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# Oh, where have you been, my blue eyed sun? | 0:00:02 | 0:00:04 | |
# Where have you been, my darling young one? | 0:00:04 | 0:00:09 | |
# I've stumbled on the side of the twelve twisty mountains | 0:00:11 | 0:00:14 | |
# I've walked and I've crawled on six crooked highways | 0:00:14 | 0:00:18 | |
# I've stepped in the middle of seven sad forests | 0:00:18 | 0:00:22 | |
# I've been out in front of a dozen dead oceans | 0:00:22 | 0:00:26 | |
# I've been ten thousand miles in the mouth of a graveyard | 0:00:26 | 0:00:29 | |
# And it's a hard, it's a hard, it's a hard, it's a hard | 0:00:29 | 0:00:37 | |
# It's a hard rain's a-gonna fall. # | 0:00:37 | 0:00:41 | |
Maybe you were settling down and having kids, | 0:00:47 | 0:00:50 | |
or moving into your first house, | 0:00:50 | 0:00:52 | |
getting a car or getting into trouble. | 0:00:52 | 0:00:56 | |
Or perhaps you were just a glint in your father's eye. | 0:00:56 | 0:01:00 | |
Our intimate memories of the 1970s | 0:01:00 | 0:01:03 | |
have become part of our national history. | 0:01:03 | 0:01:06 | |
These were the years in which our last fantasies | 0:01:06 | 0:01:10 | |
of imperial greatness were finally blown away. | 0:01:10 | 0:01:14 | |
Amid the storms of global upheaval, | 0:01:14 | 0:01:16 | |
splendid isolation had become a thing of the past. | 0:01:16 | 0:01:21 | |
From the boardroom to the bedroom, | 0:01:21 | 0:01:23 | |
we found ourselves at the mercy of change. | 0:01:23 | 0:01:26 | |
For 200 years, Great Britain had been the world's dominant power. | 0:01:26 | 0:01:31 | |
But by the mid 1970s, the winds of global change were gathering force. | 0:01:31 | 0:01:36 | |
And when the storm broke, | 0:01:36 | 0:01:39 | |
all our cosy little certainties would be swept away. | 0:01:39 | 0:01:43 | |
Some places are timeless. | 0:01:58 | 0:02:01 | |
# I lit my purest candle... # | 0:02:03 | 0:02:06 | |
Places of quiet tranquillity, havens of quintessential Englishness. | 0:02:06 | 0:02:12 | |
Places like Great Somerford, tucked away in the Wiltshire countryside. | 0:02:14 | 0:02:19 | |
And here on BBC One, I think it is time to get out and about | 0:02:22 | 0:02:26 | |
to what I think we must call the second capital of England, | 0:02:26 | 0:02:29 | |
out there to Wiltshire, and Great Somerford. | 0:02:29 | 0:02:34 | |
# As he neared, I felt the... # | 0:02:34 | 0:02:37 | |
In 1973, this pretty little backwater | 0:02:37 | 0:02:40 | |
was catapulted into the international limelight. | 0:02:40 | 0:02:44 | |
A local boy had hit the big time. | 0:02:48 | 0:02:51 | |
For by marrying 23-year-old Princess Anne, Captain Mark Phillips | 0:02:51 | 0:02:56 | |
was joining the ranks of British royalty. | 0:02:56 | 0:02:59 | |
# Stories of cold... # | 0:03:00 | 0:03:04 | |
Great Somerford had marked royal occasions before, | 0:03:04 | 0:03:07 | |
the Diamond Jubilee of Queen Victoria, | 0:03:07 | 0:03:09 | |
the Coronation of Edward VII, and in 1953 to mark the Coronation | 0:03:09 | 0:03:14 | |
of the current Queen, the villagers had planted a ceremonial tree. | 0:03:14 | 0:03:18 | |
Although later, sadly, it was eaten by a Billy goat. | 0:03:18 | 0:03:22 | |
This picture postcard village was exactly the kind of place | 0:03:22 | 0:03:27 | |
that a royal bridegroom ought to be riding out from. | 0:03:27 | 0:03:31 | |
A blissful sanctuary | 0:03:31 | 0:03:33 | |
from the unsettling new realities of the 1970s. | 0:03:33 | 0:03:37 | |
'100 miles west of Westminster, and the four bells | 0:03:42 | 0:03:45 | |
'in this small church towers will ring out a wedding peal.' | 0:03:45 | 0:03:48 | |
They're going to ring 5,040 changes at Westminster Abbey. | 0:03:48 | 0:03:52 | |
-How many are you going to get through? -You're going to have to hear it to believe it! | 0:03:52 | 0:03:57 | |
'Pictures from these cameras will be seen in all five continents. | 0:03:59 | 0:04:03 | |
'The wedding will be televised live to 16 countries.' | 0:04:03 | 0:04:07 | |
# And we'll all live happy ever after | 0:04:07 | 0:04:12 | |
# Yes, we'll all live happy ever after... # | 0:04:12 | 0:04:17 | |
We do do a good royal wedding. | 0:04:17 | 0:04:19 | |
And in 1973, Princess Anne's big day had it all. | 0:04:21 | 0:04:25 | |
Crowds, pageantry, | 0:04:27 | 0:04:29 | |
a radiant young couple. | 0:04:29 | 0:04:32 | |
And a happy family. | 0:04:35 | 0:04:38 | |
This was royalty still untouched by divorce and scandal. | 0:04:41 | 0:04:46 | |
It was almost...almost possible to imagine that Britain was one nation, | 0:04:53 | 0:04:58 | |
one happy family, united on a day of celebration. | 0:04:58 | 0:05:04 | |
But not all the pomp and circumstance in the world | 0:05:07 | 0:05:11 | |
could hide the stark truth of Britain's fall from grace. | 0:05:11 | 0:05:16 | |
And even on the biggest day of the year, the chilling realities | 0:05:16 | 0:05:20 | |
of globalisation were silently seeping in. | 0:05:20 | 0:05:23 | |
A month before the wedding, the Middle East had erupted, | 0:05:34 | 0:05:37 | |
as Israel's Arab neighbours launched a stunning surprise attack. | 0:05:37 | 0:05:42 | |
Both sides consider they're fighting a battle they've got to win. | 0:05:45 | 0:05:48 | |
And so that battle looks as though it could be a long one and a very bitter one. | 0:05:48 | 0:05:53 | |
This wasn't some local scuffle. | 0:05:55 | 0:05:59 | |
This was a conflict that would shake the world. | 0:05:59 | 0:06:03 | |
The oil crisis was the single decisive moment of the 1970s. | 0:06:08 | 0:06:13 | |
It was the tipping point, the catalyst that changed everything, | 0:06:13 | 0:06:16 | |
including our sense of who we were and where we were going. | 0:06:16 | 0:06:21 | |
Furious at the West's support for Israel, | 0:06:26 | 0:06:30 | |
the Arab oil nations announced an eye-watering price rise of 70%. | 0:06:30 | 0:06:34 | |
And in the storm that followed, no country was safe. | 0:06:34 | 0:06:38 | |
They don't seem to know how soon they'll be literally scraping | 0:06:38 | 0:06:42 | |
the bottom of the barrel and the tankers will stop coming in. | 0:06:42 | 0:06:46 | |
Almost overnight, Britain's motorists faced the prospect | 0:06:48 | 0:06:52 | |
of spiralling prices and crippling shortages. | 0:06:52 | 0:06:56 | |
'The era of cheap petrol is over. Today, for £1, the petrol that goes into your tank | 0:06:56 | 0:07:01 | |
'is little more than 1.5 gallons.' | 0:07:01 | 0:07:04 | |
-How much did you buy? -Ten. -Ten gallons? -Yes. | 0:07:04 | 0:07:08 | |
-Have you tried to get petrol anywhere else? -Yes. Very difficult. | 0:07:08 | 0:07:12 | |
For people who'd grown up after the Second World War, | 0:07:16 | 0:07:19 | |
rising living standards had been a fact of life. | 0:07:19 | 0:07:23 | |
One of the cornerstones of this affluent society had been | 0:07:23 | 0:07:27 | |
cheap motoring for all, and now that was gone. | 0:07:27 | 0:07:31 | |
But this crisis wasn't just about petrol, it was about power. | 0:07:35 | 0:07:39 | |
# You think you've got it all set up... # | 0:07:39 | 0:07:43 | |
Britain had once been the imperial master of the Middle East. | 0:07:44 | 0:07:50 | |
But now, economically speaking, the boot was on the other foot | 0:07:50 | 0:07:54 | |
and it was the Arabs who were doing the kicking. | 0:07:54 | 0:07:58 | |
# ..Hit you too hard | 0:08:00 | 0:08:03 | |
# One of these days... # | 0:08:04 | 0:08:06 | |
The new masters of the universe | 0:08:06 | 0:08:09 | |
