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Hello from the Imperial War Museum at Duxford in Cambridgeshire. | 0:00:04 | 0:00:07 | |
Throughout Remembrance Week, we've been at this former RAF base, | 0:00:07 | 0:00:11 | |
celebrating courage, honouring heroes | 0:00:11 | 0:00:13 | |
and remembering those who did and didn't return home. | 0:00:13 | 0:00:17 | |
Here are the highlights from a week of The People Remember. | 0:00:17 | 0:00:20 | |
We'll have some special moments from our celebrity guests, | 0:00:22 | 0:00:25 | |
as they tell us the role their families played during the war. | 0:00:25 | 0:00:29 | |
That means a huge amount to my family. Thank you. | 0:00:29 | 0:00:32 | |
Well, you've succeeded in getting | 0:00:33 | 0:00:34 | |
a huge lump in my throat. LAUGHTER | 0:00:34 | 0:00:38 | |
We'll hear from veterans whose war efforts | 0:00:38 | 0:00:40 | |
changed the course of history. | 0:00:40 | 0:00:43 | |
I hope I shall feel all right, | 0:00:43 | 0:00:46 | |
and I've got to climb up on there. | 0:00:46 | 0:00:47 | |
I think I can manage that. | 0:00:47 | 0:00:49 | |
And on Remembrance Sunday, | 0:00:51 | 0:00:53 | |
we honour those who made the ultimate sacrifice. | 0:00:53 | 0:00:56 | |
It's important... Yeah. | 0:00:56 | 0:00:57 | |
..that the sacrifice is remembered of all the fallen. | 0:00:57 | 0:01:01 | |
Welcome to this very special edition of The People Remember. | 0:01:14 | 0:01:18 | |
All week, we've been based here at the Imperial War Museum in Duxford - | 0:01:18 | 0:01:22 | |
home to thousands of exhibits from all periods of warfare. | 0:01:22 | 0:01:26 | |
We've been hearing incredible stories of bravery | 0:01:26 | 0:01:29 | |
and courage from veterans, civilians and family members. | 0:01:29 | 0:01:33 | |
So let's look back at some of the most memorable moments. | 0:01:33 | 0:01:37 | |
We start with the story of one of the few remaining Spitfire girls. | 0:01:37 | 0:01:41 | |
PLANE RUMBLES | 0:01:41 | 0:01:44 | |
The freedom of being up there in the air, you know? | 0:01:46 | 0:01:49 | |
The wide open spaces and seeing the ground from the air. | 0:01:51 | 0:01:54 | |
You never took it for granted. | 0:01:56 | 0:01:58 | |
You were thrilled at every time. | 0:01:58 | 0:02:00 | |
During the war, Joy Lofthouse was one of just 168 female pilots | 0:02:02 | 0:02:07 | |
who helped to keep our overstretched fighter squadrons going | 0:02:07 | 0:02:11 | |
by ferrying planes across the country. | 0:02:11 | 0:02:13 | |
Other women, certainly, were envious of our job, | 0:02:16 | 0:02:19 | |
because all women were doing something during the war, | 0:02:19 | 0:02:23 | |
and there we were, flying aeroplanes, | 0:02:23 | 0:02:26 | |
and they paid us for it, too. | 0:02:26 | 0:02:28 | |
We were doing, I should think, just about the most exciting job | 0:02:28 | 0:02:33 | |
that there was to be done by women in the war. | 0:02:33 | 0:02:37 | |
I flew a Barracuda, two Mustangs, an Oxford... | 0:02:38 | 0:02:43 | |
This book tells the story of Joy's remarkable time | 0:02:43 | 0:02:45 | |
as a pilot in the Air Transport Auxiliary. | 0:02:45 | 0:02:49 | |
That was quite a good month. | 0:02:50 | 0:02:52 | |
Joy flew 18 different types of aircraft on hundreds of missions. | 0:02:52 | 0:02:56 | |
She's now 92 but her flying started when she was just 18. | 0:02:56 | 0:03:01 | |
I saw a news item to say that ATA had run out of qualified pilots, | 0:03:02 | 0:03:08 | |
and were training people with no experience at all, | 0:03:08 | 0:03:11 | |
and I thought that sounded better than working in a bank. | 0:03:11 | 0:03:14 | |
I'd never even been in an aeroplane, | 0:03:14 | 0:03:16 | |
and I didn't even drive a car, | 0:03:16 | 0:03:18 | |
so I learned to fly before I could drive. | 0:03:18 | 0:03:21 | |
As war raged across Europe, | 0:03:21 | 0:03:23 | |
the pressure to have fighter planes ready at the airfields grew rapidly, | 0:03:23 | 0:03:27 | |
and pilots were in great demand. | 0:03:27 | 0:03:29 | |
The delivery of new aircraft from factories to operational centres | 0:03:31 | 0:03:35 | |
is the responsibility of a vast organisation known as | 0:03:35 | 0:03:37 | |
the Air Transport Auxiliary, | 0:03:37 | 0:03:39 | |
with men of 14 different nationalities in its ranks, | 0:03:39 | 0:03:42 | |
and also helping in this important work are several women. | 0:03:42 | 0:03:46 | |
You never knew from one day to the next where you were going. | 0:03:46 | 0:03:49 | |
They would hand out the little bits of paper we called chitties, | 0:03:49 | 0:03:52 | |
and then that was the exciting bit. | 0:03:52 | 0:03:54 | |
"Where are you going? What are you flying?" You know? | 0:03:54 | 0:03:57 | |
And they knew, of course, | 0:03:57 | 0:03:59 | |
that we were all trying to fly as many types as possible. | 0:03:59 | 0:04:03 | |
There was one plane that was at the very top of any ATA girl's list. | 0:04:05 | 0:04:10 | |
Of course, I remember the first day I ever flew a Spitfire, | 0:04:13 | 0:04:17 | |
because that was the culmination of our training, | 0:04:17 | 0:04:20 | |
and of course, it was quite the fastest thing you'd ever flown, | 0:04:20 | 0:04:25 | |
but my big worry, the first time I flew it, | 0:04:25 | 0:04:28 | |
was whether I'd lose the airfield. | 0:04:28 | 0:04:30 | |
You're so busy looking at the cockpit, | 0:04:30 | 0:04:33 | |
and then you shut the hood, | 0:04:33 | 0:04:35 | |
and you're miles away by then, | 0:04:35 | 0:04:38 | |
because she's going so fast. | 0:04:38 | 0:04:40 | |
Joy also has a fondness for a more humble aeroplane - | 0:04:40 | 0:04:43 | |
one that started the flying careers of so many pilots. | 0:04:43 | 0:04:47 | |
One of the first aircraft I ferried was a Tiger Moth, | 0:04:47 | 0:04:51 | |
because we were barely through our training, | 0:04:51 | 0:04:54 | |
and they suddenly had a whole gaggle of Tiger Moths to fly down to Wales. | 0:04:54 | 0:04:59 | |
There, there was a little bit of banter, of course. | 0:04:59 | 0:05:01 | |
"See you there, Joy, if you get there," sort of business. | 0:05:01 | 0:05:05 | |
The ATA pilots often flew alone and with no navigation aids. | 0:05:05 | 0:05:09 | |
The dangers were high. 173 aircrew died. | 0:05:09 | 0:05:14 | |
I suppose we lost perhaps a dozen women. | 0:05:15 | 0:05:18 | |
Some of the accidents were weather. | 0:05:18 | 0:05:21 | |
Some were aircraft... | 0:05:21 | 0:05:24 | |
malfunction, you know? | 0:05:24 | 0:05:26 | |
But none of my close friends were killed, no. | 0:05:26 | 0:05:28 | |
Joy's flat in Gloucestershire is a treasure trove of memorabilia | 0:05:31 | 0:05:35 | |
from her flying days - | 0:05:35 | 0:05:36 | |
the centrepiece being her uniform, | 0:05:36 | 0:05:39 | |
still in pristine condition. | 0:05:39 | 0:05:41 | |
