Browse content similar to Glasgow. Check below for episodes and series from the same categories and more!
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'Pubs have been at the heart of Britain for hundreds of years.' | 0:00:00 | 0:00:04 | |
Cheers, mucker. | 0:00:04 | 0:00:06 | |
'In city taverns and village inns, | 0:00:06 | 0:00:08 | |
'landlords have pulled pints for locals, travellers' | 0:00:08 | 0:00:12 | |
and, well, the odd king or two. Myself included. | 0:00:12 | 0:00:15 | |
Try and have a drink now. | 0:00:15 | 0:00:17 | |
GLASS CLINKS | 0:00:17 | 0:00:20 | |
But with 30 pubs closing every week, our historic taverns need defending. | 0:00:20 | 0:00:25 | |
Step. Step. | 0:00:25 | 0:00:27 | |
We're heading out to discover amazing stories linked to the | 0:00:27 | 0:00:30 | |
nation's watering holes. | 0:00:30 | 0:00:32 | |
-Not far to go? -How far? -Couple of miles. -What? | 0:00:32 | 0:00:36 | |
-'From the Wars of the Roses.' -To shipbuilding on the Clyde. | 0:00:36 | 0:00:41 | |
-We've ditched our bikes so that we can sample an ale or two. -Get in! | 0:00:41 | 0:00:46 | |
-This is very good. -THEY LAUGH | 0:00:46 | 0:00:48 | |
'So join us for...' | 0:00:48 | 0:00:50 | |
BOTH: The Hairy Bikers' Pubs That Built Britain. | 0:00:50 | 0:00:53 | |
'Today's historic pub crawl takes us to Glasgow | 0:00:59 | 0:01:01 | |
'and her illustrious shipbuilding past.' | 0:01:01 | 0:01:04 | |
Tens of thousands worked on Clydeside and after a hard | 0:01:04 | 0:01:08 | |
day's graft, the race was on for a well-earned pint down the boozer. | 0:01:08 | 0:01:11 | |
Boozers - where we hope to uncover fascinating stories | 0:01:11 | 0:01:15 | |
of Glasgow's glory days. | 0:01:15 | 0:01:18 | |
Welcome to Glasgow and the River Clyde - the launching | 0:01:18 | 0:01:20 | |
site of many famous ships such as the Queen Mary and the QE2. | 0:01:20 | 0:01:24 | |
What are you wearing that hat for? | 0:01:24 | 0:01:26 | |
This is the hat the foreman in the shipyard would wear. | 0:01:26 | 0:01:29 | |
If you were a welder, I would be your boss | 0:01:29 | 0:01:31 | |
-and I would stop you going out for a swally. -A what? -A swally. | 0:01:31 | 0:01:35 | |
It's Glaswegian for drink. And I'll be keeping an eye on you, laddie. | 0:01:35 | 0:01:40 | |
Glasgow's rise as a world leader in shipbuilding began 1812, | 0:01:41 | 0:01:46 | |
with Europe's first commercially successful steam-powered passenger ship. | 0:01:46 | 0:01:51 | |
And painful as it is to a Tynesider, 100 years later, | 0:01:51 | 0:01:54 | |
Clyde-built had become a byword for the best shipbuilding in the world. | 0:01:54 | 0:01:59 | |
In fact, some say the boys from the Clyde built the ships that | 0:01:59 | 0:02:03 | |
built the British Empire and won us two world wars. | 0:02:03 | 0:02:06 | |
Just imagine, mucker - nearly 40 yards employed 100,000 men, | 0:02:06 | 0:02:12 | |
all dying for a pint at the same time. | 0:02:12 | 0:02:14 | |
Our first port of call is Govan, | 0:02:14 | 0:02:17 | |
right in the heart of Glasgow's shipbuilding. | 0:02:17 | 0:02:19 | |
Here you go, mate. Brechins Bar. | 0:02:19 | 0:02:21 | |
One of the last shipyard pubs left on Govan Road. | 0:02:21 | 0:02:24 | |
You can just imagine it, can't you, Si? | 0:02:24 | 0:02:26 | |
The shipyard hooter goes and hundreds of men dash out, | 0:02:26 | 0:02:29 | |
wanting to be the first in the pub to get a pint. | 0:02:29 | 0:02:31 | |
Tell you what, you want to be the first at the bar, that's for sure. | 0:02:31 | 0:02:34 | |
-Race you. -You toad. | 0:02:34 | 0:02:37 | |
This listed Scots baronial building dates back to 1894, | 0:02:40 | 0:02:44 | |
and on its facade - a cat, in memory of an infamous rat catcher that worked Govan's shipyard and docks. | 0:02:44 | 0:02:51 | |
Locals know Brechins as The Black Man after the statue | 0:02:54 | 0:02:57 | |
of this guy - Sir William Pearce. | 0:02:57 | 0:02:59 | |
In the 19th century, he turned nearby Fairfields shipyard into a world leader. | 0:02:59 | 0:03:04 | |
The yard survives today as part of BAE Systems. | 0:03:06 | 0:03:09 | |
-This is a cracking pub, isn't it? It's a proper pub. -Isn't it? | 0:03:09 | 0:03:14 | |
'Shipyard historian Ian Johnson is giving us | 0:03:14 | 0:03:17 | |
'the lowdown on the golden age of Clyde's best boozers. | 0:03:17 | 0:03:21 | |
-'The pubs, that is.' -Was the pub part of shipbuilding culture then, Ian? | 0:03:21 | 0:03:25 | |
Cos it seems to be. | 0:03:25 | 0:03:27 | |
It would be difficult to avoid a pub, because there was so many | 0:03:27 | 0:03:30 | |
of them outside the shipyards, so you couldn't really miss one. | 0:03:30 | 0:03:34 | |
And it was very much a part of where people | 0:03:34 | 0:03:36 | |
went at the end of a shift, at the end of a day. | 0:03:36 | 0:03:39 | |
