Browse content similar to Bristol. Check below for episodes and series from the same categories and more!
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Pubs have been at the heart of Britain for hundreds of years. | 0:00:02 | 0:00:04 | |
Cheers, mucker. | 0:00:04 | 0:00:06 | |
-In city taverns... -..and village inns... | 0:00:06 | 0:00:08 | |
..landlords have pulled pints for locals, travellers, | 0:00:08 | 0:00:12 | |
and, well, the odd King or two. | 0:00:12 | 0:00:14 | |
'Myself included.' | 0:00:14 | 0:00:15 | |
Try and have a drink now! | 0:00:15 | 0:00:17 | |
But, with 30 pubs closing every week, | 0:00:20 | 0:00:23 | |
our historic taverns need defending. | 0:00:23 | 0:00:25 | |
We're heading out to discover amazing stories | 0:00:27 | 0:00:30 | |
linked to the nation's watering holes. | 0:00:30 | 0:00:32 | |
-Not far to go. -How far? | 0:00:32 | 0:00:34 | |
-Oh, couple of miles. -What?! | 0:00:34 | 0:00:36 | |
From the Wars of the Roses... | 0:00:36 | 0:00:38 | |
..to shipbuilding on the Clyde. | 0:00:38 | 0:00:40 | |
We've ditched our bikes, so that we can sample and ale or two. | 0:00:40 | 0:00:44 | |
Get in! | 0:00:44 | 0:00:45 | |
This is very good. | 0:00:45 | 0:00:47 | |
So, join us for... | 0:00:49 | 0:00:50 | |
With its harbour and shipping heritage, Bristol's long been | 0:01:00 | 0:01:03 | |
a city of salty sea dogs, with tales by the barrel load. | 0:01:03 | 0:01:06 | |
And today I'm on my tod, | 0:01:09 | 0:01:11 | |
to delve into Bristol's murky seafaring past, through | 0:01:11 | 0:01:14 | |
a tour of the pubs that refreshed its sailors after months at sea. | 0:01:14 | 0:01:17 | |
Land ahoy! | 0:01:20 | 0:01:23 | |
Me old landlubber mate Si is stuck in port, so he's sent me | 0:01:23 | 0:01:27 | |
on a solo voyage, down the West Country. | 0:01:27 | 0:01:30 | |
Avast, ye swabs! | 0:01:30 | 0:01:33 | |
Do you know, I haven't got a Scooby-Doo what all that means. | 0:01:33 | 0:01:36 | |
But, you know, I bet they only said that after they'd | 0:01:36 | 0:01:38 | |
been in the pub all night, drinking rum. | 0:01:38 | 0:01:41 | |
Talking of which... | 0:01:41 | 0:01:42 | |
I'm heading back to the early 1700s, | 0:01:46 | 0:01:48 | |
when Britannia really did rule the waves. | 0:01:48 | 0:01:51 | |
Britain's new world colonies kept merchant seamen | 0:01:52 | 0:01:55 | |
busy on the transatlantic trade routes, | 0:01:55 | 0:01:57 | |
and wars with foreign rivals | 0:01:57 | 0:01:58 | |
meant demand was high for seamen in the Royal Navy, too. | 0:01:58 | 0:02:02 | |
And this bustling city's position in the South West made it | 0:02:03 | 0:02:06 | |
an ideal gateway to this exciting, seafaring world. | 0:02:06 | 0:02:09 | |
Hello, mate. | 0:02:10 | 0:02:12 | |
'Oh, and I've got a new first mate. Sorry Si!' | 0:02:12 | 0:02:16 | |
I'm going to take a sneaky peek | 0:02:16 | 0:02:19 | |
at an unusually named hostelry. | 0:02:19 | 0:02:20 | |
The Hole In The Wall - | 0:02:20 | 0:02:22 | |
it sounds like a hang-out for Butch Cassidy and the Sundance Kid, | 0:02:22 | 0:02:25 | |
but, in fact, there is a hole. | 0:02:25 | 0:02:27 | |
It was a spy hole used by sailors | 0:02:27 | 0:02:29 | |
to keep a lookout for evil villains, like press gangs | 0:02:29 | 0:02:33 | |
and people offering you a PPI claim. | 0:02:33 | 0:02:35 | |
I'll tell you what, we need one of those down my local pub. | 0:02:35 | 0:02:39 | |
This place is a sailor's paradise they reckon | 0:02:41 | 0:02:44 | |
dates back to the 17th century. | 0:02:44 | 0:02:46 | |
Historian Dr Richard Stone | 0:02:46 | 0:02:49 | |
knows all about its unique nautical story. | 0:02:49 | 0:02:52 | |
-Hello, Richard. It's lovely to meet you. -Yes, and you. | 0:02:52 | 0:02:54 | |
So what sort of people would have used this pub? | 0:02:54 | 0:02:56 | |
Well, a lot of sailors would have used it. | 0:02:56 | 0:02:58 | |
There's a lot of pubs in the docks here in Bristol, | 0:02:58 | 0:03:01 | |
about 180 in all just in this small area. | 0:03:01 | 0:03:03 | |
You can imagine the thirsty sailors all diving in here, because they'd | 0:03:03 | 0:03:06 | |
be coming from the four corners of the globe, in those days. | 0:03:06 | 0:03:09 | |
Yes, of course pubs are really important places for sailors. | 0:03:09 | 0:03:12 | |
It's where they would have come to socialise, to drink, to stay, or even to look for work. | 0:03:12 | 0:03:17 | |
But sometimes the work came looking for THEM. | 0:03:18 | 0:03:21 | |
Bands of Royal Navy recruiters, called press gangs, roamed | 0:03:23 | 0:03:26 | |
the taverns of Bristol looking for sailors to force into naval service. | 0:03:26 | 0:03:31 | |
But this pub had a trick up its sleeve. | 0:03:31 | 0:03:34 | |
It's called The Hole In The Wall because one of its most unusual | 0:03:34 | 0:03:36 | |
architectural features is this little slit window which, | 0:03:36 | 0:03:40 | |
the story goes, that the sailors drinking here could | 0:03:40 | 0:03:42 | |
station someone to look out of the window, | 0:03:42 | 0:03:44 | |
and then keep an eye out for any press gang who were coming along. | 0:03:44 | 0:03:48 | |
