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My name is Adam Nicolson. | 0:00:05 | 0:00:07 | |
I'm a writer. And ever since I was a teenager, | 0:00:07 | 0:00:10 | |
I have been gripped by the 17th century. | 0:00:10 | 0:00:13 | |
It was Britain's most revolutionary century | 0:00:13 | 0:00:16 | |
when all the forces of modernity | 0:00:16 | 0:00:18 | |
began to stir under the old order, | 0:00:18 | 0:00:21 | |
slugging it out on the great battlegrounds | 0:00:21 | 0:00:24 | |
of religion and politics. | 0:00:24 | 0:00:27 | |
Two civil wars, one king almost blown up, | 0:00:29 | 0:00:32 | |
another with his head cut off, | 0:00:32 | 0:00:34 | |
a third simply got rid of. | 0:00:34 | 0:00:36 | |
But more important than any of that | 0:00:36 | 0:00:39 | |
was the factor which drove the revolutionary changes | 0:00:39 | 0:00:43 | |
in this first truly modern century. | 0:00:43 | 0:00:46 | |
Writing. | 0:00:46 | 0:00:48 | |
Writing was everywhere. | 0:00:50 | 0:00:52 | |
Notebooks, chapbooks, account books, | 0:00:52 | 0:00:55 | |
business correspondence, letters, | 0:00:55 | 0:00:57 | |
diaries, pamphlets, newspapers. | 0:00:57 | 0:01:00 | |
This was the century of the written word. | 0:01:00 | 0:01:03 | |
It was the first great age of self-depiction. | 0:01:03 | 0:01:08 | |
All kinds of people were learning to read and write. | 0:01:08 | 0:01:10 | |
And, through their writings, | 0:01:10 | 0:01:12 | |
we can know them like never before in history. | 0:01:12 | 0:01:16 | |
A woman sent to prison for her conscience. | 0:01:16 | 0:01:20 | |
A sailor who wanted to share his adventures. | 0:01:21 | 0:01:24 | |
A solitary genius who used his notebooks | 0:01:26 | 0:01:30 | |
to unlock the secrets of the universe. | 0:01:30 | 0:01:33 | |
Reading and writing allowed people to question what they'd been told. | 0:01:33 | 0:01:37 | |
To engage in fierce debate | 0:01:37 | 0:01:39 | |
and to rewrite the rules of politics and self-expression. | 0:01:39 | 0:01:43 | |
This was the beginning of the age we now live in. | 0:01:43 | 0:01:46 | |
The moment we left the Middle Ages behind | 0:01:46 | 0:01:49 | |
and set out on the track to modernity. | 0:01:49 | 0:01:51 | |
'And that transformation | 0:01:51 | 0:01:53 | |
'is what fascinates me about the 17th century.' | 0:01:53 | 0:01:56 | |
It was a world on the move. | 0:02:12 | 0:02:14 | |
In the streets of London, there were cart jams | 0:02:16 | 0:02:19 | |
and the roads were filled with people | 0:02:19 | 0:02:21 | |
in search of new lives, new opportunities. | 0:02:21 | 0:02:24 | |
The city tripled in size through the century. | 0:02:24 | 0:02:28 | |
More than half-a-million Englishmen emigrated. | 0:02:28 | 0:02:32 | |
Either in search of God or to get rich. | 0:02:32 | 0:02:35 | |
Distance had entered English lives. | 0:02:36 | 0:02:39 | |
Britain was turning from a small, insignificant island | 0:02:39 | 0:02:43 | |
to a booming international economy. | 0:02:43 | 0:02:45 | |
In this film, I'm going to explore | 0:02:49 | 0:02:52 | |
through the lives and written words of people on the move, | 0:02:52 | 0:02:56 | |
how writing made new ways of life possible in this expanding world. | 0:02:56 | 0:03:00 | |
Fuelling the change from an insular country to an international economy. | 0:03:00 | 0:03:05 | |
The key transition to modern life. | 0:03:05 | 0:03:08 | |
Writing made love possible when the lovers were hundreds of miles apart. | 0:03:08 | 0:03:13 | |
Allowed people to own things the other side of the ocean. | 0:03:13 | 0:03:16 | |
It changed Britain, opening its pores to a modern future. | 0:03:16 | 0:03:21 | |
This was a century of ambition and mobility. | 0:03:28 | 0:03:31 | |
Of people prepared to seek prosperity and happiness | 0:03:31 | 0:03:34 | |
away from their roots. | 0:03:34 | 0:03:36 | |
There was a need to make life coherent at a distance. | 0:03:36 | 0:03:40 | |
And only writing could do that. | 0:03:40 | 0:03:42 | |
My first story begins with a couple who tried to bridge that distance | 0:03:42 | 0:03:47 | |
with some incredibly intense love letters. | 0:03:47 | 0:03:51 | |
Now, of course, people have always written love letters, | 0:03:51 | 0:03:54 | |
but the 17th century sees a sudden burgeoning | 0:03:54 | 0:03:57 | |
of intimate family correspondence. | 0:03:57 | 0:04:00 | |
And here in Suffolk, in the village of Groton, | 0:04:00 | 0:04:03 | |
lived one of the most prolific set | 0:04:03 | 0:04:05 | |
of family correspondents, the Winthrops. | 0:04:05 | 0:04:09 | |
And the letters they wrote to each other | 0:04:09 | 0:04:11 | |
are some of the most poignant and beautiful ever written. | 0:04:11 | 0:04:15 | |
So this is Groton, the village of Groton. | 0:04:35 | 0:04:37 | |
And here is Groton Place, which is the house of the Winthrops. | 0:04:37 | 0:04:41 | |
A great big, chunky gentry house. | 0:04:41 | 0:04:45 | |
This is where the local rulers lived. And this was them. | 0:04:45 | 0:04:48 | |
And the Winthrops, you might think of them as pompous, | 0:04:48 | 0:04:51 | |
stuffed-up gents, but actually, | 0:04:51 | 0:04:53 | |
they're very different from that. | 0:04:53 | 0:04:56 | |
They are Puritans. | 0:04:56 | 0:04:57 | |
I have John Winthrop here on this iPad. | 0:04:57 | 0:05:00 | |
And John looks like the kind of man | 0:05:00 | 0:05:03 | |
who won't have any games played on a Sunday. | 0:05:03 | 0:05:06 | |
Won't have any licentiousness or drunkenness | 0:05:06 | 0:05:10 | |
or bear-baiting or badger-baiting. | 0:05:10 | 0:05:13 | |
All of that is complete anathema to him. | 0:05:13 | 0:05:16 | |
Like other Puritans, he wants to purify the Church of England. | 0:05:16 | 0:05:21 | |
Purify the whole country. | 0:05:21 | 0:05:23 | |
Rid it of all of those Roman Catholic old things | 0:05:23 | 0:05:27 | |
which are part of the past. | 0:05:27 | 0:05:29 | |
He's interested in a new, clean, pure future. | 0:05:29 | 0:05:32 | |
Although the family home was in Suffolk, | 0:05:33 | 0:05:36 | |
John spent much of his time away in London... | 0:05:36 | 0:05:40 | |
where he was a legal official in the Court of Wards and Liveries. | 0:05:40 | 0:05:45 | |
He was influential, well-connected - | 0:05:45 | 0:05:48 | |
a man to be reckoned with. | 0:05:48 | 0:05:50 | |
Living in what was fast becoming the largest city in Europe. | 0:05:52 | 0:05:56 | |
It was a hotbed of vice, drink, theatre and prostitution. | 0:05:58 | 0:06:02 | |
A world away from Suffolk | 0:06:02 | 0:06:05 | |
and, most importantly, from his beloved wife, Margaret. | 0:06:05 | 0:06:09 | |
She was a little grander than him. | 0:06:16 | 0:06:18 | |
She was the daughter of a judge and a knight. | 0:06:18 | 0:06:21 | |
But they'd been brought up in the same Puritan world | 0:06:21 | 0:06:23 | |
and they shared the same values. | 0:06:23 | 0:06:25 | |
Belief in a godly family, a godly community | 0:06:25 | 0:06:29 | |
and an intense personal devotion to God himself. | 0:06:29 | 0:06:34 | |
And, like many young gentry women, | 0:06:34 | 0:06:37 | |
she'd been brought up very well. | 0:06:37 | 0:06:39 | |
Very carefully. Especially to write. | 0:06:39 | 0:06:41 | |
And these are some of her letters here. | 0:06:41 | 0:06:44 | |
And the way that she has written these words on the page | 0:06:44 | 0:06:47 | |
is so carefully done, it's almost as if | 0:06:47 | 0:06:51 | |
she has embroidered them onto the paper. | 0:06:51 | 0:06:54 | |
This is not a busy mail hand. | 0:06:54 | 0:06:58 | |
Here is a letter from her husband. | 0:06:58 | 0:07:00 | |
It's almost scribbled in a rough, busy secretary hand, | 0:07:00 | 0:07:03 | |
like he hasn't really got time to write it on the page. | 0:07:03 | 0:07:07 | |
She has time absolutely flooding into this. | 0:07:07 | 0:07:10 | |
And as she writes, "Most dear and loving husband, | 0:07:10 | 0:07:14 | |
"I cannot express my love to you as I desire | 0:07:14 | 0:07:18 | |
"in these poor, lifeless lines." | 0:07:18 | 0:07:21 | |
There is something amazingly modest about Margaret Winthrop. | 0:07:21 | 0:07:26 | |
But in another way, it is a picture of incredible | 0:07:26 | 0:07:30 | |
warmth and intimacy between them, | 0:07:30 | 0:07:33 | |