were men like the super slick Saudi petroleum minister, Sheikh Yamani. | 0:08:09 | 0:08:15 | |
The era of a very cheap source of energy is gone. | 0:08:17 | 0:08:21 | |
And this is a new era. | 0:08:21 | 0:08:23 | |
Now don't expect the producers to accept something | 0:08:23 | 0:08:26 | |
much below than what the market forces will indicate for their oil. | 0:08:26 | 0:08:32 | |
Doesn't this new massive increase in the price of oil | 0:08:32 | 0:08:34 | |
mean a change in the world balance of power between developing nations | 0:08:34 | 0:08:38 | |
like you, the producers, and us, the developed industrialised nations? | 0:08:38 | 0:08:43 | |
Yes, it will. | 0:08:43 | 0:08:45 | |
'Oil has reshaped the money map of the world. | 0:08:49 | 0:08:52 | |
'By the end of this year alone, | 0:08:58 | 0:09:01 | |
'these countries will have earned £40 billion, £40,000,000,000. | 0:09:01 | 0:09:06 | |
'The noughts dance away almost to infinity.' | 0:09:06 | 0:09:10 | |
# Money, get away... # | 0:09:10 | 0:09:13 | |
This was the moment when globalisation really caught up | 0:09:13 | 0:09:17 | |
with the nation that had ruled the waves. | 0:09:17 | 0:09:20 | |
Almost overnight, people realised that Great Britain was merely | 0:09:20 | 0:09:24 | |
a small and frankly rather weak link in a vast economic chain. | 0:09:24 | 0:09:30 | |
For people who'd grown up believing in an age of imperial glory, | 0:09:30 | 0:09:34 | |
the reality of that impotence was a terribly psychological shock. | 0:09:34 | 0:09:38 | |
'The Arab states in particular see the oil price increase as the end | 0:09:42 | 0:09:46 | |
'of the West's superiority over the rest of the world.' | 0:09:46 | 0:09:49 | |
Visible evidence of this great power shift could be found on the streets of London, | 0:09:51 | 0:09:57 | |
a declining capital already turning into a playground | 0:09:57 | 0:10:01 | |
for the international super rich. | 0:10:01 | 0:10:04 | |
'This Sunday, the Sunday Times looks at the phenomenal wealth | 0:10:07 | 0:10:11 | |
'of Britain's newest millionaires, the oil Sheikhs of Arabia. | 0:10:11 | 0:10:15 | |
'They're buying our hotels, stately homes and flats in Mayfair, | 0:10:15 | 0:10:18 | |
'antiques, jewellery and works of art. They're giving a new meaning to the phrase Buy British.' | 0:10:18 | 0:10:23 | |
-What shall I do with the car, sir? -Keep it. | 0:10:23 | 0:10:27 | |
'Oil rich customers from the Middle East are investing in chunks | 0:10:29 | 0:10:34 | |
'of British real estate with a gay abandon most people only show | 0:10:34 | 0:10:38 | |
'when they're playing Monopoly. | 0:10:38 | 0:10:41 | |
'With the Arab invasion, | 0:10:41 | 0:10:43 | |
'the old game has undergone a kind of Mecca-morphosis.' | 0:10:43 | 0:10:47 | |
# Money, money, money money... # | 0:10:47 | 0:10:50 | |
This new oil elite weren't just driving up London property prices. | 0:10:52 | 0:10:56 | |
They were hitting Britain where it hurt, in the pocket. | 0:10:56 | 0:11:01 | |
# Money, money, money, money. # | 0:11:01 | 0:11:03 | |
Oil was the fuel on which the affluent society depended. | 0:11:06 | 0:11:11 | |
So when the price went up, the economic effects were devastating. | 0:11:11 | 0:11:16 | |
Anything made with a lot of oil, like say plastics | 0:11:16 | 0:11:19 | |
or artificial fibres, automatically became a lot more expensive. | 0:11:19 | 0:11:23 | |
That pushed up demand for the alternatives, for things like wool or wood or cotton. | 0:11:23 | 0:11:29 | |
And that in turn pushed up the price of things like shoes or furnishings or clothes. | 0:11:29 | 0:11:35 | |
After decades of endless growth, | 0:11:45 | 0:11:47 | |
most people had never known anything like it. | 0:11:47 | 0:11:50 | |
With household essentials soaring in price | 0:11:50 | 0:11:53 | |
and inflation hitting double figures, in the autumn of 1973, | 0:11:53 | 0:11:58 | |
even the ordinary family dinner was becoming a titanic challenge. | 0:11:58 | 0:12:03 | |
'Frozen fish, a staple meal for many families, | 0:12:05 | 0:12:09 | |
'has jumped in price by 15.3%. | 0:12:09 | 0:12:11 | |
'Meat has gone up on average by nearly 22% | 0:12:12 | 0:12:16 | |
'and eggs have jumped by more than 29% since last November.' | 0:12:16 | 0:12:21 | |
It's price increases like these which make up | 0:12:21 | 0:12:24 | |
the 11% rise in the cost of food in the last eight months. | 0:12:24 | 0:12:28 | |
For people on low incomes, inflation was a silent menace. | 0:12:30 | 0:12:34 | |
'Edna and Michael Hargreaves returning home | 0:12:36 | 0:12:39 | |
'from their weekly shopping expedition in Oldham. | 0:12:39 | 0:12:43 | |
'Michael's take home pay as a fireman is only £22 a week. | 0:12:43 | 0:12:47 | |
'Tonight, the family's having tinned stewed steak, mashed potatoes and fresh Brussels sprouts.' | 0:12:47 | 0:12:53 | |
Things just weren't supposed to work this way. | 0:12:56 | 0:12:59 | |
Modern capitalism with a little bit of judicious tweaking of the laws | 0:12:59 | 0:13:03 | |
of supply and demand were supposed to have the answer to everything. | 0:13:03 | 0:13:07 | |
But thanks to what economists now call the Great Inflation of the 1970s, | 0:13:07 | 0:13:11 | |
even the pound in your pocket was losing its value. | 0:13:11 | 0:13:15 | |
And for people who'd just got used to full employment and rising living standards, | 0:13:15 | 0:13:21 | |
the inflation of the 1970s came as a terrible shock, | 0:13:21 | 0:13:24 | |
a cancer, eating away at everything they'd taken for granted. | 0:13:24 | 0:13:29 | |
It looks as if we must now, learn to live with high food prices. How are we going to cope? | 0:13:29 | 0:13:35 | |
Sum up your advice on how to deal with rising food prices. | 0:13:35 | 0:13:39 | |
You can save money just by eating less of everything. | 0:13:39 | 0:13:43 | |
And then you can proceed further and save money by giving up | 0:13:43 | 0:13:46 | |
the idea you've got to have a roast at every meal and do some of these things, | 0:13:46 | 0:13:51 | |
using cheaper foods that are just as good for you. | 0:13:51 | 0:13:54 | |
After 25 years of wanting more, ordinary families were now | 0:13:55 | 0:14:00 | |
tightening their belts and settling for less. | 0:14:00 | 0:14:03 | |
But it was too easy to blame the Arabs because in many ways, | 0:14:03 | 0:14:07 | |
the Great Inflation was also made in Britain. | 0:14:07 | 0:14:12 | |
By the early 1970s, shopping habits had been transformed | 0:14:13 | 0:14:17 | |
and at the heart of the change was a very simple idea - credit. | 0:14:17 | 0:14:23 | |
'With an Access card, you can buy all kinds of things simply buy signing. | 0:14:25 | 0:14:30 | |
'Suppose you buy a TV set for £79, | 0:14:30 | 0:14:33 | |
'you can either pay the whole sum at the end of the month or you can pay | 0:14:33 | 0:14:37 | |
'the minimum, in this case £3, and pay the rest when you want to.' | 0:14:37 | 0:14:41 | |
There's something rather sweet about an advert that has to explain how to use a credit card. | 0:14:41 | 0:14:47 | |
But we lost our innocence soon enough. | 0:14:53 | 0:14:56 | |
And by 1973, the great plastic boom was on. | 0:14:56 | 0:15:00 | |
Today, the 3.5 million people who received Access credit cards through the post | 0:15:00 | 0:15:05 | |
can start off on a cash-less spending spree of up to £350 million. | 0:15:05 | 0:15:10 | |
At the root of the credit explosion wasn't just profligate self indulgence. | 0:15:14 | 0:15:19 | |
