Browse content similar to East End London. Check below for episodes and series from the same categories and more!
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Pubs have been at the heart of Britain for hundreds of years. | 0:00:02 | 0:00:04 | |
Cheers, mucker! | 0:00:04 | 0:00:06 | |
-In city taverns... -..And village inns... | 0:00:06 | 0:00:09 | |
..Landlords have pulled pints for locals, travellers | 0:00:09 | 0:00:12 | |
and, well, the odd king or two - | 0:00:12 | 0:00:14 | |
meself included. | 0:00:14 | 0:00:15 | |
Try and have a drink now! | 0:00:15 | 0:00:17 | |
LAUGHTER | 0:00:19 | 0:00:20 | |
But with 30 pubs closing every week, | 0:00:20 | 0:00:22 | |
our historic taverns need defending. | 0:00:22 | 0:00:25 | |
Step! Step! | 0:00:25 | 0:00:27 | |
We're heading out to discover amazing stories | 0:00:27 | 0:00:30 | |
linked to the nation's watering holes. | 0:00:30 | 0:00:32 | |
-Not far to go. -How far? -Oh, a couple of miles. -What?! | 0:00:32 | 0:00:36 | |
From the Wars of the Roses... | 0:00:36 | 0:00:38 | |
..to shipbuilding on the Clyde... | 0:00:38 | 0:00:41 | |
we've ditched our bikes so that we can sample an ale or two. | 0:00:41 | 0:00:44 | |
Get in! | 0:00:44 | 0:00:46 | |
This is very good! | 0:00:46 | 0:00:48 | |
'So join us for...' | 0:00:49 | 0:00:50 | |
Today's historic pub crawl takes us to the East End of London | 0:00:58 | 0:01:01 | |
and the borough of Tower Hamlets. | 0:01:01 | 0:01:03 | |
It's bustling and bohemian, but it has a dark history. | 0:01:05 | 0:01:09 | |
In the 1960s, two shady characters ruled these mean streets | 0:01:14 | 0:01:19 | |
and its local boozers. | 0:01:19 | 0:01:21 | |
It wasn't long before everyone knew the names | 0:01:23 | 0:01:25 | |
of these infamous gangsters - | 0:01:25 | 0:01:27 | |
Reggie and Ronnie Kray. | 0:01:27 | 0:01:29 | |
Chicago had Al Capone. | 0:01:32 | 0:01:35 | |
New York had Lucky Luciano. | 0:01:35 | 0:01:37 | |
But London had double trouble - the Kray twins. | 0:01:38 | 0:01:42 | |
But they all made a killing out of booze. | 0:01:42 | 0:01:44 | |
1960s Britain was riding a wave of optimism | 0:01:46 | 0:01:50 | |
and Central London was in full swing. | 0:01:50 | 0:01:53 | |
But on the streets of London's East End, poverty was still rife, | 0:01:58 | 0:02:02 | |
which created the perfect breeding ground for criminal gangs. | 0:02:02 | 0:02:06 | |
Top of the pile were the Krays. | 0:02:08 | 0:02:10 | |
The twins grew up in Bethnal Green | 0:02:10 | 0:02:12 | |
and were often in trouble with the law. | 0:02:12 | 0:02:16 | |
Throughout the '60s, their gang The Firm wreaked havoc, | 0:02:16 | 0:02:19 | |
and pubs like the Blind Beggar in Whitechapel | 0:02:19 | 0:02:21 | |
were perfect castles for these gangster kings. | 0:02:21 | 0:02:25 | |
The Blind Beggar - one of London's most notorious rub-a-dubs. | 0:02:30 | 0:02:34 | |
It was the Kray brothers' haunt in the 1960s | 0:02:35 | 0:02:39 | |
and the scene of a particularly nasty affair. | 0:02:39 | 0:02:41 | |
-Do you fancy a beer then, Dave? -Oh, pig's ear! | 0:02:41 | 0:02:44 | |
Are you going to keep this up all day?! | 0:02:44 | 0:02:46 | |
-Wotcha! -Oh, Gawd! | 0:02:46 | 0:02:49 | |
The Blind Beggar was built in 1894 | 0:02:52 | 0:02:54 | |
on the site of an old inn. | 0:02:54 | 0:02:56 | |
Named after a 13th-century knight who was blinded in battle | 0:02:59 | 0:03:03 | |
and forced to resort to begging, | 0:03:03 | 0:03:05 | |
the pub is infamous for its gruesome link to the Krays. | 0:03:05 | 0:03:08 | |
We're meeting criminologist Dr Ruth Penfold to find out why. | 0:03:10 | 0:03:15 | |
-Hello, Ruth. -Hiya. -Dave. -Good to meet you. | 0:03:15 | 0:03:17 | |
-Ruth, hi, I'm Si. Nice to meet you. -I've got the drinks in already. | 0:03:17 | 0:03:20 | |
-Oh, cheers! -Ruth, do you think the Krays came here quite a lot? | 0:03:20 | 0:03:23 | |
They did, they used to come in here drinking. | 0:03:23 | 0:03:26 | |
This was their territory, this was their patch. | 0:03:26 | 0:03:28 | |
So, yeah, they were drinking in here. | 0:03:28 | 0:03:30 | |
So were they proper East Enders? | 0:03:30 | 0:03:31 | |
Oh, yes. Born in the area in 1933, | 0:03:31 | 0:03:34 | |
they grew up just round the corner in Valance Road. | 0:03:34 | 0:03:38 | |
This was their home. | 0:03:38 | 0:03:40 | |
Ruth, so...how did the Krays build their empire | 0:03:40 | 0:03:43 | |
in what, in essence, was a really kind of poor community, wasn't it? | 0:03:43 | 0:03:46 | |
Mm-hmm. They knew that if they wanted to have any level of success | 0:03:46 | 0:03:49 | |
they needed to sort of survive on the streets. | 0:03:49 | 0:03:53 | |
That involved actually starting to become businessmen. | 0:03:53 | 0:03:56 | |