They would come in because it was such difficult work. Very hard work. | 0:03:39 | 0:03:42 | |
In many cases, they would want to come and have a refreshment, to put it mildly. | 0:03:42 | 0:03:46 | |
Do you think the pubs were built to service the shipyards? | 0:03:46 | 0:03:49 | |
Most certainly. It was a roaring trade. They had a captive market. | 0:03:49 | 0:03:53 | |
In this part of Govan or Glasgow, | 0:03:53 | 0:03:56 | |
you had about 20,000 shipyard workers in the heyday. | 0:03:56 | 0:03:59 | |
That's a lot of people hanging out at the end of a shift. | 0:03:59 | 0:04:02 | |
-Lot of people. -A lot of thirsty people, that is. | 0:04:02 | 0:04:06 | |
Which led to dozens of pubs springing up besides Brechins | 0:04:06 | 0:04:09 | |
along Govan Road. | 0:04:09 | 0:04:12 | |
Every one filled to the gunnels with riveters, platers and welders, | 0:04:12 | 0:04:15 | |
after a hard day's work in the noise and cold of the Clyde. | 0:04:15 | 0:04:19 | |
But women weren't encouraged, so your missus might come to the yard gates | 0:04:20 | 0:04:24 | |
on a Friday to stop you wasting your wages on the bevvy. | 0:04:24 | 0:04:28 | |
I think because it was such arduous work, such physical work - | 0:04:28 | 0:04:32 | |
and in all conditions - that you needed to come to the pub | 0:04:32 | 0:04:34 | |
-at the end of it to sort of let off a bit of steam. -Yes. | 0:04:34 | 0:04:37 | |
To wet your whistle and discuss what you've done and whatever. | 0:04:37 | 0:04:42 | |
Dave comes from Barrow-in-Furness. I'm Newcastle. I'm on the Tyne. | 0:04:42 | 0:04:46 | |
-Yes, yes, yes. -And there's always been a friendly rivalry | 0:04:46 | 0:04:48 | |
-between the shipbuilders on the Tyne and the Clyde. -There was. | 0:04:48 | 0:04:51 | |
-Yes. -And it was... You know... | 0:04:51 | 0:04:54 | |
To be fair, we taught you how to, you know, build ships, like. | 0:04:54 | 0:04:57 | |
Steady now. No. Listen, we told you guys a thing or two. | 0:04:57 | 0:05:00 | |
Your industry was set up by guys that came from the Clyde. | 0:05:00 | 0:05:03 | |
But in Barrow-in-Furness, you see, from 1870, | 0:05:03 | 0:05:06 | |
-cos we had the steel, we were ahead of all of you. -Nah. | 0:05:06 | 0:05:10 | |
The end of the cul-de-sac. We conquered the world! | 0:05:10 | 0:05:12 | |
-No. Clyde was number one for a long, long time. -It was. | 0:05:12 | 0:05:16 | |
When did shipbuilding on the Clyde start to decline? | 0:05:16 | 0:05:19 | |
From the late 1950s and early 1960s, | 0:05:19 | 0:05:21 | |
they start to become less competitive and this is because | 0:05:21 | 0:05:25 | |
of competition from the Far East and also from Europe, | 0:05:25 | 0:05:28 | |
because they're all employing superior methods | 0:05:28 | 0:05:31 | |
and better management-men relations. | 0:05:31 | 0:05:34 | |
So productivity starts to decline in British yards | 0:05:34 | 0:05:37 | |
and from then on, the industry's on a very, very rapid decline. | 0:05:37 | 0:05:42 | |
We might not have that many shipyards now in Govan | 0:05:43 | 0:05:46 | |
but we've still got a fine pub - the Brechins. | 0:05:46 | 0:05:48 | |
And I got here first so I should get them in. | 0:05:48 | 0:05:51 | |
-Get them in, mucker. -Thought you'd never ask. | 0:05:51 | 0:05:54 | |
'I was beginning to wonder and all, mate.' | 0:05:54 | 0:05:56 | |
Brechins is still a favourite with former shipyard employees | 0:05:56 | 0:06:00 | |
but the days of a tidal wave of workers are long gone. | 0:06:00 | 0:06:04 | |
After years of post-war decline, | 0:06:06 | 0:06:08 | |
a unique attempt was made in 1971 to save the remaining yards. | 0:06:08 | 0:06:13 | |
The Upper Clyde shipyard workers, rather than strike, | 0:06:14 | 0:06:18 | |
staged a work-in, which led to the famous speech by the legendary | 0:06:18 | 0:06:21 | |
-union leader, the late Jimmy Reid. -There will be no hooliganism. | 0:06:21 | 0:06:26 | |
-There will be no vandalism. There will be no bevvying. -'What?' | 0:06:26 | 0:06:32 | |
-No bevvying? Was he nuts? -Not really. | 0:06:32 | 0:06:35 | |
Without the work-in, BAE Systems might not be here today. | 0:06:35 | 0:06:40 | |
Steve and Brian. Very, very, nice to meet you. Thanks for seeing us. | 0:06:40 | 0:06:43 | |
Nice to meet you, Brian. | 0:06:43 | 0:06:45 | |
'We can't leave Brechins without speaking to a shipbuilder. | 0:06:45 | 0:06:48 | |
'Brian and Steven worked the yards in the 1960s | 0:06:48 | 0:06:51 | |
'and can tell it like it was.' | 0:06:51 | 0:06:53 | |
So give us some idea about what it was like to be in the shipyard | 0:06:53 | 0:06:56 | |
-and grafting all that... -This is the west of Scotland. | 0:06:56 | 0:06:59 | |
It's wet, wet, cold and wet. | 0:06:59 | 0:07:02 | |
In the winter, you'd go to the ship | 0:07:03 | 0:07:05 | |
