Browse content similar to Goodbye Great Britain 75-77. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:00 | 0:03:00 | |
# All our times have come | 0:00:07 | 0:00:10 | |
# Here but now they're gone | 0:00:14 | 0:00:18 | |
# Seasons don't fear the reaper | 0:00:20 | 0:00:23 | |
# Nor do the wind the sun or the rain | 0:00:23 | 0:00:25 | |
# We can be like they are | 0:00:25 | 0:00:27 | |
# Come on, baby | 0:00:27 | 0:00:29 | |
# Don't fear the reaper | 0:00:29 | 0:00:31 | |
# Baby take my hand | 0:00:31 | 0:00:33 | |
# Don't fear the reaper | 0:00:33 | 0:00:34 | |
# We'll be able to fly | 0:00:34 | 0:00:35 | |
# Don't fear the reaper | 0:00:35 | 0:00:37 | |
# Baby, I'm your man | 0:00:37 | 0:00:42 | |
# La la-la la-la... # | 0:00:42 | 0:00:46 | |
# ..La la-la la-la... # | 0:00:49 | 0:00:52 | |
Maybe you were getting married and having kids, | 0:00:52 | 0:00:55 | |
or getting your first job, or having your first kiss. | 0:00:55 | 0:01:00 | |
Or maybe, like me, you were taking your first steps. | 0:01:00 | 0:01:03 | |
Whatever you got up to in the 1970s, | 0:01:07 | 0:01:08 | |
it's passed from personal memory into our shared national history. | 0:01:08 | 0:01:14 | |
The architects of post-war Britain had hoped that modern capitalism | 0:01:18 | 0:01:22 | |
would give us prosperity | 0:01:22 | 0:01:24 | |
and the welfare state would give us security. | 0:01:24 | 0:01:27 | |
But by the 1970s, this comfortable model was in deep trouble. | 0:01:28 | 0:01:32 | |
And many people had had enough of the way we were. | 0:01:33 | 0:01:37 | |
By the middle years of the 1970s, | 0:01:39 | 0:01:42 | |
the generation shaped by the sacrifice of the Second World War | 0:01:42 | 0:01:46 | |
were looking on in horror as a new Britain erupted around them, | 0:01:46 | 0:01:50 | |
unsettling, aggressive and unashamedly ambitious. | 0:01:50 | 0:01:56 | |
New Year's Eve, 1975. | 0:02:06 | 0:02:09 | |
# You made me love you | 0:02:09 | 0:02:13 | |
# I didn't want to do it... # | 0:02:13 | 0:02:15 | |
And for the nation's delectation, | 0:02:15 | 0:02:18 | |
the Wheeltappers and Shunters Social Club, | 0:02:18 | 0:02:22 | |
hosted by Bernard Manning. | 0:02:22 | 0:02:24 | |
# ..I guess you always knew it... # | 0:02:24 | 0:02:26 | |
The club may have looked authentic but it was actually based here, | 0:02:26 | 0:02:31 | |
at Manchester's Granada Studios. | 0:02:31 | 0:02:34 | |
Home today to ITV's Jeremy Kyle show. | 0:02:34 | 0:02:38 | |
# ..You made me feel so bad... # | 0:02:38 | 0:02:41 | |
Jutting out here into the audience was the stage, | 0:02:41 | 0:02:44 | |
orchestra in the corner, bar behind me, | 0:02:44 | 0:02:46 | |
presided over by the irrepressible Bernard Manning. | 0:02:46 | 0:02:50 | |
They even had a one-eyed barman. | 0:02:51 | 0:02:53 | |
It was his job to pour pints of draught Double Diamond bitter | 0:02:53 | 0:02:57 | |
for the gents and lager and lime for the ladies. | 0:02:57 | 0:03:01 | |
# ..love you. # | 0:03:01 | 0:03:03 | |
The Wheeltappers was prime-time Saturday night TV, | 0:03:03 | 0:03:08 | |
a chance for millions to settle down | 0:03:08 | 0:03:10 | |
for some good old family entertainment. | 0:03:10 | 0:03:13 | |
I love women. From 18 to 30, they're like Asia, hot and exotic. | 0:03:14 | 0:03:18 | |
55 onwards, they're like Australia, | 0:03:18 | 0:03:20 | |
everybody knows where it is, but nobody wants to go there. | 0:03:20 | 0:03:23 | |
LAUGHTER | 0:03:23 | 0:03:24 | |
'70s Britain was a man's world, | 0:03:24 | 0:03:28 | |
where, like the clouds of high tar cigarette smoke, | 0:03:28 | 0:03:31 | |
casual male chauvinism hung heavy in the air. | 0:03:31 | 0:03:35 | |
Yet that New Year, for the women in the audience, | 0:03:37 | 0:03:40 | |
life was about to change. | 0:03:40 | 0:03:42 | |
Today is the day when the Sex Discrimination Act comes in. | 0:03:42 | 0:03:46 | |
Women at last get the fair deal they deserve. | 0:03:46 | 0:03:50 | |
# Show me the way to go home... # | 0:03:50 | 0:03:55 | |
When Bernard's New Year revellers shook off their hangovers the next morning, | 0:03:55 | 0:03:58 | |
Britain, under the new discrimination law, was transformed. | 0:03:58 | 0:04:03 | |
Fairer and more enlightened. | 0:04:03 | 0:04:06 | |
# No matter where I roam... # | 0:04:06 | 0:04:08 | |
Well, so went the theory. | 0:04:13 | 0:04:15 | |
# ..And you'll always hear me singing a song.. # | 0:04:15 | 0:04:18 | |
I've tracked down a copy | 0:04:18 | 0:04:20 | |
of the Wheeltappers and Shunters Handbook for 1976. | 0:04:20 | 0:04:24 | |
Inside it reports that, thanks to the Sex Discrimination Act, | 0:04:24 | 0:04:27 | |
ladies will now be eligible for election onto the committee. | 0:04:27 | 0:04:31 | |
But which ones? | 0:04:31 | 0:04:33 | |
"After much deliberation it was decided that we should approach | 0:04:33 | 0:04:36 | |
"Raquel Welch, Brigitte Bardot and Linda Lovelace." | 0:04:36 | 0:04:41 | |
The treatment of women at the Wheeltappers | 0:04:41 | 0:04:45 | |
was far from exceptional in '70s Britain. | 0:04:45 | 0:04:48 | |
For thousands of years, man has regarded woman as a thing apart. | 0:04:48 | 0:04:52 | |
Contrary, | 0:04:52 | 0:04:54 | |
unpredictable, | 0:04:54 | 0:04:56 | |
goddess and bitch. | 0:04:56 | 0:04:58 | |
You and your kind, men! You're all the same. | 0:04:58 | 0:05:01 | |
Willing me to take my clothes off. And I'm not going to do it, do you hear? | 0:05:01 | 0:05:04 | |
-You'll get me struck off. -Oh, why are you so forceful! | 0:05:04 | 0:05:08 | |
Across mainstream entertainment, | 0:05:08 | 0:05:10 | |
women were routinely portrayed as sexual playthings. | 0:05:10 | 0:05:14 | |
First, one of our rising stars of the theatre and, I quote, | 0:05:14 | 0:05:19 | |
"She is especially telling in projecting sluttish eroticism." | 0:05:19 | 0:05:22 | |
She is Miss Helen Mirren. | 0:05:22 | 0:05:23 | |
And some people should have known better. | 0:05:23 | 0:05:27 | |
I mean, you are, in quotes, "a serious actress" but do you find | 0:05:27 | 0:05:30 | |
what could best be described as your equipment in fact hinders you, perhaps, in that pursuit? | 0:05:30 | 0:05:35 | |
I'd like you to explain what you mean by my "equipment". | 0:05:35 | 0:05:39 | |
-Well, your physical attributes. -You mean my fingers? | 0:05:39 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:43 | |
No, I meant your... | 0:05:43 | 0:05:45 | |
LAUGHTER | 0:05:45 | 0:05:47 | |
Today it's easy to be shocked by the sexism | 0:05:48 | 0:05:51 | |
on the Parkinson sofa. | 0:05:51 | 0:05:53 | |
But from the bedroom and the boardroom, to academia and politics, | 0:05:53 | 0:05:57 | |
women often faced tremendous obstacles. | 0:05:57 | 0:05:59 | |
Now then, they are very, very busy people, these MPs... | 0:05:59 | 0:06:02 | |
Even in the corridors of power, sexual inequality was hard to shift. | 0:06:02 | 0:06:08 | |
Hello, welcome, come in. | 0:06:08 | 0:06:11 | |
When Margaret Thatcher became leader of the Tory opposition in 1975, | 0:06:11 | 0:06:16 | |
she was one of only 23 female MPs in a House of 516. | 0:06:16 | 0:06:22 | |
Are you going to want to come here too? | 0:06:22 | 0:06:25 | |
Yes, my ambition is to be Prime Minister. | 0:06:25 | 0:06:27 | |
Wonderful! There we are, two generations. | 0:06:27 | 0:06:30 | |
# Which way women, women, which way now | 0:06:30 | 0:06:32 | |
# Women, women, what do you say? # | 0:06:32 | 0:06:35 | |
Maggie and her young friend still had a long way to go. | 0:06:35 | 0:06:39 | |
But now they had the law on their side. | 0:06:39 | 0:06:42 | |
Just moments from Westminster, the new discrimination act | 0:06:44 | 0:06:48 | |
was put to the test. | 0:06:48 | 0:06:50 | |
The El Vino wine bar had been serving the journalists | 0:06:52 | 0:06:57 | |
of London's Fleet Street since Victorian times. | 0:06:57 | 0:06:59 | |
And women here had always known their place. | 0:06:59 | 0:07:04 | |