And the first time you wore it, of course, you were very proud. | 0:05:41 | 0:05:45 | |
We had two hats. | 0:05:45 | 0:05:46 | |
This is the...seems to be the only one that survived. | 0:05:46 | 0:05:49 | |
I don't know whether my head's got bigger, | 0:05:49 | 0:05:51 | |
but it will just about go on for me. | 0:05:51 | 0:05:53 | |
After the war, the ATA was disbanded, | 0:05:55 | 0:05:58 | |
and for most of these remarkable women, | 0:05:58 | 0:06:00 | |
life was never quite the same again. | 0:06:00 | 0:06:02 | |
I missed flying dreadfully when we first stopped. | 0:06:04 | 0:06:07 | |
I think I last flew in September 1945, | 0:06:07 | 0:06:12 | |
and I thought to myself, | 0:06:12 | 0:06:15 | |
"What am I going to do with the rest of my life? | 0:06:15 | 0:06:17 | |
"I'm never going to do anything as exciting as this again," | 0:06:17 | 0:06:19 | |
and I was probably right. | 0:06:19 | 0:06:21 | |
For Joy, the years she spent as part of that unique service, | 0:06:23 | 0:06:26 | |
delivering planes to the front-line, will never leave her. | 0:06:26 | 0:06:30 | |
It was wonderful. | 0:06:30 | 0:06:31 | |
There you were, up in the sky, and no-one could talk to you. | 0:06:31 | 0:06:35 | |
Nobody could say, "Come back, you're going the wrong way." | 0:06:35 | 0:06:38 | |
I mean, it was such a wonderful job to be doing. | 0:06:40 | 0:06:43 | |
You couldn't really better it, could you? | 0:06:43 | 0:06:45 | |
And later in the programme, | 0:06:47 | 0:06:48 | |
we'll catch up with Joy, as she takes to the skies once again. | 0:06:48 | 0:06:52 | |
Across the week, we've shared memories with some familiar faces, | 0:06:55 | 0:06:59 | |
who came to tell us about their loved ones. | 0:06:59 | 0:07:02 | |
We had a special surprise for one of our guests - | 0:07:02 | 0:07:05 | |
Si King from the Hairy Bikers. | 0:07:05 | 0:07:07 | |
Now, your father... Yeah. | 0:07:09 | 0:07:10 | |
He died when you were, what, just eight years old? Yes. | 0:07:10 | 0:07:14 | |
But what he did during World War II has really had quite an influence | 0:07:14 | 0:07:17 | |
on you, on how you've turned out? | 0:07:17 | 0:07:18 | |
Oddly, it has. SOPHIE LAUGHS | 0:07:18 | 0:07:20 | |
Yes, Dad was on the Russian convoys, among... | 0:07:20 | 0:07:23 | |
among other sorties of war at sea, | 0:07:23 | 0:07:26 | |
but he was incredibly well travelled, obviously, | 0:07:26 | 0:07:30 | |
and he used to bring really odd ingredients | 0:07:30 | 0:07:33 | |
back from whichever port he was in, | 0:07:33 | 0:07:35 | |
and write them down about how he'd eaten them, | 0:07:35 | 0:07:37 | |
and how he'd, you know... | 0:07:37 | 0:07:38 | |
And he'd bring them home to Mam and bear in mind, Mam was... | 0:07:38 | 0:07:41 | |
Mam was a fantastic cook, | 0:07:41 | 0:07:42 | |
but she was a cook that facilitated miners' shifts. | 0:07:42 | 0:07:46 | |
You know? In a pit village, on the top of a County Durham hill. | 0:07:46 | 0:07:50 | |
So he'd bring stuff like star anise, and... | 0:07:50 | 0:07:52 | |
And I mean, that's in the late, you know, that's in the '40s. Nuts. | 0:07:52 | 0:07:55 | |
So, by the time I popped out, cos I was quite... | 0:07:55 | 0:07:57 | |
I was the youngest of three, | 0:07:57 | 0:07:59 | |
we had this amazing cuisine, | 0:07:59 | 0:08:01 | |
and all our neighbours kind of complaining that | 0:08:01 | 0:08:04 | |
what was coming out of my mam's kitchen was... | 0:08:04 | 0:08:06 | |
It stunk. | 0:08:06 | 0:08:07 | |
So, there was all this kind of... | 0:08:07 | 0:08:10 | |
So, yeah, no, Dad had an enormous influence. | 0:08:10 | 0:08:12 | |
And he was a biker of sorts, too, wasn't he? Well, he was, yeah, | 0:08:12 | 0:08:15 | |
because he was injured, sadly, | 0:08:15 | 0:08:17 | |
during the Russian convoys, and he was put on dispatch to | 0:08:17 | 0:08:20 | |
run between these land-based areas for the Royal Navy. | 0:08:20 | 0:08:24 | |
So, motor cyclist - loved food, by default. | 0:08:24 | 0:08:28 | |
So that's the legacy that he's left me. I'm pretty fond of him. | 0:08:28 | 0:08:32 | |
I didn't know him that well, but, you know, every now and then, | 0:08:32 | 0:08:34 | |
I'll go, "Thanks very much, Dad. You did us well, there." | 0:08:34 | 0:08:37 | |
Si, your dad was part of the Russian convoys, the Arctic convoys. | 0:08:37 | 0:08:41 | |
That was an incredibly gruelling and dangerous operation to be part of. | 0:08:41 | 0:08:45 | |
It was beyond comprehension. | 0:08:45 | 0:08:47 | |
You were under extreme pressure, because you had the wolfpacks, | 0:08:47 | 0:08:50 | |
the German wolfpacks, and submarines that you couldn't see... Yeah. | 0:08:50 | 0:08:53 | |
..so there was just this atmosphere of anxiety, | 0:08:53 | 0:08:57 | |
constantly, plus the cold. | 0:08:57 | 0:08:59 | |
Plus, not particularly that warm clothing. | 0:08:59 | 0:09:03 | |
And, you know, that takes a pretty special type of person, I think. | 0:09:03 | 0:09:07 | |
And it was, you know... | 0:09:07 | 0:09:08 | |
and thank you very much for giving me the opportunity to honour... | 0:09:08 | 0:09:11 | |
to honour all of those men, really, because I think about them a lot. | 0:09:11 | 0:09:14 | |
We'll be hearing plenty more about your father later on, | 0:09:14 | 0:09:17 | |
but first let's hear more about those Arctic convoys. | 0:09:17 | 0:09:20 | |
The convoys were a vital lifeline for our allies in Russia, | 0:09:20 | 0:09:23 | |
but the seamen involved had to contend with | 0:09:23 | 0:09:26 | |
weather conditions beyond our imagination, | 0:09:26 | 0:09:29 | |
and the ever-present risk of attack. | 0:09:29 | 0:09:31 | |
Facing powerful waves and freezing temperatures, the Arctic convoys to | 0:09:33 | 0:09:38 | |
Russia were described by Churchill as "the worst journey in the world". | 0:09:38 | 0:09:43 | |
The men who braved the deadly crossing experienced | 0:09:46 | 0:09:49 | |
some of the war's most horrific conditions. | 0:09:49 | 0:09:52 | |
This treacherous Arctic route claimed the lives of 3,000 men. | 0:09:52 | 0:09:57 | |
It was cold, hard and frightening, | 0:09:57 | 0:10:00 | |
but it had to be done, and we did it, | 0:10:00 | 0:10:03 | |
and I still pray, each day, for those who didn't make it. | 0:10:03 | 0:10:07 | |
93-year-old Austin Byrne was one of thousands of sailors who | 0:10:09 | 0:10:13 | |
endured the icy seas to take vital war supplies to Russia. | 0:10:13 | 0:10:18 | |
He was just 19 when he joined the Royal Navy to serve as a gunner, | 0:10:18 | 0:10:22 | |
protecting the merchant ship the SS Induna. | 0:10:22 | 0:10:26 | |
You were really chuffed, you know? | 0:10:26 | 0:10:27 | |
"I'm going to sea. I'm going to see the world." You know? | 0:10:27 | 0:10:30 | |
They were talking about going down to Africa to the sunshine, | 0:10:30 | 0:10:33 | |
and then we found we were going to the Arctic to the cold. | 0:10:33 | 0:10:36 | |