-Right. -They bought some pubs, they bought some clubs, snooker halls, | 0:03:56 | 0:03:59 | |
and it slowly built up and it was from these that they would | 0:03:59 | 0:04:02 | |
actually run their sort of protection rackets. | 0:04:02 | 0:04:05 | |
So it was very much a sort of legitimate business empire | 0:04:05 | 0:04:09 | |
with the sort of darkness underneath. | 0:04:09 | 0:04:12 | |
The Krays extorted protection money | 0:04:14 | 0:04:16 | |
from local businesses across the East End. | 0:04:16 | 0:04:19 | |
And if you didn't pay up, the consequences were swift and brutal. | 0:04:21 | 0:04:24 | |
So how come within the media, they rapidly became | 0:04:27 | 0:04:30 | |
what was possibly the most famous twins in the world? | 0:04:30 | 0:04:33 | |
The big part about the Krays is their twinness - | 0:04:33 | 0:04:36 | |
the oneness that they were. | 0:04:36 | 0:04:38 | |
They dressed the same, they were always together. | 0:04:38 | 0:04:41 | |
It kind of amplified their image. | 0:04:41 | 0:04:43 | |
They were special, and they really seemed to believe that specialness. | 0:04:43 | 0:04:47 | |
The grim thing is though underneath this, there is the dark side. | 0:04:47 | 0:04:51 | |
Yeah, because they were hurting people, seriously hurting people. | 0:04:51 | 0:04:53 | |
-Yeah, I know, I know. -It's remarkable. | 0:04:53 | 0:04:56 | |
And it was this very pub that was the scene of a brutal crime. | 0:04:58 | 0:05:03 | |
It demonstrated the power the Krays wielded over the East End. | 0:05:03 | 0:05:06 | |
On the 9th of March, 1966, | 0:05:08 | 0:05:10 | |
Ronnie Kray walked into the busy pub | 0:05:10 | 0:05:13 | |
and shot dead rival gang member George Cornell. | 0:05:13 | 0:05:16 | |
-What we've got here is basically a crime scene. -Right. | 0:05:19 | 0:05:23 | |
-We've got George Cornell, who was from the Richardson gang... -Yeah. | 0:05:23 | 0:05:28 | |
He was sat around here. | 0:05:28 | 0:05:29 | |
In fact, I've got the photos and the crime report here for you. | 0:05:29 | 0:05:32 | |
And Ronnie Kray came in, | 0:05:32 | 0:05:35 | |
saw a rival gang member that he'd had fights with before. | 0:05:35 | 0:05:39 | |
There'd been rumours that he'd insulted Ronnie Kray. | 0:05:39 | 0:05:42 | |
Came in and he shot him. | 0:05:42 | 0:05:45 | |
That's the bloodstains on the floor. | 0:05:45 | 0:05:47 | |
So that's the end of... Ah, I see. | 0:05:47 | 0:05:50 | |
-So Cornell roughly was sat about here. -Mm-hmm. | 0:05:50 | 0:05:53 | |
-Ronnie walked in, shot him... -Yep. | 0:05:54 | 0:05:57 | |
Bloodstains on the floor, here. | 0:05:59 | 0:06:01 | |
Good grief! | 0:06:04 | 0:06:07 | |
The pub would almost certainly have been full of regulars | 0:06:07 | 0:06:10 | |
when the murder took place. | 0:06:10 | 0:06:11 | |
But when the police came looking for witnesses, | 0:06:11 | 0:06:14 | |
the silence was deafening. | 0:06:14 | 0:06:15 | |
It says here as well in the police report, | 0:06:18 | 0:06:20 | |
"Did not reveal any person who had actually witnessed the shooting. | 0:06:20 | 0:06:23 | |
"However, a large number of used glasses | 0:06:23 | 0:06:26 | |
"were found on the bar counter and tables in the saloon bar." | 0:06:26 | 0:06:30 | |
Now, I mean, there must have been witnesses. | 0:06:30 | 0:06:32 | |
I mean, did everybody just scarper? | 0:06:32 | 0:06:34 | |
Pretty much. They were frightened by what they had seen. | 0:06:34 | 0:06:38 | |
So what is it then that led Ronnie Kray to believe | 0:06:38 | 0:06:42 | |
that he could get away with cold-blooded murder | 0:06:42 | 0:06:45 | |
in broad daylight? | 0:06:45 | 0:06:47 | |
Ronnie really was believing in his own invincibility. | 0:06:47 | 0:06:52 | |
He believed he was untouchable - they both did. | 0:06:52 | 0:06:55 | |
And to an extent they were right. | 0:06:55 | 0:06:58 | |
There was a wall of silence that the police hit with this investigation. | 0:06:58 | 0:07:02 | |
It became a cold case. | 0:07:02 | 0:07:03 | |
That's the community just closing ranks, full stop. | 0:07:03 | 0:07:06 | |
Absolutely. | 0:07:06 | 0:07:08 | |
All across their East End manor, | 0:07:10 | 0:07:12 | |
the Krays revelled in their notoriety. | 0:07:12 | 0:07:15 | |
And we're still fascinated by the infamous twins today. | 0:07:17 | 0:07:20 | |
John Bennett takes visitors from all over the world on his East End | 0:07:25 | 0:07:29 | |
walking tours, and the Blind Beggar is an unmissable stop on the route. | 0:07:29 | 0:07:34 | |
It's probably the most famous pub in the East End, it's synonymous | 0:07:35 | 0:07:38 | |
with crime, and the East End and things like that. | 0:07:38 | 0:07:40 | |
Even A-list celebrities have come to hear about | 0:07:40 | 0:07:43 | |
