17 | |
And then amazingly, he turns the corner and recovers. | 0:39:21 | 0:39:25 | |
And this has the extraordinary effect of causing a complete sort of flip-flop in public opinion. | 0:39:25 | 0:39:30 | |
CROWDS CHEERING | 0:39:30 | 0:39:32 | |
A few months later, huge crowds turned out | 0:39:33 | 0:39:36 | |
for a service of thanksgiving at St Paul's Cathedral. | 0:39:36 | 0:39:40 | |
CHOIR SINGS | 0:39:41 | 0:39:43 | |
By almost dying, Bertie had established an emotional bond with the people. | 0:39:45 | 0:39:51 | |
His infidelities and his philandering, it seemed, | 0:39:52 | 0:39:54 | |
didn't matter, despite the Queen's fears. | 0:39:54 | 0:39:58 | |
And she too, persuaded to come out of seclusion for a day at least, | 0:40:00 | 0:40:05 | |
was rapturously received. | 0:40:05 | 0:40:08 | |
The threat to the monarchy had evaporated. | 0:40:08 | 0:40:10 | |
CROWD CHEERING | 0:40:12 | 0:40:13 | |
But the conflict between Victoria and her youngest son, | 0:40:15 | 0:40:19 | |
was now reaching crisis point. | 0:40:19 | 0:40:22 | |
By the start of the 1870s, Leopold was plotting an escape route... | 0:40:23 | 0:40:29 | |
..Oxford University. | 0:40:29 | 0:40:31 | |
He is an intelligent and intellectually curious man, | 0:40:32 | 0:40:36 | |
in a way that a number of his brothers weren't. | 0:40:36 | 0:40:39 | |
But he also longs for the chance to live anywhere | 0:40:39 | 0:40:43 | |
but under his mother's roof and this is what Oxford represents to him. | 0:40:43 | 0:40:47 | |
BELLS TOLL | 0:40:47 | 0:40:48 | |
He sees it as a place where he can fit in. | 0:40:48 | 0:40:51 | |
It won't matter if he's not that strong, or if he's sometimes ill. | 0:40:51 | 0:40:55 | |
He's clever. | 0:40:55 | 0:40:57 | |
BELLS TOLL | 0:40:57 | 0:40:58 | |
But, as ever, there was an obstacle. | 0:41:00 | 0:41:03 | |
Her policy is one of silence. | 0:41:05 | 0:41:08 | |
When Prince Leopold asks to go to university at Oxford, | 0:41:08 | 0:41:11 | |
Queen Victoria didn't speak to him about it for seven months. | 0:41:11 | 0:41:15 | |
Why couldn't he be content to sit at home and read books, | 0:41:16 | 0:41:19 | |
or play the piano with his sister? | 0:41:19 | 0:41:22 | |
She makes it a health argument, but it isn't, really. | 0:41:22 | 0:41:25 | |
It's a keeping him at home argument. | 0:41:25 | 0:41:27 | |
Leopold was persistent. | 0:41:31 | 0:41:34 | |
Finally the Queen gave in. | 0:41:34 | 0:41:36 | |
But she did so grudgingly. | 0:41:36 | 0:41:39 | |
"The inconvenience that it will entail on me | 0:41:41 | 0:41:43 | |
"in not having a grown-up child in the house will be considerable. | 0:41:43 | 0:41:48 | |
"I have consented on the condition that it is merely for study, | 0:41:48 | 0:41:52 | |
"and not for amusement that you go there." | 0:41:52 | 0:41:55 | |
She insisted the Prince live at a house in North Oxford with hand-picked minders | 0:41:57 | 0:42:02 | |
and that any friends be restricted to young men - | 0:42:02 | 0:42:05 | |
"marked out either by birth | 0:42:05 | 0:42:08 | |
"or by their quiet and steady qualities as fit acquaintances." | 0:42:08 | 0:42:13 | |
Really, the whole idea was, | 0:42:14 | 0:42:16 | |
"If you're going to Oxford, I'm still in charge." | 0:42:16 | 0:42:19 | |
"And you will have as much of Oxford as I say you will have." | 0:42:19 | 0:42:24 | |
"You can go to lectures but I don't want you to enjoy yourself," | 0:42:24 | 0:42:28 | |