The truth is people's expectations had outrun their incomes. | 0:15:19 | 0:15:24 | |
A great gulf was opening up between what you earned and what you wanted. | 0:15:24 | 0:15:29 | |
And for people who'd got used to the idea of owning their own home, | 0:15:29 | 0:15:33 | |
driving their own car, even going on their first foreign holiday, | 0:15:33 | 0:15:36 | |
the answer was simple - borrow now, pay later. | 0:15:36 | 0:15:41 | |
We've got in mind in the near future, a three-piece suite. | 0:15:41 | 0:15:47 | |
The only way we can get one is on the HP. | 0:15:47 | 0:15:50 | |
Every time you pick the paper up, or the television, something's rising. | 0:15:50 | 0:15:55 | |
It's to get what you want now and let the future take care of itself, more or less. | 0:15:55 | 0:16:00 | |
Just pay up and be happy. | 0:16:00 | 0:16:03 | |
Pay up and be happy. This was the mantra of '70s consumerism. | 0:16:05 | 0:16:11 | |
All right, Penny. You have 45 seconds to have a looking, starting from now. | 0:16:13 | 0:16:19 | |
On the conveyor belt tonight, a rocking chair, a carving set... | 0:16:19 | 0:16:24 | |
..a topical home-making candle set... | 0:16:25 | 0:16:27 | |
..a crystal bowl, an electric drill... | 0:16:29 | 0:16:33 | |
BUZZER | 0:16:33 | 0:16:35 | |
There we are. You have 45 seconds to recount your thoughts, starting now. | 0:16:35 | 0:16:42 | |
-A cassette recorder. -You wanted that, yes. -Chair. -A chair. | 0:16:42 | 0:16:46 | |
The carving set, the electric drill... | 0:16:46 | 0:16:48 | |
-A potty. -Yes, a potty. -A big tortoise. -A big tortoise, yes. | 0:16:48 | 0:16:54 | |
-A food mixer... -BUZZER | 0:16:54 | 0:16:57 | |
Didn't she do well? APPLAUSE | 0:16:57 | 0:16:59 | |
The truth is that in the 1970s, | 0:16:59 | 0:17:03 | |
everybody wanted all of these things. | 0:17:03 | 0:17:05 | |
This was the era in which what you bought was beginning to define who you were. | 0:17:05 | 0:17:10 | |
Britain was falling in love with mass consumerism. | 0:17:10 | 0:17:14 | |
-This is what I'd really love. -What's that? Oh, the candelabra? | 0:17:14 | 0:17:20 | |
-Is it real silver? -Yeah, silver plate, yeah. -Oh, it looks so lovely. | 0:17:20 | 0:17:27 | |
The strained suburbanites of Abigail's Party are wicked caricatures, | 0:17:27 | 0:17:32 | |
but in their spending on something special for the lounge, | 0:17:32 | 0:17:36 | |
they were typical of ordinary families across the land. | 0:17:36 | 0:17:40 | |
-Sue. -Thank you. | 0:17:40 | 0:17:43 | |
'Access is the latest step that money has taken.' | 0:17:43 | 0:17:46 | |
But like our illusions of empire, | 0:17:46 | 0:17:49 | |
Britain's new spending power was a hollow sham. | 0:17:49 | 0:17:53 | |
After unleashing the biggest boom in history, | 0:17:58 | 0:18:00 | |
the Chancellor, Anthony Barber finally yielded to reason. | 0:18:00 | 0:18:05 | |
Desperate to control inflation, he restricted credit and announced savage cuts in public spending. | 0:18:05 | 0:18:13 | |
Britain was in an economic nightmare. But now came a generous offer of help, | 0:18:16 | 0:18:21 | |
and a bracing dose of the truth from a rather surprising source. | 0:18:21 | 0:18:25 | |
There is no food in Britain, there is no tea and they have no meat and milk. | 0:18:29 | 0:18:36 | |
We are ready to give them banana. We have so many tonnes of bananas. | 0:18:37 | 0:18:41 | |
For Idi Amin, Ugandan dictator and all round rabble-rouser, | 0:18:41 | 0:18:46 | |
the plight of Africa's old colonial master was too good a chance to resist. | 0:18:46 | 0:18:53 | |
British now is in chaos completely. | 0:18:54 | 0:18:57 | |
So these are some of the telegrams that Idi Amin sent personally to Ted Heath. | 0:18:58 | 0:19:04 | |
They make extraordinary reading. | 0:19:04 | 0:19:06 | |
This is the first one, the 14th of December 1973. | 0:19:06 | 0:19:11 | |
"In the past few months," Amin says, "the people of Uganda have been | 0:19:11 | 0:19:14 | |
"following with sorrow the alarming economic crisis in Britain. | 0:19:14 | 0:19:18 | |
"But there is a solution because I have decided | 0:19:18 | 0:19:21 | |
"to contribute 10,000 Ugandan shillings from my personal savings. | 0:19:21 | 0:19:27 | |
"And I'm convinced that many Ugandans will donate generously to this Save Britain Fund." | 0:19:27 | 0:19:32 | |
And this is coming from somebody who is a former British colonial subject. | 0:19:32 | 0:19:38 | |
Nothing could be more humiliating for Ted Heath or the British Government. | 0:19:38 | 0:19:43 | |
No longer British is the master of Africa. | 0:19:43 | 0:19:48 | |
Now, they must kneel down to us. | 0:19:48 | 0:19:49 | |
For two centuries, Britain had been number one. | 0:19:52 | 0:19:55 | |
Thanks to the Empire, British goods, British ideas British culture, | 0:19:55 | 0:20:00 | |
even British sport, had penetrated every corner of the world. | 0:20:00 | 0:20:05 | |
But now the Empire had gone and the world no longer cared. | 0:20:05 | 0:20:09 | |
Once, perhaps, the nation would have pulled together | 0:20:22 | 0:20:26 | |
in the face of the economic blizzard. | 0:20:26 | 0:20:29 | |
But one group of workers saw the global tempest not as a threat, | 0:20:32 | 0:20:36 | |
but as an opportunity. The miners. | 0:20:36 | 0:20:40 | |
The trouble is, old friend, they've had coal too cheap in the past. | 0:20:44 | 0:20:48 | |
Like we had oil too cheap in the past, | 0:20:48 | 0:20:50 | |
the old Arabs are getting educated... We're getting educated. | 0:20:50 | 0:20:53 | |
The oil crisis played right into the miners' hands. | 0:21:03 | 0:21:07 | |
They knew that Britain's energy supplies were now under tremendous pressure. | 0:21:07 | 0:21:12 | |
If they cut off coal production, then the whole country would come grinding to a halt. | 0:21:12 | 0:21:18 | |
The miners had the whip hand and they proposed to use it. | 0:21:18 | 0:21:22 | |
# They carry news that must get through... # | 0:21:22 | 0:21:25 | |
Only two years earlier, the miners had walked out for more money, | 0:21:25 | 0:21:30 | |
plunging Britain into darkness | 0:21:30 | 0:21:33 | |
and forcing Ted Heath's Tory Government into abject retreat. | 0:21:33 | 0:21:38 | |
But now that the oil shock that brought the economy to its knees, | 0:21:39 | 0:21:44 | |
the miners saw their chance. | 0:21:44 | 0:21:46 | |
In the dying days of 1973, they came back for more. | 0:21:47 | 0:21:51 | |
Much more. | 0:21:51 | 0:21:53 | |
They were led by a straight-talking rugby league fan from Wigan, | 0:21:55 | 0:22:00 | |
a miner since his teens, Joe Gormley. | 0:22:00 | 0:22:03 | |
What Joe Gormley wanted for his men was to get rid of the outside loo and the vegetable patch. | 0:22:06 | 0:22:11 | |
What he wanted for them, he said was a Jag at the front of the house, | 0:22:11 | 0:22:16 | |
good schools for the kids and a Mini for the wife to go shopping. | 0:22:16 | 0:22:20 | |
We're out for what we can get and what we should get. | 0:22:20 | 0:22:24 | |
Bristling with confidence, the miners wanted not a 10% deal, | 0:22:26 | 0:22:31 | |
or even 20%, but an inflation busting 35% | 0:22:31 | 0:22:36 | |
and they were in no mood to compromise. | 0:22:36 | 0:22:39 | |
I've never been a militant. But I'm more bloody militant today than I've been in my life! | 0:22:39 | 0:22:44 | |
It was a showdown that divided the nation. | 0:22:44 | 0:22:48 | |
The miners could count on intergalactic backing. | 0:22:50 | 0:22:54 | |
We've got 50 years now since joining the Galactic Federation, | 0:22:54 | 0:22:57 | |
