Browse content similar to Get It On 70-72. Check below for episodes and series from the same categories and more!
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MUSIC: "Automatically Sunshine" by The Supremes | 0:00:02 | 0:00:04 | |
# Ooh, baby Let's take life's highway | 0:00:07 | 0:00:11 | |
# It's automatically yours and my way | 0:00:11 | 0:00:14 | |
# No road is too rough to travel | 0:00:14 | 0:00:18 | |
# We'll walk barefoot | 0:00:18 | 0:00:20 | |
# On life's gravel | 0:00:20 | 0:00:22 | |
# Together whatever we express now | 0:00:22 | 0:00:26 | |
# Automatically means success now | 0:00:26 | 0:00:30 | |
# Whatever mystery life's about | 0:00:30 | 0:00:33 | |
# There's no doubt we'll work it out | 0:00:33 | 0:00:37 | |
# I'm yours and you're mine | 0:00:37 | 0:00:41 | |
# It's automatically sunshine | 0:00:41 | 0:00:44 | |
# Ooh | 0:00:44 | 0:00:46 | |
# Baby. # | 0:00:48 | 0:00:50 | |
Maybe you were falling in love with music, or just falling in love. | 0:00:51 | 0:00:55 | |
Perhaps you were sitting exams and getting serious, | 0:00:55 | 0:00:59 | |
or out mucking around with your pals in the playground. | 0:00:59 | 0:01:02 | |
Perhaps, like me, you were just being born. | 0:01:02 | 0:01:06 | |
Or maybe you weren't even born at all. | 0:01:06 | 0:01:08 | |
Whatever you got up to in the 1970s, | 0:01:11 | 0:01:13 | |
it's passed from rose-tinted memories | 0:01:13 | 0:01:16 | |
into our shared national history. | 0:01:16 | 0:01:19 | |
In many ways, '70s Britain | 0:01:21 | 0:01:22 | |
feels like a very strange and distant place. | 0:01:22 | 0:01:25 | |
But it's time to look again | 0:01:25 | 0:01:27 | |
at the years of Ted Heath, Marc Bolan and Mary Whitehouse, | 0:01:27 | 0:01:31 | |
Because this was the decade | 0:01:31 | 0:01:33 | |
in which 21st-century Britain, our Britain, was born. | 0:01:33 | 0:01:38 | |
We often think that the 1960s gave us freedom | 0:01:38 | 0:01:42 | |
and the 1980s gave us money. | 0:01:42 | 0:01:45 | |
But, for most people, it was in the 1970s | 0:01:45 | 0:01:48 | |
that those two thrills really arrived. | 0:01:48 | 0:01:52 | |
These were years of tremendous change, | 0:01:52 | 0:01:55 | |
shattering the cosy post-war consensus. | 0:01:55 | 0:01:58 | |
And, for millions of ordinary families, a brave new world, | 0:01:58 | 0:02:02 | |
at once exciting and terrifying, was at hand. | 0:02:02 | 0:02:06 | |
The British people were impatient for more. | 0:02:06 | 0:02:10 | |
More freedom, more opportunities, and more money. | 0:02:10 | 0:02:14 | |
And, in the first years of the 1970s, they went out to get it. | 0:02:14 | 0:02:19 | |
Britain, 1970. | 0:02:35 | 0:02:37 | |
A nation basking in the sunshine of affluence and security, | 0:02:37 | 0:02:43 | |
happy and self-confident after 25 years of the post-war boom. | 0:02:43 | 0:02:48 | |
For most ordinary families, | 0:02:53 | 0:02:55 | |
life in 1970 was quite simply better than it had ever been. | 0:02:55 | 0:02:59 | |
This was a blessed generation. | 0:02:59 | 0:03:02 | |
We had work, we had welfare, | 0:03:08 | 0:03:11 | |
and we had wealth - | 0:03:11 | 0:03:12 | |
on a scale people have never known before. | 0:03:12 | 0:03:15 | |
But now, people were looking for something more. | 0:03:17 | 0:03:20 | |
Something solid, something permanent, | 0:03:20 | 0:03:23 | |
something that would confirm that they had arrived. | 0:03:23 | 0:03:27 | |
By the dawn of the 1970s, the affluent society | 0:03:27 | 0:03:30 | |
had become a fact of life. | 0:03:30 | 0:03:32 | |
Even an ordinary family now had expectations | 0:03:32 | 0:03:35 | |
that their forebears could barely have imagined. | 0:03:35 | 0:03:39 | |
And at the heart of all their ambitions, | 0:03:39 | 0:03:42 | |
was something we now take for granted - a home of their own. | 0:03:42 | 0:03:45 | |
-It's our house. -I know, pet, our house. | 0:03:50 | 0:03:55 | |
Chez nous. | 0:03:55 | 0:03:56 | |
Oh, Bob, I can't wait to move in. | 0:03:56 | 0:04:01 | |
In the '50s and '60s, many people had still grown up | 0:04:03 | 0:04:07 | |
in overcrowded terraces and damp, sodden flats. | 0:04:07 | 0:04:11 | |
Many still had shared bathrooms, or had no indoor bathrooms at all. | 0:04:11 | 0:04:16 | |
But now, they were ready to escape the shadow of the past, | 0:04:17 | 0:04:22 | |
to leave behind the soot and smoke and squalor | 0:04:22 | 0:04:26 | |
and to strike out for pastures new. | 0:04:26 | 0:04:28 | |
These were the Wimpey years, | 0:04:38 | 0:04:40 | |
when brand-new estates of neat, little houses | 0:04:40 | 0:04:43 | |
blossomed on the suburban fringes of the nation's cities. | 0:04:43 | 0:04:47 | |
And this is the little bedroom. | 0:04:47 | 0:04:50 | |
You can either use that for the nursery, | 0:04:50 | 0:04:52 | |
or you can throw your mother-in-law in that one. | 0:04:52 | 0:04:54 | |
And nothing better captured the spirit of change | 0:04:58 | 0:05:01 | |
than Britain's new towns. | 0:05:01 | 0:05:04 | |
Enough homes, opportunities, and facilities befitting | 0:05:06 | 0:05:10 | |
a civilised way of life for an extra 100,000 people are to be built here. | 0:05:10 | 0:05:16 | |
One of the biggest developments | 0:05:19 | 0:05:21 | |
was the expansion of the old city of Peterborough, | 0:05:21 | 0:05:24 | |
transformed by a government scheme | 0:05:24 | 0:05:27 | |
to rehouse the people of London's slums. | 0:05:27 | 0:05:30 | |
For the same rent they were paying in Lambeth, | 0:05:34 | 0:05:37 | |
some £5 a week, inner-city tenants | 0:05:37 | 0:05:40 | |
could move into a brand-new house in Peterborough. | 0:05:40 | 0:05:43 | |
And what was more, | 0:05:43 | 0:05:45 | |
they were encouraged to think about buying their houses outright. | 0:05:45 | 0:05:49 | |
For years, people had been told | 0:05:51 | 0:05:53 | |
that an Englishman's home was his castle. | 0:05:53 | 0:05:56 | |
But for millions of people, | 0:05:56 | 0:05:58 | |
it was only in the 1970s that that dream became a reality. | 0:05:58 | 0:06:02 | |
As early as 1972, more than half of Peterborough's residents | 0:06:06 | 0:06:11 | |
already owned their own houses. | 0:06:11 | 0:06:13 | |
In this little corner of eastern England, | 0:06:16 | 0:06:19 | |
a new world was taking shape. | 0:06:19 | 0:06:21 | |
New towns had decent motorway links, good schools, | 0:06:25 | 0:06:28 | |
brand-new supermarkets, | 0:06:28 | 0:06:30 | |
even the first indoor shopping centres. | 0:06:30 | 0:06:33 | |
Yes, they weren't terribly grand or picturesque, | 0:06:33 | 0:06:36 | |
but they succeeded because they fulfilled the ambitions | 0:06:36 | 0:06:39 | |
of hundreds of thousands of ordinary British families. | 0:06:39 | 0:06:42 | |
A steady job, a safe neighbourhood, a neat suburban home, | 0:06:42 | 0:06:47 | |
a back garden, even central heating. | 0:06:47 | 0:06:50 | |
And for people who had grown up | 0:06:50 | 0:06:51 | |
in damp and dilapidated inner cities, | 0:06:51 | 0:06:53 | |
places like Peterborough were the future. | 0:06:53 | 0:06:56 | |
# I'll light the fire... | 0:06:56 | 0:06:59 | |
For young couples, born after the Second World War, | 0:06:59 | 0:07:01 | |
and now in their 20s and 30s, here was the chance | 0:07:01 | 0:07:05 | |
to not only have their own space and do their own thing, | 0:07:05 | 0:07:08 | |
but to join the swelling ranks | 0:07:08 | 0:07:10 | |
of the property-owning middle classes. | 0:07:10 | 0:07:13 | |
# Staring at the fire... | 0:07:13 | 0:07:15 | |
When you do tell people you've got your own house, | 0:07:15 | 0:07:18 | |
then it's a status symbol. | 0:07:18 | 0:07:20 | |
You know, you just feel nice, you know. | 0:07:20 | 0:07:23 | |
You pay rent, you pay it for the rest of your life | 0:07:23 | 0:07:28 | |
and at the end of it, you've nothing to show. | 0:07:28 | 0:07:31 | |
Whereas, with this, we sincerely hope, anyway, | 0:07:31 | 0:07:34 | |