This is the bar. | 0:07:05 | 0:07:07 | |
And THIS was for the boys. | 0:07:07 | 0:07:09 | |
If you were a woman and you wanted a drink, | 0:07:09 | 0:07:12 | |
you had to go and sit down there at the back, out of sight, | 0:07:12 | 0:07:15 | |
where nobody could see you, and wait to be served. | 0:07:15 | 0:07:18 | |
On the day the Sex Discrimination Act came into operation, | 0:07:18 | 0:07:21 | |
a female journalist came in | 0:07:21 | 0:07:23 | |
and tried to order a drink here at the counter | 0:07:23 | 0:07:26 | |
and the barman refused to serve her. | 0:07:26 | 0:07:28 | |
On the face of it, discrimination pure and simple. | 0:07:28 | 0:07:32 | |
And now, of course, against the law. | 0:07:32 | 0:07:35 | |
# That ain't no way to treat a lady... # | 0:07:35 | 0:07:38 | |
-ARCHIVE: -El Vino's is an old-fashioned sort of place, the last bastion of chivalry, | 0:07:38 | 0:07:42 | |
or the epitome of male chauvinism, depending on your attitude. | 0:07:42 | 0:07:46 | |
What made El Vino's exceptional was that it was patronised by women | 0:07:46 | 0:07:49 | |
who worked in Fleet Street, by and large journalists, so you had | 0:07:49 | 0:07:52 | |
a particularly articulate, ambitious and committed group of women, | 0:07:52 | 0:07:56 | |
sick of being relegated to the back room. | 0:07:56 | 0:08:00 | |
Well, they wouldn't serve us but they refused to give us a reason. | 0:08:00 | 0:08:03 | |
To the horror of the blokes at the bar, | 0:08:03 | 0:08:07 | |
the feminist protesters won their case. | 0:08:07 | 0:08:09 | |
It was a small legal recognition that Britain's women were | 0:08:09 | 0:08:14 | |
no longer content with life in the bedroom and the kitchen. | 0:08:14 | 0:08:17 | |
But, for many women, equal treatment didn't just mean | 0:08:17 | 0:08:21 | |
drinks at the bar after work. | 0:08:21 | 0:08:23 | |
Genuine equality was a question of cold, hard economics. | 0:08:23 | 0:08:29 | |
Equal pay with men? Well, that's just preposterous! | 0:08:30 | 0:08:34 | |
By the mid-'70s, half of all women | 0:08:38 | 0:08:40 | |
weren't only looking after the household, | 0:08:40 | 0:08:44 | |
they were also going out to work. | 0:08:44 | 0:08:47 | |
A higher number than ever before. | 0:08:47 | 0:08:49 | |
It's a part of a woman's life today. | 0:08:54 | 0:08:57 | |
Women have to go to work because I think things are so expensive. | 0:08:57 | 0:09:01 | |
But women and men weren't paid the same. | 0:09:01 | 0:09:05 | |
For every pound a man took home, a woman earned just 75 pence. | 0:09:05 | 0:09:09 | |
And for some women, enough was enough. | 0:09:11 | 0:09:15 | |
Brentford, West London. | 0:09:20 | 0:09:22 | |
# Blues ain't nothing but a good woman gone bad... # | 0:09:22 | 0:09:27 | |
-ARCHIVE: -Equal pay for equal work seems a simple enough notion, | 0:09:27 | 0:09:30 | |
but what is equal work? | 0:09:30 | 0:09:32 | |
Alongside the Discrimination Act, | 0:09:32 | 0:09:35 | |
the Labour government had introduced an Equal Pay Act, | 0:09:35 | 0:09:39 | |
meaning that from 1976, women should be paid the same rate as men. | 0:09:39 | 0:09:44 | |
But Brentford's Trico factory, | 0:09:45 | 0:09:48 | |
which made car windscreen wipers, | 0:09:48 | 0:09:51 | |
continued to pay some of its men MORE than women for the same work. | 0:09:51 | 0:09:56 | |
They take home between £5 and £6 a week more than what the woman does. | 0:09:56 | 0:10:01 | |
In May '76, the Trico women walked out on strike. | 0:10:05 | 0:10:09 | |
They set up their campaign HQ at the nearby Griffin pub. | 0:10:09 | 0:10:14 | |
# I've tried to leave so many times | 0:10:14 | 0:10:18 | |
# But I never got past the door... # | 0:10:18 | 0:10:21 | |
What I have here are some of the photos | 0:10:21 | 0:10:23 | |
the women took of their own campaign. | 0:10:23 | 0:10:25 | |
This is a long way from the stereotypical image of '70s strikes, | 0:10:25 | 0:10:31 | |
the burly men in donkey jackets warming their hands around braziers. | 0:10:31 | 0:10:34 | |
These are the women taking a stand for themselves. | 0:10:34 | 0:10:39 | |
As the summer heatwave set in, | 0:10:45 | 0:10:48 | |
and the British people flocked to the seaside, | 0:10:48 | 0:10:51 | |
the women of Brentford picketed on what the press called | 0:10:51 | 0:10:54 | |
the Costa Del Trico. | 0:10:54 | 0:10:56 | |
ARCHIVE: Two arrests were made | 0:10:59 | 0:11:01 | |
and an already bitter dispute was embittered still further. | 0:11:01 | 0:11:05 | |
The women received support from the most unlikely sources. | 0:11:05 | 0:11:11 | |
Coalminers, steelworkers, dockers. Working-class men. | 0:11:11 | 0:11:16 | |
Many eyes are focused on this dispute, | 0:11:16 | 0:11:19 | |
wondering whether direct action will succeed where talking has failed. | 0:11:19 | 0:11:23 | |
# Who's that knocking on the door? # | 0:11:23 | 0:11:26 | |
After 21 weeks, with the production lines at a standstill, | 0:11:26 | 0:11:30 | |
Trico gave in, bringing an end | 0:11:30 | 0:11:32 | |
to what was then Britain's longest-running equal pay dispute. | 0:11:32 | 0:11:37 | |
That winter, the victorious women marched back into the factory, | 0:11:40 | 0:11:44 | |
the question of sexual inequality now firmly in the public eye. | 0:11:44 | 0:11:48 | |
From baked bean factories to photography labs, | 0:11:54 | 0:11:57 | |
women were leaving the production lines to fight their corner. | 0:11:57 | 0:12:00 | |
Equal pay, equal rights. Hundreds of cases were hitting the headlines. | 0:12:04 | 0:12:09 | |
This was a fundamental challenge to the way things worked. | 0:12:11 | 0:12:15 | |
After years of second-class status, | 0:12:15 | 0:12:17 | |
women of all backgrounds were demanding sweeping change. | 0:12:17 | 0:12:22 | |
What I've got here is a picture of a billboard from the late 1970s, | 0:12:23 | 0:12:27 | |
which says so much about how attitudes were changing. | 0:12:27 | 0:12:31 | |
It's an ad for a car, for a Fiat. | 0:12:31 | 0:12:33 | |
The tagline is, "If it were a lady it would get its bottom pitched." | 0:12:33 | 0:12:37 | |
And underneath someone has spray-painted the words, | 0:12:37 | 0:12:40 | |
"If this lady was a car she'd run you down." | 0:12:40 | 0:12:45 | |
Of course, sexual discrimination hasn't gone away | 0:12:46 | 0:12:50 | |
but it was in the mid-'70s the fight for equality really gained momentum. | 0:12:50 | 0:12:54 | |
Good evening, I'm from the Ministry of Sex Equality. | 0:12:56 | 0:12:59 | |
# Hey, man | 0:12:59 | 0:13:00 | |
# Oh, leave me alone... # | 0:13:00 | 0:13:02 | |
But what about all the men? | 0:13:02 | 0:13:04 | |
This was a moment of reckoning for male identity too. | 0:13:04 | 0:13:08 | |
Brought up on solid foundations of presumption and prejudice, | 0:13:08 | 0:13:13 | |
'70s man was now forced to reconsider attitudes | 0:13:13 | 0:13:17 | |
he'd always taken for granted. | 0:13:17 | 0:13:19 | |
To change the way he thought, spoke and behaved, | 0:13:19 | 0:13:23 | |
to challenge traditional assumptions about everything | 0:13:23 | 0:13:26 | |
from the world of work to his weekend pleasures. | 0:13:26 | 0:13:30 | |
Just 10 years earlier, there had still been one | 0:13:30 | 0:13:33 | |
unashamedly masculine pursuit of which a nation could be proud, | 0:13:33 | 0:13:36 | |
an arena in which 11 young Englishmen had conquered the world. | 0:13:36 | 0:13:41 | |
In October 1976, the heroes of England's famous World Cup victory | 0:13:47 | 0:13:52 | |
reunited for a friendly in Telford. | 0:13:52 | 0:13:55 | |
ARCHIVE: Hairstyles have altered, of course, | 0:13:56 | 0:13:59 | |
and some of the players have become a bit broader around the waist | 0:13:59 | 0:14:02 | |
but, as Bobby Moore led the old team out, | 0:14:02 | 0:14:05 | |
things seemed to have changed very little. | 0:14:05 | 0:14:07 | |
A sell-out crowd packed into | 0:14:07 | 0:14:10 | |
the Bucks Head Stadium to see these icons of the game | 0:14:10 | 0:14:13 | |