the pub's gruesome history - and no, I don't mean us. | 0:07:43 | 0:07:47 | |
I believe Brad Pitt, Jerry Springer have been here, | 0:07:47 | 0:07:49 | |
probably amongst others. | 0:07:49 | 0:07:51 | |
So, you know, lots of people come in here from all the world | 0:07:51 | 0:07:53 | |
wanting to hear what has become a very notorious story over time. | 0:07:53 | 0:07:57 | |
-Hello, John. Dave. Pleased to meet you. -Hello. | 0:07:57 | 0:07:59 | |
Hi, I'm Simon. Nice to meet you. How are you? | 0:07:59 | 0:08:02 | |
John, why do you think it is after all these years that people | 0:08:02 | 0:08:04 | |
are still fascinated with the Krays and the murder in this pub? | 0:08:04 | 0:08:08 | |
I don't suppose it's just the murder in the pub, | 0:08:08 | 0:08:10 | |
but, I mean, the Kray Twins themselves being twins and having | 0:08:10 | 0:08:13 | |
this very glamorous image, you know, regardless of what... | 0:08:13 | 0:08:15 | |
the fact that they were criminals and things like that, | 0:08:15 | 0:08:18 | |
you've got these two sides to them. | 0:08:18 | 0:08:19 | |
You know, people are fascinated by them because | 0:08:19 | 0:08:22 | |
no matter who you listen to, everyone's got a different story. | 0:08:22 | 0:08:24 | |
On one side - the two extremes - you've got people who say | 0:08:24 | 0:08:27 | |
they were lovely boys, you know, and they were kind to children | 0:08:27 | 0:08:30 | |
and old people, like Robin Hood figures, you know? | 0:08:30 | 0:08:32 | |
And on the other side you would have people who would say | 0:08:32 | 0:08:34 | |
they were terrifying, you know, they were evil and things like... | 0:08:34 | 0:08:37 | |
Capable of doing really, really awful things including the murder | 0:08:37 | 0:08:40 | |
in this pub in 1966. | 0:08:40 | 0:08:42 | |
So that's why they've become legendary, because no-one can really | 0:08:42 | 0:08:46 | |
agree on what's true, really, and what isn't, that's the main thing. | 0:08:46 | 0:08:49 | |
Do you think it's because of the strength of the image | 0:08:49 | 0:08:51 | |
that they managed to create for themselves? | 0:08:51 | 0:08:53 | |
It's managed to, you know, last decades, | 0:08:53 | 0:08:55 | |
long after they finished round here. | 0:08:55 | 0:08:57 | |
Yes, regardless of how many times they appeared in the newspapers | 0:08:57 | 0:09:00 | |
when they were in prison, they were sort of set in stone | 0:09:00 | 0:09:03 | |
really in the '60s - that's the image... You know, you don't | 0:09:03 | 0:09:05 | |
-think of them as the grey-haired men and all the rest of it. -No. | 0:09:05 | 0:09:08 | |
That's the image they had - that sort of hard, cold, gangster image. | 0:09:08 | 0:09:11 | |
The Krays were out of control, and getting away with murder. | 0:09:13 | 0:09:17 | |
But The Blind Beggar killing would eventually come back to bite them. | 0:09:19 | 0:09:23 | |
-Well... -You know, Si, it's not that long ago, | 0:09:25 | 0:09:29 | |
but it does seem to be part of a different world altogether. | 0:09:29 | 0:09:32 | |
Right, it's like... It was a world of saints and sinners, wasn't it? | 0:09:32 | 0:09:35 | |
Here, here's a bit of trivia for you, mate. | 0:09:35 | 0:09:37 | |
Right at this very spot in 1865, | 0:09:37 | 0:09:41 | |
William Booth stood right here, | 0:09:41 | 0:09:42 | |
who was the founder of the Salvation Army, | 0:09:42 | 0:09:46 | |
and gave a speech to the locals | 0:09:46 | 0:09:47 | |
to save their souls from the demon drink. | 0:09:47 | 0:09:50 | |
Well, do you know, it's a pity he wasn't there | 0:09:50 | 0:09:52 | |
to sort the Krays out, ain't it? | 0:09:52 | 0:09:54 | |
And there's some great yarns behind our pub signs, too. | 0:09:57 | 0:10:00 | |
Here's three of our East End faves. | 0:10:01 | 0:10:03 | |
Nice and gory for you! | 0:10:03 | 0:10:05 | |
The Bleeding Heart Tavern is home to a 17th-century murder mystery. | 0:10:08 | 0:10:13 | |
The story goes that the body of a young woman was found outside, | 0:10:13 | 0:10:18 | |
torn limb from limb, with her heart still pumping blood. | 0:10:18 | 0:10:22 | |
Bleargh! | 0:10:22 | 0:10:24 | |
Down the road, The Ten Bells rings alarm bells. | 0:10:24 | 0:10:27 | |
Two of Jack the Ripper's victims were supposedly stalked | 0:10:27 | 0:10:30 | |
in this very pub. | 0:10:30 | 0:10:32 | |
And close to Tower Hill is The Hung Drawn and Quartered, | 0:10:35 | 0:10:38 | |
where in medieval times traitors were, you've guessed it, | 0:10:38 | 0:10:41 | |
hung, drawn and quartered. | 0:10:41 | 0:10:43 | |
Back on the mean streets, we're still on the trail of the Krays. | 0:10:48 | 0:10:52 | |
The East End pubs were central to their criminal deeds, | 0:10:53 | 0:10:55 | |