and it would be covered in hoarfrost. Absolutely freezing. | 0:07:05 | 0:07:10 | |
You go in to where your tools are and get your tool box out, | 0:07:10 | 0:07:13 | |
which is steel, and most of the tools are steel so that | 0:07:13 | 0:07:18 | |
when you start using them, your hands turn up... | 0:07:18 | 0:07:21 | |
Your fingers become like wood. | 0:07:21 | 0:07:23 | |
Murder. Terrible conditions to work in. | 0:07:23 | 0:07:25 | |
Not like these people nowadays who work in heated sheds. | 0:07:25 | 0:07:30 | |
Big safties, I'd say! | 0:07:30 | 0:07:32 | |
I served my time when they were building the QE2. | 0:07:32 | 0:07:35 | |
After a fortnight, I wanted to run away and join the Navy. | 0:07:35 | 0:07:38 | |
The noise, the cold, the swearing. | 0:07:38 | 0:07:42 | |
You know, it's interesting because it's very clear why the pubs | 0:07:42 | 0:07:45 | |
played a role in this because there was... | 0:07:45 | 0:07:48 | |
You worked hard and you worked hard in pretty horrendous conditions. | 0:07:48 | 0:07:54 | |
You must have played just as hard. | 0:07:54 | 0:07:56 | |
Lunchtime, you could go down into the pub | 0:07:56 | 0:07:59 | |
and the barman had already got the bar lined up with glasses. | 0:07:59 | 0:08:04 | |
They would take a bottle of fortified wine, | 0:08:04 | 0:08:08 | |
turn it over the first glass then move it along, move it along, till that bottle was done. | 0:08:08 | 0:08:12 | |
-And they'd have rows of fortified wine and chasers - beer. -Right. | 0:08:12 | 0:08:18 | |
So a guy would come in and say, "I want a clear and a beer." | 0:08:18 | 0:08:23 | |
A clear was a fortified white wine and a half-pint of heavy. | 0:08:23 | 0:08:28 | |
'These days, Brian is a published poet and has written | 0:08:28 | 0:08:31 | |
'a collection about life in the yards called Bunnets 'n' Bowlers.' | 0:08:31 | 0:08:36 | |
-'Of course! That daft hat you were wearing earlier! -Yep. | 0:08:36 | 0:08:41 | |
'Bunnets for the workers, bowlers for the bosses. | 0:08:41 | 0:08:44 | |
'The more refined sort of fellow, like myself. | 0:08:44 | 0:08:47 | |
'Oh, give over, man. I'll show you refined with a bit of poetry.' | 0:08:47 | 0:08:52 | |
Inside the Seven Seas, the bar staff lined up quarter gills on the gantry | 0:08:52 | 0:08:57 | |
In preparation for the dinner time rush of thirsty artisans | 0:08:57 | 0:09:02 | |
And quickly learning apprentices who would have their liquid lunch | 0:09:02 | 0:09:06 | |
Of goldies and half-pint chasers. | 0:09:06 | 0:09:09 | |
-So what's a goldie? -Goldie is a whisky. | 0:09:09 | 0:09:12 | |
Get a wee goldie down you. Feel the warmth as it hits down the stomach. | 0:09:12 | 0:09:18 | |
Then you're back to the grind again in the afternoon. | 0:09:18 | 0:09:22 | |
In the evening, sometimes after another bout of overtime | 0:09:22 | 0:09:26 | |
We would again congregate | 0:09:26 | 0:09:28 | |
This time for a session of serious swalling | 0:09:28 | 0:09:30 | |
Which one evening culminated in the apprentices | 0:09:30 | 0:09:35 | |
Having a tabletop tap-dancing competition | 0:09:35 | 0:09:39 | |
With the artisans giving it laldy, singing | 0:09:39 | 0:09:42 | |
Show Me The Way To Go Home. | 0:09:42 | 0:09:45 | |
-What does laldy mean? -Laldy means being very exuberant about something, | 0:09:45 | 0:09:49 | |
so if you were singing a song and were giving it laldy, | 0:09:49 | 0:09:52 | |
you'd be really letting it rip. You'd be giving it mince, basically. | 0:09:52 | 0:09:55 | |
-Giving it mince! -That's when you sing and shout. -Aye. | 0:09:55 | 0:09:59 | |
-Gives it laldy! -Aye, great. Aye. | 0:09:59 | 0:10:04 | |
A lot of the shipyards may have gone now but in this lovely pub, | 0:10:04 | 0:10:07 | |
-the spirit's still here isn't it, lads? Cheers. -ALL: Cheers. | 0:10:07 | 0:10:11 | |
-Thank you very, very much. -Cheers. Thank you. | 0:10:11 | 0:10:13 | |
-Nice talking with you guys. -And you. | 0:10:13 | 0:10:16 | |
Well, mucker, I would have quite liked to have worked | 0:10:16 | 0:10:19 | |
in the shipyard and particularly giving it laldy in the pub. | 0:10:19 | 0:10:22 | |
You'd have been good at that. Anyway, pub trivia time. | 0:10:22 | 0:10:25 | |
Which was the biggest ship ever built on the Clyde? | 0:10:25 | 0:10:28 | |
-Queen Mary? -Wrong. -What? -It was 1938. | 0:10:28 | 0:10:31 | |
It was the Queen Elizabeth and it weighed in at a colossal 83,676 tonnes. | 0:10:31 | 0:10:38 | |
And there are plenty of other fascinating facts | 0:10:40 | 0:10:43 | |
-if you know where to look. -In Glasgow's pub signs, mucker. | 0:10:43 | 0:10:47 | |
-Here's three of our faves. -The Pot Still is named after a whisky still. | 0:10:47 | 0:10:52 | |
Did you know the still's shape affects the whisky's character? | 0:10:52 | 0:10:55 | |