The weather was, oh, out of this world, horrendous. | 0:10:38 | 0:10:41 | |
You did four hours on watch, four hours off watch, | 0:10:41 | 0:10:44 | |
and in that four hours off watch, | 0:10:44 | 0:10:46 | |
you had to eat and sleep. | 0:10:46 | 0:10:49 | |
The ice was about four foot six thick. | 0:10:49 | 0:10:53 | |
But those harsh conditions were the least of their worries. | 0:10:53 | 0:10:56 | |
Every convoy was in danger of ambush by German planes | 0:10:56 | 0:11:00 | |
and packs of U-boats. | 0:11:00 | 0:11:02 | |
They were sinking merchant ships, like, you know, | 0:11:02 | 0:11:05 | |
knocking them off like toffees, sort of style. | 0:11:05 | 0:11:08 | |
You always worried. | 0:11:08 | 0:11:10 | |
Just a few days into Austin's journey to Russia, | 0:11:10 | 0:11:13 | |
his convoy was struck by a ferocious storm. | 0:11:13 | 0:11:17 | |
That storm was the worst storm I was in in the five years at sea. | 0:11:17 | 0:11:21 | |
The fierce weather split up the convoy, making Austin's ship | 0:11:22 | 0:11:26 | |
an easier target for German planes and U-boats. | 0:11:26 | 0:11:29 | |
After four days, his ship was hit by a torpedo. | 0:11:29 | 0:11:32 | |
TORPEDO EXPLODES | 0:11:32 | 0:11:34 | |
She shudders, | 0:11:34 | 0:11:36 | |
and you know she's been hit, | 0:11:36 | 0:11:38 | |
and the stern goes on fire, | 0:11:38 | 0:11:41 | |
so I got out of the gun pit and went down onto the deck, | 0:11:41 | 0:11:45 | |
and the captain said, "Abandon ship." | 0:11:45 | 0:11:48 | |
He said, "Go to your lifeboat station now, boy, | 0:11:48 | 0:11:51 | |
"and good luck to you." | 0:11:51 | 0:11:53 | |
Many of the crew were killed in the strike. | 0:11:53 | 0:11:55 | |
Austin and a few others made it to a lifeboat. | 0:11:55 | 0:11:59 | |
The sea was all burning, where the tanks were busting, | 0:11:59 | 0:12:02 | |
and then all of a sudden, we were rowing, | 0:12:02 | 0:12:04 | |
and bang, another torpedo hit her, | 0:12:04 | 0:12:06 | |
and she just went... | 0:12:06 | 0:12:09 | |
..boom. | 0:12:10 | 0:12:11 | |
Then the sea was calm, | 0:12:13 | 0:12:16 | |
and we all said, "Look, see if anybody comes up." | 0:12:16 | 0:12:18 | |
But nobody came up, and then it was a matter of - "Row." | 0:12:18 | 0:12:22 | |
We were in the lifeboat four days, three nights, | 0:12:22 | 0:12:25 | |
and you daren't go to sleep. | 0:12:25 | 0:12:27 | |
You dozed, and if he thought I was going off, | 0:12:27 | 0:12:32 | |
"Waken up, Titch." | 0:12:32 | 0:12:33 | |
And if I thought he was going off, I used to say, | 0:12:33 | 0:12:35 | |
"Don't go to sleep, Robbie." | 0:12:35 | 0:12:37 | |
Cos if you'd have gone to sleep, the cold would have got you. | 0:12:37 | 0:12:40 | |
They had limited food and water, | 0:12:40 | 0:12:43 | |
and Austin had to resort to desperate measures to stay alive. | 0:12:43 | 0:12:47 | |
So I peed in a little cup. | 0:12:47 | 0:12:49 | |
It tasted bloody horrible. | 0:12:49 | 0:12:52 | |
It looked like whisky, but it didn't taste like whisky. | 0:12:52 | 0:12:55 | |
After four days adrift in the Arctic waters, | 0:12:55 | 0:12:58 | |
a ship appeared between the ice. | 0:12:58 | 0:13:01 | |
Oh, that was the thrill of a lifetime, | 0:13:01 | 0:13:03 | |
and it came alongside, and they pointed, | 0:13:03 | 0:13:05 | |
"Hmm, you. Hmm, hmm..." | 0:13:05 | 0:13:07 | |
I was stood there, waving, you know, and shouting. | 0:13:07 | 0:13:10 | |
Of the 66 men on the SS Induna, | 0:13:10 | 0:13:13 | |
just 20 survived. | 0:13:13 | 0:13:15 | |
16 of them lost limbs to frostbite. | 0:13:15 | 0:13:18 | |
Austin was one of the lucky ones. | 0:13:18 | 0:13:21 | |
I made it through because I had very, very good clothing on, | 0:13:21 | 0:13:25 | |
and I kept my feet moving and everything moving. | 0:13:25 | 0:13:28 | |
It was good luck and prayers, | 0:13:28 | 0:13:30 | |
and determination to live. | 0:13:30 | 0:13:32 | |
Every year, on the anniversary of the sinking of his ship, | 0:13:33 | 0:13:36 | |
Austin heads out to his garden, | 0:13:36 | 0:13:38 | |
to remember those who never made it to shore. | 0:13:38 | 0:13:41 | |
Eternal rest, given unto their souls, oh, Lord, | 0:13:41 | 0:13:45 | |
and let perpetual light shine upon them. | 0:13:45 | 0:13:49 | |
It brings back all the men that I knew, | 0:13:49 | 0:13:51 | |
and but for some wonderful sailors, I'd be dead, | 0:13:51 | 0:13:55 | |
and it's the least you can do is pray for them | 0:13:55 | 0:13:57 | |
and remember them each day. | 0:13:57 | 0:13:59 | |
Freedom is an expensive thing. | 0:14:09 | 0:14:12 | |
Si, "good luck, prayers and a determination to live". | 0:14:19 | 0:14:22 | |
That's what he said you needed. I mean, | 0:14:22 | 0:14:24 | |
incredible to think your father went through something like that. | 0:14:24 | 0:14:26 | |
It's made me quite emotional, that clip. | 0:14:26 | 0:14:30 | |
No, I'm very proud of my dad. Very proud of him. | 0:14:30 | 0:14:33 | |
I'm very proud of what he did and all the men. | 0:14:33 | 0:14:35 | |
They were an incredible breed. | 0:14:35 | 0:14:38 | |
And one of the real issues there was the cold was | 0:14:38 | 0:14:42 | |
almost as big a danger, if not a bigger danger... Yeah. | 0:14:42 | 0:14:44 | |
..than attack from the enemy. | 0:14:44 | 0:14:46 | |
I think that that was an overwhelming thing that Dad | 0:14:46 | 0:14:49 | |
used to talk about, was the cold. | 0:14:49 | 0:14:52 | |
You know, chipping frozen saltwater off the bulwark of the ship, | 0:14:52 | 0:14:56 | |
because if you didn't, | 0:14:56 | 0:14:57 | |
it would become too top-heavy and topple over. | 0:14:57 | 0:15:00 | |
I can't imagine that cold. No. | 0:15:00 | 0:15:03 | |
We have a bit of a surprise for you, actually. | 0:15:03 | 0:15:06 | |
In 2012, the Arctic Star was introduced - | 0:15:06 | 0:15:10 | |
a medal for those who had taken part in the Arctic convoys. | 0:15:10 | 0:15:13 | |
The first medals were awarded in 2013, | 0:15:13 | 0:15:16 | |
and Air Commodore Chris Bray is here, and he will explain why. | 0:15:16 | 0:15:21 | |
Very nice to meet you, sir. Nice to meet you, Si. | 0:15:23 | 0:15:26 | |
Well, Si, erm... | 0:15:28 | 0:15:30 | |
I'm here on behalf of the Ministry of Defence, | 0:15:30 | 0:15:33 | |
and the nation, to present you with the Arctic Star, | 0:15:33 | 0:15:38 | |
for your father's service on the Arctic convoys. | 0:15:38 | 0:15:41 | |
Thank you very, very much, indeed. | 0:15:41 | 0:15:43 | |
That means a huge amount to my family. Thank you. | 0:15:45 | 0:15:48 | |
Well, you've succeeded in getting a huge lump in my throat. | 0:15:49 | 0:15:52 | |
I told you... | 0:15:52 | 0:15:54 | |
Wow. Thank you very, very much, indeed. My pleasure. | 0:15:54 | 0:15:57 | |
That is an absolute... It was a long campaign, wasn't it? | 0:15:57 | 0:15:59 | |