and the locals knew to keep their mouths shut. | 0:10:55 | 0:10:58 | |
Ere, you fancy a ball and chalk? It'll keep us out of Barney Rubble. | 0:11:00 | 0:11:05 | |
If you keep that up, Myers, we're going to end up brown bread - dead. | 0:11:05 | 0:11:08 | |
-Here. -What? | 0:11:08 | 0:11:10 | |
I don't wish to worry you, but there's a fellow in there | 0:11:10 | 0:11:12 | |
-following us in a Jag. -Is there? | 0:11:12 | 0:11:15 | |
Oh, no, no, this is me lift! This is Bernie, associate of the Krays. | 0:11:15 | 0:11:19 | |
-I've two words to say to you. -What? | 0:11:19 | 0:11:21 | |
Concrete wellies. | 0:11:21 | 0:11:23 | |
'Cool your jets, mucker, it's only Bernie - | 0:11:23 | 0:11:26 | |
'the Krays' former mechanic.' | 0:11:26 | 0:11:27 | |
Hi, Bernie! All right? | 0:11:28 | 0:11:30 | |
'The twins flaunted their wealth.' | 0:11:30 | 0:11:33 | |
-Oh, what a lovely motor! -HE LAUGHS | 0:11:33 | 0:11:35 | |
'And especially loved flash cars.' | 0:11:35 | 0:11:37 | |
'Bernie Fineman is giving me the inside story.' | 0:11:41 | 0:11:44 | |
So, Bernie, how did you get to know the twins? | 0:11:46 | 0:11:49 | |
I was introduced to them when I was drinking one night | 0:11:49 | 0:11:51 | |
-in The Blind Beggar by a pal of mine called Jimmy Nunn. -Right. | 0:11:51 | 0:11:54 | |
It was put to them that I was an honest guy. | 0:11:54 | 0:11:56 | |
I was only young - I was only 19, | 0:11:56 | 0:11:58 | |
but I was a good mechanic even at 19, | 0:11:58 | 0:12:00 | |
and they felt comfortable with me | 0:12:00 | 0:12:02 | |
and I used to repair all their cars for them. | 0:12:02 | 0:12:05 | |
Today's East End is nothing like it was in the '60s, | 0:12:05 | 0:12:08 | |
but Bernie, for one, is a bit nostalgic. | 0:12:08 | 0:12:11 | |
It's modernised completely. | 0:12:12 | 0:12:15 | |
In my old days people never had any money. | 0:12:15 | 0:12:17 | |
You never saw hundreds of cafes and, you know, | 0:12:17 | 0:12:20 | |
there was always a pub, | 0:12:20 | 0:12:22 | |
because a pub was a place where the family went. | 0:12:22 | 0:12:25 | |
The pubs were also at the heart of the Krays' criminal operations. | 0:12:28 | 0:12:32 | |
But some of their "business" was carried out in less cosy locations. | 0:12:32 | 0:12:37 | |
I want to show you where the boys sometimes used to hang out, | 0:12:37 | 0:12:41 | |
and one particular place where they would deal with due diligence | 0:12:41 | 0:12:45 | |
if you really upset them, | 0:12:45 | 0:12:46 | |
and they would either beat you up, | 0:12:46 | 0:12:48 | |
or maybe even worse. | 0:12:48 | 0:12:50 | |
These dimly lit railway arches were well-hidden from prying eyes. | 0:12:52 | 0:12:57 | |
-SI EXHALES -This is one of them. | 0:12:59 | 0:13:04 | |
You wouldn't want to be left down here... | 0:13:04 | 0:13:06 | |
There never used to be lights down here, | 0:13:06 | 0:13:07 | |
-there was only ever one light which was lit up. -Right. | 0:13:07 | 0:13:10 | |
Things used to go on here, illegal gambling clubs, | 0:13:13 | 0:13:15 | |
people taught a lesson. | 0:13:15 | 0:13:18 | |
People being taught a lesson meant a good hiding. | 0:13:18 | 0:13:21 | |
It is a fearsome place. I mean, you know, when you see it, | 0:13:23 | 0:13:26 | |
and you stand there, and you walk down past those arches, it... | 0:13:26 | 0:13:31 | |
I tell you something, I still get a shiver down my spine, | 0:13:31 | 0:13:34 | |
-there's something... -Something not right. | 0:13:34 | 0:13:36 | |
There's something not quite right about it. | 0:13:36 | 0:13:39 | |
'I tell you what, Dave, | 0:13:39 | 0:13:41 | |
'you had to be a tough character to survive in the old East End.' | 0:13:41 | 0:13:44 | |
And for many it started here, at the Repton Boxing Club. | 0:13:46 | 0:13:49 | |
This is where Ronnie and Reggie first learned to use their fists. | 0:13:55 | 0:14:00 | |
Writer Jeff Edwards has come to the club to tell me more. | 0:14:04 | 0:14:07 | |
-Hello, Dave. -Hello, nice to see you. -Nice to meet you. | 0:14:10 | 0:14:13 | |
Some atmosphere this place has got, some history. | 0:14:13 | 0:14:16 | |
Hey, this is the most famous boxing club in Britain, I would think. | 0:14:16 | 0:14:19 | |
More champions out of this club than any other - hundreds of them. | 0:14:19 | 0:14:22 | |
500, I think, you know, in its history. | 0:14:22 | 0:14:24 | |
-And part of the club was the Kray twins. -Well, they were very much. | 0:14:24 | 0:14:27 | |
In the 1940s, 1950s this was part of their growing-up world. | 0:14:27 | 0:14:31 | |
They were very young into boxing and this was just round the corner | 0:14:31 | 0:14:35 | |
from where they lived. | 0:14:35 | 0:14:36 | |
If they hadn't become gangsters, | 0:14:36 | 0:14:37 | |