that at the end we shall have a saleable property. | 0:07:34 | 0:07:37 | |
If somebody was to describe how you were getting on in life, | 0:07:37 | 0:07:40 | |
say a relation, you'd say, "He's got a car." They'd say, "He's got his own house." | 0:07:40 | 0:07:45 | |
They wouldn't just say, "He's got a house." | 0:07:45 | 0:07:47 | |
So it must mean something, you've got your own house. | 0:07:47 | 0:07:49 | |
# Our house | 0:07:49 | 0:07:52 | |
# Is a very, very, very fine house | 0:07:52 | 0:07:55 | |
# With two cats in the yard... # | 0:07:55 | 0:07:59 | |
Until September 1971, most ordinary house buyers | 0:07:59 | 0:08:03 | |
could only get a mortgage from their local building society. | 0:08:03 | 0:08:07 | |
But then, in one of those tiny decisions | 0:08:07 | 0:08:10 | |
that have incalculable long-term consequences, | 0:08:10 | 0:08:13 | |
the Bank of England relaxed its lending rules. | 0:08:13 | 0:08:16 | |
Now, high-street banks were free to compete in the mortgage market | 0:08:16 | 0:08:19 | |
and as The Times put it, | 0:08:19 | 0:08:22 | |
it was as though the Bank of England had changed the traffic lights | 0:08:22 | 0:08:25 | |
from red to green, and the great property race was on. | 0:08:25 | 0:08:30 | |
But not everyone wanted the fresh air | 0:08:36 | 0:08:39 | |
and fresh paint of the new towns. | 0:08:39 | 0:08:42 | |
There was another housing make-over going on in Britain in the early '70s, | 0:08:42 | 0:08:46 | |
one that would have an enduring impact on our city life. | 0:08:46 | 0:08:49 | |
For young, left-leaning hippyish professionals, | 0:08:55 | 0:08:58 | |
the old slums of inner-city London represented a rare opportunity. | 0:08:58 | 0:09:04 | |
Streets like this one in Islington | 0:09:04 | 0:09:06 | |
were transformed by middle-class couples, | 0:09:06 | 0:09:08 | |
driven by their bohemian ideals | 0:09:08 | 0:09:10 | |
and their desire to escape from the shadow of their parents. | 0:09:10 | 0:09:14 | |
The new residents of areas like Islington | 0:09:18 | 0:09:20 | |
thought of themselves as pioneers, | 0:09:20 | 0:09:23 | |
building a self-consciously progressive enclave | 0:09:23 | 0:09:26 | |
in the heart of the city. | 0:09:26 | 0:09:28 | |
They send their children to the new state primary school | 0:09:28 | 0:09:32 | |
just down the street. | 0:09:32 | 0:09:33 | |
And they waxed lyrical about the multi-cultural diversity | 0:09:33 | 0:09:37 | |
of their new domains. | 0:09:37 | 0:09:39 | |
We like living in an area which has all sorts of people | 0:09:40 | 0:09:45 | |
from different occupations and all sorts of different land uses. | 0:09:45 | 0:09:49 | |
For example, there are three factories in this square. | 0:09:49 | 0:09:53 | |
But for these high-minded Guardian-reading gentrifiers, | 0:09:54 | 0:09:58 | |
there were canny financial motives behind all the liberal gloss. | 0:09:58 | 0:10:02 | |
The third one along there is owned by some cousins of mine | 0:10:04 | 0:10:08 | |
and the last one is divided into flats. | 0:10:08 | 0:10:14 | |
The cousins actually told us about this house | 0:10:14 | 0:10:17 | |
and we bought the house together, and I eventually bought them out | 0:10:17 | 0:10:22 | |
before we moved into this house. | 0:10:22 | 0:10:25 | |
The irony was that as middle-class couples moved into the area, | 0:10:29 | 0:10:34 | |
they drove property prices up and working-class residents out. | 0:10:34 | 0:10:38 | |
And as landlords cashed in by selling to the middle-class newcomers, | 0:10:38 | 0:10:42 | |
everyone got rich. | 0:10:42 | 0:10:44 | |
Property today is big money | 0:10:44 | 0:10:46 | |
and that's what's attracting the speculators large and small. | 0:10:46 | 0:10:49 | |
Yet, however huge the profits, however keen competition, | 0:10:49 | 0:10:53 | |
this isn't simply a game of stocks and shares, | 0:10:53 | 0:10:55 | |
because property also means people's homes. | 0:10:55 | 0:10:58 | |
Today, we call this gentrification. | 0:11:00 | 0:11:04 | |
And inner-city Britain would never be the same again. | 0:11:04 | 0:11:07 | |
All those overheated dinner party conversations about property, | 0:11:07 | 0:11:13 | |
they started in this first flush of the 1970s. | 0:11:13 | 0:11:16 | |
Make it 30,000, madam. Is it the mortgage you worried about? | 0:11:17 | 0:11:21 | |
LAUGHTER | 0:11:21 | 0:11:23 | |
Come on, dear. | 0:11:23 | 0:11:24 | |
-£30,000. -At £30,000. That's more like it. | 0:11:24 | 0:11:26 | |
At £30,000 I'm selling. | 0:11:26 | 0:11:28 | |
I warn you, by next year, it's going to be worth 35. | 0:11:28 | 0:11:32 | |
Yours at £30,000, sir. | 0:11:32 | 0:11:34 | |
In 1972 and '73, house prices went up the biggest margin in history, | 0:11:38 | 0:11:43 | |
a staggering 70% in two years. | 0:11:43 | 0:11:47 | |
-Hey, look at that! -What? | 0:11:49 | 0:11:51 | |
CASH TILL SOUND EFFECT | 0:11:51 | 0:11:53 | |
Good grief. Prices are going up fast. | 0:11:53 | 0:11:58 | |
Look, we can't afford anything. | 0:11:58 | 0:12:00 | |
Why don't we just pack it in, go back? | 0:12:00 | 0:12:02 | |
-No, here's something in our price range. £5,000. -What's that? | 0:12:02 | 0:12:06 | |
A dog kennel. | 0:12:06 | 0:12:07 | |
And by 1980, the average house was worth ten times its value in 1970. | 0:12:09 | 0:12:15 | |
This was a new landscape of shiny kitchens in trim, tidy houses. | 0:12:17 | 0:12:24 | |
We often think that Margaret Thatcher created this, | 0:12:24 | 0:12:27 | |
but she didn't. | 0:12:27 | 0:12:29 | |
It created her. | 0:12:29 | 0:12:30 | |
But they were the foundation stone of a new suburban society, | 0:12:30 | 0:12:34 | |
marking the transition from an old, class-based collective culture | 0:12:34 | 0:12:39 | |
to a new domesticated, individualistic one. | 0:12:39 | 0:12:43 | |
-AD JINGLE: -# Oh what a lovely surprise | 0:12:43 | 0:12:48 | |
# Furniture to dream about | 0:12:48 | 0:12:50 | |
# Talk about, scheme about | 0:12:50 | 0:12:53 | |
# Furniture for you. # | 0:12:53 | 0:12:55 | |
Eventually, as so often, this housing boom would turn to bust. | 0:12:55 | 0:13:01 | |
But in the long run, | 0:13:01 | 0:13:02 | |
property had become the central pillar of the new affluent society. | 0:13:02 | 0:13:08 | |
Among those moving into new houses in the summer of 1970, | 0:13:12 | 0:13:17 | |
one man, in London SW1, | 0:13:17 | 0:13:19 | |
faced a particularly daunting redecorating job. | 0:13:19 | 0:13:23 | |
Like the gentrifiers of Islington, | 0:13:25 | 0:13:28 | |
he had just moved into a rundown, 18th-century town house. | 0:13:28 | 0:13:32 | |
And he was determined to drag it into the 1970s, | 0:13:32 | 0:13:35 | |
bringing in his black-leather armchairs, his marble tables, | 0:13:35 | 0:13:39 | |
his gleaming new stereo and the love of his life, his Steinway piano. | 0:13:39 | 0:13:45 | |
His name was Edward Heath. | 0:13:45 | 0:13:47 | |
And his address was 10 Downing Street. | 0:13:47 | 0:13:51 | |
This Government will be at the service | 0:13:54 | 0:13:58 | |
of all the people, the whole nation. | 0:13:58 | 0:14:02 | |
Keen to banish every last taint of his hated rival, | 0:14:07 | 0:14:11 | |
Labour's Harold Wilson, | 0:14:11 | 0:14:12 | |
Heath ripped out the dark-red carpets | 0:14:12 | 0:14:15 | |
and put in brand-new gold ones. | 0:14:15 | 0:14:18 | |
In the Cabinet room, out went the battered leather armchairs | 0:14:18 | 0:14:21 | |
and the tatty, green-felt table, | 0:14:21 | 0:14:23 | |
and in came a symphony of beiges and browns. | 0:14:23 | 0:14:27 | |
Heath's friends told him that it looked stylish and modern, | 0:14:27 | 0:14:31 | |
like a cool bachelor pad. | 0:14:31 | 0:14:33 | |
Most people thought it looked more like a boudoir. | 0:14:33 | 0:14:36 | |
But Ted Heath was like no Tory leader before. | 0:14:38 | 0:14:41 | |
He wasn't public school and silver spoon. | 0:14:42 | 0:14:45 | |
He was the son of a jobbing builder from Kent. | 0:14:45 | 0:14:48 | |