bridging that gap between Groton and London. | 0:07:33 | 0:07:37 | |
And so, when she ends, she says, | 0:07:37 | 0:07:40 | |
"And thus desiring to be remembered in your prayers. | 0:07:40 | 0:07:44 | |
"I bid my good husband good night. | 0:07:44 | 0:07:47 | |
"Little Sam, as well. | 0:07:47 | 0:07:49 | |
"Thinks it is time for me to go to bed. | 0:07:49 | 0:07:52 | |
"And so I beseech the Lord to keep you in safety and us all here. | 0:07:52 | 0:07:57 | |
"Farewell, my sweet husband." | 0:07:57 | 0:08:00 | |
Honestly, as if she's talking to him. | 0:08:00 | 0:08:03 | |
And then signs off, "Your obedient wife, Margaret Winthrop." | 0:08:03 | 0:08:08 | |
But she misspells obedient and has to put a little "I" in there | 0:08:08 | 0:08:13 | |
when the rest of it has been done. | 0:08:13 | 0:08:15 | |
Their dozens of letters enabled Margaret and John | 0:08:17 | 0:08:21 | |
to coexist at a distance. | 0:08:21 | 0:08:23 | |
A yo-yo exchange of love from Suffolk to London, | 0:08:23 | 0:08:27 | |
London to Suffolk. | 0:08:27 | 0:08:29 | |
Sometimes, Margaret even sent a cheese or a pudding with her letter. | 0:08:29 | 0:08:33 | |
But things weren't altogether peaceful. | 0:08:35 | 0:08:38 | |
Through the 1620s, the Puritans came under increasing pressure | 0:08:38 | 0:08:42 | |
to conform to what they hated - | 0:08:42 | 0:08:45 | |
the new ceremonialist mainstream | 0:08:45 | 0:08:46 | |
promoted by the bishops and at court. | 0:08:46 | 0:08:50 | |
In September 1627, John wrote to Margaret in Groton | 0:08:51 | 0:08:55 | |
expressing his fears, | 0:08:55 | 0:08:57 | |
but reaffirming his trust in their unity. | 0:08:57 | 0:09:01 | |
He felt that they were strangers on Earth, | 0:09:01 | 0:09:03 | |
but he urged her in this passionate letter | 0:09:03 | 0:09:07 | |
to stick to their beliefs | 0:09:07 | 0:09:08 | |
because only there did true rewards lie. | 0:09:08 | 0:09:12 | |
And he wrote to her that they should, "Live that life of faith | 0:09:12 | 0:09:15 | |
"which only affords true peace, comfort and contentment. | 0:09:15 | 0:09:20 | |
"And if the world shall disclaim us as none of hers, | 0:09:20 | 0:09:23 | |
"and refuse to hold out to us | 0:09:23 | 0:09:26 | |
"such full breasts as she doth to others, | 0:09:26 | 0:09:30 | |
"this shall not need to trouble us, | 0:09:30 | 0:09:32 | |
"but rather may give us matter of joy." | 0:09:32 | 0:09:36 | |
It's the deepest possible outpouring of love for this woman | 0:09:36 | 0:09:40 | |
in the vision of their shared life in the future. | 0:09:40 | 0:09:44 | |
Their love was able to blossom through the exchange of letters. | 0:09:48 | 0:09:52 | |
But it wasn't always easy to communicate like this. | 0:09:52 | 0:09:55 | |
Before 1635, when the Royal Mail was opened up to everyone, | 0:09:55 | 0:10:00 | |
there was no organised large-scale postal service. | 0:10:00 | 0:10:03 | |
The way in which letters were carried | 0:10:03 | 0:10:06 | |
throughout the 16th and 17th century | 0:10:06 | 0:10:09 | |
is often very ad hoc. | 0:10:09 | 0:10:11 | |
Certainly, before the 1635 reforms and the Civil War, | 0:10:11 | 0:10:17 | |
the forms of address that people would use are often very vague. | 0:10:17 | 0:10:20 | |
If you were using a personal bearer that was carrying a letter, | 0:10:20 | 0:10:23 | |
you could say, "Give this to my wife | 0:10:23 | 0:10:26 | |
-"and let this be delivered to her." -Just that? | 0:10:26 | 0:10:29 | |
Literally just that. | 0:10:29 | 0:10:30 | |
But isn't that...? That's on the shift, isn't it? | 0:10:30 | 0:10:33 | |
So if that is the 16th century, early 17th century way of it, | 0:10:33 | 0:10:37 | |
by the end of the century, | 0:10:37 | 0:10:39 | |
these things are becoming rather more official and bureaucratic. | 0:10:39 | 0:10:42 | |
Absolutely. Much more efficient, much more organised, | 0:10:42 | 0:10:46 | |
much more regular and much more secure. | 0:10:46 | 0:10:50 | |
I think that's the key thing. | 0:10:50 | 0:10:52 | |
The letter is becoming increasingly personal and increasingly private. | 0:10:52 | 0:10:57 | |
And that's connected to the post, | 0:10:57 | 0:10:59 | |
it's also connected to shifts in the nature of literacy. | 0:10:59 | 0:11:02 | |
And they are able to put down on paper | 0:11:02 | 0:11:05 | |
personal thoughts and personal emotions | 0:11:05 | 0:11:08 | |
in a way that they haven't in the past. | 0:11:08 | 0:11:10 | |
So this is the birth of privacy. | 0:11:10 | 0:11:12 | |
This is absolutely the birth of privacy. | 0:11:12 | 0:11:15 | |
One of the other things we see over this period | 0:11:15 | 0:11:18 | |
is the rise of the love letter. | 0:11:18 | 0:11:20 | |
The way in which individuals are articulating emotion | 0:11:20 | 0:11:24 | |
in a way they haven't previously. | 0:11:24 | 0:11:26 | |
The private letter was a new kind of vehicle for private emotion. | 0:11:31 | 0:11:36 | |
And this makes for one of the most revelatory paradoxes of the century. | 0:11:36 | 0:11:41 | |
Because they could write to each other | 0:11:41 | 0:11:44 | |
without fear or reserve in private, | 0:11:44 | 0:11:45 | |
we can see these people more clearly | 0:11:45 | 0:11:48 | |
than almost anyone from any earlier time. | 0:11:48 | 0:11:51 | |
And there is another line of Winthrop family correspondence | 0:11:51 | 0:11:55 | |
which allows us even further into their world - | 0:11:55 | 0:11:58 | |
a world which was itself expanding overseas. | 0:11:58 | 0:12:02 | |
The Winthrops' second son Henry had started life as a wayward child | 0:12:02 | 0:12:08 | |
and now was a risk-taking teenager. | 0:12:08 | 0:12:11 | |
Having spent his childhood in quiet rural England, | 0:12:12 | 0:12:16 | |
he was straining at the Puritan leash. | 0:12:16 | 0:12:19 | |
ROCK MUSIC | 0:12:19 | 0:12:21 | |
Margaret and John thought a little international travel | 0:12:28 | 0:12:31 | |
might help him grow up. | 0:12:31 | 0:12:33 | |
Perhaps one day, he, too, | 0:12:33 | 0:12:35 | |
would become a good Puritan with a strong work ethic. | 0:12:35 | 0:12:39 | |
He is my next character. | 0:12:39 | 0:12:40 | |
A young man who tried to use writing to make his fortune. | 0:12:40 | 0:12:45 | |
The Winthrops' son Henry, complete ne'er-do-well, | 0:12:53 | 0:12:57 | |
wayward boy, drunk, girls. | 0:12:57 | 0:13:01 | |
You know, never attending to writing | 0:13:01 | 0:13:04 | |
or anything serious and puritanical. | 0:13:04 | 0:13:07 | |
Any letter he wrote...Whoa! | 0:13:07 | 0:13:09 | |
..was always spattered with appalling grammar | 0:13:09 | 0:13:12 | |
and even worse spelling. | 0:13:12 | 0:13:15 | |
HE LAUGHS | 0:13:15 | 0:13:16 | |
And you can imagine, when I try...Whoa! | 0:13:16 | 0:13:19 | |
..try to read one of these letters, it is totally illegible. | 0:13:19 | 0:13:22 | |
You can only imagine what his dad thought | 0:13:22 | 0:13:25 | |
when one of these arrived home... | 0:13:25 | 0:13:27 | |
Oh! ..at Groton. | 0:13:27 | 0:13:29 | |
Whoa! Bloody hell! Wahey! | 0:13:30 | 0:13:33 | |
Hah! Whoa! Whey! | 0:13:33 | 0:13:35 | |
HE LAUGHS | 0:13:35 | 0:13:37 | |
Oh, Jesus Christ! | 0:13:38 | 0:13:41 | |
Whoa! Anyway... | 0:13:41 | 0:13:43 | |
Thank you. | 0:13:43 | 0:13:44 | |
Despite his dodgy writing, | 0:13:48 | 0:13:50 | |
Henry's future would soon rely on everything | 0:13:50 | 0:13:53 | |
the letter could do for him in an expanding world. | 0:13:53 | 0:13:57 | |
In December 1626, when he was 20, | 0:13:57 | 0:14:00 | |
the Winthrops sent their naughty boy to the West Indies | 0:14:00 | 0:14:03 | |
to gain experience in transatlantic business. | 0:14:03 | 0:14:07 | |
The English Caribbean was just opening and the British had started | 0:14:09 | 0:14:13 | |
to establish footholds on Barbados, | 0:14:13 | 0:14:15 | |
Saint Kitts, Nevis and Montserrat. | 0:14:15 | 0:14:19 | |
These would become the money pump | 0:14:19 | 0:14:21 | |
at the heart of the British colonial empire. | 0:14:21 | 0:14:24 | |
For now, they were rough, wild, drunken and desperate places. | 0:14:26 | 0:14:31 | |
A cockpit of frontier competition | 0:14:31 | 0:14:33 | |
between young English, French and Dutchmen, | 0:14:33 | 0:14:36 | |
all hungry to make their pile. | 0:14:36 | 0:14:38 | |