I can't say I did. | 0:10:55 | 0:10:57 | |
But with over 300 whiskies, we can put that fact to the test. | 0:10:57 | 0:11:00 | |
Wey-hey! That's the spirit. | 0:11:00 | 0:11:02 | |
Lauder's is not named after actor Harry Lauder, as many think, | 0:11:02 | 0:11:06 | |
but after Archibald Lauder, a man who produced a famous whisky. | 0:11:06 | 0:11:10 | |
It was described as "nice and toothsomely". A bit like you, Si. | 0:11:10 | 0:11:15 | |
Why thank you, kind sir. Then there's the famous Horse Shoe Bar. | 0:11:15 | 0:11:20 | |
Named after its horseshoe shaped bar. A design first back in 1994. | 0:11:20 | 0:11:26 | |
And talking of horses, Roy Rogers and Trigger once drank here. | 0:11:26 | 0:11:30 | |
-Bet it was White Horse whisky. -Oh, dear. Moving on. | 0:11:30 | 0:11:35 | |
Back on our Glasgow tour, we've swapped watering holes for the water. | 0:11:38 | 0:11:42 | |
Do you know where I wanna go next, Si? | 0:11:42 | 0:11:44 | |
I want to go up in one of those. Mother used to drive one, you know. | 0:11:44 | 0:11:46 | |
I do. I knew that. | 0:11:46 | 0:11:48 | |
Well, you can go and play cranes | 0:11:48 | 0:11:50 | |
and I'm going to visit a shipyard that still makes ships. | 0:11:50 | 0:11:54 | |
And I'm travelling five miles doon the wata, from Govan to Clydebank. | 0:11:56 | 0:12:00 | |
It's here that John Brown's shipyard built the luxury liners | 0:12:00 | 0:12:03 | |
known as the Three Queens - the Queen Elizabeth, Queen Mary and QE2. | 0:12:03 | 0:12:09 | |
Sadly, it closed in 1971 and today just one giant reminder survives. | 0:12:09 | 0:12:14 | |
The Titan crane. | 0:12:15 | 0:12:17 | |
Built in 1907, it was the first giant cantilevered crane in the world. | 0:12:17 | 0:12:22 | |
-Hello, Colin. -Hello. Nice to meet you. -Pleased to meet you. | 0:12:23 | 0:12:26 | |
'I'm meeting lecturer and author Colin Castle | 0:12:26 | 0:12:29 | |
'to find out more about the Titan. | 0:12:29 | 0:12:31 | |
'But first, I'm going to tell him about my dear old Mum.' | 0:12:31 | 0:12:34 | |
I'm from Barrow, which was a shipyard town. A bit like Glasgow. | 0:12:34 | 0:12:37 | |
-My mum was a crane driver. -Good heavens. -She started in the war. | 0:12:37 | 0:12:40 | |
-You know, the lasses came in, the men went away to fight. -Yeah. | 0:12:40 | 0:12:43 | |
And she loved it. She kept on after the war. And it was funny, actually. | 0:12:43 | 0:12:46 | |
She was pregnant with me but all the other ladies used to sit when they | 0:12:46 | 0:12:50 | |
were waiting for lifts, knitting all my baby clothes up in the cabs. | 0:12:50 | 0:12:53 | |
I used to have all these jumpers with Vickers-Armstrongs | 0:12:53 | 0:12:56 | |
and pictures of cranes on them, all knitted into them. | 0:12:56 | 0:12:59 | |
'The Titan was built by Sir William Arrol's company, but the hard graft | 0:12:59 | 0:13:03 | |
'was put in by these guys - the workers from Clydebank. | 0:13:03 | 0:13:06 | |
'Or bankies, as they were known.' | 0:13:06 | 0:13:08 | |
The thing about the photograph is you notice the absence | 0:13:09 | 0:13:12 | |
of hard hats or steel-capped boots. | 0:13:12 | 0:13:15 | |
And one member of the team is very young indeed. | 0:13:15 | 0:13:19 | |
-We reckon he's about 13. -I can see the little lad in the middle. | 0:13:19 | 0:13:23 | |
He would be a rivet boy. | 0:13:23 | 0:13:25 | |
It would be his job to heat the rivets in the braziers | 0:13:25 | 0:13:28 | |
and then throw them up to a member of the rivet squad. | 0:13:28 | 0:13:31 | |
1913, would you believe that three-quarters of a million | 0:13:31 | 0:13:35 | |
tonnes of ships were launched on this river alone? | 0:13:35 | 0:13:39 | |
That's a record unequalled by any shipbuilding river anywhere | 0:13:39 | 0:13:42 | |
else in the world. Not even your mother's yard. | 0:13:42 | 0:13:45 | |
Don't tell my mother that. | 0:13:45 | 0:13:47 | |
You know, is it still possible to get up this wonderful crane? | 0:13:47 | 0:13:50 | |
-Oh, yes. We can do that. -Not sure me knees are up to the climb, like. | 0:13:50 | 0:13:54 | |
-We'll give it a go. -You don't have to worry. We've got a lift. | 0:13:54 | 0:13:57 | |
-Oh, Scotland. You've got everything. -Walk this way. -Thank you. | 0:13:57 | 0:14:01 | |
Cor, I wonder if I'll be able to see Si from the top. Wee-hee! | 0:14:02 | 0:14:06 | |
You need industrial strength binoculars to see me, mate. | 0:14:09 | 0:14:12 | |
I've travelled 19 miles downriver to visit | 0:14:12 | 0:14:15 | |
Ferguson Marine in Port Glasgow. | 0:14:15 | 0:14:17 | |
It was near here in 1812 that the Comet, | 0:14:20 | 0:14:23 | |
the first commercial steam ship in Europe, was built | 0:14:23 | 0:14:26 | |
and kick-started the Clyde's shipbuilding reign. | 0:14:26 | 0:14:29 | |
