Browse content similar to The Fallen. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to the Imperial War Museum in Cambridgeshire, | 0:00:03 | 0:00:07 | |
a former RAF base and now a magnet for visitors. | 0:00:07 | 0:00:09 | |
Today, as we approach Remembrance Sunday, | 0:00:09 | 0:00:12 | |
we are celebrating the heroes who fought for our freedom | 0:00:12 | 0:00:15 | |
and paying tribute to the men and women | 0:00:15 | 0:00:17 | |
who made the ultimate sacrifice. | 0:00:17 | 0:00:19 | |
This is how the people remember. | 0:00:19 | 0:00:21 | |
All week, I've been exploring some of the treasures here with former | 0:00:28 | 0:00:32 | |
army officer Andy Torbet. | 0:00:32 | 0:00:34 | |
And celebrities from the worlds of entertainment and broadcasting | 0:00:37 | 0:00:41 | |
have been telling us the role their families played during the war. | 0:00:41 | 0:00:46 | |
On today's programme, we remember the fallen. | 0:00:49 | 0:00:52 | |
We hear from a family whose son was killed in Afghanistan. | 0:00:52 | 0:00:56 | |
I was always there. | 0:00:56 | 0:00:58 | |
And that was the hardest thing, not saying goodbye. | 0:00:59 | 0:01:03 | |
Broadcaster Angela Rippon shares her father's wartime stories with us. | 0:01:04 | 0:01:08 | |
And a piece of music written in the trenches 100 years ago | 0:01:11 | 0:01:16 | |
is brought to life. | 0:01:16 | 0:01:17 | |
Very, very emotional. Thank you so much. | 0:01:17 | 0:01:20 | |
Good morning and welcome to Duxford. | 0:01:36 | 0:01:38 | |
This weekend, thousands of people will pay their respects | 0:01:38 | 0:01:41 | |
to the fallen at war memorials up and down the country. | 0:01:41 | 0:01:45 | |
Our special guest today is someone who is acutely aware | 0:01:45 | 0:01:49 | |
of the sacrifices families make for the security of the nation. | 0:01:49 | 0:01:53 | |
Angela Rippon, welcome to Duxford. Thank you very much. | 0:01:53 | 0:01:55 | |
Now, your dad missed the first few years of your life | 0:01:55 | 0:01:59 | |
because of the war, didn't he? Oh, very much so, yes. | 0:01:59 | 0:02:01 | |
My father was a Royal Marine and he had a very busy war, | 0:02:01 | 0:02:05 | |
as his rack of medals show! I was spotting that on the sofa. | 0:02:05 | 0:02:09 | |
He was a bit busy during the war because he was in Italy | 0:02:09 | 0:02:12 | |
and Africa twice. The Pacific, the North Atlantic. | 0:02:12 | 0:02:15 | |
He was on the Malta convoys. | 0:02:15 | 0:02:17 | |
So he was all over the place and he didn't actually get back... | 0:02:17 | 0:02:20 | |
I was born in 1944 and he didn't come back to England | 0:02:20 | 0:02:23 | |
until the beginning of 1948 when I was three-and-a-half. | 0:02:23 | 0:02:28 | |
And when I met him for the first time, | 0:02:28 | 0:02:30 | |
I have a wonderful photograph of me meeting him on board the ship | 0:02:30 | 0:02:34 | |
when he came back to his home port in Plymouth | 0:02:34 | 0:02:36 | |
and I have a face on me like a plate of sour milk | 0:02:36 | 0:02:38 | |
because of course I had been bought up by my mother, my granny | 0:02:38 | 0:02:41 | |
and my aunt and I had never seen this man before. | 0:02:41 | 0:02:44 | |
But he was very much the hero of my life, | 0:02:44 | 0:02:46 | |
as I am sure an awful lot of young children at that time felt | 0:02:46 | 0:02:49 | |
when I got to know him better. | 0:02:49 | 0:02:51 | |
And I always say that my dad spent the rest of his life | 0:02:51 | 0:02:53 | |
making up for the fact that he hadn't been around | 0:02:53 | 0:02:56 | |
until I was three years old and he had missed all those baby years. | 0:02:56 | 0:02:59 | |
Did it really affect your relationship with him? | 0:02:59 | 0:03:00 | |
Oh, very much so. I became very, very close to my dad | 0:03:00 | 0:03:04 | |
and I always feel... | 0:03:04 | 0:03:06 | |
My mother couldn't have any more children after me, unfortunately, | 0:03:06 | 0:03:08 | |
and I think my father being a very macho Royal Marine | 0:03:08 | 0:03:10 | |
would have loved to have had a son. Instead he got me. | 0:03:10 | 0:03:13 | |
He wanted me to be a young lady, but at the same time I always feel | 0:03:13 | 0:03:17 | |
he helped to instil in me all of those qualities of self-reliance | 0:03:17 | 0:03:20 | |
and courage and determination - | 0:03:20 | 0:03:22 | |
all of the things that he would have wanted, as a man, | 0:03:22 | 0:03:25 | |
to pass on to his son. | 0:03:25 | 0:03:26 | |
And, um...I think they have stood me quite well, | 0:03:26 | 0:03:29 | |
as you will appreciate, in the job that we do. | 0:03:29 | 0:03:33 | |
Well, as you say, he had a very busy war | 0:03:33 | 0:03:35 | |
and you're going to tell us plenty more about that in a moment. | 0:03:35 | 0:03:38 | |
But first, in 2014 our troops withdrew from Afghanistan. | 0:03:38 | 0:03:41 | |
It was the end of a costly chapter in a campaign which | 0:03:41 | 0:03:45 | |
lasted 13 years with hundreds of British soldiers losing their lives. | 0:03:45 | 0:03:50 | |
This is the story of one young man | 0:03:50 | 0:03:52 | |
who served with the Mercian Regiment. | 0:03:52 | 0:03:55 | |
'A guided tour around an army patrol base in Helmand province.' | 0:03:59 | 0:04:04 | |
'Lance Corporal Jamie Webb recorded this video to | 0:04:07 | 0:04:10 | |
'show his family back home what life was like in Afghanistan.' | 0:04:10 | 0:04:14 | |
'Jamie's cheerfulness in adversity shone through in the letters | 0:04:21 | 0:04:25 | |
'he sent home.' | 0:04:25 | 0:04:26 | |
"Dear Mum and Dad and Luke, smiley face. Hope you are well and OK. | 0:04:31 | 0:04:36 | |
"I received some air mail today with some letters. | 0:04:36 | 0:04:39 | |
"It is quite a hot area, that means where helicopters can't land | 0:04:39 | 0:04:44 | |
"because they have been targeted by Taliban. | 0:04:44 | 0:04:47 | |
"Just counting the days till I am home again. | 0:04:48 | 0:04:50 | |
"Mum, Dad and Luke, I love you all so much. | 0:04:50 | 0:04:53 | |
"Love from Custard Cream Jamie." | 0:04:56 | 0:04:58 | |
To tell the story of Jamie - he was brave. | 0:05:01 | 0:05:04 | |
He was more than my brother, he was my best friend. | 0:05:04 | 0:05:07 | |
And he was more than my best friend, he was my hero. | 0:05:07 | 0:05:10 | |