The Battle of the Barents Sea was | 0:15:59 | 0:16:01 | |
a particular part of the Arctic convoy war, | 0:16:01 | 0:16:04 | |
if you like, the mini war, | 0:16:04 | 0:16:06 | |
and your father, Graham, was serving on HMS Sheffield... | 0:16:06 | 0:16:10 | |
Yes, he was, yes. ..during that battle, | 0:16:10 | 0:16:12 | |
and it was a very important battle, | 0:16:12 | 0:16:15 | |
because Russia was fighting the Germans at Stalingrad, | 0:16:15 | 0:16:19 | |
and it was very important that the particular convoy got through... | 0:16:19 | 0:16:22 | |
Yes. ..and that was the convoy that your father was on. | 0:16:22 | 0:16:25 | |
Sadly, your father's not... No. | 0:16:25 | 0:16:27 | |
Hasn't survived to be awarded the medal, | 0:16:27 | 0:16:29 | |
but I'm very grateful that, you know, | 0:16:29 | 0:16:31 | |
we can get you here today to award you the medal. | 0:16:31 | 0:16:34 | |
Only a few people now have that medal. | 0:16:34 | 0:16:36 | |
Well, I'm incredibly touched, and I know | 0:16:36 | 0:16:40 | |
my brother, my sister, and... | 0:16:40 | 0:16:44 | |
all of my family will be... | 0:16:44 | 0:16:45 | |
I can't. I'm lost for words, really. I'm incredibly touched. | 0:16:45 | 0:16:49 | |
Thank you so much, and this is a legacy I'll leave my sons... | 0:16:49 | 0:16:52 | |
Absolutely. | 0:16:52 | 0:16:53 | |
..as my father did for me. Thank you. | 0:16:53 | 0:16:55 | |
There have been so many moments during the week which remind us all | 0:16:58 | 0:17:01 | |
of the courage and bravery of men and women on the battlefield, | 0:17:01 | 0:17:05 | |
and on the home front. | 0:17:05 | 0:17:06 | |
We still have many more memories to share with you. | 0:17:06 | 0:17:10 | |
Coming up - we hear Churchill's speech, | 0:17:10 | 0:17:12 | |
which inspired so many veterans. | 0:17:12 | 0:17:15 | |
This was their finest hour. | 0:17:17 | 0:17:20 | |
PLANE RUMBLES | 0:17:20 | 0:17:22 | |
Former Spitfire girl Joy Lofthouse takes to the skies... | 0:17:22 | 0:17:26 | |
I don't think I'm going to do anything fancy. | 0:17:26 | 0:17:28 | |
SHE LAUGHS | 0:17:28 | 0:17:31 | |
..and a performance from The Three Belles. | 0:17:32 | 0:17:35 | |
During the 13-year conflict in Afghanistan, | 0:17:47 | 0:17:50 | |
the insurgents' weapon of choice was the IED - | 0:17:50 | 0:17:54 | |
the improvised explosive device. | 0:17:54 | 0:17:56 | |
This Husky vehicle was hit by one, and as you can see, | 0:17:56 | 0:17:59 | |
was badly damaged, but thankfully, no-one in it was injured. | 0:17:59 | 0:18:03 | |
But of course, many, many were, | 0:18:03 | 0:18:05 | |
and for wounded servicemen and women, | 0:18:05 | 0:18:08 | |
their injuries can be life-changing. | 0:18:08 | 0:18:10 | |
Here's Rick Clement's story. | 0:18:10 | 0:18:12 | |
Six years ago, | 0:18:13 | 0:18:14 | |
Rick Clement was a newly-promoted infantry sergeant | 0:18:14 | 0:18:17 | |
in the Duke of Lancaster Regiment. | 0:18:17 | 0:18:20 | |
I really felt that I'd achieved something, | 0:18:20 | 0:18:22 | |
to reach the senior rank, | 0:18:22 | 0:18:24 | |
and to have the responsibility of people's lives | 0:18:24 | 0:18:27 | |
when you were deploying operations, | 0:18:27 | 0:18:29 | |
is as big as a, kind of, privilege that you can be given. | 0:18:29 | 0:18:32 | |
JET ROARS | 0:18:32 | 0:18:35 | |
Rick's first test of this responsibility was in Afghanistan, | 0:18:35 | 0:18:39 | |
and during his training, | 0:18:39 | 0:18:40 | |
the dangers ahead weighed on his mind. | 0:18:40 | 0:18:43 | |
There was a lot concentrated on amputations | 0:18:43 | 0:18:46 | |
and severe wounds, and how to treat them, | 0:18:46 | 0:18:49 | |
so straight away, through that, | 0:18:49 | 0:18:51 | |
you kind of got a very good idea that the chances are, | 0:18:51 | 0:18:54 | |
you might be doing that for real. | 0:18:54 | 0:18:57 | |
I suppose, you can't think that it'll happen to you, | 0:18:57 | 0:18:59 | |
or you wouldn't want to go anywhere. | 0:18:59 | 0:19:02 | |
In April 2010, Rick's platoon was sent to southern Afghanistan. | 0:19:02 | 0:19:07 | |
Seven weeks in, he was leading his team on a routine patrol. | 0:19:07 | 0:19:11 | |
Always conscious of hidden Taliban bombs, | 0:19:11 | 0:19:14 | |
he had to decide their best route. | 0:19:14 | 0:19:17 | |
We only needed to go about 10 to 15 metres along this path, | 0:19:17 | 0:19:21 | |
and it was still pretty close to our base, | 0:19:21 | 0:19:23 | |
so I felt it would be all right to go that way, really, | 0:19:23 | 0:19:26 | |
and that was... It was my decision on the day. | 0:19:26 | 0:19:30 | |
The two men ahead had checked the path for bombs, | 0:19:30 | 0:19:33 | |
but Rick put one foot wrong, | 0:19:33 | 0:19:34 | |
and triggered a hidden explosive device. | 0:19:34 | 0:19:37 | |
BOMB EXPLODES | 0:19:37 | 0:19:40 | |
The only way I can describe it, | 0:19:40 | 0:19:41 | |
how it was to me at the time, was it was like a "puff", | 0:19:41 | 0:19:46 | |
and obviously, it wasn't - | 0:19:46 | 0:19:47 | |
it was a massive explosion - | 0:19:47 | 0:19:49 | |
but that's how it kind of sounded to me, | 0:19:49 | 0:19:52 | |
and then everything went just dark. | 0:19:52 | 0:19:54 | |
Rick's injuries were life-threatening, | 0:19:56 | 0:19:58 | |
and he was flown to the UK for treatment. | 0:19:58 | 0:20:01 | |
He'd lost both his legs and was in a coma. | 0:20:01 | 0:20:03 | |
After three weeks, he woke up | 0:20:03 | 0:20:05 | |
to face the full extent of his injuries. | 0:20:05 | 0:20:08 | |
He was told he might be wheelchair-bound for life. | 0:20:08 | 0:20:11 | |
I just felt, like, how was I going to deal with it all? How... | 0:20:11 | 0:20:16 | |
You know, was the rest of my life going to be... | 0:20:16 | 0:20:20 | |
erm, rubbish, | 0:20:20 | 0:20:21 | |
where I've got to be looked after by somebody 24 hours a day? | 0:20:21 | 0:20:25 | |
To me, that isn't much of a life. | 0:20:27 | 0:20:29 | |
You know, erm... | 0:20:29 | 0:20:31 | |
It was just... | 0:20:31 | 0:20:32 | |
..trying to, trying to... | 0:20:34 | 0:20:37 | |
..give yourself a reason, I guess, to carry on, I suppose, | 0:20:38 | 0:20:43 | |
and want to carry on. | 0:20:43 | 0:20:44 | |
The darkest time of my life by a long, long stretch. | 0:20:44 | 0:20:48 | |
While Rick was at his lowest ebb, | 0:20:50 | 0:20:52 | |
one of his best friends was killed in Afghanistan. | 0:20:52 | 0:20:55 | |
This made him rethink his own situation. | 0:20:55 | 0:20:58 | |
I was just devastated. It broke my heart. | 0:20:58 | 0:21:01 | |
And it made me realise that I needed to appreciate | 0:21:01 | 0:21:03 | |
the fact that I am still there with my family. | 0:21:03 | 0:21:07 | |
The painful months of rehabilitation | 0:21:07 | 0:21:10 | |
started to take their toll on Rick's marriage. | 0:21:10 | 0:21:13 | |