Ferguson is now one of just two shipbuilders left on the Clyde. | 0:14:30 | 0:14:35 | |
'I'm meeting Hughie and Graham to find out how life in the yards has changed.' | 0:14:35 | 0:14:39 | |
How long's the yard been open, then? | 0:14:39 | 0:14:42 | |
-Well, we've been on this site 115 years or so. -My God. | 0:14:42 | 0:14:46 | |
-I bet you've seen some changes since then. -Aye, certainly have. | 0:14:46 | 0:14:49 | |
A lot of changes. I wasnae here 115 years ago. | 0:14:49 | 0:14:51 | |
I was going to say, you're looking well on it. | 0:14:51 | 0:14:54 | |
Just out of interest, lads... | 0:14:54 | 0:14:56 | |
Cos you know, obviously, I'm from the Tyne and there's always | 0:14:56 | 0:14:59 | |
been a friendly rivalry between the Clyde and the Tyne. | 0:14:59 | 0:15:01 | |
I think the personalities and the workforce are very similar as well. | 0:15:01 | 0:15:04 | |
We taught you how to build ships? You're correct. Yeah. | 0:15:04 | 0:15:07 | |
When we told you where the decent supply of steel was | 0:15:07 | 0:15:10 | |
so you could build the ships... Never mind. Anyway. | 0:15:10 | 0:15:12 | |
That's another matter. It's like being in an enemy camp this. | 0:15:12 | 0:15:15 | |
Lads, listen, I'm sticking up for the Tyne, lads. | 0:15:15 | 0:15:18 | |
I'm reet in the Clyde here, boys. Howay! | 0:15:18 | 0:15:21 | |
The work for the lads here has changed massively over the last 50 years. | 0:15:22 | 0:15:26 | |
A workforce of many hundreds is now just 120 | 0:15:26 | 0:15:30 | |
and much of their work is done indoors. | 0:15:30 | 0:15:32 | |
There are more computers than draftsmen | 0:15:32 | 0:15:34 | |
and apprentices are trained in all trades, not just one. | 0:15:34 | 0:15:37 | |
But they all still go down the pub, right? | 0:15:37 | 0:15:40 | |
In the olden days, when the horn went for lunchtime, | 0:15:40 | 0:15:44 | |
everybody got three-quarters of an hour and went to the pub, | 0:15:44 | 0:15:47 | |
came back, because it was allowed. | 0:15:47 | 0:15:49 | |
And now night times, do you all still get a chance to socialise | 0:15:49 | 0:15:52 | |
together at the pub? Like you did in the old days? | 0:15:52 | 0:15:54 | |
-Or is it a bit different now? -It's all changed. | 0:15:54 | 0:15:57 | |
The days of that are over, I would say. | 0:15:57 | 0:15:59 | |
A lot of shipyards used to have social clubs even attached to them. But that's all gone now. | 0:15:59 | 0:16:03 | |
There's now stricter wives that don't allow us to go to the pubs. | 0:16:03 | 0:16:05 | |
-We now have to go home. -Something's gone wrong! | 0:16:05 | 0:16:09 | |
While you're here, Si, we're looking for an apprentice. Couple of hours. | 0:16:09 | 0:16:13 | |
-Good volunteer? Are you up for it? -I'd love to. I'd love to. -Good. | 0:16:13 | 0:16:17 | |
For a start, stick that on your head. | 0:16:17 | 0:16:20 | |
-It's a large, you're all right. -Yeah, very funny. Here we are. | 0:16:20 | 0:16:23 | |
You can tell we're in the shipyards. A bit of craic now. | 0:16:23 | 0:16:26 | |
The craic's going now. | 0:16:26 | 0:16:28 | |
'I knew they'd need a Tynesider to show them | 0:16:28 | 0:16:30 | |
'how to really build a ship. | 0:16:30 | 0:16:32 | |
'Time to step up to the plate under the eye of Bertie.' | 0:16:32 | 0:16:36 | |
I tell you what, if I'd done my beard purple, I could be Billy Connolly. | 0:16:36 | 0:16:40 | |
I tell you what, you cannot see owt. But it's perfect. | 0:16:40 | 0:16:43 | |
-That's amazing. -Just take your time and just keep it straight. | 0:16:51 | 0:16:55 | |
-Take your time and keep it straight. -It's called a horizontal fillet. | 0:16:57 | 0:17:01 | |
-It's called a horizontal... -Fillet. -Fillet. -Uh-huh. | 0:17:01 | 0:17:04 | |
You see, I've always been good with fillets. | 0:17:04 | 0:17:07 | |
-Slide it. You've got to be hitting it. -Ah. Got you. Now it's going. | 0:17:10 | 0:17:17 | |
Just come and have a look at the difference between my weld and Robert's weld. | 0:17:24 | 0:17:28 | |
That is a perfect fillet weld. Look at that. | 0:17:28 | 0:17:32 | |
Beautiful. That is not. | 0:17:32 | 0:17:36 | |
Look at mine. It's as wrinkly as a granny's stocking. | 0:17:36 | 0:17:39 | |
Look at it! Dear me. | 0:17:39 | 0:17:41 | |
-It's been an absolute pleasure to meet you. -Don't chuck your job. | 0:17:41 | 0:17:45 | |
THEY LAUGH | 0:17:45 | 0:17:47 | |
-I've not got the brains to be a welder. -Well, Si. | 0:17:47 | 0:17:50 | |
You did well there. I'll take that off you. There you go. Carry on. | 0:17:50 | 0:17:54 | |
Carry on sweeping. | 0:17:54 | 0:17:56 | |
Listen, is there a tea break coming up or what? | 0:17:58 | 0:18:01 | |
Ah, well, you can't say I'm not a down to earth kind of guy. | 0:18:04 | 0:18:07 | |
-Our Dave, on the other hand... -Oh, wow, Colin. | 0:18:07 | 0:18:09 | |