and what have the miners got to show for it? | 0:22:57 | 0:23:00 | |
-Harder work for the same rewards. -It is a feudal society, Doctor. | 0:23:00 | 0:23:03 | |
-The court is resistant to any change. -And we have got to step up the production of trisilicon. | 0:23:03 | 0:23:09 | |
While Ted Heath had some rather earthier supporters. | 0:23:11 | 0:23:16 | |
The reason your power workers, your coal miners are unhappy is because of Bolshy bastards like him! | 0:23:19 | 0:23:25 | |
Look at it! Militant! I'll give 'em bloody militant! | 0:23:27 | 0:23:31 | |
On the 12th of November 1973, the miners voted for an overtime ban | 0:23:33 | 0:23:40 | |
that would slash coal production by more than half. | 0:23:40 | 0:23:44 | |
# To Blockbuster... # | 0:23:44 | 0:23:46 | |
The government declares a state of emergency because of the electricity and coal disputes. | 0:23:46 | 0:23:51 | |
The first regulations announced take effect at midnight tomorrow. | 0:23:51 | 0:23:56 | |
As Prime Minister, I want to speak to you simply | 0:23:57 | 0:24:01 | |
and plainly about the grave emergency now facing our country. | 0:24:01 | 0:24:06 | |
We are asking you to cut down to the absolute minimum | 0:24:06 | 0:24:09 | |
the use of electricity in your homes. | 0:24:09 | 0:24:11 | |
..right now! | 0:24:16 | 0:24:19 | |
In terms of comfort, we shall have a harder Christmas than we have known since the War. | 0:24:19 | 0:24:24 | |
Hello and a Merry Christmas. I am Santa Heath. | 0:24:24 | 0:24:27 | |
LAUGHTER As you've just seen, I arrived on my sleigh, | 0:24:27 | 0:24:32 | |
which proves that I am doing my bit to save petrol. | 0:24:32 | 0:24:35 | |
It was a miserable Christmas. | 0:24:38 | 0:24:42 | |
Shops shrouded in darkness, shortages of bread, candles | 0:24:42 | 0:24:45 | |
and paraffin, and every night the television shutting down early. | 0:24:45 | 0:24:50 | |
As TV is closing down at 10:30 at night. It could... | 0:24:52 | 0:24:57 | |
It could come to this. | 0:24:57 | 0:25:00 | |
Match Of The Day! LAUGHTER | 0:25:05 | 0:25:08 | |
Even the Prime Minister was reduced to Christmas shopping by gaslight. | 0:25:10 | 0:25:17 | |
At the top of the charts, Slade tried to rally a beleaguered nation. | 0:25:17 | 0:25:22 | |
# Merry Christmas, everybody's having fun... # | 0:25:22 | 0:25:26 | |
"So here it is, Merry Christmas. Everybody's having fun. | 0:25:28 | 0:25:32 | |
"Look to the future now, it's only just begun." | 0:25:32 | 0:25:36 | |
Not perhaps the most appropriate lyrics. | 0:25:36 | 0:25:39 | |
1974 began with shortages and blackouts. | 0:25:47 | 0:25:52 | |
With Britain on a three-day week and the age of plenty a fading memory, | 0:25:52 | 0:25:57 | |
it was as though ordinary families had been hurled back in time | 0:25:57 | 0:26:02 | |
to days of scarcity and struggle, | 0:26:05 | 0:26:07 | |
when food, heat and light were precious resources. | 0:26:07 | 0:26:13 | |
There's something amiss. Something strangely amiss. | 0:26:13 | 0:26:16 | |
Stop rolling your eyes and pull yourself together. | 0:26:16 | 0:26:19 | |
Many people remembered the last age of austerity, during the Second World War. | 0:26:19 | 0:26:26 | |
When these things, petrol ration books, | 0:26:26 | 0:26:29 | |
were distributed to cope with the expected shortages, it must have seemed like a bad case of deja vu. | 0:26:29 | 0:26:35 | |
But this time, one thing was missing, the Dunkirk spirit. | 0:26:35 | 0:26:40 | |
This time, we couldn't blame the Germans. | 0:26:40 | 0:26:43 | |
The only people we had to blame were ourselves. | 0:26:43 | 0:26:46 | |
It's unconstitutional, it's undemocratic, it's against everything we're fighting for. | 0:26:46 | 0:26:51 | |
-I intend to see my MP at once. -I wouldn't worry, sir. | 0:26:51 | 0:26:55 | |
You'll just have to knuckle down. After all...it is for your own good. | 0:26:55 | 0:27:01 | |
15 to 20% of production lost, gross pay down by 11%. | 0:27:08 | 0:27:12 | |
This will be worse than the '30s if it were to continue for any long length of time. | 0:27:12 | 0:27:17 | |
The sunny optimism of the affluent '60s had long since faded. | 0:27:27 | 0:27:33 | |
The headlines were full of doom and gloom. | 0:27:33 | 0:27:36 | |
There were black clouds overhead. | 0:27:36 | 0:27:38 | |
The future seemed bleaker than ever. | 0:27:38 | 0:27:40 | |
Not just for the economy, but for planet Earth itself. | 0:27:40 | 0:27:43 | |
Just three years earlier, American astronauts had sent back | 0:27:48 | 0:27:53 | |
the first pictures of Earth from space. | 0:27:53 | 0:27:58 | |
These stunning images captured the fragile beauty of our common home, | 0:27:58 | 0:28:04 | |
a precious crucible of life in the dead vastness of space. | 0:28:04 | 0:28:09 | |
And around the world, these pictures came to symbolise an idea | 0:28:09 | 0:28:14 | |
that would challenge the complacent assumptions of industrial society. | 0:28:14 | 0:28:18 | |
Across the Western world, a new breed of intellectuals | 0:28:24 | 0:28:28 | |
was advancing radical visions of a very different future. | 0:28:28 | 0:28:32 | |
The critical thing is what you're doing to the planet's life support systems. | 0:28:32 | 0:28:36 | |
If we rack them up, we won't get anywhere. | 0:28:36 | 0:28:40 | |
So the picture is really a rather grim one. | 0:28:40 | 0:28:44 | |
The coming economic apocalypse, they argued, | 0:28:44 | 0:28:47 | |
was the least of our worries because what was at stake was nothing less | 0:28:47 | 0:28:51 | |
than the future of the planet itself. | 0:28:51 | 0:28:54 | |
'The city, greedy for growth, spreading upwards and outwards, | 0:28:56 | 0:29:00 | |
'but every day less of nature. | 0:29:00 | 0:29:04 | |
'Every day, more of Man. | 0:29:04 | 0:29:07 | |
'This is the shadow of progress.' | 0:29:08 | 0:29:12 | |
Through heavy industry and our heedless pursuit of consumer comforts, | 0:29:14 | 0:29:19 | |
we were destroying the fragile ecology of Spaceship Earth. | 0:29:19 | 0:29:23 | |
The plight of our own green and pleasant land told the story. | 0:29:28 | 0:29:33 | |
For the last quarter of a century, great swathes of the British countryside | 0:29:33 | 0:29:39 | |
had been smothered by concrete and tarmac. | 0:29:39 | 0:29:42 | |
This was the heavy price we paid for progress. | 0:29:42 | 0:29:47 | |
Nothing captured the anxieties of the emerging ecological movement | 0:29:59 | 0:30:02 | |
better than the BBC series Doom Watch. | 0:30:02 | 0:30:06 | |
Every week, a crack team of scientists | 0:30:08 | 0:30:10 | |
battled man-made threats the natural world. | 0:30:10 | 0:30:13 | |
From nuclear Armageddon to a plastic eating virus | 0:30:13 | 0:30:16 | |
that could munch its way through an aircraft. | 0:30:16 | 0:30:20 | |
Now the growth threat isn't constant, it's in decline, it shows... | 0:30:23 | 0:30:27 | |
An exponential rise. | 0:30:27 | 0:30:28 | |
If only 14 got out? | 0:30:28 | 0:30:30 | |
It'd go through the city like a bush fire. | 0:30:30 | 0:30:32 | |
'Doom Watch attracted 12 million viewers, | 0:30:36 | 0:30:38 | |
'and even provoked calls for a Doom Watch Parliamentary committee | 0:30:38 | 0:30:42 | |
'to investigate environmental affairs.' | 0:30:42 | 0:30:47 | |
With Britain's major parties still committed to economic growth, | 0:31:00 | 0:31:03 | |
perhaps it was time for a new political organisation. | 0:31:03 | 0:31:07 | |
'And it was here, in industrial Coventry | 0:31:12 | 0:31:14 | |
'that Britain's first Green party was born.' | 0:31:14 | 0:31:18 | |