A self-made grammar-school boy, | 0:14:50 | 0:14:52 | |
he seemed a very modern kind of Conservative. | 0:14:52 | 0:14:55 | |
The ideal man to lead an affluent, meritocratic nation. | 0:14:56 | 0:15:00 | |
Heath's victory had given him the chance | 0:15:04 | 0:15:07 | |
to remake Britain on entirely modern lines. | 0:15:07 | 0:15:10 | |
There was no time to lose, | 0:15:10 | 0:15:12 | |
right from the start, he was all business. | 0:15:12 | 0:15:15 | |
This was Ted Heath's kind of place. | 0:15:19 | 0:15:21 | |
Work on the NatWest Tower, as it was called, began in 1971. | 0:15:24 | 0:15:29 | |
At the time, it was the tallest building in Europe, | 0:15:34 | 0:15:38 | |
a symbol of the blossoming power of the City of London. | 0:15:38 | 0:15:42 | |
From his very first Cabinet meeting in June 1970, | 0:15:44 | 0:15:47 | |
it was clear that Heath saw himself | 0:15:47 | 0:15:50 | |
as the clipped and businesslike captain of a tight, but well-disciplined, ship. | 0:15:50 | 0:15:55 | |
In his own mind, he was more than just another grubby politician. | 0:15:55 | 0:15:59 | |
He was the dynamic modernising chief executive, | 0:15:59 | 0:16:02 | |
who'd been hired to turn around the fortunes | 0:16:02 | 0:16:06 | |
of a vast, but struggling, family business. | 0:16:06 | 0:16:09 | |
We will have to embark on a change so radical, | 0:16:09 | 0:16:13 | |
a revolution so quiet, | 0:16:13 | 0:16:16 | |
and yet so total. | 0:16:16 | 0:16:18 | |
At the top of Heath's modernising agenda was an ambition | 0:16:19 | 0:16:23 | |
that was to become the single-most controversial political issue of our lifetimes. | 0:16:23 | 0:16:29 | |
For what he wanted more than anything else | 0:16:29 | 0:16:32 | |
was to get Britain into Europe. | 0:16:32 | 0:16:36 | |
Heath had been committed to the European ideal | 0:16:36 | 0:16:39 | |
since his student days in the 1930s. | 0:16:39 | 0:16:42 | |
He'd visited Spain during the Civil War. | 0:16:42 | 0:16:44 | |
He'd seen one of Hitler's Nuremberg Rallies at first hand. | 0:16:44 | 0:16:48 | |
As an artillery officer in the Second World War, | 0:16:48 | 0:16:51 | |
he had seen for himself the horrors of Nazism. | 0:16:51 | 0:16:54 | |
In the aftermath of the war, Heath had travelled across West Germany, | 0:17:00 | 0:17:04 | |
witnessing the extraordinary rebuilding of a shattered nation. | 0:17:04 | 0:17:09 | |
The Germans might have lost the war, | 0:17:09 | 0:17:13 | |
but they knew what was needed to win the peace - | 0:17:13 | 0:17:15 | |
efficient industry run by clear-sighted business leaders. | 0:17:15 | 0:17:19 | |
The world is shaped more by the head of a big company, | 0:17:21 | 0:17:26 | |
the life of his compatriots is shaped more | 0:17:26 | 0:17:29 | |
by the head of the big company than by an ambassador. | 0:17:29 | 0:17:33 | |
This is a thing that has to be realised. | 0:17:33 | 0:17:36 | |
For Heath, West Germany offered a glimpse | 0:17:37 | 0:17:41 | |
of Britain's economic future. | 0:17:41 | 0:17:43 | |
On the streets of German cities today, | 0:17:43 | 0:17:45 | |
the working class seems to have disappeared. | 0:17:45 | 0:17:48 | |
Everybody has a bank account. | 0:17:48 | 0:17:50 | |
Year by year, balance sheet by balance sheet, | 0:17:50 | 0:17:53 | |
all the Germans are turning into capitalists. | 0:17:53 | 0:17:57 | |
By joining Europe's Common Market, | 0:17:57 | 0:18:00 | |
Britain would stake its claim to this economic miracle. | 0:18:00 | 0:18:04 | |
This vision of Europe | 0:18:10 | 0:18:12 | |
wasn't just about burying the hatreds of the past, | 0:18:12 | 0:18:15 | |
it was about building a new world, | 0:18:15 | 0:18:18 | |
wealthier than ever before. | 0:18:18 | 0:18:20 | |
It's a big decision and it's one that goes far beyond party politics. | 0:18:20 | 0:18:25 | |
It's a decision that will affect us fundamentally, | 0:18:25 | 0:18:28 | |
whether we go in or stay out. | 0:18:28 | 0:18:30 | |
Let's be very clear about it, this is a moment of decision | 0:18:30 | 0:18:34 | |
that will not occur again for a very long time, if ever. | 0:18:34 | 0:18:38 | |
All the six now want us to join them. | 0:18:38 | 0:18:41 | |
Britain's businessmen loved the idea | 0:18:44 | 0:18:47 | |
of joining the world's most lucrative single market. | 0:18:47 | 0:18:50 | |
I feel this country is in a dilemma, so we should go in. | 0:18:52 | 0:18:56 | |
Certainly, nothing's happened since the war, has it? | 0:18:56 | 0:18:59 | |
Which is before I was born. | 0:18:59 | 0:19:01 | |
FRENCH ACCORDION MUSIC | 0:19:01 | 0:19:03 | |
But were ordinary voters ready to embrace | 0:19:06 | 0:19:09 | |
Edward Heath's European dream? | 0:19:09 | 0:19:12 | |
Well, that was another story. | 0:19:12 | 0:19:15 | |
The truth is that anti-European sentiment died hard. | 0:19:15 | 0:19:18 | |
After all, it was only a quarter of a century | 0:19:18 | 0:19:21 | |
since the end of the Second World War. | 0:19:21 | 0:19:23 | |
And when many people thought of Europe, | 0:19:23 | 0:19:25 | |
they remembered Agincourt and the Armada, | 0:19:25 | 0:19:28 | |
Napoleon and the Kaiser. | 0:19:28 | 0:19:30 | |
"BLESS THIS HOUSE" THEME TUNE | 0:19:30 | 0:19:33 | |
Even prime-time sitcoms captured our suspicion of all things continental. | 0:19:33 | 0:19:40 | |
After all, England's a civilised country. | 0:19:40 | 0:19:42 | |
What do you think they are over there, head hunters? | 0:19:42 | 0:19:45 | |
CANNED LAUGHTER | 0:19:45 | 0:19:47 | |
You know what I mean, they're foreigners. | 0:19:47 | 0:19:49 | |
Not to them, they're not. | 0:19:49 | 0:19:51 | |
They're different. | 0:19:51 | 0:19:53 | |
They haven't even got the Archbishop of Canterbury. | 0:19:53 | 0:19:57 | |
Indeed, even in Heath's own party, there were plenty of people | 0:19:57 | 0:20:00 | |
who recoiled from his European enthusiasm. | 0:20:00 | 0:20:03 | |
"I'd rather live in a socialist Britain," said the Tory MP Alan Clark, | 0:20:03 | 0:20:07 | |
"than one ruled by a lot of effing foreigners." | 0:20:07 | 0:20:11 | |
Heath might want us to be like the Germans, | 0:20:14 | 0:20:18 | |
but first, he had to persuade the French. | 0:20:18 | 0:20:21 | |
Unconvinced by our European credentials, | 0:20:21 | 0:20:25 | |
our wartime allies had twice blackballed British attempts | 0:20:25 | 0:20:29 | |
to join their club. | 0:20:29 | 0:20:30 | |
In May 1971, Heath went to Paris for face-to-face talks | 0:20:35 | 0:20:40 | |
with the French president Georges Pompidou. | 0:20:40 | 0:20:42 | |
In his eagerness to look European, Heath gave a speech | 0:20:42 | 0:20:46 | |
that has gone down in political legend, | 0:20:46 | 0:20:48 | |
although perhaps not quite for the right reasons. | 0:20:48 | 0:20:52 | |
(SPEAKS FALTERINGLY) Je suis convaincu que nous vivons | 0:20:52 | 0:20:55 | |
un moment historique, | 0:20:55 | 0:20:58 | |
comparable a celui d'il y a vingt ans. | 0:20:58 | 0:21:02 | |
Car il est certain | 0:21:02 | 0:21:05 | |
que les decisions que nous prendrons tous | 0:21:05 | 0:21:08 | |
dans les semaines a venir seront determinantes | 0:21:08 | 0:21:11 | |
pour l'avenir politique de l'Europe. | 0:21:11 | 0:21:15 | |
Perhaps never before had the language of Voltaire | 0:21:17 | 0:21:20 | |
been subjected to such a battering. | 0:21:20 | 0:21:23 | |
But while Heath was hardly one of history's great linguists, | 0:21:23 | 0:21:26 | |
his speech had sent an unmistakable message. | 0:21:26 | 0:21:29 | |
And that message was, "Can we join your gang, please?" | 0:21:30 | 0:21:34 | |
Yes! | 0:21:36 | 0:21:38 | |
With the French onside, | 0:21:38 | 0:21:40 | |
Heath now had to get the legislation through Parliament. | 0:21:40 | 0:21:44 | |
And with both main parties deeply divided, | 0:21:45 | 0:21:48 | |
passions for and against were running high. | 0:21:48 | 0:21:52 | |
I believe that Britain will be worse off in the Common Market. | 0:21:52 | 0:21:56 | |
