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Hello from the Imperial War Museum at Duxford in Cambridgeshire. | 0:00:02 | 0:00:06 | |
It's a former RAF base which played a pivotal role | 0:00:06 | 0:00:09 | |
in the Battle of Britain. | 0:00:09 | 0:00:11 | |
We're here throughout Remembrance Week | 0:00:11 | 0:00:13 | |
celebrating courage, honouring heroes | 0:00:13 | 0:00:15 | |
and remembering those who didn't return home. | 0:00:15 | 0:00:18 | |
All week I'm exploring some of the treasures here | 0:00:24 | 0:00:27 | |
with former army officer Andy Torbet. | 0:00:27 | 0:00:30 | |
And celebrities from the worlds of entertainment and broadcasting | 0:00:33 | 0:00:38 | |
share the role their families played during the war. | 0:00:38 | 0:00:41 | |
On today's programme, the Battle of Britain. | 0:00:45 | 0:00:48 | |
Journalist John Sergeant | 0:00:48 | 0:00:50 | |
tells us about his fascination for wartime aircraft. | 0:00:50 | 0:00:53 | |
Wow, look at that! I'm actually flying a Spitfire. | 0:00:55 | 0:00:59 | |
Back in the air after 70 years, | 0:01:01 | 0:01:04 | |
the pilot who delivered fighter planes to the front line. | 0:01:04 | 0:01:08 | |
I hope I shall feel all right. | 0:01:08 | 0:01:10 | |
And I've got to climb up on there. I think I can manage that. | 0:01:10 | 0:01:13 | |
And we hear from a woman whose father's Lancaster bomber | 0:01:13 | 0:01:17 | |
went missing in Germany. | 0:01:17 | 0:01:18 | |
I've been waiting a long time to see this. | 0:01:20 | 0:01:23 | |
I didn't think I'd ever see it. | 0:01:23 | 0:01:25 | |
Good morning and welcome to the Imperial War Museum, Duxford. | 0:01:42 | 0:01:46 | |
This site was an RAF air base from 1918 until 1961 | 0:01:46 | 0:01:52 | |
and now it's home to thousands of exhibits | 0:01:52 | 0:01:54 | |
from all periods of warfare, | 0:01:54 | 0:01:56 | |
from this Lancaster bomber next to me | 0:01:56 | 0:01:59 | |
to a Battle of Britain Operations Room | 0:01:59 | 0:02:01 | |
and even a Polaris nuclear missile. | 0:02:01 | 0:02:04 | |
During World War II, the runways | 0:02:04 | 0:02:06 | |
here were packed with Battle of Britain pilots | 0:02:06 | 0:02:09 | |
taking to the skies in the fight for air superiority. | 0:02:09 | 0:02:12 | |
It was a battle that changed the course of history, | 0:02:12 | 0:02:16 | |
and someone who is passionate about that period joins us today. | 0:02:16 | 0:02:19 | |
John Sergeant, welcome to Duxford. | 0:02:19 | 0:02:21 | |
Incredible to think what was going on here during World War II. | 0:02:21 | 0:02:25 | |
Why is it, do you think, 75 years later, | 0:02:25 | 0:02:28 | |
the Battle of Britain still captures our imaginations? | 0:02:28 | 0:02:30 | |
I think it was because we really did stand alone. | 0:02:30 | 0:02:33 | |
The Germans had knocked out France, | 0:02:33 | 0:02:36 | |
they controlled most of the continent | 0:02:36 | 0:02:38 | |
and really it was a question of, | 0:02:38 | 0:02:40 | |
would the Brits fight and how would they fight? | 0:02:40 | 0:02:44 | |
And the answer was emphatic that we would put all the young men | 0:02:44 | 0:02:47 | |
into the skies and they would fight brilliantly | 0:02:47 | 0:02:50 | |
with a new prime minister urging them on | 0:02:50 | 0:02:53 | |
and urging the country on after the humiliation of Dunkirk. | 0:02:53 | 0:02:57 | |
So the timing and the importance of this battle, | 0:02:57 | 0:03:01 | |
well, you really can't exaggerate it, | 0:03:01 | 0:03:03 | |
it was just so critical, and once it had happened | 0:03:03 | 0:03:07 | |
the Germans knew that they couldn't invade Britain | 0:03:07 | 0:03:10 | |
without a hell of a fight | 0:03:10 | 0:03:11 | |
which they knew they couldn't win at that stage. | 0:03:11 | 0:03:13 | |
It was definitely one of those times where the start, a great defeat, | 0:03:13 | 0:03:16 | |
followed almost instantly by the underdog fighting back and winning. | 0:03:16 | 0:03:20 | |
That's right and that's what makes it so exciting in retrospect | 0:03:20 | 0:03:23 | |
but also so impressive because, | 0:03:23 | 0:03:25 | |
as you know as a military man, | 0:03:25 | 0:03:27 | |
everything depends on the quality of the fighting men | 0:03:27 | 0:03:30 | |
and the women who were involved at that point. | 0:03:30 | 0:03:33 | |
Will they fight and how hard will they fight? | 0:03:33 | 0:03:36 | |
And, of course, if they do it courageously, | 0:03:36 | 0:03:39 | |
we value courage so highly | 0:03:39 | 0:03:41 | |
but in those circumstances, without courage, you lose your country. | 0:03:41 | 0:03:45 | |
I mean, it couldn't be more devastatingly important, I think. | 0:03:45 | 0:03:49 | |
And I know, John, you are particularly fascinated | 0:03:49 | 0:03:51 | |
about the Battle of Britain. | 0:03:51 | 0:03:52 | |
You're going to explain more about that later on. | 0:03:52 | 0:03:55 | |
We talk about men in their flying machines for good reason, | 0:03:55 | 0:03:58 | |
but for much of World War II, women weren't allowed in the skies at all. | 0:03:58 | 0:04:03 | |
That was until there was a desperate need for pilots to fly aircraft | 0:04:03 | 0:04:06 | |
from the factory to the front-line RAF bases. | 0:04:06 | 0:04:10 | |
At that point, women took to the cockpits. | 0:04:10 | 0:04:12 | |
They were known as the Spitfire Girls | 0:04:12 | 0:04:14 | |
but only a handful of these women are left. | 0:04:14 | 0:04:17 | |
The freedom of being up there in the air, you know. | 0:04:22 | 0:04:25 | |
The wide-open spaces, and seeing the ground from the air. | 0:04:27 | 0:04:30 | |
You never took it for granted, you were thrilled at every time. | 0:04:32 | 0:04:35 | |
During the war, Joy Lofthouse was one of just 168 female pilots | 0:04:38 | 0:04:43 | |
who helped to keep our overstretched fighter squadrons going, | 0:04:43 | 0:04:47 | |
by ferrying planes across the country. | 0:04:47 | 0:04:49 | |
Other women certainly were envious of our job | 0:04:52 | 0:04:55 | |
because all women were doing something during the war | 0:04:55 | 0:04:59 | |
and there we were flying aeroplanes and they paid us for it, too! | 0:04:59 | 0:05:04 | |
We were doing, I should think, just about the most exciting job | 0:05:04 | 0:05:09 | |
that there was to be done by women in the war. | 0:05:09 | 0:05:13 | |
