Browse content similar to Edinburgh. Check below for episodes and series from the same categories and more!
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Pubs have been at the heart of Britain for hundreds of years. | 0:00:02 | 0:00:04 | |
Cheers, mucker! | 0:00:04 | 0:00:06 | |
-In city taverns... -..and village inns... | 0:00:06 | 0:00:09 | |
..landlords have pulled pints for locals, | 0:00:09 | 0:00:11 | |
travellers, | 0:00:11 | 0:00:12 | |
and, well, the odd King or two, myself included. | 0:00:12 | 0:00:15 | |
Try and have a drink now! | 0:00:15 | 0:00:17 | |
But with 30 pubs closing every week, | 0:00:20 | 0:00:22 | |
our historic taverns need defending. | 0:00:22 | 0:00:25 | |
Step! Step! | 0:00:25 | 0:00:27 | |
We're heading out to discover amazing stories linked to the | 0:00:27 | 0:00:30 | |
nation's watering holes. | 0:00:30 | 0:00:32 | |
-Not far to go. -How far? | 0:00:32 | 0:00:34 | |
-Oh, a couple of miles. -What? | 0:00:34 | 0:00:36 | |
From the Wars Of The Roses... | 0:00:36 | 0:00:38 | |
..to shipbuilding on the Clyde. | 0:00:38 | 0:00:40 | |
We've ditched our bikes so that we can sample an ale or two. | 0:00:41 | 0:00:44 | |
Get in! | 0:00:44 | 0:00:46 | |
This is very good. | 0:00:46 | 0:00:47 | |
So join us for... | 0:00:49 | 0:00:50 | |
Edinburgh, Scotland's stunning capital. | 0:00:58 | 0:01:01 | |
But it's a bit of a Jekyll and Hyde. | 0:01:03 | 0:01:05 | |
Respectable and intellectual on the one hand... | 0:01:08 | 0:01:11 | |
..dark and menacing on the other. | 0:01:14 | 0:01:16 | |
A bit like yourself, Kingy! | 0:01:16 | 0:01:19 | |
Yeah, yeah. Well, today we're delving into what happened when | 0:01:19 | 0:01:22 | |
those two worlds collided, | 0:01:22 | 0:01:24 | |
in a tale of murder, mystery and medicine. | 0:01:24 | 0:01:28 | |
The story of Burke and Hare and, as ever, | 0:01:28 | 0:01:32 | |
great pubs were at the heart of the... | 0:01:32 | 0:01:34 | |
operation. | 0:01:34 | 0:01:35 | |
-BOTH: Oh! -Butterfingers. | 0:01:37 | 0:01:39 | |
-Practice makes perfect. -This is true. | 0:01:39 | 0:01:41 | |
Which is why, in 1827, the medical students of Edinburgh University | 0:01:41 | 0:01:45 | |
needed the real thing to practise on, dude. | 0:01:45 | 0:01:48 | |
Dead bodies. | 0:01:48 | 0:01:49 | |
Funnily enough, there was a shortage of volunteers. | 0:01:49 | 0:01:51 | |
Cue the dastardly Burke and Hare, and their evil, murderous plan. | 0:01:51 | 0:01:56 | |
SINISTER LAUGH | 0:01:56 | 0:01:58 | |
We're turning back the clock to Edinburgh, 1827. | 0:02:02 | 0:02:07 | |
Auld Reekie, as the city is known, was, well, a bit reeky. | 0:02:07 | 0:02:11 | |
You mean stinky? No wonder! | 0:02:13 | 0:02:16 | |
Poverty and squalor where rife, as was crime, | 0:02:17 | 0:02:20 | |
in the dark underbelly of this Gothic city. | 0:02:20 | 0:02:23 | |
One of the most notorious areas was the Grassmarket, where the | 0:02:24 | 0:02:28 | |
numerous boozers were dangerous dens of iniquity. | 0:02:28 | 0:02:32 | |
And in the 1820s, when a certain William Burke and William Hare | 0:02:32 | 0:02:36 | |
were propping up the bar, you really had to watch your back. | 0:02:36 | 0:02:39 | |
Well, mate, what a great place to start a historic pub crawl | 0:02:41 | 0:02:44 | |
in the centre of Edinburgh - The White Hart Inn. | 0:02:44 | 0:02:46 | |
Aye, but if you'd've come to The White Hart Inn in the 1820s, | 0:02:46 | 0:02:48 | |
-you could have been putting your life at risk. -Really? | 0:02:48 | 0:02:51 | |
I mean, I know the Scots were fond of a dram or two, dude, | 0:02:51 | 0:02:54 | |
but that's ridiculous. | 0:02:54 | 0:02:55 | |
Aye, which made them ripe for the plucking when | 0:02:55 | 0:02:57 | |
Burke and Hare came out to hunt their prey. | 0:02:57 | 0:02:59 | |
The White Hart Inn dates back to 1516. | 0:03:06 | 0:03:09 | |
It's had its share of celebrity punters over the years. | 0:03:11 | 0:03:15 | |
But Burke and Hare | 0:03:17 | 0:03:19 | |
are its most infamous. | 0:03:19 | 0:03:21 | |
Rumour has it, this deadly duo scoped out vulnerable victims here. | 0:03:22 | 0:03:27 | |
Writer Martin Conaghan has brought them to life | 0:03:27 | 0:03:30 | |
in a rather special graphic novel. | 0:03:30 | 0:03:32 | |
-Martin. -Oh, hello, guys. How you doing? | 0:03:34 | 0:03:36 | |
Hello, how are you? Very nice to meet you. | 0:03:36 | 0:03:38 | |
-Yeah, good to see you. -What have you got there? | 0:03:38 | 0:03:40 | |
I've got a graphic novel about Burke and Hare, a comic book, | 0:03:40 | 0:03:44 | |
all about the two murderers that went around Edinburgh in the 1820s, | 0:03:44 | 0:03:48 | |
killing people and selling their bodies off to the doctors. | 0:03:48 | 0:03:51 | |
The two of them were Irish immigrants that came over | 0:03:51 | 0:03:54 | |