What a view from up here. | 0:18:09 | 0:18:11 | |
You can see the whole of Glasgow and all the way down the river. | 0:18:11 | 0:18:15 | |
Some of the most famous ships in the world, and some of the largest, | 0:18:15 | 0:18:18 | |
were launched at this point here. | 0:18:18 | 0:18:19 | |
Launch days are quite something, aren't they? | 0:18:19 | 0:18:22 | |
I remember when I was a kid cos we always got | 0:18:22 | 0:18:24 | |
a day off school in Barrow whenever a ship was being launched. | 0:18:24 | 0:18:26 | |
It was a big festival and we'd all stand opposite to watch the ships go down the slipway. | 0:18:26 | 0:18:31 | |
Well, 1934, Queen Mary was launched and the farmer who owned the land | 0:18:31 | 0:18:37 | |
on the other side of the river here charged people a pound to go | 0:18:37 | 0:18:42 | |
and sit on the banks and watch. | 0:18:42 | 0:18:44 | |
What they didn't realise was that when 35,000 tonnes of steel enters the water, you get a backwash. | 0:18:44 | 0:18:49 | |
So this miniature tidal wave crossed the River Clyde | 0:18:49 | 0:18:53 | |
and drenched these people on the other side. | 0:18:53 | 0:18:56 | |
So for a pound they got a launch and a bath. | 0:18:56 | 0:18:58 | |
They got more than they bargained for. | 0:18:58 | 0:19:00 | |
'You get quite a view from up here. | 0:19:00 | 0:19:02 | |
'But it can't have been all the high life for the driver.' | 0:19:02 | 0:19:05 | |
The driver of the crane started half an hour earlier in the morning | 0:19:05 | 0:19:09 | |
-than anyone else. -Was that so he could have time to climb up? | 0:19:09 | 0:19:12 | |
To climb up. Yes. | 0:19:12 | 0:19:14 | |
At the end of the working day he left half an hour after | 0:19:14 | 0:19:16 | |
everyone else, so his pals were all off to the pub | 0:19:16 | 0:19:19 | |
and he was still ending up here. | 0:19:19 | 0:19:22 | |
He wouldn't be able to go for a pint at lunchtime. | 0:19:22 | 0:19:24 | |
No. In fact, he'd go with a packed lunch. | 0:19:24 | 0:19:26 | |
He'd take his packed lunch actually in the cab | 0:19:26 | 0:19:28 | |
and the management very kindly supplied him with a bucket. | 0:19:28 | 0:19:31 | |
-A bucket for his necessaries. -Got it in one. | 0:19:31 | 0:19:34 | |
I'm not keen on that idea - last one in the pub | 0:19:34 | 0:19:36 | |
and missing out on the lunchtime session. | 0:19:36 | 0:19:39 | |
But, you know, on a clear day, you know, the sun's shining, | 0:19:39 | 0:19:41 | |
you've got your book, waiting for a lift, cup of tea... | 0:19:41 | 0:19:44 | |
-It wouldn't be that bad. -Nice life. -Aye, aye. | 0:19:44 | 0:19:47 | |
They might have missed the first round, | 0:19:48 | 0:19:51 | |
but I'm sure those crane drivers eventually made it to the pub. | 0:19:51 | 0:19:55 | |
And just as well, because where would our pubs be without their regulars? | 0:19:55 | 0:20:00 | |
It's time to meet a local who loves his local. | 0:20:00 | 0:20:03 | |
Meet John Moonie. He's been coming to The Scotia for nearly 50 years. | 0:20:06 | 0:20:11 | |
But he got interested in this place long before that, | 0:20:11 | 0:20:13 | |
-when he was just a nipper. -How come? | 0:20:13 | 0:20:16 | |
His dad would pop John and his sister into the theatre next door | 0:20:16 | 0:20:20 | |
-while he came in here for a sly drink. -Genius. | 0:20:20 | 0:20:23 | |
On a Friday night, my old man would leave me | 0:20:25 | 0:20:27 | |
and my sister in the gods watching the first house | 0:20:27 | 0:20:29 | |
and he would be down here having a few drams. | 0:20:29 | 0:20:33 | |
So, later, I was determined, "I'd love to see this place." | 0:20:33 | 0:20:37 | |
So I eventually saw it and fell in love with The Scotia. | 0:20:37 | 0:20:40 | |
The Scotia sits right by the Clyde. | 0:20:40 | 0:20:42 | |
Near the old ferry stop where many a shipyard worker would have | 0:20:42 | 0:20:46 | |
landed after a hard day's graft. | 0:20:46 | 0:20:48 | |
But it's most famous for its music sessions. | 0:20:48 | 0:20:51 | |
MUSIC PLAYS | 0:20:51 | 0:20:53 | |
Billy Connolly and Jimmy Rafferty have given it laldy in here. | 0:20:56 | 0:21:01 | |
It turns out the regulars join in regularly too. | 0:21:01 | 0:21:04 | |
Well, it's just a session, a jam session. | 0:21:09 | 0:21:11 | |
Anybody's welcome to come in and just play and join them. | 0:21:11 | 0:21:15 | |
The next thing you know, the whole pub is jumping. | 0:21:15 | 0:21:18 | |
That is The Scotia atmosphere. | 0:21:18 | 0:21:20 | |
It's said even legendary Woody Guthrie has sung here too. | 0:21:21 | 0:21:25 | |
# This land is your land | 0:21:25 | 0:21:28 | |
# This land is my land... # | 0:21:28 | 0:21:31 | |
The story goes he popped in | 0:21:31 | 0:21:33 | |
while his ship was docked for repairs during WWII. | 0:21:33 | 0:21:36 | |