I flew a Barracuda, two Mustangs... | 0:05:14 | 0:05:18 | |
This book tells the story of Joy's remarkable time as a pilot | 0:05:18 | 0:05:23 | |
in the Air Transport Auxiliary. | 0:05:23 | 0:05:26 | |
That was quite a good month. | 0:05:26 | 0:05:28 | |
Joy flew 18 different types of aircraft on hundreds of missions. | 0:05:28 | 0:05:32 | |
She's now 92 but her flying started when she was just 18. | 0:05:32 | 0:05:37 | |
I saw a news item to say that ATA had run out of qualified pilots | 0:05:38 | 0:05:44 | |
and were training people with no experience at all. | 0:05:44 | 0:05:47 | |
And I thought that sounded better than working in a bank. | 0:05:47 | 0:05:50 | |
I'd never even been in an aeroplane | 0:05:50 | 0:05:52 | |
and I didn't even drive a car, so I learnt to fly before I could drive. | 0:05:52 | 0:05:56 | |
As war raged across Europe, | 0:05:56 | 0:05:59 | |
the pressure to have fighter planes ready at the airfields grew rapidly | 0:05:59 | 0:06:03 | |
and pilots were in great demand. | 0:06:03 | 0:06:05 | |
NEWSREEL: 'The delivery of new aircraft from factories | 0:06:07 | 0:06:10 | |
'to operational centres is the responsibility of | 0:06:10 | 0:06:12 | |
'a vast organisation known as the Air Transport Auxiliary - | 0:06:12 | 0:06:16 | |
'with men of 14 different nationalities in its ranks. | 0:06:16 | 0:06:18 | |
'And also helping in this important work are several women.' | 0:06:18 | 0:06:21 | |
You never knew from one day to the next where you were going. | 0:06:21 | 0:06:25 | |
They would hand out the little bits of paper we'd call "chitties". | 0:06:25 | 0:06:28 | |
And then that was the exciting bit, "Where are you going? | 0:06:28 | 0:06:31 | |
"What are you flying?", you know? And they knew, of course, | 0:06:31 | 0:06:35 | |
that we were all trying to fly as many types as possible. | 0:06:35 | 0:06:39 | |
There was one plane that was at the very top of any ATA girl's list. | 0:06:41 | 0:06:46 | |
Of course I remember the first day I ever flew a Spitfire | 0:06:49 | 0:06:53 | |
because that was the culmination of our training | 0:06:53 | 0:06:56 | |
and, of course, it was quite the fastest thing you'd ever flown. | 0:06:56 | 0:07:01 | |
But my big worry the first time I flew it | 0:07:01 | 0:07:04 | |
was whether I'd lose the airfield. | 0:07:04 | 0:07:06 | |
You're so busy looking at the cockpit | 0:07:06 | 0:07:09 | |
and then you shut the hood | 0:07:09 | 0:07:11 | |
and you're miles away by then because she's going so fast. | 0:07:11 | 0:07:16 | |
Joy also has a fondness for a more humble aeroplane, | 0:07:16 | 0:07:19 | |
one that started the flying careers of so many pilots. | 0:07:19 | 0:07:23 | |
One of the first aircraft I ferried was a Tiger Moth | 0:07:23 | 0:07:27 | |
because we were barely through our training, | 0:07:27 | 0:07:30 | |
and they suddenly had a whole gaggle of Tiger Moths to fly down to Wales. | 0:07:30 | 0:07:35 | |
There was a little bit of banter, of course. | 0:07:35 | 0:07:37 | |
"See you there, Joy, if you get there," sort of business. | 0:07:37 | 0:07:40 | |
The ATA pilots often flew alone and with no navigation aids. | 0:07:40 | 0:07:46 | |
The dangers were high. | 0:07:46 | 0:07:47 | |
173 air crew died. | 0:07:47 | 0:07:50 | |
I suppose we lost perhaps a dozen women. | 0:07:51 | 0:07:54 | |
Some of the accidents were weather, | 0:07:54 | 0:07:57 | |
some were aircraft malfunction, you know. | 0:07:57 | 0:08:02 | |
But none of my close friends were killed, no. | 0:08:02 | 0:08:04 | |
Joy's flat in Gloucestershire | 0:08:07 | 0:08:09 | |
is a treasure trove of memorabilia from her flying days, | 0:08:09 | 0:08:12 | |
the centrepiece being her uniform, still in pristine condition. | 0:08:12 | 0:08:17 | |
And the first time you wore it, of course you were very proud. | 0:08:18 | 0:08:21 | |
We had two hats. This seems to be the only one that survived. | 0:08:21 | 0:08:25 | |
I don't know whether my head's got bigger | 0:08:25 | 0:08:27 | |
but it will just about go on for me. | 0:08:27 | 0:08:30 | |
After the war, the ATA was disbanded | 0:08:31 | 0:08:33 | |
and for most of these remarkable women, | 0:08:33 | 0:08:36 | |
life was never quite the same again. | 0:08:36 | 0:08:38 | |
I missed flying dreadfully when we first stopped. | 0:08:40 | 0:08:43 | |
I think I last flew in September 1945 | 0:08:43 | 0:08:48 | |
and I thought to myself, | 0:08:48 | 0:08:51 | |
"What am I going to do the rest of my life? | 0:08:51 | 0:08:53 | |
"I'm never going to do anything as exciting as this again," | 0:08:53 | 0:08:56 | |
and I was probably right. | 0:08:56 | 0:08:57 | |
For Joy, the years she spent as part of that unique service | 0:08:57 | 0:09:01 | |
delivering planes to the front line will never leave her. | 0:09:01 | 0:09:04 | |
It was wonderful. There you were, up in the sky | 0:09:06 | 0:09:09 | |
and no-one could talk to you, nobody could say, "Come back, | 0:09:09 | 0:09:12 | |
"you're going the wrong way," or anything like that. | 0:09:12 | 0:09:16 | |
I mean, it was such a wonderful job to be doing. | 0:09:16 | 0:09:19 | |
You couldn't really better it, could you? | 0:09:19 | 0:09:21 | |
What an incredible woman, and make sure you stay with us | 0:09:30 | 0:09:33 | |
because later in the programme, we have a real treat for Joy | 0:09:33 | 0:09:35 | |
as she takes to the skies once again. | 0:09:35 | 0:09:38 | |
Now, John, we heard there about Joy flying Spitfires, | 0:09:38 | 0:09:41 | |
the iconic Spitfire, | 0:09:41 | 0:09:42 | |
and I believe you've been lucky enough to get in one. | 0:09:42 | 0:09:45 | |
I have indeed. I was making a film a few years ago about the Spitfire | 0:09:45 | 0:09:49 | |
and they didn't tell me that I was going to fly in one | 0:09:49 | 0:09:52 | |
and there I was then, the two-seater Spitfire | 0:09:52 | 0:09:54 | |
and with me at the controls and allowed to fly it by the pilot, | 0:09:54 | 0:09:59 | |
so that was one of the greatest moments, I suppose... | 0:09:59 | 0:10:01 | |
well, of my life. What did it feel like? | 0:10:01 | 0:10:04 | |
It was so exciting and it was so like the planes I used to fly | 0:10:04 | 0:10:08 | |
when I was learning to fly as an RAF cadet | 0:10:08 | 0:10:11 | |