A very loving little boy. | 0:05:12 | 0:05:14 | |
He was into football, he used to do a lot of running at school, | 0:05:14 | 0:05:19 | |
a very fit lad. | 0:05:19 | 0:05:20 | |
Always very jolly person. | 0:05:20 | 0:05:24 | |
A lovely young man. | 0:05:24 | 0:05:27 | |
He was. He was lovely. | 0:05:28 | 0:05:32 | |
He was a loving son to me and Sue. | 0:05:32 | 0:05:34 | |
And to Luke, a loving brother. | 0:05:35 | 0:05:38 | |
I'm very proud of Jamie. | 0:05:43 | 0:05:44 | |
Jamie joined the Army when he was 18. He served in Iraq and Afghanistan. | 0:05:47 | 0:05:52 | |
I worried about him all the time. | 0:05:55 | 0:05:57 | |
And when I spoke to him on the phone, | 0:05:57 | 0:05:59 | |
I'd ask him how he was or what he was doing and then sometimes | 0:05:59 | 0:06:02 | |
he couldn't tell you and he would say the base has been attacked. | 0:06:02 | 0:06:06 | |
And then he'd say, "Not long until I'm home now, Luke." | 0:06:08 | 0:06:12 | |
On his second tour in three years, | 0:06:13 | 0:06:16 | |
the British withdrawal from Afghanistan was gaining pace. | 0:06:16 | 0:06:20 | |
Jamie rang his family to tell them he would soon be heading home. | 0:06:20 | 0:06:24 | |
He was on a high. Really happy to think it's over, the tour, like. | 0:06:26 | 0:06:32 | |
But later that day, there was a knock at the door. | 0:06:32 | 0:06:35 | |
Sue came upstairs and said, "There's a man at the door in a suit, | 0:06:36 | 0:06:40 | |
"he wants to see you." And he came in. | 0:06:40 | 0:06:43 | |
He explained that Jamie had been in a major incident. | 0:06:43 | 0:06:47 | |
I said to him, "You'd better check his number | 0:06:47 | 0:06:49 | |
"because I just spoke to him this morning." | 0:06:49 | 0:06:52 | |
I said, "There's no way it could be my son. No way." | 0:06:52 | 0:06:56 | |
He said that there was an insurgent attack on the base. | 0:06:59 | 0:07:02 | |
And that a truck had been driven through the wall | 0:07:04 | 0:07:07 | |
with explosives and chemicals. | 0:07:07 | 0:07:10 | |
And it had gone through the wall and it blew it up. | 0:07:10 | 0:07:14 | |
I couldn't stand the thought of not being with him. | 0:07:14 | 0:07:17 | |
I wanted to know someone was with him when he died. | 0:07:19 | 0:07:23 | |
That's what it was. He's never been without me. | 0:07:23 | 0:07:26 | |
Anything, when he was poorly, when he was little. | 0:07:26 | 0:07:29 | |
I was always there. | 0:07:29 | 0:07:32 | |
And that was the hardest thing, not saying goodbye. | 0:07:32 | 0:07:36 | |
We miss him terribly. | 0:07:36 | 0:07:39 | |
A British soldier has been killed by insurgents in Afghanistan. | 0:07:39 | 0:07:42 | |
Jamie's body was flown home to Cheshire. | 0:07:42 | 0:07:45 | |
The people of Handforth lined the streets in his honour. | 0:07:45 | 0:07:49 | |
Thousands, there was loads. | 0:07:50 | 0:07:52 | |
It was covered all that side, all the other side of the streets. | 0:07:52 | 0:07:56 | |
And all the children were in a line throwing roses on the coffin. | 0:07:56 | 0:07:59 | |
It was just full. That was so much respect for my son. | 0:07:59 | 0:08:03 | |
Jamie's name was recorded on the Bastion wall - | 0:08:04 | 0:08:08 | |
a memorial standing in the Army's main base in Afghanistan. | 0:08:08 | 0:08:13 | |
It has since been dismantled and recreated in Staffordshire. | 0:08:13 | 0:08:16 | |
His family are going to see it. | 0:08:16 | 0:08:18 | |
I think it'll be weird going to look at the memorial wall | 0:08:19 | 0:08:22 | |
that was in Camp Bastion. | 0:08:22 | 0:08:24 | |
To think that Jamie was looking at that, when his name's on there. | 0:08:24 | 0:08:28 | |
Weird. | 0:08:29 | 0:08:30 | |
It means a lot to have a memorial there for the fallen of Afghanistan. | 0:08:30 | 0:08:35 | |
They gave everything. | 0:08:35 | 0:08:37 | |
I will be proud of Jamie, | 0:08:37 | 0:08:39 | |
he should be remembered but I would rather have him here. | 0:08:39 | 0:08:42 | |
For me to go... | 0:08:42 | 0:08:45 | |
It's hard but good. | 0:08:45 | 0:08:48 | |
I'm proud. Such a lovely man. | 0:08:48 | 0:08:51 | |
Heartbreaking. | 0:08:58 | 0:08:59 | |
And later in the programme, we will be with the Webb family | 0:08:59 | 0:09:03 | |
when the Bastion Memorial is unveiled | 0:09:03 | 0:09:05 | |
in memory of those who died. | 0:09:05 | 0:09:07 | |
Well, Angela, let's talk more about your father | 0:09:08 | 0:09:11 | |
and what he did during the war. | 0:09:11 | 0:09:12 | |
Did he talk much about his time with the Royal Marines? Um... | 0:09:12 | 0:09:16 | |
I think that my father was similar to just about all of the men who | 0:09:16 | 0:09:19 | |
came back from the Second World War, probably the First World War too, | 0:09:19 | 0:09:22 | |
in that my dad talked about the fun times, and there were fun times, | 0:09:22 | 0:09:26 | |
as you will know, in the Army and the Marines and the Navy. | 0:09:26 | 0:09:29 | |
But he didn't talk very much about the terrible things that happened, | 0:09:29 | 0:09:32 | |
not until he was well into his 80s when I sat him down | 0:09:32 | 0:09:35 | |
with a tape recorder and said, "Come on, Daddy, I've got to know. | 0:09:35 | 0:09:39 | |
"I'm a journalist, for crying out loud. I've got to know what you did." | 0:09:39 | 0:09:42 | |
What was it like when he was recounting it? | 0:09:42 | 0:09:45 | |
He hated talking about the fact that | 0:09:45 | 0:09:48 | |
so many of his comrades were killed and lost, | 0:09:48 | 0:09:52 | |
and I think that's perhaps the lasting impression | 0:09:52 | 0:09:55 | |
that an awful lot of servicemen have - | 0:09:55 | 0:09:56 | |
that they were the lucky ones to survive. | 0:09:56 | 0:09:58 | |
When he was on the Malta convoys, his ship was ploughing through | 0:09:58 | 0:10:02 | |
and others were being shot out of the water by the German | 0:10:02 | 0:10:05 | |
air force, they were being attacked by submarines. | 0:10:05 | 0:10:08 | |
He knew that people on ships who were comrades of his | 0:10:08 | 0:10:11 | |
were going down and dying. He didn't want to talk about that. | 0:10:11 | 0:10:14 | |
Angela, what was your dad's job on board the ship? | 0:10:14 | 0:10:16 | |
He was on the guns, the big 16 inch guns. | 0:10:16 | 0:10:19 | |