When Henry Winthrop arrived in Barbados, he decided to stay. | 0:14:41 | 0:14:45 | |
This most easterly of the West Indies, | 0:14:45 | 0:14:47 | |
90 miles out into the Atlantic, | 0:14:47 | 0:14:49 | |
thrown like a sixpence on Newmarket Heath, | 0:14:49 | 0:14:52 | |
as one English traveller described it, | 0:14:52 | 0:14:55 | |
looked, to Henry, like his future. | 0:14:55 | 0:14:57 | |
One of the first things Henry did when he got to Barbados | 0:15:10 | 0:15:13 | |
was to write home to the family. | 0:15:13 | 0:15:16 | |
It was fantastic here. | 0:15:16 | 0:15:17 | |
"One of the pleasantest islands in all the West Indies," | 0:15:17 | 0:15:21 | |
as he wrote in his atrocious handwriting to his uncle at home. | 0:15:21 | 0:15:25 | |
He was going to make all of them rich. | 0:15:25 | 0:15:27 | |
He'd already planted some tobacco and, come harvest time, | 0:15:27 | 0:15:30 | |
£500 worth of it would be winging its way to England. | 0:15:30 | 0:15:34 | |
He was going to change the Winthrops' fortunes. | 0:15:34 | 0:15:37 | |
All he needed was a little help. | 0:15:41 | 0:15:42 | |
A couple of servants wouldn't go amiss. | 0:15:42 | 0:15:45 | |
Some saws, some pickaxes, shovels. | 0:15:45 | 0:15:48 | |
Even though he could scarcely write a coherent sentence, | 0:15:52 | 0:15:55 | |
Henry knew he had to rely on his pen. | 0:15:55 | 0:15:59 | |
His transatlantic enterprise would only thrive | 0:15:59 | 0:16:02 | |
if his letters summoned help from home. | 0:16:02 | 0:16:06 | |
The Winthrop dad and uncles all complied. | 0:16:07 | 0:16:11 | |
John sent the equipment out, cousins sent money. | 0:16:11 | 0:16:13 | |
Maybe this was a bandwagon they could climb on. | 0:16:13 | 0:16:17 | |
His mother wrote to say she was pleased. | 0:16:17 | 0:16:20 | |
Perhaps this did represent a good future | 0:16:20 | 0:16:23 | |
for her slightly feckless younger son. | 0:16:23 | 0:16:25 | |
'The formula was this - | 0:16:29 | 0:16:31 | |
'communication plus investment should, anyway, equal cash.' | 0:16:31 | 0:16:36 | |
Don't mess with me! That's a five and a one. | 0:16:36 | 0:16:40 | |
Early settlers in Barbados were quite successful in growing tobacco. | 0:16:41 | 0:16:46 | |
The demand back in London was huge. | 0:16:46 | 0:16:49 | |
Both men and women smoking it, | 0:16:49 | 0:16:51 | |
partly as a stimulant, partly a medicine. | 0:16:51 | 0:16:54 | |
Even sick sheep in 17th-century Wiltshire | 0:16:54 | 0:16:57 | |
were given tobacco to perk them up a bit. | 0:16:57 | 0:17:00 | |
Henry's letters back home were relentlessly optimistic. | 0:17:01 | 0:17:05 | |
Whatever they had heard about conditions in Barbados, | 0:17:05 | 0:17:08 | |
his tobacco was going to make them a fortune. | 0:17:08 | 0:17:12 | |
So if you'd been landing here with Henry Winthrop, | 0:17:12 | 0:17:15 | |
what kind of island would you have found? | 0:17:15 | 0:17:18 | |
They would have found a tropical island completely forested. | 0:17:18 | 0:17:23 | |
A virgin place, an exciting place, | 0:17:23 | 0:17:26 | |
a challenging place, perhaps. | 0:17:26 | 0:17:28 | |
Somewhere quite different | 0:17:28 | 0:17:29 | |
within the experience of the average Englishman. | 0:17:29 | 0:17:32 | |
What did they make of their new world? | 0:17:32 | 0:17:35 | |
It was a frontier society. | 0:17:35 | 0:17:37 | |
We were a frontier society for a short period of time. | 0:17:37 | 0:17:40 | |
It was a young male-dominated society. | 0:17:40 | 0:17:42 | |
What did these young men have to do? | 0:17:42 | 0:17:45 | |
Well, drink themselves stupid most of the time. | 0:17:45 | 0:17:48 | |
Then Cromwell ships all the girls out from the London brothels. | 0:17:48 | 0:17:50 | |
That can't have been good for the moral quality of the place, can it? | 0:17:50 | 0:17:54 | |
Well, I mean, as a gentleman, I really don't want to go there. | 0:17:54 | 0:17:58 | |
Because I suppose these women, unfortunate, | 0:17:58 | 0:18:01 | |
when they came over...you know what, | 0:18:01 | 0:18:03 | |
they made a life for themselves. | 0:18:03 | 0:18:05 | |
So the population started very small, | 0:18:05 | 0:18:07 | |
but it didn't stay small for long, did it? | 0:18:07 | 0:18:10 | |
Once the transition was made with sugar, | 0:18:10 | 0:18:12 | |
then the population literally exploded. | 0:18:12 | 0:18:14 | |
Remember, you're talking about the 1630s | 0:18:14 | 0:18:16 | |
from about 6,000, heavily male | 0:18:16 | 0:18:19 | |
and then by the 1650s, you were in the region of 70,000. | 0:18:19 | 0:18:25 | |
So families on both sides of the Atlantic | 0:18:25 | 0:18:28 | |
were kept together by writing. | 0:18:28 | 0:18:31 | |
Writing was a social bond between these divided parts. | 0:18:31 | 0:18:36 | |
Many of the colonists who came over | 0:18:36 | 0:18:39 | |
had one foot in the West Indies | 0:18:39 | 0:18:41 | |
and one foot in North America. | 0:18:41 | 0:18:44 | |
And people moved between the two areas | 0:18:44 | 0:18:46 | |
or moved back to the British Isles. | 0:18:46 | 0:18:48 | |
So there was constant movement | 0:18:48 | 0:18:50 | |
and a need to constantly inform each other about the situations. | 0:18:50 | 0:18:55 | |
Henry was, of course, keen to prove himself to his family. | 0:18:58 | 0:19:02 | |
Needless to say, awash in the moral anarchy of Barbados, | 0:19:02 | 0:19:06 | |
he did not deliver. | 0:19:06 | 0:19:08 | |
Despite that failure to generate any income, | 0:19:08 | 0:19:11 | |
he waited anxiously for a supportive letter from home. | 0:19:11 | 0:19:15 | |
Is that right? | 0:19:15 | 0:19:17 | |
In 1629, the letter arrived from the dad. | 0:19:17 | 0:19:20 | |
And you can have no doubt that family relationships | 0:19:20 | 0:19:23 | |
were still in full action the full width of the Atlantic | 0:19:23 | 0:19:27 | |
because this was wigging. | 0:19:27 | 0:19:29 | |
Where was the money? Where was any tobacco worth selling? | 0:19:29 | 0:19:32 | |
Because the tobacco Henry had sent already was rubbish. | 0:19:32 | 0:19:36 | |
Ill-conditioned, foul, full of stalks and evil coloured. | 0:19:36 | 0:19:41 | |
They couldn't even sell it for five shillings a pound. | 0:19:41 | 0:19:45 | |
His father gave him the bad news. | 0:19:47 | 0:19:50 | |
"I've dispersed a great deal of money for you. | 0:19:50 | 0:19:53 | |
"More than my estate will bear. | 0:19:53 | 0:19:55 | |
"And I can supply you no further | 0:19:55 | 0:19:58 | |
"unless you send me some commodity," by which he meant tobacco. | 0:19:58 | 0:20:02 | |
"I have many other children that are unprovided." | 0:20:02 | 0:20:07 | |
His uncles would take none of his tobacco. | 0:20:07 | 0:20:10 | |
His family would provide him no more money. | 0:20:10 | 0:20:13 | |
His begging letters had received no handout. | 0:20:13 | 0:20:16 | |
He had failed. | 0:20:16 | 0:20:18 | |
HE SIGHS | 0:20:27 | 0:20:29 | |
Henry had produced nothing but a stream of letters. | 0:20:52 | 0:20:56 | |
And if his family and mother are emblems | 0:20:56 | 0:20:58 | |
of the Puritan frame of mind - | 0:20:58 | 0:21:00 | |
proper, godly and serious. | 0:21:00 | 0:21:02 | |
Henry comes from right the other end of 17th-century English life. | 0:21:02 | 0:21:07 | |
The wild strain. A chancer, a trickster, a shyster. | 0:21:07 | 0:21:11 | |
A man with words and schemes coming pouring out of his mouth. | 0:21:11 | 0:21:16 | |
And a man for whom the powers of seduction | 0:21:16 | 0:21:18 | |
and persuasion were his main currency. | 0:21:18 | 0:21:21 | |
And, for both of them, the written word was of equal use. | 0:21:21 | 0:21:25 | |
And so conversations which would otherwise have happened | 0:21:25 | 0:21:29 | |
in the parlour of a manor house in Suffolk | 0:21:29 | 0:21:31 | |
now took the form of letters. | 0:21:31 | 0:21:33 | |
Letters which were taking two and a half months each way | 0:21:33 | 0:21:36 | |
to cross the 4,000 miles of ocean that separated the family. | 0:21:36 | 0:21:41 | |
And Henry, like most of his contemporaries | 0:21:41 | 0:21:44 | |
and equivalents, had failed. | 0:21:44 | 0:21:46 | |
And, do you know, he couldn't have cared less. | 0:21:46 | 0:21:49 | |
Henry Winthrop was typical of an entire generation | 0:21:57 | 0:22:00 | |
of 17th-century Englishmen. | 0:22:00 | 0:22:03 | |