and I went straight back to that. | 0:10:11 | 0:10:13 | |
You've been flying for a long time, then. | 0:10:13 | 0:10:14 | |
I was trained under a flying scholarship scheme as a cadet | 0:10:14 | 0:10:20 | |
because they were so worried about what happened in 1940 | 0:10:20 | 0:10:24 | |
that if it happened again, | 0:10:24 | 0:10:25 | |
they would have to train the young pilots in the 1950s. | 0:10:25 | 0:10:29 | |
So although I'd failed my driving test the day before, | 0:10:29 | 0:10:32 | |
I set off for a month-long training in biplanes, | 0:10:32 | 0:10:36 | |
converted Tiger Moths at Thruxton, | 0:10:36 | 0:10:39 | |
to get my private pilot's licence, which I did. | 0:10:39 | 0:10:41 | |
They wouldn't let you on the roads but they let you in the skies. | 0:10:41 | 0:10:44 | |
Now, clearly, flying planes and the Battle of Britain especially | 0:10:44 | 0:10:47 | |
is a real passion of yours. | 0:10:47 | 0:10:49 | |
Have you ever met any of the heroes of the Battle of Britain? | 0:10:49 | 0:10:52 | |
Yes, I've met a few of them and, of course, they do make | 0:10:52 | 0:10:55 | |
the rest of us feel sort of small and pointless, don't they? | 0:10:55 | 0:10:58 | |
I mean, these are great characters, but they also... | 0:10:58 | 0:11:01 | |
Anyone who's risked their lives in that way, | 0:11:01 | 0:11:04 | |
you feel it's an aura around them which you can't take away | 0:11:04 | 0:11:07 | |
and you don't want to take it away from them, | 0:11:07 | 0:11:09 | |
you want to just think, "You are a hero and how wonderful." | 0:11:09 | 0:11:14 | |
Some of these guys became... | 0:11:14 | 0:11:15 | |
effectively became celebrities during the war. | 0:11:15 | 0:11:18 | |
Yes, that's the bit that people sort of forget, | 0:11:18 | 0:11:20 | |
how important it was for the government and for Churchill | 0:11:20 | 0:11:24 | |
to laud all their exploits, | 0:11:24 | 0:11:27 | |
because if people could see what these young men were doing, | 0:11:27 | 0:11:30 | |
it would inspire them in all kinds of ways during the Blitz | 0:11:30 | 0:11:34 | |
and the bombing. You've got to see that in the context of | 0:11:34 | 0:11:36 | |
when you've got the possibility of a hero, play up to them, | 0:11:36 | 0:11:39 | |
let the newspaper people interview them. | 0:11:39 | 0:11:42 | |
Douglas Bader being one of the heroes. | 0:11:42 | 0:11:44 | |
And Douglas Bader, who was in this base first of all, | 0:11:44 | 0:11:47 | |
this was his first base, | 0:11:47 | 0:11:48 | |
he was over the evacuation from Dunkirk in a Spitfire. | 0:11:48 | 0:11:52 | |
He came here, trained in Spitfires. He had no legs, for goodness' sake. | 0:11:52 | 0:11:57 | |
So, what a fantastic person to then make a squadron leader. | 0:11:57 | 0:12:01 | |
And then, when he was shot down, | 0:12:01 | 0:12:04 | |
he collided with a plane in France and he was shot down, | 0:12:04 | 0:12:08 | |
and he only got out of his plane | 0:12:08 | 0:12:10 | |
because he could detach one of his legs. | 0:12:10 | 0:12:13 | |
And so he could parachute. Well, that is... | 0:12:13 | 0:12:16 | |
I've been a journalist all my working life, | 0:12:16 | 0:12:19 | |
that is just gold dust, isn't it? | 0:12:19 | 0:12:21 | |
And it wasn't just British pilots | 0:12:21 | 0:12:23 | |
flying in the Battle of Britain, was it? | 0:12:23 | 0:12:25 | |
No, that's also the rather exciting thing, | 0:12:25 | 0:12:28 | |
that they came from all the old Commonwealth countries | 0:12:28 | 0:12:30 | |
but they came also from France | 0:12:30 | 0:12:32 | |
and from Poland, that had been taken over. | 0:12:32 | 0:12:34 | |
They were people with intense feelings for what they were doing | 0:12:34 | 0:12:38 | |
and they didn't want to let their countries down. | 0:12:38 | 0:12:41 | |
It gives a sort of impression of young people so proud of the fact | 0:12:41 | 0:12:44 | |
that they could do something. | 0:12:44 | 0:12:46 | |
We're going to hear more from you, John, later on. | 0:12:46 | 0:12:48 | |
But, of course, this year marks | 0:12:48 | 0:12:50 | |
the 75th anniversary of the Battle of Britain. | 0:12:50 | 0:12:53 | |
In the summer of 1940, | 0:12:53 | 0:12:55 | |
with the imminent threat of attack from Germany, | 0:12:55 | 0:12:58 | |
Prime Minister Winston Churchill was determined we wouldn't be defeated. | 0:12:58 | 0:13:02 | |
He rallied the nation with one of the most powerful weapons | 0:13:02 | 0:13:05 | |
in his armoury - words. | 0:13:05 | 0:13:07 | |
On the 18th of June, Churchill delivered a speech | 0:13:07 | 0:13:11 | |
to galvanise the nation for the brutal battle ahead, | 0:13:11 | 0:13:15 | |
read today by veterans who took part in the war effort. | 0:13:15 | 0:13:18 | |
The Battle of Britain is about to begin. | 0:13:32 | 0:13:35 | |
Upon this battle depends the survival of Christian civilisation. | 0:13:36 | 0:13:43 | |
Upon it depends our own British life, | 0:13:43 | 0:13:47 | |
the long continuity of our institutions and our Empire. | 0:13:47 | 0:13:51 | |
The whole fury and might of the enemy | 0:13:54 | 0:13:56 | |
must very soon be turned on us. | 0:13:56 | 0:14:00 | |
Hitler knows that he will have to break us in this island | 0:14:00 | 0:14:03 | |
or lose the war. | 0:14:03 | 0:14:04 | |
If we can stand up to him, all Europe may be free. | 0:14:08 | 0:14:14 | |
And the life of the world may move forward into broad, sunlit uplands. | 0:14:14 | 0:14:19 | |
But if we fail, | 0:14:21 | 0:14:24 | |
the whole world, including the United States, | 0:14:24 | 0:14:27 | |
including all that we have known and cared for... | 0:14:27 | 0:14:30 | |
..will sink into the abyss of a new Dark Age... | 0:14:30 | 0:14:33 | |
..made more sinister, | 0:14:33 | 0:14:35 | |
and perhaps more protracted, by the lights of perverted science. | 0:14:35 | 0:14:40 | |
Let us therefore brace ourselves that if the British Empire | 0:14:41 | 0:14:47 | |
and its Commonwealth last for a thousand years... | 0:14:47 | 0:14:52 | |
..men will still say, | 0:14:52 | 0:14:54 | |
"This was their finest hour." | 0:14:54 | 0:14:57 | |
On the 10th July, the Battle of Britain started. | 0:15:00 | 0:15:04 | |
Wave after wave of German bombers | 0:15:04 | 0:15:07 | |
and fighter aircraft launched attacks on Britain's air defences. | 0:15:07 | 0:15:11 | |