It's an opportunity that offers great benefits for us | 0:21:56 | 0:21:59 | |
and great benefits for Europe as a whole. | 0:21:59 | 0:22:02 | |
Will you turn away from the open seas | 0:22:02 | 0:22:05 | |
and moor yourself to Europe? | 0:22:05 | 0:22:07 | |
Mr Heath said yes. We say no. | 0:22:07 | 0:22:10 | |
But in October 1971, the Commons backed Heath. | 0:22:13 | 0:22:17 | |
On the cliffs of Dover, | 0:22:20 | 0:22:22 | |
pro-European campaigners lit a gigantic beacon in celebration. | 0:22:22 | 0:22:27 | |
This was one of the decisive moments in our modern history. | 0:22:34 | 0:22:38 | |
British politics would never be the same again. | 0:22:38 | 0:22:41 | |
Yet we never learned to love Europe, | 0:22:41 | 0:22:43 | |
and even now, more than 40 years on, | 0:22:43 | 0:22:45 | |
there are still people who think that Ted Heath was a traitor to his country. | 0:22:45 | 0:22:50 | |
SCREAMING AND LAUGHTER | 0:22:50 | 0:22:54 | |
-Yoo-hoo! -SHE CACKLES | 0:22:54 | 0:22:57 | |
But the truth was that when you mentioned Europe in the early '70s, | 0:23:00 | 0:23:04 | |
most people didn't think of a grand political project. | 0:23:04 | 0:23:08 | |
Europe meant something much simpler and altogether more exciting. | 0:23:09 | 0:23:16 | |
A week in the sun. | 0:23:17 | 0:23:18 | |
Until the dawn of the 1970s, | 0:23:20 | 0:23:22 | |
most British people only crossed the Channel | 0:23:22 | 0:23:25 | |
if they were wearing a uniform and carrying a gun. | 0:23:25 | 0:23:28 | |
But a foreign holiday was becoming | 0:23:28 | 0:23:30 | |
one of those crucial little badges of status and affluence. | 0:23:30 | 0:23:33 | |
An adventure abroad was now one of life's pleasures, | 0:23:35 | 0:23:38 | |
an ambition to set beside the manicured lawn, | 0:23:38 | 0:23:40 | |
the colour TV and the Ford Cortina. | 0:23:40 | 0:23:43 | |
The more we spend from housekeeping the less we have the holiday fund. | 0:23:43 | 0:23:47 | |
Oh, yes, the holidays. | 0:23:47 | 0:23:48 | |
Ten days in torrid Torremolinos. | 0:23:48 | 0:23:51 | |
Ten nights of madness in the Mediterranean. | 0:23:51 | 0:23:53 | |
Ten evenings of ecstasy in the Costa Del Sol. | 0:23:53 | 0:23:56 | |
Then back to the Merseyside and the "costa" living. | 0:23:56 | 0:23:59 | |
By the early 1970s, a two-week package holiday to Spain | 0:24:02 | 0:24:06 | |
in a one-star hotel would cost you around £20. | 0:24:06 | 0:24:10 | |
That's about £240 today. | 0:24:10 | 0:24:12 | |
But the amount of money you could take out of the country | 0:24:18 | 0:24:21 | |
was tightly regulated. | 0:24:21 | 0:24:23 | |
As late as 1969, you could only take £50 abroad in an entire year. | 0:24:23 | 0:24:29 | |
Hi, can I have some euros, please? | 0:24:30 | 0:24:33 | |
But in January 1970, the rules were relaxed. | 0:24:35 | 0:24:38 | |
Now you could take £300 in foreign currency, | 0:24:38 | 0:24:40 | |
and that's the equivalent of more than £3,000 today. | 0:24:40 | 0:24:45 | |
It was a small, but seismic, shift. | 0:24:45 | 0:24:48 | |
It was as though British families had been held prisoner in their own country. | 0:24:48 | 0:24:52 | |
And now they'd been let out, | 0:24:52 | 0:24:54 | |
they behaved like unruly kids on a spending spree. | 0:24:54 | 0:24:57 | |
Thank you. | 0:24:57 | 0:24:58 | |
Almost incredibly, Britain's biggest travel agents, Thomas Cook and Lunn Poly, | 0:25:06 | 0:25:10 | |
were both state owned. | 0:25:10 | 0:25:13 | |
Like the mines or the railways, | 0:25:13 | 0:25:15 | |
package holidays were a nationalised industry. | 0:25:15 | 0:25:19 | |
But by 1972, Ted Heath had sold them off to private buyers. | 0:25:19 | 0:25:24 | |
They have changed your hotel. They've changed it to the Verit White. | 0:25:24 | 0:25:28 | |
Has it been changed once before? | 0:25:28 | 0:25:29 | |
-Yes. -Where were you originally? | 0:25:29 | 0:25:32 | |
They've changed it to the Verimar. | 0:25:33 | 0:25:36 | |
In 1970, about six million people were already going abroad on holiday. | 0:25:37 | 0:25:43 | |
And by the time Heath left office, four years later, | 0:25:43 | 0:25:46 | |
that figure had almost doubled. | 0:25:46 | 0:25:48 | |
Even Britain's most famous comic brand | 0:25:51 | 0:25:54 | |
had tired of the week in the caravan park, | 0:25:54 | 0:25:56 | |
and was carrying on, on the Costa. | 0:25:56 | 0:25:58 | |
It's very lovings, no? | 0:25:58 | 0:26:00 | |
Yes, I beg your pardon, oh, you mean lovely, yes, it's nice. | 0:26:00 | 0:26:03 | |
That first trip abroad was so often an unforgettable experience. | 0:26:05 | 0:26:09 | |
The shock of the heat, the light, | 0:26:09 | 0:26:12 | |
and the unfinished hotel. | 0:26:12 | 0:26:14 | |
Dick, Dick! Look up there! | 0:26:17 | 0:26:20 | |
DRILLING | 0:26:20 | 0:26:22 | |
HE MOUTHS | 0:26:22 | 0:26:24 | |
For Ted Heath, Europe meant fine wines, | 0:26:32 | 0:26:34 | |
classical music and international brotherhood, | 0:26:34 | 0:26:36 | |
but for most British holidaymakers, | 0:26:36 | 0:26:39 | |
it meant sheer hedonism. | 0:26:39 | 0:26:41 | |
Drunk with the heat, the excitement, and the local liquor, | 0:26:41 | 0:26:44 | |
they threw off their inhibitions | 0:26:44 | 0:26:46 | |
in a way that would have been simply unthinkable back home in Skegness. | 0:26:46 | 0:26:50 | |
This was two weeks of sun, sea, sand, | 0:26:50 | 0:26:54 | |
sangria and above all, sex. | 0:26:54 | 0:26:57 | |
# If you want it, here it is | 0:26:57 | 0:27:00 | |
# Come and get it | 0:27:00 | 0:27:03 | |
# Make your mind up fast. # | 0:27:03 | 0:27:07 | |
It's pretty promiscuous over here, | 0:27:07 | 0:27:08 | |
well, it's promiscuous in a lot of places in Spain, | 0:27:08 | 0:27:11 | |
but Majorca more than anywhere. | 0:27:11 | 0:27:12 | |
I mean, everything you read in magazines, well, believe it. | 0:27:12 | 0:27:16 | |
Did they approach you on the beach? | 0:27:19 | 0:27:21 | |
No, they haven't, it's been all right. | 0:27:21 | 0:27:23 | |
It's been in the daylight, one-and-a-half weeks to go yet. | 0:27:23 | 0:27:25 | |
Back home, the sexual revolution was still something people read about in the newspapers. | 0:27:30 | 0:27:37 | |
But now, all those buttoned up inhibitions melted away | 0:27:37 | 0:27:40 | |
in the Mediterranean heat. | 0:27:40 | 0:27:41 | |
# Because it may not last. # | 0:27:41 | 0:27:47 | |
For girls who were more accustomed to fighting off Barry from Barnsley, | 0:27:47 | 0:27:52 | |
sometimes it took just one look from a Spanish waiter | 0:27:52 | 0:27:55 | |
and they went weak at the knees. | 0:27:55 | 0:27:57 | |
But some girls, rightly, were rather more suspicious of the Latin Lotharios. | 0:27:57 | 0:28:01 | |
Here's a letter to Jackie magazine's agony aunts, Cathy and Clare. | 0:28:01 | 0:28:06 | |
This girl says she's going on holiday in a couple of weeks | 0:28:06 | 0:28:08 | |
with five friends. | 0:28:08 | 0:28:10 | |
"I'm a bit worried about it, I'm not very confident with boys," | 0:28:10 | 0:28:13 | |
she says, "I don't want to get involved in any wild schemes | 0:28:13 | 0:28:16 | |
"for picking up Spaniards." | 0:28:16 | 0:28:17 | |
Bizarrely, Cathy and Claire are worryingly enthusiastic. | 0:28:17 | 0:28:21 | |
"Try not to get upset and look forward to your holiday," they say, | 0:28:21 | 0:28:24 | |
"we're sure you'll have a great time, | 0:28:24 | 0:28:26 | |
"and maybe even a holiday romance of your own." | 0:28:26 | 0:28:29 | |
As much as people loved splashing about in the sun, | 0:28:35 | 0:28:38 | |
they still wanted part of it to feel a bit more like home. | 0:28:38 | 0:28:42 | |
Fish and chips, pint of English ale, and all the trimmings. | 0:28:46 | 0:28:50 | |
Why go abroad when you can get all the comforts of home on holiday? | 0:28:50 | 0:28:53 | |
But come to think of it, why not go abroad? | 0:28:53 | 0:28:55 | |
Because it's all here in Benidorm. | 0:28:55 | 0:28:57 | |