Just edging into literacy, dependent on it for his life scheme, | 0:22:03 | 0:22:07 | |
with his letters stretched across the width of the Atlantic, | 0:22:07 | 0:22:11 | |
he never quite made it. | 0:22:11 | 0:22:13 | |
The riches which that transatlantic trade | 0:22:13 | 0:22:16 | |
would deliver within a decade or two | 0:22:16 | 0:22:18 | |
were never quite within his reach. | 0:22:18 | 0:22:20 | |
He had little choice but to return to England. | 0:22:22 | 0:22:25 | |
But back in London, to the horror of his parents, | 0:22:25 | 0:22:29 | |
he went on living it up. | 0:22:29 | 0:22:31 | |
Buying a scarlet suit and a cloak lined with plush, | 0:22:31 | 0:22:35 | |
and then, to general dismay, seducing his cousin Bess. | 0:22:35 | 0:22:40 | |
But then radical change arrived in the Winthrops' lives. | 0:22:43 | 0:22:46 | |
Through the late 1620s, as devout Puritans, | 0:22:46 | 0:22:50 | |
John and Margaret were being increasingly marginalised | 0:22:50 | 0:22:53 | |
in their own country | 0:22:53 | 0:22:54 | |
as Crown and Church turned against their Puritan way. | 0:22:54 | 0:22:59 | |
When suddenly, they were offered an escape route. | 0:22:59 | 0:23:03 | |
In 1620, a small group of English Puritans | 0:23:03 | 0:23:06 | |
had crossed the Atlantic to settle in New England. | 0:23:06 | 0:23:10 | |
Now, nine years later, John Winthrop was offered the post | 0:23:10 | 0:23:14 | |
of Governor of the Massachusetts Bay Colony. | 0:23:14 | 0:23:17 | |
They moved there and the Winthrops became a truly Atlantic family. | 0:23:17 | 0:23:22 | |
Part of the great 17th-century wave of expansion | 0:23:22 | 0:23:25 | |
which saw the literate English start to embrace the world ocean. | 0:23:25 | 0:23:30 | |
The Winthrops, Henry included, all ended up in Massachusetts. | 0:23:32 | 0:23:36 | |
And, from that point onward, | 0:23:36 | 0:23:37 | |
scarcely one word written between them survived. | 0:23:37 | 0:23:41 | |
They were all together now. | 0:23:41 | 0:23:43 | |
Safe in God's embrace, in a better, purer place. | 0:23:43 | 0:23:47 | |
And the need for writing had simply dropped away. | 0:23:47 | 0:23:51 | |
Distance had been eradicated | 0:23:51 | 0:23:53 | |
and they had left the world of words behind. | 0:23:53 | 0:23:56 | |
But there's one rather sad footnote to this story. | 0:23:56 | 0:24:00 | |
Henry, of course, showing off, as ever, | 0:24:00 | 0:24:03 | |
decided when he got to Massachusetts | 0:24:03 | 0:24:05 | |
that he'd go for a swim in a river, | 0:24:05 | 0:24:09 | |
whose water was far, far too cold for him. | 0:24:09 | 0:24:12 | |
And inevitably, having got in the river, he drowned. | 0:24:12 | 0:24:17 | |
SPLASH | 0:24:17 | 0:24:18 | |
Writing played a major part in the life of the Winthrops. | 0:24:24 | 0:24:28 | |
It allowed the parents to stay in touch at a distance | 0:24:28 | 0:24:31 | |
and their son Henry to try his hand at making money from the Tropics. | 0:24:31 | 0:24:36 | |
An expanding world, an increasingly literate world. | 0:24:43 | 0:24:46 | |
These twin aspects of the 17th century | 0:24:46 | 0:24:49 | |
were intimately bound up with each other. | 0:24:49 | 0:24:52 | |
Written communication allowed | 0:24:52 | 0:24:54 | |
this country's engagement with the world to stretch and swell. | 0:24:54 | 0:24:59 | |
At the same time, accounts of the exotic and the foreign | 0:24:59 | 0:25:02 | |
deeply stimulated the English imagination. | 0:25:02 | 0:25:05 | |
There is no piece of 17th-century writing | 0:25:06 | 0:25:09 | |
which embodies that relationship more richly | 0:25:09 | 0:25:12 | |
than the extraordinary illustrated journal | 0:25:12 | 0:25:15 | |
of the country boy turned world straddling seaman, Edward Barlow. | 0:25:15 | 0:25:20 | |
His memoir brought a whole new world home for the people to read. | 0:25:20 | 0:25:25 | |
Barlow's life track is simple enough. | 0:25:36 | 0:25:39 | |
From poor farmer's son | 0:25:39 | 0:25:41 | |
to captain of a great East India Company merchantman. | 0:25:41 | 0:25:44 | |
But even more remarkable than that story of ambition fulfilled | 0:25:44 | 0:25:48 | |
is his own dazzling account of it. | 0:25:48 | 0:25:51 | |
From the beginning, his book was always intended | 0:25:58 | 0:26:01 | |
as a public declaration. | 0:26:01 | 0:26:02 | |
He had an audience in mind. | 0:26:02 | 0:26:04 | |
Like many ancient mariners and foreign correspondents, | 0:26:04 | 0:26:08 | |
he wanted to grab people at home by the collar and say to them, | 0:26:08 | 0:26:11 | |
"Don't you realise what it is I've been going through?" | 0:26:11 | 0:26:16 | |
This is a copy of this book. | 0:26:16 | 0:26:18 | |
A really extraordinary document. | 0:26:18 | 0:26:21 | |
An incredibly-rare survival | 0:26:21 | 0:26:23 | |
from that world of itinerant working men | 0:26:23 | 0:26:26 | |
that had ballooned in the 17th century. | 0:26:26 | 0:26:29 | |
And in it is the only portrait we have of Barlow himself, | 0:26:29 | 0:26:34 | |
drawn by him, of himself as a boy | 0:26:34 | 0:26:37 | |
on the day he decided to leave home and head out to sea. | 0:26:37 | 0:26:42 | |
Edward Barlow grew up in a small village. | 0:26:52 | 0:26:55 | |
For him, his horizons felt limited. | 0:26:55 | 0:26:58 | |
He wanted a challenge in life. | 0:26:58 | 0:27:01 | |
Whoo! | 0:27:01 | 0:27:03 | |
HE LAUGHS | 0:27:03 | 0:27:04 | |
Well, even as a 13 year old, Barlow thought village life was dull. | 0:27:10 | 0:27:15 | |
It wasn't for him and he couldn't understand why people | 0:27:15 | 0:27:19 | |
weren't wanting to get out, to escape, to get on. | 0:27:19 | 0:27:24 | |
And so this is what he wrote in his diary later on in life. | 0:27:24 | 0:27:28 | |
"I thought I as good go see what I could. | 0:27:28 | 0:27:31 | |
"Knowing it couldn't be much worse whosesoever I came. | 0:27:31 | 0:27:35 | |
"And that, at any rate, I would be out of the ill will | 0:27:35 | 0:27:38 | |
"of some of our neighbours. | 0:27:38 | 0:27:40 | |
"Some of them wouldn't even venture a day's journey | 0:27:40 | 0:27:42 | |
"from out of the smoke of their chimneys | 0:27:42 | 0:27:45 | |
"or the taste of their mother's milk." | 0:27:45 | 0:27:47 | |
To Barlow, that's just crazy. | 0:27:50 | 0:27:52 | |
Oi! Out the way! | 0:27:54 | 0:27:56 | |
In 1657, he decided it was time to leave | 0:28:02 | 0:28:05 | |
the confines of his Lancashire village and see the world. | 0:28:05 | 0:28:09 | |
He waved goodbye to his mother across a wheat field. | 0:28:12 | 0:28:15 | |
She begged him to stay. | 0:28:15 | 0:28:18 | |
Barlow arrived in London. | 0:28:20 | 0:28:22 | |
A spectacular moment for a country boy. | 0:28:22 | 0:28:26 | |
London was accelerating into its late 17th-century boom. | 0:28:27 | 0:28:32 | |
It was the city of promise. | 0:28:32 | 0:28:34 | |
And at its heart, the river. | 0:28:34 | 0:28:36 | |
The route to a wider world. | 0:28:36 | 0:28:38 | |
Here on a bridge over the Thames, right in the middle of the city, | 0:28:40 | 0:28:44 | |
he came across something he'd never seen or even heard of before. | 0:28:44 | 0:28:49 | |
And he describes it in his journal. | 0:28:49 | 0:28:52 | |
"Looking below the bridge upon the river | 0:28:52 | 0:28:55 | |
"and seeing so many things upon the water, | 0:28:55 | 0:28:58 | |
"with long poles standing up in them | 0:28:58 | 0:29:01 | |
"and a great deal of ropes about them. | 0:29:01 | 0:29:03 | |
"Which made me wonder what they should be. | 0:29:03 | 0:29:08 | |
"Not knowing that they were ships. | 0:29:08 | 0:29:11 | |
"For I never had seen any before that time." | 0:29:11 | 0:29:14 | |
"Sometimes I would stand here, where I could see the river, | 0:29:22 | 0:29:26 | |
"for half an hour to see the ships and boats sail along, | 0:29:26 | 0:29:29 | |
"taking great pleasure therein." | 0:29:29 | 0:29:32 | |
There is a fascinating link here. | 0:29:33 | 0:29:36 | |
As the country expanded in its connections with the world, | 0:29:36 | 0:29:39 | |
Barlow's own perception of himself expanded with it. | 0:29:39 | 0:29:44 | |
Via those beautiful ships, Barlow and Britain could both go global. | 0:29:44 | 0:29:49 | |
How rare was it for a man on the lower deck | 0:29:52 | 0:29:54 | |