here in the 1820s to work on the Union Canal. | 0:03:54 | 0:03:57 | |
They hung about most nights, having a drink. | 0:03:57 | 0:03:59 | |
You see, I always think of, like, two shady men, you know, | 0:03:59 | 0:04:01 | |
with top hats and lanterns, in a graveyard | 0:04:01 | 0:04:04 | |
at the dead of night with a pickaxe. | 0:04:04 | 0:04:06 | |
How did they get the bodies, then? | 0:04:06 | 0:04:07 | |
So what they did was, they came to places like this | 0:04:07 | 0:04:10 | |
and they sat, and they would have a drink with, you know, | 0:04:10 | 0:04:13 | |
some of the people, the locals, a bit of a song and a joke, | 0:04:13 | 0:04:15 | |
and things like that. | 0:04:15 | 0:04:16 | |
They would get the people drunk, they would take them | 0:04:16 | 0:04:18 | |
back to the lodgings where they lived, just up the road, | 0:04:18 | 0:04:21 | |
and they would get them a bit more drunk. | 0:04:21 | 0:04:23 | |
The people would fall asleep, and then they would smother them. | 0:04:23 | 0:04:25 | |
Now, how did they smother them? | 0:04:25 | 0:04:27 | |
Well, what they did was they lay on top of them, | 0:04:27 | 0:04:30 | |
held them down, and then pinched their nose, hands over the mouth, | 0:04:30 | 0:04:33 | |
and that became known as "burking". | 0:04:33 | 0:04:36 | |
Because William Burke was one of the duo. | 0:04:36 | 0:04:38 | |
That was their modus operandi of how they got rid of people. | 0:04:38 | 0:04:43 | |
BOTH: Oooh. | 0:04:43 | 0:04:44 | |
Having a method of murder named after you | 0:04:44 | 0:04:47 | |
certainly is a dubious honour. | 0:04:47 | 0:04:49 | |
Aye, but Burke and Hare, they didn't care. | 0:04:51 | 0:04:54 | |
They cracked on, getting plenty of practice burking their victims. | 0:04:54 | 0:04:58 | |
Turns out dead bodies made you dead rich. | 0:05:00 | 0:05:03 | |
Why was there a market for, well, dead bodies? | 0:05:05 | 0:05:08 | |
The people who were learning anatomy and learning to perform surgery | 0:05:08 | 0:05:12 | |
needed bodies to practise on. | 0:05:12 | 0:05:14 | |
So a bit of a gold rush developed around the universities, | 0:05:14 | 0:05:18 | |
all around the country, in London, in Glasgow, in Edinburgh, | 0:05:18 | 0:05:22 | |
where the surgeons needed to get hold of dead bodies to practise on. | 0:05:22 | 0:05:26 | |
So Burke and Hare obviously realised, | 0:05:26 | 0:05:29 | |
"We can make a bit of money out of this." | 0:05:29 | 0:05:30 | |
So they turned, like, body snatching into murder. | 0:05:30 | 0:05:33 | |
Well, what actually happened was the very first | 0:05:33 | 0:05:35 | |
victim that they disposed of to the doctors was someone | 0:05:35 | 0:05:38 | |
who actually died in their lodging house owing them money. | 0:05:38 | 0:05:41 | |
And they thought, "Well, we don't have to bury this guy, | 0:05:41 | 0:05:45 | |
"we'll just hand his body into the university, | 0:05:45 | 0:05:47 | |
"they'll give us money." | 0:05:47 | 0:05:49 | |
And they took the body along | 0:05:49 | 0:05:50 | |
and they were given seven pounds and ten shillings for the first body. | 0:05:50 | 0:05:53 | |
And then they thought, "Well, we can't just wait on people dying, | 0:05:53 | 0:05:57 | |
"so can we hurry this along a bit?" | 0:05:57 | 0:05:59 | |
One sniff of cash | 0:06:01 | 0:06:02 | |
and they spent the next year knocking off 16 poor folk. | 0:06:02 | 0:06:05 | |
And the man buying up the bodies was Dr Robert Knox, | 0:06:07 | 0:06:11 | |
an anatomist from the Royal College of Surgeons. | 0:06:11 | 0:06:15 | |
So did Dr Knox, did he get implicated with the murders? | 0:06:15 | 0:06:18 | |
Well, it was always suspected that he knew that Burke and Hare | 0:06:18 | 0:06:21 | |
were committing murder to bring in the bodies, because he had | 0:06:21 | 0:06:24 | |
the most regular supply, he had the biggest attendance of students. | 0:06:24 | 0:06:28 | |
It was just they needed the bodies, Burke and Hare needed money, | 0:06:28 | 0:06:31 | |
and nobody asked any questions. | 0:06:31 | 0:06:33 | |
So how did all of this come to an end? | 0:06:33 | 0:06:35 | |
On the occasion of their final victim, they got caught. | 0:06:35 | 0:06:38 | |
How? How did they get caught? | 0:06:38 | 0:06:39 | |
Well, they didn't have time to dispose of the body. | 0:06:39 | 0:06:42 | |
They stuck the body under a bed and hid it with some straw. | 0:06:42 | 0:06:45 | |
And then there was a bit of a commotion | 0:06:45 | 0:06:47 | |
and the police were called. | 0:06:47 | 0:06:49 | |
-Bodies under the bed. -HE SHUDDERS | 0:06:49 | 0:06:51 | |
That's the stuff of childhood nightmares. | 0:06:51 | 0:06:53 | |
You're right. | 0:06:53 | 0:06:55 | |
Just like Burke and Hare, Martin didn't work alone. | 0:06:55 | 0:06:57 | |
This bloke in the corner is Will, the comic's illustrator. | 0:06:58 | 0:07:02 | |