Right. And was there a very great fear of the press gangs? | 0:03:48 | 0:03:51 | |
Yeah, press gangs could be a real menace. | 0:03:51 | 0:03:54 | |
Basically, people weren't that willing to serve in the Navy. | 0:03:54 | 0:03:56 | |
Conditions weren't great, pay wasn't great, | 0:03:56 | 0:03:59 | |
so they often had to be coerced into doing it by force. | 0:03:59 | 0:04:02 | |
-And were the press gangs violent? -Yes, they could be. | 0:04:02 | 0:04:05 | |
They often had to use force to be able to recruit people. | 0:04:05 | 0:04:08 | |
Often someone would refuse, it would descend into a fight | 0:04:08 | 0:04:11 | |
to get them to come along. They would deliberately | 0:04:11 | 0:04:13 | |
-get people drunk as well. -Right. -Next thing you know, | 0:04:13 | 0:04:15 | |
-you'd wake up on board ship. -Oh, God. | 0:04:15 | 0:04:17 | |
And of course there's the famous King's shilling which you're | 0:04:17 | 0:04:20 | |
given, literally as a sign you've joined the Navy. | 0:04:20 | 0:04:22 | |
-And how does that work? -It's literally something you'd be handed, | 0:04:22 | 0:04:25 | |
and then it would mean you became part of the Navy. | 0:04:25 | 0:04:28 | |
But also they'd come up with all kinds of devious means - for example | 0:04:28 | 0:04:31 | |
they might just literally drop it into someone's drink, | 0:04:31 | 0:04:34 | |
and then they suddenly discover they're part of the Navy. | 0:04:34 | 0:04:37 | |
Using a man's own pint of ale against him, | 0:04:37 | 0:04:39 | |
how low can you get? | 0:04:39 | 0:04:41 | |
But of course people got wise to this. | 0:04:41 | 0:04:43 | |
And so then they developed these glass-bottom tankards, so they could | 0:04:43 | 0:04:46 | |
look in the bottom of it and check whether there was a coin there. | 0:04:46 | 0:04:50 | |
Blimey, all this talk is making me nervous. | 0:04:50 | 0:04:52 | |
Excuse me, Barman. Barman? | 0:04:54 | 0:04:56 | |
I think it's off. | 0:04:56 | 0:04:57 | |
Someone want to keep an eye on that hole in the wall, I tell you. | 0:04:59 | 0:05:02 | |
'Too right. | 0:05:02 | 0:05:04 | |
'Those poor old sailors couldn't even relax down their local alehouse. Criminal!' | 0:05:04 | 0:05:09 | |
As Bristol's shipping trade grew through the 17th and 18th centuries, | 0:05:11 | 0:05:14 | |
it didn't just pack the pubs with thirsty sailors - | 0:05:14 | 0:05:17 | |
it also provided the booze. | 0:05:17 | 0:05:19 | |
-Hello, James. Pleased to meet you. -And you too. | 0:05:21 | 0:05:24 | |
Writer and cider aficionado James Russell knows all about | 0:05:24 | 0:05:28 | |
the tipples they would have enjoyed back then. | 0:05:28 | 0:05:31 | |
He's even brought some drinks for us to sample. | 0:05:32 | 0:05:35 | |
Now, if we were two sailors, and we came into a 17th or 18th century | 0:05:36 | 0:05:40 | |
Bristol tavern, what would our choice of drinks have been like? | 0:05:40 | 0:05:43 | |
We would have been spoilt for choice, we could have had | 0:05:43 | 0:05:46 | |
a glass of rum from the West Indies, | 0:05:46 | 0:05:49 | |
some sherry from Spain, | 0:05:49 | 0:05:51 | |
wine from France... | 0:05:51 | 0:05:53 | |
This was because of Bristol's position as, like, | 0:05:53 | 0:05:56 | |
-a global importer. -Absolutely, | 0:05:56 | 0:05:58 | |
we had all of this trade coming in, and then of course you had, | 0:05:58 | 0:06:02 | |
more locally, cider which was being made just up the Severn... | 0:06:02 | 0:06:05 | |
-Right. -..in Gloucestershire and Herefordshire, | 0:06:05 | 0:06:08 | |
and sold here in the pubs as well as being exported. | 0:06:08 | 0:06:11 | |
-Yes. -It was big business back in the 17th, 18th centuries. | 0:06:11 | 0:06:16 | |
People were making a lot of money out of it, and around 10% of | 0:06:16 | 0:06:20 | |
the land was put down to orchards because cider was so popular. | 0:06:20 | 0:06:25 | |
So was cider quite an egalitarian drink? | 0:06:25 | 0:06:28 | |
Was it for poor people, posh people, or everybody? | 0:06:28 | 0:06:31 | |
You know what? That is exactly right. | 0:06:31 | 0:06:33 | |
'Everyone drank cider - but some ciders were posher than others.' | 0:06:33 | 0:06:37 | |
You know, you got your champagne cider. | 0:06:37 | 0:06:39 | |
-This is the kind of thing... -CORK POPS | 0:06:39 | 0:06:40 | |
-Whoa. -Oh. -..that the gentry were drinking. | 0:06:40 | 0:06:44 | |
Charles II - very fond of a glass of cider. | 0:06:44 | 0:06:47 | |
It would have been pretty expensive, and it was bottled here in Bristol. | 0:06:47 | 0:06:52 | |
Oh, that is very fine. | 0:06:55 | 0:06:56 | |
-Pretty clean. -That's pretty good, isn't it? | 0:06:56 | 0:06:58 | |
Yes, it's the right kind of sweet and savoury... | 0:06:58 | 0:07:01 | |
Oh, that's beautiful. | 0:07:01 | 0:07:02 | |
Well, apart from the sort of champagne cider | 0:07:02 | 0:07:04 | |
you've got your West Country cider, | 0:07:04 | 0:07:06 | |
known to a lot of people as scrumpy. | 0:07:06 | 0:07:09 | |
I've had some bad experiences with scrumpy, | 0:07:09 | 0:07:11 | |