Most of these visitors weren't really interested in exploring Spanish culture, | 0:29:16 | 0:29:20 | |
what they wanted was the traditional pleasures of the British seaside, | 0:29:20 | 0:29:25 | |
only with added sunshine. | 0:29:25 | 0:29:26 | |
That meant a full English breakfast, fish and chips, | 0:29:26 | 0:29:29 | |
and steak and kidney pie, all washed down with a cup of PG tips, | 0:29:29 | 0:29:34 | |
and a copy of the Daily Mirror. | 0:29:34 | 0:29:36 | |
The educated upper and middle classes had long flocked to the Med | 0:29:41 | 0:29:46 | |
for a dose of sunshine and high culture. | 0:29:46 | 0:29:49 | |
And to them, the Costa package millions looked like a sun scorched Philistine mob. | 0:29:50 | 0:29:56 | |
I'm fed up of going abroad and being treated like sheep, | 0:29:56 | 0:29:59 | |
what's the point of being carted round in buses, | 0:29:59 | 0:30:01 | |
surrounded by sweaty miners from Kettering and Coventry. | 0:30:01 | 0:30:05 | |
With their cloth caps and their cardigans | 0:30:05 | 0:30:07 | |
and their transistor radios, | 0:30:07 | 0:30:09 | |
and their Sunday Mirrors, complaining about the tea, | 0:30:09 | 0:30:11 | |
"Oh, they don't make it properly here, not like at home." | 0:30:11 | 0:30:14 | |
Monty Python's Oxbridge comedians | 0:30:14 | 0:30:18 | |
had wicked fun with the tour bus classes. | 0:30:18 | 0:30:21 | |
Sitting in cotton sun frocks | 0:30:21 | 0:30:23 | |
squirting Timothy White sun cream all over their puffy, raw, swollen flesh, | 0:30:23 | 0:30:27 | |
because they overdid it on the first day. | 0:30:27 | 0:30:29 | |
Of course, there was a fair bit of social snobbery in all this. | 0:30:34 | 0:30:37 | |
Until the 70s, Europe had been a playground | 0:30:37 | 0:30:40 | |
for a tiny elite of the rich and well-connected. | 0:30:40 | 0:30:44 | |
But this new British tourist was less David Niven, | 0:30:44 | 0:30:47 | |
and more David Essex. | 0:30:47 | 0:30:49 | |
# Oh, is he more, too much more than a pretty face, | 0:30:49 | 0:30:56 | |
# It's so strange the way he talks, it's a disgrace. # | 0:30:58 | 0:31:02 | |
Shall I tell you something, Franco? Shall I tell you something? | 0:31:02 | 0:31:07 | |
That is not an unpleasant little burgundy, that. | 0:31:07 | 0:31:10 | |
That is not a bad little burgundy. | 0:31:10 | 0:31:12 | |
But the pioneers of mass-market tourism | 0:31:12 | 0:31:15 | |
also wanted a taste of Europe back home. | 0:31:15 | 0:31:18 | |
Another sign of a nation impatient for new experiences. | 0:31:24 | 0:31:27 | |
Until the 70s, wine was the drink of the refined, | 0:31:31 | 0:31:36 | |
or at best, a tipple for special occasions. | 0:31:36 | 0:31:40 | |
But with its hints of holiday good times, | 0:31:40 | 0:31:43 | |
and its suggestions of sophistication, | 0:31:43 | 0:31:45 | |
el vino had invaded the high street. | 0:31:45 | 0:31:48 | |
People go abroad for holidays more, come back with ideas, | 0:31:49 | 0:31:53 | |
it encourages them to experiment. | 0:31:53 | 0:31:56 | |
Wine was becoming essential | 0:31:58 | 0:32:00 | |
at even the most modest suburban dinner party. | 0:32:00 | 0:32:03 | |
In just ten years, the average British wine intake doubled. | 0:32:04 | 0:32:09 | |
They're so casual about it, you'd think you were in France. | 0:32:15 | 0:32:18 | |
Indeed, one of the benefits of joining the common market | 0:32:18 | 0:32:22 | |
was that it slashed duty on table wine. | 0:32:22 | 0:32:24 | |
How often do you buy wine? | 0:32:29 | 0:32:31 | |
Quite often. | 0:32:31 | 0:32:32 | |
-Do any of your friends drink it? -Yes. | 0:32:32 | 0:32:34 | |
Of course, it's easy to look back now and to laugh | 0:32:36 | 0:32:39 | |
at all that Blue Nun and Mateus Rose, | 0:32:39 | 0:32:41 | |
but the truth is, that people's tastes went inherently terrible, | 0:32:41 | 0:32:45 | |
they were just untutored, | 0:32:45 | 0:32:47 | |
because, of course, most people had never drunk wine before. | 0:32:47 | 0:32:50 | |
And let's face it, without these trailblazers, | 0:32:51 | 0:32:54 | |
you wouldn't be sipping that agreeable sauvignon blanc. | 0:32:54 | 0:32:58 | |
And all these bottles of Black Tower were a powerful symbol of change, | 0:33:00 | 0:33:05 | |
they represented affluence, ambition, | 0:33:05 | 0:33:08 | |
a kind of sophistication, even modernity itself. | 0:33:08 | 0:33:12 | |
The island nation, the land of the pie and the pint, was dying out. | 0:33:12 | 0:33:16 | |
Darling, wine is my hobby. I'm not drinking, I'm learning about it. | 0:33:16 | 0:33:21 | |
Oh. | 0:33:21 | 0:33:23 | |
Not like some people, not like Terry Collier, | 0:33:23 | 0:33:26 | |
he hasn't gotten beyond beer yet, | 0:33:26 | 0:33:28 | |
his idea of sophistication is a pint of Newcastle Brown with a cherry in it. | 0:33:28 | 0:33:32 | |
But in the early '70s, | 0:33:36 | 0:33:38 | |
the days when real men looked, thought, | 0:33:38 | 0:33:41 | |
and drank just like their dads were dying out. | 0:33:41 | 0:33:45 | |
Even the straight back and sides was disappearing from pubs and schoolyards. | 0:33:45 | 0:33:51 | |
Perfectly ordinary young men wanted something different, | 0:33:51 | 0:33:54 | |
a bit more sparkle in their lives. | 0:33:54 | 0:33:57 | |
And one pop star above all | 0:33:58 | 0:34:00 | |
seemed to capture this new spirit of showing off. | 0:34:00 | 0:34:05 | |
# What happened to the teenage dream? # | 0:34:05 | 0:34:07 | |
Here is the only group to have two number ones last year, | 0:34:07 | 0:34:10 | |
T Rex and Get It On. | 0:34:10 | 0:34:13 | |
Ten minutes before T Rex's front man, Marc Bolan, | 0:34:24 | 0:34:28 | |
was due to appear on this show, | 0:34:28 | 0:34:30 | |
his personal assistant, Chelita, | 0:34:30 | 0:34:33 | |
sprinkled some glitter on his cheeks. | 0:34:33 | 0:34:36 | |
Now, Bolan and Lita claimed she had done it as a joke, | 0:34:36 | 0:34:39 | |
but for thousands of thrill-starved youngsters, | 0:34:39 | 0:34:41 | |
hunting for the next big thing, | 0:34:41 | 0:34:43 | |
Bolan's new look was a revelation. | 0:34:43 | 0:34:46 | |
And at T Rex's very next gig, | 0:34:46 | 0:34:49 | |
Bolan was greeted by the sight of hundreds of be-glittered fans. | 0:34:49 | 0:34:55 | |
# Get it on, bang a gong, get it on | 0:34:55 | 0:35:01 | |
# Get it on, bang a gong, get it on. # | 0:35:04 | 0:35:10 | |
In the first years of the '70s, | 0:35:11 | 0:35:14 | |
nobody could match T Rex's appeal to British teenagers. | 0:35:14 | 0:35:18 | |
Lennon and McCartney anointed T Rex as The Beatles' true successors. | 0:35:18 | 0:35:24 | |
We play for the kids that never saw The Beatles, | 0:35:24 | 0:35:28 | |
never saw Jimi Hendrix, | 0:35:28 | 0:35:30 | |
they're seeing us as those sort of people, you know. | 0:35:30 | 0:35:33 | |
# You're dirty sweet and you're my girl. # | 0:35:33 | 0:35:36 | |
And Bolan himself seemed to be the ultimate pin-up. | 0:35:36 | 0:35:39 | |
# Get it on, bang a gong, get it on. # | 0:35:39 | 0:35:43 | |
Girls loved him, | 0:35:43 | 0:35:44 | |
but what was really striking was the image he presented to teenage boys. | 0:35:44 | 0:35:50 | |
Bolan wasn't just another middle class hippie with an Oxbridge third, | 0:35:50 | 0:35:55 | |
he was a lorry driver's son from Hackney, | 0:35:55 | 0:35:57 | |
with an eye for the ladies. | 0:35:57 | 0:35:59 | |
And what he represented was the single biggest change in masculine identity for a generation. | 0:35:59 | 0:36:06 | |
There's been a change in England in two years, | 0:36:06 | 0:36:08 | |
and we are part of the change. | 0:36:08 | 0:36:10 | |
I mean, guys now can wear make-up, they can shout and scream. | 0:36:10 | 0:36:14 | |
# All the young dudes. # | 0:36:14 | 0:36:17 | |
Bolan's dramatic look, all feathers, flares and hair, was a sensation. | 0:36:17 | 0:36:22 | |
While not everyone could be quite as coiffed as Bolan, | 0:36:24 | 0:36:27 | |
they could have a go. | 0:36:27 | 0:36:29 | |