And he's scribbling a bit suspiciously, if you ask me. | 0:07:02 | 0:07:05 | |
So what's Will been drawing over there? | 0:07:05 | 0:07:07 | |
I don't know, he's been at it a while. | 0:07:07 | 0:07:09 | |
Let's have a look, Will. Come here, mate. | 0:07:09 | 0:07:11 | |
Come here. How are you doing? | 0:07:11 | 0:07:13 | |
-It's the Burke And Hairy Bikers. -THEY BOTH CHEER | 0:07:17 | 0:07:21 | |
Oh, that's really quite sinister. | 0:07:21 | 0:07:24 | |
Oh, flipping heck, isn't it? | 0:07:24 | 0:07:26 | |
Oh, you know, Si, that conjures up quite an atmosphere. | 0:07:28 | 0:07:31 | |
That's you and I, depicted as Burke and Hare, standing at the bar. | 0:07:31 | 0:07:34 | |
-It feels quite chilling, doesn't it? -It does. | 0:07:34 | 0:07:36 | |
In this very spot, that Burke and Hare may have stood, | 0:07:36 | 0:07:39 | |
just to entice their victims into their clutches. | 0:07:39 | 0:07:43 | |
Behold, the newly christened Burke And Hairy Bikers. | 0:07:43 | 0:07:46 | |
And there have been a few other shady characters around these parts. | 0:07:46 | 0:07:50 | |
Including more than a few ghosts. | 0:07:52 | 0:07:55 | |
The White Hart Inn claims to be one | 0:07:55 | 0:07:57 | |
of the most haunted pubs in the city. | 0:07:57 | 0:07:59 | |
Ewan Irvine is a ghost hunter, while Susan and Katrina work here. | 0:08:02 | 0:08:06 | |
They're all convinced ghostly guests regularly drop in. | 0:08:07 | 0:08:11 | |
I've heard that Edinburgh's, like, one of the most haunted | 0:08:11 | 0:08:14 | |
cities in Europe. | 0:08:14 | 0:08:16 | |
Have you got any tall tales? | 0:08:16 | 0:08:18 | |
It was actually just last week and I needed to change a keg, | 0:08:18 | 0:08:21 | |
so I'm sort of bolting down the stairs, went past the chef. | 0:08:21 | 0:08:24 | |
Got downstairs. As I got through to the office, | 0:08:24 | 0:08:26 | |
I saw someone at the side of me. | 0:08:26 | 0:08:27 | |
So, of course, I just went, "All right? Hiya." | 0:08:27 | 0:08:29 | |
And I kept running through, because I was in a hurry. | 0:08:29 | 0:08:32 | |
I changed the keg and as I got to the cellar I was like, | 0:08:32 | 0:08:34 | |
"There shouldn't be anyone down there." | 0:08:34 | 0:08:36 | |
Everyone else was upstairs. | 0:08:36 | 0:08:37 | |
So I quickly changed the keg and went through, | 0:08:37 | 0:08:39 | |
thinking someone had got past us and they'd got downstairs, | 0:08:39 | 0:08:42 | |
but there was no-one there. | 0:08:42 | 0:08:43 | |
And what about you, Sue? Have you had any experiences? | 0:08:43 | 0:08:45 | |
Sometimes I've heard, like, footsteps. | 0:08:45 | 0:08:47 | |
So I've came all the way up the stairs and there was nobody there, | 0:08:47 | 0:08:51 | |
and went all the way back down. Heard it again. | 0:08:51 | 0:08:53 | |
All the way back up. And that's happened a few times. | 0:08:53 | 0:08:55 | |
Still in doubt? | 0:08:58 | 0:08:59 | |
Well, here's some more spook-tacular evidence. | 0:08:59 | 0:09:03 | |
Oh, yes. | 0:09:03 | 0:09:05 | |
In 2013, some Australian tourists took this photo, | 0:09:05 | 0:09:10 | |
which appears to show a figure, with a hand clearly visible. | 0:09:10 | 0:09:15 | |
Intrigued by the photo, Ewan and his gang of ghost hunters | 0:09:15 | 0:09:19 | |
held a late-night paranormal investigation. | 0:09:19 | 0:09:21 | |
We came along one evening, from about 11 o'clock | 0:09:24 | 0:09:26 | |
to around about 2:30, and we spent these hours within the pub... | 0:09:26 | 0:09:31 | |
..and took pictures of the same area | 0:09:32 | 0:09:34 | |
where that original picture was taken. | 0:09:34 | 0:09:36 | |
And our picture shows an image | 0:09:36 | 0:09:39 | |
almost identical to the first one that was taken. | 0:09:39 | 0:09:42 | |
That's the photo, here. | 0:09:42 | 0:09:43 | |
-There's a hand. -It's a hand. | 0:09:43 | 0:09:45 | |
-Oh! -It's lost on there. | 0:09:45 | 0:09:47 | |
It's quite chilling, isn't it? | 0:09:48 | 0:09:50 | |
Not half. I'm getting goose bumps all over, mate. | 0:09:51 | 0:09:54 | |
How would you explain that, Ewan? | 0:09:56 | 0:09:58 | |
It's the ghost. | 0:09:58 | 0:09:59 | |
Let's scarper, Dave. No offence to ghosts, | 0:10:03 | 0:10:05 | |
but I prefer my spirits in liquid form. | 0:10:05 | 0:10:08 | |
Did you know that 30 years before the time of Burke and Hare | 0:10:11 | 0:10:14 | |
one of Scotland's greatest minds visited this pub? | 0:10:14 | 0:10:18 | |
Well, I did know, as a matter of fact, cos you know why? | 0:10:18 | 0:10:20 | |
It says it up there. Mr Rabbie Burns. | 0:10:20 | 0:10:23 | |
And I can trump your poet with another poet - Willie Wordsworth. | 0:10:23 | 0:10:27 | |
He stayed here in 1803, so you can stick that in your pipe | 0:10:27 | 0:10:29 | |
and smoke it. | 0:10:29 | 0:10:30 | |
Oooh! Charming, mate. So it's the battle of the facts, is it? | 0:10:32 | 0:10:35 | |