back together again and to remember | 0:14:13 | 0:14:15 | |
the greatest moment in English football. | 0:14:15 | 0:14:18 | |
This goal from Geoff Hurst brought back memories | 0:14:18 | 0:14:21 | |
of his third at Wembley 10 years ago. | 0:14:21 | 0:14:23 | |
Bobby Moore, Geoff Hurst, the Charlton brothers, | 0:14:23 | 0:14:26 | |
the heroes of '66 together again. | 0:14:26 | 0:14:29 | |
It's an unashamedly nostalgic image | 0:14:29 | 0:14:31 | |
but it was one horribly out of touch with reality. | 0:14:31 | 0:14:35 | |
CHANTING: Stab, stab, stab the bastards. | 0:14:35 | 0:14:38 | |
Stab, stab, stab the bastards! Stab, stab, stab the bastards! | 0:14:38 | 0:14:42 | |
All we're going for is a good game of football, | 0:14:42 | 0:14:45 | |
a good punch-up and a good piss-up. | 0:14:45 | 0:14:47 | |
Standing by. | 0:15:03 | 0:15:04 | |
We saw clearly the thuggery of a group of hooligans | 0:15:09 | 0:15:12 | |
who could never have claimed to have come along simply to enjoy the football. | 0:15:12 | 0:15:16 | |
If some dirty Northerner spits up at me, | 0:15:16 | 0:15:18 | |
I'll put a fucking pint glass in his head. | 0:15:18 | 0:15:21 | |
Football, the preserve of fathers and sons for generations, | 0:15:21 | 0:15:26 | |
was in crisis. | 0:15:26 | 0:15:27 | |
Many young fans were carried away by a culture of casual violence. | 0:15:29 | 0:15:33 | |
They stood in the street, exposing themselves. | 0:15:36 | 0:15:38 | |
And when I say exposing themselves, I mean exposing themselves. | 0:15:38 | 0:15:42 | |
They've got to put them in jail. | 0:15:44 | 0:15:46 | |
Either that or they've got to publicly birch 'em. | 0:15:46 | 0:15:48 | |
Railway stations, high streets, motorway services, | 0:15:51 | 0:15:56 | |
come Saturday afternoons, these were the realms of football's bootboys. | 0:15:56 | 0:16:02 | |
Every football club had its gangs | 0:16:02 | 0:16:04 | |
and at 3 o'clock on a Saturday, | 0:16:04 | 0:16:07 | |
cities across the land braced themselves for the inevitable. | 0:16:07 | 0:16:11 | |
Wolves attack. Off Marsh to Richards. And it's a goal! | 0:16:11 | 0:16:16 | |
This is Molineux, the home of my team, Wolverhampton Wanderers, | 0:16:27 | 0:16:31 | |
pride of the Midlands. | 0:16:31 | 0:16:34 | |
Wolves stepping up the pressure. | 0:16:34 | 0:16:36 | |
Today the atmosphere's never been more family friendly. | 0:16:39 | 0:16:43 | |
But in August 1975, | 0:16:43 | 0:16:46 | |
Wolves hosted the most-feared club in the country. | 0:16:46 | 0:16:50 | |
# Manchester United Manchester United | 0:16:52 | 0:16:56 | |
# We're the greatest team in the land... # | 0:16:56 | 0:16:58 | |
Football violence was so common | 0:16:58 | 0:17:00 | |
that the Daily Mirror even started running a regular column, | 0:17:00 | 0:17:04 | |
The League Of Violence. | 0:17:04 | 0:17:05 | |
In 1975, Manchester United were well clear at the top. | 0:17:05 | 0:17:09 | |
Good morning, ladies and gentlemen. | 0:17:12 | 0:17:14 | |
Police arrangements for the match today. | 0:17:14 | 0:17:16 | |
ALL: We'll support you evermore! | 0:17:19 | 0:17:22 | |
ALL: United! United! | 0:17:24 | 0:17:28 | |
United scored two late match-winning goals | 0:17:29 | 0:17:33 | |
and then their most notorious fans, the Stretford Enders, | 0:17:33 | 0:17:37 | |
went on the rampage. | 0:17:37 | 0:17:39 | |
As the Stretford Enders ran amok, | 0:17:39 | 0:17:41 | |
14 people were stabbed, hundreds of bottles were thrown | 0:17:41 | 0:17:44 | |
and dozens of businesses were looted. | 0:17:44 | 0:17:47 | |
They even ransacked the Wolves club shop. | 0:17:47 | 0:17:49 | |
Police finally managed to corner them here, | 0:17:49 | 0:17:52 | |
outside the Molineux Hotel, using dogs and horses to pen them in. | 0:17:52 | 0:17:57 | |
That afternoon, there were mass arrests from York to Ipswich, | 0:17:59 | 0:18:03 | |
from Southend to Stoke. | 0:18:03 | 0:18:06 | |
Football violence had become a brutal nationwide epidemic. | 0:18:06 | 0:18:10 | |
This is a photograph showing some of the horrific weapons | 0:18:10 | 0:18:14 | |
the police confiscated from suspected hooligans. | 0:18:14 | 0:18:18 | |
There's an axe, a meat cleaver, knives, scissors, daggers, darts. | 0:18:18 | 0:18:23 | |
It's a truly extraordinary assortment of hardware. | 0:18:23 | 0:18:26 | |
Some of the weapons, though, were a little bit more imaginative. | 0:18:26 | 0:18:29 | |
The police even confiscated a hairbrush. | 0:18:29 | 0:18:32 | |
Many older fans were horrified | 0:18:38 | 0:18:41 | |
and nobody captured their disgust better | 0:18:41 | 0:18:43 | |
than the Manchester United legend Sir Matt Busby. | 0:18:43 | 0:18:47 | |
We don't want them. | 0:18:47 | 0:18:48 | |
I wish we could find them and throw them in the river or something. | 0:18:48 | 0:18:52 | |
What made football hooliganism so deeply disturbing | 0:18:54 | 0:18:58 | |
was that it was such a public and unashamed exhibition | 0:18:58 | 0:19:02 | |
of raw, tribal aggression. | 0:19:02 | 0:19:05 | |
Britain was supposed to be the country of the stiff upper lip, | 0:19:06 | 0:19:09 | |
a land where youngsters obeyed the law, the streets were safe, | 0:19:09 | 0:19:13 | |
and a spirit of quiet moderation ruled our daily lives. | 0:19:13 | 0:19:17 | |
But now a new generation, apparently steeped in bloodshed, | 0:19:19 | 0:19:23 | |
appeared to be defying everything that Britain stood for. | 0:19:23 | 0:19:28 | |
But why was the violence escalating now? | 0:19:29 | 0:19:32 | |
In 1977, the Government commissioned a survey into Britain's hobbies. | 0:19:32 | 0:19:37 | |
You've got everything here from fishing and football to darts and DIY. | 0:19:37 | 0:19:41 | |
What all these dry facts and figures show | 0:19:41 | 0:19:44 | |
is that for the ordinary British bloke, | 0:19:44 | 0:19:47 | |
Saturday afternoons no longer revolved around the beautiful game. | 0:19:47 | 0:19:51 | |
For decades, generations of men, young and old, | 0:19:56 | 0:19:59 | |
had watched their local teams side-by-side. | 0:19:59 | 0:20:02 | |
But in the mid-70s, as men developed new interests | 0:20:02 | 0:20:06 | |
and wider responsibilities, that tradition broke down. | 0:20:06 | 0:20:10 | |
At weekends, older men were more likely to be found | 0:20:21 | 0:20:24 | |
wandering round garden centres or DIY stores | 0:20:24 | 0:20:27 | |
than they were standing on the windswept terraces. | 0:20:27 | 0:20:30 | |
Without the role models in the stands, | 0:20:30 | 0:20:33 | |
without the disapproving looks of dads and grandads | 0:20:33 | 0:20:36 | |
to keep the troublemakers in line, | 0:20:36 | 0:20:38 | |
the dynamic of the football crowd shifted. | 0:20:38 | 0:20:41 | |
As living standards had risen and older men invested time and money | 0:20:47 | 0:20:52 | |
in more domestic pursuits, football attendances had begun to slide. | 0:20:52 | 0:20:57 | |
It wasn't just the fact that people were staying away from football because of hooliganism. | 0:20:57 | 0:21:03 | |
It was the fact that people were staying away from football | 0:21:03 | 0:21:06 | |
that allowed hooliganism to thrive. | 0:21:06 | 0:21:09 | |
Once established, the momentum towards greater violence | 0:21:09 | 0:21:12 | |
and greater bloodshed became self-reinforcing. | 0:21:12 | 0:21:16 | |
This wasn't just a story about football. | 0:21:20 | 0:21:23 | |
This seemed to capture so much of what was wrong with Britain. | 0:21:23 | 0:21:27 | |
The scenes of appalling violence | 0:21:27 | 0:21:29 | |
suggested that the nation was tearing itself apart | 0:21:29 | 0:21:33 | |
and that traditional moral values, respected for generations, | 0:21:33 | 0:21:37 | |
had simply collapsed. | 0:21:37 | 0:21:38 | |
-Have you any ideas what you want to be? -A footballer. -A footballer! | 0:21:38 | 0:21:43 | |
# When I was young and just a boy... # | 0:21:43 | 0:21:47 | |
And yet despite the crisis in the stands | 0:21:47 | 0:21:49 | |