Over the next year, we grew further and further apart | 0:21:13 | 0:21:15 | |
and it just became clear, really, | 0:21:15 | 0:21:17 | |
that we weren't right for each other. Erm... | 0:21:17 | 0:21:20 | |
And we had to kind of make the decision | 0:21:20 | 0:21:22 | |
where we were going to go our separate ways. | 0:21:22 | 0:21:24 | |
Rick had to adjust to life on his own - and in a wheelchair. | 0:21:29 | 0:21:33 | |
Even simple tasks, like laundry, were a struggle. | 0:21:33 | 0:21:36 | |
Back in the early days, I was dropping things quite a lot, | 0:21:36 | 0:21:40 | |
just because of my grip, really. | 0:21:40 | 0:21:41 | |
And I wasn't able to reach the floor. | 0:21:41 | 0:21:44 | |
And it's very frustrating when you need to get someone to pick them up. | 0:21:44 | 0:21:47 | |
One of the things that I did start to use, | 0:21:47 | 0:21:50 | |
litter pickers use on the streets | 0:21:50 | 0:21:52 | |
and it's just, obviously, got the grabber at the end. | 0:21:52 | 0:21:55 | |
Now, I don't really need it for picking things up off the floor. | 0:21:55 | 0:21:58 | |
You can see, even with a washing bag, | 0:21:58 | 0:21:59 | |
I'm pretty much reaching down to the floor now | 0:21:59 | 0:22:02 | |
and the strength in this arm allows me to do that. | 0:22:02 | 0:22:05 | |
And it's not really much more of a difficult task | 0:22:05 | 0:22:08 | |
than for anybody else now. | 0:22:08 | 0:22:11 | |
Domestic god! | 0:22:12 | 0:22:14 | |
Despite adapting incredibly well, | 0:22:18 | 0:22:21 | |
Rick would love to walk again. | 0:22:21 | 0:22:23 | |
Today, he's at a rehabilitation centre in Preston | 0:22:24 | 0:22:28 | |
to practise on a robotic leg, which could change his life. | 0:22:28 | 0:22:32 | |
To walk again is an immense thing, if it can happen. | 0:22:33 | 0:22:37 | |
Doing things like looking someone in the eye | 0:22:37 | 0:22:39 | |
and stood at a bar or whatever it might be, | 0:22:39 | 0:22:41 | |
would be something, you know, really life-changing. | 0:22:41 | 0:22:44 | |
OK? Yeah. Do you want to have a walk? | 0:22:46 | 0:22:49 | |
It's taken Rick over six months of gruelling training | 0:22:58 | 0:23:01 | |
to get to this level of walking. | 0:23:01 | 0:23:03 | |
As you can see, I'm starting to sweat quite a bit. | 0:23:04 | 0:23:07 | |
Erm, it is hard work but, erm... | 0:23:07 | 0:23:10 | |
it feels pretty good, to be honest. | 0:23:10 | 0:23:12 | |
Now to the extraordinary story of a piece of music | 0:23:19 | 0:23:22 | |
which was composed on a scrap of paper in the trenches of World War I. | 0:23:22 | 0:23:26 | |
Historian Richard Van Emden has been investigating. | 0:23:26 | 0:23:29 | |
Soldiers in the trenches | 0:23:34 | 0:23:36 | |
had to cope with death, disease and destruction | 0:23:36 | 0:23:39 | |
almost every single day. | 0:23:39 | 0:23:41 | |
But there were moments of respite amid the carnage | 0:23:43 | 0:23:46 | |
and men sought out any comfort to distract them from the battlefield. | 0:23:46 | 0:23:50 | |
At the front-line, many soldiers craved a reminder from home. | 0:23:51 | 0:23:54 | |
Such a simple thing as music gave men the escape they needed | 0:23:54 | 0:23:58 | |
from the horrors of war. | 0:23:58 | 0:24:00 | |
I've come to the museum at the Royal Academy of Music, | 0:24:01 | 0:24:04 | |
to discover more about the importance of music | 0:24:04 | 0:24:07 | |
for soldiers in World War I. | 0:24:07 | 0:24:10 | |
Joanna Tapp is the exhibition curator. | 0:24:10 | 0:24:14 | |
So what role did music play at the front-line? | 0:24:14 | 0:24:17 | |
It served all sorts of purposes, | 0:24:17 | 0:24:19 | |
from instilling pride and patriotism | 0:24:19 | 0:24:21 | |
with sort of military bands and religious music, | 0:24:21 | 0:24:24 | |
to the more nostalgic reminders of home | 0:24:24 | 0:24:27 | |
and the sorts of music that soldiers would want to listen to | 0:24:27 | 0:24:30 | |
when they got some downtime | 0:24:30 | 0:24:31 | |
and were sitting around with their friends making music, | 0:24:31 | 0:24:34 | |
listening to records. | 0:24:34 | 0:24:35 | |
So we have here a gramophone. | 0:24:37 | 0:24:39 | |
Did they have these in the trenches? They did, indeed. | 0:24:39 | 0:24:41 | |
And it's called a trench gramophone because, | 0:24:41 | 0:24:43 | |
for the first time, during the First World War, | 0:24:43 | 0:24:45 | |
gramophones were made to be entirely portable | 0:24:45 | 0:24:48 | |
and you could pick it up and carry it from camp to camp | 0:24:48 | 0:24:50 | |
or from dugout to dugout. | 0:24:50 | 0:24:53 | |
I mean, it's a fantastic contraption and really gives that feeling of, | 0:24:53 | 0:24:56 | |
if you had that playing in a dugout, of a little bit of home. | 0:24:56 | 0:24:58 | |
That's right. That's one of the things that music can do. | 0:24:58 | 0:25:01 | |
It can transport you to somewhere else. | 0:25:01 | 0:25:02 | |
But one man in the trenches wasn't just listening to music, | 0:25:04 | 0:25:07 | |
he was scoring it. | 0:25:07 | 0:25:09 | |
Composer Harry Farrar | 0:25:09 | 0:25:11 | |
served in the Royal Field Artillery in northern France. | 0:25:11 | 0:25:14 | |
He survived the war and died aged 70. | 0:25:14 | 0:25:17 | |
After his death, | 0:25:18 | 0:25:19 | |
Harry's family discovered a diary he'd written on the front-line. | 0:25:19 | 0:25:23 | |
I'm meeting Harry's son John and grandson Nick to hear Harry's story. | 0:25:24 | 0:25:29 | |
So, John, did your father see much action? | 0:25:29 | 0:25:31 | |
Well, he must have done. | 0:25:31 | 0:25:33 | |
Because on 24 April he was at Villers-Bretonneux | 0:25:33 | 0:25:37 | |
and he's written, "Jerry came over. Fiercely exciting day. | 0:25:37 | 0:25:41 | |
"Saw Jerry advancing and fired point-blank. | 0:25:41 | 0:25:44 | |
"Machine-gun bullets flying all around us." | 0:25:44 | 0:25:47 | |
I think it was probably quite a pivotal point in the war, | 0:25:47 | 0:25:50 | |
because they pushed the Germans back. You're spot on. | 0:25:50 | 0:25:54 | |
Your father was part of a very, very significant battle. | 0:25:54 | 0:25:58 | |
The Germans were trying to push to take the strategic town of Amiens | 0:25:58 | 0:26:02 | |
and they were held up there | 0:26:02 | 0:26:03 | |
and that was the critical point of this battle. OK. | 0:26:03 | 0:26:06 | |
So during the fighting, did he lose any of his comrades? | 0:26:07 | 0:26:10 | |
Yes, there's an entry in here where he actually says | 0:26:10 | 0:26:12 | |
he loses three from one shell. | 0:26:12 | 0:26:15 | |
"Corporal Watts, Sanderson, Lancaster killed with one shell. | 0:26:15 | 0:26:19 | |
"Everyone felt pretty rotten." | 0:26:19 | 0:26:21 | |
"Everyone felt pretty rotten." It's so understated, isn't it? | 0:26:21 | 0:26:23 | |
I know. Yes, it is. | 0:26:23 | 0:26:25 | |