Well, I'll trump your trivia easily with some pub signs. | 0:10:35 | 0:10:39 | |
And being Edinburgh, I hope they're suitably gruesome. Hit me, Dave. | 0:10:41 | 0:10:45 | |
Maggie Dickson's is named after a woman | 0:10:48 | 0:10:50 | |
hanged in the Grassmarket in 1724. | 0:10:50 | 0:10:54 | |
Before being buried, there came a knocking from the coffin. | 0:10:54 | 0:10:58 | |
Turned out the hanging hadn't worked | 0:10:58 | 0:11:00 | |
and she lived the rest of her days | 0:11:00 | 0:11:03 | |
called "Half-hangit Maggie". | 0:11:03 | 0:11:05 | |
Well, did you know the Jolly Judge, near Edinburgh's High Court, | 0:11:07 | 0:11:10 | |
is named after Robert McQueen, | 0:11:10 | 0:11:13 | |
notoriously known as "the hanging judge"? | 0:11:13 | 0:11:16 | |
What's jolly about that? I'd have him barred! | 0:11:16 | 0:11:18 | |
Ha-ha, get it? Legal bar? | 0:11:18 | 0:11:21 | |
Oh, whatever. | 0:11:21 | 0:11:22 | |
The Last Drop overlooks the spot where the city gallows | 0:11:24 | 0:11:27 | |
stood for over 120 years. | 0:11:27 | 0:11:29 | |
So hanging with your mates down the boozer | 0:11:31 | 0:11:33 | |
had a different meaning then. | 0:11:33 | 0:11:34 | |
Back on our Burke and Hare tour and 1828 was definitely a dodgy year | 0:11:41 | 0:11:46 | |
to be staggering Edinburgh's streets after one pint too many. | 0:11:46 | 0:11:50 | |
Do you know what, mate? | 0:11:56 | 0:11:57 | |
It sends a shiver down my spine to think of the poor, unsuspecting, | 0:11:57 | 0:12:01 | |
albeit inebriated souls that crossed the path of Burke and Hare. | 0:12:01 | 0:12:05 | |
Aye, these Edinburgh closes are still dank and dangerous. | 0:12:05 | 0:12:07 | |
I wonder what they were like back in those days. | 0:12:07 | 0:12:09 | |
Hey, well, you know what? | 0:12:09 | 0:12:10 | |
I'm just about to meet a bloke to tell us just that, and he's going | 0:12:10 | 0:12:14 | |
to take me back in time to when your body was worth more dead than alive. | 0:12:14 | 0:12:18 | |
And I'm going uptown to find out what they did to your dead body once it was sold on. | 0:12:18 | 0:12:23 | |
Hmmmm, nice. | 0:12:23 | 0:12:24 | |
Oh, well, Dave, you can keep your dead bodies. | 0:12:31 | 0:12:34 | |
I'm off to Edinburgh's creepy closes to delve into the darker | 0:12:34 | 0:12:37 | |
side of 19th-century life. | 0:12:37 | 0:12:38 | |
Local historian John Baxter's got all the gruesome details. | 0:12:40 | 0:12:45 | |
-Now, you've got to be John. -I am, indeed. -I sincerely hope you are. How are you, sir? | 0:12:45 | 0:12:49 | |
Si, how are you doing? Good to see you, welcome. | 0:12:49 | 0:12:51 | |
-Good to see you, too. Thanks very, very much for meeting me. -You're very welcome. | 0:12:51 | 0:12:54 | |
Well, this, to say the least is, well, atmospheric, I think is the word. | 0:12:54 | 0:12:57 | |
-Or claustrophobic, one of the two. -Very. Yeah, absolutely. | 0:12:57 | 0:13:00 | |
Can you tell me what this would have been like back in the day? | 0:13:00 | 0:13:03 | |
-Well, this is where everyone lived, cheek by jowl, the rich and the poor, both together. -Wow! | 0:13:03 | 0:13:07 | |
The rich at the top of the buildings, away from all the nasty smells and the poverty, | 0:13:07 | 0:13:10 | |
because at the ground level, | 0:13:10 | 0:13:12 | |
that is where you have the poor in society. | 0:13:12 | 0:13:14 | |
Was it the same in Burke and Hare's day, then? | 0:13:14 | 0:13:16 | |
-Well, it had actually gotten worse by that point. -Got worse? | 0:13:16 | 0:13:19 | |
1820s, by this point the New Town had been constructed, | 0:13:19 | 0:13:21 | |
so all the very wealthy in society had moved north, | 0:13:21 | 0:13:24 | |
but that left behind the jumble of the Old Town. | 0:13:24 | 0:13:27 | |
You had the very poor in society living here, | 0:13:27 | 0:13:30 | |
and it wasn't very pretty. | 0:13:30 | 0:13:31 | |
There was crime, was on the up here. There was prostitution, | 0:13:31 | 0:13:35 | |
there were brothels and there were lots of illegal drinking dens. | 0:13:35 | 0:13:38 | |
Illegal drinking dens selling ale, whisky and all sorts of home-made moonshine. | 0:13:41 | 0:13:47 | |
If you don't mind, I've got some stuff that may have actually been drunk at that time. | 0:13:47 | 0:13:51 | |
It's quite potent, so it's up to yourself if you want to try it. | 0:13:51 | 0:13:54 | |
Well, you know, I, er...I wouldn't say no. | 0:13:54 | 0:13:56 | |
So this would be what they were drinking at the time? | 0:13:56 | 0:13:58 | |
This is very similar. It's come straight out of the still and right into the mouth, essentially. | 0:13:58 | 0:14:02 | |
Crumbs! | 0:14:02 | 0:14:04 | |
Well, I'll tell you what, it smells strong. | 0:14:05 | 0:14:08 | |
It's quite the stuff, isn't it? | 0:14:14 | 0:14:16 | |