to write a journal like this? | 0:29:54 | 0:29:56 | |
Anything to do with the lower deck in this period | 0:29:56 | 0:29:59 | |
is extremely difficult to get your hands on. | 0:29:59 | 0:30:02 | |
So we're very lucky to have Barlow as a way into that world. | 0:30:02 | 0:30:06 | |
It's beautifully made. | 0:30:06 | 0:30:09 | |
It would be incredible if this had emerged from a drawing room. | 0:30:09 | 0:30:12 | |
If you imagine the lower deck world, you think of it kind of dark, | 0:30:12 | 0:30:15 | |
rough, difficult, illiterate. | 0:30:15 | 0:30:18 | |
You know, a kind of dominating, rather bullying place. | 0:30:18 | 0:30:22 | |
How does this emerge from that world? | 0:30:22 | 0:30:25 | |
Barlow's life starts as a very poor boy indeed. | 0:30:25 | 0:30:29 | |
In the memoir part of the journal, | 0:30:29 | 0:30:31 | |
he writes that his parents couldn't afford clothes | 0:30:31 | 0:30:35 | |
suitable for him to attend church on a Sunday. | 0:30:35 | 0:30:37 | |
But they did put him to school. | 0:30:37 | 0:30:40 | |
So he knew how to write, do you think, before he went to sea? | 0:30:40 | 0:30:43 | |
I think so, yes. | 0:30:43 | 0:30:45 | |
So, this is not some old tar teaching him the skills of writing? | 0:30:45 | 0:30:49 | |
Not teaching him the skills of writing, | 0:30:49 | 0:30:51 | |
but perhaps teaching him the skills of drawing. | 0:30:51 | 0:30:53 | |
And what is that extraordinary thing there? | 0:30:53 | 0:30:56 | |
That could be a tree. | 0:30:56 | 0:30:59 | |
I don't think that's a tree! | 0:30:59 | 0:31:00 | |
-A great fir tree. -A Christmas tree! | 0:31:00 | 0:31:03 | |
Yes. | 0:31:03 | 0:31:05 | |
This is a painting of London, Deptford, I think, | 0:31:05 | 0:31:09 | |
just at the moment when Barlow arrives in London. | 0:31:09 | 0:31:15 | |
Here we have essentially the world of the East India Company. | 0:31:15 | 0:31:19 | |
This is a shipyard that's been used by the company | 0:31:19 | 0:31:22 | |
to build and repair ships. | 0:31:22 | 0:31:24 | |
This is seriously blinged up here, isn't it? | 0:31:24 | 0:31:28 | |
Oh, yes. This is advertising the wealth and the status of the company, | 0:31:28 | 0:31:32 | |
but also the wealth and the status of the country. | 0:31:32 | 0:31:34 | |
So, in the journal, what does he tell us? | 0:31:36 | 0:31:40 | |
Well, it's sort of the great arc of his life at sea. | 0:31:40 | 0:31:44 | |
It begins as a memoir | 0:31:44 | 0:31:46 | |
and then quickly gets down to the nitty-gritty of life at sea. | 0:31:46 | 0:31:50 | |
So, in this section here, | 0:31:50 | 0:31:52 | |
he's essentially complaining about how hard his life is. | 0:31:52 | 0:31:55 | |
"I... always thinking that beggars had a far better life of it | 0:31:55 | 0:32:00 | |
"and lived better than I did." | 0:32:00 | 0:32:03 | |
It's a tough life at sea. | 0:32:03 | 0:32:05 | |
The financial rewards clearly here | 0:32:05 | 0:32:08 | |
are not as great as he perhaps had hoped. | 0:32:08 | 0:32:11 | |
But Barlow does have this sense of adventure. | 0:32:11 | 0:32:15 | |
He has gone to sea to see the world. | 0:32:15 | 0:32:17 | |
He sailed from this coast. London's just down there. | 0:32:30 | 0:32:33 | |
The Thames Estuary is just down there. | 0:32:33 | 0:32:35 | |
He would've headed out and had, really, | 0:32:35 | 0:32:38 | |
the whole world in his hands. Anywhere you like. | 0:32:38 | 0:32:41 | |
You could go to Suriname, you could go to Barbados, | 0:32:41 | 0:32:44 | |
you could go to New England, the coast of Africa. | 0:32:44 | 0:32:47 | |
Anything was possible. | 0:32:48 | 0:32:50 | |
And that is what is different. | 0:32:50 | 0:32:52 | |
It is a kind of new world, ready to be grabbed. | 0:32:52 | 0:32:56 | |
Barlow was as green as they come. | 0:33:04 | 0:33:08 | |
He didn't even know that seawater was salty. | 0:33:08 | 0:33:12 | |
And they gave him a cabin which he wrote in his journal, was like, | 0:33:12 | 0:33:17 | |
"A gentleman's dog kennel." | 0:33:17 | 0:33:20 | |
It wouldn't have been at all unlike this. | 0:33:20 | 0:33:23 | |
And here, he set off on a career | 0:33:23 | 0:33:26 | |
which, for the next five decades, embraced the world. | 0:33:26 | 0:33:31 | |
The global reach of it is really extraordinary. | 0:33:31 | 0:33:35 | |
And every part of it is in his journal. | 0:33:35 | 0:33:38 | |
Barlow was joining one of the boom businesses of the century. | 0:33:41 | 0:33:45 | |
In 1603, the navy had only 41 ships and 8,000 sailors. | 0:33:45 | 0:33:51 | |
As the century drew to a close, | 0:33:51 | 0:33:53 | |
those numbers had increased fivefold. | 0:33:53 | 0:33:57 | |
The navy needed men. | 0:33:57 | 0:33:59 | |
So for Barlow and thousands of others like him, | 0:33:59 | 0:34:01 | |
this was a chance for a whole new scale of life. | 0:34:01 | 0:34:05 | |
It's perfectly possible to imagine | 0:34:05 | 0:34:09 | |
Barlow living exactly this kind of life. | 0:34:09 | 0:34:12 | |
It's a hot autumn day and sweat is pouring off me. | 0:34:12 | 0:34:17 | |
And so when the young boy arrives to work on the naval ship in London, | 0:34:17 | 0:34:22 | |
it would have been a shock. | 0:34:22 | 0:34:24 | |
There is no, er...sympathy here for weakness. | 0:34:24 | 0:34:28 | |
This is a place for strong men doing capable things. | 0:34:28 | 0:34:33 | |
The purpose of his journal in part | 0:34:34 | 0:34:35 | |
was to establish how this country boy | 0:34:35 | 0:34:37 | |
had won dignity through the life of a sailor. | 0:34:37 | 0:34:41 | |
Even his account of how he came to write the book | 0:34:41 | 0:34:44 | |
was a reflection on the dangers of that life at sea. | 0:34:44 | 0:34:47 | |
In 1672, unknown to Barlow and his shipmates, | 0:34:48 | 0:34:51 | |
Britain went to war with the Dutch, | 0:34:51 | 0:34:54 | |
fighting for the lucrative trade in all the valuable goods of the east. | 0:34:54 | 0:34:58 | |
Spices and silks, coffee and calico. | 0:34:58 | 0:35:02 | |
Barlow's ship was jumped by the Dutch off the coast of Sumatra. | 0:35:02 | 0:35:06 | |
The outnumbered British surrendered | 0:35:06 | 0:35:08 | |
and the heavily-armed Dutch clamoured onboard. | 0:35:08 | 0:35:12 | |
So the Dutch were swarming all over the boat. | 0:35:12 | 0:35:15 | |
This was the great crisis of his life. | 0:35:15 | 0:35:17 | |
It's when they were taken prisoner. | 0:35:17 | 0:35:19 | |
And of course, he wrote about it in the journal. | 0:35:19 | 0:35:21 | |
"Seeing that in an instant, all our goods, chests and clothes | 0:35:21 | 0:35:28 | |
"and ship and all were made prize of." | 0:35:28 | 0:35:31 | |
The crew of a surrendering ship | 0:35:31 | 0:35:33 | |
could expect everything to be taken off them. | 0:35:33 | 0:35:36 | |
And Barlow, of course, himself, | 0:35:36 | 0:35:38 | |
was desperate that his own gold was going to be nicked. | 0:35:38 | 0:35:41 | |
So he stuffed his shoes full of it | 0:35:41 | 0:35:44 | |
and, amazingly, got away with that. | 0:35:44 | 0:35:48 | |
Now Barlow was a prisoner. | 0:35:48 | 0:35:50 | |
And in the long expanses of nothing to do, | 0:35:50 | 0:35:53 | |
he began to write the great monument to his own life. | 0:35:53 | 0:35:56 | |
"And thus I thought good | 0:35:56 | 0:35:59 | |
"to describe to my friends or acquaintance, | 0:35:59 | 0:36:02 | |
"or to any which might take the pains to read it over. | 0:36:02 | 0:36:06 | |
"And here, they may understand in part | 0:36:06 | 0:36:09 | |
"what dangers and troubles poor seamen passed through | 0:36:09 | 0:36:14 | |
"and also of the manners and situation | 0:36:14 | 0:36:17 | |
"of most places which I have been at since I first went to sea." | 0:36:17 | 0:36:23 | |
The impressive nature of the world | 0:36:25 | 0:36:28 | |
and his own equally-impressive energies and enterprise | 0:36:28 | 0:36:30 | |
sit side-by-side on the page. | 0:36:30 | 0:36:33 | |
His book is a hymn to adventure and self-congratulation. | 0:36:33 | 0:36:37 | |
See how great the world is. | 0:36:37 | 0:36:40 | |
See how big I now am. | 0:36:40 | 0:36:42 | |
The more you look at Barlow's book, the more marvellous it becomes. | 0:36:44 | 0:36:47 | |
It is absolutely stuffed to over-brimming with the marvellous, | 0:36:47 | 0:36:52 | |
with the marvellous things he's been out into the world to see | 0:36:52 | 0:36:55 | |