some of which I think will turn up on the internet one day. | 0:07:11 | 0:07:14 | |
'I hope this won't end up the same way!' | 0:07:14 | 0:07:17 | |
-Cheers. -Cheers. | 0:07:17 | 0:07:19 | |
Ooh, that's lovely. | 0:07:21 | 0:07:23 | |
It's quite sweet. It's got a taste of honey. | 0:07:23 | 0:07:25 | |
It's very different to the scrumpy I know. | 0:07:25 | 0:07:27 | |
-"I am a cider drinker." Cheers. -Cheers. | 0:07:27 | 0:07:30 | |
Ooh-arr! Cider inside your insides - lovely! | 0:07:31 | 0:07:35 | |
Right, that's me all shipshape and Bristol fashion, | 0:07:38 | 0:07:41 | |
ready to take on whatever comes next. | 0:07:41 | 0:07:44 | |
Whoa! Now, there's an expression. | 0:07:44 | 0:07:46 | |
It comes from when Bristol was famous for its tidal harbour. | 0:07:46 | 0:07:50 | |
At low tide, there'd be no water at all, | 0:07:50 | 0:07:52 | |
so the ships moored there would fall off the keel one way... | 0:07:52 | 0:07:56 | |
or the other way. | 0:07:56 | 0:07:58 | |
The result was that unless everything was tidied away | 0:07:58 | 0:08:01 | |
it would tumble all over the place. | 0:08:01 | 0:08:03 | |
Unless, of course, you were... | 0:08:03 | 0:08:05 | |
shipshape and Bristol fashion. | 0:08:05 | 0:08:07 | |
And, on the shipshaped | 0:08:09 | 0:08:11 | |
streets of Bristol, you can | 0:08:11 | 0:08:12 | |
learn more about the city's past | 0:08:12 | 0:08:14 | |
from the pub signs. | 0:08:14 | 0:08:15 | |
Here's three faves | 0:08:17 | 0:08:19 | |
from the ocean waves. | 0:08:19 | 0:08:20 | |
The punters at The Ostrich Inn aren't the types | 0:08:22 | 0:08:24 | |
to hide their heads in the sand, | 0:08:24 | 0:08:26 | |
though they might have turned a blind eye over the centuries. | 0:08:26 | 0:08:29 | |
The pub boasts a cave supposedly used | 0:08:29 | 0:08:32 | |
to hide smugglers' stash. | 0:08:32 | 0:08:33 | |
The King William Ale House, | 0:08:36 | 0:08:37 | |
on the other hand, couldn't be more regal. | 0:08:37 | 0:08:40 | |
Sitting on King Street, its sign bears the Royal coat of arms. | 0:08:40 | 0:08:45 | |
I wonder if my mate Kingy's ever visited. | 0:08:45 | 0:08:47 | |
He'd fit right in. | 0:08:47 | 0:08:48 | |
And The Golden Guinea in Redcliffe | 0:08:50 | 0:08:52 | |
proudly displays the face | 0:08:52 | 0:08:54 | |
of one of its reputed regulars - | 0:08:54 | 0:08:56 | |
local boy Blackbeard the pirate. | 0:08:56 | 0:08:59 | |
Oh, he's got better chops than me. | 0:08:59 | 0:09:02 | |
Back on the streets of Bristol, I still want to know more | 0:09:07 | 0:09:10 | |
about the city's seafaring story. | 0:09:10 | 0:09:12 | |
So I've headed down to the harbour. | 0:09:12 | 0:09:14 | |
I love harbours, and back in the 1700s | 0:09:16 | 0:09:19 | |
this place would have been so ram-jam packed with ships, | 0:09:19 | 0:09:22 | |
it was possible to walk from one side to the other | 0:09:22 | 0:09:25 | |
by stepping boat to boat. | 0:09:25 | 0:09:26 | |
But all these ships - who kept them seaworthy? | 0:09:26 | 0:09:29 | |
Here at the Underfall Boatyard, | 0:09:30 | 0:09:33 | |
further west on Bristol's floating harbour, skilled craftspeople | 0:09:33 | 0:09:36 | |
have been keeping the city's vessels afloat since shipping's golden age. | 0:09:36 | 0:09:41 | |
A Bristol lad keeping these traditions alive today | 0:09:42 | 0:09:45 | |
is boat builder John Raymond-Barker. | 0:09:45 | 0:09:47 | |
He's showing me his latest restoration project. | 0:09:48 | 0:09:51 | |
-Hello, John. Dave. -Hello. Pleased to meet you. | 0:09:53 | 0:09:55 | |
Lovely to meet you. God, this is a proper boatyard, isn't it? | 0:09:55 | 0:09:58 | |
-Yeah, yeah. -What a beautiful boat. | 0:09:58 | 0:10:00 | |
She's an original pilot cutter. | 0:10:00 | 0:10:02 | |
Bristol Channel pilot cutters would transport specialised pilots | 0:10:03 | 0:10:07 | |
to ships in the channel, for them to safely navigate vessels | 0:10:07 | 0:10:10 | |
the final dangerous leg into harbour. | 0:10:10 | 0:10:13 | |
Historic valet parkers, if you like. | 0:10:13 | 0:10:15 | |
We're restoring her ground up, really. | 0:10:16 | 0:10:19 | |
I mean, replacing most of her hull and planking. | 0:10:19 | 0:10:22 | |
And it's going to be used as a family vessel. | 0:10:22 | 0:10:25 | |
Gosh, what an heirloom. | 0:10:25 | 0:10:27 | |
-Do you want to come up and have a look? -Yeah. That'd be wonderful. | 0:10:27 | 0:10:30 | |
'Wait for me, John!' | 0:10:32 | 0:10:33 | |
-You're used to bouncing up these two at a time, aren't you? -Yeah. | 0:10:33 | 0:10:36 | |
Bloomin' heck. | 0:10:36 | 0:10:38 | |
'By heck, he's like a mountain goat.' | 0:10:38 | 0:10:40 | |
-What's she called, this one? -This one's called Breeze. | 0:10:40 | 0:10:43 | |
-Breeze. -1887 she was built. | 0:10:43 | 0:10:46 | |
One of the oldest pilot cutters surviving. | 0:10:46 | 0:10:48 | |
We've been restoring her extensively. | 0:10:48 | 0:10:51 | |
There's a fair bit of original boat still in her, | 0:10:51 | 0:10:54 | |
and including the mast, which is down here... | 0:10:54 | 0:10:56 | |
-Oh, yes. -..which is original pitch pine. | 0:10:56 | 0:10:59 | |