do you think they could have made it as professional boxers? | 0:14:37 | 0:14:40 | |
Oh, yeah, they could have made it as pros. | 0:14:40 | 0:14:42 | |
They did turn pro for a little while, but of course the trouble was | 0:14:42 | 0:14:45 | |
that they also tended to get into fights and trouble | 0:14:45 | 0:14:47 | |
outside of the ring, and that... | 0:14:47 | 0:14:48 | |
Once they came to the attention of the police, they weren't able | 0:14:48 | 0:14:51 | |
to keep their, you know, professional boxing licences, | 0:14:51 | 0:14:53 | |
so really that scuppered their career. | 0:14:53 | 0:14:55 | |
But had they kept on the straight and narrow, | 0:14:55 | 0:14:57 | |
a lot of experts on boxing from that period | 0:14:57 | 0:15:00 | |
say they could have gone on to be champions, yeah. | 0:15:00 | 0:15:04 | |
The teenage Krays were gaining fearsome reputations | 0:15:04 | 0:15:06 | |
and using them to their advantage. | 0:15:06 | 0:15:09 | |
They were all street-fighters. | 0:15:12 | 0:15:14 | |
There were gangs round here then, | 0:15:14 | 0:15:16 | |
and there was a great tradition of fighting, you know, | 0:15:16 | 0:15:18 | |
in a docklands community. This was a tough place to grow up. | 0:15:18 | 0:15:21 | |
You had to fight. You know, if you couldn't fight | 0:15:21 | 0:15:24 | |
-then you wouldn't achieve a place in society - local society. -Right. | 0:15:24 | 0:15:28 | |
So violence really, you know, was second nature to them. | 0:15:28 | 0:15:31 | |
Mmm. Well, the only kind punch I'm fond of | 0:15:36 | 0:15:39 | |
'is one you get, like, in a crystal bowl.' | 0:15:39 | 0:15:42 | |
'But, you know, I'm willing to give boxing a go.' | 0:15:42 | 0:15:46 | |
I'm going to fight like a butterfly, sting like a bee. | 0:15:46 | 0:15:48 | |
Put your dukes up! | 0:15:48 | 0:15:51 | |
'Weighing in at... Well, none of your business!' | 0:15:51 | 0:15:53 | |
'..it's Dave "the Rave" Myers.' | 0:15:53 | 0:15:57 | |
'They've trained countless champions here, and it's time for me | 0:16:00 | 0:16:03 | |
'and Gary to get ready to rumble!' | 0:16:03 | 0:16:05 | |
Over here, over here, Dave. | 0:16:07 | 0:16:09 | |
Mind me tash, me glasses. | 0:16:09 | 0:16:11 | |
Stick 'em up, away you go. | 0:16:11 | 0:16:13 | |
Take a step. Give yourself room. | 0:16:14 | 0:16:16 | |
Move round. | 0:16:18 | 0:16:19 | |
Not too far! | 0:16:19 | 0:16:20 | |
Get your hands up there, just up there. | 0:16:20 | 0:16:22 | |
One-two! | 0:16:24 | 0:16:26 | |
-Hup! -Hup! Hup! | 0:16:26 | 0:16:28 | |
'Personally, I think I'd rather be in the pub.' | 0:16:30 | 0:16:33 | |
I bet Kingy's having an easier time, | 0:16:33 | 0:16:35 | |
sitting there in the back of his Jag. | 0:16:35 | 0:16:37 | |
Oi, come on! Less of that, let's go. | 0:16:37 | 0:16:39 | |
'It's not just a jaunt in a Jag, you know!' | 0:16:41 | 0:16:44 | |
Bernie's taking me to the Krays' favourite cafe. | 0:16:44 | 0:16:48 | |
Pellicci's has been going for over 100 years. | 0:16:48 | 0:16:51 | |
-Oh, wow. So this is it, Bernie? -That's it, my son. | 0:16:55 | 0:16:57 | |
Where did they used to sit? | 0:16:57 | 0:17:00 | |
-Generally they were in the corner... -So they could see the door! | 0:17:00 | 0:17:03 | |
-So they could see the door. -Yeah, absolutely. | 0:17:03 | 0:17:05 | |
Yeah, used to come here about five, six o'clock in the morning, | 0:17:05 | 0:17:08 | |
because they'd always open early. | 0:17:08 | 0:17:10 | |
And what's the best thing you want to do after you've been | 0:17:10 | 0:17:12 | |
out on the booze all night or you've been doing business? | 0:17:12 | 0:17:15 | |
-A big fry-up. -Great. | 0:17:15 | 0:17:16 | |
-And you can't get any better than Pellicci's. -Right, well, you're on. | 0:17:16 | 0:17:20 | |
I tell you what, how about a bacon and egg sandwich? | 0:17:20 | 0:17:23 | |
-I know... -I'm in love! -Oh, right! | 0:17:23 | 0:17:25 | |
Let's have one, let's have one. | 0:17:25 | 0:17:27 | |
'Anna's a third-generation Pellicci and has worked here all her life.' | 0:17:27 | 0:17:32 | |
How long has the cafe been in the family? | 0:17:32 | 0:17:34 | |
Oh, God, just over 100 years. | 0:17:34 | 0:17:35 | |
My grandparents, those two on the wall... | 0:17:35 | 0:17:37 | |
-You don't look that old! -I'm doing good for me age. | 0:17:37 | 0:17:40 | |
You're doing well. | 0:17:40 | 0:17:41 | |
-I've had, I've had a few shots. -I'm going to get a slap in a minute. | 0:17:41 | 0:17:44 | |
-But my grandparents started it over 100 years ago. -Fantastic. | 0:17:44 | 0:17:47 | |
-My dad, God rest him... -You don't remember me, do you? | 0:17:47 | 0:17:49 | |
No, I don't. My dad would remember you. | 0:17:49 | 0:17:51 | |
Obviously, my dad's not here but... | 0:17:51 | 0:17:52 | |