and fighting in the streets, most young boys shared the same dream. | 0:21:49 | 0:21:53 | |
# Will it be Arsenal? Will it be Spurs? | 0:21:53 | 0:21:56 | |
# Here's what she says to me... # | 0:21:56 | 0:21:59 | |
If you're going to be a footballer, you'll earn far more than I do. | 0:21:59 | 0:22:03 | |
The stars of the day were paid more than ever before. | 0:22:03 | 0:22:08 | |
Their lifestyles were increasingly touched with glamour and celebrity. | 0:22:08 | 0:22:13 | |
The Jaguar XJS is good value at £10,500. | 0:22:14 | 0:22:17 | |
And soccer stars George Best and Rodney Marsh | 0:22:17 | 0:22:21 | |
can afford that sort of money. | 0:22:21 | 0:22:23 | |
The car. Height of any red-blooded male's ambitions, | 0:22:23 | 0:22:27 | |
supreme status symbol of '70s Britain. | 0:22:27 | 0:22:30 | |
The motor show, with the sparkle of chrome | 0:22:31 | 0:22:33 | |
and a little razzmatazz thrown in. | 0:22:33 | 0:22:35 | |
In October 1976, | 0:22:35 | 0:22:38 | |
London's Earls Court was packed with car enthusiasts. | 0:22:38 | 0:22:42 | |
Sales were on the up, with well over 1 million vehicles a year sold. | 0:22:42 | 0:22:46 | |
BASIL FAWLTY: I'm warning you! If you don't start... | 0:22:46 | 0:22:50 | |
But British motors weren't always easy to love. | 0:22:50 | 0:22:53 | |
One. Two. Three. Right! | 0:22:53 | 0:22:57 | |
That's it. I've had enough. You've tried it on just once too often. | 0:22:57 | 0:23:02 | |
Right! Well, don't say I haven't warned you. | 0:23:02 | 0:23:05 | |
I've laid it on the line to you time and time again! | 0:23:05 | 0:23:08 | |
Right! This is it. | 0:23:08 | 0:23:10 | |
I'm going to give you a damn good thrashing! | 0:23:10 | 0:23:13 | |
They were widely seen as poor quality and less than reliable. | 0:23:13 | 0:23:18 | |
Perhaps Basil Fawlty shouldn't have bought British. | 0:23:24 | 0:23:27 | |
For the first time, drivers could now pick from a dazzling range | 0:23:27 | 0:23:31 | |
of international models. | 0:23:31 | 0:23:33 | |
Foreign motors were cheap, smart and, above all, dependable. | 0:23:33 | 0:23:38 | |
No wonder almost half of all our new cars were imported. | 0:23:38 | 0:23:43 | |
But in 1976, the nationalised car giant British Leyland | 0:23:44 | 0:23:48 | |
took the fight to the foreign invaders. | 0:23:48 | 0:23:50 | |
Good looks, appeal, style. | 0:23:52 | 0:23:55 | |
Today's car must have all these features and more besides. | 0:23:55 | 0:23:59 | |
The Rover SD1. S for specialist, D for division. | 0:23:59 | 0:24:03 | |
Even its name oozed machismo. | 0:24:08 | 0:24:10 | |
This was British Leyland's secret weapon. | 0:24:14 | 0:24:17 | |
A sporting-looking car has always been a bird catcher. | 0:24:17 | 0:24:22 | |
Yet the Rover story soon became emblematic of everything | 0:24:24 | 0:24:27 | |
that was wrong with British manufacturing | 0:24:27 | 0:24:30 | |
and a symbol of the decade's wider industrial disarray. | 0:24:30 | 0:24:34 | |
I've joined vintage car fans at Birmingham's NEC. | 0:24:40 | 0:24:44 | |
Among the classics on show is this. | 0:24:44 | 0:24:48 | |
One of the first SD1s off the production line, | 0:24:54 | 0:24:57 | |
still painted in its original colour - | 0:24:57 | 0:25:00 | |
turmeric. | 0:25:00 | 0:25:02 | |
According to the ads, the Rover SD1 was the car of tomorrow today. | 0:25:12 | 0:25:17 | |
And it had some very distinctive features, | 0:25:17 | 0:25:20 | |
this adjustable steering wheel, a fully carpeted interior | 0:25:20 | 0:25:23 | |
and tufted nylon. | 0:25:23 | 0:25:26 | |
Even a cutting-edge cassette player. | 0:25:26 | 0:25:28 | |
There are a few touches especially for the ladies, | 0:25:28 | 0:25:31 | |
like this space here - in front of the passenger seat, obviously - | 0:25:31 | 0:25:35 | |
where you could put your handbag. | 0:25:35 | 0:25:37 | |
Such mod cons didn't come cheap. | 0:25:40 | 0:25:43 | |
In 1975, the struggling motor giant had been bailed out | 0:25:44 | 0:25:49 | |
by the big-spending Labour Government | 0:25:49 | 0:25:52 | |
with well over £1 billion worth of taxpayers' money. | 0:25:52 | 0:25:55 | |
A slice of the cash was invested in the SD1's high-tech home, | 0:25:57 | 0:26:01 | |
a sparkling new factory in Solihull. | 0:26:01 | 0:26:04 | |
The Rover SD1 was built here in Solihull | 0:26:06 | 0:26:09 | |
but the parts came from all across the country. | 0:26:09 | 0:26:12 | |
The manual gearbox from Pengam in South Wales. | 0:26:12 | 0:26:15 | |
The bodywork was built in Swindon. | 0:26:15 | 0:26:18 | |
The nylon carpeting was delivered from Bradford | 0:26:18 | 0:26:22 | |
and the windscreen wipers | 0:26:22 | 0:26:24 | |
from the women at the Trico factory in Brentford. | 0:26:24 | 0:26:28 | |
That is when they weren't on strike. | 0:26:28 | 0:26:30 | |
All of these parts were built by different groups of workers | 0:26:30 | 0:26:33 | |
with different shop stewards, different agendas | 0:26:33 | 0:26:36 | |
and different ambitions. | 0:26:36 | 0:26:38 | |
The Rover SD1 was a national project but that made it vulnerable. | 0:26:42 | 0:26:48 | |
With 17 different unions working across 55 sites, | 0:26:48 | 0:26:52 | |
British Leyland was acutely exposed to the whims of its workers. | 0:26:52 | 0:26:58 | |
All those in favour, please vote. | 0:27:00 | 0:27:02 | |
Almost every day production was disrupted by strikes. | 0:27:03 | 0:27:08 | |
The management have to give way some time or other. | 0:27:08 | 0:27:10 | |
With inflation running at over 20%, | 0:27:11 | 0:27:14 | |
many strikers felt they had no choice | 0:27:14 | 0:27:17 | |
but their incessant demands led to a crisis of authority. | 0:27:17 | 0:27:21 | |
To managers' distress, the unions seemed to be running the show. | 0:27:21 | 0:27:26 | |
The management are closely scrutinised by the trade unions. | 0:27:26 | 0:27:30 | |
They're accountable to all our members on the shop floor. | 0:27:30 | 0:27:34 | |
The trade unions were part of the great trinity of British power. | 0:27:36 | 0:27:40 | |
On behalf of their workers, | 0:27:40 | 0:27:42 | |
union barons broke bread with business and government | 0:27:42 | 0:27:46 | |
to sort out the nation's troubles. | 0:27:46 | 0:27:48 | |
This was the post-war deal. | 0:27:48 | 0:27:51 | |
But on the shop floor, | 0:27:51 | 0:27:53 | |
union power wasn't always about co-operation and consensus. | 0:27:53 | 0:27:58 | |
Often it could be petty, unreasonable | 0:27:58 | 0:28:01 | |
and downright destructive. | 0:28:01 | 0:28:03 | |
At the British Leyland plant on Merseyside, 600 men walked out | 0:28:03 | 0:28:08 | |
because, they said, stray cats had got into the factory. | 0:28:08 | 0:28:12 | |
According to the union, | 0:28:12 | 0:28:14 | |
the cats were using the factory floor as a litter tray. | 0:28:14 | 0:28:17 | |
But when cleaners scrubbed it down, | 0:28:17 | 0:28:19 | |
the union said it was now too wet, people might fall over. | 0:28:19 | 0:28:23 | |
So the men stayed out. | 0:28:23 | 0:28:26 | |
If they don't like making cars, why don't they get themselves another bloody job, | 0:28:26 | 0:28:30 | |
designing cathedrals or composing concertos? | 0:28:30 | 0:28:32 | |
The British Leyland Concerto in four movements, | 0:28:32 | 0:28:35 | |
all of them slow with a four-hour tea break in between. | 0:28:35 | 0:28:38 | |
When the Rover SD1 was launched in the summer of '76, | 0:28:42 | 0:28:46 | |
production ran at just 50% of capacity. | 0:28:46 | 0:28:50 | |
They're not interested in anything except lounging about conveyor belts | 0:28:50 | 0:28:53 | |
stuffing themselves with my money. | 0:28:53 | 0:28:55 | |
Buyers had to wait up to nine months for their new cars to be delivered. | 0:28:59 | 0:29:04 | |
Leyland's much-lauded car of tomorrow today | 0:29:05 | 0:29:09 | |
was fast becoming the car of today tomorrow... | 0:29:09 | 0:29:12 | |
..or maybe the day after. | 0:29:14 | 0:29:16 | |