is the bottom line. | 0:42:28 | 0:42:29 | |
But enjoy himself, Leopold did. | 0:42:31 | 0:42:34 | |
Oxford would be a dream-like interlude in his life, | 0:42:41 | 0:42:44 | |
during which he moved into the orbit of the Liddell family, | 0:42:44 | 0:42:49 | |
whose daughter, Alice, had provided the inspiration | 0:42:49 | 0:42:51 | |
for Lewis Carroll's Alice in Wonderland . | 0:42:51 | 0:42:54 | |
Alice was now a young woman, | 0:42:58 | 0:43:00 | |
and Leopold was even rumoured to be in love with her. | 0:43:00 | 0:43:03 | |
But it was another character in the story | 0:43:05 | 0:43:07 | |
who would have been most familiar to him. | 0:43:07 | 0:43:10 | |
The Queen... you don't have to squint very hard at | 0:43:11 | 0:43:14 | |
to realise is a parody of his mother | 0:43:14 | 0:43:17 | |
losing her temper all over the place, | 0:43:17 | 0:43:21 | |
um, stomping around, being wildly unpredictable. | 0:43:21 | 0:43:26 | |
Here at last was a world of ideas, | 0:43:30 | 0:43:33 | |
of intellectual stimulation, of freedom. | 0:43:33 | 0:43:36 | |
But in 1876, Leopold's time at Oxford came to an end. | 0:43:38 | 0:43:43 | |
He was 23 | 0:43:45 | 0:43:46 | |
and still desperate to find a useful and fulfilling role in life | 0:43:46 | 0:43:50 | |
as far away as possible from his mother. | 0:43:50 | 0:43:54 | |
It was a problem his oldest brother, now in his mid-30s, | 0:43:56 | 0:43:59 | |
was also wrestling with. | 0:43:59 | 0:44:02 | |
For all his hedonism, | 0:44:02 | 0:44:03 | |
the Prince of Wales yearned to be treated as a grown-up. | 0:44:03 | 0:44:07 | |
I think Victoria does infantilise him, | 0:44:08 | 0:44:10 | |
she doesn't give him a chance to grow up, certainly. | 0:44:10 | 0:44:13 | |
You know, she criticises him for not being responsible, not working | 0:44:13 | 0:44:16 | |
and yet she doesn't allow him any responsibility, | 0:44:16 | 0:44:18 | |
it's a no-win situation for him. | 0:44:18 | 0:44:20 | |
Bertie pleaded to be given a key | 0:44:21 | 0:44:23 | |
to the Queen's government dispatch boxes, | 0:44:23 | 0:44:26 | |
so that he could share in her official duties, | 0:44:26 | 0:44:29 | |
and learn the profession of monarch. | 0:44:29 | 0:44:31 | |
He was refused. | 0:44:32 | 0:44:34 | |
Victoria's reason for not giving him access | 0:44:36 | 0:44:38 | |
is saying that he's indiscreet and she tells everybody that, | 0:44:38 | 0:44:41 | |
"Bertie, if you tell him a secret, he'll tell everybody at a dinner party | 0:44:41 | 0:44:44 | |
"and the secret will no longer be a secret." | 0:44:44 | 0:44:47 | |
Bertie deeply resented this | 0:44:48 | 0:44:50 | |
and was angry that he was often kept out of the family business. | 0:44:50 | 0:44:54 | |
"I do not think that I am prone to 'let the cat out of the bag' | 0:44:55 | 0:45:00 | |
"as a rule, or to betray confidences. | 0:45:00 | 0:45:04 | |
"It is often with great regret that I either learn first from others | 0:45:04 | 0:45:07 | |
"or see in the newspapers, | 0:45:07 | 0:45:09 | |
"hints or facts stated with regard to members of our family." | 0:45:09 | 0:45:13 | |
In 1875 the Prince of Wales took matters into his own hands, | 0:45:20 | 0:45:24 | |
and organised for himself a trip to Britain's richest possession - | 0:45:24 | 0:45:29 | |
India. | 0:45:29 | 0:45:31 | |
The Queen, so keen to see her younger sons | 0:45:31 | 0:45:34 | |