For instance, when he was in the Atlantic, | 0:10:19 | 0:10:22 | |
he was part of the mission that sank the Bismarck | 0:10:22 | 0:10:25 | |
and I think they had quite a hairy time of it | 0:10:25 | 0:10:28 | |
because he was on the Rodney, which was a small battleship, and because | 0:10:28 | 0:10:32 | |
the German big guns off the big German battleship were really | 0:10:32 | 0:10:36 | |
reined in on the Admiral of the Fleet, my father... | 0:10:36 | 0:10:41 | |
He loved to tell the story of how the captain of the Rodney was | 0:10:41 | 0:10:44 | |
such a good sailor, he was able to sail underneath | 0:10:44 | 0:10:47 | |
the range of the guns | 0:10:47 | 0:10:48 | |
and the ship went along the bottom of the Bismarck and strafed along | 0:10:48 | 0:10:52 | |
its water line and helped to sink it and then came out the other side. | 0:10:52 | 0:10:56 | |
But it was a noisy job, an awful lot of his comrades went deaf | 0:10:56 | 0:11:00 | |
which is how I learned to do sign language, because that was how | 0:11:00 | 0:11:03 | |
my father, who didn't go deaf, used to be able to speak to his comrades | 0:11:03 | 0:11:06 | |
because they all went deaf so he taught me the language. | 0:11:06 | 0:11:09 | |
How extraordinary. And explain some of this, | 0:11:09 | 0:11:11 | |
because you have this wonderful certificate here | 0:11:11 | 0:11:14 | |
from the Japanese surrender. | 0:11:14 | 0:11:16 | |
It was awarded to your father. Um... | 0:11:16 | 0:11:18 | |
The reason I didn't see him until I was nearly three was | 0:11:18 | 0:11:20 | |
because at the end of the war in Europe, his ship was assigned | 0:11:20 | 0:11:24 | |
to the American forces in Japan where they were still fighting. | 0:11:24 | 0:11:27 | |
It went on after the end of the war in Europe. | 0:11:27 | 0:11:29 | |
And my father, being a British Royal Marine, was seconded to | 0:11:29 | 0:11:33 | |
a group of American marines and when the Japanese surrendered, | 0:11:33 | 0:11:38 | |
to mark the end of the Second World War, my father was there | 0:11:38 | 0:11:42 | |
and he got this certificate saying it was | 0:11:42 | 0:11:44 | |
presented at the "surrender of the Japanese Empire to | 0:11:44 | 0:11:47 | |
"United Nations at Tokyo Bay on 2nd September 1945. | 0:11:47 | 0:11:52 | |
"Issued to Marine John Rippon who was serving on HMS Newfoundland | 0:11:52 | 0:11:56 | |
"on this great day of final victory." | 0:11:56 | 0:12:00 | |
And this, along with this, is something I treasure very much. | 0:12:00 | 0:12:04 | |
That is quite an unusual medal. This is a very unusual medal. | 0:12:04 | 0:12:07 | |
It was a medal that he got when, with the Americans, | 0:12:07 | 0:12:10 | |
they went on to an island in Yokohama harbour, | 0:12:10 | 0:12:13 | |
which is where the two-men submarines, kamikazes, were trained. | 0:12:13 | 0:12:18 | |
And when they attacked the island, it was abandoned, | 0:12:18 | 0:12:21 | |
but one of my father's trophies of war was finding this medal which | 0:12:21 | 0:12:25 | |
apparently is the medal the Japanese nation sent to the families of | 0:12:25 | 0:12:29 | |
the kamikaze pilots who were not air pilots, but two-men submarine pilots. | 0:12:29 | 0:12:34 | |
And I don't think there can be too many of those around | 0:12:34 | 0:12:37 | |
so that is a unique memorial of my father's time in Japan, | 0:12:37 | 0:12:41 | |
because it has the Japanese chrysanthemum in the middle, | 0:12:41 | 0:12:44 | |
the anchor, | 0:12:44 | 0:12:46 | |
and down on the bottom here, the two mini submarines. | 0:12:46 | 0:12:50 | |
Amazing. Wow. Fantastic to see that. | 0:12:50 | 0:12:52 | |
I'm not sure he should have taken it, really. | 0:12:52 | 0:12:55 | |
But it has been in the family ever since! Angela, thank you. | 0:12:55 | 0:12:58 | |
Well, now to the extraordinary story of a piece of music which was | 0:12:58 | 0:13:02 | |
composed on a scrap of paper in the trenches of World War I. | 0:13:02 | 0:13:06 | |
Historian Richard Van Emden has been investigating. | 0:13:06 | 0:13:08 | |
Soldiers in the trenches had to cope with death, | 0:13:14 | 0:13:17 | |
disease and destruction almost every single day. | 0:13:17 | 0:13:21 | |
But there were moments of respite amid the carnage | 0:13:22 | 0:13:26 | |
and men sought out any comfort to distract them from the battlefield. | 0:13:26 | 0:13:29 | |
At the front line, | 0:13:29 | 0:13:31 | |
many soldiers craved a reminder from home. | 0:13:31 | 0:13:34 | |
Such a simple thing as music gave men the escape they needed | 0:13:34 | 0:13:38 | |
from the horrors of war. | 0:13:38 | 0:13:40 | |
I've come to the museum at the Royal Academy Of Music to discover | 0:13:40 | 0:13:45 | |
more about the importance of music for soldiers in World War I. | 0:13:45 | 0:13:50 | |
Joanna Tapp is the exhibition curator. | 0:13:50 | 0:13:53 | |
So, what role did music play at the front line? | 0:13:53 | 0:13:57 | |
It served all sorts of purposes from instilling pride | 0:13:57 | 0:14:00 | |
and patriotism - military bands and religious music, | 0:14:00 | 0:14:04 | |
to the more nostalgic reminders of home | 0:14:04 | 0:14:07 | |
and the sort of music that soldiers would want to listen to | 0:14:07 | 0:14:09 | |
when they got some downtime and were sitting around with | 0:14:09 | 0:14:12 | |
their friends making music, listening to records. | 0:14:12 | 0:14:16 | |
So, we have here a gramophone. Did they have these in the trenches? | 0:14:16 | 0:14:20 | |
They did indeed, and it's called a trench gramophone | 0:14:20 | 0:14:22 | |
because for the first time during the First World War, | 0:14:22 | 0:14:25 | |
gramophones were made to be entirely portable and you could pick it up | 0:14:25 | 0:14:29 | |
and carry it from camp to camp or dugout to dugout. | 0:14:29 | 0:14:31 | |
It is a fantastic contraption and really gives that feeling of, | 0:14:31 | 0:14:35 | |
if you had that playing in the dugout, of a little bit of home. | 0:14:35 | 0:14:38 | |
That's right. That's one of the things that music can do. | 0:14:38 | 0:14:40 | |
It can transport you to somewhere else. | 0:14:40 | 0:14:43 | |
But one man in the trenches wasn't just listening to music, | 0:14:43 | 0:14:47 | |
he was scoring it. | 0:14:47 | 0:14:49 | |