The Sun's cartoonist captured the common view of life at British Leyland. | 0:29:17 | 0:29:21 | |
Mugs of cocoa, | 0:29:21 | 0:29:23 | |
games of Ludo, copies of Playboy, | 0:29:23 | 0:29:26 | |
the workers all tucked up in bed. | 0:29:26 | 0:29:29 | |
"'Ere," one of them says. | 0:29:29 | 0:29:31 | |
"How did that car get on the assembly line?" | 0:29:31 | 0:29:34 | |
We've just heard that British Leyland's strikers | 0:29:35 | 0:29:38 | |
have been fitting silencers to motor horns | 0:29:38 | 0:29:41 | |
and now the cars don't give a hoot either. | 0:29:41 | 0:29:43 | |
THEY SHOUT | 0:29:43 | 0:29:45 | |
There was, however, another way. | 0:29:48 | 0:29:51 | |
In 1974, Leyland executive George Turnbull | 0:29:51 | 0:29:56 | |
escaped Britain's industrial chaos. | 0:29:56 | 0:29:58 | |
George Turnbull would like all his friends at British Leyland to know | 0:29:59 | 0:30:03 | |
that he is alive and well and making cars in Korea. | 0:30:03 | 0:30:07 | |
Turnbull and many of his best men | 0:30:08 | 0:30:11 | |
joined South Korea's car giant Hyundai. | 0:30:11 | 0:30:14 | |
And in Korea, they did things differently. | 0:30:18 | 0:30:21 | |
Turnbull's greatest asset is a trouble-free labour force | 0:30:21 | 0:30:25 | |
that works without complaint or question. | 0:30:25 | 0:30:28 | |
Turnbull's Korean factory turned out 25 cars an hour, | 0:30:30 | 0:30:35 | |
on time and on budget. | 0:30:35 | 0:30:36 | |
Ironically, they were supplied with parts, equipment and labour | 0:30:36 | 0:30:42 | |
by British Leyland. | 0:30:42 | 0:30:44 | |
Maybe saluting your boss Korean-style was a step too far | 0:30:56 | 0:31:00 | |
but there's no doubt that in the '70s, the militancy of the unions, | 0:31:00 | 0:31:04 | |
of ordinary workers flexing their political muscles, | 0:31:04 | 0:31:08 | |
was becoming a chronic threat to our national interests - | 0:31:08 | 0:31:12 | |
a very British disease. | 0:31:12 | 0:31:14 | |
Years of affluence meant that Britain's workers now demanded wages | 0:31:14 | 0:31:18 | |
and living standards their forebears could never have imagined. | 0:31:18 | 0:31:23 | |
Unfortunately, they weren't quite so keen on | 0:31:23 | 0:31:26 | |
the flexibility, innovation and productivity needed to pay for them. | 0:31:26 | 0:31:30 | |
And in an age of cut-throat global competition, | 0:31:30 | 0:31:34 | |
this spelled disaster for British industry. | 0:31:34 | 0:31:37 | |
Even Prime Minister Jim Callaghan, | 0:31:41 | 0:31:45 | |
the man who was investing so much public money in Leyland, | 0:31:45 | 0:31:47 | |
had a taste of the consequences for British manufacturing. | 0:31:47 | 0:31:52 | |
Not long after Jim Callaghan had come to power, | 0:31:52 | 0:31:55 | |
his office ordered a brand-new Rover | 0:31:55 | 0:31:57 | |
with bullet-proof glass and bomb-proof armour plating. | 0:31:57 | 0:32:00 | |
On his very first outing, Callaghan pressed the button | 0:32:00 | 0:32:03 | |
to activate the state-of-the-art electric windows | 0:32:03 | 0:32:06 | |
and the glass fell in on his lap. | 0:32:06 | 0:32:09 | |
At the end of the journey, | 0:32:09 | 0:32:11 | |
Callaghan handed the pane of glass to his driver | 0:32:11 | 0:32:13 | |
and all he said was, "Don't bring this car again." | 0:32:13 | 0:32:17 | |
But Sunny Jim's woes went far beyond poorly-made motors. | 0:32:19 | 0:32:24 | |
From rising unemployment and rampant inflation, | 0:32:25 | 0:32:29 | |
to wildly profligate spending and borrowing, | 0:32:29 | 0:32:31 | |
his in-tray was overflowing. | 0:32:31 | 0:32:34 | |
By almost every economic measure, | 0:32:35 | 0:32:38 | |
Britain was falling behind its rivals. | 0:32:38 | 0:32:40 | |
One American commentator put it bluntly. | 0:32:43 | 0:32:45 | |
"Goodbye, Great Britain. It was nice knowing you." | 0:32:45 | 0:32:50 | |
Off-licences did a roaring trade this afternoon | 0:32:51 | 0:32:54 | |
after the Budget announcement, as people rushed to beat the increases. | 0:32:54 | 0:32:58 | |
I was stunned, really shocked. I never thought this, never. | 0:32:58 | 0:33:02 | |
In April 1975, Chancellor Denis Healey | 0:33:02 | 0:33:06 | |
delivered the toughest Budget for years, | 0:33:06 | 0:33:09 | |
ramping up the duties on booze in a desperate attempt to balance the books. | 0:33:09 | 0:33:13 | |
Well, I don't drink an awful lot, | 0:33:13 | 0:33:15 | |
just a couple of bottles of sherry, the cheaper kind of sherry. | 0:33:15 | 0:33:20 | |
Back at home, families tuning in to watch a new BBC drama | 0:33:21 | 0:33:25 | |
found little comfort. | 0:33:25 | 0:33:28 | |
In Survivors, 95% of the population | 0:33:33 | 0:33:37 | |
has been wiped out by a future pandemic - The Death. | 0:33:37 | 0:33:42 | |
You have to help me, please. I can't do anything by myself. | 0:33:42 | 0:33:46 | |
Survivors captured the pessimism and paranoia of mid-'70s Britain. | 0:33:46 | 0:33:52 | |
A nation stalked by calamity, where power was up for grabs. | 0:33:54 | 0:33:59 | |
Anybody there? | 0:33:59 | 0:34:00 | |
Stay where you are. | 0:34:02 | 0:34:03 | |
All right, Dave. Switch the lights on. | 0:34:06 | 0:34:09 | |
Sorry about that. | 0:34:10 | 0:34:12 | |
You can't be too careful. | 0:34:12 | 0:34:14 | |
Tellingly, the villain was a former trade unionist. | 0:34:14 | 0:34:18 | |
Arthur Wormley, of course! A union man. Chairman, wasn't it? | 0:34:18 | 0:34:23 | |
And the union man's charm was just a front for his dictatorial ambition. | 0:34:23 | 0:34:30 | |
We have assumed authority to maintain law and order in this area. | 0:34:30 | 0:34:34 | |
-By what right? -You will be executed. Take him away. -No! | 0:34:34 | 0:34:38 | |
No! | 0:34:38 | 0:34:40 | |
No, you have no right to do that. You can't do that. | 0:34:40 | 0:34:44 | |
-His execution is perfectly legal. -But you're murdering him. | 0:34:44 | 0:34:46 | |
On the surface, Survivors was just an escapist fantasy, | 0:34:46 | 0:34:50 | |
its villain an exaggerated caricature of what was wrong with Britain. | 0:34:50 | 0:34:55 | |
But for many viewers, the threat of a militant union leader | 0:34:55 | 0:34:58 | |
seizing power in a left-wing coup was all too real. | 0:34:58 | 0:35:03 | |
GUNSHOT | 0:35:04 | 0:35:05 | |
East Lambrook Farm, Somerset. | 0:35:07 | 0:35:09 | |
When the Red Menace comes, | 0:35:09 | 0:35:10 | |
when Britain teeters on the brink of social collapse, | 0:35:10 | 0:35:13 | |
down on the farm there'll be men ready to rally | 0:35:13 | 0:35:16 | |
to the call of a nation in distress. | 0:35:16 | 0:35:18 | |
62-year-old General Sir Walter Walker was horrified | 0:35:20 | 0:35:23 | |
that a once great Britain seemed to be in terminal decline. | 0:35:23 | 0:35:28 | |
Does this country want the Communists to run it or not? | 0:35:28 | 0:35:32 | |
I do not call the Labour Government a Labour Government. | 0:35:32 | 0:35:34 | |
I call it a trades union Government | 0:35:34 | 0:35:36 | |
and I've been studying the enemy within. | 0:35:36 | 0:35:38 | |
These people defy Parliament and they defy the rules of law. | 0:35:38 | 0:35:43 | |
Is there an enemy within, | 0:35:48 | 0:35:50 | |
destroying the spirit and freedom of our home-loving democracy? | 0:35:50 | 0:35:54 | |
Walker received thousands of letters, | 0:35:55 | 0:35:59 | |
many from ex-military men, | 0:35:59 | 0:36:01 | |
keen to join his anti-insurgency group Civil Assistance. | 0:36:01 | 0:36:05 | |
Here we have a merchant banker | 0:36:05 | 0:36:07 | |
who's had previous intelligence experience. | 0:36:07 | 0:36:10 | |
A lawyer in London, previous intelligence experience. | 0:36:10 | 0:36:13 | |
I ask you, when will it all end? | 0:36:13 | 0:36:16 | |
In the event of a crippling general strike, | 0:36:18 | 0:36:22 | |
Civil Assistance planned to seize control of essential public services - | 0:36:22 | 0:36:27 | |
power stations, Heathrow Airport, even the BBC. | 0:36:27 | 0:36:31 | |