BELL RINGS | 0:15:11 | 0:15:13 | |
The RAF fighter pilots were outnumbered, but they held firm. | 0:15:13 | 0:15:19 | |
After nearly four months of battle raging in the skies, | 0:15:19 | 0:15:23 | |
the Luftwaffe retreated, wrecking Hitler's plans to invade Britain. | 0:15:23 | 0:15:29 | |
Churchill was deeply moved by the bravery | 0:15:29 | 0:15:32 | |
and sacrifice of the air force. | 0:15:32 | 0:15:35 | |
He delivered a speech at the height of the battle, | 0:15:35 | 0:15:38 | |
praising and encouraging the pilots in the epic struggle | 0:15:38 | 0:15:42 | |
which turned the course of the war and of history. | 0:15:42 | 0:15:46 | |
The gratitude of every home in our island, | 0:15:48 | 0:15:51 | |
in our Empire, and indeed throughout the world... | 0:15:51 | 0:15:54 | |
..except in the abodes of the guilty... | 0:15:54 | 0:15:56 | |
..goes out to the British airmen who, undaunted by odds... | 0:15:56 | 0:16:01 | |
..unwearied in their constant challenge and mortal danger... | 0:16:01 | 0:16:05 | |
..are turning the tide of the World War by their prowess and devotion. | 0:16:05 | 0:16:09 | |
Never in the field of human conflict | 0:16:20 | 0:16:23 | |
was so much owed by so many to so few. | 0:16:23 | 0:16:25 | |
Well, this is the original Battle of Britain hangar at Duxford | 0:16:32 | 0:16:36 | |
and in here are some of the aircraft that actually took part, | 0:16:36 | 0:16:40 | |
and here to tell us all about it is Carl Warner. | 0:16:40 | 0:16:43 | |
Now, this is a Hurricane. | 0:16:43 | 0:16:44 | |
Explain the role that the Hurricane played during the Battle of Britain. | 0:16:44 | 0:16:48 | |
The Hurricane was one of the RAF's two main fighters | 0:16:48 | 0:16:50 | |
in the Battle of Britain. The Spitfire is more famous | 0:16:50 | 0:16:52 | |
but what the Hurricane did | 0:16:52 | 0:16:54 | |
was it provided the Royal Air Force with numbers. | 0:16:54 | 0:16:56 | |
It was easier to build than the Spitfire so, of course, | 0:16:56 | 0:16:58 | |
there were more Hurricanes, and they shot down more aircraft | 0:16:58 | 0:17:01 | |
than any other aircraft in the battle. | 0:17:01 | 0:17:03 | |
And in terms of performance, what was it...what was it like? | 0:17:03 | 0:17:06 | |
It was a great workhorse. It was able to take on the bombers, | 0:17:06 | 0:17:08 | |
so the slower-flying bombers, and indeed, | 0:17:08 | 0:17:10 | |
it did tangle with German fighters and often came off best, | 0:17:10 | 0:17:14 | |
but it didn't have quite the same performance as the Spitfire. | 0:17:14 | 0:17:16 | |
The Spitfire is what gave the RAF | 0:17:16 | 0:17:18 | |
that sort of performance edge in the Battle of Britain as well. | 0:17:18 | 0:17:20 | |
Now, you mentioned German fighters, because we've got one over here. | 0:17:20 | 0:17:24 | |
Yes, this is the Messerschmitt Bf 109, | 0:17:24 | 0:17:26 | |
so this is the main single-seat fighter that was used by the Germans | 0:17:26 | 0:17:29 | |
in the Battle of Britain. And it crashed in England? It did. | 0:17:29 | 0:17:32 | |
This one, it's a classic example of one of the many reasons | 0:17:32 | 0:17:34 | |
why the Battle of Britain was won by the RAF. | 0:17:34 | 0:17:36 | |
Of course, it crashed, its pilot became a prisoner. | 0:17:36 | 0:17:39 | |
When Hurricanes and Spitfires crashed, | 0:17:39 | 0:17:41 | |
frequently their pilots were back in action that afternoon. | 0:17:41 | 0:17:43 | |
So, that made a huge difference? | 0:17:43 | 0:17:46 | |
It did, it kept fighter numbers up and it's one of the key problems | 0:17:46 | 0:17:49 | |
with attacking over a foreign country - | 0:17:49 | 0:17:51 | |
you tend to lose your guys. | 0:17:51 | 0:17:53 | |
This particular aircraft actually went on a tour, | 0:17:53 | 0:17:56 | |
a fundraising tour of North America, | 0:17:56 | 0:17:57 | |
so it was used to drum up support for the war effort, | 0:17:57 | 0:17:59 | |
the British war effort, and in fact, people would pay to see it and | 0:17:59 | 0:18:02 | |
quite a lot of them scratched their names into the wing of the aircraft. | 0:18:02 | 0:18:05 | |
During the war, really? During the war, yeah, | 0:18:05 | 0:18:07 | |
prior to America's entry and just after America's entry, | 0:18:07 | 0:18:10 | |
trying to drum up that support for the British war effort, | 0:18:10 | 0:18:12 | |
to remind the Americans that they should come in on the right side. | 0:18:12 | 0:18:15 | |
And it was a good plane, though, wasn't it? I mean, you can see | 0:18:15 | 0:18:18 | |
what the Spitfires and the Hurricanes were up against. | 0:18:18 | 0:18:20 | |
It was, it was a very successful fighter. | 0:18:20 | 0:18:22 | |
Um, the problem was that the Germans didn't have enough of them. | 0:18:22 | 0:18:25 | |
They needed many, many, many more aircraft than they had to actually, | 0:18:25 | 0:18:29 | |
if they were going to win the Battle of Britain, | 0:18:29 | 0:18:31 | |
so, despite it being a very well-performing aircraft, | 0:18:31 | 0:18:34 | |
the RAF was always able to remain in being | 0:18:34 | 0:18:36 | |
and not get shot down in the numbers that the Germans needed. | 0:18:36 | 0:18:39 | |
I've just heard a plane take off here, at Duxford. Just give us | 0:18:39 | 0:18:42 | |
an idea what it would've been like here during the Battle of Britain. | 0:18:42 | 0:18:45 | |
Well, Duxford's still a living airfield, | 0:18:45 | 0:18:47 | |
so you can still see examples of these types taking off, | 0:18:47 | 0:18:49 | |
but during the Battle of Britain, Duxford was essentially | 0:18:49 | 0:18:52 | |
responsible for the defence of the Midlands, | 0:18:52 | 0:18:54 | |
but it also helped out with the defence of London, | 0:18:54 | 0:18:56 | |
so a lot of fighters were concentrated here, so, on some days, | 0:18:56 | 0:18:59 | |
you would see up to 60 aircraft taking off from Duxford | 0:18:59 | 0:19:01 | |
and its satellite station at Fowlmere | 0:19:01 | 0:19:03 | |
to head down to London to help with the defences. | 0:19:03 | 0:19:05 | |
It must've been incredible. Carl, thank you. Thank you. | 0:19:05 | 0:19:08 | |
Still to come on today's programme... | 0:19:10 | 0:19:13 | |
former Spitfire girl Joy Lofthouse takes to the skies again aged 92. | 0:19:13 | 0:19:19 | |