Composer Harry Farrar served in the Royal Field Artillery | 0:14:49 | 0:14:52 | |
in northern France. | 0:14:52 | 0:14:54 | |
He survived the war and died aged 70. | 0:14:54 | 0:14:58 | |
After his death, Harry's family discovered a diary | 0:14:58 | 0:15:01 | |
he'd written on the front line. | 0:15:01 | 0:15:03 | |
I'm meeting Harry's son John and grandson Nick to hear Harry's story. | 0:15:03 | 0:15:08 | |
So John, did your father see much action? | 0:15:08 | 0:15:11 | |
Well, he must have done, because on 24th April he was at Villers-Bretonneux. | 0:15:11 | 0:15:15 | |
And he has written, "Jerry came over, fiercely exciting day. | 0:15:15 | 0:15:21 | |
"Saw Jerry advancing and fired point-blank. | 0:15:21 | 0:15:24 | |
"Machine gun bullets flying all around us." | 0:15:24 | 0:15:27 | |
I think it was probably quite a pivotal point in the war | 0:15:27 | 0:15:30 | |
because they pushed the Germans back. You are spot on. | 0:15:30 | 0:15:33 | |
Your father was part of a very, very significant battle. | 0:15:33 | 0:15:37 | |
The Germans were trying to push to take the strategic town of Amiens. | 0:15:37 | 0:15:41 | |
And they were held up there. That was the critical point of this battle. | 0:15:41 | 0:15:45 | |
So, during the fighting, did he lose any of his comrades? | 0:15:47 | 0:15:50 | |
Yes, there's an entry in here where he says | 0:15:50 | 0:15:52 | |
he loses three from one shell. | 0:15:52 | 0:15:55 | |
"Corporal Watts, Sanderson, Lancaster killed with one shell. | 0:15:55 | 0:15:58 | |
"Everyone felt pretty rotten." "Everyone felt pretty rotten." | 0:15:58 | 0:16:01 | |
It is so understated, isn't it? I know, yes, it is. | 0:16:01 | 0:16:04 | |
And I think that was the issue then, because you were losing so many friends. | 0:16:04 | 0:16:08 | |
There was death all around, you couldn't dwell on it. | 0:16:08 | 0:16:11 | |
No, you couldn't. | 0:16:11 | 0:16:13 | |
The diary didn't just reveal the horrors Harry went through. | 0:16:13 | 0:16:17 | |
Hidden within it, the Farrars came across a special piece of paper. | 0:16:17 | 0:16:21 | |
In the diary, we found this little piece of music | 0:16:21 | 0:16:24 | |
which he has written while he was out in France. | 0:16:24 | 0:16:26 | |
So, one could imagine him trying to take his mind off what he has seen and done... | 0:16:26 | 0:16:30 | |
I would imagine so. ..finds a bit of sheet music and starts composing. | 0:16:30 | 0:16:33 | |
There is one entry here where he says he found a piano, | 0:16:33 | 0:16:36 | |
a grand, and enjoyed myself "up to the mark," he says. | 0:16:36 | 0:16:39 | |
So, it could very well have been he played whatever he liked to play | 0:16:39 | 0:16:43 | |
and may have written this piece of music at the same time. | 0:16:43 | 0:16:46 | |
He must have had an incredible mind-set to be able to block out | 0:16:46 | 0:16:49 | |
all those horrors and to concentrate on the better things in life. | 0:16:49 | 0:16:55 | |
Quite extraordinary, really. But he was a very talented musician. | 0:16:55 | 0:16:58 | |
No doubt about that. And went on to make a good living out of it. | 0:16:58 | 0:17:02 | |
MUSIC PLAYS | 0:17:02 | 0:17:04 | |
After the war, Harry had a successful career at De Wolfe Music | 0:17:04 | 0:17:08 | |
composing over 700 pieces for film and television, | 0:17:08 | 0:17:12 | |
including this one, but the piece of music Harry wrote | 0:17:12 | 0:17:16 | |
almost 100 years ago is being given a new lease of life. | 0:17:16 | 0:17:20 | |
And we have arranged a surprise for the Farrar family. | 0:17:20 | 0:17:24 | |
The score that your father wrote that we found in the rear | 0:17:24 | 0:17:28 | |
of his diary has been put to an orchestral arrangement | 0:17:28 | 0:17:31 | |
by De Wolfe, and you are going to hear it right now for the first time. | 0:17:31 | 0:17:36 | |
This is going to be amazing. | 0:17:36 | 0:17:37 | |
I'm sure we are going to enjoy it very, very much, | 0:17:37 | 0:17:40 | |
and remember it for a long, long time. | 0:17:40 | 0:17:42 | |
SOMBRE ORCHESTRAL MUSIC | 0:17:42 | 0:17:45 | |
That was awesome. Very, very emotional. Thank you so much. | 0:18:27 | 0:18:30 | |
Thank you very, very much. You can see what effect that has had on me. | 0:18:30 | 0:18:35 | |
Quite incredible. | 0:18:35 | 0:18:36 | |
It emphasises the power of music and what it can do to people, | 0:18:36 | 0:18:40 | |
and also how fortunate we were that he survived. | 0:18:40 | 0:18:43 | |
So many of his colleagues did fall, and their legacies will | 0:18:43 | 0:18:48 | |
hopefully live on with this piece of music as well. | 0:18:48 | 0:18:51 | |
And later in the programme you can hear the whole piece performed | 0:18:55 | 0:18:58 | |
here at the Imperial War Museum. | 0:18:58 | 0:19:00 | |
Now, I am in a hangar here at Duxford | 0:19:00 | 0:19:02 | |
and this is where they restore these beautiful planes, | 0:19:02 | 0:19:06 | |
the Spitfires, and one of the engineers here is Mo Overall. | 0:19:06 | 0:19:10 | |
Lovely to see you. How long does it take to restore one of these? | 0:19:10 | 0:19:14 | |
It takes about 12 guys up to two years to restore one of these. | 0:19:14 | 0:19:18 | |
Two years! So it is painstaking work? Yeah. | 0:19:18 | 0:19:20 | |
Where do you get all the parts from? | 0:19:20 | 0:19:22 | |
We try and source as many original parts as we can, | 0:19:22 | 0:19:25 | |
parts that we can't source we make in-house here. | 0:19:25 | 0:19:28 | |
We have our own machine shop so we can replicate all the parts we need to. | 0:19:28 | 0:19:33 | |
Are they really difficult to refurbish and rebuild? | 0:19:33 | 0:19:36 | |
Yeah, they are. Parts are becoming ever so rare now | 0:19:36 | 0:19:39 | |
so a lot of effort is put in to making these parts. | 0:19:39 | 0:19:43 | |
You put all this effort in but these planes are really worth | 0:19:43 | 0:19:46 | |
a lot of money. This one just got sold, how much for? | 0:19:46 | 0:19:50 | |
It sold for ?3.1 million at auction in July. | 0:19:50 | 0:19:53 | |
?3.1 million! Wow. Because it is so rare. | 0:19:53 | 0:19:56 | |
Yeah, it's a Mark I aeroplane. | 0:19:56 | 0:19:58 | |
There's not many around, | 0:19:58 | 0:19:59 | |
especially that have been restored to this level of detail. | 0:19:59 | 0:20:02 | |