And before we knew it, blokes didn't have a haircut, | 0:36:29 | 0:36:33 | |
they had a hairstyle. | 0:36:33 | 0:36:34 | |
The only thing you study is your navel, you even shave lying down. | 0:36:36 | 0:36:40 | |
To the dean of grumpy old men, Rigsby of Rising Damp, | 0:36:41 | 0:36:45 | |
all the free-flowing locks were a national disgrace. | 0:36:45 | 0:36:49 | |
Oh, so that's it, it's my hair, is it? | 0:36:51 | 0:36:53 | |
Well, let me tell you, Jesus Christ had long hair. | 0:36:53 | 0:36:56 | |
-Now, that's enough of that. -What? | 0:36:56 | 0:36:57 | |
Don't you go comparing yourself with him, you show a bit of respect. | 0:36:57 | 0:37:01 | |
But it's true, he did have long hair. | 0:37:01 | 0:37:02 | |
He didn't have a hairdryer, though, did he? Eh? | 0:37:02 | 0:37:05 | |
LAUGHING | 0:37:05 | 0:37:06 | |
Didn't give himself blow waves. | 0:37:06 | 0:37:08 | |
But the revolution wasn't confined to hair, | 0:37:10 | 0:37:13 | |
young men were experimenting with their whole look, | 0:37:13 | 0:37:16 | |
flirting with glamour and colour. | 0:37:16 | 0:37:18 | |
Nobody symbolised this better | 0:37:23 | 0:37:25 | |
than Britain's most vividly attired man of the early '70s, Peter Wyngarde, | 0:37:25 | 0:37:31 | |
better known as TV's rakish adventurer, Jason King. | 0:37:31 | 0:37:36 | |
Six feet and a half inches of steel, not tall by today's standards, | 0:37:36 | 0:37:40 | |
but so slim and well proportioned that he gives the appearance of a lithe athlete. | 0:37:40 | 0:37:44 | |
Disturbingly, all the explosive outfits he wore on screen | 0:37:45 | 0:37:50 | |
were from his own personal collection. | 0:37:50 | 0:37:52 | |
For people who could still remember the General Strike, the Blitz, | 0:37:56 | 0:37:59 | |
and the Battle of Britain, | 0:37:59 | 0:38:01 | |
for people whose memories were full of tin baths, short hair, | 0:38:01 | 0:38:05 | |
and the stiff upper lip, | 0:38:05 | 0:38:06 | |
the likes of Mark Bolan came as a terrible shock. | 0:38:06 | 0:38:11 | |
# Oh, you pretty thing. # | 0:38:11 | 0:38:14 | |
Of course, it was all just a silly and short lived phase, | 0:38:14 | 0:38:17 | |
but it had substance, too. | 0:38:17 | 0:38:21 | |
It was a lurid reminder that '70s Britain was a more expressive kind of country. | 0:38:21 | 0:38:27 | |
We do have very much vaster fashion consciousness, | 0:38:28 | 0:38:31 | |
right through every class and age of person than ever in previous history. | 0:38:31 | 0:38:35 | |
Even in Britain's factories, | 0:38:35 | 0:38:38 | |
the boots and boiler suit uniform was being updated. | 0:38:38 | 0:38:42 | |
Have you be worried about the dangers of it? | 0:38:42 | 0:38:45 | |
Well, up till now, I seen that poster. | 0:38:45 | 0:38:48 | |
What do you think about the hairnet? | 0:38:48 | 0:38:49 | |
I think it's a good idea, I think it'll catch on in other pits. | 0:38:49 | 0:38:52 | |
-Are you worried about the dangers? -No. | 0:38:52 | 0:38:55 | |
Well, I am, but I like my hair, don't I, | 0:38:55 | 0:38:57 | |
and I don't want to have it cut. | 0:38:57 | 0:38:59 | |
How do you feel about the hair nets? | 0:38:59 | 0:39:00 | |
Think they're daft. | 0:39:00 | 0:39:02 | |
# Don't you know you're driving your mamas and papas insane. # | 0:39:02 | 0:39:07 | |
Still, let's not get carried away. | 0:39:09 | 0:39:11 | |
All the hair in the world couldn't make up for the daily reality of hard grind, | 0:39:11 | 0:39:16 | |
in tight knit, working-class communities, | 0:39:16 | 0:39:20 | |
where the old rhythms of masculine tradition ran slow and deep. | 0:39:20 | 0:39:24 | |
But the boundaries were to be pushed even further, | 0:39:33 | 0:39:36 | |
when a strange creature landed in central London. | 0:39:36 | 0:39:40 | |
Ziggy Stardust is the human manifestation of a creature from outer space, | 0:39:42 | 0:39:48 | |
fallen to earth to bring a message of peace and love to all humanity. | 0:39:48 | 0:39:52 | |
In reality, of course, Ziggy was merely the persona | 0:39:52 | 0:39:55 | |
of the rock star, David Bowie, | 0:39:55 | 0:39:58 | |
whose album, The Rise and Fall of Ziggy Stardust and the Spiders From Mars, | 0:39:58 | 0:40:02 | |
hit the charts in the summer of 1972. | 0:40:02 | 0:40:04 | |
The key to Ziggy's appeal wasn't just that he was an alien, | 0:40:05 | 0:40:09 | |
it was that he was an alien in a dress. | 0:40:09 | 0:40:12 | |
# There's a starman | 0:40:12 | 0:40:15 | |
# Waiting in the sky | 0:40:15 | 0:40:17 | |
# He'd like to come and meet us | 0:40:17 | 0:40:20 | |
# But he thinks he'd blow our minds | 0:40:20 | 0:40:22 | |
# There's a starman waiting in the sky... # | 0:40:22 | 0:40:25 | |
Ziggy Stardust turned David Bowie | 0:40:25 | 0:40:28 | |
into an international superstar. | 0:40:28 | 0:40:31 | |
# Let the children lose it | 0:40:31 | 0:40:34 | |
# Let the children use it | 0:40:34 | 0:40:36 | |
# Let all the children boogie. # | 0:40:36 | 0:40:38 | |
Ziggy! | 0:40:38 | 0:40:40 | |
I've been waiting for ages to see him. | 0:40:40 | 0:40:44 | |
SHE SOBS | 0:40:44 | 0:40:46 | |
Why are you so upset? | 0:40:46 | 0:40:48 | |
He's smashing! | 0:40:48 | 0:40:50 | |
What made Ziggy Stardust so successful wasn't just the music, | 0:40:53 | 0:40:56 | |
it was the attitude. | 0:40:56 | 0:40:58 | |
As a former art school student, | 0:40:58 | 0:41:00 | |
Bowie saw gender bending as a kind of performance, | 0:41:00 | 0:41:03 | |
as well as a remarkably successful marketing exercise. | 0:41:03 | 0:41:07 | |
But for thousands of suburban teenagers, | 0:41:07 | 0:41:09 | |
his androgynous persona was a glimpse of another world. | 0:41:09 | 0:41:13 | |
A world in which you could change your clothes, your hair, | 0:41:13 | 0:41:16 | |
even your name, and be whatever and whoever you wanted. | 0:41:16 | 0:41:21 | |
# Didn't know what time it was and lights were low-oh-oh | 0:41:21 | 0:41:25 | |
# I leaned back on my radio-oh-oh | 0:41:25 | 0:41:30 | |
# Some cat was laying down some rock'n'roll | 0:41:30 | 0:41:34 | |
# Lotta soul, he said...# | 0:41:34 | 0:41:37 | |
If I've been at all responsible | 0:41:37 | 0:41:39 | |
for people finding more characters in themselves | 0:41:39 | 0:41:41 | |
than they originally thought they had, then I'm pleased | 0:41:41 | 0:41:44 | |
because that's something I feel very strongly about, | 0:41:44 | 0:41:47 | |
that one isn't totally what one has been conditioned to think. | 0:41:47 | 0:41:50 | |
In 1972, David Bowie upped the ante | 0:41:50 | 0:41:53 | |
when he declared himself bisexual. | 0:41:53 | 0:41:55 | |
# John, I'm only dancing... # | 0:41:55 | 0:42:01 | |
It was a bold statement at a time when in many parts of Britain, | 0:42:01 | 0:42:05 | |
you still risked a kicking for looking a bit different. | 0:42:05 | 0:42:09 | |
But it reflected how emphatically homosexuality was emerging | 0:42:09 | 0:42:13 | |
from the outlaw fringes of our national life. | 0:42:13 | 0:42:17 | |
Five years after the decriminalisation of homosexuality, | 0:42:17 | 0:42:21 | |
the gay rights movement had hit the streets. | 0:42:21 | 0:42:24 | |
Hand-in-hand with a new materialism | 0:42:24 | 0:42:27 | |
was a new individualism. | 0:42:27 | 0:42:29 | |
Young men and women wanted to say, "This is who I am, | 0:42:29 | 0:42:34 | |
"this is my lifestyle, my identity. | 0:42:34 | 0:42:39 | |
"And it's a lot more complicated than what class I come from." | 0:42:39 | 0:42:43 | |
In the late summer of 1972, | 0:42:54 | 0:42:57 | |
one group of British citizens were arriving from sunnier climes. | 0:42:57 | 0:43:01 | |
But they weren't back from happy holidays. | 0:43:02 | 0:43:04 | |
They were exiles from their native land. | 0:43:04 | 0:43:07 | |
They said, "You Indians get out from here." | 0:43:11 | 0:43:15 | |
Who did this? | 0:43:15 | 0:43:17 | |
Military men. | 0:43:17 | 0:43:18 | |
How much have you lost? | 0:43:18 | 0:43:21 | |