and which he's capturing and setting down here in his book. | 0:36:55 | 0:36:59 | |
So here's a picture, | 0:37:00 | 0:37:02 | |
the true picture of a shark eating a man, chewing off his leg. | 0:37:02 | 0:37:05 | |
Then, on the next page, these fantastic images | 0:37:08 | 0:37:11 | |
of what he calls man-of-war files | 0:37:11 | 0:37:14 | |
that catch and did eat flying fish in the seas. | 0:37:14 | 0:37:18 | |
And things which previously might have been | 0:37:18 | 0:37:20 | |
part of the world of fantasy. | 0:37:20 | 0:37:22 | |
I mean, weirdly-imagined fish that flew | 0:37:22 | 0:37:25 | |
and birds catching the fish as they flew across the sea. | 0:37:25 | 0:37:29 | |
And then this really marvellous page | 0:37:29 | 0:37:32 | |
of a scene in India with an elephant and a river with its shoals. | 0:37:32 | 0:37:37 | |
And here, a rhinoceros - a big statuesque rhinoceros. | 0:37:37 | 0:37:41 | |
And he describes it, "The emblem of the rhinoceros | 0:37:41 | 0:37:44 | |
"that was brought from Bengal in the year 1684 | 0:37:44 | 0:37:49 | |
"and sold at London for £2,100." | 0:37:49 | 0:37:54 | |
The book is a measure of the multiple expansions | 0:37:58 | 0:38:01 | |
going on in the 17th century. | 0:38:01 | 0:38:03 | |
Of country boys into world citizens, | 0:38:03 | 0:38:06 | |
of farmer sons into practise writers and describers of the world. | 0:38:06 | 0:38:10 | |
Of a frame of mind that knew only cows and sheep | 0:38:10 | 0:38:13 | |
to familiarity with elephants and rhinoceroses. | 0:38:13 | 0:38:17 | |
Literacy brought the world home to Barlow's readers. | 0:38:20 | 0:38:24 | |
He could give it to them. They could receive it. | 0:38:24 | 0:38:27 | |
It made him a man he could never otherwise have been. | 0:38:27 | 0:38:31 | |
And it showed them a world they could never otherwise have known. | 0:38:31 | 0:38:34 | |
Barlow's journal is the great statement | 0:38:41 | 0:38:43 | |
of the value and dignity of his own life. | 0:38:43 | 0:38:45 | |
He climbed the coastal ladder | 0:38:45 | 0:38:47 | |
to become a master of an East Indiaman, | 0:38:47 | 0:38:49 | |
a great writer, illustrator and a storyteller. | 0:38:49 | 0:38:53 | |
And one of the stories at the heart of that journal | 0:38:53 | 0:38:56 | |
is that when his ship was wrecked, hit a rock, everything was awash, | 0:38:56 | 0:39:00 | |
all his possessions were in danger, and what did he save? | 0:39:00 | 0:39:04 | |
He saved his book. | 0:39:04 | 0:39:06 | |
Barlow had sailed the world, but had never done that well out of it. | 0:39:10 | 0:39:14 | |
He died pretty poor. Almost his only legacy, his book. | 0:39:14 | 0:39:19 | |
But writing was not only there | 0:39:19 | 0:39:21 | |
to record the century's global expansiveness. | 0:39:21 | 0:39:24 | |
It also helped drive that expansion. | 0:39:24 | 0:39:28 | |
By the 1660s, British trade across the Atlantic | 0:39:32 | 0:39:36 | |
was expanding dramatically. | 0:39:36 | 0:39:38 | |
Slaves from Africa, beef from Ireland, | 0:39:38 | 0:39:41 | |
wine from Madeira, sugar from the Caribbean. | 0:39:41 | 0:39:45 | |
All of that depended on a dense network of written words. | 0:39:45 | 0:39:49 | |
Instructions, orders, receipts, | 0:39:49 | 0:39:51 | |
commissions, complaints. | 0:39:51 | 0:39:54 | |
And at the centre of that web, driving the expansion, | 0:39:54 | 0:39:56 | |
and deeply knowable | 0:39:56 | 0:39:58 | |
because their writing survives, | 0:39:58 | 0:40:01 | |
were a few often slightly-shadowy figures | 0:40:01 | 0:40:04 | |
like my next character, the networking businessman. | 0:40:04 | 0:40:07 | |
Never off his Blackberry, communicating, communicating, | 0:40:07 | 0:40:11 | |
communicating every moment of the day. | 0:40:11 | 0:40:15 | |
Sugar, one of the great new stimulants of the century | 0:40:24 | 0:40:27 | |
would soon remake the world. | 0:40:27 | 0:40:29 | |
By 1670, the Caribbean was producing | 0:40:29 | 0:40:33 | |
well over half of all the sugar consumed in England. | 0:40:33 | 0:40:36 | |
This highly-desirable commodity | 0:40:36 | 0:40:39 | |
was about to create a new class of British sugar oligarchs. | 0:40:39 | 0:40:45 | |
One of the best documented of early English traders in the Caribbean | 0:40:55 | 0:40:58 | |
is a man called William Freeman. | 0:40:58 | 0:41:00 | |
He was born in 1645, the son of a sugar planter from Saint Kitts, | 0:41:00 | 0:41:04 | |
one of the English possessions in the Leeward Islands. | 0:41:04 | 0:41:07 | |
Now, Freeman, was part of that coarse | 0:41:07 | 0:41:10 | |
and aggressive class of new Englishmen | 0:41:10 | 0:41:12 | |
who were ruthlessly starting to make their fortune out of the sugar boom. | 0:41:12 | 0:41:16 | |
Incredibly entrepreneurial, | 0:41:16 | 0:41:18 | |
fiercely energetic, always hungry for more. | 0:41:18 | 0:41:21 | |
And when he was 19, | 0:41:21 | 0:41:23 | |
he was already working as a merchant on his own account in Nevis. | 0:41:23 | 0:41:27 | |
A man already on the make. | 0:41:27 | 0:41:29 | |
Freeman's life was devoted to one thing and one thing only - money. | 0:41:38 | 0:41:43 | |
Fluently literate, he became the writer | 0:41:43 | 0:41:45 | |
of a vast compendium of demanding and imperious letters | 0:41:45 | 0:41:49 | |
whose tone is completely unmistakable today. | 0:41:49 | 0:41:52 | |
Urgent, businesslike, often furious, | 0:41:52 | 0:41:56 | |
sometimes capable of a kind of commercial charm. | 0:41:56 | 0:41:59 | |
But, in the end, interested only in his own needs. | 0:41:59 | 0:42:03 | |
His own self-promotion and his own ever-growing stash. | 0:42:03 | 0:42:08 | |
For people like Freeman, writing was the all-important tool. | 0:42:12 | 0:42:17 | |
Its key quality was to convey information at a distance. | 0:42:17 | 0:42:21 | |
Writing shrank distance and so made possible that new phenomenon, | 0:42:21 | 0:42:26 | |
the transatlantic businessman. | 0:42:26 | 0:42:29 | |
His business relied on sugar. | 0:42:29 | 0:42:32 | |
Sugar needed labour and the place to get the best labour was Africa. | 0:42:32 | 0:42:36 | |
Freeman's business relied on slaves. | 0:42:36 | 0:42:40 | |
Whenever one of Freeman's ships came from Africa, | 0:42:40 | 0:42:43 | |
one of his slave ships, usually to Nevis or Montserrat, | 0:42:43 | 0:42:47 | |
to a beach just like this, | 0:42:47 | 0:42:49 | |
he would go down there, either as a slave trader on his own behalf | 0:42:49 | 0:42:53 | |
or as an agent for the Royal African Company. | 0:42:53 | 0:42:56 | |
And there's no doubt that Freeman would have thought of this | 0:42:56 | 0:42:59 | |
as a completely straightforward commercial transaction. | 0:42:59 | 0:43:02 | |
But of course, there is another | 0:43:03 | 0:43:06 | |
gruesome human dimension to this story. | 0:43:06 | 0:43:10 | |
And very occasionally, it just leaks out of the edges of his letters. | 0:43:10 | 0:43:15 | |
And he says he proposes to sell them by the whole ship's lading. | 0:43:15 | 0:43:19 | |
That is the whole cargo in one go. | 0:43:19 | 0:43:22 | |
"Such as were able to go over the ship's side." | 0:43:22 | 0:43:27 | |
It takes a moment or two to recognise what that means, | 0:43:27 | 0:43:31 | |
but of course, what it means | 0:43:31 | 0:43:32 | |
is that some of the people who'd been brought from Africa | 0:43:32 | 0:43:35 | |
were unable to get out of the hold in which they'd travelled here. | 0:43:35 | 0:43:40 | |
Dead or ill or just disabled. | 0:43:40 | 0:43:44 | |
This business built on human blood and human suffering | 0:43:47 | 0:43:50 | |
became one of the most important of the 17th century. | 0:43:50 | 0:43:54 | |
And Freeman was right at the heart of it. | 0:43:56 | 0:43:59 | |
By 1684, there were over 46,000 African slaves in Barbados. | 0:44:02 | 0:44:08 | |
More than the population of whites. | 0:44:08 | 0:44:11 | |
Writing, essentially an instrument of power and control, | 0:44:11 | 0:44:15 | |
remained the reserve of the whites. | 0:44:15 | 0:44:17 | |
Slaves were forbidden to learn to read and write, | 0:44:17 | 0:44:20 | |
but their European owners meticulously documented them, | 0:44:20 | 0:44:24 | |
and that's how we know what little we know about them today. | 0:44:24 | 0:44:28 | |