The Scotia's always been radical. | 0:21:36 | 0:21:39 | |
It was always a working man's pub-cum-writers, musicians... | 0:21:39 | 0:21:44 | |
An amalgam. As I say, back in the day, there's sailors, | 0:21:44 | 0:21:48 | |
you had everything, bikers, lads from the shipyards, musicians. | 0:21:48 | 0:21:53 | |
This pub is classless. | 0:21:53 | 0:21:55 | |
The Scotia still welcomes people from all walks of life, which is | 0:21:59 | 0:22:02 | |
exactly why it's John's home from home. | 0:22:02 | 0:22:05 | |
Cheers. Here's to The Scotia. | 0:22:07 | 0:22:09 | |
You're welcome to come any time. Slainte. | 0:22:09 | 0:22:13 | |
'We're now both back safely up the Clyde, | 0:22:18 | 0:22:21 | |
'heading for the centre of Glasgow. | 0:22:21 | 0:22:23 | |
'Once a dirty old town, now a cosmopolitan cultural capital. | 0:22:23 | 0:22:28 | |
-'Cosmopolitan? Isn't that the name of a drink? -Indeed it is. | 0:22:28 | 0:22:31 | |
'And I know just the place we can get one. | 0:22:31 | 0:22:33 | |
'And it owes its style all to shipbuilding.' | 0:22:33 | 0:22:36 | |
Here you are, Si. Rogano. | 0:22:36 | 0:22:38 | |
It's a famous Glasgow institution and you can see why. | 0:22:38 | 0:22:42 | |
It doesn't look as though it's changed for years. | 0:22:42 | 0:22:44 | |
Well, actually, mate, it looks really kind of Art Deco, doesn't it? | 0:22:44 | 0:22:47 | |
1930s. A bit posh. You know what? | 0:22:47 | 0:22:50 | |
I can feel a cocktail or two coming on, dude. After you, sir. | 0:22:50 | 0:22:55 | |
It's a fabulous place, all right. | 0:22:57 | 0:22:59 | |
In 1935, as the Queen Mary took shape on the Clyde, | 0:22:59 | 0:23:03 | |
local restaurateur Don Grant was so impressed | 0:23:03 | 0:23:06 | |
he refitted his new place in the same Art Deco style. | 0:23:06 | 0:23:10 | |
And a Glasgow legend was born. | 0:23:10 | 0:23:13 | |
To tell us more is Ken McCulloch, | 0:23:13 | 0:23:15 | |
who was responsible for restoring the bar in 1984. | 0:23:15 | 0:23:19 | |
It's like stepping back into the 1930s. | 0:23:19 | 0:23:22 | |
I feel like I'm part of a Poirot. Especially with this moustache. | 0:23:22 | 0:23:25 | |
It suits you. You should be part of Poirot. | 0:23:25 | 0:23:27 | |
-Thank you very much, Ken. -It's very Art Deco, Ken. | 0:23:27 | 0:23:31 | |
-Can you tell us a bit of its history? -Sure. | 0:23:31 | 0:23:33 | |
If you take it back to... | 0:23:33 | 0:23:35 | |
I think there's always been a lot of deco influences in Glasgow. | 0:23:35 | 0:23:38 | |
But particularly when the shipyards were building the liners | 0:23:38 | 0:23:43 | |
and again, particularly the Queen Mary, which was built in Clydebank. | 0:23:43 | 0:23:47 | |
A lot of the tradesmen who worked at the docks, I think, | 0:23:47 | 0:23:52 | |
to make a few quid, were available when this was being refurbished. | 0:23:52 | 0:23:58 | |
-So a lot of the workers from the shipyard would work here? -Yes. | 0:23:58 | 0:24:01 | |
They were real craftsmen. | 0:24:01 | 0:24:04 | |
When you rebuilt the bar, what did you actually change? | 0:24:04 | 0:24:08 | |
Well, we had to change everything | 0:24:08 | 0:24:10 | |
-because they found things that shouldn't be here. -Right. | 0:24:10 | 0:24:12 | |
So what we basically did was we were able to keep the stuff | 0:24:12 | 0:24:17 | |
that we wanted to keep, like, for instance, this mural that's here. | 0:24:17 | 0:24:22 | |
This beauty as designed by Charles Cameron Baillie, | 0:24:22 | 0:24:25 | |
who also worked on the Queen Mary's interior. | 0:24:25 | 0:24:28 | |
Ken was determined to reproduce as much as possible | 0:24:29 | 0:24:32 | |
from the Queen Mary style, even if it meant a road trip to | 0:24:32 | 0:24:35 | |
Huddersfield to the ship's original carpet makers. | 0:24:35 | 0:24:39 | |
I drove to Huddersfield to where the carpet place was. | 0:24:39 | 0:24:43 | |
He said, "What is it you're trying to create, exactly?" | 0:24:43 | 0:24:45 | |
I said, "Well, if you can imagine the first class lounge | 0:24:45 | 0:24:48 | |
"in the Queen Mary, that's what I'd like to create." | 0:24:48 | 0:24:51 | |
He said, "Oh, right. Cos we did all the carpets for the Queen Mary." | 0:24:51 | 0:24:55 | |
Within five minutes, we had carpets everywhere. And I spied this. | 0:24:55 | 0:25:00 | |
And do you know, this was 1984 and it's not doing too bad, is it? | 0:25:00 | 0:25:03 | |
It absolutely isn't. | 0:25:03 | 0:25:06 | |
Ken, thank you so very, very, very much. | 0:25:06 | 0:25:08 | |
-It's been a great pleasure. -Thank you, Ken. Thank you. | 0:25:08 | 0:25:10 | |
Thanks so much for coming to Glasgow. It's been a pleasure. | 0:25:10 | 0:25:13 | |
You know, Kingy, all we need now is a good old-fashioned | 0:25:13 | 0:25:15 | |
-cocktail to really put us in the mood. -I'm with you, mucker. | 0:25:15 | 0:25:18 | |