They're wonderful planes, wonderful, beautiful planes to look at | 0:20:02 | 0:20:06 | |
and they just inspired such affection and awe from both the pilots and the public. | 0:20:06 | 0:20:11 | |
That's right, wherever you go, whatever air show you go to, | 0:20:11 | 0:20:14 | |
everybody wants to see a Spitfire. | 0:20:14 | 0:20:16 | |
The noise and the shape is just fantastic. | 0:20:16 | 0:20:18 | |
And you yourself have just started flying them | 0:20:18 | 0:20:21 | |
after many, many years working here. What has that been like? | 0:20:21 | 0:20:24 | |
It's a dream come true to actually be in control of a machine | 0:20:24 | 0:20:28 | |
that you know so much about mechanically is fantastic. | 0:20:28 | 0:20:31 | |
Absolutely fantastic. Better than you imagined? Yes. In what way? | 0:20:31 | 0:20:35 | |
Just everything. It is actually better when you have landed, when it is over with | 0:20:35 | 0:20:38 | |
and you can sit back and think what you've just done. | 0:20:38 | 0:20:41 | |
Yeah, it's great. Well, what a wonderful job | 0:20:41 | 0:20:44 | |
and what a huge responsibility to keep these things going. | 0:20:44 | 0:20:47 | |
Mo, thank you. Thank you. | 0:20:47 | 0:20:49 | |
Next year marks the 100th anniversary of | 0:20:56 | 0:20:59 | |
the Battle Of The Somme - one of the bloodiest episodes in human history. | 0:20:59 | 0:21:04 | |
More than one million men were wounded or killed in the battle | 0:21:04 | 0:21:08 | |
and it also left its mark on the landscape. | 0:21:08 | 0:21:11 | |
The One Show's Joe Crowley has been to France on a pilgrimage. | 0:21:11 | 0:21:15 | |
Richard Dunning's en route to his property in France. | 0:21:21 | 0:21:25 | |
Have you ever owned a holiday home or a villa with a pool or a gite? | 0:21:25 | 0:21:30 | |
Yeah, I've had those and they are not half as interesting as this. | 0:21:30 | 0:21:34 | |
He bought it 37 years ago, but it's no holiday home. | 0:21:35 | 0:21:39 | |
It's a massive crater formed in the First World War. | 0:21:39 | 0:21:43 | |
Do you remember how you first felt when you set eyes on it? | 0:21:43 | 0:21:48 | |
Yeah, I'd seen a photograph and read a little bit | 0:21:48 | 0:21:51 | |
but the sheer size of it, I was just absolutely blown away. | 0:21:51 | 0:21:56 | |
I have to say, that is exactly how it is. | 0:21:56 | 0:21:59 | |
I didn't really expect to feel anything looking at a crater, | 0:21:59 | 0:22:03 | |
but the depth and the sheer volume of earth that's been displaced | 0:22:03 | 0:22:06 | |
is phenomenal. | 0:22:06 | 0:22:08 | |
'100 metres wide, | 0:22:08 | 0:22:09 | |
'the crater was formed on the first day of the Battle of the Somme. | 0:22:09 | 0:22:13 | |
'British miners, like these, tunnelled through | 0:22:13 | 0:22:16 | |
'no-man's-land to pack 27 tonnes of explosives under German lines. | 0:22:16 | 0:22:21 | |
'It was witnessed by pilot Cecil Lewis.' | 0:22:23 | 0:22:25 | |
Suddenly the whole earth heaved, and up from the ground came great | 0:22:25 | 0:22:31 | |
dark, cone-shaped...lifts of earth, up to 3,000-5,000 feet. | 0:22:31 | 0:22:37 | |
And we watched this and then, a moment later, of course, | 0:22:37 | 0:22:40 | |
we struck the repercussion wave of the blast | 0:22:40 | 0:22:42 | |
and it flung us right the way backwards. | 0:22:42 | 0:22:44 | |
On the day of fighting that followed, | 0:22:46 | 0:22:48 | |
over 20,000 soldiers would die. | 0:22:48 | 0:22:50 | |
Sometimes the word apocalyptic is used, isn't it? It is a wound. | 0:22:53 | 0:22:57 | |
And you see the power | 0:22:57 | 0:22:59 | |
and the force that man has brought to bear on his fellow man. | 0:22:59 | 0:23:03 | |
When you first announced you were buying a crater, | 0:23:03 | 0:23:06 | |
what did your friends and family think of you? | 0:23:06 | 0:23:09 | |
I think they all thought I was mad. | 0:23:09 | 0:23:11 | |
With the German trench obliterated, British troops captured the crater. | 0:23:11 | 0:23:16 | |
Richard has disturbing evidence. | 0:23:16 | 0:23:18 | |
This I found 30-odd years ago. | 0:23:18 | 0:23:20 | |
A British rifle, and you can see the force of the explosion | 0:23:20 | 0:23:25 | |
that has caused this damage. It's incredible, isn't it? | 0:23:25 | 0:23:28 | |
The barrel has been swept right round! Yeah. | 0:23:28 | 0:23:31 | |
And what happened to him, we don't know, other than something dreadful. | 0:23:31 | 0:23:36 | |
In terms of the personal thing of this place, | 0:23:36 | 0:23:39 | |
one of the veterans that I got to know found this in the crater. | 0:23:39 | 0:23:45 | |
It's a New Testament and Psalms. Ernest Mitchell. | 0:23:45 | 0:23:49 | |
It links one straight the way back to young Ernest. | 0:23:49 | 0:23:53 | |
It says the whole thing is to do with people. | 0:23:53 | 0:23:57 | |
In buying the crater, Richard saved it from becoming a landfill site. | 0:23:57 | 0:24:02 | |
Despite 200,000 visitors a year, he refuses to cash in. | 0:24:02 | 0:24:07 | |
No money will ever be made from this. No personal gain. | 0:24:07 | 0:24:11 | |
Why won't you say how much you bought it for? | 0:24:11 | 0:24:14 | |
Because it is the one most asked question I get when I'm here. | 0:24:14 | 0:24:19 | |
And I say, "Where you're standing, an 18-year-old boy bled to death. | 0:24:19 | 0:24:23 | |
"Where you're standing, where you're standing. | 0:24:23 | 0:24:26 | |
"Don't ask me what it cost, ask them." | 0:24:26 | 0:24:28 | |
By the end of the war, | 0:24:28 | 0:24:30 | |
more than a million men had been killed or wounded on the Somme. | 0:24:30 | 0:24:34 | |
For Richard, the crater's now a symbol of reconciliation. | 0:24:34 | 0:24:38 | |
He's giving us rare access to the epicentre. | 0:24:38 | 0:24:41 | |
Do you know, I used to race my son down here when he was about 12. | 0:24:41 | 0:24:45 | |
Yeah? Don't know what's happened in just 40 years(!) | 0:24:45 | 0:24:49 | |
Were all the bodies recovered, | 0:24:49 | 0:24:51 | |
or would they still be in this area, do you think? | 0:24:51 | 0:24:54 | |
There were 1,000 bodies put in here in the week after the battle. | 0:24:54 | 0:24:58 | |
The problem then is that shells were landing in here | 0:24:58 | 0:25:01 | |
and people were getting blown apart and buried. | 0:25:01 | 0:25:04 | |