But I think she'll be the only pilot boat with an original mast in her. | 0:10:59 | 0:11:03 | |
Fantastic. | 0:11:03 | 0:11:04 | |
Why specifically in Bristol did you need a pilot cutter? | 0:11:04 | 0:11:07 | |
The Bristol Channel is notorious for bad weather | 0:11:07 | 0:11:10 | |
and very fast tidal streams, | 0:11:10 | 0:11:12 | |
and a huge rise of tide. | 0:11:12 | 0:11:14 | |
So you've got something like I think, 13, 14 foot rise of tide. | 0:11:14 | 0:11:17 | |
-Aye, aye. -And the Bristol pilotage was unique | 0:11:17 | 0:11:20 | |
in the way that it was private. | 0:11:20 | 0:11:22 | |
So throughout the rest of the country, pilots | 0:11:22 | 0:11:26 | |
-were run by the council. -Yes. | 0:11:26 | 0:11:28 | |
But in the Bristol Channel, they got paid | 0:11:28 | 0:11:30 | |
by a percentage of the value of the cargo. | 0:11:30 | 0:11:32 | |
So if you got the right cargo, you were a rich man. | 0:11:32 | 0:11:35 | |
'And the pilot cutters | 0:11:35 | 0:11:38 | |
'made sure the valuable cargo of those large ships made it to shore.' | 0:11:38 | 0:11:41 | |
I'm always impressed by the fact that these ships would navigate | 0:11:41 | 0:11:44 | |
across the world and come back safely, | 0:11:44 | 0:11:46 | |
I've no idea how they did it. | 0:11:46 | 0:11:48 | |
It's hard to think that the last lap, you know, | 0:11:48 | 0:11:51 | |
-they needed somebody to park the car! -Yeah. | 0:11:51 | 0:11:54 | |
This is wonderful, you should be very proud, John. | 0:11:54 | 0:11:56 | |
Well, thank you so much, and congratulations, she's beautiful. | 0:11:56 | 0:11:59 | |
Pleasure. | 0:11:59 | 0:12:01 | |
And boat builders weren't the only craftspeople needed to keep | 0:12:03 | 0:12:06 | |
a busy port afloat. | 0:12:06 | 0:12:08 | |
Next door, in Underfall Boatyard, is blacksmith Joanna Williams, | 0:12:09 | 0:12:12 | |
who is also keeping traditional skills alive. | 0:12:12 | 0:12:15 | |
-Hello, Joanna. Dave. -Oh, hiya, Dave. | 0:12:19 | 0:12:21 | |
-How are you? -I'm OK, thank you. | 0:12:21 | 0:12:23 | |
It's amazing to see this in a boatyard | 0:12:23 | 0:12:24 | |
but I suppose, you know, back in the 1700s - | 0:12:24 | 0:12:27 | |
I suppose a boatyard, it had to have a blacksmith. | 0:12:27 | 0:12:29 | |
But what sort of things were being made? | 0:12:29 | 0:12:31 | |
They would have made things like this, which is a swivel shackle. | 0:12:31 | 0:12:36 | |
-So, that would have been used for some kind of rigging. -Yeah. | 0:12:36 | 0:12:38 | |
-And it would definitely hold quite a lot of tonnage. -Cor. | 0:12:38 | 0:12:42 | |
And then er...other sort of bits and pieces. | 0:12:42 | 0:12:45 | |
So you'd actually even make the chain... | 0:12:45 | 0:12:48 | |
Of course - when you think that the anchor chains | 0:12:48 | 0:12:51 | |
-were made link by link. -Yep. | 0:12:51 | 0:12:52 | |
I suppose everything that was metal on a ship | 0:12:52 | 0:12:55 | |
used to be made by the blacksmith. | 0:12:55 | 0:12:56 | |
Do you think they would have taken the blacksmith on board with them when they went to sea? | 0:12:56 | 0:13:00 | |
-On long voyages they would have. -Yeah? | 0:13:00 | 0:13:02 | |
Blacksmiths travelled on large ships, | 0:13:03 | 0:13:05 | |
on hand to repair any metal parts. | 0:13:05 | 0:13:07 | |
I don't fancy keeping that fire going on a wooden ship. | 0:13:08 | 0:13:12 | |
The type of smithing that you're doing is, like, | 0:13:13 | 0:13:16 | |
heritage blacksmithing, isn't it? It's the old ways. | 0:13:16 | 0:13:19 | |
I do traditional forge work, so I use all the traditional methods. | 0:13:19 | 0:13:23 | |
I'll cut on the anvil... | 0:13:23 | 0:13:25 | |
So, this is a very important part of your kit. | 0:13:25 | 0:13:27 | |
Yeah, my lovely, lovely anvil. Definitely. | 0:13:27 | 0:13:30 | |
-Yeah? -And my favourite hammer. | 0:13:30 | 0:13:32 | |
So, I'll fire weld... | 0:13:32 | 0:13:34 | |
Fire welding, what's that? | 0:13:34 | 0:13:36 | |
That's when you're actually joining two bits of metal together. | 0:13:36 | 0:13:39 | |
So you bring it up to a really high, almost molten heat... | 0:13:39 | 0:13:42 | |
-Yes. -..and then you give it a hit, get loads and loads of sparks... | 0:13:42 | 0:13:45 | |
I wonder, in those days | 0:13:45 | 0:13:46 | |
do you think there were any women blacksmiths? | 0:13:46 | 0:13:49 | |
Well, I don't think there would have been any women on ships. | 0:13:49 | 0:13:51 | |
-No? -Let alone any woman blacksmiths. | 0:13:51 | 0:13:53 | |
Welcome to the 21st century. Yay! | 0:13:53 | 0:13:57 | |
-OK, do you want to have a go at fire welding? -Yeah! | 0:13:57 | 0:14:00 | |
Right. You'd better go and get your gear on. | 0:14:00 | 0:14:02 | |
Look at this. | 0:14:03 | 0:14:04 | |
You've got me all-new togs. | 0:14:04 | 0:14:06 | |
'Well, there's a fire... | 0:14:07 | 0:14:08 | |
'It can be all that different from cooking. Right?' | 0:14:08 | 0:14:11 | |
My buckle's come off. | 0:14:13 | 0:14:14 | |
'Maybe I can forge a new one. Hah!' | 0:14:16 | 0:14:19 | |
Hey, Joanna. | 0:14:20 | 0:14:21 | |
-You can't tell I'm brand-new, can you? -SHE LAUGHS | 0:14:21 | 0:14:24 | |