I don't think I'm going to do anything fancy! Ha-ha! | 0:19:20 | 0:19:24 | |
John Sergeant hears the tragic tale of a Lancaster lost in a lake. | 0:19:24 | 0:19:29 | |
That's all that's left. | 0:19:31 | 0:19:33 | |
That little bit of metal. | 0:19:33 | 0:19:35 | |
Of seven men's lives. | 0:19:35 | 0:19:37 | |
And Boogie Woogie Bugle Boys - | 0:19:39 | 0:19:42 | |
a special performance by The Three Belles. | 0:19:42 | 0:19:44 | |
One of my favourite exhibits here at Duxford is this - | 0:19:52 | 0:19:56 | |
the Lancaster bomber. John Sergeant is still here, | 0:19:56 | 0:19:59 | |
and I know you're fascinated by these incredibly majestic planes. | 0:19:59 | 0:20:02 | |
They are. Kids nowadays talk about things being awesome, | 0:20:02 | 0:20:05 | |
but that really is awesome, isn't it? Mm-hm. | 0:20:05 | 0:20:08 | |
And what's amazing is that, | 0:20:08 | 0:20:09 | |
when I was a child looking at these things, you didn't associate it | 0:20:09 | 0:20:12 | |
with death and destruction, you just looked at the plane | 0:20:12 | 0:20:16 | |
and you thought, "This is just so..." | 0:20:16 | 0:20:18 | |
Well, it's so cool, isn't it? It's just so beautifully designed. | 0:20:18 | 0:20:22 | |
And to think this big thing will go up into the air, | 0:20:22 | 0:20:24 | |
carrying all these people, | 0:20:24 | 0:20:26 | |
it was just in a very simple way, can a plane do that? | 0:20:26 | 0:20:29 | |
And can they do it with such sort of fortitude | 0:20:29 | 0:20:32 | |
and with all the ack-ack guns going off round them? | 0:20:32 | 0:20:34 | |
And this thing is flying through the night. | 0:20:34 | 0:20:37 | |
I just thought then, and I think now, awesome! | 0:20:37 | 0:20:39 | |
But they must've been incredibly frightening for the crew on board. | 0:20:39 | 0:20:42 | |
They were, and, er, you know, a lot of them, of course, would be killed | 0:20:42 | 0:20:46 | |
and a lot of them couldn't communicate very well, | 0:20:46 | 0:20:48 | |
because there's the rear gunner, so there are seven in all. | 0:20:48 | 0:20:51 | |
Then there's the gunner here - the middle position - | 0:20:51 | 0:20:54 | |
but they're very vulnerable below here. | 0:20:54 | 0:20:57 | |
So you've got the navigator, various people there, | 0:20:57 | 0:20:59 | |
but there's not much contact. | 0:20:59 | 0:21:01 | |
You met, earlier this year, a woman called Elaine Towlson, whose father, | 0:21:01 | 0:21:05 | |
Stan Shaw, flew one of these Lancaster bombers in the war. Yeah. | 0:21:05 | 0:21:08 | |
And she told you all about that, about his experience. | 0:21:08 | 0:21:11 | |
Let's have a look. | 0:21:11 | 0:21:12 | |
I often wish, you know, that I could go back in time... | 0:21:18 | 0:21:24 | |
just to see him once more. | 0:21:24 | 0:21:25 | |
Impossible. | 0:21:27 | 0:21:28 | |
Absolutely impossible. | 0:21:29 | 0:21:30 | |
I loved him to bits. | 0:21:33 | 0:21:34 | |
Stan Shaw and the crew of DV202 | 0:21:35 | 0:21:39 | |
were just seven from tens of thousands of British service men | 0:21:39 | 0:21:44 | |
and women recorded as lost without trace after the Second World War. | 0:21:44 | 0:21:49 | |
All are remembered by the memorial at Runnymede. | 0:21:50 | 0:21:54 | |
'DV202's last flight took off from Dunholme Lodge in Lincolnshire | 0:21:55 | 0:22:00 | |
'at 9:40pm on August the 17th, 1943. | 0:22:00 | 0:22:06 | |
'They were headed for Peenemunde.' | 0:22:06 | 0:22:09 | |
Most of the Lancasters that were lost went down in the sea, | 0:22:09 | 0:22:12 | |
or crashed into these woods. | 0:22:12 | 0:22:14 | |
All of them have disappeared. | 0:22:14 | 0:22:16 | |
All but one. | 0:22:16 | 0:22:19 | |
This is Lake Kolpinsee, | 0:22:20 | 0:22:23 | |
just a few hundred yards from the missile base at Peenemunde. | 0:22:23 | 0:22:27 | |
During the raid, Botho Stuwe watched as a Lancaster Mark III | 0:22:28 | 0:22:33 | |
was shot down by German night fighters and crashed into the lake. | 0:22:33 | 0:22:38 | |
HE SPEAKS GERMAN: | 0:22:40 | 0:22:43 | |
There were 40 aircraft lost during the raid on Peenemunde. | 0:23:10 | 0:23:15 | |
Not one is recorded as crashing into a lake. | 0:23:15 | 0:23:19 | |
After the war, a special team was set up to search for those lost. | 0:23:19 | 0:23:24 | |
They'd heard the rumours of the Lancaster in the lake. | 0:23:24 | 0:23:27 | |
It was never found. | 0:23:27 | 0:23:29 | |
But it IS here. | 0:23:29 | 0:23:31 | |
A Lancaster Mark III, | 0:23:31 | 0:23:33 | |
part of the third and final wave. | 0:23:33 | 0:23:37 | |
And here, in Peenemunde, they have no doubt who the rear gunner was. | 0:23:37 | 0:23:43 | |
He was worried, I think, | 0:23:43 | 0:23:45 | |
because he'd got to go and he couldn't see me mum. | 0:23:45 | 0:23:49 | |
And, er, he got his uniform on, | 0:23:49 | 0:23:52 | |
I didn't have time to clean his buttons that time. | 0:23:52 | 0:23:54 | |
And, er... | 0:23:56 | 0:23:58 | |
I ran to the bottom of the street and waved. | 0:23:58 | 0:24:00 | |
It was the last time Elaine saw her father. | 0:24:02 | 0:24:05 | |
She tries to go to the Runnymede Memorial every year, | 0:24:05 | 0:24:09 | |
to pay respects to her dad, | 0:24:09 | 0:24:11 | |
but she's never been here to Peenemunde. | 0:24:11 | 0:24:14 | |
Until now. | 0:24:14 | 0:24:16 | |
Hello, Elaine. Hello. Thanks for coming. | 0:24:33 | 0:24:36 | |
Yeah. Your hands are cold. | 0:24:36 | 0:24:38 | |
I'm sorry, are you all right? Yes, thank you. OK. Right, let's, er... | 0:24:38 | 0:24:43 | |
'One of Elaine's sons, Russell, has come to support his mother.' | 0:24:43 | 0:24:47 | |
Hello. Hello, John. Very nice to meet you. | 0:24:47 | 0:24:50 | |
Pleased to meet you too. Yeah. Russell. Yeah. | 0:24:50 | 0:24:53 | |
Let's, er... Now, we've just got to go down here. | 0:24:53 | 0:24:56 | |
It's, er, the little jetty. Right. | 0:24:56 | 0:24:59 | |
It's a very... | 0:24:59 | 0:25:01 | |
desolate sort of area, isn't it? It is, yes. Yeah. | 0:25:01 | 0:25:04 | |
It is desolate. | 0:25:04 | 0:25:06 | |
We are now finally on the side of the lake. | 0:25:14 | 0:25:17 | |
Now, can you see over there? | 0:25:17 | 0:25:19 | |
Can you see that sort of little white thing? Yeah. | 0:25:20 | 0:25:23 | |
Now, that is part of the Lancaster. | 0:25:23 | 0:25:27 | |
VOICE BREAKS: I've been waiting a long time. | 0:25:31 | 0:25:34 | |