And I think that was the issue then, | 0:26:25 | 0:26:27 | |
because you were losing so many friends. There was death all around. | 0:26:27 | 0:26:30 | |
You couldn't dwell on it. No, no. No, you couldn't. | 0:26:30 | 0:26:33 | |
The diary didn't just reveal the horrors that Harry went through. | 0:26:33 | 0:26:37 | |
Hidden within it, | 0:26:37 | 0:26:39 | |
the Farrars came across a special piece of paper. | 0:26:39 | 0:26:42 | |
In the diary, we found this little piece of music, | 0:26:42 | 0:26:45 | |
which he's written while he was out in France. | 0:26:45 | 0:26:47 | |
So one could imagine him trying to take his mind off | 0:26:47 | 0:26:49 | |
what he's seen, what he's done. | 0:26:49 | 0:26:51 | |
I would imagine so. | 0:26:51 | 0:26:52 | |
He finds a bit of sheet music and starts composing. | 0:26:52 | 0:26:54 | |
Well, there's one entry here where he says he | 0:26:54 | 0:26:56 | |
"found a piano, a grand, | 0:26:56 | 0:26:58 | |
"and enjoyed myself up to the mark," he says. | 0:26:58 | 0:27:00 | |
So it could very well have been he played whatever he liked to play | 0:27:00 | 0:27:04 | |
and may have written this little piece of music at the same time. | 0:27:04 | 0:27:06 | |
Well, he must've had an incredible mind-set | 0:27:06 | 0:27:08 | |
to be able to block out all those horrors | 0:27:08 | 0:27:11 | |
and to concentrate on the better things in life. | 0:27:11 | 0:27:15 | |
Quite extraordinary, really. But he was a very talented musician. | 0:27:15 | 0:27:18 | |
No doubt about that. | 0:27:18 | 0:27:20 | |
And went on to make a good living out of it. | 0:27:20 | 0:27:22 | |
After the war, Harry had a successful career at De Wolfe music, | 0:27:24 | 0:27:28 | |
composing over 700 pieces for film and television, including this one. | 0:27:28 | 0:27:33 | |
ORCHESTRAL MUSIC | 0:27:33 | 0:27:35 | |
But the piece of music Harry wrote almost 100 years ago | 0:27:35 | 0:27:39 | |
is being given a new lease of life. | 0:27:39 | 0:27:41 | |
And we've arranged a surprise for the Farrar family. | 0:27:41 | 0:27:44 | |
The score that your father wrote, | 0:27:44 | 0:27:47 | |
that we found in the rear of his diary, | 0:27:47 | 0:27:49 | |
has been put to an orchestral arrangement by De Wolfe | 0:27:49 | 0:27:52 | |
and you're going to hear it right now for the first time. | 0:27:52 | 0:27:56 | |
Oh, this is going to be amazing. | 0:27:56 | 0:27:58 | |
I'm sure we're going to enjoy it very, very much | 0:27:58 | 0:28:00 | |
and remember it a long, long time. | 0:28:00 | 0:28:01 | |
MELANCHOLIC ORCHESTRAL MUSIC | 0:28:01 | 0:28:07 | |
Oh, that was awesome. Very, very emotional. | 0:28:48 | 0:28:50 | |
Ah, thank you so much. Thank you very, very much. | 0:28:50 | 0:28:53 | |
You can see what effect that has had on me. | 0:28:53 | 0:28:55 | |
It's quite incredible. | 0:28:55 | 0:28:56 | |
It emphasises the power of music and what it can do to people. | 0:28:56 | 0:29:00 | |
And also, how fortunate we were that he survived. | 0:29:00 | 0:29:03 | |
Obviously, so many of his colleagues did fall | 0:29:03 | 0:29:06 | |
and their legacies will, hopefully, | 0:29:06 | 0:29:09 | |
live on with this piece of music, as well. | 0:29:09 | 0:29:11 | |
This year marks the 75th anniversary of the Battle of Britain. | 0:29:14 | 0:29:18 | |
In the summer of 1940, | 0:29:18 | 0:29:20 | |
with the imminent threat of attack from Germany, | 0:29:20 | 0:29:23 | |
Prime Minister Winston Churchill was determined | 0:29:23 | 0:29:26 | |
we wouldn't be defeated. | 0:29:26 | 0:29:27 | |
He rallied the nation | 0:29:27 | 0:29:29 | |
with one of the most powerful weapons in his armoury - words. | 0:29:29 | 0:29:33 | |
On 18th June, Churchill delivered a speech | 0:29:33 | 0:29:36 | |
to galvanise the nation for the brutal battle ahead, | 0:29:36 | 0:29:40 | |
read today by veterans who took part in the war effort... | 0:29:40 | 0:29:44 | |
The Battle of Britain is about to begin. | 0:29:57 | 0:30:00 | |
Upon this battle | 0:30:02 | 0:30:03 | |
depends the survival of Christian civilisation. | 0:30:03 | 0:30:08 | |
Upon it depends our own British life, | 0:30:08 | 0:30:12 | |
the long continuity of our institutions and our Empire. | 0:30:12 | 0:30:17 | |
The whole fury and might of the enemy | 0:30:19 | 0:30:21 | |
must very soon be turned on us. | 0:30:21 | 0:30:24 | |
Hitler knows that he will have to break us in this island | 0:30:25 | 0:30:28 | |
or lose the war. | 0:30:28 | 0:30:29 | |
If we can stand up to him, all Europe may be free... | 0:30:34 | 0:30:38 | |
And the life of the world may move forward into broad sunlit uplands. | 0:30:38 | 0:30:45 | |
But if we fail, | 0:30:47 | 0:30:49 | |
the whole world, including the United States, | 0:30:49 | 0:30:52 | |
including all that we have known and cared for... | 0:30:52 | 0:30:55 | |
Will sink into the abyss of a new dark age... | 0:30:55 | 0:30:58 | |
Made more sinister and perhaps more protracted | 0:30:58 | 0:31:03 | |
by the lights of perverted science. | 0:31:03 | 0:31:06 | |
Let us, therefore, brace ourselves that, | 0:31:07 | 0:31:10 | |
if the British Empire and its Commonwealth last for 1,000 years... | 0:31:10 | 0:31:16 | |
Men will still say... | 0:31:16 | 0:31:19 | |
"This was their finest hour." | 0:31:19 | 0:31:22 | |
On 10th July, the Battle of Britain started. | 0:31:25 | 0:31:28 | |
Wave after wave of German bombers and fighter aircraft | 0:31:29 | 0:31:34 | |
launched attacks on Britain's air defences. | 0:31:34 | 0:31:36 | |
The RAF fighter pilots were outnumbered, | 0:31:39 | 0:31:42 | |
but they held firm. | 0:31:42 | 0:31:43 | |
After nearly four months of battle raging in the skies, | 0:31:44 | 0:31:48 | |
the Luftwaffe retreated, | 0:31:48 | 0:31:51 | |
wrecking Hitler's plans to invade Britain. | 0:31:51 | 0:31:54 | |
Churchill was deeply moved | 0:31:54 | 0:31:56 | |
by the bravery and sacrifice of the Air Force. | 0:31:56 | 0:31:59 | |
He delivered a speech at the height of the battle, | 0:32:00 | 0:32:03 | |
praising and encouraging the pilots in the epic struggle, | 0:32:03 | 0:32:07 | |
which turned the course of the war and of history. | 0:32:07 | 0:32:11 | |
The gratitude of every home in our island, in our Empire | 0:32:13 | 0:32:17 | |
and, indeed, throughout the world... | 0:32:17 | 0:32:19 | |
Except in the abodes of the guilty... | 0:32:19 | 0:32:21 | |
Goes out to the British airmen, who, undaunted by odds... | 0:32:21 | 0:32:26 | |
Unwearied in their constant challenge and mortal danger... | 0:32:26 | 0:32:30 | |
Are turning the tide of the world war by their prowess and devotion. | 0:32:30 | 0:32:35 | |
Never, in the field of human conflict, | 0:32:45 | 0:32:48 | |
was so much owed by so many to so few. | 0:32:48 | 0:32:50 | |
And during the Battle of Britain, | 0:32:53 | 0:32:54 | |