Founded by disgruntled Tory activists, | 0:31:22 | 0:31:24 | |
and of all things, an estate agent, | 0:31:24 | 0:31:26 | |
the People Party first came to prominence in early 1973. | 0:31:26 | 0:31:31 | |
And this is a copy of its first advert, | 0:31:32 | 0:31:35 | |
which was put in the classifieds section | 0:31:35 | 0:31:38 | |
of the Coventry evening Telegraph. | 0:31:38 | 0:31:40 | |
"Are you sincerely concerned about pollution, conservation, | 0:31:40 | 0:31:44 | |
"population, survival, ecology, and environment generally?", | 0:31:44 | 0:31:49 | |
it says. | 0:31:49 | 0:31:50 | |
"People want positive action now, | 0:31:50 | 0:31:52 | |
"in response to the doom watches forecasts." | 0:31:52 | 0:31:55 | |
The people party were nothing if not radical, | 0:31:57 | 0:32:01 | |
they were asking us to use less energy, | 0:32:01 | 0:32:04 | |
spend less money, | 0:32:04 | 0:32:05 | |
even have fewer children. | 0:32:05 | 0:32:08 | |
They knew their policies weren't exactly crowd-pleasers, | 0:32:11 | 0:32:14 | |
as one of them put it, it's a bit like asking people of Coventry | 0:32:14 | 0:32:18 | |
to vote for a permanent recession. | 0:32:18 | 0:32:21 | |
The candidate doesn't get his loudspeakers. | 0:32:21 | 0:32:23 | |
With such doom laden message, | 0:32:23 | 0:32:25 | |
perhaps it was not surprising that the people party | 0:32:25 | 0:32:28 | |
didn't win much electoral support. | 0:32:28 | 0:32:30 | |
But outside the political arena, a home-made revolution was underway. | 0:32:32 | 0:32:36 | |
What we should be doing is working with the job of life itself. | 0:32:39 | 0:32:42 | |
I quit work, and we become | 0:32:42 | 0:32:44 | |
as damn near self-sufficient as possible. | 0:32:44 | 0:32:47 | |
-Tom? -Yes. | 0:32:47 | 0:32:48 | |
Did you wash your hands after messing about with those chickens? | 0:32:48 | 0:32:52 | |
'The good life charts the process of Tom and Barbara Good, | 0:32:52 | 0:32:56 | |
'a middle-class couple who leave the rat race | 0:32:56 | 0:32:59 | |
'for a life of self-sufficiency, | 0:32:59 | 0:33:01 | |
'with their neighbours watching in horror from over the garden fence.' | 0:33:01 | 0:33:05 | |
Jerry? | 0:33:05 | 0:33:07 | |
Jerry? | 0:33:08 | 0:33:10 | |
Why is Barbara ruining a perfectly good greenhouse? | 0:33:10 | 0:33:14 | |
-They're converting it, they're going to keep chickens. -Chickens? | 0:33:14 | 0:33:17 | |
Does the residents' association know about this? | 0:33:17 | 0:33:19 | |
I really don't know. | 0:33:19 | 0:33:21 | |
Well, they should. This whole thing is getting entirely out of hand. | 0:33:21 | 0:33:25 | |
It's like living next door to gypsies. | 0:33:25 | 0:33:27 | |
Tom and Barbara's handknitted enthusiasm | 0:33:30 | 0:33:33 | |
didn't arrive fresh from the writers imagination. | 0:33:33 | 0:33:37 | |
It was based on the lifestyle choices of thousands of people | 0:33:37 | 0:33:41 | |
up and down the country, | 0:33:41 | 0:33:43 | |
who'd been inspired to embrace a life of self-sufficiency. | 0:33:43 | 0:33:48 | |
We try to grow as many of our own vegetables as possible, | 0:33:50 | 0:33:54 | |
and I do dressmaking, knitting, | 0:33:54 | 0:33:57 | |
so I make most of the children's clothes. | 0:33:57 | 0:33:59 | |
So, you might have planted your vegetable patch, | 0:34:01 | 0:34:05 | |
but what about the messier aspects of the self-sufficient life? | 0:34:05 | 0:34:09 | |
This book is unbelievable, | 0:34:09 | 0:34:10 | |
the most humane way to castrate a goat is to use rubber rings. | 0:34:10 | 0:34:13 | |
Put on with an elastrator | 0:34:15 | 0:34:16 | |
that you can buy from any agricultural supplier. | 0:34:16 | 0:34:19 | |
This illustrated handbook was a, sort of, Joy of Sex | 0:34:20 | 0:34:24 | |
for the lentil mongering classes. | 0:34:24 | 0:34:27 | |
John Seymour's book, the Complete Self-Sufficiency, | 0:34:27 | 0:34:31 | |
was one of the more unlikely bestsellers of the 1970s. | 0:34:31 | 0:34:34 | |
Probably not all readers religiously followed its advice, | 0:34:34 | 0:34:37 | |
on how to train your land or slaughter your pigs. | 0:34:37 | 0:34:40 | |
But it's true appeal lay elsewhere, | 0:34:40 | 0:34:43 | |
at a time of enormous economic disarray, | 0:34:43 | 0:34:45 | |
with food prices heading through the roof, | 0:34:45 | 0:34:47 | |
this book was your insurance policy. | 0:34:47 | 0:34:50 | |
And if things got really tough, | 0:34:50 | 0:34:52 | |
it was your handbook for survival. | 0:34:52 | 0:34:55 | |
Today, self-sufficiency sounds terribly woolly and well-meaning. | 0:34:59 | 0:35:03 | |
But amid the turmoil of the 1970s, | 0:35:03 | 0:35:06 | |
its advocates saw it as hard-headed preparation | 0:35:06 | 0:35:10 | |
for an apocalyptic future, | 0:35:10 | 0:35:13 | |
in which millions would have to flee the city's and fend for themselves. | 0:35:13 | 0:35:17 | |
And yet the most enduring environmental message of the era | 0:35:19 | 0:35:23 | |
was altogether more cuddly. | 0:35:23 | 0:35:25 | |
Wandering across Wimbledon Common, | 0:35:29 | 0:35:32 | |
making good use of the things that they found, | 0:35:32 | 0:35:35 | |
the Wombles were pioneers of recycling. | 0:35:35 | 0:35:38 | |
40 years on, we're all Wombles now. | 0:35:38 | 0:35:42 | |
# Underground, overground, wombling free...# | 0:35:42 | 0:35:44 | |
Put a little nailing, oh. | 0:35:44 | 0:35:47 | |
That's the idea. That's the idea. | 0:35:47 | 0:35:50 | |
Look at that, look at that. | 0:35:50 | 0:35:52 | |
I think I should have the first sit down in the new rocking chair | 0:35:52 | 0:35:56 | |
because, because I'm tired, and I was the Womble who was tired. | 0:35:56 | 0:36:01 | |
Tyre-d. | 0:36:01 | 0:36:02 | |
Ha ha, T-Y-R-E-D. | 0:36:02 | 0:36:05 | |
# The Wombles of Wimbledon Common are we. # | 0:36:05 | 0:36:08 | |
With the future of the planet at stake, | 0:36:16 | 0:36:19 | |
it was little wonder that a deep sense of pessimism | 0:36:19 | 0:36:22 | |
was seeping into British life. | 0:36:22 | 0:36:24 | |
And for all those who worried about economic decline, | 0:36:25 | 0:36:29 | |
there were many more terrified that morally, | 0:36:29 | 0:36:32 | |
the country was going to the dogs. | 0:36:32 | 0:36:34 | |
Do you believe in birth control? | 0:36:41 | 0:36:44 | |
Yes. | 0:36:44 | 0:36:45 | |
Premarital sex? | 0:36:45 | 0:36:47 | |
Do I believe in it? | 0:36:47 | 0:36:48 | |
-Yeah. -Yeah. | 0:36:48 | 0:36:50 | |
Do you believe in birth control? | 0:36:50 | 0:36:52 | |
Yes, I do. | 0:36:52 | 0:36:54 | |
For both men and women, premarital sex? | 0:36:54 | 0:36:56 | |
Yes, irrespective of religion. | 0:36:58 | 0:37:01 | |
We often think of the 1960s as the high point of sexual liberation, | 0:37:02 | 0:37:06 | |
and endless orgy in the summer sunshine of swinging London. | 0:37:06 | 0:37:11 | |
But of course, the swinging 60s only actually happened to about 14 people | 0:37:11 | 0:37:15 | |
in the few privileged enclaves. | 0:37:15 | 0:37:17 | |
For ordinary men and women, it was only in the 1970s | 0:37:17 | 0:37:20 | |
that the great tectonic plates of sexual liberation | 0:37:20 | 0:37:24 | |
really began to shift. | 0:37:24 | 0:37:25 | |
Sex, once banished beneath the bed clothes, | 0:37:29 | 0:37:34 | |
by the early 1970s, it had burst out in to the open. | 0:37:34 | 0:37:39 | |
And at the cutting edge of this cultural revolution | 0:37:39 | 0:37:43 | |
was a brazen, booming business, | 0:37:43 | 0:37:45 | |
imported from that notorious den of iniquity, continental Europe. | 0:37:45 | 0:37:49 | |