So I suppose this would be the most basic, | 0:14:24 | 0:14:27 | |
-like, simplest form of welding, isn't it? -Definitely. | 0:14:27 | 0:14:30 | |
This is how everything was welded together before machines. | 0:14:30 | 0:14:32 | |
OK, have a look... | 0:14:32 | 0:14:34 | |
Cos that's white hot, isn't it? | 0:14:34 | 0:14:35 | |
-Little bit hotter, put it back in. -That it, yeah? | 0:14:35 | 0:14:38 | |
White heat. | 0:14:38 | 0:14:39 | |
It's warm here, like. | 0:14:39 | 0:14:40 | |
It's generally ME in the kitchen | 0:14:40 | 0:14:42 | |
that's saying whether it's done or not. | 0:14:42 | 0:14:45 | |
OK. Quickly... | 0:14:45 | 0:14:48 | |
And then hit it. | 0:14:48 | 0:14:50 | |
Hey! | 0:14:50 | 0:14:52 | |
# If I had a hammer | 0:14:52 | 0:14:54 | |
# I'd hammer in the morning | 0:14:54 | 0:14:55 | |
# I'd hammer in the evening... # | 0:14:55 | 0:14:57 | |
That's it. Excellent. | 0:14:57 | 0:14:59 | |
I nearly put your best hammer in the forge. | 0:15:01 | 0:15:03 | |
-There you go, you fire welded. -Hey! | 0:15:03 | 0:15:06 | |
-Is that done now? -That's it. Put it on the side... | 0:15:09 | 0:15:12 | |
'Ooh, those blacksmiths back in the day, | 0:15:12 | 0:15:15 | |
'they certainly earned their beer.' | 0:15:15 | 0:15:17 | |
I tell you what though, Joanna, it's all very well doing it here, | 0:15:17 | 0:15:20 | |
but can you imagine doing it on a rolling ship at sea? | 0:15:20 | 0:15:22 | |
There'd be sparks everywhere. | 0:15:22 | 0:15:24 | |
-Now, you've probably got the thirstiest job, haven't you, really? The boatyard? -Definitely. | 0:15:24 | 0:15:28 | |
Thank you, Joanna, that was brilliant. Thank you. | 0:15:28 | 0:15:30 | |
-No worries. -Thank you. -Brilliant. | 0:15:30 | 0:15:32 | |
And I know just the place to quench that thirst - | 0:15:35 | 0:15:38 | |
Bristol's historic city centre. | 0:15:38 | 0:15:40 | |
Back in the 18th century, | 0:15:42 | 0:15:44 | |
these streets were full of pubs packed with thirsty sailors. | 0:15:44 | 0:15:47 | |
Local history buff Mark Steeds | 0:15:47 | 0:15:50 | |
is going to give me a guided tour. | 0:15:50 | 0:15:52 | |
-Hello, Mark. -Matey, how are you? | 0:15:52 | 0:15:54 | |
-It's great to meet you. -Great to meet you. | 0:15:54 | 0:15:56 | |
Aw, these streets are fab. | 0:15:56 | 0:15:58 | |
Just paint me a picture. What was life like on these streets in the 1700s? | 0:15:58 | 0:16:02 | |
You had the docks right there, right into the heart of the city. | 0:16:02 | 0:16:05 | |
You had Marsh Street just running off of it - | 0:16:05 | 0:16:07 | |
37 pubs in that street. | 0:16:07 | 0:16:09 | |
That's were all the lowlifes were, | 0:16:09 | 0:16:10 | |
the ladies of the night, sailors, dockers... Everything. | 0:16:10 | 0:16:14 | |
Sounds great! | 0:16:14 | 0:16:16 | |
-Well! There was a pub there called The Jolly Sailor. -Yeah? | 0:16:16 | 0:16:19 | |
That pub, the landlady got a bullet in the neck | 0:16:19 | 0:16:21 | |
from one of the press gang. | 0:16:21 | 0:16:22 | |
Rule number one - don't shoot the landlady. | 0:16:22 | 0:16:25 | |
-Not if you want a drink. -No! | 0:16:25 | 0:16:27 | |
Then you came into King Street just here, | 0:16:27 | 0:16:30 | |
and you've still got the atmosphere and the feel | 0:16:30 | 0:16:32 | |
in Bristol's most historic street. | 0:16:32 | 0:16:34 | |
-Right, lead on, Mark. -MARK LAUGHS | 0:16:34 | 0:16:36 | |
-This street's alive with pubs, isn't it? -Cor, not half. | 0:16:39 | 0:16:42 | |
Yeah, we've got the Bunch Of Grapes there | 0:16:42 | 0:16:44 | |
and then the Naval Volunteer... | 0:16:44 | 0:16:46 | |
-The Famous Royal Navy Volunteer? -Yeah. -That's a contradiction in terms, isn't it? | 0:16:46 | 0:16:49 | |
They didn't have any choice, did they? | 0:16:49 | 0:16:51 | |
They didn't have any choice. Cracked over the head, all sorts, just to get them there. | 0:16:51 | 0:16:55 | |
No-one wanted to be in the Navy. | 0:16:55 | 0:16:57 | |
That looks like an interesting pub, The Llandoger Trow. | 0:16:57 | 0:17:00 | |
What on earth's a Llandoger trow? | 0:17:00 | 0:17:02 | |
Llandoger is a corruption of Llandogo, | 0:17:02 | 0:17:05 | |
which is a place on the River Wye. | 0:17:05 | 0:17:07 | |
It harks back to Bristol's old trading days, and the trows, | 0:17:07 | 0:17:10 | |
flat-bottomed boats that used to go across the Bristol Channel | 0:17:10 | 0:17:14 | |
and trade with ports all up and down... | 0:17:14 | 0:17:17 | |
They used to come over and deposit their goods here. | 0:17:17 | 0:17:19 | |
'The Llandoger Trow's very first landlord was no landlubber.' | 0:17:20 | 0:17:25 | |
The original pub was run by an old sea dog, | 0:17:25 | 0:17:27 | |
a chap by the name of Hawkins, | 0:17:27 | 0:17:29 | |
-and he opened the pub in 1664. -Gosh! | 0:17:29 | 0:17:31 | |
Around the time this pub first opened, | 0:17:33 | 0:17:35 | |
the high seas were experiencing another big boom - | 0:17:35 | 0:17:39 | |
in piracy. Arrr! | 0:17:39 | 0:17:42 | |
One of the most notorious actually came from Bristol, Blackbeard. | 0:17:42 | 0:17:45 | |