Duxford's operations room would have been a hive of activity. | 0:32:54 | 0:32:58 | |
Andy is there now. | 0:32:58 | 0:33:00 | |
During the summer of 1940, | 0:33:04 | 0:33:06 | |
Duxford was home to five RAF squadrons. | 0:33:06 | 0:33:09 | |
As German fighters crossed from Europe, | 0:33:09 | 0:33:11 | |
our boys would scramble into their planes to meet them. | 0:33:11 | 0:33:14 | |
And the battles that ensued would be directed from places like this. | 0:33:14 | 0:33:19 | |
One of the ladies who worked in an operations room | 0:33:19 | 0:33:21 | |
during the Battle of Britain | 0:33:21 | 0:33:23 | |
is Sheree Lygo-Hackett. | 0:33:23 | 0:33:25 | |
Sheree, thank you very much for joining us. | 0:33:25 | 0:33:27 | |
Now, when was the last time you were in an operations room? | 0:33:27 | 0:33:30 | |
Well, it'll be about early 1943, it would be. | 0:33:30 | 0:33:34 | |
So, 72 years? Yes. | 0:33:34 | 0:33:36 | |
And what was your job? Well, I was a plotter. OK. | 0:33:36 | 0:33:39 | |
Can you show me what you used to do? | 0:33:39 | 0:33:41 | |
Well, they would send the number of the raids through, | 0:33:41 | 0:33:44 | |
which you've got all set up here. | 0:33:44 | 0:33:46 | |
You had the number of the raid | 0:33:46 | 0:33:49 | |
and you'd have the height | 0:33:49 | 0:33:52 | |
and the number of aircraft. | 0:33:52 | 0:33:54 | |
You would put a plot, either... | 0:33:54 | 0:33:56 | |
According to the clock. The ops room clock. | 0:33:56 | 0:33:59 | |
You changed them every five minutes. | 0:33:59 | 0:34:01 | |
By doing that, the controller would be able to get the aircraft | 0:34:01 | 0:34:08 | |
up in the sector where we were to intercept the enemy. | 0:34:08 | 0:34:14 | |
So you were monitoring where all the aircraft were? | 0:34:14 | 0:34:16 | |
You had to keep your wits about you, | 0:34:16 | 0:34:19 | |
because you would have this on | 0:34:19 | 0:34:20 | |
and you had to listen to the plots coming through. | 0:34:20 | 0:34:23 | |
And the sooner that you got them on the board, | 0:34:23 | 0:34:26 | |
the sooner the controller could act and get the kites airborne. | 0:34:26 | 0:34:32 | |
And what was it like when, you know, bombers were flying overhead? | 0:34:32 | 0:34:35 | |
In those days, you didn't allow yourself to be frightened. | 0:34:35 | 0:34:40 | |
You got on with it. | 0:34:40 | 0:34:41 | |
Generally, I think people didn't know | 0:34:41 | 0:34:44 | |
whether they were going to be alive the next hour. | 0:34:44 | 0:34:46 | |
Not just in the ops room, but generally with the public. | 0:34:46 | 0:34:50 | |
And I think that, yes, people were a bit afeared, | 0:34:51 | 0:34:55 | |
but we got on with it. You had to. | 0:34:55 | 0:34:58 | |
There was nothing else you could do. | 0:34:58 | 0:35:00 | |
So live life while you could. | 0:35:00 | 0:35:02 | |
Sheree, are you proud of the work you did during the war? | 0:35:02 | 0:35:05 | |
Yes, I am. | 0:35:05 | 0:35:07 | |
And I think all of us that were in the war are proud of what we did. | 0:35:07 | 0:35:11 | |
We were all cogs in a big wheel | 0:35:11 | 0:35:14 | |
and, if we hadn't all pulled together, | 0:35:14 | 0:35:16 | |
we'd never have made it through. | 0:35:16 | 0:35:19 | |
Sheree, thank you very much | 0:35:19 | 0:35:20 | |
for sharing your experiences with us today. | 0:35:20 | 0:35:22 | |
Across the week, we spoke to some of the thousands of visitors | 0:35:25 | 0:35:29 | |
who pour through the doors of the museum here. | 0:35:29 | 0:35:31 | |
And, as we found out, | 0:35:31 | 0:35:32 | |
this museum holds a special place in many people's hearts. | 0:35:32 | 0:35:36 | |
Duxford was where I spent probably, like many others, | 0:35:36 | 0:35:42 | |
the happiest time of our young lives. | 0:35:42 | 0:35:45 | |
I came here raw, young, naive | 0:35:45 | 0:35:49 | |
and I realised that there was much, much more that I could achieve. | 0:35:49 | 0:35:54 | |
It just changed my whole view on life. It was brilliant. | 0:35:54 | 0:35:58 | |
It was quite impressive how they just managed | 0:35:58 | 0:36:00 | |
to just get all of these planes into this one place. | 0:36:00 | 0:36:04 | |
This plane behind me is the one I flew a number of times | 0:36:05 | 0:36:09 | |
on the Berlin airlift. | 0:36:09 | 0:36:11 | |
We carried flour, coal, anything needed at the time. | 0:36:11 | 0:36:15 | |
It was hard work. | 0:36:15 | 0:36:16 | |
Today we've seen the Spitfire. | 0:36:17 | 0:36:19 | |
And that's been flying around. | 0:36:19 | 0:36:22 | |
And it's been pretty great to see, | 0:36:22 | 0:36:23 | |
because they've done it up, restored it | 0:36:23 | 0:36:25 | |
and it's looking pretty good in its glory. | 0:36:25 | 0:36:28 | |
I'm reminiscing my childhood in RAF Duxford. | 0:36:28 | 0:36:31 | |
We came here to live in 1946 and we really had a lovely childhood here. | 0:36:31 | 0:36:38 | |
Across the week, we heard from EastEnders actress June Brown, | 0:36:44 | 0:36:47 | |
former Dragons' Den star Duncan Bannatyne | 0:36:47 | 0:36:50 | |
and broadcasters Angela Rippon and John Sergeant. | 0:36:50 | 0:36:54 | |
Here are their stories... | 0:36:54 | 0:36:55 | |
Now, your dad missed the first few years of your life | 0:36:56 | 0:36:59 | |
because of the war, didn't he? Oh, very much so, yes. | 0:36:59 | 0:37:02 | |
My father was a Royal Marine and he had a very busy war, | 0:37:02 | 0:37:05 | |
as his sort of rack of medals shows! | 0:37:05 | 0:37:08 | |
I was spotting that on the sofa there. | 0:37:08 | 0:37:09 | |
He was a bit busy during the war, | 0:37:09 | 0:37:11 | |
because he was in Italy and Africa twice | 0:37:11 | 0:37:14 | |
and the Pacific, the North Atlantic, | 0:37:14 | 0:37:17 | |
he was on the Malta convoys. | 0:37:17 | 0:37:18 | |
So he was all over the place and he didn't actually get back... | 0:37:18 | 0:37:21 | |
I was born in 1944 and he didn't come back to England | 0:37:21 | 0:37:24 | |
until the beginning of 1948, when I was three and a half. | 0:37:24 | 0:37:28 | |
And when I met him for the first time... | 0:37:28 | 0:37:31 | |
I have a wonderful photograph of me meeting him on board the ship | 0:37:31 | 0:37:34 | |
when he came back to his home port in Plymouth | 0:37:34 | 0:37:37 | |
and I've got a face on me like a plate of sour milk because, | 0:37:37 | 0:37:40 | |
of course, I'd been brought up by my mother and my granny and my aunt | 0:37:40 | 0:37:42 | |
and I'd never seen this man before. | 0:37:42 | 0:37:44 | |
But he was very much the hero of my life | 0:37:44 | 0:37:47 | |
as, I'm sure, an awful lot of young children at that time felt, | 0:37:47 | 0:37:50 | |
you know, when I got to know him better. | 0:37:50 | 0:37:52 | |
And I always say that my dad spent the rest of his life | 0:37:52 | 0:37:54 | |
making up for the fact that he hadn't been around | 0:37:54 | 0:37:57 | |