You know, they're still around. | 0:25:04 | 0:25:06 | |
If one kid on every coach just thinks, you know, | 0:25:06 | 0:25:10 | |
live life a little kinder, | 0:25:10 | 0:25:11 | |
a little more peaceful, a little more understanding, | 0:25:11 | 0:25:15 | |
and I think all of the men who fell here | 0:25:15 | 0:25:18 | |
would understand that absolutely. | 0:25:18 | 0:25:20 | |
Have you ever regretted purchasing this crater? | 0:25:20 | 0:25:23 | |
Never. People say, "How did you get the crater?" It got me. | 0:25:23 | 0:25:28 | |
One of the real treasures here at Duxford is this. | 0:25:36 | 0:25:39 | |
An incredibly rare Mark 1 spitfire. | 0:25:39 | 0:25:42 | |
Mo Overall, you were in charge of restoring it. | 0:25:42 | 0:25:45 | |
It was based here, wasn't it, during World War II? | 0:25:45 | 0:25:47 | |
Yes, it was based here with 19 Squadron, | 0:25:47 | 0:25:49 | |
actually before the Battle of Britain began, | 0:25:49 | 0:25:52 | |
and, unfortunately, it was lost on operations | 0:25:52 | 0:25:54 | |
when it was covering the evacuation of troops from Dunkirk | 0:25:54 | 0:25:58 | |
and it force-landed and crashed on the beach | 0:25:58 | 0:26:00 | |
where it remained for the next 40 years. | 0:26:00 | 0:26:02 | |
On a beach in France? Yes. And it stayed there for 40 years? | 0:26:02 | 0:26:05 | |
You've actually got bits of the plane that were salvaged? | 0:26:05 | 0:26:09 | |
Yes. This is an example of some of the parts that we got | 0:26:09 | 0:26:12 | |
when the project came to us. Wow. | 0:26:12 | 0:26:14 | |
You can see how badly corroded it was. | 0:26:14 | 0:26:17 | |
How much of it were you able to save? How much of this is original? | 0:26:17 | 0:26:20 | |
Well, a lot of the parts, internal, were stainless steel, so we were | 0:26:20 | 0:26:23 | |
able to recover a lot of those and we acquired many original | 0:26:23 | 0:26:25 | |
Spitfire parts to incorporate into this build. | 0:26:25 | 0:26:29 | |
Well, let's put that down now and come round here to the cockpit | 0:26:29 | 0:26:33 | |
because this plane has actually only just very recently | 0:26:33 | 0:26:36 | |
been donated to the museum, | 0:26:36 | 0:26:38 | |
here. It was donated to the museum by its American owner, | 0:26:38 | 0:26:42 | |
handed over in July this year, and you can see here | 0:26:42 | 0:26:45 | |
a rather well known name. Prince William, 9th of July 2015. | 0:26:45 | 0:26:49 | |
And the cockpit is just beautiful, isn't it? | 0:26:49 | 0:26:52 | |
It's fantastic, have a jump in and have a look. Can I? Yeah, certainly. | 0:26:52 | 0:26:56 | |
Wow. | 0:26:58 | 0:27:00 | |
That is amazing. It is beautiful. The smell of it, | 0:27:00 | 0:27:05 | |
it's fuel, isn't it, it's oil and leather. | 0:27:05 | 0:27:07 | |
You get a real good mix of all the old castor oils | 0:27:07 | 0:27:10 | |
and different fluids that we used in there. | 0:27:10 | 0:27:14 | |
Wow. And you feel very cocooned once you're in here. | 0:27:14 | 0:27:17 | |
When you get the door shut | 0:27:17 | 0:27:19 | |
and the canopy closed, you really become part of the machine. | 0:27:19 | 0:27:22 | |
It's beautifully restored, what an amazing job you've done. | 0:27:22 | 0:27:25 | |
Thank you. | 0:27:25 | 0:27:27 | |
Still to come on today's programme. | 0:27:27 | 0:27:30 | |
Prince Harry unveils a memorial to the fallen in Afghanistan. | 0:27:30 | 0:27:34 | |
The memorial was a place where anyone could go, | 0:27:36 | 0:27:40 | |
to reflect and remember their comrades. | 0:27:40 | 0:27:42 | |
We'll hear that piece of music written in the trenches | 0:27:44 | 0:27:47 | |
performed in full. | 0:27:47 | 0:27:49 | |
And courage in Helmand. | 0:27:52 | 0:27:54 | |
We're joined by a soldier | 0:27:54 | 0:27:55 | |
given one of the highest awards for bravery. | 0:27:55 | 0:27:58 | |
Every year, nearly half a million visitors pour through the doors | 0:28:07 | 0:28:11 | |
of the Imperial War Museum, Duxford, for many different reasons. | 0:28:11 | 0:28:15 | |
We've been finding out what's brought some of today's visitors here. | 0:28:15 | 0:28:19 | |
There is literally something for everybody here, | 0:28:22 | 0:28:25 | |
of all ages. It just can't fail to please people. | 0:28:25 | 0:28:29 | |
Obviously, the sadness of the world wars, but it's just something that | 0:28:29 | 0:28:35 | |
everybody should come to. | 0:28:35 | 0:28:37 | |
It's nice and spacious, plenty of walking around, | 0:28:40 | 0:28:43 | |
but some of the exhibits are just unbelievable. I didn't expect | 0:28:43 | 0:28:47 | |
to be that many aeroplanes in there and in such good condition as well. | 0:28:47 | 0:28:53 | |
Where they were renovating the planes, that was very interesting | 0:28:56 | 0:28:59 | |
as well. You can actually see people working on them | 0:28:59 | 0:29:02 | |
and the complexity of the aircraft | 0:29:02 | 0:29:04 | |
with the bits taken off them, that was quite something. | 0:29:04 | 0:29:07 | |
I started out as an apprentice aircraft technician | 0:29:10 | 0:29:14 | |
and I wanted to come here, look round, see if there was an aircraft | 0:29:14 | 0:29:17 | |
of the type I was engaged in, | 0:29:17 | 0:29:19 | |
and that was the de Havilland Sea Vixen. | 0:29:19 | 0:29:23 | |
And there is one on display in one of the hangars over there, | 0:29:23 | 0:29:26 | |
so I was quite interested to see that. | 0:29:26 | 0:29:29 | |
When I looked at the age of the plane, | 0:29:29 | 0:29:31 | |
it made me realise how old I'm getting. | 0:29:31 | 0:29:33 | |
Well, Angela's still with us. | 0:29:41 | 0:29:43 | |
We're also joined by Bombardier Gary Prout. | 0:29:43 | 0:29:45 | |
Now, Angela is here with her father's medals. I know, Gary, | 0:29:45 | 0:29:49 | |
you are very proud of one you were awarded in 2010. Tell us about that. | 0:29:49 | 0:29:53 | |
It's called a Conspicuous Gallantry Cross, | 0:29:53 | 0:29:55 | |
so it's one below the Victoria Cross and one above | 0:29:55 | 0:29:58 | |
the Military Cross, so it's a very significant award. Huge award. | 0:29:58 | 0:30:03 | |
And it was for an incident that happened in 2009. | 0:30:03 | 0:30:06 | |
Yeah. It was 14th March, 2009. | 0:30:06 | 0:30:09 | |
We were just south of Musa Qala, | 0:30:09 | 0:30:12 | |