It's about 2,000 shillings. | 0:43:21 | 0:43:23 | |
-Quite a lot of money? -Yeah. | 0:43:23 | 0:43:24 | |
Frightened Asian families from Uganda | 0:43:26 | 0:43:30 | |
were seeking shelter in Britain. | 0:43:30 | 0:43:32 | |
And they would test just how much attitudes had really changed. | 0:43:32 | 0:43:36 | |
In Uganda, the Asian community | 0:43:38 | 0:43:41 | |
had been wealthy, successful | 0:43:41 | 0:43:43 | |
and influential, | 0:43:43 | 0:43:45 | |
until the arrival of a man made in Britain, | 0:43:45 | 0:43:48 | |
General Idi Amin. | 0:43:48 | 0:43:51 | |
An African dictator who had been trained by the British Army | 0:43:52 | 0:43:57 | |
and even played rugby for its East Africa XV. | 0:43:57 | 0:44:00 | |
But when Idi Amin first seized power in Uganda in 1971, | 0:44:00 | 0:44:05 | |
most people thought he'd still be loyal to the mother country. | 0:44:05 | 0:44:10 | |
The British are my best friends. | 0:44:10 | 0:44:15 | |
But Amin had turned into a cruel and capricious dictator. | 0:44:15 | 0:44:19 | |
He saved much of his venom | 0:44:19 | 0:44:21 | |
for the people he described as bloodsuckers - | 0:44:21 | 0:44:24 | |
Uganda's 57,000 Asians. | 0:44:24 | 0:44:27 | |
Thrifty and hard-working, | 0:44:27 | 0:44:29 | |
they dominated the country's professional classes. | 0:44:29 | 0:44:32 | |
Many of them still had British passports, | 0:44:32 | 0:44:34 | |
a legacy of the last days of Empire. | 0:44:34 | 0:44:36 | |
But now, Amin wanted them out. | 0:44:36 | 0:44:40 | |
Asians have been milking the economy of the country. | 0:44:45 | 0:44:51 | |
Go through and see one of the immigration officers. All right? | 0:44:51 | 0:44:54 | |
And that meant many of them were headed for the Imperial Motherland. | 0:44:58 | 0:45:01 | |
-Where are you going to live when you get to Britain? -London W12. | 0:45:01 | 0:45:05 | |
The prospect of thousands of Asians arriving here | 0:45:10 | 0:45:13 | |
provoked a spasm of rage. | 0:45:13 | 0:45:16 | |
Send them back! Send them back! Send them back! | 0:45:18 | 0:45:22 | |
Not everybody had learned to love the new realities | 0:45:22 | 0:45:25 | |
of a post-imperial, multiracial society | 0:45:25 | 0:45:28 | |
and anti-immigration feelings were running high. | 0:45:28 | 0:45:32 | |
Many of the men on this demonstration | 0:45:34 | 0:45:37 | |
were from one workplace in east London. | 0:45:37 | 0:45:40 | |
Claiming that the Asians represented a threat to their livelihoods, | 0:45:42 | 0:45:45 | |
the Smithfield meat porters marched on Westminster. | 0:45:45 | 0:45:49 | |
Here was the authentic voice of white working-class anger. | 0:45:52 | 0:45:55 | |
It's too simple for the sanctimonious humbugs | 0:45:55 | 0:45:59 | |
in Westminster or Whitehall. | 0:45:59 | 0:46:01 | |
The answer to the problem is this. | 0:46:01 | 0:46:04 | |
End immigration immediately | 0:46:04 | 0:46:06 | |
and start repatriation immediately! | 0:46:06 | 0:46:09 | |
This storm of anger and anxiety came from a group of people | 0:46:12 | 0:46:16 | |
for whom Britain was changing just a bit too fast. | 0:46:16 | 0:46:21 | |
For Ted Heath, the plight of the Ugandan Asians | 0:46:25 | 0:46:28 | |
left him facing a tricky dilemma. | 0:46:28 | 0:46:31 | |
He had promised to limit immigration from Commonwealth countries. | 0:46:31 | 0:46:36 | |
But the Asian refugees were legally entitled to come and live here. | 0:46:36 | 0:46:42 | |
In the next few months, about 25,000 Ugandan Asians arrived in Britain. | 0:46:43 | 0:46:50 | |
Most brought only what they could stuff into their battered suitcases. | 0:46:52 | 0:46:56 | |
But it didn't matter. | 0:46:56 | 0:46:58 | |
Because what they did bring was ambition, aspiration | 0:46:58 | 0:47:02 | |
and a determination to succeed. | 0:47:02 | 0:47:05 | |
They were quickly settled in towns and cities across Britain, | 0:47:08 | 0:47:12 | |
including booming, property-rich Peterborough. | 0:47:12 | 0:47:17 | |
The extraordinarily impressive thing is just how smoothly | 0:47:18 | 0:47:22 | |
and successfully the Ugandan Asians settled into life in Peterborough. | 0:47:22 | 0:47:26 | |
These were tremendously hard-working people. | 0:47:26 | 0:47:29 | |
They had lost everything, but now they took any job they could find. | 0:47:29 | 0:47:34 | |
All that mattered was to get a foothold, | 0:47:34 | 0:47:36 | |
then you could work your way up. | 0:47:36 | 0:47:38 | |
Six weeks after they first arrived in Britain, | 0:47:40 | 0:47:43 | |
all three Osman brothers have jobs in Peterborough. | 0:47:43 | 0:47:47 | |
It's tough and monotonous, | 0:47:47 | 0:47:49 | |
but the basic wage is £21.75 with overtime on top. | 0:47:49 | 0:47:54 | |
We are willing to work, to do any job we are offered. | 0:47:55 | 0:47:59 | |
By 1973, less than a year after they'd arrived, | 0:48:03 | 0:48:08 | |
almost all the refugees had found permanent homes. | 0:48:08 | 0:48:12 | |
Don't forget that many of these refugees had left behind homes | 0:48:15 | 0:48:19 | |
and businesses worth thousands of pounds. | 0:48:19 | 0:48:21 | |
They came to Britain with nothing but the clothes on their backs | 0:48:21 | 0:48:26 | |
and by dint of sheer hard graft, they dragged themselves up. | 0:48:26 | 0:48:30 | |
These were Ted Heath's kind of people. | 0:48:33 | 0:48:36 | |
And their devotion to self-improvement | 0:48:36 | 0:48:38 | |
was a kind of super-charged version of the aspiration | 0:48:38 | 0:48:43 | |
that was transforming Britain. | 0:48:43 | 0:48:45 | |
The dream of a better life had even begun to penetrate | 0:48:57 | 0:49:01 | |
some of the nation's most traditional communities. | 0:49:01 | 0:49:04 | |
All around the country were our coal mining pits, | 0:49:08 | 0:49:12 | |
where 300,000 men toiled deep underground, | 0:49:12 | 0:49:16 | |
in dangerous and often almost primitive conditions. | 0:49:16 | 0:49:20 | |
Most of Britain's miners worked six-hour shifts | 0:49:23 | 0:49:26 | |
with just a 20-minute break to eat their sandwiches. | 0:49:26 | 0:49:30 | |
At the Snowdown pit in Kent, eight out of ten miners worked completely naked, | 0:49:30 | 0:49:34 | |
because it was so hot underground. | 0:49:34 | 0:49:37 | |
During a shift, they lost so much fluid in sweat, | 0:49:37 | 0:49:40 | |
that they had to drink eight pints of water laced with salt. | 0:49:40 | 0:49:44 | |
Little wonder, then, that so many people saw them | 0:49:44 | 0:49:47 | |
as working-class heroes. | 0:49:47 | 0:49:49 | |
After the war, mining had become a nationalised industry, | 0:49:52 | 0:49:56 | |
in recognition of the importance of coal to the country | 0:49:56 | 0:49:59 | |
and of the sheer courage of the men. | 0:49:59 | 0:50:01 | |
But since then, the miners had been neglected, | 0:50:04 | 0:50:07 | |
their wages falling far behind those of other manual workers. | 0:50:07 | 0:50:12 | |
Ten years since I was earning what I'm earning now... | 0:50:16 | 0:50:19 | |
We have a basic wage of £28, take home of £22. | 0:50:19 | 0:50:22 | |
Ten years since I was taking home £22. | 0:50:22 | 0:50:25 | |
So, therefore, the cost of living has increased in ten year | 0:50:25 | 0:50:28 | |
and our wages have fallen farther and farther down the wage scale. | 0:50:28 | 0:50:32 | |
What made this so infuriating for Britain's miners | 0:50:39 | 0:50:42 | |
was that they felt they were missing out | 0:50:42 | 0:50:45 | |
on all the excitement of the affluent society. | 0:50:45 | 0:50:47 | |
They might have been the salt of the earth, | 0:50:47 | 0:50:50 | |
but they, too, wanted their own homes, a foreign holiday, | 0:50:50 | 0:50:53 | |
central heating and a colour television. | 0:50:53 | 0:50:55 | |
They didn't want to smash the system, | 0:50:55 | 0:50:58 | |
they just wanted their fair share of Ted Heath's Brave New World. | 0:50:58 | 0:51:03 | |
People want to have holidays, | 0:51:07 | 0:51:10 | |