How brutal a world was it? | 0:44:31 | 0:44:33 | |
Very brutal. | 0:44:33 | 0:44:34 | |
You're talking punishments that range from castration on one hand | 0:44:34 | 0:44:41 | |
to perhaps mild mutilation on the other hand. | 0:44:41 | 0:44:44 | |
Hands off, or...? | 0:44:44 | 0:44:47 | |
Hands off, fingers off, noses cut off. | 0:44:47 | 0:44:50 | |
-Ears cut off, feet, in an extreme case. -Really? | 0:44:50 | 0:44:55 | |
And then you have stories of slave workers | 0:44:55 | 0:44:59 | |
being buried up to their necks in the ground | 0:44:59 | 0:45:02 | |
in an ants' nest, an ant hole. | 0:45:02 | 0:45:06 | |
And the ants bring allowed to eat them alive literally. | 0:45:06 | 0:45:10 | |
You pour some molasses or treacle on them. | 0:45:10 | 0:45:12 | |
And in law in the Caribbean, | 0:45:12 | 0:45:15 | |
slaves are defined as property. | 0:45:15 | 0:45:18 | |
-Property? -Property. | 0:45:18 | 0:45:20 | |
They're not quite persons. | 0:45:20 | 0:45:22 | |
I've seen people's wills where they just list their belongings. | 0:45:22 | 0:45:27 | |
And it's the furniture, the paintings, the prints, | 0:45:27 | 0:45:30 | |
the books, the boats, the slaves. | 0:45:30 | 0:45:34 | |
That's typical. | 0:45:34 | 0:45:36 | |
In some cases, you find references to slaves and other stock. | 0:45:36 | 0:45:40 | |
Yeah. | 0:45:40 | 0:45:41 | |
And the other stock would have been cows and sheep and goats, | 0:45:41 | 0:45:43 | |
horses, that kind of thing. | 0:45:43 | 0:45:46 | |
How literate a society was this? Were people able to write? | 0:45:46 | 0:45:49 | |
There was landowners, the estate owners, almost always literate. | 0:45:49 | 0:45:54 | |
And they bring that literacy with them for the most part from England. | 0:45:54 | 0:45:59 | |
But the basic reason, again, is economic. | 0:45:59 | 0:46:02 | |
You need to keep records. | 0:46:02 | 0:46:04 | |
You need to look after your business. | 0:46:04 | 0:46:06 | |
You need to know whether you're making a profit. | 0:46:06 | 0:46:09 | |
-So the society's literate because cash is king. -Precisely. | 0:46:09 | 0:46:12 | |
-Yeah. -Yes, precisely. | 0:46:12 | 0:46:14 | |
Freeman's next step up was to go to London. | 0:46:17 | 0:46:21 | |
London was fast becoming the world's greatest metropolis. | 0:46:22 | 0:46:25 | |
The exchange centre of this word web. | 0:46:25 | 0:46:29 | |
It couldn't have been more different from rural Nevis. | 0:46:29 | 0:46:33 | |
There was profit in slaving and profit in sugar, | 0:46:34 | 0:46:37 | |
but the real secret of Caribbean moneymaking was fingers in pies. | 0:46:37 | 0:46:42 | |
And the place where the pies were made was London. | 0:46:42 | 0:46:45 | |
Writing allowed Freeman to conduct his business transatlantically. | 0:46:46 | 0:46:51 | |
But with each letter taking four months to get a reply, | 0:46:51 | 0:46:54 | |
the level of stress was overwhelming. | 0:46:54 | 0:46:57 | |
And he was finding it difficult to keep up with the London pace. | 0:46:57 | 0:47:01 | |
He fell out with John Bramley, | 0:47:03 | 0:47:05 | |
his partner in the Montserrat plantation, | 0:47:05 | 0:47:08 | |
who he suspected of cheating him. | 0:47:08 | 0:47:10 | |
And again and again, | 0:47:10 | 0:47:12 | |
he wrote in frustration to a lawyer on the island, William Fox, | 0:47:12 | 0:47:17 | |
"I am so exasperated by the disingenuity of Mr Bramley, | 0:47:17 | 0:47:22 | |
"who I find makes use of all means, | 0:47:22 | 0:47:26 | |
"be they ever so indirect, | 0:47:26 | 0:47:28 | |
"to circumvent and defraud me." | 0:47:28 | 0:47:31 | |
These anxious letters were a measure of just how difficult it was | 0:47:32 | 0:47:36 | |
to run a 17th-century transatlantic network. | 0:47:36 | 0:47:40 | |
Geography expanded to the point where communication | 0:47:40 | 0:47:43 | |
had become almost impossible. | 0:47:43 | 0:47:46 | |
Only the sight of the profits | 0:47:48 | 0:47:50 | |
could have made such a pressured life tolerable. | 0:47:50 | 0:47:53 | |
Freeman often finished off his letters with a phrase | 0:47:55 | 0:47:57 | |
that he had a world of business to do. | 0:47:57 | 0:47:59 | |
And that was the vision of his life. | 0:47:59 | 0:48:01 | |
One in which his business had expanded to embrace an ocean. | 0:48:01 | 0:48:05 | |
And as a product of that tautened and strained world, | 0:48:05 | 0:48:10 | |
there's one modern quality which emerges | 0:48:10 | 0:48:13 | |
from every page of his letter book. Stress. | 0:48:13 | 0:48:16 | |
This was the beginning of modern working life as we know it. | 0:48:18 | 0:48:22 | |
Emerging out of the capital city. | 0:48:22 | 0:48:25 | |
London grows remarkably fast in the course of the 17th century. | 0:48:33 | 0:48:36 | |
It's a city of 200,000 in 1600, | 0:48:36 | 0:48:39 | |
575,000 by the end of the century. | 0:48:39 | 0:48:43 | |
So more than doubling, nearly tripling in 100 years. | 0:48:43 | 0:48:47 | |
And overtaking Paris, just about 1660, | 0:48:47 | 0:48:52 | |
to become the largest city in western Europe. | 0:48:52 | 0:48:55 | |
And why is it booming that fast? | 0:48:55 | 0:48:57 | |
Well, London has two big things going for it. | 0:48:57 | 0:49:00 | |
It's both a capital city and it's a port. | 0:49:00 | 0:49:03 | |
The key commodities for the Atlantic trades were tobacco and sugar | 0:49:03 | 0:49:09 | |
and there are enormous increases in the imports of those commodities. | 0:49:09 | 0:49:16 | |
It's been estimated that there's enough tobacco there | 0:49:16 | 0:49:20 | |
for half the population to consume half a pipeful of tobacco a day. | 0:49:20 | 0:49:25 | |
What's London like as a result of this new business? | 0:49:25 | 0:49:28 | |
Well, it's a more diverse and vibrant place. | 0:49:28 | 0:49:33 | |
We're here walking through these alleyways | 0:49:33 | 0:49:36 | |
which I think would have been with a hubbub of different voices | 0:49:36 | 0:49:41 | |
from different corners of the world. | 0:49:41 | 0:49:44 | |
The Royal Exchange has been described as early as 1607 as like a babel, | 0:49:44 | 0:49:48 | |
so many different voices. | 0:49:48 | 0:49:50 | |
There's a lovely engraving of the Exchange in the 1640s | 0:49:50 | 0:49:52 | |
done by Wenceslaus Hollar | 0:49:52 | 0:49:56 | |
in which we can see Turks clearly visible with their turbans | 0:49:56 | 0:49:59 | |
and Muscovites with their fur hats. | 0:49:59 | 0:50:02 | |
-There's a kind of vitality in that, isn't there? -Absolutely. | 0:50:02 | 0:50:05 | |
It would have been a real buzz, the Exchange. | 0:50:05 | 0:50:10 | |
Freeman was at the centre of the buzz. | 0:50:12 | 0:50:14 | |
And like his fellow entrepreneurs, money was running in their blood. | 0:50:14 | 0:50:19 | |
But the boundaries between legitimate | 0:50:20 | 0:50:22 | |
and illegitimate trade were completely blurred. | 0:50:22 | 0:50:25 | |
Everyone was on the make. | 0:50:25 | 0:50:28 | |
And it was expected they would be. | 0:50:28 | 0:50:30 | |
At least half of English overseas trade | 0:50:31 | 0:50:34 | |
came from that cut-throat business, smuggling. | 0:50:34 | 0:50:37 | |
Anything from wool and wine to spirits and fine linen. | 0:50:38 | 0:50:43 | |
And Freeman's transatlantic letter connections | 0:50:43 | 0:50:46 | |
provided the perfect setup | 0:50:46 | 0:50:48 | |
for some deeply-profitable black market shenanigans. | 0:50:48 | 0:50:52 | |
In September 1678, he wrote to his friend Robert Helms in Nevis | 0:50:54 | 0:50:59 | |
to tell him of a scheme he had. | 0:50:59 | 0:51:01 | |
A scheme to make money by smuggling French brandy. | 0:51:01 | 0:51:04 | |
He'd boat a small boat called the Batchelor, | 0:51:04 | 0:51:07 | |
probably no more than 50 foot from stem to stern. | 0:51:07 | 0:51:11 | |
And with it, he was going to smuggle French brandy out to the Caribbean. | 0:51:11 | 0:51:15 | |
This was completely illegal because no French brandy | 0:51:15 | 0:51:17 | |
could be sold in any possession of the English crown. | 0:51:17 | 0:51:20 | |
But there was money in it. | 0:51:20 | 0:51:22 | |
And Freeman wanted to do it. | 0:51:22 | 0:51:24 | |
This was his plan. | 0:51:24 | 0:51:25 | |
The Batchelor was to leave London | 0:51:25 | 0:51:28 | |