so it's a quite an infamous area of Helmand. | 0:30:12 | 0:30:15 | |
We were pushing into an enemy stronghold | 0:30:15 | 0:30:17 | |
that had been well established. They had underground tunnels, | 0:30:17 | 0:30:21 | |
multiple firing positions, engaging us through cover. | 0:30:21 | 0:30:24 | |
We broke through, we got in to where we believed the enemy were, | 0:30:24 | 0:30:28 | |
then, out of the blue, massive explosion went off. | 0:30:28 | 0:30:31 | |
I didn't know what it was to begin with, and then the call came over | 0:30:31 | 0:30:35 | |
the radio that we had a casualty. I pushed forward, | 0:30:35 | 0:30:39 | |
and I was looking for the casualty, | 0:30:39 | 0:30:42 | |
and it became apparent that he was still out in the actual ambush | 0:30:42 | 0:30:46 | |
in that area where the enemy were engaging. | 0:30:46 | 0:30:48 | |
Ran round the corner and I bumped into one of the platoon sergeants, | 0:30:48 | 0:30:53 | |
Al Higgins, and asked Al where the casualty was | 0:30:53 | 0:30:57 | |
and he pointed out into the open ground. | 0:30:57 | 0:30:59 | |
And it was then that I seen one of our guys laid out there. | 0:30:59 | 0:31:04 | |
So... | 0:31:05 | 0:31:07 | |
..without really thinking, I thought we need to get to him... | 0:31:09 | 0:31:14 | |
So, um... | 0:31:14 | 0:31:16 | |
Still really hard to talk about, isn't it? | 0:31:16 | 0:31:19 | |
It's a big part of my life. | 0:31:19 | 0:31:21 | |
So I just moved out into the open ground, | 0:31:21 | 0:31:25 | |
and...I got to him... | 0:31:25 | 0:31:28 | |
and I was pulling him, and I heard somebody beside me, | 0:31:28 | 0:31:32 | |
and Al had got out to me. So Al didn't get any recognition | 0:31:32 | 0:31:39 | |
but he was with me throughout that whole event. It was quickly apparent | 0:31:39 | 0:31:44 | |
that we couldn't do anything for the casualty, Chris, | 0:31:44 | 0:31:48 | |
but what we then had to do was turn our focus to the enemy. | 0:31:48 | 0:31:51 | |
The enemy were maybe 20, 30 metres away from us | 0:31:51 | 0:31:54 | |
just over a wall, and we were in a tricky position. | 0:31:54 | 0:31:59 | |
So, between me and Al, | 0:31:59 | 0:32:01 | |
we...put up a bit of a fight. | 0:32:01 | 0:32:04 | |
We got Chris loaded onto the wagon | 0:32:04 | 0:32:06 | |
and I can remember someone saying we should get in the wagon, | 0:32:06 | 0:32:11 | |
and extract back but me and Al looked at one another | 0:32:11 | 0:32:14 | |
and we were like, "No, | 0:32:14 | 0:32:16 | |
"the rest of the guys are across there," | 0:32:16 | 0:32:18 | |
so we ran back through that killing zone again, and... | 0:32:18 | 0:32:22 | |
All I can say was we had a bubble. | 0:32:23 | 0:32:25 | |
We had a bubble - something was protecting us on that day. | 0:32:25 | 0:32:27 | |
I can see how difficult it is for you even just | 0:32:27 | 0:32:30 | |
to retell that story and how raw it all still is. | 0:32:30 | 0:32:33 | |
I started talking to new recruits in the armed forces | 0:32:33 | 0:32:37 | |
and it was one of the platoon commanders that got me | 0:32:37 | 0:32:40 | |
to talk to them, and the next day we went to the National Arboretum. | 0:32:40 | 0:32:45 | |
I was stood behind the young guys, | 0:32:45 | 0:32:47 | |
they didn't know that I was there, and they were looking through | 0:32:47 | 0:32:50 | |
the list of names and one of them pointed up and goes, | 0:32:50 | 0:32:52 | |
"There's Chris." And as soon as he said, "There's Chris," | 0:32:52 | 0:32:55 | |
I thought this is an important story to tell, | 0:32:55 | 0:32:58 | |
and that's kind of kicked it off. Um... | 0:32:58 | 0:33:02 | |
I think sometimes we distance ourselves from the true emotions | 0:33:02 | 0:33:06 | |
of these kind of things. I think it's important that we deliver it in | 0:33:06 | 0:33:10 | |
a way that's realistic, and we don't glorify it into something it isn't. | 0:33:10 | 0:33:15 | |
It's important that we tell the truth. | 0:33:15 | 0:33:17 | |
On operational tours, you see acts of bravery | 0:33:17 | 0:33:21 | |
and courage all the time, | 0:33:21 | 0:33:23 | |
that don't always get recognition. | 0:33:23 | 0:33:25 | |
That's right. If you go even from the youngest member of that patrol, | 0:33:25 | 0:33:29 | |
a couple of hours later, he was out | 0:33:29 | 0:33:31 | |
putting one foot in front of the other going back against the enemy, | 0:33:31 | 0:33:35 | |
where he had just seen that event happening. | 0:33:35 | 0:33:38 | |
And, you know, in the heat of the moment, you can justify | 0:33:38 | 0:33:41 | |
doing those kind of things. Adrenaline kicks in and you go. | 0:33:41 | 0:33:44 | |
But whenever you come to a couple of hours later, | 0:33:44 | 0:33:47 | |
and everything's settled in, that takes a great amount of courage | 0:33:47 | 0:33:51 | |
for you to be able to walk up to that gate and carry on. | 0:33:51 | 0:33:53 | |
It's a loyalty to your friends | 0:33:53 | 0:33:55 | |
and that's what it's all about, at the end of the day. | 0:33:55 | 0:33:58 | |
You just want to do as much as you can for your friends around you. | 0:33:58 | 0:34:01 | |
And the thing on Remembrance Sunday | 0:34:01 | 0:34:02 | |
is that it really does unite the generations, doesn't it? | 0:34:02 | 0:34:05 | |
People who've fought in different conflicts, | 0:34:05 | 0:34:07 | |
all kinds of different ages. I know that you used to go | 0:34:07 | 0:34:09 | |
to Remembrance Sunday events with your father. | 0:34:09 | 0:34:11 | |
I did indeed, and he was still going to memorials well into his 80s, | 0:34:11 | 0:34:16 | |
and it was terrific because all the young men that were now | 0:34:16 | 0:34:19 | |
serving in the Royal Marines would be there as well, | 0:34:19 | 0:34:21 | |
and it's sharing those stories, isn't it, and I think that's | 0:34:21 | 0:34:24 | |
when perhaps old soldiers, and young soldiers, like you, | 0:34:24 | 0:34:27 | |
however difficult it was for you to tell that story, | 0:34:27 | 0:34:30 | |
you find it's easier because you're with people of a like mind, | 0:34:30 | 0:34:33 | |
and you start from the same foundation, from the same base. | 0:34:33 | 0:34:37 | |
You can all understand what you did and why you did it, and you can | 0:34:37 | 0:34:40 | |