Cor, it sets fire to your nasal hair. | 0:14:16 | 0:14:18 | |
That is as rough as a badger's bum. | 0:14:20 | 0:14:22 | |
I can see why Burke and Hare used this stuff to help knock out their victims. | 0:14:24 | 0:14:28 | |
Mind you, they weren't the only ones dying to make money from dead bodies. | 0:14:32 | 0:14:37 | |
John's brought me to the city's famous Greyfriars Cemetery, | 0:14:37 | 0:14:40 | |
where another gruesome profession was rife. | 0:14:40 | 0:14:43 | |
So, John, tell me why you've brought us here? | 0:14:44 | 0:14:46 | |
It's a place where graverobbers, body snatchers | 0:14:46 | 0:14:48 | |
or resurrection men would come into the graveyards in the dead of night | 0:14:48 | 0:14:52 | |
and raise bodies from the ground. | 0:14:52 | 0:14:53 | |
What did their relatives think of that, then? | 0:14:53 | 0:14:55 | |
Well, you can imagine they weren't too pleased with that whatsoever, | 0:14:55 | 0:14:58 | |
so they employed a number of methods. | 0:14:58 | 0:15:00 | |
If you had anything of wealth, you could perhaps use one of these. | 0:15:00 | 0:15:03 | |
This is a gridiron, or a mortsafe. Essentially, a six-foot cage | 0:15:03 | 0:15:07 | |
that would go into the ground around the coffin. | 0:15:07 | 0:15:09 | |
So that was one method. If you were extremely poor, | 0:15:09 | 0:15:12 | |
your relatives would just have to sit on top of the grave long enough | 0:15:12 | 0:15:15 | |
to render the body useless, so... Essentially, maybe about nine to ten days. | 0:15:15 | 0:15:19 | |
-Now, useless, as in decomposed? -Decomposed. | 0:15:19 | 0:15:21 | |
No use at all to the medical profession. | 0:15:21 | 0:15:24 | |
There's this kind of sinister cloud that sits over Edinburgh, | 0:15:24 | 0:15:28 | |
and that thirst for and quest for knowledge... | 0:15:28 | 0:15:31 | |
Absolutely. Yeah, it's like a really grim profession | 0:15:31 | 0:15:33 | |
and there were a number of gangs operating. | 0:15:33 | 0:15:35 | |
With bodies worth over 900 quid in today's dosh, | 0:15:37 | 0:15:40 | |
and the likes of Dr Robert Knox champing at the bit to buy them, | 0:15:40 | 0:15:44 | |
it's no wonder graverobbers were chancing an arm. | 0:15:44 | 0:15:47 | |
And less than a mile across town, | 0:15:54 | 0:15:56 | |
I'm getting a sneaky peek at some human remains from that very era. | 0:15:56 | 0:16:00 | |
I've come to Edinburgh's Anatomy Museum to meet | 0:16:03 | 0:16:05 | |
Professor Gordon Findlater. | 0:16:05 | 0:16:07 | |
So how far back does the teaching of anatomy go in Edinburgh? | 0:16:11 | 0:16:15 | |
-1505. -1505? | 0:16:15 | 0:16:16 | |
King James IV of Scotland gave the approval of the body | 0:16:16 | 0:16:19 | |
of a hanged criminal to be used for the purpose of dissecting. | 0:16:19 | 0:16:22 | |
And that, in fact, was effectively the establishment | 0:16:22 | 0:16:24 | |
of the Royal College of Surgeons of Edinburgh. | 0:16:24 | 0:16:26 | |
Executed criminals were the only bodies surgeons were | 0:16:27 | 0:16:30 | |
legally allowed to dissect until 1832. | 0:16:30 | 0:16:34 | |
As for Burke and Hare, well, once police got wind of the duo, they were both arrested, | 0:16:35 | 0:16:40 | |
but justice wasn't necessarily dished out equally. | 0:16:40 | 0:16:44 | |
Well, Burke got hanged, didn't he? | 0:16:47 | 0:16:49 | |
Burke got hanged and Hare got a free pardon, | 0:16:49 | 0:16:50 | |
because he gave evidence against Burke, and so poor old Burke | 0:16:50 | 0:16:53 | |
was the only one that was found guilty of the murders. | 0:16:53 | 0:16:56 | |
And Burke's final resting place? | 0:16:58 | 0:17:00 | |
Here at the museum. | 0:17:00 | 0:17:02 | |
Oh, yes. I'll just show you this. | 0:17:02 | 0:17:04 | |
So that is William Burke, the notorious murderer. | 0:17:04 | 0:17:07 | |
He was condemned to be hanged, dissected and to be put on display. | 0:17:07 | 0:17:10 | |
That was actually part of his sentence. | 0:17:10 | 0:17:12 | |
Good grief! | 0:17:12 | 0:17:13 | |
So he's been hanging here since he was hanged in 1829. | 0:17:13 | 0:17:16 | |
That was a cruel irony, isn't it? | 0:17:16 | 0:17:17 | |
That he's ended up in perpetuity at the very place | 0:17:17 | 0:17:21 | |
-he was servicing, as it were. -Absolutely. | 0:17:21 | 0:17:23 | |
So, in those days, you talk about the anatomist as almost being like, a bit like a pop star. | 0:17:23 | 0:17:27 | |
He has an entertainment factor. | 0:17:27 | 0:17:29 | |
Was there entertainment involved in this? | 0:17:29 | 0:17:31 | |
Undoubtedly so. I mean, people could come in | 0:17:31 | 0:17:34 | |
and watch dissections taking place in the old lecture theatre. | 0:17:34 | 0:17:38 | |
Er, and in Burke's case, however, | 0:17:38 | 0:17:40 | |
it was never meant to be a public dissection, but there was such | 0:17:40 | 0:17:43 | |