Porn. | 0:37:49 | 0:37:51 | |
The heart of the British sex industry, here in the seedy | 0:37:54 | 0:38:00 | |
alleyways of Soho, boasted a total of 54 sex shops, | 0:38:00 | 0:38:04 | |
39 cinema clubs, 16 strip and peep shows, | 0:38:04 | 0:38:08 | |
and 12 licensed massage parlours. | 0:38:08 | 0:38:10 | |
Most of them open 24 hours a day, seven days a week. | 0:38:10 | 0:38:14 | |
During the 1960s, many of Britain's neighbours embraced the new sexual frankness | 0:38:19 | 0:38:25 | |
with unsettling enthusiasm. | 0:38:25 | 0:38:28 | |
And now, extravagantly explicit material from red light Amsterdam | 0:38:28 | 0:38:32 | |
and free-thinking Copenhagen | 0:38:32 | 0:38:34 | |
had found its way to buttoned up Britain. | 0:38:34 | 0:38:37 | |
Your export sales, I gather, are booming? | 0:38:40 | 0:38:43 | |
Last year we had a total sale of more than 20 million Danish krone, | 0:38:43 | 0:38:47 | |
that will be about one million pounds. | 0:38:47 | 0:38:52 | |
In the 70s there was a sense of a kind of wildness, | 0:38:54 | 0:38:57 | |
a free for all, even, | 0:38:57 | 0:38:58 | |
with sex breaking out from beyond its boundaries, | 0:38:58 | 0:39:01 | |
and invading the kind of public spaces | 0:39:01 | 0:39:03 | |
from which it had been previously absent. | 0:39:03 | 0:39:05 | |
The influx of XXX rated European pornography | 0:39:06 | 0:39:10 | |
transformed the British market. | 0:39:10 | 0:39:13 | |
In this full frontal battle for customers, coy was out, | 0:39:13 | 0:39:18 | |
explicit was in. | 0:39:18 | 0:39:20 | |
Even old fashioned, bawdy humour was becoming crassly obscene. | 0:39:20 | 0:39:24 | |
With cinema audiences in free fall, | 0:39:30 | 0:39:32 | |
the British film industry created a whole new genre, | 0:39:32 | 0:39:36 | |
the 70s sex comedy. | 0:39:36 | 0:39:38 | |
The French had the exotic eroticism of Emmanuelle. | 0:39:41 | 0:39:46 | |
We had spying on school girls in the shower. | 0:39:50 | 0:39:52 | |
'Some of the things you see are quite an education. | 0:39:57 | 0:40:01 | |
'Blimey, they're big for their age. | 0:40:01 | 0:40:04 | |
'They're also big for my age.' | 0:40:04 | 0:40:06 | |
'Confessions of a window cleaner, | 0:40:06 | 0:40:08 | |
'the lowest point in British cinema history, | 0:40:08 | 0:40:12 | |
'and, embarrassingly, the highest grossing film of 1974.' | 0:40:12 | 0:40:16 | |
'Even prime time family entertainment | 0:40:19 | 0:40:22 | |
'was splattered with sexual references.' | 0:40:22 | 0:40:25 | |
You're a member of the permissive society, | 0:40:27 | 0:40:29 | |
you're supposed to know where the erogenous regions are. | 0:40:29 | 0:40:31 | |
It's here, the Mecca of a permissive society. | 0:40:31 | 0:40:34 | |
-Where? -Well, right here in suburbia. | 0:40:34 | 0:40:36 | |
Perhaps I should be more... permissive? | 0:40:36 | 0:40:39 | |
No. | 0:40:39 | 0:40:40 | |
No, no. | 0:40:40 | 0:40:41 | |
And say hello to Lesley Phillips, | 0:40:48 | 0:40:51 | |
his libido unleashed in this nominally comic effort. | 0:40:51 | 0:40:56 | |
Do you think I ought to get my bosom lifted? | 0:41:01 | 0:41:05 | |
LAUGHTER | 0:41:05 | 0:41:06 | |
What, again? | 0:41:06 | 0:41:07 | |
For people who had been brought up in an older, more conservative moral regime, | 0:41:09 | 0:41:14 | |
all of this was profoundly shocking. | 0:41:14 | 0:41:16 | |
It was as though an entire moral order was falling apart. | 0:41:16 | 0:41:19 | |
This is our message! | 0:41:22 | 0:41:24 | |
This is the light of our Festival of Light, praise the Lord. | 0:41:24 | 0:41:29 | |
'Gathered under the banner of the Festival of Light, | 0:41:31 | 0:41:34 | |
'thousands marched to demonstrate their outrage. | 0:41:34 | 0:41:37 | |
'This was the voice of the traditionalist, Christian counterrevolution.' | 0:41:37 | 0:41:42 | |
The whole world has a problem of moral pollution, | 0:41:42 | 0:41:47 | |
and once again, Britain has the chance today | 0:41:47 | 0:41:51 | |
to give leadership to the whole world. | 0:41:51 | 0:41:54 | |
'Mary Whitehouse, the Shropshire schoolmistress, | 0:41:56 | 0:41:59 | |
'was determined to clean up filth wherever she found it. | 0:41:59 | 0:42:03 | |
'And the reliably provocative European film industry | 0:42:03 | 0:42:07 | |
'gave her something to really complain about.' | 0:42:07 | 0:42:09 | |
In January 1973, a team of censors, | 0:42:11 | 0:42:13 | |
the British Board of Film Classification, | 0:42:13 | 0:42:17 | |
sat down to watch a film called last Tango in Paris. | 0:42:17 | 0:42:21 | |
It was to prove one of the most controversial pictures | 0:42:21 | 0:42:23 | |
in British cinema history. | 0:42:23 | 0:42:25 | |
Directed by Bernardo Bertolucci, | 0:42:27 | 0:42:30 | |
Last Tango is classic 70s arthouse erotica. | 0:42:30 | 0:42:34 | |
Charting the intense relationship | 0:42:34 | 0:42:36 | |
between Marlon Brando's shabby widower, | 0:42:36 | 0:42:39 | |
and a young Parisienne, half his age. | 0:42:39 | 0:42:42 | |
It's a bleak, misanthropic vision, | 0:42:43 | 0:42:45 | |
punctuated by loveless, sadomasochistic sex. | 0:42:45 | 0:42:49 | |
So, it gave the censors plenty to think about. | 0:42:49 | 0:42:52 | |
This is the file in which we have the original examiners report | 0:42:54 | 0:42:58 | |
from 9 January, 1973. | 0:42:58 | 0:43:02 | |
They did have a few problems, | 0:43:02 | 0:43:03 | |
"reel four, the butter and buggery scene, | 0:43:03 | 0:43:06 | |
we have had nothing like this passed." It says. | 0:43:06 | 0:43:09 | |
And "reel five, a scene in which Brando commands Jan | 0:43:09 | 0:43:13 | |
"to trim her nails and put her fingers up his..." | 0:43:13 | 0:43:17 | |
Yeah, um... | 0:43:17 | 0:43:19 | |
The censors gave Last Tango an X certificate. | 0:43:21 | 0:43:24 | |
But now, for a bit more fuss about the film all the fuss is about, | 0:43:29 | 0:43:32 | |
Last Tango in Paris. | 0:43:32 | 0:43:33 | |
One London cinema took £600,000 during its year long run. | 0:43:33 | 0:43:38 | |
Since the film's release, 18 months ago, | 0:43:38 | 0:43:41 | |
more than a million British cinema goers have seen the film. | 0:43:41 | 0:43:43 | |
Eroticism, as Andre Malraux has said, | 0:43:43 | 0:43:46 | |
is the means by which man escapes from his era, | 0:43:46 | 0:43:48 | |
and ours, God knows, is an era to escape from. | 0:43:48 | 0:43:51 | |
But the film generated a flood of complaints. | 0:43:53 | 0:43:56 | |
You've seen it, what do you think of it? | 0:43:57 | 0:43:59 | |
Ah, not much. | 0:43:59 | 0:44:00 | |
Was it as bad as you thought it was going to be? | 0:44:00 | 0:44:03 | |
Just about, yes. | 0:44:03 | 0:44:05 | |
Last Tango was banned by 17 local councils, | 0:44:05 | 0:44:09 | |
indeed, no other film has ever provoked as many letters | 0:44:09 | 0:44:13 | |
to the film censors. | 0:44:13 | 0:44:15 | |
But not everybody was against it, so, here's a letter. | 0:44:19 | 0:44:22 | |
"Congratulations on your decision about the film Last Tango. | 0:44:22 | 0:44:25 | |
"I never usually write letters, | 0:44:25 | 0:44:27 | |
"perhaps I'm one of the silent majority, | 0:44:27 | 0:44:29 | |
"but I'm very angry and somewhat frightened | 0:44:29 | 0:44:31 | |
"by the pressure of people like Mary Whitehouse | 0:44:31 | 0:44:34 | |
"and the Festival of Light. | 0:44:34 | 0:44:35 | |
"Is this a free society or not?", | 0:44:35 | 0:44:38 | |
says this man. | 0:44:38 | 0:44:39 | |
Now, this...this one is a bit different. | 0:44:39 | 0:44:42 | |