share those emotions and they become real for you again, don't they? | 0:34:40 | 0:34:45 | |
They do, yes. Angela, and Bombardier Gary Prout, thank you both so much | 0:34:45 | 0:34:48 | |
for telling your story. | 0:34:48 | 0:34:50 | |
Well, earlier in the programme | 0:34:50 | 0:34:53 | |
we heard about Lance Corporal Jamie Webb | 0:34:53 | 0:34:55 | |
who was killed by Taliban insurgents in 2013. | 0:34:55 | 0:34:59 | |
His name was recorded on a memorial wall | 0:34:59 | 0:35:02 | |
at the UK's headquarters in Afghanistan. | 0:35:02 | 0:35:05 | |
To pay tribute to all the men and women who lost their lives, | 0:35:05 | 0:35:09 | |
that memorial has been recreated here in Britain, | 0:35:09 | 0:35:12 | |
and Jamie's family are going to its unveiling. | 0:35:12 | 0:35:14 | |
The National Memorial Arboretum in Staffordshire. | 0:35:18 | 0:35:22 | |
Today, the Bastion Wall is being rededicated, | 0:35:25 | 0:35:29 | |
and among those attending the ceremony are the family | 0:35:29 | 0:35:32 | |
of Lance Corporal Jamie Webb, who was killed in Helmand province in 2013. | 0:35:32 | 0:35:37 | |
It's important that the sacrifice is remembered of all the fallen. | 0:35:37 | 0:35:42 | |
And the Camp Bastion memorial is always there for future generations | 0:35:42 | 0:35:46 | |
and the next generation along. | 0:35:46 | 0:35:48 | |
When the family arrive, some of the men who served with Jamie | 0:35:49 | 0:35:52 | |
are on duty for the ceremony. | 0:35:52 | 0:35:55 | |
Can I shake your hand? Thank you. | 0:35:55 | 0:35:58 | |
Thank you. | 0:35:59 | 0:36:01 | |
Nice to meet you. | 0:36:01 | 0:36:03 | |
I want to thank you all very much, | 0:36:06 | 0:36:08 | |
I love you all very much. | 0:36:08 | 0:36:11 | |
I do. | 0:36:11 | 0:36:13 | |
I just wish Jamie was with you. I know. I do. | 0:36:13 | 0:36:16 | |
I think you're fantastic, | 0:36:16 | 0:36:18 | |
all of you, what you went through, very brave. | 0:36:18 | 0:36:21 | |
He was a soldier that would break down barriers, | 0:36:21 | 0:36:24 | |
he was the guy who, if a new soldier came along, | 0:36:24 | 0:36:27 | |
he would be the one to go over and make him feel welcome. | 0:36:27 | 0:36:29 | |
Oh, there's the wall, look. | 0:36:33 | 0:36:35 | |
Jamie's name will be one of 453 being rededicated | 0:36:40 | 0:36:44 | |
on the new Bastion Wall, | 0:36:44 | 0:36:46 | |
a replica of the one which stood in Afghanistan. | 0:36:46 | 0:36:49 | |
It will join 300 other memorials in the Arboretum. | 0:36:49 | 0:36:53 | |
It's the first time Jamie's family have seen his name on it. | 0:36:55 | 0:37:00 | |
To look at a wall that Jamie would have once seen, | 0:37:15 | 0:37:19 | |
in Afghanistan on Camp Bastion. | 0:37:19 | 0:37:21 | |
He must have walked past it and paid his respects to them all, | 0:37:22 | 0:37:27 | |
because he lost lots of his friends. | 0:37:27 | 0:37:30 | |
He wouldn't think he'd be added with them. | 0:37:30 | 0:37:33 | |
Forces families are joined at the rededication ceremony | 0:37:37 | 0:37:41 | |
by the Prime Minister and Prince Harry, | 0:37:41 | 0:37:43 | |
who himself saw action in Afghanistan. | 0:37:43 | 0:37:46 | |
The memorial was a place where anyone could go to reflect | 0:37:48 | 0:37:53 | |
and remember their comrades, | 0:37:53 | 0:37:54 | |
whether individually or part of a formal parade. | 0:37:54 | 0:37:58 | |
This memorial reflects the spirit of the old one, | 0:37:58 | 0:38:02 | |
containing, as it does, the original brass plaques, | 0:38:02 | 0:38:06 | |
a large piece of the original stonework, | 0:38:06 | 0:38:09 | |
the original cross, | 0:38:09 | 0:38:11 | |
Afghan pebble chippings, | 0:38:11 | 0:38:13 | |
and the last Union flag to fly over the memorial in Camp Bastion. | 0:38:13 | 0:38:18 | |
HE PLAYS LAST POST | 0:38:20 | 0:38:23 | |
At the going down of the sun and in the morning, we will remember them. | 0:38:31 | 0:38:37 | |
ALL: We will remember them. | 0:38:37 | 0:38:39 | |
I would like to thank all the people that made this happen. | 0:38:55 | 0:38:59 | |
It means a lot. To help keep the fallens' memory alive forever. | 0:38:59 | 0:39:04 | |
Cos it means a lot, and it means a lot for the soldiers as well. | 0:39:04 | 0:39:07 | |
Yeah. Because of their friends, comrades. | 0:39:07 | 0:39:11 | |
They were together through thick and thin over there. | 0:39:11 | 0:39:14 | |
Brothers in arms forever. | 0:39:16 | 0:39:18 | |
Well, that's nearly it for today's programme but, before we go, | 0:39:25 | 0:39:30 | |
back to a piece of music written on a scrap of paper | 0:39:30 | 0:39:33 | |
in the trenches of World War I. | 0:39:33 | 0:39:35 | |
It was recently discovered in the war time diaries of soldier | 0:39:35 | 0:39:38 | |
and composer Harry Farrar, and it's been christened | 0:39:38 | 0:39:41 | |
The Hymn To The Fallen. | 0:39:41 | 0:39:43 | |
It's performed today on the viola by Levine Andrade. | 0:39:43 | 0:39:46 | |
MUSIC: "Hymn To The Fallen" by Levine Andrade | 0:39:48 | 0:39:50 | |
APPLAUSE | 0:42:35 | 0:42:38 | |
Hymn To The Fallen. | 0:42:44 | 0:42:46 | |
Well, we've come to the end of our week of The People Remember | 0:42:46 | 0:42:49 | |
in Duxford. Thank you very much to our special guest Angela Rippon. | 0:42:49 | 0:42:52 | |
Well, thank you for inviting me. | 0:42:52 | 0:42:54 | |
I have to say it was particularly moving sitting next to Gary, | 0:42:54 | 0:42:57 | |
listening to him relive so emotionally that story, | 0:42:57 | 0:43:01 | |
and I think when we're doing a programme around remembrance | 0:43:01 | 0:43:05 | |
and Remembrance Sunday, it's really important to have that memory | 0:43:05 | 0:43:10 | |
of what it was really like for the men and the women who lived through | 0:43:10 | 0:43:14 | |
all of those really traumatic experiences. | 0:43:14 | 0:43:17 | |
I found that very poignant. It was incredibly moving | 0:43:17 | 0:43:20 | |
and you can see highlights from the past five days of The People Remember | 0:43:20 | 0:43:24 | |
on Remembrance Sunday in a special programme on BBC One. | 0:43:24 | 0:43:27 | |
But, from all of us here at the Imperial War Museum, | 0:43:27 | 0:43:30 | |
thanks for watching and goodbye. Goodbye. Goodbye. | 0:43:30 | 0:43:33 |