And he was quite a guy, he was. | 0:17:45 | 0:17:47 | |
Big black beard, he used to eat glass | 0:17:47 | 0:17:49 | |
so his gums bled when he interrogated people. | 0:17:49 | 0:17:52 | |
He had lighted tapers under his hat, | 0:17:52 | 0:17:55 | |
he had all sorts of things to intimidate people. Quite a guy! | 0:17:55 | 0:17:58 | |
Sounds like Si's doppelganger, if you ask me! | 0:17:58 | 0:18:00 | |
Many a seafaring tale's been spun about Blackbeard, | 0:18:02 | 0:18:05 | |
and one of the most fearsome is how he died - | 0:18:05 | 0:18:08 | |
on a ship, fighting some Royal Navy officers. | 0:18:08 | 0:18:11 | |
In this fight, Blackbeard took 20 cuts to his body, | 0:18:12 | 0:18:16 | |
five musket balls to him, | 0:18:16 | 0:18:18 | |
when a Scottish seaman with his claymore took Blackbeard's head off. | 0:18:18 | 0:18:21 | |
And they picked Blackbeard's body up, threw it over the side | 0:18:21 | 0:18:24 | |
and he swam three times round the ship before he went under. | 0:18:24 | 0:18:28 | |
They picked up his head, pickled it, | 0:18:28 | 0:18:30 | |
and then used it as a drinking vessel. | 0:18:30 | 0:18:32 | |
Wow, that's some ending! | 0:18:33 | 0:18:35 | |
'Eugh! The only thing I like pickled in a pub is an egg.' | 0:18:35 | 0:18:38 | |
Isn't it funny there's all these tales of daring-do | 0:18:40 | 0:18:42 | |
around the world, and it all comes back to Bristol pubs. | 0:18:42 | 0:18:47 | |
'And it's time for Mark and I to pop into one.' | 0:18:48 | 0:18:51 | |
-Shall we? -Yes, come along, come along. | 0:18:51 | 0:18:54 | |
'We'll have to toast old Blackbeard after all.' | 0:18:54 | 0:18:56 | |
And I know another pub in Bristol | 0:18:59 | 0:19:01 | |
where a pint could have you rolling down the aisles. | 0:19:01 | 0:19:04 | |
It's time to meet... a local who loves his local. | 0:19:05 | 0:19:08 | |
In the South Bristol area of Hartcliffe | 0:19:11 | 0:19:14 | |
is the appropriately named Hartcliffe Inn. | 0:19:14 | 0:19:17 | |
And it's a right proper regulars' boozer, | 0:19:17 | 0:19:20 | |
loved by local Geoff Snook. | 0:19:20 | 0:19:23 | |
The Hartcliffe Inn is very much a local pub. | 0:19:23 | 0:19:26 | |
There was a big protest when they attempted to close it. | 0:19:26 | 0:19:30 | |
Well, I started coming to the pub in 1978. | 0:19:30 | 0:19:36 | |
Jeff plays in the pub's skittles team. | 0:19:38 | 0:19:40 | |
Well, I play for two teams here. | 0:19:40 | 0:19:42 | |
My daughter plays, my dad and mum both played, | 0:19:42 | 0:19:45 | |
I've got three brothers and two sisters | 0:19:45 | 0:19:47 | |
and over the years we've all played. | 0:19:47 | 0:19:49 | |
My father-in-law still comes with us on Sundays, | 0:19:49 | 0:19:52 | |
you know, and he's 85, so... | 0:19:52 | 0:19:54 | |
There's a long tradition of skittles | 0:19:55 | 0:19:56 | |
in the pubs of Bristol and the West Country, | 0:19:56 | 0:20:00 | |
with unique rules and customs that have survived generations. | 0:20:00 | 0:20:03 | |
And here in The Hartcliffe Inn, | 0:20:03 | 0:20:05 | |
they're proud to keep the local game alive. | 0:20:05 | 0:20:09 | |
It's a big community thing, really. | 0:20:09 | 0:20:10 | |
It brings people here, and you know people from the other pubs. | 0:20:10 | 0:20:14 | |
You know, a lot of them you only see once or twice a year | 0:20:14 | 0:20:16 | |
but it's people you went to school with. | 0:20:16 | 0:20:18 | |
Which obviously in my case was a long time ago! | 0:20:18 | 0:20:21 | |
It's not just skittles in the pub, | 0:20:21 | 0:20:23 | |
they've got darts teams, they've got pool teams, | 0:20:23 | 0:20:25 | |
they've got a motorcycle club, fishing club... | 0:20:25 | 0:20:28 | |
It is the centre of the area for most people. | 0:20:28 | 0:20:31 | |
In tough times for local pubs, this right fine boozer has kept itself | 0:20:32 | 0:20:36 | |
at the heart of the local community, | 0:20:36 | 0:20:39 | |
and the skittles keep the punters coming back for more. | 0:20:39 | 0:20:42 | |
Skittles for the pubs in Bristol are vital. | 0:20:42 | 0:20:45 | |
Because during the week, you know, | 0:20:45 | 0:20:47 | |
you're bringing in sort of 30, 40 people to the pub | 0:20:47 | 0:20:50 | |
most nights of the week. | 0:20:50 | 0:20:51 | |
You know, without those people in the pubs, the pubs will die. | 0:20:51 | 0:20:55 | |
But we've already signed up for next season to play here | 0:20:55 | 0:20:57 | |
and hopefully we'll continue to play here for a long time. | 0:20:57 | 0:21:00 | |
Back on the trail of Bristol's seafaring past, | 0:21:06 | 0:21:08 | |
I'm in the central neighbourhood of Redcliffe, | 0:21:08 | 0:21:11 | |
and off in search of a heavenly body. | 0:21:11 | 0:21:13 | |
Oo-er! | 0:21:13 | 0:21:14 | |
There it is, the 7 Stars. | 0:21:15 | 0:21:18 | |
It's named after the Plough - | 0:21:18 | 0:21:19 | |
well, the part of the sky that even I can recognise. | 0:21:19 | 0:21:22 | |
Yonks ago, sailors would use that group of stars | 0:21:22 | 0:21:25 | |
to navigate their way at sea. | 0:21:25 | 0:21:27 | |
You know, it's pretty handy if you're in a force nine | 0:21:27 | 0:21:29 | |