"I'm just an ordinary house wife", it begins. | 0:44:42 | 0:44:45 | |
"I speak for thousands more like me when I say, | 0:44:45 | 0:44:47 | |
"the majority of us have had as much as we are going to take | 0:44:47 | 0:44:50 | |
"of all the sex filth that is being allowed to be shown | 0:44:50 | 0:44:53 | |
"on our television. | 0:44:53 | 0:44:54 | |
"Why should a few depraved perverts, | 0:44:54 | 0:44:58 | |
"and most of them from other countries, | 0:44:58 | 0:45:00 | |
"be allowed to display sex and love in the most disgusting manner? | 0:45:00 | 0:45:03 | |
"And you, a British citizen, giving way to a rotten Italian." | 0:45:03 | 0:45:07 | |
Tut, tut. | 0:45:07 | 0:45:09 | |
I suppose what you get from all these letters | 0:45:09 | 0:45:11 | |
is a real sense of the vigour and contentiousness of the debate. | 0:45:11 | 0:45:15 | |
This wasn't a reasoned argument between two sides | 0:45:15 | 0:45:18 | |
that were prepared to listen to one another. | 0:45:18 | 0:45:20 | |
This was an argument between, I suppose, an old Britain | 0:45:20 | 0:45:23 | |
based on conservative moral values and faith and tradition and so on, | 0:45:23 | 0:45:28 | |
and a new Britain, based on the individual exercise of personal choice. | 0:45:28 | 0:45:33 | |
And, in many ways, that confrontation, | 0:45:33 | 0:45:35 | |
is the key to the whole decade. | 0:45:35 | 0:45:38 | |
The Festival of Light campaigners battled on, | 0:45:42 | 0:45:45 | |
urging the Government to crack down on the plague of pornography. | 0:45:45 | 0:45:49 | |
But by February 1974, | 0:45:53 | 0:45:55 | |
Edward Heath was locked in a very different battle, | 0:45:55 | 0:46:00 | |
in which his political survival was at stake. | 0:46:00 | 0:46:02 | |
Weeks of talks between the miners and the government had got nowhere. | 0:46:12 | 0:46:16 | |
And now, the miners raised the stakes, | 0:46:16 | 0:46:19 | |
as their overtime ban became an all-out strike. | 0:46:19 | 0:46:23 | |
We're not going to accept pennies, | 0:46:27 | 0:46:29 | |
well, my hope is, we're not going to accept pennies this time. | 0:46:29 | 0:46:32 | |
We've got to win it, haven't we? | 0:46:32 | 0:46:33 | |
If he beats us, what chance have other people? | 0:46:33 | 0:46:36 | |
They've no chance whatsoever. | 0:46:36 | 0:46:37 | |
Two years earlier, Ted Heath had lost the first round to the miners. | 0:46:39 | 0:46:44 | |
But this time, he appealed to the country. | 0:46:44 | 0:46:48 | |
It's time now for the ballot that really counts, | 0:46:48 | 0:46:52 | |
it counts because the government you'll return | 0:46:52 | 0:46:55 | |
will have the strength of your confidence | 0:46:55 | 0:46:57 | |
to tackle the new problems that face us. | 0:46:57 | 0:47:00 | |
We shall need that strength to cope with a world in crisis. | 0:47:00 | 0:47:05 | |
But, let's face it, the miners aren't the only ones | 0:47:05 | 0:47:07 | |
who spend most of their lives in the dark, | 0:47:07 | 0:47:09 | |
half the time I don't know what's going on either. | 0:47:09 | 0:47:11 | |
The shock general election was set for the last day of February. | 0:47:14 | 0:47:19 | |
The papers called it the crisis election. | 0:47:30 | 0:47:33 | |
And never had one been fought under grimmer circumstances. | 0:47:33 | 0:47:37 | |
As the Daily Mail put it, | 0:47:37 | 0:47:38 | |
it was "the strangest, most exciting, | 0:47:38 | 0:47:41 | |
"and most wide-open election for decades." | 0:47:41 | 0:47:43 | |
For Ted Heath, the choice was simple, | 0:47:45 | 0:47:47 | |
the elected government or the union militants. | 0:47:47 | 0:47:50 | |
The British people, he said, must decide. Who governs? | 0:47:50 | 0:47:55 | |
These men want to bring down the elected government, | 0:47:55 | 0:47:59 | |
not just this government, but any government, and control events. | 0:47:59 | 0:48:04 | |
Britain's yachting Prime Minister | 0:48:07 | 0:48:10 | |
thought this was an election about union power. | 0:48:10 | 0:48:13 | |
But sailor Ted had misread the political wind. | 0:48:16 | 0:48:20 | |
It soon became clear that this was really an election | 0:48:20 | 0:48:24 | |
about something rather closer to ordinary families' hearts. | 0:48:24 | 0:48:27 | |
In crucial marginal seats, like Falmouth in Cornwall, | 0:48:30 | 0:48:34 | |
the great inflation was eating away | 0:48:34 | 0:48:36 | |
at the prosperity that people had got so used to, | 0:48:36 | 0:48:39 | |
and most local voters were only interested in one issue, | 0:48:39 | 0:48:43 | |
runaway prices. | 0:48:43 | 0:48:46 | |
I've been in the shop this morning, yesterday I went in the same shop, | 0:48:47 | 0:48:51 | |
it was seven and a half for a tin of tomatoes, they've gone to ten and a half, | 0:48:51 | 0:48:54 | |
they were doing them like that as we walked in this morning. | 0:48:54 | 0:48:57 | |
That's in a day's time. | 0:48:57 | 0:48:59 | |
I had a pensioner come in this morning, | 0:48:59 | 0:49:00 | |
she wanted a bar of household soap. | 0:49:00 | 0:49:02 | |
I said, "Sorry, it's up tuppence on last time." | 0:49:02 | 0:49:04 | |
She said, "My mother always used to say to me | 0:49:04 | 0:49:06 | |
"that poverty was no excuse for being dirty, | 0:49:06 | 0:49:08 | |
"but I've got second thoughts now." | 0:49:08 | 0:49:10 | |
You try and plan a week ahead, | 0:49:10 | 0:49:11 | |
but next week the prices are completely different | 0:49:11 | 0:49:13 | |
from what you budgeted for last week, | 0:49:13 | 0:49:15 | |
so it's impossible to deal with intelligently. | 0:49:15 | 0:49:17 | |
It's a ridiculous situation. | 0:49:17 | 0:49:19 | |
It's costing me a fortune in new price tickets every week | 0:49:19 | 0:49:22 | |
just re-marking everything. | 0:49:22 | 0:49:23 | |
Prices. They've come smack into the middle of the election | 0:49:25 | 0:49:28 | |
with a bang tonight. | 0:49:28 | 0:49:30 | |
In just four years, the price of eggs, cheese, and beef | 0:49:35 | 0:49:38 | |
had almost doubled. | 0:49:38 | 0:49:40 | |
In 1970, if you'd spent nine pence, | 0:49:40 | 0:49:43 | |
you'd have been able to buy this nice, big, white loaf. | 0:49:43 | 0:49:46 | |
By 1974, it would have bought you barely half a loaf. | 0:49:46 | 0:49:51 | |
MUSIC: "Devil Gate Drive" by Suzi Quatro | 0:49:51 | 0:49:55 | |
At the end of February, Suzi Quatro went to number one, | 0:50:01 | 0:50:04 | |
and an anxious Britain went to the polls. | 0:50:04 | 0:50:08 | |
In Falmouth, the Tories just clung on, | 0:50:13 | 0:50:15 | |
but late that night from the state-of-the-art, | 0:50:15 | 0:50:19 | |
and tastefully beige BBC election set, | 0:50:19 | 0:50:22 | |
came news of an historic muddle. | 0:50:22 | 0:50:25 | |
And we are now, from the computer, almost certain | 0:50:27 | 0:50:30 | |
that neither Conservative nor Labour | 0:50:30 | 0:50:32 | |
will get enough seats to form a government. | 0:50:32 | 0:50:35 | |
Accordingly, the Liberals and other parties | 0:50:36 | 0:50:39 | |
are almost certain, according to the computer at this stage, | 0:50:39 | 0:50:42 | |
to be holding the balance in the middle. | 0:50:42 | 0:50:45 | |
And when Heath failed to do a deal with the Liberals, | 0:50:46 | 0:50:50 | |
Labour's Harold Wilson returned as a minority prime minister. | 0:50:50 | 0:50:54 | |
Heath had asked the British people, who governs? | 0:50:56 | 0:50:59 | |
And the nation had answered, not you. | 0:50:59 | 0:51:02 | |
And while Heath's political career sank beneath the ocean waves, | 0:51:03 | 0:51:08 | |