I'm with you. Right. I'll follow you. | 0:25:18 | 0:25:20 | |
-No, after you, Captain Pugwash. -I'm off. | 0:25:20 | 0:25:22 | |
'And for a top-class cocktail, here's our top-class mixologist. | 0:25:23 | 0:25:28 | |
'Scotty, beam us up, mate.' | 0:25:28 | 0:25:30 | |
-Right. You might have heard of a cosmopolitan. -Yes. -Right. | 0:25:30 | 0:25:33 | |
So what I thought we'd do is I would make up and shake up some | 0:25:33 | 0:25:35 | |
cosmopolitans and allow you guys to get involved as well. | 0:25:35 | 0:25:39 | |
-Excellent, Scotty. -Are you up for a bit of a challenge? -Certainly are. | 0:25:39 | 0:25:43 | |
Someone's got the wee shaker and somebody's going to get the big bullet shaker. | 0:25:43 | 0:25:46 | |
You might need to fight over it. | 0:25:46 | 0:25:48 | |
'Bizarrely, cocktails got popular during prohibition, | 0:25:48 | 0:25:51 | |
'when America banned alcohol in the '20s and early '30s. | 0:25:51 | 0:25:55 | |
'In illegal speakeasies, | 0:25:55 | 0:25:57 | |
'the rough taste of bootleg gin was hidden with sweet syrups. Ingenious.' | 0:25:57 | 0:26:02 | |
A little bit of cranberry juice in there as well. | 0:26:02 | 0:26:04 | |
'When drinking went legal, cocktail bars boomed.' | 0:26:04 | 0:26:07 | |
-Beautiful. -OK, now it's over to you, gents. -Wey! | 0:26:07 | 0:26:11 | |
So you want to hold the top and bottom. Up here, OK? | 0:26:11 | 0:26:14 | |
Take a step back with your right foot. OK. And shake it up and down. | 0:26:14 | 0:26:18 | |
-Make it travel. That's it. -'In the shaker, we have... | 0:26:18 | 0:26:21 | |
-'45ml of citrus vodka. -17ml triple sec. -15ml of lime juice. | 0:26:21 | 0:26:26 | |
-'A dash of cranberry juice. -Some ice. -A bit of shaking, not stirring. | 0:26:26 | 0:26:31 | |
'And the piece de resistance...' | 0:26:31 | 0:26:33 | |
OK. So the final part here now... | 0:26:33 | 0:26:35 | |
As avid foodies, you guys will realise the importance | 0:26:35 | 0:26:38 | |
and power of aroma. Orange twist here. | 0:26:38 | 0:26:41 | |
We have a lighter here and just hold it here. | 0:26:41 | 0:26:44 | |
We use the side of the flame because the top of the flame is dirty. | 0:26:44 | 0:26:47 | |
There we go. We scoot the orange oil on top. Do you smell that, yeah? | 0:26:47 | 0:26:52 | |
-Can you smell it? -Oh, yeah. | 0:26:52 | 0:26:54 | |
'So squeeze the flammable zest oil onto the flame and kaboom! | 0:26:54 | 0:26:58 | |
-'Easy for a chef. Go on, Dave.' -Three, two, one, squeeze! | 0:26:58 | 0:27:01 | |
-I think I got me fingers in me cocktail! -Boys, enjoy. | 0:27:02 | 0:27:07 | |
-We'll slip these two twists in there. And that's you... -Oh, wow. | 0:27:07 | 0:27:12 | |
-Look. Like a slick. -You can see the oil on the top. -Amazing. | 0:27:12 | 0:27:15 | |
Yeah, that's a big part. | 0:27:15 | 0:27:17 | |
-Oh, mercy me. -Oh, flippin' heck. Oh, that... Oh! | 0:27:22 | 0:27:26 | |
-I can hear Glenn Miller going in my head. -So can I. | 0:27:26 | 0:27:29 | |
MUSIC: "In the Mood" by Glenn Miller | 0:27:29 | 0:27:32 | |
Sadly, the golden era of glamorous transatlantic | 0:27:32 | 0:27:35 | |
cocktail sipping on liners is long gone. | 0:27:35 | 0:27:38 | |
As are most of the shipyards and the sprint for a goldie or a beer | 0:27:38 | 0:27:42 | |
and a clear at the end of the shift. | 0:27:42 | 0:27:45 | |
But from the down to earth boozers like Brechins Bar | 0:27:45 | 0:27:48 | |
and The Scotia to the fine setting of the Rogano, | 0:27:48 | 0:27:51 | |
the spirit of the Clyde's shipbuilding past lives on. | 0:27:51 | 0:27:55 | |
I must say, Si, a couple of cocktails is a wonderful, | 0:27:55 | 0:27:58 | |
fitting way to end our voyage around Glasgow. | 0:27:58 | 0:28:01 | |
I absolutely agree, mate. | 0:28:01 | 0:28:03 | |
I have to say, though, we've been in Scotland all this time | 0:28:03 | 0:28:06 | |
and we've not even talked about whisky. | 0:28:06 | 0:28:09 | |
So here is an amazing fact. | 0:28:09 | 0:28:11 | |
Last year's whisky sales alone, if you took each individual bottle | 0:28:11 | 0:28:16 | |
and laid them end to end, they would stretch a massive 18,000 miles. | 0:28:16 | 0:28:22 | |
Crikey! I mean, that's Glasgow to New York six times over! | 0:28:22 | 0:28:27 | |
Well, that's what I call a dram or two, mucker. | 0:28:27 | 0:28:29 | |
-Cheers. -Cheers, mate. Cheers. | 0:28:29 | 0:28:32 | |
# I belong to Glasgow Dear old Glasgow town | 0:28:33 | 0:28:39 | |
# But there's something the matter wi' Glasgow | 0:28:39 | 0:28:42 | |
# For it's goin' roun' and roun' | 0:28:42 | 0:28:46 | |
# I'm only a common old working lad | 0:28:47 | 0:28:50 | |
# As anyone can see | 0:28:50 | 0:28:53 | |
# But when I get a couple o' drinks on a Saturday | 0:28:53 | 0:28:57 | |
# Glasgow belongs to me! # | 0:28:57 | 0:29:01 |