I used to be Ronnie and Reggie's mechanic. | 0:17:52 | 0:17:55 | |
-Really? -Yeah. -Yeah. -I remember... | 0:17:55 | 0:17:56 | |
Ronnie and Reggie, they were already on holiday | 0:17:56 | 0:17:58 | |
-when I was born but... -I used to come here with a few of the guys - | 0:17:58 | 0:18:01 | |
-a guy called Jimmy Nunn... -SI LAUGHS | 0:18:01 | 0:18:03 | |
She's just gone, "Ronnie and Reggie, they were already on holiday," | 0:18:03 | 0:18:06 | |
which meant they were in the nick. | 0:18:06 | 0:18:08 | |
Proper East End, this. Brilliant. | 0:18:08 | 0:18:10 | |
-Thank you, my darling. God bless you. -No, no, that's for the tip. | 0:18:10 | 0:18:14 | |
-Please, young man, please. Thank you very much. -Bye-bye, sweetheart. | 0:18:14 | 0:18:17 | |
Nice to see you, sir. All the best. Lovely to meet you, young man. | 0:18:17 | 0:18:21 | |
Say hello to your other skinny mate, won't you? | 0:18:21 | 0:18:23 | |
Whoa, I can't believe this, Kingy! | 0:18:23 | 0:18:25 | |
I'm sweating buckets in the boxing ring and there you are | 0:18:25 | 0:18:28 | |
tucking into a bacon sarnie. | 0:18:28 | 0:18:30 | |
I know I'm supposed to be on a diet, and it's a bacon and egg sandwich, | 0:18:31 | 0:18:34 | |
but I've got to eat, haven't I, | 0:18:34 | 0:18:36 | |
in Pellicci's, where the Kray twins ate? | 0:18:36 | 0:18:38 | |
Pellicci's has a band of loyal customers. | 0:18:39 | 0:18:42 | |
And the same can be said of traditional East End pubs. | 0:18:45 | 0:18:48 | |
They'd be nothing without their passionate punters. | 0:18:48 | 0:18:51 | |
So let's meet an East End local who loves his local. | 0:18:51 | 0:18:55 | |
You'll find The Lord Cardigan in the East End district of Bow. | 0:18:58 | 0:19:01 | |
Ray Gipson has been coming to this 19th-century boozer for years. | 0:19:03 | 0:19:07 | |
And he's ever so fond of it. | 0:19:10 | 0:19:12 | |
-All right, Ray? -Right, yeah, thank you. | 0:19:16 | 0:19:19 | |
Pubs have always been my community centre, | 0:19:19 | 0:19:23 | |
and all my life it's where I've met all my friends. | 0:19:23 | 0:19:26 | |
There was a time when there was a pub | 0:19:29 | 0:19:31 | |
on pretty much every corner around here. | 0:19:31 | 0:19:34 | |
But Ray's seen 90 East End boozers close | 0:19:34 | 0:19:37 | |
in the last three years alone. | 0:19:37 | 0:19:39 | |
A lot of people don't realise what we're letting go. | 0:19:39 | 0:19:42 | |
They don't realise it's part of our heritage. | 0:19:42 | 0:19:46 | |
This pub, this little pub The Lord Cardigan, brings people together. | 0:19:46 | 0:19:50 | |
When I first started coming into the pubs | 0:19:50 | 0:19:53 | |
it was the place you went for everything. | 0:19:53 | 0:19:57 | |
I can remember most of the publicans in the 1950s and '60s, | 0:19:57 | 0:20:01 | |
when I was a young man, if you wanted your passport signed, | 0:20:01 | 0:20:06 | |
they was the only people who could do it. | 0:20:06 | 0:20:09 | |
You went to see the publican | 0:20:09 | 0:20:11 | |
because they was upright and just. | 0:20:11 | 0:20:15 | |
Ray and his mates, who've nicknamed themselves The Geezers, | 0:20:15 | 0:20:19 | |
are campaigning to keep their boozers open... | 0:20:19 | 0:20:21 | |
420. | 0:20:21 | 0:20:23 | |
..and traditions like East End darts alive. | 0:20:23 | 0:20:26 | |
It's played on a board where all the numbers are divisible by five. | 0:20:26 | 0:20:31 | |
Certainly makes the maths easier after a few pints! | 0:20:31 | 0:20:35 | |
If Ray and The Geezers are anything to go by, | 0:20:35 | 0:20:38 | |
the heritage of East End pubs are in safe hands for now. | 0:20:38 | 0:20:42 | |
I don't believe it, Tone. | 0:20:42 | 0:20:44 | |
'Back on our Krays pub tour, we're right in the heart | 0:20:47 | 0:20:51 | |
'of their manor, where it all began.' | 0:20:51 | 0:20:53 | |
And we're heading to a pub where ultimately | 0:20:55 | 0:20:58 | |
it all came crashing down. | 0:20:58 | 0:21:00 | |
The Krays, they didn't stray far from home, did they, Kingy? | 0:21:01 | 0:21:04 | |
No, mate, they didn't. Look, over there, Vallance Road | 0:21:04 | 0:21:06 | |
is where they used to live, and here is their primary school. | 0:21:06 | 0:21:10 | |
DAVE EXHALES | 0:21:10 | 0:21:12 | |
I wouldn't like to have been one of their teachers. | 0:21:12 | 0:21:14 | |
No, I know what you mean. And here, believe it or not, is their local. | 0:21:14 | 0:21:17 | |
-Oh, shall we? -I think so. | 0:21:17 | 0:21:20 | |
The Carpenter's Arms is closely linked to an incident | 0:21:20 | 0:21:23 | |
that would eventually lead to the Krays' undoing. | 0:21:23 | 0:21:25 | |
They'd been arrested a number of times, | 0:21:26 | 0:21:29 | |
but the police were finding it hard to make anything stick. | 0:21:29 | 0:21:33 | |