Wilson gave the miners what they wanted, | 0:51:08 | 0:51:12 | |
a pay rise worth a cool £110 million. | 0:51:12 | 0:51:15 | |
In October 1974, Wilson called a second election, | 0:51:18 | 0:51:22 | |
and won a tiny majority, | 0:51:22 | 0:51:23 | |
but he had inherited a whole heap of problems, | 0:51:23 | 0:51:26 | |
from record borrowing and soaring inflation, | 0:51:26 | 0:51:29 | |
to the decade's most dreadful dilemma, | 0:51:29 | 0:51:32 | |
the bleeding sore of Northern Ireland. | 0:51:32 | 0:51:35 | |
Since the beginning of the decade, | 0:51:41 | 0:51:43 | |
Republican paramilitaries, loyalist vigilantes, | 0:51:43 | 0:51:46 | |
and the British Army | 0:51:46 | 0:51:47 | |
had been fighting a bloody battle | 0:51:47 | 0:51:49 | |
to control the streets of Northern Ireland. | 0:51:49 | 0:51:52 | |
How is it that over 1,000 people have died in a part of the United Kingdom | 0:51:58 | 0:52:02 | |
that, five years ago, appears no more important to the British government | 0:52:02 | 0:52:07 | |
than London taxicabs? | 0:52:07 | 0:52:08 | |
Harold Wilson was determined to come up with a solution. | 0:52:24 | 0:52:28 | |
And buried in these recently declassified government documents | 0:52:30 | 0:52:34 | |
is the story of his attempts to find one. | 0:52:34 | 0:52:37 | |
What all these top-secret documents show | 0:52:39 | 0:52:42 | |
was just how far the Wilson government was prepared to go | 0:52:42 | 0:52:46 | |
to find a solution to the problems of Northern Ireland. | 0:52:46 | 0:52:49 | |
So, for instance, they talked about redrawing the border, | 0:52:49 | 0:52:52 | |
about giving Catholic areas to the Republic. | 0:52:52 | 0:52:55 | |
The talked about negotiating openly with the paramilitaries, | 0:52:55 | 0:52:58 | |
and indeed, they had already secretly started talking to the IRA. | 0:52:58 | 0:53:01 | |
They discussed getting the United Nations involved to run | 0:53:01 | 0:53:04 | |
the province themselves. | 0:53:04 | 0:53:06 | |
And above all, Wilson contemplated what he called the doomsday scenario, | 0:53:06 | 0:53:11 | |
in which Britain would just unilaterally get out, | 0:53:11 | 0:53:14 | |
and Northern Ireland would be left to sink or swim. | 0:53:14 | 0:53:17 | |
To many British observers, the conflict in Northern Ireland | 0:53:23 | 0:53:26 | |
seemed an unfathomable relic of ancient history. | 0:53:26 | 0:53:31 | |
But after years of bloodshed, with no end in sight, | 0:53:31 | 0:53:35 | |
the Republican IRA decided to copy the Marxist terror groups | 0:53:35 | 0:53:40 | |
wreaking havoc in continental Europe. | 0:53:40 | 0:53:43 | |
It was time, they thought, | 0:53:43 | 0:53:45 | |
to take their struggle across the water, | 0:53:45 | 0:53:47 | |
from the killing grounds of Belfast | 0:53:47 | 0:53:50 | |
to the quiet streets of middle England. | 0:53:50 | 0:53:53 | |
On 17 November 1974, the Provisional IRA spokesman, | 0:53:57 | 0:54:03 | |
David O'Connell, gave an interview to British television. | 0:54:03 | 0:54:06 | |
Let me make this point, | 0:54:13 | 0:54:15 | |
for five years the British government | 0:54:15 | 0:54:17 | |
has had his forces waging a campaign of terror, | 0:54:17 | 0:54:20 | |
not just on the IRA, but on the people of Ireland. | 0:54:20 | 0:54:23 | |
What have we got from the British public? From the British people? | 0:54:23 | 0:54:26 | |
Total indifference, they can wash their hands. | 0:54:26 | 0:54:30 | |
We said last week in a statement | 0:54:30 | 0:54:31 | |
that the British government and the British people must realise | 0:54:31 | 0:54:35 | |
that because of the terror they're waging in Ireland, | 0:54:35 | 0:54:38 | |
they will suffer the consequences. | 0:54:38 | 0:54:40 | |
Four days later in two Birmingham pubs, | 0:54:44 | 0:54:48 | |
those consequences became devastatingly clear. | 0:54:48 | 0:54:51 | |
It was payday, and in the city centre, The Tavern in the Town | 0:54:52 | 0:54:56 | |
and the Mulberry Bush were packed with young drinkers. | 0:54:56 | 0:54:59 | |
That dreadful night, 21 people were killed | 0:55:02 | 0:55:04 | |
and nearly 200 injured by the bombs of the IRA. | 0:55:04 | 0:55:09 | |
I was just standing with about four friends, | 0:55:09 | 0:55:13 | |
and there was a flash and a blast | 0:55:13 | 0:55:16 | |
which seemed to, you know, just go on and on. | 0:55:16 | 0:55:20 | |
It was like a nightmare, | 0:55:27 | 0:55:28 | |
I was under this rubble and I was trying to get out, | 0:55:28 | 0:55:31 | |
and I thought I'd be trapped there, my legs were trapped. | 0:55:31 | 0:55:34 | |
What were you thinking at the time? | 0:55:34 | 0:55:36 | |
I was just thinking, you know, God help us. | 0:55:37 | 0:55:40 | |
The victims weren't policemen or soldiers, | 0:55:44 | 0:55:47 | |
they were ordinary young men and women | 0:55:47 | 0:55:50 | |
on an ordinary night out. | 0:55:50 | 0:55:52 | |
In the immediate aftermath, | 0:55:56 | 0:55:58 | |
the public reaction was horror and fury. | 0:55:58 | 0:56:01 | |
Do you want to see the death penalty come back altogether? | 0:56:01 | 0:56:05 | |
Eye for an eye, tooth for a tooth. | 0:56:05 | 0:56:07 | |
I think it's just really necessary for terrorism at the moment. | 0:56:07 | 0:56:10 | |
After the horror of Birmingham, | 0:56:12 | 0:56:13 | |
public opinion rallied against the bombers of the IRA. | 0:56:13 | 0:56:18 | |
Wilson's doomsday scenario disappeared into the filing cabinet, | 0:56:18 | 0:56:22 | |
and the war went on. | 0:56:22 | 0:56:25 | |
But Birmingham was also a terrifying reminder | 0:56:25 | 0:56:28 | |
that nowhere in Britain was safe | 0:56:28 | 0:56:31 | |
from the violence that had engulfed Northern Ireland. | 0:56:31 | 0:56:34 | |
As one commentator put it, | 0:56:34 | 0:56:36 | |
it was as though the vanguard of anarchy was loose in the world. | 0:56:36 | 0:56:41 | |
Britain had entered a new age of insecurity, | 0:56:44 | 0:56:46 | |
when even going for a quiet pint could get you killed. | 0:56:46 | 0:56:51 | |
That terrible day in November 1974 | 0:56:51 | 0:56:54 | |
had raised the spectre of the international terrorist, | 0:56:54 | 0:56:58 | |
and 40 years on, we still live in the bomber's shadow. | 0:56:58 | 0:57:04 | |
# Oh, it's 12 o'clock | 0:57:08 | 0:57:12 | |
# On the old grey wall | 0:57:12 | 0:57:15 | |
# Yet another year | 0:57:15 | 0:57:18 | |
# 75 is here... # | 0:57:18 | 0:57:21 | |
As the clocks tick down to 1975, | 0:57:21 | 0:57:24 | |
the harsh truth was sinking in | 0:57:24 | 0:57:25 | |
that the British people were no longer masters of their own destiny. | 0:57:25 | 0:57:31 | |
Our island fortress had been overwhelmed | 0:57:31 | 0:57:34 | |
by the tempestuous realities of a changing world. | 0:57:34 | 0:57:38 | |
And nothing in our economy, in our politics, | 0:57:38 | 0:57:41 | |
or our culture would be the same again. | 0:57:41 | 0:57:44 | |
As the British people dusted themselves off and looked around, | 0:57:44 | 0:57:48 | |
they found themselves in a strange and unsettling new landscape. | 0:57:48 | 0:57:52 | |
Much of what they'd taken for granted had been simply swept away. | 0:57:52 | 0:57:57 | |
A new Britain, edgier, more anxious, | 0:57:57 | 0:58:00 | |
and more ambitious was at hand. | 0:58:00 | 0:58:02 | |
Next time, belligerent. | 0:58:05 | 0:58:08 | |
Bolshy. | 0:58:10 | 0:58:12 | |
Bust. | 0:58:12 | 0:58:13 | |
And bursting with ideas. | 0:58:15 | 0:58:19 | |
Britain hits the mid-'70s. | 0:58:19 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:44 |