act as ambassadors of empire, was furious. | 0:45:34 | 0:45:37 | |
Victoria didn't want Bertie to go to India | 0:45:39 | 0:45:41 | |
because she thought there would be a scrape. | 0:45:41 | 0:45:43 | |
She had visions of him climbing on rope ladders up, | 0:45:43 | 0:45:47 | |
up the walls of Indian harems. | 0:45:47 | 0:45:49 | |
But Bertie surprised her. He was charming, he was gracious. | 0:45:52 | 0:45:58 | |
He remembered names and faces | 0:45:58 | 0:46:00 | |
and played the part of an imperial prince to perfection. | 0:46:00 | 0:46:03 | |
Like Prince Alfred, he carried out a wholesale slaughter of wildlife. | 0:46:06 | 0:46:10 | |
But these hunting trips with the maharajas | 0:46:11 | 0:46:14 | |
were all part of the performance. | 0:46:14 | 0:46:17 | |
He grasps the theatre of empire - | 0:46:17 | 0:46:19 | |
he knew how to dress, he knew how to present himself, | 0:46:19 | 0:46:23 | |
he knew how to put himself on display. | 0:46:23 | 0:46:26 | |
He believed in ostentation and this was part of the role of monarchy. | 0:46:26 | 0:46:31 | |
Indian princes, were incorporated into the whole royal mystique, | 0:46:31 | 0:46:35 | |
and their loyalty was partly generated | 0:46:35 | 0:46:40 | |
by the spectacle that he created, going past on his elephant, | 0:46:40 | 0:46:46 | |
looking the part of a kind of living god. | 0:46:46 | 0:46:49 | |
India proved the perfect stage | 0:46:51 | 0:46:53 | |
for Bertie's ceremonial, theatrical Vision of monarchy. | 0:46:53 | 0:46:58 | |
It would be a template for all royal tours that followed. | 0:46:58 | 0:47:01 | |
The Prince also revealed himself to be more enlightened | 0:47:04 | 0:47:07 | |
than most colonial officers. | 0:47:07 | 0:47:09 | |
He told one: | 0:47:09 | 0:47:11 | |
"Because a man has a black face and a different religion | 0:47:11 | 0:47:14 | |
"from our own, there is no reason why he should be treated as a brute." | 0:47:14 | 0:47:18 | |
The Queen, who loved India and Indians, agreed. | 0:47:22 | 0:47:26 | |
But Bertie's ceremonial vision of monarchy left her unmoved. | 0:47:26 | 0:47:31 | |
She complained her son's letters were boring. | 0:47:31 | 0:47:34 | |
"Bertie's progresses lose a little interest | 0:47:34 | 0:47:37 | |
"and are very wearing as there is such a constant repetition | 0:47:37 | 0:47:41 | |
"of elephants, trappings, jewels illuminations and fireworks." | 0:47:41 | 0:47:46 | |
Queen Victoria was jealous of the success | 0:47:48 | 0:47:52 | |
of her eldest son in India, | 0:47:52 | 0:47:54 | |
she thought that the key thing was her imperial position | 0:47:54 | 0:48:00 | |
not his vulgar jaunts to the ends of the earth. | 0:48:00 | 0:48:04 | |
While the Prince of Wales was on his way home, | 0:48:07 | 0:48:10 | |
Victoria stole his thunder, accepting a proposal | 0:48:10 | 0:48:13 | |
from her favourite prime minister, Benjamin Disraeli, | 0:48:13 | 0:48:16 | |
that she be crowned Empress of India. | 0:48:16 | 0:48:19 | |
She didn't even tell Bertie | 0:48:19 | 0:48:22 | |
who found out from the press and was furious. | 0:48:22 | 0:48:27 | |
"In no other country in the world, would the next heir to the throne | 0:48:27 | 0:48:31 | |
"have been treated under similar circumstances in such a manner." | 0:48:31 | 0:48:37 | |
I think it's very interesting that Victoria really conforms | 0:48:37 | 0:48:40 | |