in the mid-Atlantic and you think to yourself, | 0:21:29 | 0:21:32 | |
"Ooh, I've had enough of this. Where's the pub?" | 0:21:32 | 0:21:35 | |
The answer is, it's written in the stars. | 0:21:35 | 0:21:37 | |
This pub's been a sailors' tavern for centuries, | 0:21:43 | 0:21:46 | |
but it's also connected to a vicious and shameful chapter | 0:21:46 | 0:21:50 | |
in Bristol's maritime history. | 0:21:50 | 0:21:53 | |
-Steve. I'm Dave. -Dave, how are you? -I'm fine. Nice to meet you. | 0:21:53 | 0:21:56 | |
-Pleased to meet you. Can I get you a beer? -Lovely, yeah. | 0:21:56 | 0:21:59 | |
'Landlord of the 7 Stars Steve Smith can tell me more.' | 0:21:59 | 0:22:03 | |
-There you are, my friend. -Aw. This is very welcome. | 0:22:03 | 0:22:05 | |
We've been talking a lot about trade and the history | 0:22:05 | 0:22:08 | |
of trade within Bristol, but there's like, one abominable trade | 0:22:08 | 0:22:11 | |
that we haven't touched upon yet, and that's the slave trade. | 0:22:11 | 0:22:14 | |
It's erm.... You know, it's a big part of Bristol's history. | 0:22:14 | 0:22:17 | |
And Bristol made huge sums of money out of the brokerage of slaves. | 0:22:17 | 0:22:21 | |
I mean, the trade in human life is absolutely shocking. | 0:22:21 | 0:22:25 | |
In the 17th and 18th centuries, the British Empire | 0:22:27 | 0:22:30 | |
took part in a deplorable triangular trade across the seas. | 0:22:30 | 0:22:36 | |
Britain shipped goods like guns and textiles to Africa, | 0:22:36 | 0:22:39 | |
where they were exchanged for African prisoners. | 0:22:39 | 0:22:43 | |
Those poor souls were then shipped to plantations in the New World | 0:22:43 | 0:22:46 | |
to work as slaves. | 0:22:46 | 0:22:49 | |
They'd be sold, and that's where we really picked up the goods | 0:22:49 | 0:22:52 | |
that made us the money - | 0:22:52 | 0:22:53 | |
you know, tobacco, molasses, sugar, and that came back to the UK. | 0:22:53 | 0:22:58 | |
The 7 Stars - what's its connection with the slave trade? | 0:22:58 | 0:23:00 | |
The pub's been here for many hundred years, but its association with | 0:23:00 | 0:23:04 | |
the slave trade is when a guy called Thomas Clarkson stayed here in 1787. | 0:23:04 | 0:23:09 | |
A great abolitionist, hated the slave trade and everything about it. | 0:23:09 | 0:23:14 | |
But the landlord of this very pub, a chap named Thompson, also played | 0:23:14 | 0:23:18 | |
a big part in this incredible story by becoming Clarkson's ally. | 0:23:18 | 0:23:23 | |
They were on the same wavelength. | 0:23:23 | 0:23:25 | |
-Thomas Clarkson, he made over 19 visits to Bristol. -Right. | 0:23:25 | 0:23:28 | |
And his sole driving idea was to pick up evidence | 0:23:28 | 0:23:32 | |
of exactly the conditions these slaves were operating in. | 0:23:32 | 0:23:35 | |
You know, they needed written statements | 0:23:35 | 0:23:37 | |
-from sailors that'd been on the ships... -Yes. | 0:23:37 | 0:23:39 | |
..and also what was used in the ships to chain the slaves - | 0:23:39 | 0:23:42 | |
-be it the manacles... -Mm-hm. -..or the chains. Atrocious conditions. | 0:23:42 | 0:23:46 | |
So were there some moles in the industry that were helping Thompson and Clarkson? | 0:23:46 | 0:23:50 | |
Oh, without a doubt. It was those contacts that they put together | 0:23:50 | 0:23:52 | |
over the course of his 19 visits to Bristol, | 0:23:52 | 0:23:55 | |
and yes, they spill the beans. | 0:23:55 | 0:23:57 | |
The evidence Thompson and Clarkson collected | 0:23:57 | 0:24:00 | |
helped make the case for the abolition of slavery. | 0:24:00 | 0:24:03 | |
Do you know, I think it's fantastic you can come to the 7 Stars, | 0:24:05 | 0:24:08 | |
have a beer, and it's in a pub that witnessed | 0:24:08 | 0:24:10 | |
such an important part of British history. | 0:24:10 | 0:24:13 | |
Here's to Thompson and Clarkson! | 0:24:13 | 0:24:15 | |
MUSIC: The Tide Is High by The Paragons | 0:24:15 | 0:24:20 | |
# The tide is high but I'm holding on... | 0:24:20 | 0:24:26 | |
Today, Bristol is a very different place | 0:24:26 | 0:24:28 | |
to the busy seaport of the 18th century, | 0:24:28 | 0:24:30 | |
and the slave trade a terrible memory. | 0:24:30 | 0:24:34 | |
But it's still a place that celebrates its positive connections | 0:24:34 | 0:24:38 | |
with the wider world. | 0:24:38 | 0:24:39 | |
Local poet and historian Dr Edson Burton | 0:24:41 | 0:24:44 | |
is going to fill me in on that legacy. | 0:24:44 | 0:24:46 | |
-Hello, Edson. -Hi. | 0:24:46 | 0:24:48 | |
-Pleased to meet you. -Good to meet you. | 0:24:48 | 0:24:50 | |
Do you know, I've been learning all about, you know, | 0:24:50 | 0:24:52 | |
the slave trade and Bristol. | 0:24:52 | 0:24:54 | |
You know, are modern Bristolians aware of that shameful past? | 0:24:54 | 0:24:58 | |
Well, yeah. Since the mid-nineties | 0:24:58 | 0:25:00 | |
it's kind of grown in public awareness. | 0:25:00 | 0:25:03 | |
It wasn't the first generation of people who came to England | 0:25:03 | 0:25:06 | |
-who talked about the slave trade and got to know about it... -Right. | 0:25:06 | 0:25:08 | |