a clamour by the public to see Burke being dissected that they | 0:17:43 | 0:17:46 | |
opened up the anatomy department to the public | 0:17:46 | 0:17:49 | |
so they could actually watch Burke being dissected. | 0:17:49 | 0:17:53 | |
Blimey! Dissection as a spectator sport. | 0:17:53 | 0:17:56 | |
It's a bit different from a night at the movies. | 0:17:56 | 0:17:58 | |
As for how they captured your mugshot? | 0:17:59 | 0:18:01 | |
That's another matter altogether. | 0:18:01 | 0:18:03 | |
So if you come round the corner here, you can actually see a | 0:18:03 | 0:18:06 | |
life mask of William Burke and a life mask of William Hare, | 0:18:06 | 0:18:08 | |
and on the top shelf there we have the death mask of William Burke | 0:18:08 | 0:18:13 | |
and the life mask of Robert Knox, who received the bodies from Burke and Hare. | 0:18:13 | 0:18:16 | |
Crikey, what a collection. | 0:18:16 | 0:18:18 | |
Given that there was no way of taking photographs in those days, | 0:18:18 | 0:18:21 | |
this was the way they actually made likenesses of individuals. | 0:18:21 | 0:18:25 | |
And if that wasn't a vivid enough portrait, | 0:18:25 | 0:18:28 | |
Gordon's got one more gruesome treat for me. | 0:18:28 | 0:18:31 | |
So, Gordon, why have you brought me here? | 0:18:32 | 0:18:34 | |
Well, this is a scrapbook which somebody put | 0:18:34 | 0:18:38 | |
together at the time of the Burke and Hare murders. | 0:18:38 | 0:18:40 | |
Right. | 0:18:40 | 0:18:41 | |
And it's a collection of newspaper cuttings... | 0:18:41 | 0:18:44 | |
Actually from that time? | 0:18:44 | 0:18:46 | |
From that time. | 0:18:46 | 0:18:47 | |
"This is written with the blood of William Burke, | 0:18:47 | 0:18:51 | |
"who was hanged at Edinburgh on 28 January 1829 for the murder | 0:18:51 | 0:18:57 | |
"of Mrs Campbell or Doherty. | 0:18:57 | 0:19:00 | |
"The blood was taken from his head on 1st February 1829." | 0:19:00 | 0:19:05 | |
So it's a letter written in Burke's blood. | 0:19:05 | 0:19:08 | |
I suspect, obviously, by an anatomist or | 0:19:08 | 0:19:10 | |
a surgeon in training who was present at the dissection of Burke, | 0:19:10 | 0:19:14 | |
because there's no way he would have had access to the blood of his head. | 0:19:14 | 0:19:17 | |
But he took it on himself to write that letter, | 0:19:17 | 0:19:20 | |
obviously realising the infamy of Burke and how maybe 100 | 0:19:20 | 0:19:25 | |
and however many years later we'd be standing and reading it. | 0:19:25 | 0:19:28 | |
-What an extraordinary tale. -Isn't it just? | 0:19:28 | 0:19:31 | |
Don't know about you, but I fancy a drink now. | 0:19:31 | 0:19:34 | |
I'm not surprised, Myers. | 0:19:34 | 0:19:35 | |
All that gore's enough to send you straight down the boozer, isn't it? | 0:19:35 | 0:19:39 | |
And we all know traditional pubs would be nothing without their | 0:19:39 | 0:19:44 | |
passionate punters. | 0:19:44 | 0:19:46 | |
So let's meet an Edinburgh local who loves his local. | 0:19:46 | 0:19:49 | |
The Sheep Heid Inn - | 0:19:54 | 0:19:56 | |
that's Scottish for head, in case you were wondering - | 0:19:56 | 0:19:58 | |
claims to be Edinburgh's oldest surviving public house. | 0:19:58 | 0:20:02 | |
You'll find it in Duddingston, an ancient village in east Edinburgh. | 0:20:03 | 0:20:08 | |
It's full of history and tradition | 0:20:08 | 0:20:10 | |
and is the regular watering hole of Anthony Martin. | 0:20:10 | 0:20:13 | |
Cheers. | 0:20:13 | 0:20:15 | |
I love this pub because there's local people come in, | 0:20:16 | 0:20:20 | |
there's people I know, there's people I can talk to, there's people | 0:20:20 | 0:20:23 | |
I can share the good and bad of life with. | 0:20:23 | 0:20:27 | |
It's a remarkable place. | 0:20:27 | 0:20:28 | |
It's so old, it's got so much history, | 0:20:30 | 0:20:33 | |
and personal history as well as ancient history. | 0:20:33 | 0:20:36 | |
I've been coming here since I was at school across the road just round the corner. | 0:20:37 | 0:20:41 | |
It's a lovely local. | 0:20:41 | 0:20:42 | |
This goes way back to the 14th century. | 0:20:44 | 0:20:46 | |
There must have been so many characters in here over the years. | 0:20:46 | 0:20:50 | |
Topping the list of supposed dram-drinking visitors | 0:20:50 | 0:20:52 | |
are Bonnie Prince Charlie | 0:20:52 | 0:20:54 | |
and Mary, Queen of Scots. | 0:20:54 | 0:20:55 | |
Mary, Queen of Scots, this was seemingly the stopping point | 0:20:57 | 0:21:00 | |
or halfway house between Holyrood Palace and Craigmillar Castle. | 0:21:00 | 0:21:05 | |
It's very, very likely that she was sitting in these rooms with | 0:21:06 | 0:21:11 | |
her courtiers while they're preparing the horses to | 0:21:11 | 0:21:14 | |
carry on for the final part of the journey. | 0:21:14 | 0:21:16 | |
Bonnie Prince Charlie did his battle plan | 0:21:16 | 0:21:19 | |