I really have, to see this. Yeah. I didn't think I'd ever see it. | 0:25:35 | 0:25:40 | |
This is very likely where your father died. | 0:25:40 | 0:25:42 | |
But it's good that you're here, isn't it? | 0:25:42 | 0:25:44 | |
Yes, very good. | 0:25:44 | 0:25:47 | |
It's wonderful, cos I can say... goodbye. | 0:25:47 | 0:25:51 | |
And look at the sun coming through the clouds. | 0:25:53 | 0:25:56 | |
Yeah. That's amazing, isn't it? Yes, it is. Like two searchlights. | 0:25:56 | 0:26:00 | |
Oh, yes, it's a lovely place. | 0:26:01 | 0:26:04 | |
It really is. | 0:26:04 | 0:26:05 | |
'In 1948, Elaine's mother Elsie received | 0:26:07 | 0:26:11 | |
'a letter from the Red Cross. | 0:26:11 | 0:26:13 | |
'By then, the Russian Army controlled Peenemunde. | 0:26:13 | 0:26:17 | |
'They had received information from local people that all of the | 0:26:17 | 0:26:21 | |
'crew from the Lancaster in the lake | 0:26:21 | 0:26:24 | |
'had been removed from the wreck. | 0:26:24 | 0:26:27 | |
'All were dead. | 0:26:27 | 0:26:29 | |
'Four of the airmen were buried on the lake shore. | 0:26:29 | 0:26:32 | |
'One of them was named as Flight Sergeant Stanley Shaw. | 0:26:32 | 0:26:38 | |
'No evidence of the graves exist.' | 0:26:38 | 0:26:42 | |
That's all that's left. Mmm. | 0:26:44 | 0:26:46 | |
That little bit of metal. | 0:26:46 | 0:26:47 | |
Of seven men's lives. | 0:26:49 | 0:26:51 | |
That's Reg. Yes. | 0:26:54 | 0:26:55 | |
Billy. | 0:26:58 | 0:27:00 | |
Peter. | 0:27:03 | 0:27:04 | |
Mac. | 0:27:08 | 0:27:10 | |
Les. | 0:27:11 | 0:27:12 | |
Tom. | 0:27:14 | 0:27:16 | |
And Dad. | 0:27:19 | 0:27:20 | |
THEY TALK QUIETLY | 0:27:23 | 0:27:25 | |
Clearly incredibly emotional - | 0:27:41 | 0:27:43 | |
understandably emotional for Elaine, for her son, but also for you. | 0:27:43 | 0:27:46 | |
Well, yes, to be there, on this lake, | 0:27:46 | 0:27:49 | |
with the remains of a Lancaster, | 0:27:49 | 0:27:51 | |
and to have Elaine reel out the names of the crew, | 0:27:51 | 0:27:55 | |
who had been with her father when they were all killed, | 0:27:55 | 0:27:58 | |
I was shaking with emotion. I thought it was... | 0:27:58 | 0:28:01 | |
It was certainly the most sort of tear-jerking episode | 0:28:01 | 0:28:03 | |
I've been involved in, I thought it was just extraordinary. | 0:28:03 | 0:28:06 | |
What were the total losses of Bomber Command? | 0:28:06 | 0:28:08 | |
About half of them were killed. | 0:28:08 | 0:28:10 | |
So, if you think of the whole sort of bomber force, | 0:28:10 | 0:28:13 | |
about 50,000 young men were killed | 0:28:13 | 0:28:17 | |
and their attrition rate was the same as it was in the worst period | 0:28:17 | 0:28:22 | |
of the First World War, so people go on about that, | 0:28:22 | 0:28:26 | |
but they have no idea just how dangerous it was | 0:28:26 | 0:28:29 | |
for a young man climbing into this Lancaster. | 0:28:29 | 0:28:32 | |
Their chances of returning often, well, they weren't very high. | 0:28:32 | 0:28:36 | |
But it's very difficult for people to understand nowadays | 0:28:36 | 0:28:40 | |
just what that's like. | 0:28:40 | 0:28:41 | |
You joined the BBC in the 1970s and then you covered | 0:28:41 | 0:28:44 | |
your fair share of conflicts, and a big range of conflicts as well. | 0:28:44 | 0:28:47 | |
I did, but I wasn't a hero. | 0:28:47 | 0:28:50 | |
I mean, I did it, because that's what you did as a reporter. | 0:28:50 | 0:28:53 | |
I wanted to be a top reporter. | 0:28:53 | 0:28:55 | |
And that was just, I suppose, what we had to do. | 0:28:55 | 0:28:58 | |
Um, but it was dangerous, very dangerous. | 0:28:58 | 0:29:01 | |
Vietnam, the Middle East, um, Rhodesia, as it was then. | 0:29:01 | 0:29:04 | |
So, yes, I was in these dangerous places, but | 0:29:04 | 0:29:07 | |
I don't want to give the impression I was some kind of heroic figure, | 0:29:07 | 0:29:10 | |
or to compare myself with the young men who flew these planes, | 0:29:10 | 0:29:14 | |
knowing they had a high chance of being killed. | 0:29:14 | 0:29:16 | |
I didn't think I had a high chance of being killed. | 0:29:16 | 0:29:18 | |
It just turned out sometimes it was very dangerous. | 0:29:18 | 0:29:21 | |
John, thank you. | 0:29:21 | 0:29:22 | |
Well, back to World War II now and, during the Battle of Britain, | 0:29:22 | 0:29:26 | |
Duxford's Operations Room would have been a hive of activity. | 0:29:26 | 0:29:29 | |
Andy is there now. | 0:29:29 | 0:29:31 | |
OVER TANNOY: This is Operations! Operations! Air raid warning! | 0:29:31 | 0:29:35 | |
During the summer of 1940, Duxford was home to five RAF squadrons. | 0:29:35 | 0:29:40 | |
As German fighters crossed from Europe, | 0:29:40 | 0:29:42 | |
our boys would scramble into their planes to meet them | 0:29:42 | 0:29:45 | |
and the battles that ensued would be directed from places like this. | 0:29:45 | 0:29:50 | |
One of the ladies who worked in an operations room | 0:29:50 | 0:29:53 | |
during the Battle of Britain is Sheree Lygo-Hackett. | 0:29:53 | 0:29:56 | |
Sheree, thank you very much for joining us. | 0:29:56 | 0:29:59 | |
Now, when was the last time you were in an operations room? | 0:29:59 | 0:30:01 | |
Well, it'll be, let's see, it's about early 1943, it would be. | 0:30:01 | 0:30:05 | |
So, 72 years? Yes! | 0:30:05 | 0:30:07 | |
And what was your job? | 0:30:07 | 0:30:09 | |
Well, I was a plotter. OK. | 0:30:09 | 0:30:10 | |
Can you show me what you used to do? | 0:30:10 | 0:30:12 | |
Well, they'd send the number of the raids through... Mm-hm. | 0:30:12 | 0:30:15 | |
..which you've got it all set up here. | 0:30:15 | 0:30:18 | |
You had the number of the raid and you had the height | 0:30:18 | 0:30:23 | |
and the number of aircraft. | 0:30:23 | 0:30:26 | |
You'd put a plot, either according to the clock, the Ops Room clock, | 0:30:26 | 0:30:31 | |
you changed them every five minutes. | 0:30:31 | 0:30:33 | |
By doing that, the controller would be able to get the aircraft | 0:30:33 | 0:30:39 | |
up in the sector where we were to intercept the, um, enemy. | 0:30:39 | 0:30:45 | |
So you were monitoring where all the aircraft were? | 0:30:45 | 0:30:48 | |
You had to keep your wits about you, because you would have this on, | 0:30:48 | 0:30:51 | |