they want to run a car. Why should a man have to work | 0:51:10 | 0:51:12 | |
and maybe have a few pints at weekend, and that be his lot in life? | 0:51:12 | 0:51:17 | |
Workers now, they're getting a taste for better things now. | 0:51:17 | 0:51:21 | |
The miners' ambitions were pure '70s materialism. | 0:51:23 | 0:51:27 | |
But their industry had been built in the collectivist '40s. | 0:51:27 | 0:51:32 | |
And the truth was that a gulf was opening up | 0:51:32 | 0:51:34 | |
between what ordinary families wanted | 0:51:34 | 0:51:37 | |
and what our old-fashioned heavy-industry-dominated economy could deliver. | 0:51:37 | 0:51:42 | |
In the pit villages of South Yorkshire, | 0:51:49 | 0:51:52 | |
one young man became the standard bearer | 0:51:52 | 0:51:55 | |
for the miners' impatience for change. | 0:51:55 | 0:51:58 | |
I don't believe that anybody in the trade-union movement | 0:51:58 | 0:52:00 | |
wins anything at all, unless they're prepared to be militant. | 0:52:00 | 0:52:03 | |
This is the headquarters of the Yorkshire NUM, | 0:52:12 | 0:52:14 | |
for years the power base of one Arthur Scargill. | 0:52:14 | 0:52:18 | |
We always think of Scargill as the incarnation of hard-left militancy, | 0:52:18 | 0:52:22 | |
and the sworn opponent of Thatcherite materialism. | 0:52:22 | 0:52:25 | |
But the truth is | 0:52:25 | 0:52:26 | |
that his socialist rhetoric can be a bit misleading. | 0:52:26 | 0:52:29 | |
What made Scargill so successful | 0:52:29 | 0:52:31 | |
was that he told the miners what they wanted to hear. | 0:52:31 | 0:52:35 | |
They loved his cheeky, flamboyant persona, | 0:52:35 | 0:52:37 | |
but what they liked most of all was his promise to get them more money. | 0:52:37 | 0:52:42 | |
I've never known the employer who gives you anything. | 0:52:42 | 0:52:44 | |
You'll get as much as you are prepared to go out and take. | 0:52:44 | 0:52:47 | |
MUSIC: "Won't Get Fooled Again" by The Who | 0:52:47 | 0:52:50 | |
"You get as much as you are prepared to go out and take." | 0:52:50 | 0:52:55 | |
That's a young Arthur Scargill, | 0:52:55 | 0:52:57 | |
expressing an almost Thatcherite ethos in 1970. | 0:52:57 | 0:53:01 | |
# We'll be fighting in the streets | 0:53:01 | 0:53:04 | |
# With our children at our feet... # | 0:53:04 | 0:53:06 | |
The miners hadn't been out since the General Strike of 1926. | 0:53:06 | 0:53:11 | |
But in early 1972, they woke from their slumber | 0:53:13 | 0:53:17 | |
and voted to strike for a better deal. | 0:53:17 | 0:53:20 | |
Inside the government, | 0:53:24 | 0:53:26 | |
there was no great alarm at the prospect of a national coal strike. | 0:53:26 | 0:53:29 | |
The winter had been mild and coal stocks were high. | 0:53:29 | 0:53:32 | |
MEN SHOUTING | 0:53:33 | 0:53:38 | |
But Ted Heath had fatally underestimated the miners. | 0:53:40 | 0:53:44 | |
They had a new strategy up their sleeve. | 0:53:44 | 0:53:47 | |
Across the country, cars, mini-buses and coaches were sent out, | 0:53:47 | 0:53:51 | |
carrying flying pickets to docks, coke depots and power stations. | 0:53:51 | 0:53:56 | |
In the early '70s, there were few laws restricting mass picketing. | 0:54:00 | 0:54:04 | |
And it was soon apparent that the miners' mobile tactics were choking | 0:54:05 | 0:54:10 | |
the supply of coal to Britain's power stations. | 0:54:10 | 0:54:12 | |
# And pray | 0:54:12 | 0:54:14 | |
# We don't get fooled again... # | 0:54:16 | 0:54:19 | |
The dispute reached a melodramatic climax at Saltley, near Birmingham, | 0:54:19 | 0:54:23 | |
when thousands of miners and fellow trade unionists, | 0:54:23 | 0:54:28 | |
marshalled by Arthur Scargill, overwhelmed the police lines | 0:54:28 | 0:54:32 | |
and forced the closure of the gates at the Midlands' biggest coke depot. | 0:54:32 | 0:54:36 | |
As the gates of the gas works clanged shut at 10.45, | 0:54:39 | 0:54:44 | |
a great shout of triumph went up from a crowd of about 7,000 people. | 0:54:44 | 0:54:48 | |
CHEERING | 0:54:48 | 0:54:50 | |
Saltley is a hugely symbolic event in our recent history - | 0:54:56 | 0:55:00 | |
often seen as the moment | 0:55:00 | 0:55:02 | |
when the miners forced the government to its knees. | 0:55:02 | 0:55:05 | |
But the truth is that Saltley was just a sideshow, | 0:55:05 | 0:55:08 | |
because most of the coke had already been shipped out. | 0:55:08 | 0:55:12 | |
What really preoccupied the Cabinet that morning wasn't Saltley, | 0:55:12 | 0:55:15 | |
it was the freezing weather, the blockade of the power stations | 0:55:15 | 0:55:19 | |
and the looming shortages. | 0:55:19 | 0:55:20 | |
With barely two weeks' power left | 0:55:20 | 0:55:22 | |
before Britain sank into total darkness, | 0:55:22 | 0:55:26 | |
Ted Heath knew that the game was up. | 0:55:26 | 0:55:29 | |
Within the corridors of power, there was now a mood of abject panic. | 0:55:32 | 0:55:39 | |
As Heath's right-hand man Willie Whitelaw put it, | 0:55:39 | 0:55:42 | |
"We looked absolutely into the abyss." | 0:55:42 | 0:55:46 | |
By now, power cuts were becoming a fact of life. | 0:55:58 | 0:56:01 | |
Not only were power stations closing, | 0:56:01 | 0:56:03 | |
but so were factories, offices and schools. | 0:56:03 | 0:56:07 | |
On the high street, shops were running out of matches and candles, | 0:56:07 | 0:56:10 | |
on the roads, there were long queues as the traffic lights failed. | 0:56:10 | 0:56:14 | |
What the politicians feared most was the loss of control. | 0:56:17 | 0:56:21 | |
Heath's grand plan of a united, managed and modernised Britain | 0:56:23 | 0:56:28 | |
was unravelling in economic collapse and social disorder. | 0:56:28 | 0:56:32 | |
On Friday, 18th February, the Cabinet met by candlelight | 0:56:35 | 0:56:39 | |
and agreed that they had no choice but to surrender. | 0:56:39 | 0:56:42 | |
Two hours later, Heath welcomed the miners' leaders to Number 10. | 0:56:43 | 0:56:48 | |
As the night wore on, | 0:56:49 | 0:56:51 | |
the miners extracted not just the 27% pay increase they wanted, | 0:56:51 | 0:56:56 | |
but a whole raft of extra concessions. | 0:56:56 | 0:57:00 | |
The strike was over. | 0:57:00 | 0:57:02 | |
Heath hadn't just been beaten, he'd been annihilated. | 0:57:02 | 0:57:06 | |
The miners' strike of 1972 wasn't just the biggest humiliation | 0:57:09 | 0:57:13 | |
for a British government in living memory, | 0:57:13 | 0:57:17 | |
it was a watershed in our modern history. | 0:57:17 | 0:57:20 | |
What it represented wasn't the triumph of socialism, | 0:57:20 | 0:57:24 | |
it was the victory of aspiration. | 0:57:24 | 0:57:27 | |
The problem was that ordinary people's ambitions | 0:57:27 | 0:57:30 | |
were outrunning the nation's ability to pay for them. | 0:57:30 | 0:57:34 | |
For, behind all the brand-new homes and foreign holidays, | 0:57:34 | 0:57:38 | |
the reality was that the British economy was in desperate trouble. | 0:57:38 | 0:57:42 | |
Ted Heath had promised a new Britain, | 0:57:44 | 0:57:47 | |
remade in the fires of global capitalism. | 0:57:47 | 0:57:51 | |
But within just 12 months, | 0:57:51 | 0:57:53 | |
global capitalism would have a terrible shock in store for Britain. | 0:57:53 | 0:57:59 | |
And then, everything Ted Heath believed in | 0:57:59 | 0:58:03 | |
would come crashing down. | 0:58:03 | 0:58:06 | |
Next time, Royal weddings and spending sprees... | 0:58:07 | 0:58:11 | |
MUSIC: "Help Me (I Think I'm Falling)" by Joni Mitchell | 0:58:11 | 0:58:14 | |
# In love again | 0:58:14 | 0:58:17 | |
..domestic debt... | 0:58:17 | 0:58:19 | |
# When I get that crazy feeling... # | 0:58:19 | 0:58:21 | |
..and global disaster rip through British life. | 0:58:21 | 0:58:25 | |
-What can I say? -Might I suggest rolling the end captions and fade. | 0:58:25 | 0:58:29 | |
# And you know your loving | 0:58:29 | 0:58:33 | |
# Like you love your freedom... # | 0:58:35 | 0:58:39 | |
Subtitles by Red Bee Media Ltd | 0:58:57 | 0:59:00 |