for the Battle of Prestonpans here. | 0:21:19 | 0:21:21 | |
September 1745, he was sitting in here... | 0:21:21 | 0:21:25 | |
..getting wined and dined, | 0:21:26 | 0:21:28 | |
enjoying his evening and up for it, | 0:21:28 | 0:21:31 | |
and getting his lieutenants up for it. | 0:21:31 | 0:21:33 | |
And that's brilliant. | 0:21:33 | 0:21:34 | |
But Anthony reckons this pub's a knockout for another reason. | 0:21:37 | 0:21:41 | |
Skittles, anyone? | 0:21:43 | 0:21:44 | |
Ohhh! | 0:21:47 | 0:21:48 | |
It's quite painful in the morning when you get up, | 0:21:49 | 0:21:51 | |
cos you do thump yourself about, landing on your knees. | 0:21:51 | 0:21:55 | |
Skittles dates back to around 1630, | 0:21:56 | 0:22:00 | |
and this alley is one of the oldest in Scotland. | 0:22:00 | 0:22:02 | |
King James VI is even said to have played here and had such a good time | 0:22:04 | 0:22:08 | |
that he gave the landlord a ram's head snuffbox. | 0:22:08 | 0:22:11 | |
Anthony is certainly bowled over by the Sheep Heid. | 0:22:13 | 0:22:16 | |
See what I did there, Kingy? | 0:22:16 | 0:22:18 | |
Genius, dude, genius. | 0:22:18 | 0:22:19 | |
BAGPIPE MUSIC | 0:22:24 | 0:22:25 | |
Back on our historic Edinburgh pub tour, we've come to the Royal Mile. | 0:22:25 | 0:22:30 | |
Yep, time to "hang out" in another boozer. | 0:22:30 | 0:22:34 | |
Here, mate, what happened, then, to Burke and Hare? | 0:22:34 | 0:22:38 | |
Well, I can tell you all about that. I mean, Hare, well, he literally got | 0:22:38 | 0:22:41 | |
away with murder, as did Dr Robert Knox. But Burke... | 0:22:41 | 0:22:46 | |
..hanged. | 0:22:46 | 0:22:47 | |
Crumbs. Here, what about Deacon Brodie's, then? | 0:22:47 | 0:22:51 | |
Well, I do believe that it witnessed the whole very, very public spectacle. | 0:22:51 | 0:22:55 | |
Did it? | 0:22:55 | 0:22:56 | |
Sitting on the Lawnmarket since 1806, Deacon Brodie's has | 0:22:58 | 0:23:03 | |
witnessed its fair share of public executions. | 0:23:03 | 0:23:07 | |
Even its namesake, Deacon Brodie, went to the gallows in 1788. | 0:23:07 | 0:23:12 | |
But if you were in this pub 40 years later in January 1829, | 0:23:12 | 0:23:17 | |
you would have had a cracking view of Burke's hanging. | 0:23:17 | 0:23:21 | |
Professor of Law Lindsay Farmer can give us the lowdown on the stringing up. | 0:23:21 | 0:23:25 | |
-Hello, Lindsay. Dave, nice to meet you. -Hi, nice to meet you. -Nice to see you. | 0:23:26 | 0:23:30 | |
-I've got some beers in for you. -Ah, you kind man! -What a nice fellow! Cheers for those. | 0:23:30 | 0:23:34 | |
Lindsay, I believe that this pub had something to do with | 0:23:34 | 0:23:36 | |
the Burke hanging. Is that right? | 0:23:36 | 0:23:38 | |
After 1785, the public executions in Edinburgh took place here in the Lawnmarket. | 0:23:38 | 0:23:44 | |
So William Burke was hung just outside of the front door of the pub here, | 0:23:44 | 0:23:49 | |
and there was said to be a crowd of around about | 0:23:49 | 0:23:51 | |
-20-25,000 people on the Lawnmarket. -Really? -Wow! | 0:23:51 | 0:23:54 | |
Which, it was claimed, was the biggest crowd at the time for a public execution. | 0:23:54 | 0:23:59 | |
So I've got here a picture, also. | 0:23:59 | 0:24:01 | |
This is a contemporary print and you can see the platform. | 0:24:01 | 0:24:04 | |
-So would that be us here? The building we are in now? -That's right. | 0:24:04 | 0:24:07 | |
That's remarkable! People are hanging out of the windows and everything. | 0:24:07 | 0:24:10 | |
Outside on the streets of the execution, there would be hawkers, | 0:24:10 | 0:24:12 | |
there'd be people selling pies, people selling food. | 0:24:12 | 0:24:15 | |
There would be, you know, there'd be drinks. | 0:24:15 | 0:24:17 | |
You know, you have to remember, this was in the days when there wasn't TV. | 0:24:17 | 0:24:20 | |
This was how the message of the law was got across. | 0:24:20 | 0:24:23 | |
Crikey, Kingy! These hangings sound brutal. | 0:24:23 | 0:24:26 | |
A drunken crowd eating pies and baying for blood. | 0:24:26 | 0:24:31 | |
That sounds like an average Saturday afternoon at the footy, if you ask me, Dave. | 0:24:31 | 0:24:35 | |
Burke was one of the last public executions, so it kind of fell out | 0:24:35 | 0:24:40 | |
of fashion then as a public spectacle. | 0:24:40 | 0:24:42 | |
It did, and people's attitudes changed. So people, | 0:24:42 | 0:24:46 | |
instead of seeing this as a kind of a public lesson, | 0:24:46 | 0:24:49 | |
they started to regard it as something horrifying, | 0:24:49 | 0:24:52 | |
as something that no respectable member of society would want to see. | 0:24:52 | 0:24:55 | |
I can't say I blame them. | 0:24:57 | 0:24:59 | |
A public hanging would definitely put me off my pint. | 0:24:59 | 0:25:02 | |