Although precisely how Walker and his men would actually do this | 0:36:34 | 0:36:37 | |
remains a mystery. | 0:36:37 | 0:36:40 | |
In February 1975, | 0:36:47 | 0:36:49 | |
Walker summoned his loyal followers for a crisis meeting. | 0:36:49 | 0:36:53 | |
They gathered in secret here, at St Lawrence Jewry Church | 0:36:59 | 0:37:02 | |
in the heart of the City of London. | 0:37:02 | 0:37:05 | |
General Walker told his audience | 0:37:06 | 0:37:09 | |
that whether they liked it or not, civil war was coming. | 0:37:09 | 0:37:12 | |
"Which side are you on?" He asked them. | 0:37:14 | 0:37:16 | |
"The side of decent loyal Britishers or the troublemakers and traitors?" | 0:37:16 | 0:37:21 | |
The forces of darkness are massing for a winter offensive. | 0:37:22 | 0:37:25 | |
There will be a national stoppage. | 0:37:25 | 0:37:27 | |
Socialist Worker, only 10p! | 0:37:29 | 0:37:31 | |
Walker always denied that Civil Assistance was a private army | 0:37:36 | 0:37:40 | |
but of course that's exactly what it looked like. | 0:37:40 | 0:37:43 | |
-Good God! -Know what those are? | 0:37:44 | 0:37:47 | |
Rifles? | 0:37:51 | 0:37:53 | |
What on earth are these for, Jimmy? | 0:37:53 | 0:37:55 | |
Army equipped to fight for Britain when the balloon goes up. | 0:37:55 | 0:37:58 | |
Reggie Perrin couldn't resist a dig. | 0:37:58 | 0:38:00 | |
Fight against whom? | 0:38:00 | 0:38:02 | |
Communists, Maoists, Trotskyists, Neo-Trotskyists, | 0:38:02 | 0:38:05 | |
Crypto-Trotskyists, union leaders, Communist union leaders. | 0:38:05 | 0:38:09 | |
I see. | 0:38:09 | 0:38:10 | |
Atheists, agnostics, long-haired weirdos, short-haired weirdos, | 0:38:10 | 0:38:14 | |
vandals, hooligans, football supporters, | 0:38:14 | 0:38:16 | |
namby-pamby probation officers, punk rock... | 0:38:16 | 0:38:20 | |
Today it's easy to dismiss Walker as a figure of fun, | 0:38:20 | 0:38:24 | |
a paranoid right-wing eccentric. | 0:38:24 | 0:38:27 | |
But in his own rather peculiar way | 0:38:27 | 0:38:29 | |
he was reflecting something that many people felt. | 0:38:29 | 0:38:32 | |
The BBC commissioned a national opinion poll to see | 0:38:33 | 0:38:37 | |
if ordinary people shared Walker's fears of a totalitarian take-over. | 0:38:37 | 0:38:42 | |
Almost incredibly, | 0:38:42 | 0:38:44 | |
two out of three did think there was a genuine threat to democracy. | 0:38:44 | 0:38:48 | |
What the hell are you? | 0:38:48 | 0:38:50 | |
-A bloody Communist? -If you must know, I'm a liberal. | 0:38:50 | 0:38:53 | |
Good God! | 0:38:53 | 0:38:54 | |
Without people like us to lead and protect you, you'll never get anywhere. | 0:38:54 | 0:38:58 | |
I wonder how many other sinister secrets you've been hiding from me. | 0:38:58 | 0:39:01 | |
The British people had long been proud of their democratic traditions | 0:39:01 | 0:39:07 | |
but in the mid-'70s, it felt as though everything we held dear | 0:39:07 | 0:39:11 | |
was on the brink of destruction. | 0:39:11 | 0:39:13 | |
Rumours of coups and conspiracies were everywhere, | 0:39:14 | 0:39:18 | |
from high politics to popular culture. | 0:39:18 | 0:39:20 | |
There was talk of the Russians moving in, | 0:39:20 | 0:39:22 | |
of the Army taking over, of the slow death of British democracy. | 0:39:22 | 0:39:27 | |
The nation's morale had reached its lowest ebb. | 0:39:29 | 0:39:32 | |
Even Jim Callaghan had had enough. | 0:39:33 | 0:39:36 | |
As he told the Cabinet during one of their interminable emergency meetings, | 0:39:36 | 0:39:40 | |
"If I were a younger man, I'd emigrate." | 0:39:40 | 0:39:44 | |
Weary of all the doom and gloom, | 0:39:45 | 0:39:47 | |
more and more people were leaving Britain for new lives abroad. | 0:39:47 | 0:39:52 | |
In fact, emigrants outnumbered immigrants. | 0:39:53 | 0:39:57 | |
And it wasn't just people flooding out of the country. | 0:39:57 | 0:40:00 | |
Have you ever been tempted | 0:40:00 | 0:40:02 | |
-to change your sterling into some other currency? -Very much so. | 0:40:02 | 0:40:06 | |
-How do you feel about people who move their money abroad? -Criminal. | 0:40:07 | 0:40:12 | |
The pound, once the world's strongest currency | 0:40:13 | 0:40:17 | |
and a symbol of British economic might, | 0:40:17 | 0:40:20 | |
sterling was suffering a worldwide crisis of confidence. | 0:40:20 | 0:40:23 | |
On Friday 5th March 1976, after three years of steady falls, | 0:40:25 | 0:40:30 | |
the value of the pound collapsed as foreign investors | 0:40:30 | 0:40:35 | |
rushed to sell their sterling reserves. | 0:40:35 | 0:40:38 | |
By the close of business, the pound had fallen beneath 2 | 0:40:38 | 0:40:42 | |
for the first time in history. | 0:40:42 | 0:40:45 | |
It's extremely sad, I think, for the country that the pound should fall. | 0:40:45 | 0:40:50 | |
-Do you recall times like this before? -Never as bad as this. | 0:40:50 | 0:40:53 | |
As one dealer put it, | 0:40:53 | 0:40:55 | |
"The pound has embarked on a steady, unstoppable descent to hell." | 0:40:55 | 0:41:00 | |
First time for me. | 0:41:00 | 0:41:02 | |
Cheer up, it could be worse. | 0:41:02 | 0:41:03 | |
The state this country's in, you could be free, couldn't you? | 0:41:03 | 0:41:06 | |
Stuck outside with no work and a crumbling economy. | 0:41:06 | 0:41:09 | |
How horrible that'd be. | 0:41:09 | 0:41:11 | |
Nothing better symbolised Britain's national decline | 0:41:12 | 0:41:16 | |
than the helter-skelter plight of the pound. | 0:41:16 | 0:41:19 | |
This was a crisis that lay bare the depths to which the nation had sunk. | 0:41:19 | 0:41:25 | |
More than ever, Britain stood defenceless | 0:41:25 | 0:41:28 | |
before the fierce judgement of the financial markets. | 0:41:28 | 0:41:31 | |
The crisis hit ordinary people where it hurt, | 0:41:33 | 0:41:36 | |
because a falling pound made imported goods more expensive. | 0:41:36 | 0:41:42 | |
All those little luxuries were becoming dearer by the hour. | 0:41:42 | 0:41:46 | |
The pound had another very bad day, | 0:41:47 | 0:41:49 | |
closing at only 2.4 against the Matabele gumbo bean. | 0:41:49 | 0:41:53 | |
By September 1976, | 0:41:56 | 0:41:59 | |
when the Labour Party gathered in Blackpool for its annual conference, | 0:41:59 | 0:42:02 | |
the pound had dropped to just 1.63, | 0:42:02 | 0:42:06 | |
the lowest it had ever been. | 0:42:06 | 0:42:09 | |
The man whose job it was to sort out this mess, | 0:42:11 | 0:42:14 | |
Chancellor Denis Healey, was booked on a flight to Hong Kong. | 0:42:14 | 0:42:18 | |
But as sterling continued to plunge, | 0:42:18 | 0:42:21 | |
Healey cancelled his ticket and changed direction, | 0:42:21 | 0:42:24 | |
heading not to the Far East but to Blackpool. | 0:42:24 | 0:42:27 | |
Desperate times called for desperate measures. | 0:42:32 | 0:42:35 | |
The Government of Great Britain took a drastic step today. | 0:42:35 | 0:42:39 | |
It asked the International Monetary Fund for a loan of nearly 4 billion. | 0:42:39 | 0:42:44 | |
To save sterling, Healey asked the IMF for a £2.3 billion loan. | 0:42:54 | 0:43:00 | |
The biggest bail-out in history. | 0:43:00 | 0:43:03 | |
Having approached the IMF, Healey entered the packed conference ballroom | 0:43:06 | 0:43:10 | |
to inform his party and the watching world. | 0:43:10 | 0:43:13 | |
He was in such a hurry, he hadn't even had time for lunch. | 0:43:16 | 0:43:19 | |
-APPLAUSE -Denis Healey. | 0:43:19 | 0:43:22 | |
The bureaucratic absurdities of conference protocol | 0:43:22 | 0:43:26 | |
meant that as an unscheduled speaker, | 0:43:26 | 0:43:29 | |
Healey was given just five minutes to deliver the devastating truth. | 0:43:29 | 0:43:34 | |
Let me say, Mr Chairman, | 0:43:36 | 0:43:38 | |
that I don't come with the Treasury view. I come from the battlefront. | 0:43:38 | 0:43:41 | |
Healey knew what his party activists wanted to hear, | 0:43:41 | 0:43:45 | |
that the days of heedless Government spending would last forever. | 0:43:45 | 0:43:49 | |