-Thank you, sir. -Cheers, gents. -Cheers. | 0:21:33 | 0:21:35 | |
Former defence lawyer James Morton has come to tell us | 0:21:36 | 0:21:39 | |
how they were finally brought to justice. | 0:21:39 | 0:21:42 | |
So, James, what would a... | 0:21:42 | 0:21:43 | |
What would a typical night out with the Krays be like? | 0:21:43 | 0:21:46 | |
These pubs round here would be sort of two-roomed, | 0:21:46 | 0:21:49 | |
with the saloon bar, the public bar. | 0:21:49 | 0:21:51 | |
They would occupy the saloon bar, | 0:21:51 | 0:21:53 | |
and it would be full of Kray supporters, friends, hangers-on, | 0:21:53 | 0:21:56 | |
and it wouldn't be the sort of place | 0:21:56 | 0:21:58 | |
where outsiders would want to muscle in at all. | 0:21:58 | 0:22:02 | |
So, James, you started life as a defence lawyer. | 0:22:02 | 0:22:05 | |
Yeah, I was a defence lawyer and just about the time the Krays | 0:22:05 | 0:22:10 | |
were coming to the end was when I started, I qualified. | 0:22:10 | 0:22:14 | |
What was the inside gossip in the chambers of barristers | 0:22:14 | 0:22:17 | |
and lawyers at the time? | 0:22:17 | 0:22:18 | |
Well, the inside gossip was that they thought they were untouchable. | 0:22:18 | 0:22:21 | |
People would say that if you went in a police station | 0:22:21 | 0:22:24 | |
to make a statement about the Krays, by the time you came out | 0:22:24 | 0:22:27 | |
the Krays would have a copy of your statement. | 0:22:27 | 0:22:30 | |
They had a great in with certain police. | 0:22:30 | 0:22:33 | |
The Krays couldn't stay untouchable forever. | 0:22:35 | 0:22:37 | |
In October 1967, a brutal encounter with former associate | 0:22:38 | 0:22:43 | |
Jack "The Hat" McVitie was to be the beginning of the end. | 0:22:43 | 0:22:47 | |
They were in here, in fact, one Saturday night | 0:22:50 | 0:22:54 | |
at the end of October. | 0:22:54 | 0:22:55 | |
Ronnie and Reggie somehow had a bit of a quarrel | 0:22:55 | 0:22:58 | |
and the mood totally changed. | 0:22:58 | 0:23:01 | |
Ronnie... Reggie says, "I'm now going to have a party, | 0:23:01 | 0:23:04 | |
"we're all going off to Evering Road." | 0:23:04 | 0:23:06 | |
Two people were sent off to find and get McVitie | 0:23:06 | 0:23:10 | |
to come to the "party". | 0:23:10 | 0:23:12 | |
Another person was sent to bring a gun. | 0:23:12 | 0:23:16 | |
McVitie comes down, sort of dancing down the stairs | 0:23:16 | 0:23:19 | |
thinking he's actually going to a party and saying, | 0:23:19 | 0:23:22 | |
-"Where's the women? Where's the women?" -Mm-hmm. | 0:23:22 | 0:23:25 | |
And Reggie tries to shoot him. | 0:23:25 | 0:23:28 | |
The gun sticks and doesn't fire properly, | 0:23:28 | 0:23:31 | |
and Reggie takes a knife to him. | 0:23:31 | 0:23:33 | |
McVitie tried to escape through a window | 0:23:33 | 0:23:35 | |
and was pulled back and stabbed to death. | 0:23:35 | 0:23:37 | |
In typical Kray style, Reggie's grudge against Jack The Hat | 0:23:39 | 0:23:43 | |
meant no mercy. | 0:23:43 | 0:23:45 | |
The end result - cold-blooded murder. | 0:23:45 | 0:23:47 | |
So they'd got to a point where they were completely out of control. | 0:23:49 | 0:23:52 | |
Yes, I think that's right. They were absolutely out of control, | 0:23:52 | 0:23:55 | |
By 19 - what would it be? - '67, | 0:23:55 | 0:23:57 | |
they thought they were God. | 0:23:57 | 0:23:59 | |
It seems to me now that going out for a pint in a pub round here | 0:23:59 | 0:24:02 | |
-was risky business. -Well, I think it was, yes. | 0:24:02 | 0:24:04 | |
You had to choose your pub and you had to very careful | 0:24:04 | 0:24:07 | |
-who you looked at and what you said. -Yes. | 0:24:07 | 0:24:09 | |
-Well, I'm glad it's a bit more friendly now. -Same here. | 0:24:09 | 0:24:11 | |
-ALL: -Cheers. | 0:24:11 | 0:24:13 | |
Just seven months later, in May 1968, | 0:24:16 | 0:24:19 | |
the police conducted a dawn raid on a high-rise flat | 0:24:19 | 0:24:22 | |
belonging to the Krays' mum Violet. | 0:24:22 | 0:24:25 | |
The twins were in bed sleeping | 0:24:25 | 0:24:27 | |
and were arrested on suspicion of several crimes. | 0:24:27 | 0:24:29 | |
Witnesses were persuaded to testify, | 0:24:32 | 0:24:34 | |
and the twins were at last convicted of the killing of Jack the Hat | 0:24:34 | 0:24:38 | |
and the Blind Beggar murder of George Cornell. | 0:24:38 | 0:24:41 | |
They spent the rest of their lives in jail. | 0:24:43 | 0:24:46 | |
Ronnie died in 1995. | 0:24:46 | 0:24:48 | |
Thousands lined the streets of the East End for his funeral cortege. | 0:24:48 | 0:24:52 | |
Reggie died five years later. | 0:24:58 | 0:25:00 | |
He too had an extravagant sendoff. | 0:25:00 | 0:25:02 | |
The final chapter of this story lies with Gary Driscoll, | 0:25:09 | 0:25:12 | |