to the Hanoverian tradition of being poisonous to your heir, | 0:48:40 | 0:48:44 | |
treating the heir, really, almost as an enemy | 0:48:44 | 0:48:47 | |
and yet Bertie doesn't respond in the conventional Hanoverian fashion, | 0:48:47 | 0:48:51 | |
he never intrigues against her, | 0:48:51 | 0:48:52 | |
so, he in a way is the one way who understands | 0:48:52 | 0:48:56 | |
the way in which politics are changing and Victoria doesn't. | 0:48:56 | 0:49:00 | |
William Gladstone - the leading statesman of the day - | 0:49:01 | 0:49:04 | |
could see Bertie's qualities. | 0:49:04 | 0:49:06 | |
"He would make an excellent sovereign. | 0:49:06 | 0:49:09 | |
"He is far more fitted for that high place | 0:49:09 | 0:49:11 | |
"than her present Majesty now is. | 0:49:11 | 0:49:14 | |
"He would see both sides. He would always be open to argument. | 0:49:14 | 0:49:19 | |
"He would never domineer or dictate." | 0:49:19 | 0:49:22 | |
But the Queen's own comments on her son remained chilling. | 0:49:22 | 0:49:26 | |
"I often pray he may never survive me, | 0:49:28 | 0:49:31 | |
"for I know not what would happen." | 0:49:31 | 0:49:33 | |
Victoria continued to exclude her oldest son from all state business. | 0:49:37 | 0:49:43 | |
Her youngest, meanwhile, was launching another bid | 0:49:47 | 0:49:50 | |
to escape her clutches. | 0:49:50 | 0:49:52 | |
In 1882, Leopold married Princess Helen of Waldeck in Germany. | 0:49:52 | 0:49:57 | |
The Queen accepted the match | 0:49:58 | 0:50:01 | |
but was embarrassed by the sight of Leopold | 0:50:01 | 0:50:03 | |
leaning on a walking stick at the wedding... | 0:50:03 | 0:50:06 | |
"It is a sad exhibition and I fear everyone must be shocked at it. | 0:50:07 | 0:50:11 | |
"I pity her but she seems only to think of him | 0:50:11 | 0:50:14 | |
"with love and affection." | 0:50:14 | 0:50:17 | |
The couple quickly produced a child and Leopold then put himself forward | 0:50:19 | 0:50:24 | |
for the role of governor of Victoria, in Australia. | 0:50:24 | 0:50:27 | |
About as far away from his mother as he could get. | 0:50:27 | 0:50:31 | |
But the Queen blocked the move. | 0:50:31 | 0:50:34 | |
"His first duty is to me, but this he has never understood. | 0:50:35 | 0:50:40 | |
"Sad and suffering as I am, I was made quite ill | 0:50:40 | 0:50:43 | |
"by this new and totally unexpected shock." | 0:50:43 | 0:50:47 | |
Leopold pleaded with his mother. | 0:50:51 | 0:50:54 | |
"My brothers have been given appointment after appointment, | 0:50:54 | 0:50:58 | |
"and though the many sad disappointments of my life | 0:50:58 | 0:51:00 | |
"have not led me to expect much, it would indeed be bitter to lose this, | 0:51:00 | 0:51:05 | |
"the last thing I shall ever beg of you." | 0:51:05 | 0:51:08 | |
Not for the first time, | 0:51:09 | 0:51:11 | |
the stress of conflict with his mother | 0:51:11 | 0:51:13 | |
undermined Prince Leopold's health. | 0:51:13 | 0:51:16 | |
Mental health, emotional health can affect bleeding in haemophilia, | 0:51:17 | 0:51:21 | |
and certainly, this seems to be borne out with Leopold. | 0:51:21 | 0:51:24 | |
Throughout his life, it's very striking that | 0:51:24 | 0:51:27 | |
when he clashes with his mother, his health declines. | 0:51:27 | 0:51:30 | |
Leopold went to the south of France to recuperate. | 0:51:34 | 0:51:38 | |
There, on March 27, 1884, he banged his knee | 0:51:38 | 0:51:42 | |