But that, he told them, was sheer economic fantasy. | 0:43:49 | 0:43:53 | |
The IMF would only save the pound, Healey said, | 0:43:54 | 0:43:57 | |
in exchange for deep spending cuts, | 0:43:57 | 0:44:00 | |
a bitter pill to swallow for a socialist party. | 0:44:00 | 0:44:04 | |
It means sticking to the very painful cuts in public expenditure | 0:44:04 | 0:44:07 | |
on which the Government's already decided. | 0:44:07 | 0:44:10 | |
That's what it means and that's what I'm asking for. | 0:44:10 | 0:44:14 | |
That's what I'm going to negotiate for | 0:44:14 | 0:44:16 | |
and I ask the conference to support me in that task. | 0:44:16 | 0:44:20 | |
As Healey made his way back through the audience, | 0:44:27 | 0:44:30 | |
some of his comrades stood and cheered him but most didn't. | 0:44:30 | 0:44:34 | |
Most stayed where they were. | 0:44:34 | 0:44:35 | |
Many booed him and shook their heads and called for his. | 0:44:35 | 0:44:40 | |
Order, order. Order, please. | 0:44:40 | 0:44:43 | |
The pound had lost a quarter of its value in just a year. | 0:44:43 | 0:44:46 | |
With austerity looming, | 0:44:46 | 0:44:49 | |
Government expenditure had to be held in check. | 0:44:49 | 0:44:52 | |
Debts reduced, spending squeezed. | 0:44:52 | 0:44:55 | |
Here in Blackpool, a Labour Chancellor | 0:44:55 | 0:44:59 | |
turned his back on a key principle of the post-war consensus, | 0:44:59 | 0:45:03 | |
the idea that there would always be more money. | 0:45:03 | 0:45:08 | |
This was a pivotal moment in our post-war history. | 0:45:08 | 0:45:12 | |
In barely five minutes at the podium, | 0:45:12 | 0:45:14 | |
Denis Healey had captured Labour's looming identity crisis. | 0:45:14 | 0:45:18 | |
British politics would never be the same again. | 0:45:18 | 0:45:21 | |
MARGARET THATCHER: The situation of our country grows daily, | 0:45:24 | 0:45:28 | |
indeed almost hourly, worse. | 0:45:28 | 0:45:30 | |
Under Labour, the land of hope and glory | 0:45:30 | 0:45:34 | |
has become the land of beg and borrow. | 0:45:34 | 0:45:39 | |
The nation's fate was in the hands of the money markets | 0:45:42 | 0:45:46 | |
and in November 1976, | 0:45:46 | 0:45:48 | |
London welcomed the men who could save us or sink us. | 0:45:48 | 0:45:53 | |
The IMF sent six international bankers to examine Britain's books. | 0:45:54 | 0:46:00 | |
The IMF mission arrived in London and checked into Brown's Hotel incognito. | 0:46:00 | 0:46:06 | |
People were naturally fascinated by the IMF team - an Englishman, | 0:46:06 | 0:46:11 | |
an Australian, an American, a German, a New Zealander and a Greek. | 0:46:11 | 0:46:15 | |
It sounds like the beginning of some deeply elaborate and incredibly offensive joke, | 0:46:15 | 0:46:20 | |
or perhaps the cast of the latest James Bond film. | 0:46:20 | 0:46:23 | |
8:50 last Thursday morning, the European director of the IMF | 0:46:23 | 0:46:28 | |
begins his most delicate mission ever. | 0:46:28 | 0:46:30 | |
The IMF team checked in under false names, | 0:46:30 | 0:46:34 | |
something Bond would have approved of. | 0:46:34 | 0:46:36 | |
10am, the four remaining members of the team. | 0:46:36 | 0:46:39 | |
These undercover bankers were the most powerful men in the land. | 0:46:39 | 0:46:44 | |
For the next six weeks, they played hardball with Denis Healey. | 0:46:49 | 0:46:53 | |
Finally, on 16th December, the IMF handed the Chancellor | 0:46:53 | 0:46:59 | |
the £2 billion he desperately needed to save sterling. | 0:46:59 | 0:47:03 | |
This is a confidential cable from the head of the IMF, | 0:47:03 | 0:47:07 | |
calling on its member states to come to a humbled Britain's aid. | 0:47:07 | 0:47:11 | |
You can only imagine how the fiercely patriotic Denis Healey | 0:47:11 | 0:47:15 | |
must have felt as he ran his eyes down the list of names. | 0:47:15 | 0:47:19 | |
Belgium, Canada, France, the Netherlands, Sweden and even, | 0:47:19 | 0:47:25 | |
of all people, in to the tune of 1 billion, Germany. | 0:47:25 | 0:47:30 | |
How on earth had it come to this? | 0:47:31 | 0:47:33 | |
PIANO MUSIC: "Somewhere Over The Rainbow" | 0:47:33 | 0:47:36 | |
The City reacted favourably | 0:47:39 | 0:47:41 | |
and as Christmas approached, the pound recovered. | 0:47:41 | 0:47:45 | |
After months of agony, | 0:47:45 | 0:47:47 | |
Healey had dragged Britain back from the brink of bankruptcy. | 0:47:47 | 0:47:52 | |
But I wonder if you lot could give us a contribution to the IMF? | 0:47:52 | 0:47:56 | |
ALL: The IMF? | 0:47:56 | 0:47:58 | |
The International Magicians Fund. | 0:47:58 | 0:48:02 | |
You just wave a wand and you suddenly find your pockets stuffed with money. | 0:48:02 | 0:48:07 | |
Oh. Here you are. | 0:48:07 | 0:48:08 | |
# Somewhere over the rainbow... # | 0:48:08 | 0:48:14 | |
At the heart of the IMF crisis was a harsh lesson. | 0:48:14 | 0:48:18 | |
This was the moment at which British politics | 0:48:18 | 0:48:21 | |
faced up to the raw power of global market forces. | 0:48:21 | 0:48:26 | |
But the bitter medicine seemed to work. | 0:48:26 | 0:48:28 | |
The pound was revived and the panic was over. | 0:48:28 | 0:48:32 | |
The natural order seemed to have been restored. | 0:48:32 | 0:48:35 | |
Caerphilly, Wales. | 0:48:40 | 0:48:42 | |
A quiet coalmining community in the heart of the Welsh Valleys. | 0:48:43 | 0:48:48 | |
In December 1976, panic gripped this little town. | 0:48:48 | 0:48:54 | |
It was facing invasion by a barbarian horde. | 0:48:54 | 0:48:57 | |
Frightened churchgoers gathered outside the town's Castle Cinema, | 0:49:03 | 0:49:10 | |
led by a local pastor. | 0:49:10 | 0:49:12 | |
We do protest that this thing has come to Caerphilly. | 0:49:12 | 0:49:16 | |
Terrible, I think it is. I think it's disgusting. | 0:49:16 | 0:49:18 | |
Well, it's lowering the standard of our people in Caerphilly. | 0:49:18 | 0:49:22 | |
But what was it that had the good people of Caerphilly in such a tizzy? | 0:49:22 | 0:49:28 | |
MUSIC: "In The City" by The Jam | 0:49:28 | 0:49:30 | |
The cult is called punk. The music, punk rock. | 0:49:35 | 0:49:38 | |
Raw, outrageous and crude. | 0:49:38 | 0:49:40 | |
And in the vanguard, The Sex Pistols. | 0:49:40 | 0:49:43 | |
# I don't want a holiday in the sun | 0:49:43 | 0:49:46 | |
# I wanna go to the new Belsen... # | 0:49:46 | 0:49:50 | |
Punk rock has become almost a battle cry in British society. | 0:49:50 | 0:49:53 | |
For many people it's a bigger threat to our way of life than Russian Communism or hyperinflation. | 0:49:53 | 0:49:59 | |
We will be hearing from city councillors in London, in Glasgow | 0:49:59 | 0:50:03 | |
and Newcastle, whose councils have banned punk rock concerts. | 0:50:03 | 0:50:07 | |
For these guardians of public morality, | 0:50:07 | 0:50:11 | |
punk was a frontal assault on British reserve and common decency. | 0:50:11 | 0:50:16 | |
But despite the outcry, | 0:50:16 | 0:50:19 | |
the Pistols' Anarchy tour was on its way to Caerphilly. | 0:50:19 | 0:50:23 | |
That night the old Britain came face-to-face with the new. | 0:50:23 | 0:50:28 | |
Over there were the God-fearing, polite, well-mannered, deferential. | 0:50:28 | 0:50:33 | |
Standing right here was the new generation, | 0:50:33 | 0:50:36 | |
who revelled in being confrontational, insulting, provocative. | 0:50:36 | 0:50:41 | |
Each side was equally bewildered by the other. | 0:50:41 | 0:50:45 | |
# Sleep in heavenly peace... # | 0:50:45 | 0:50:49 | |
How do you feel about the crowd opposite? | 0:50:49 | 0:50:51 | |
They're entitled to do what they want. | 0:50:51 | 0:50:53 | |
Thing is, they're outside freezing. We're in here. | 0:50:53 | 0:50:56 | |
I've got a flyer that was handed out | 0:50:57 | 0:51:01 | |
by the churchgoers outside the concert hall. | 0:51:01 | 0:51:03 | |
They describe punk rock as a rampant evil, | 0:51:03 | 0:51:06 | |