and head off down to Saint Martin in south-west France, near La Rochelle. | 0:51:28 | 0:51:33 | |
There, it was going to load up with French brandy | 0:51:33 | 0:51:36 | |
and with some salt to cover his tracks. | 0:51:36 | 0:51:39 | |
From Saint Martin, it was to sail to Waterford in southern Ireland. | 0:51:39 | 0:51:44 | |
There, the salt was going to be unloaded | 0:51:44 | 0:51:46 | |
and beef and pipe staves, | 0:51:46 | 0:51:49 | |
that's wood to make barrels with, | 0:51:49 | 0:51:51 | |
were going to be loaded on top of the brandy. | 0:51:51 | 0:51:53 | |
You wouldn't see the brandy in the hold. | 0:51:53 | 0:51:56 | |
Then, from southern Ireland, | 0:51:56 | 0:51:58 | |
it would sail all the way across the Atlantic to Nevis. | 0:51:58 | 0:52:02 | |
And that's where the brandy would be sold. | 0:52:02 | 0:52:04 | |
And that's where the money would be made. | 0:52:04 | 0:52:07 | |
It was a deliberately smoky and complicated scheme | 0:52:08 | 0:52:12 | |
designed to throw the authorities off the track. | 0:52:12 | 0:52:15 | |
He put Robert Helms in charge of the Caribbean connection. | 0:52:15 | 0:52:19 | |
And he writes to Helms to say that Helms must be ready | 0:52:19 | 0:52:22 | |
for when the ship arrives with the brandy onboard. | 0:52:22 | 0:52:26 | |
"So that all things may be carried on with safety and silence, | 0:52:26 | 0:52:30 | |
"which we have not been wanting in here | 0:52:30 | 0:52:32 | |
"in laying it as well as we can." | 0:52:32 | 0:52:35 | |
This is Freeman just arranging the deal | 0:52:35 | 0:52:37 | |
across the other side of the Atlantic. | 0:52:37 | 0:52:40 | |
But he's absolutely adamant about one thing. | 0:52:40 | 0:52:44 | |
That his name should nowhere appear in any of the documents. | 0:52:44 | 0:52:48 | |
They had 20 of these barrels. | 0:53:06 | 0:53:08 | |
And each barrel had 40 gallons of French brandy in it. | 0:53:08 | 0:53:10 | |
That's 800 gallons of the very best brandy that Freeman could buy. | 0:53:10 | 0:53:15 | |
So this isn't some poxy deal, | 0:53:15 | 0:53:17 | |
this is a real business transaction. | 0:53:17 | 0:53:19 | |
And you can imagine him back home in England | 0:53:19 | 0:53:22 | |
desperately writing letter after letter. | 0:53:22 | 0:53:25 | |
Are they being safe enough? Are they looking after his stuff? | 0:53:25 | 0:53:27 | |
Are they looking after his money? | 0:53:27 | 0:53:30 | |
His clever scheme worked. | 0:53:32 | 0:53:34 | |
The devious plot was not discovered. | 0:53:34 | 0:53:37 | |
The brandy arrived in the Caribbean. | 0:53:37 | 0:53:39 | |
It was distributed around the planters of the Leeward Islands | 0:53:39 | 0:53:43 | |
who were desperate for some relief in the heat, | 0:53:43 | 0:53:45 | |
and it looked as if the £1,000 Freeman had gambled | 0:53:45 | 0:53:49 | |
on his exploit was in for a profit. | 0:53:49 | 0:53:52 | |
It was a minor triumph for the world of the letter. | 0:53:55 | 0:53:58 | |
Only by arranging it all in advance | 0:53:58 | 0:54:00 | |
with his agents and co-smugglers | 0:54:00 | 0:54:02 | |
in France and Ireland, Montserrat and Nevis, | 0:54:02 | 0:54:06 | |
could he have tricked the authorities so cleverly. | 0:54:06 | 0:54:09 | |
And only by making it slip between the cracks | 0:54:09 | 0:54:11 | |
of his already existing ocean networks | 0:54:11 | 0:54:14 | |
could the brandy arrive unseen. | 0:54:14 | 0:54:17 | |
In a way, it's a kind of emblem of the modern world. | 0:54:17 | 0:54:19 | |
International contraband, | 0:54:19 | 0:54:21 | |
officials making money out of their knowledge of the way the system works, | 0:54:21 | 0:54:25 | |
as Freeman was still the official London agent | 0:54:25 | 0:54:28 | |
for the Governor of Montserrat. | 0:54:28 | 0:54:30 | |
And to do it using the world's most advanced information technology, | 0:54:30 | 0:54:35 | |
the letter. | 0:54:35 | 0:54:36 | |
Freeman's letters to his friends, his ship captains, | 0:54:40 | 0:54:44 | |
his fellow traders, his debtors and creditors, | 0:54:44 | 0:54:48 | |
his contraband suppliers, his partners in crime, | 0:54:48 | 0:54:51 | |
had turned him into one of the first transatlantic businessmen. | 0:54:51 | 0:54:55 | |
All that anxiety had been funnelled into the Freeman coffers. | 0:54:57 | 0:55:02 | |
And he was now what he always wanted to be - rich. | 0:55:02 | 0:55:06 | |
Freeman had made a fortune. | 0:55:09 | 0:55:11 | |
By the time he was 38, he was rich enough to retire. | 0:55:11 | 0:55:15 | |
And he came down here to Fawley Court near Henley | 0:55:15 | 0:55:18 | |
in the Thames Valley. | 0:55:18 | 0:55:19 | |
A house he'd built himself on an estate of 10,000 acres | 0:55:19 | 0:55:23 | |
which he'd bought for more than £7,000. | 0:55:23 | 0:55:26 | |
And he'd married a very rich girl, Elizabeth Baxter, | 0:55:26 | 0:55:29 | |
whose family was incredibly well-connected. | 0:55:29 | 0:55:32 | |
He had really arrived in capitalist heaven. | 0:55:32 | 0:55:36 | |
And this was the house he built. Orderly, rational, calm. | 0:55:44 | 0:55:49 | |
Near the river and crucially away from the grief of London. | 0:55:49 | 0:55:53 | |
And he wrote to a friend in the Caribbean | 0:55:53 | 0:55:55 | |
to tell him just how happy he was. | 0:55:55 | 0:55:58 | |
"If you hear not from me so often as I would, blame me not. | 0:55:58 | 0:56:03 | |
"I have lately purchased a small seat | 0:56:03 | 0:56:06 | |
"on the Thames near Henley, | 0:56:06 | 0:56:08 | |
"being resolved to withdraw from London." | 0:56:08 | 0:56:12 | |
At last, he was going to relax. | 0:56:12 | 0:56:14 | |
Neither Fawley nor Freeman's life and riches | 0:56:19 | 0:56:21 | |
would have been possible without the letter. | 0:56:21 | 0:56:24 | |
This was global success built on words. | 0:56:24 | 0:56:26 | |
Not as a vehicle for poetry or philosophy, | 0:56:26 | 0:56:30 | |
but as a way of squeezing money out of an increasingly juicy world. | 0:56:30 | 0:56:35 | |
Back in the Caribbean, | 0:56:35 | 0:56:37 | |
his slaves continued to do the work on his plantations | 0:56:37 | 0:56:40 | |
that kept Fawley Court running. | 0:56:40 | 0:56:43 | |
Freeman's profits continued to flow across the Atlantic. | 0:56:44 | 0:56:48 | |
When he died at 62, he left assets of around £20,000. | 0:56:48 | 0:56:54 | |
The equivalent of 35 million today. | 0:56:54 | 0:56:57 | |
Entrepreneurial colonial merchants like Freeman | 0:57:01 | 0:57:04 | |
are the engine of the Atlantic trade, high on blood sugar. | 0:57:04 | 0:57:09 | |
And there's a straightforward connection between African slaves, | 0:57:09 | 0:57:13 | |
growing and selling sugar, | 0:57:13 | 0:57:15 | |
the development of London as a global entrepot | 0:57:15 | 0:57:19 | |
and the creation of the British empire. | 0:57:19 | 0:57:22 | |
None of it would have happened | 0:57:23 | 0:57:25 | |
unless people like Freeman had a quill in their hands. | 0:57:25 | 0:57:29 | |
This was an empire founded on ink and paper. | 0:57:29 | 0:57:34 | |
At an intimate level, the 17th century | 0:57:34 | 0:57:37 | |
was the most revolutionary time this country has ever known. | 0:57:37 | 0:57:42 | |
It was an age in which more people in this country | 0:57:42 | 0:57:45 | |
could read and write than ever before. | 0:57:45 | 0:57:48 | |
England's communications revolution, | 0:57:48 | 0:57:51 | |
a transforming moment in our history. | 0:57:51 | 0:57:53 | |
You could call it the English Spring. | 0:57:53 | 0:57:56 | |
A time when the whole geometry of the country shifted and revolved. | 0:57:56 | 0:58:00 | |
The moment when everything we now think and feel | 0:58:00 | 0:58:04 | |
first came into the open. | 0:58:04 | 0:58:06 | |
The dignity of the individual | 0:58:06 | 0:58:08 | |
mattering more than the old hierarchies. | 0:58:08 | 0:58:11 | |
Science taking its place alongside religion | 0:58:11 | 0:58:14 | |
as a way of understanding the world. | 0:58:14 | 0:58:17 | |
The broad expanses of the world itself | 0:58:17 | 0:58:20 | |
as the arena for a rich and fulfilling life. | 0:58:20 | 0:58:23 | |
And none of it would have happened without writing. | 0:58:23 | 0:58:27 | |
Writing made this revolution possible. | 0:58:27 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 |