while climbing the stairs at the Yacht Club in Cannes. | 0:51:42 | 0:51:45 | |
The accident caused severe internal bleeding | 0:51:47 | 0:51:50 | |
and he was carried back to his hotel. | 0:51:50 | 0:51:52 | |
He wrote to this wife, actually it's a heart breaking letter, | 0:51:53 | 0:51:58 | |
because it ends, "Darling, the pain is struggling so with me, | 0:51:58 | 0:52:03 | |
"I cannot write more". | 0:52:03 | 0:52:05 | |
And the signature physically tails off. | 0:52:05 | 0:52:09 | |
And this is his last letter. | 0:52:09 | 0:52:11 | |
Leopold died in the night from what were described as "convulsions". | 0:52:15 | 0:52:21 | |
He was only 30 - his short life blighted not just by illness, | 0:52:21 | 0:52:25 | |
but also, it seems, by his mother's mania to control. | 0:52:25 | 0:52:30 | |
Victoria mourned Leopold's death - | 0:52:33 | 0:52:36 | |
but lamented his refusal to resign himself to the life of an invalid. | 0:52:36 | 0:52:40 | |
"For dear Leopold, there was such a restless longing | 0:52:42 | 0:52:46 | |
"for what he could not have, | 0:52:46 | 0:52:48 | |
"that seemed to increase, rather than lessen." | 0:52:48 | 0:52:51 | |
Victoria - now an old woman - | 0:53:02 | 0:53:04 | |
had lost the one son who genuinely resembled his sainted father. | 0:53:04 | 0:53:09 | |
The other three were now well into corpulent middle age. | 0:53:13 | 0:53:17 | |
Only Prince Arthur, now commander of the British army in Bombay, | 0:53:17 | 0:53:22 | |
was on good terms with his mother. | 0:53:22 | 0:53:24 | |
She remained determined to view Bertie as a disappointment. | 0:53:24 | 0:53:29 | |
While Affie - the other black sheep - | 0:53:29 | 0:53:32 | |
was about to bring the story of Victoria's family full circle. | 0:53:32 | 0:53:36 | |
In 1893, Affie became Duke of Saxe-Coburg in Germany, | 0:53:39 | 0:53:44 | |
a title he had inherited from his father's family. | 0:53:44 | 0:53:47 | |
He moved into the Palace of Rosenau, | 0:53:53 | 0:53:55 | |
where Prince Albert had been born 74 years before. | 0:53:55 | 0:53:59 | |
It was not a happy homecoming. | 0:53:59 | 0:54:02 | |
This character who's been used to roaming the high seas | 0:54:04 | 0:54:07 | |
all of a sudden is placed in this landlocked, relatively insignificant | 0:54:07 | 0:54:11 | |
little German principality, where things don't go terribly well. | 0:54:11 | 0:54:15 | |
We have a sense at the end of Affie's life of a man | 0:54:17 | 0:54:19 | |
who is isolated by disappointment and unhappiness. | 0:54:19 | 0:54:23 | |
He had become commander-in-chief of the British Navy, | 0:54:23 | 0:54:27 | |
but when he became Duke of Saxe-Coburg had to give that up. | 0:54:27 | 0:54:30 | |
Victoria and Albert had dreamed of a Europe | 0:54:34 | 0:54:37 | |
united in peace and harmony through their family. | 0:54:37 | 0:54:41 | |
But Affie now found himself a dynastic relic, | 0:54:41 | 0:54:46 | |
an English prince stranded in the newly united Germany, | 0:54:46 | 0:54:50 | |
subordinate to his overbearing and erratic nephew, Kaiser Wilhelm. | 0:54:51 | 0:54:56 | |
Estranged from his wife and drinking heavily, | 0:54:58 | 0:55:01 | |
the Sailor Prince died of cancer in 1900. | 0:55:01 | 0:55:05 | |
He was 55. | 0:55:05 | 0:55:07 | |
Six months later, the remaining family | 0:55:11 | 0:55:14 | |
gathered at Osborne around the death bed of the Queen herself. | 0:55:14 | 0:55:18 | |