Hear, hear, mucker. But, as you know, Burke wasn't the only infamous | 0:25:03 | 0:25:06 | |
Edinburgh villain to be snared by the hangman's noose outside this boozer. | 0:25:06 | 0:25:10 | |
It connects in an interesting way to Deacon Brodie... | 0:25:12 | 0:25:15 | |
Oh, right! This is where we are now, the pub, the Deacon Brodie. | 0:25:15 | 0:25:18 | |
Deacon Brodie was a famous Edinburgh citizen, | 0:25:18 | 0:25:21 | |
the model for the Jekyll and Hyde story for Robert Louis Stevenson. | 0:25:21 | 0:25:25 | |
He was a cabinet-maker. He would visit the homes of his clients, | 0:25:25 | 0:25:28 | |
he would take impressions of keys, and then he and his gang would go | 0:25:28 | 0:25:31 | |
back at night and use the keys they'd made to break in and burgle. | 0:25:31 | 0:25:36 | |
So Deacon Brodie was also one of the first people to be | 0:25:36 | 0:25:38 | |
hung here in the Lawnmarket, and he was launched into eternity, as they say. | 0:25:38 | 0:25:43 | |
-What a thought! -I'm very glad it's a thing of the past. | 0:25:43 | 0:25:46 | |
Yes, me, too. Indeed. | 0:25:46 | 0:25:47 | |
The days of hanging might be over, but that gruesome duo Burke and Hare | 0:25:48 | 0:25:53 | |
live on in Edinburgh's pub music. | 0:25:53 | 0:25:56 | |
And here is a man who can give us a wee tune - Robin Laing. | 0:25:56 | 0:25:59 | |
Hello, Robin, it's Dave. | 0:25:59 | 0:26:01 | |
If we can hear him above the Rabbie, that is. | 0:26:01 | 0:26:04 | |
So, Robin, what sort of events inspire your music? | 0:26:04 | 0:26:07 | |
Stories about things that happened in Edinburgh. | 0:26:07 | 0:26:10 | |
Stories about industrial heritage. | 0:26:10 | 0:26:12 | |
Interesting stories. I love stories, especially the gruesome ones. | 0:26:12 | 0:26:16 | |
So have you got any ones for - particularly the gruesome ones - | 0:26:16 | 0:26:19 | |
have you got any ones for Burke and Hare? | 0:26:19 | 0:26:20 | |
I have, yes. I wrote a song, oh, many years ago now in the 1980s, | 0:26:20 | 0:26:25 | |
about Burke and Hare. | 0:26:25 | 0:26:27 | |
I probably was under the same misapprehension, | 0:26:27 | 0:26:30 | |
as most people in Edinburgh these days, that they were body snatchers. | 0:26:30 | 0:26:33 | |
-Aye. -Yes, yeah. -They were just serial murderers. -Aye. | 0:26:33 | 0:26:37 | |
Mm, that's pretty gruesome. | 0:26:37 | 0:26:39 | |
So what was it that inspired this song? | 0:26:39 | 0:26:42 | |
A great story, and I came across it listening to kids doing | 0:26:42 | 0:26:45 | |
skipping rhymes about, er... | 0:26:45 | 0:26:48 | |
Up the close, and doun the stair But and ben wi' Burke and Hare. | 0:26:48 | 0:26:52 | |
Burke's the butcher, Hare's the thief, | 0:26:52 | 0:26:55 | |
Knox the boy that buys the beef. | 0:26:55 | 0:26:58 | |
And, you know, kids love this story of Burke and Hare. | 0:26:58 | 0:27:01 | |
-So can we hear it? -Of course. It's called Burke And Hare. | 0:27:01 | 0:27:05 | |
# Burke and Hare were a terrible pair | 0:27:05 | 0:27:07 | |
# Their deeds were beyond belief | 0:27:07 | 0:27:09 | |
# They worked underground in Edinburgh town | 0:27:09 | 0:27:12 | |
# The cruellest kind of thief | 0:27:12 | 0:27:14 | |
# For they stole the life from the city's poor | 0:27:14 | 0:27:17 | |
# The city's waifs and strays | 0:27:17 | 0:27:19 | |
# Got them drunk, laid them on the bunk | 0:27:19 | 0:27:21 | |
# And smothered their lives away, the swine. | 0:27:21 | 0:27:24 | |
# They smothered their lives away. # | 0:27:24 | 0:27:26 | |
That's brilliant. | 0:27:29 | 0:27:30 | |
From murderous schemes and ghostly goings-on | 0:27:32 | 0:27:36 | |
to a couple of public hangings. | 0:27:36 | 0:27:39 | |
Crikes, it's been a striking 19th-century Edinburgh pub crawl. | 0:27:39 | 0:27:43 | |
Tell you what, though, glad I was only born 30 years ago. | 0:27:43 | 0:27:47 | |
Tee-hee-hee! Give over, will you? | 0:27:47 | 0:27:50 | |
Si, we have to end a great day in the city of contrasts with a wee dram. | 0:27:51 | 0:27:56 | |
Och, aye. | 0:27:56 | 0:27:58 | |
Pub trivia time. Do you know the difference between a surgeon and a barber? | 0:27:59 | 0:28:03 | |
Well, one cuts hair - not that we've seen that for a while - | 0:28:03 | 0:28:06 | |
and the other one dissects bodies. | 0:28:06 | 0:28:08 | |
Well, up to 1745, they were one and the same, | 0:28:08 | 0:28:11 | |
and the barber-surgeon would be responsible for such tasks as | 0:28:11 | 0:28:15 | |
shaving your beard, pulling your teeth, lancing your boils, letting your blood | 0:28:15 | 0:28:18 | |
and even performing minor surgery. | 0:28:18 | 0:28:20 | |
-Really? -Yep. -Flippin' heck! | 0:28:22 | 0:28:25 | |
Well, I'll tell you what, mate. | 0:28:25 | 0:28:26 | |
Next time I go to the barber's, I'm going to be careful what I ask for. | 0:28:26 | 0:28:29 | |
TOGETHER: Slainte! | 0:28:29 | 0:28:31 |