and you had to listen to the plots coming through, | 0:30:51 | 0:30:55 | |
and the sooner that you got them on the board, | 0:30:55 | 0:30:58 | |
the sooner the controller could act and get the kites airborne. | 0:30:58 | 0:31:03 | |
And what was it like when, you know, bombers were flying overhead? | 0:31:03 | 0:31:07 | |
In those days, you didn't allow yourself to be frightened. | 0:31:07 | 0:31:11 | |
You got on with it. | 0:31:11 | 0:31:13 | |
Generally, I think people didn't know whether they were going to be alive | 0:31:13 | 0:31:17 | |
the next hour, not just in the Ops Room, but generally with the public, | 0:31:17 | 0:31:22 | |
and, um, I think that, er, | 0:31:22 | 0:31:24 | |
yes, people were a bit afeard, | 0:31:24 | 0:31:27 | |
but we got on with it, you had to! | 0:31:27 | 0:31:29 | |
There was nothing else you could do. | 0:31:29 | 0:31:31 | |
So live life while you could. | 0:31:31 | 0:31:33 | |
Sheree, are you proud of the work you did during the war? | 0:31:33 | 0:31:36 | |
Yes, I am, and I think all of us | 0:31:36 | 0:31:40 | |
that were in the war are proud of what we did. | 0:31:40 | 0:31:43 | |
We were all cogs in a big wheel and, | 0:31:43 | 0:31:46 | |
if we hadn't all pulled together, we'd never have made it through. | 0:31:46 | 0:31:50 | |
Sheree, thank you very much | 0:31:50 | 0:31:52 | |
for sharing your experiences with us today. | 0:31:52 | 0:31:54 | |
Every year, thousands of people pour through the doors of the museum. | 0:32:01 | 0:32:05 | |
We've been finding out what's brought some of today's visitors here. | 0:32:05 | 0:32:09 | |
This plane behind me is the one I flew a number of times | 0:32:14 | 0:32:19 | |
on the Berlin Airlift. | 0:32:19 | 0:32:21 | |
We carried flour, coal, | 0:32:21 | 0:32:25 | |
anything needed at the time. | 0:32:25 | 0:32:27 | |
Berlin was completely cut off. | 0:32:27 | 0:32:29 | |
And so, we had to... literally feed Berlin. | 0:32:29 | 0:32:33 | |
It was hard work, but these are lovely aircraft to fly. | 0:32:33 | 0:32:38 | |
Today, we've seen the Spitfire, um, and that's been flying around, | 0:32:43 | 0:32:47 | |
and it's been great to see, because they've done it up, restored it, | 0:32:47 | 0:32:50 | |
and it's looking pretty good in its glory. | 0:32:50 | 0:32:52 | |
I'm reminiscing my childhood in RAF Duxford. | 0:32:54 | 0:32:57 | |
We came here to live in 1946. | 0:32:57 | 0:33:00 | |
We played around the RAF station and used to walk across the airfield | 0:33:00 | 0:33:04 | |
when the planes weren't flying to Duxford | 0:33:04 | 0:33:06 | |
and, er, we really had a lovely childhood here. | 0:33:06 | 0:33:09 | |
This is my first time here and it's just amazing. To get this close up | 0:33:12 | 0:33:16 | |
to something like a Vulcan is... is incredible. No, it's amazing. | 0:33:16 | 0:33:20 | |
Well, earlier, we heard the amazing story of Joy Lofthouse, | 0:33:31 | 0:33:34 | |
who flew 18 different types of planes during the Second World War. | 0:33:34 | 0:33:38 | |
Joy never lost her passion for flying, | 0:33:38 | 0:33:41 | |
and what better way to celebrate the wonderful work she did | 0:33:41 | 0:33:44 | |
than by reuniting her with one of her favourite planes? | 0:33:44 | 0:33:48 | |
Today is a chance for Joy to turn back the clock. | 0:33:52 | 0:33:56 | |
More than 70 years after she learned to fly, | 0:33:57 | 0:34:00 | |
she's taking to the skies once again. | 0:34:00 | 0:34:04 | |
Well, it's a long time since I've been in a Tiger Moth, | 0:34:04 | 0:34:07 | |
so, part of me's looking forward to it | 0:34:07 | 0:34:10 | |
and part of me is wondering how I'll feel in the wide open spaces. | 0:34:10 | 0:34:14 | |
But I'm very much looking forward to it - taking me back | 0:34:14 | 0:34:17 | |
to my very, very early days of training. | 0:34:17 | 0:34:19 | |
Tiger Moths were the main training planes for ATA pilots. | 0:34:21 | 0:34:25 | |
With an open cockpit and simple controls, | 0:34:25 | 0:34:27 | |
they were the ideal plane to perfect flying skills. | 0:34:27 | 0:34:31 | |
Today, Joy will fly in this one at White Waltham Airfield | 0:34:31 | 0:34:35 | |
in Berkshire - her old training ground. | 0:34:35 | 0:34:38 | |
Many of the buildings here are still as they were | 0:34:42 | 0:34:45 | |
when the war ended and for Joy, the memories are flooding back. | 0:34:45 | 0:34:49 | |
She looks quite small. No smaller than a Spitfire. | 0:34:50 | 0:34:55 | |
But...somehow different. | 0:34:55 | 0:34:57 | |
Well, she would be different, wouldn't she? | 0:34:57 | 0:34:59 | |
But it's so long since I flew in an open cockpit. | 0:34:59 | 0:35:04 | |
I hope I shall feel all right. | 0:35:04 | 0:35:06 | |
And I've got to climb up on there, | 0:35:06 | 0:35:08 | |
I think I can manage that, just about. | 0:35:08 | 0:35:11 | |
Tiger Moths were designed in the 1930s | 0:35:12 | 0:35:15 | |
and stayed in service for more than 25 years. | 0:35:15 | 0:35:18 | |
Now, there are just a few remaining in the UK. | 0:35:18 | 0:35:21 | |
We would have used the height indicator, the height you were | 0:35:21 | 0:35:25 | |
flying at, and the speed, | 0:35:25 | 0:35:28 | |
and that was about all we needed to know. | 0:35:28 | 0:35:30 | |
Flying with Joy, another woman of the sky - | 0:35:32 | 0:35:34 | |
instructor Amanda Harrison. | 0:35:34 | 0:35:36 | |
I think she'll probably put me to shame. | 0:35:37 | 0:35:40 | |
She'll remember how to fly it perfectly and it will be such an | 0:35:40 | 0:35:43 | |
honour to take up Joy, my hero, and pass the controls over to her | 0:35:43 | 0:35:47 | |
and for her to feel the freedom | 0:35:47 | 0:35:48 | |
of the Tiger Moth again, it'll be brilliant. | 0:35:48 | 0:35:51 | |
Hello, Joy. Hello! Oh, it's a lady pilot! I'm your pilot today. | 0:35:51 | 0:35:56 | |
I hadn't realised that. | 0:35:56 | 0:35:58 | |
I have to say, I've wanted to fly an ATA Lady... | 0:35:58 | 0:36:00 | |
Have you? Absolutely. This is a huge privilege. I'm glad about that, yes. | 0:36:00 | 0:36:05 | |
So, it's fabulous. And I've brought my logbook | 0:36:05 | 0:36:07 | |
and I would be very privileged if you would sign it. | 0:36:07 | 0:36:10 | |
Oh, right, I'll sign your logbook for you, yes. | 0:36:10 | 0:36:12 | |
No charge! No charge! | 0:36:12 | 0:36:14 | |