Of her nine children, three were now dead | 0:55:21 | 0:55:24 | |
and the oldest, Vicky, lay dying in Berlin, also of cancer. | 0:55:24 | 0:55:30 | |
For all of them, life had been a struggle to survive | 0:55:32 | 0:55:35 | |
the extraordinary personality of their mother. | 0:55:35 | 0:55:38 | |
I feel that none of her children doubted their love for her. | 0:55:40 | 0:55:44 | |
What they may have questioned is the nature of that love | 0:55:44 | 0:55:47 | |
and there are certainly occasions when all nine of her children | 0:55:47 | 0:55:50 | |
had reason to consider Victoria's love rather a selfish thing. | 0:55:50 | 0:55:54 | |
I think they did a very good job, actually, | 0:55:54 | 0:55:56 | |
of what could have been quite a crippling emotional experience, | 0:55:56 | 0:56:02 | |
being endlessly harangued about how imperfect they were, | 0:56:02 | 0:56:05 | |
in comparison with their perfect father. | 0:56:05 | 0:56:09 | |
Really it was not until after Victoria's death | 0:56:09 | 0:56:12 | |
that they could really, really live their own lives. | 0:56:12 | 0:56:16 | |
None had felt the weight of her disapproval more than Bertie. | 0:56:18 | 0:56:21 | |
On her deathbed, his mother asked him to kiss her and he wept. | 0:56:23 | 0:56:28 | |
A kind of reconciliation. | 0:56:28 | 0:56:30 | |
She died the next day, | 0:56:32 | 0:56:35 | |
her body laid out beneath the death portrait of her beloved husband, | 0:56:35 | 0:56:40 | |
who had died 40 years before. | 0:56:40 | 0:56:43 | |
Victoria was buried amidst grandeur | 0:56:50 | 0:56:52 | |
befitting the queen of the world's greatest imperial power. | 0:56:52 | 0:56:56 | |
She was the grandmother of Europe. | 0:56:57 | 0:57:00 | |
Five reigning monarchs and seven grand princes | 0:57:00 | 0:57:04 | |
escorted her to her grave - most of them related to her. | 0:57:04 | 0:57:08 | |
But within 14 years, they would be in conflict | 0:57:09 | 0:57:12 | |
as the dynastic web Victoria had woven across Europe | 0:57:12 | 0:57:15 | |
unravelled in war and revolution. | 0:57:15 | 0:57:19 | |
Of the great imperial dynasties of Europe, | 0:57:19 | 0:57:23 | |
only Victoria's would survive, | 0:57:23 | 0:57:26 | |
in no small part because of the abilities of her son, | 0:57:26 | 0:57:30 | |
now King Edward VII, who would reign for nine years | 0:57:30 | 0:57:34 | |
with tact, charm and diplomacy. | 0:57:34 | 0:57:37 | |
Bertie is the great survivor. | 0:57:39 | 0:57:41 | |
He comes to the throne, and he makes a huge, huge success of being king, | 0:57:41 | 0:57:45 | |
within relatively limited tramlines I suppose, | 0:57:45 | 0:57:49 | |
but he is a very, very successful king. | 0:57:49 | 0:57:51 | |
Victoria and Albert had believed in a monarchy | 0:57:55 | 0:57:58 | |
that reigned by moral example. A new Camelot. | 0:57:58 | 0:58:03 | |
But morality has never sat easily with princes. | 0:58:03 | 0:58:06 | |
Bertie offered an alternative. | 0:58:06 | 0:58:09 | |
A monarchy providing ceremony and theatre, | 0:58:09 | 0:58:12 | |
ranking public duty above domestic virtue. | 0:58:12 | 0:58:18 | |
In the century since - | 0:58:18 | 0:58:19 | |
as media scrutiny has grown ever more intense | 0:58:19 | 0:58:23 | |
Bertie's vision has generally proved a safer option for the Royal family. | 0:58:23 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:35 |