who's been singing in East End pubs for over 20 years. | 0:25:12 | 0:25:16 | |
-Hello, Gary. -Hello, you all right? -Nice to see you. | 0:25:16 | 0:25:18 | |
Happy to see you, yeah. | 0:25:18 | 0:25:20 | |
'15 years ago, he got a booking for a rather unconventional gig.' | 0:25:20 | 0:25:25 | |
Did you sing at the wake of Reggie Kray? | 0:25:25 | 0:25:27 | |
That's correct, yeah, yeah. It was about 2000, it was, yeah. | 0:25:27 | 0:25:30 | |
So how did that come about? | 0:25:30 | 0:25:31 | |
Well, I was living in the area, in Bethnal Green here, | 0:25:31 | 0:25:33 | |
and I was always singing in the local pubs, you know? | 0:25:33 | 0:25:37 | |
And I got a call one day from a friend of mine, the Governor, | 0:25:37 | 0:25:40 | |
and he said, "Look," he said. "What you doing Thursday night?" | 0:25:40 | 0:25:43 | |
or whatever it was. And I said... Thursday afternoon. I said, | 0:25:43 | 0:25:46 | |
"Nothing," He said, "Do you want to sing at a funeral?" | 0:25:46 | 0:25:48 | |
And I said, "That's unusual, isn't it?" | 0:25:48 | 0:25:50 | |
"Do they really want a crooner at a funeral?" | 0:25:50 | 0:25:52 | |
He said, "It's at the wake." And I said, "Anybody I know?" | 0:25:52 | 0:25:54 | |
And he said, "Reggie Kray." And I went, "All right, OK..." | 0:25:54 | 0:25:57 | |
I said, "I'll have a think about that." I said, "All right, then, | 0:25:57 | 0:26:00 | |
"let's do it." You know? So I went along and, yeah, | 0:26:00 | 0:26:04 | |
it was like... It was mobbed with, | 0:26:04 | 0:26:06 | |
well, gangsters, really, I would say. | 0:26:06 | 0:26:08 | |
So what's the connection with the East End and crooning then? | 0:26:08 | 0:26:11 | |
-What's... What is it? -I think really, I would say... | 0:26:11 | 0:26:13 | |
Years ago, like, every pub in the East End... | 0:26:13 | 0:26:15 | |
I think most of London would have a joanna in the corner, you know? | 0:26:15 | 0:26:18 | |
And it's easy to do the crooning songs with a piano. | 0:26:18 | 0:26:21 | |
-I think that's really where it... -That's the tradition. -Yeah. | 0:26:21 | 0:26:23 | |
There's a lot of people brought up on that, and they think of their... | 0:26:23 | 0:26:26 | |
A lot of them think, like... They ask me, even the younger guys | 0:26:26 | 0:26:29 | |
say, "Can you do this song, can you do that song?" | 0:26:29 | 0:26:31 | |
"It reminds me of my grandad, reminds me of my dad." | 0:26:31 | 0:26:33 | |
So it's still there, you know? They still like the old songs. | 0:26:33 | 0:26:36 | |
-It's still there in the pubs? -That's right. Oh, yeah, yeah, yeah. | 0:26:36 | 0:26:38 | |
'Reggie's friends asked Gary to sing a Frank Sinatra classic | 0:26:38 | 0:26:42 | |
'for the funeral, and we're hoping for a repeat performance.' | 0:26:42 | 0:26:45 | |
-Oh, Gary, could you just give us a treat? -Go on! | 0:26:45 | 0:26:48 | |
Just a few bars of My Way. | 0:26:48 | 0:26:50 | |
-Right, OK, I'll give it a go. -Got to join in, mind, right? | 0:26:50 | 0:26:53 | |
-If know the words. -Yeah, please do, yeah. -Come on. | 0:26:53 | 0:26:56 | |
# And now the end is near | 0:26:56 | 0:27:00 | |
# And so I face the final curtain | 0:27:00 | 0:27:05 | |
# My friend, I'll say it clear | 0:27:05 | 0:27:09 | |
# I'll state my case of which I'm certain | 0:27:09 | 0:27:15 | |
# I've lived a life that's full | 0:27:15 | 0:27:20 | |
# I've travelled each and every highway | 0:27:20 | 0:27:26 | |
# And more, much more than this | 0:27:26 | 0:27:31 | |
# I did it my way. # | 0:27:31 | 0:27:36 | |
CHEERING | 0:27:36 | 0:27:38 | |
Cheers! Thank you! | 0:27:38 | 0:27:40 | |
-Cheers. -Cheers, thanks for coming. Beautiful singing. | 0:27:40 | 0:27:43 | |
MUSIC: My Way by Shane MacGowan | 0:27:44 | 0:27:50 | |
The Krays carried out some of their most evil deeds from East End pubs. | 0:27:57 | 0:28:01 | |
MUSIC: My Way by Shane MacGowan | 0:28:01 | 0:28:05 | |
But the East End's got more to offer | 0:28:09 | 0:28:11 | |
than just gangsters and great boozers. | 0:28:11 | 0:28:14 | |
You're telling me - it's even got its own rhyming slang. | 0:28:14 | 0:28:18 | |
COCKNEY ACCENT: Ere, this ain't a bad drop, this local stuff, is it? | 0:28:18 | 0:28:21 | |
Right, smarty-pants, you've been doing my loaf in | 0:28:21 | 0:28:24 | |
all day with your mockney-cockney accent. | 0:28:24 | 0:28:26 | |
Here's a bit of trivia for you. | 0:28:26 | 0:28:27 | |
When was the first literary reference to the word cock-ee-nee? | 0:28:27 | 0:28:32 | |
Ain't got a scooby. | 0:28:32 | 0:28:34 | |
SI SIGHS | 0:28:34 | 0:28:35 | |
It was in Chaucer's The Canterbury Tales. | 0:28:35 | 0:28:39 | |
-Ooh! Now look who's a little smarty-pants, then! -Get off! | 0:28:39 | 0:28:44 |