After we've done the three circuits, | 0:36:15 | 0:36:17 | |
we're then going to fly out | 0:36:17 | 0:36:19 | |
and then I'm going to hand it over to you and say, "You have control." | 0:36:19 | 0:36:22 | |
Well, not for long! THEY LAUGH | 0:36:22 | 0:36:25 | |
How's that? That's OK. | 0:36:31 | 0:36:33 | |
Not since the 1940s has Joy done this. | 0:36:33 | 0:36:36 | |
Wow, look at that. | 0:36:36 | 0:36:38 | |
And there's no stopping her now. | 0:36:38 | 0:36:40 | |
Right, here we go. It'll get quite noisy! | 0:36:45 | 0:36:48 | |
A thousand feet above the Berkshire countryside, | 0:37:08 | 0:37:10 | |
and it's Joy's chance to be a pilot again. | 0:37:10 | 0:37:13 | |
Straight and level! | 0:37:20 | 0:37:22 | |
AMANDA LAUGHS | 0:38:06 | 0:38:09 | |
Well, I'm not allowed to say what her landing was like. | 0:38:11 | 0:38:14 | |
I'm sure it was better than anything I could have done! | 0:38:14 | 0:38:17 | |
I'd better say it was eight out of eight, shall I? | 0:38:17 | 0:38:21 | |
AMANDA LAUGHS | 0:38:21 | 0:38:22 | |
It was a great experience to be back in a Tiger Moth, yes. | 0:38:22 | 0:38:25 | |
I wouldn't like to do it day after day after day at my age. | 0:38:25 | 0:38:29 | |
But the experience of being back in an open cockpit aeroplane | 0:38:29 | 0:38:33 | |
that I flew during the war - | 0:38:33 | 0:38:35 | |
everybody wants to be reminded of when they were young, | 0:38:35 | 0:38:38 | |
and flying today does that for me. | 0:38:38 | 0:38:41 | |
It reminds me of when I was young. | 0:38:41 | 0:38:43 | |
Fantastic - I think Joy rather enjoyed that, don't you? | 0:38:50 | 0:38:52 | |
Well, of course, who wouldn't? Tiger Moth! | 0:38:52 | 0:38:55 | |
You'd like to be up there, wouldn't you? | 0:38:55 | 0:38:57 | |
Yes. I learned to spin in a Tiger Moth, | 0:38:57 | 0:38:59 | |
you have to reverse the controls, | 0:38:59 | 0:39:01 | |
but then it just will sort itself out on its own. | 0:39:01 | 0:39:04 | |
Brilliant. Wonderful. Really wonderful. | 0:39:04 | 0:39:06 | |
Well, that's nearly all for today's programme, but to see us off | 0:39:06 | 0:39:09 | |
in style, here are the Three Belles | 0:39:09 | 0:39:11 | |
in all their '40s glory. | 0:39:11 | 0:39:13 | |
REVEILLE STYLE TRUMPET INTRO | 0:39:15 | 0:39:19 | |
MUSIC: "Boogie Woogie Bugle Boy of Company B" | 0:39:23 | 0:39:27 | |
# He was a famous trumpet man from out Chicago way | 0:39:30 | 0:39:34 | |
# He had a boogie style that no-one else could play | 0:39:34 | 0:39:36 | |
# He was the top man at his craft | 0:39:36 | 0:39:39 | |
# But then his number came up and he was gone with the draft | 0:39:39 | 0:39:42 | |
# He's in the army now, a-blowin' reveille | 0:39:42 | 0:39:45 | |
# He's the boogie woogie bugle boy of Company B | 0:39:45 | 0:39:48 | |
# They made him blow a bugle for his Uncle Sam | 0:39:48 | 0:39:50 | |
# It really brought him down because he couldn't jam | 0:39:50 | 0:39:53 | |
# The captain seemed to understand | 0:39:53 | 0:39:56 | |
# Because the next day the cap' went out and drafted a band | 0:39:56 | 0:39:58 | |
# And now the company jumps when he plays reveille | 0:39:58 | 0:40:01 | |
# He's the boogie woogie bugle boy of Company B | 0:40:01 | 0:40:04 | |
# A-toot, a-toot, a-toot-diddelyada-toot | 0:40:04 | 0:40:07 | |
# He blows it eight-to-the-bar, in boogie rhythm | 0:40:07 | 0:40:10 | |
# He can't blow a note unless the bass and guitar is playin' with him | 0:40:10 | 0:40:14 | |
# He makes the company jump when he plays reveille | 0:40:14 | 0:40:18 | |
# He's the boogie woogie bugle boy of Company B | 0:40:18 | 0:40:21 | |
# He was some boogie woogie bugle boy of Company B | 0:40:21 | 0:40:25 | |
# And when he plays boogie woogie bugle, he is busy as a buzzy bee | 0:40:25 | 0:40:32 | |
# And when he plays he makes the company jump eight-to-the-bar | 0:40:32 | 0:40:35 | |
# He's the boogie woogie bugle boy of Company B | 0:40:35 | 0:40:38 | |
# Toot-toot toot-diddelyada toot-diddelyada, toot-toot | 0:40:38 | 0:40:40 | |
# He blows it eight-to-the-bar | 0:40:40 | 0:40:43 | |
# He can't blow a note if the bass and guitar isn't with him | 0:40:43 | 0:40:48 | |
# Ah-ah-and the company jumps when he plays reveille | 0:40:48 | 0:40:51 | |
# He's the boogie woogie bugle boy of Company B... # | 0:40:51 | 0:40:54 | |
TRUMPET SOLO | 0:40:54 | 0:40:57 | |
# He puts the boys to sleep with boogie every night | 0:41:11 | 0:41:14 | |
# And wakes 'em up the same way in the early bright | 0:41:14 | 0:41:17 | |
# They clap their hands and stamp their feet | 0:41:17 | 0:41:19 | |
# Because they know how he plays when someone gives him a beat | 0:41:19 | 0:41:22 | |
# He really shakes it up when he plays reveille | 0:41:22 | 0:41:24 | |
# He's the boogie woogie bugle boy of Company B | 0:41:24 | 0:41:28 | |
# Dat-da da-do-do da-dup | 0:41:28 | 0:41:38 | |
# Ah-ah-and the company jumps when he plays reveille | 0:41:38 | 0:41:41 | |
# He's the boogie woogie bugle boy of Company B. # | 0:41:41 | 0:41:44 | |
The wonderful Three Belles. | 0:41:53 | 0:41:55 | |
John, thank you so much for joining us today. | 0:41:55 | 0:41:57 | |
Thank you, it's been terrific, I've really enjoyed it. | 0:41:57 | 0:41:59 | |
That's it for today's programme. Coming up tomorrow... | 0:41:59 | 0:42:02 | |
June Brown, who plays Dot Cotton in EastEnders, | 0:42:04 | 0:42:07 | |
tells us her memories of the war. | 0:42:07 | 0:42:10 | |
70 years since the end of the Second World War, we hear from those | 0:42:14 | 0:42:19 | |
who remember what it was like when the nation celebrated. | 0:42:19 | 0:42:22 | |
We ran into the street and everybody was cheering and yelling, | 0:42:23 | 0:42:27 | |
it was heaven, absolute heaven. | 0:42:27 | 0:42:29 | |
And a story of wartime sacrifice | 0:42:32 | 0:42:35 | |
that bonded two families together for 100 years. | 0:42:35 | 0:42:40 | |
My brother and I would not be here now, nor would my father have been, | 0:42:40 | 0:42:43 | |
and I think that that is something which has a profound impact on you. | 0:42:43 | 0:42:49 | |
Until then, from all of us | 0:42:49 | 0:42:50 | |
here at the Imperial War Museum, Duxford, goodbye. | 0:42:50 | 0:42:53 | |
Goodbye. Goodbye. | 0:42:53 | 0:42:55 | |
# I put a spell on you | 0:43:32 | 0:43:34 | |
# Cos you're mine | 0:43:38 | 0:43:41 |