the direct result of our national rejection of God. | 0:51:06 | 0:51:10 | |
But there is hope, they say, | 0:51:10 | 0:51:12 | |
for punks who turn from their wicked ways and embrace redemption. | 0:51:12 | 0:51:16 | |
"The vilest offender who truly believes, | 0:51:16 | 0:51:19 | |
"that moment from Jesus a pardon receives." | 0:51:19 | 0:51:23 | |
# Sleep in heavenly peace | 0:51:23 | 0:51:26 | |
# Sleep in heavenly peace. # | 0:51:26 | 0:51:29 | |
Perhaps God really was on the protesters' side. | 0:51:29 | 0:51:33 | |
Out of 630 tickets, only 60 were sold. | 0:51:33 | 0:51:37 | |
Tonight, some of the original troublemakers are gathering again in Caerphilly... | 0:51:39 | 0:51:45 | |
Anarchy! | 0:51:45 | 0:51:46 | |
..to celebrate their modest part in the punk story. | 0:51:46 | 0:51:50 | |
A Sex Pistols tribute band is headlining at the town's Workmen's Hall. | 0:51:50 | 0:51:55 | |
-The first punk in Merthyr Tydfil. -He was first, I was second. | 0:51:55 | 0:51:59 | |
What was once so shocking has become part of local legend, | 0:52:01 | 0:52:04 | |
a moment not for fear but nostalgia. | 0:52:04 | 0:52:08 | |
MICROPHONE SQUEALS | 0:52:09 | 0:52:11 | |
GUITAR MUSIC PLAYS | 0:52:11 | 0:52:13 | |
Is anyone here who was here the first time? | 0:52:18 | 0:52:21 | |
Post-war Britain had seen teddy boys, mods, | 0:52:25 | 0:52:29 | |
rockers and skinheads come and go. | 0:52:29 | 0:52:32 | |
There was something different about punk | 0:52:32 | 0:52:35 | |
that made it all the more shocking. | 0:52:35 | 0:52:37 | |
It wasn't just about the gob and the noise. | 0:52:37 | 0:52:40 | |
With their outrageous clothes and their provocative lyrics, | 0:52:41 | 0:52:44 | |
punks were assaulting Britain's most cherished cultural icons. | 0:52:44 | 0:52:49 | |
30 years on, many people still revered | 0:52:52 | 0:52:55 | |
the legacy of our finest hour. | 0:52:55 | 0:52:57 | |
Programmes for tomorrow evening. Dad's Army is on parade at 6:50. | 0:52:57 | 0:53:02 | |
The memory of the war hung heavy in our culture. | 0:53:03 | 0:53:07 | |
From the TV schedules... | 0:53:07 | 0:53:09 | |
-I would not mind having you shot. -Thank you, sir. | 0:53:09 | 0:53:12 | |
..to the games we played. | 0:53:12 | 0:53:14 | |
For those who hadn't lived through the war and the austerity of its aftermath, | 0:53:21 | 0:53:25 | |
all of this looking backwards would seem intensely stifling. | 0:53:25 | 0:53:28 | |
As one of the Sex Pistols' teenage fans put it, | 0:53:28 | 0:53:31 | |
she hated everybody always harping on about Hitler. | 0:53:31 | 0:53:35 | |
Teenagers sporting swastikas, songs of Nazi death camps, | 0:53:37 | 0:53:42 | |
could there be anything more likely to upset a generation shaped by the war? | 0:53:42 | 0:53:47 | |
It just remains for me to wish you a very good night. Good night. | 0:53:47 | 0:53:51 | |
There certainly could. | 0:53:51 | 0:53:54 | |
# God save the Queen | 0:53:54 | 0:53:57 | |
# The fascist regime... # | 0:53:57 | 0:53:59 | |
For the Pistols had another target, the nation's cherished figurehead. | 0:54:00 | 0:54:06 | |
"God save the Queen The fascist regime | 0:54:06 | 0:54:10 | |
"God save the Queen She ain't no human being | 0:54:10 | 0:54:13 | |
"There is no future in England's dreaming." | 0:54:13 | 0:54:17 | |
It's hard to think of any lyrics that would be more likely | 0:54:19 | 0:54:22 | |
to inflame the great majority of public opinion. | 0:54:22 | 0:54:25 | |
If I thought one of mine was in there, I'd drag them out. | 0:54:28 | 0:54:31 | |
# No future | 0:54:31 | 0:54:32 | |
# No future... # | 0:54:32 | 0:54:35 | |
-What did you think of The Sex Pistols? -Brilliant. | 0:54:35 | 0:54:37 | |
I'd let them go to Rod Stewart but not to see this rubbish. | 0:54:42 | 0:54:46 | |
# Come up and see me Make me smile | 0:54:46 | 0:54:52 | |
# I'll do what you want | 0:54:52 | 0:54:56 | |
# Running wild... # | 0:54:56 | 0:54:59 | |
For the originals, punk was great fun. | 0:54:59 | 0:55:02 | |
Unbridled, youthful energy and a chance to be very, very rude. | 0:55:02 | 0:55:07 | |
For millions of others though, it was as though | 0:55:07 | 0:55:10 | |
the forces of anarchy were let loose in '70s Britain. | 0:55:10 | 0:55:14 | |
The days of deference were a distant memory. | 0:55:14 | 0:55:18 | |
CROWD CHEERS | 0:55:18 | 0:55:20 | |
But in the summer of 1977, tradition hit back. | 0:55:23 | 0:55:28 | |
# Queen Elizabeth, Queen Elizabeth | 0:55:29 | 0:55:33 | |
# Silver Jubilee... # | 0:55:33 | 0:55:37 | |
In May, the Queen set off on a nationwide tour. | 0:55:37 | 0:55:40 | |
# Queen Elizabeth | 0:55:40 | 0:55:43 | |
# God save you and me... # | 0:55:43 | 0:55:46 | |
After years of disturbing change, | 0:55:46 | 0:55:49 | |
the Silver Jubilee was widely greeted with relief and joy. | 0:55:49 | 0:55:53 | |
-Are you looking forward to it? -Yes, I am. A good booze-up! | 0:55:53 | 0:55:58 | |
Yeah, lovely. | 0:55:58 | 0:56:00 | |
This was the voice of the silent majority. | 0:56:00 | 0:56:03 | |
My first memories are of the Jubilee summer of '77. | 0:56:03 | 0:56:08 | |
I wasn't yet three but I vividly remember how enthusiastically | 0:56:08 | 0:56:11 | |
my parents got involved with the village celebrations. | 0:56:11 | 0:56:14 | |
This photo rather says it all. | 0:56:14 | 0:56:17 | |
The balloons, the flag, | 0:56:17 | 0:56:18 | |
the expression of complete and utter misery. | 0:56:18 | 0:56:22 | |
But actually most people really loved the Jubilee. | 0:56:22 | 0:56:24 | |
Here at last was a chance to forget all the bad news | 0:56:24 | 0:56:27 | |
and pull together as one nation. | 0:56:27 | 0:56:30 | |
On Thursday 9th June 1977, | 0:56:31 | 0:56:35 | |
the celebrations drew to a highly-choreographed close, | 0:56:35 | 0:56:39 | |
a display of pageantry that Britain still did best. | 0:56:39 | 0:56:43 | |
The Queen's river progress deliberately echoed | 0:56:43 | 0:56:46 | |
the Thames journeys of her namesake, Elizabeth I, | 0:56:46 | 0:56:50 | |
another sovereign who had guided her people through troubled times. | 0:56:50 | 0:56:55 | |
Hundreds of thousands of people lined the riverside walkways. | 0:56:55 | 0:56:59 | |
Tens of millions more tuned in to watch at home. | 0:56:59 | 0:57:03 | |
For a few hours at least, | 0:57:03 | 0:57:05 | |
the Queen's people could forget the grim reality of economic decline. | 0:57:05 | 0:57:10 | |
It was time for a party. | 0:57:10 | 0:57:12 | |
And then onto the highlight of the evening. | 0:57:12 | 0:57:16 | |
The finale was a dramatic firework display, | 0:57:17 | 0:57:20 | |
the biggest London had ever seen. | 0:57:20 | 0:57:23 | |
As the Queen looked out on her people below, | 0:57:28 | 0:57:30 | |
the huge crowd struck up Jerusalem. | 0:57:30 | 0:57:33 | |
From up here, life in Britain really didn't seem quite that bad. | 0:57:34 | 0:57:38 | |
'70s Britain remained a country of contradictions, | 0:57:38 | 0:57:42 | |
a place of discord and discontent, | 0:57:42 | 0:57:45 | |
and yet still somehow beneath it all, a land of hope and glory. | 0:57:45 | 0:57:51 | |
Next time - making money, | 0:58:16 | 0:58:19 | |
multiculturalism, and the break-up of Britain. | 0:58:19 | 0:58:23 | |
In the last years of the 1970s, | 0:58:23 | 0:58:25 | |
a troubled nation hurtles into the future. | 0:58:25 | 0:58:30 | |
# Baby, my heart is full of love and desire for you | 0:58:30 | 0:58:33 | |
# Now come on down and do what you gotta do | 0:58:33 | 0:58:37 | |
# You started this fire down in my soul | 0:58:37 | 0:58:41 | |
# Now can't you see it's burning out of control? | 0:58:41 | 0:58:45 | |
# Come on, satisfy the need in me | 0:58:45 | 0:58:49 | |
# Because only your good loving can set me free | 0:58:49 | 0:58:53 | |
# Set me free, set me free | 0:58:53 | 0:58:56 | |
# No, don't you leave me this way | 0:58:56 | 0:58:59 | |
# No, don't you understand? # | 0:58:59 | 0:59:03 | |
Subtitles by Red Bee Media Ltd | 0:59:04 | 0:59:08 |