..it was actually the second generation, people my age, who kind of | 0:25:08 | 0:25:12 | |
-became aware of, "Hang on a minute, we're living in a city..." -Yeah. | 0:25:12 | 0:25:15 | |
"..that's related to the slave trade." | 0:25:15 | 0:25:18 | |
'Edson's heritage is African-Caribbean, | 0:25:18 | 0:25:21 | |
'a community that thrives in Bristol today.' | 0:25:21 | 0:25:24 | |
How long has the African-Caribbean community been in Bristol? | 0:25:24 | 0:25:27 | |
Some people have thought that | 0:25:27 | 0:25:29 | |
-that community was descended... -Yes. -..straight from the slave trade, that's not the case. | 0:25:29 | 0:25:33 | |
Actually, the Caribbean population that's here - | 0:25:33 | 0:25:35 | |
-that's second, third generation now... -Yeah. | 0:25:35 | 0:25:38 | |
..have all come from the Caribbean, and many of them settled in other cities - | 0:25:38 | 0:25:41 | |
Birmingham, Cardiff and London - and they came here because | 0:25:41 | 0:25:44 | |
actually they've found that there's much more diversity of work here. | 0:25:44 | 0:25:48 | |
But there's a real sort of cultural wind | 0:25:48 | 0:25:50 | |
that's come with the Caribbean community | 0:25:50 | 0:25:51 | |
and carnival is one of them - | 0:25:51 | 0:25:53 | |
an attempt to give a really positive image to the city. | 0:25:53 | 0:25:56 | |
Bristol's St Pauls Carnival celebrates African-Caribbean culture | 0:25:58 | 0:26:02 | |
and attracts tens of thousands of revellers. | 0:26:02 | 0:26:05 | |
If you're a Bristolian, you know, | 0:26:05 | 0:26:07 | |
-it's a time when people got to eat the curried goat and the jerk chicken. -Oh, I love it. Yeah. | 0:26:07 | 0:26:11 | |
I think that's one thing I'm proud of the British, the way we've embraced other food cultures. | 0:26:11 | 0:26:15 | |
Yeah, and I think, you know, over food we get to have conversations, | 0:26:15 | 0:26:19 | |
get to build relationships, get to understand stuff. | 0:26:19 | 0:26:22 | |
Today in Bristol, you can get a bit of jerk chicken | 0:26:23 | 0:26:26 | |
along with a pint down the local boozers. | 0:26:26 | 0:26:29 | |
But Edson's passionate about another Bristolian pub pastime. | 0:26:29 | 0:26:32 | |
There's a really thriving poetry scene. | 0:26:34 | 0:26:36 | |
There's a lot of these poets have really been nurtured in pubs | 0:26:36 | 0:26:39 | |
and other spaces that we don't traditionally associate with poetry. | 0:26:39 | 0:26:42 | |
So you've got your slam poetry, | 0:26:42 | 0:26:44 | |
where poets go head-to-head in various rounds | 0:26:44 | 0:26:47 | |
and they get whittled down by the audience | 0:26:47 | 0:26:49 | |
who go, "Boo" or "Yay" or... | 0:26:49 | 0:26:51 | |
-Would that happen in pubs, a poetry slam? -Yeah, it would. | 0:26:51 | 0:26:53 | |
I'll drink to that. | 0:26:53 | 0:26:55 | |
Come on, teach me how to become a slam poet. | 0:26:55 | 0:26:57 | |
Well, I thought we could have a bit of a laugh | 0:26:57 | 0:26:59 | |
with a poem written in Jamaican Creole. | 0:26:59 | 0:27:01 | |
I'll give it a go. Do we do a verse each? | 0:27:01 | 0:27:04 | |
So would we have like a face-off, like boxers? | 0:27:04 | 0:27:07 | |
'This is one of Edson's poems - | 0:27:07 | 0:27:09 | |
'I'd better not muck it up.' | 0:27:09 | 0:27:11 | |
Still dis is a land of opportunity | 0:27:11 | 0:27:14 | |
Come nuh, man, mek a lickle money | 0:27:14 | 0:27:17 | |
Build up your pocket den build up your country | 0:27:17 | 0:27:20 | |
But come, man, come to me | 0:27:20 | 0:27:22 | |
'ere de woman they fall like a pear from the tree | 0:27:22 | 0:27:26 | |
An all dem wan' to pick is we. | 0:27:26 | 0:27:29 | |
It no matter whether you're red, black or ugly | 0:27:29 | 0:27:32 | |
Mi know you have yu honey | 0:27:32 | 0:27:34 | |
But come now, man, have a lickle fun with me. | 0:27:34 | 0:27:37 | |
So nuh tarry book yu passage | 0:27:37 | 0:27:41 | |
And when yu come bring bottle a rum | 0:27:41 | 0:27:44 | |
Bring tale of Defreitas and John | 0:27:44 | 0:27:47 | |
Bring mento record | 0:27:47 | 0:27:48 | |
Bring piece a yam | 0:27:48 | 0:27:50 | |
But I beg yu, man, come! | 0:27:50 | 0:27:52 | |
-'Ey! That were brilliant. -How about that? | 0:27:52 | 0:27:55 | |
-APPLAUSE -Thank you! | 0:27:55 | 0:27:58 | |
'Come to Bristol. | 0:27:58 | 0:28:00 | |
'Well, I'm glad I did. | 0:28:00 | 0:28:01 | |
'From scrumpy-drinking sailors | 0:28:01 | 0:28:04 | |
'and smithing on the high seas, | 0:28:04 | 0:28:07 | |
'right through to the end of slavery, | 0:28:07 | 0:28:09 | |
'this has been a fascinating historic pub tour of the city.' | 0:28:09 | 0:28:12 | |
Now, before I disappear, | 0:28:14 | 0:28:16 | |
here's a quick question from the 7 Stars' pub quiz. | 0:28:16 | 0:28:20 | |
Author JK Rowling based her character Harry Potter | 0:28:20 | 0:28:22 | |
on a young lad she met growing up where? | 0:28:22 | 0:28:25 | |
If you said Bristol, give yourself a Brownie point. | 0:28:27 | 0:28:30 | |
If you didn't, well, it's back to school for you, | 0:28:30 | 0:28:33 | |
and we know that means Hogwarts. | 0:28:33 | 0:28:34 |