until I was three years old and he'd missed all those baby years. | 0:37:57 | 0:37:59 | |
Did it really affect your relationship with him? Very much so. | 0:37:59 | 0:38:02 | |
I became very, very close to my dad and I always feel that he... | 0:38:02 | 0:38:06 | |
My mother couldn't have any more children after me, unfortunately, | 0:38:06 | 0:38:09 | |
and I think my father, being a very macho Royal Marine, | 0:38:09 | 0:38:11 | |
would have loved to have had a son. | 0:38:11 | 0:38:13 | |
Instead, he got me. He wanted me, obviously, to be a young lady. | 0:38:13 | 0:38:16 | |
But at the same time, I always feel that he helped instil in me | 0:38:16 | 0:38:19 | |
all of those qualities of sort of self-reliance | 0:38:19 | 0:38:21 | |
and courage and determination. | 0:38:21 | 0:38:23 | |
All of the things that he would've wanted, as a man, | 0:38:23 | 0:38:26 | |
to pass on to his son. | 0:38:26 | 0:38:27 | |
And I think they probably stood me quite well, | 0:38:27 | 0:38:30 | |
as you will appreciate, in the job that we do! | 0:38:30 | 0:38:33 | |
Now, Duncan, your dad worked on the Thai-Burma Railway, | 0:38:36 | 0:38:40 | |
which was notoriously known as the "Death Railway". Yeah. | 0:38:40 | 0:38:43 | |
That must have been a horrendous experience. | 0:38:43 | 0:38:45 | |
Yeah, it must have been terrible. | 0:38:45 | 0:38:47 | |
So many people died there. | 0:38:47 | 0:38:50 | |
Erm... | 0:38:50 | 0:38:51 | |
You know, it was just difficult. I think surviving was what they did. | 0:38:51 | 0:38:54 | |
It was the only thing they could do, either survive or die. | 0:38:54 | 0:38:57 | |
Erm... | 0:38:57 | 0:38:58 | |
The most extensive conversation I had with him | 0:38:58 | 0:39:01 | |
was after my sister's funeral. | 0:39:01 | 0:39:03 | |
And he started to tell me about how | 0:39:03 | 0:39:05 | |
one of the jobs he had in a prisoner-of-war camp, | 0:39:05 | 0:39:08 | |
before he became really thin, | 0:39:08 | 0:39:11 | |
was to put the bodies on the fire. | 0:39:11 | 0:39:13 | |
They'd have a fire once a month and they'd burn the bodies. | 0:39:13 | 0:39:16 | |
It was really upsetting for him to talk about that. | 0:39:16 | 0:39:19 | |
So I think the reason a lot of prisoners of war don't talk about it | 0:39:19 | 0:39:21 | |
is because it's so upsetting for them to do so. | 0:39:21 | 0:39:23 | |
He got moved around a lot, didn't he? He did, yes. | 0:39:23 | 0:39:27 | |
For some reason he was taken to, I think it's called Formosa, | 0:39:27 | 0:39:29 | |
and taken to Japan, to a prisoner-of-war camp there | 0:39:29 | 0:39:33 | |
and just spent the rest of his war years there. | 0:39:33 | 0:39:36 | |
I've got a couple of documents I don't think you've seen yet. | 0:39:36 | 0:39:39 | |
So let's have a look at one of these. | 0:39:39 | 0:39:41 | |
This is his liberation questionnaire. | 0:39:41 | 0:39:43 | |
So this is what he filled in on liberation. | 0:39:43 | 0:39:46 | |
And you can see there... I'm sure you can recognise his handwriting, | 0:39:46 | 0:39:49 | |
it's his own writing there, I think. | 0:39:49 | 0:39:51 | |
Is that your dad's handwriting? I would think it is, yes. | 0:39:51 | 0:39:54 | |
It's very similar to mine. And you can see here... | 0:39:54 | 0:39:56 | |
So it lists the camps... | 0:39:56 | 0:39:58 | |
Kuala Lumpur. There, Kuala Lumpur. | 0:39:58 | 0:40:00 | |
And then Thailand. And the dates he was taken there. Yeah. | 0:40:00 | 0:40:03 | |
The date that he was first captured, actually. | 0:40:03 | 0:40:05 | |
26th February, '42. | 0:40:05 | 0:40:07 | |
'42. Yeah. | 0:40:07 | 0:40:09 | |
And then his regiment, as well, | 0:40:09 | 0:40:10 | |
I think you know, the Argyll and Sutherland Highlanders. | 0:40:10 | 0:40:13 | |
Right, there's Formosa. And then Japan. Formosa, Japan. | 0:40:13 | 0:40:15 | |
Manila, Thailand... | 0:40:15 | 0:40:18 | |
Wow, three different camp leaders. Yeah. | 0:40:18 | 0:40:21 | |
And then we also have this. There you are. | 0:40:21 | 0:40:23 | |
This is his prisoner-of-war index card, filled in by the Japanese. | 0:40:23 | 0:40:27 | |
There is his name, William Bannatyne. Yeah. | 0:40:27 | 0:40:30 | |
Date of birth, which they got wrong to begin with. | 0:40:30 | 0:40:33 | |
His battalion. | 0:40:33 | 0:40:35 | |
And then, obviously, his address and everything. | 0:40:35 | 0:40:38 | |
And then this is really interesting. We had this translated here. | 0:40:38 | 0:40:41 | |
So his occupation... | 0:40:41 | 0:40:43 | |
And he lists as a farmer. | 0:40:43 | 0:40:45 | |
Did he? That's what it says. | 0:40:45 | 0:40:47 | |
Was he ever a farmer before the war? Not to my knowledge! | 0:40:47 | 0:40:49 | |
Maybe he did that for a reason? Yes, maybe he did? | 0:40:51 | 0:40:53 | |
Maybe there was a rumour if you say you're a farmer | 0:40:53 | 0:40:55 | |
you get out in the fields or something? | 0:40:55 | 0:40:57 | |
And the address there, is that an address you recognise? Yes. | 0:40:57 | 0:41:00 | |
Yes, Kilbowie Road, Clydebank. | 0:41:00 | 0:41:02 | |
Absolutely, yeah. Yeah. | 0:41:02 | 0:41:03 | |
I think that was the pub! | 0:41:03 | 0:41:05 | |
It's amazing, though, isn't it, to see these documents from the past? | 0:41:07 | 0:41:10 | |
Yeah. | 0:41:10 | 0:41:11 | |
Yeah, it is. | 0:41:11 | 0:41:12 | |
Yeah. Unbelievable. | 0:41:12 | 0:41:14 | |
One of my favourite exhibits here at Duxford is this, | 0:41:16 | 0:41:19 | |
the Lancaster bomber. John Sergeant is still here. | 0:41:19 | 0:41:22 | |
And I know you're fascinated by these incredibly majestic planes. | 0:41:22 | 0:41:26 | |
They are. Kids nowadays talk about things being awesome, | 0:41:26 | 0:41:29 | |
but that really is awesome, isn't it? | 0:41:29 | 0:41:31 | |
And what's amazing is that, when I was a child looking at these things, | 0:41:31 | 0:41:34 | |
you didn't associate it with death and destruction. | 0:41:34 | 0:41:37 | |
You just looked at the plane and you thought, "This is just so..." | 0:41:37 | 0:41:42 | |
Well, it's so cool, isn't it? It's just so beautifully designed. | 0:41:42 | 0:41:45 | |
And to think this big thing would go up into the air | 0:41:45 | 0:41:48 | |
carrying all these people. | 0:41:48 | 0:41:50 | |
It was just in a very simple way, can a plane do that? | 0:41:50 | 0:41:53 | |
And can they do it with such, sort of, fortitude | 0:41:53 | 0:41:55 | |
and with all the ack-ack guns going off around them? | 0:41:55 | 0:41:57 | |
And this thing is flying through the night. | 0:41:57 | 0:42:00 | |
I just thought then and I think now, awesome. | 0:42:00 | 0:42:02 | |
But they must have been incredibly frightening for the crew on board. | 0:42:02 | 0:42:05 | |
They were. And, you know, a lot of them, of course, would be killed. | 0:42:05 | 0:42:08 | |
And a lot of them couldn't communicate very well | 0:42:08 | 0:42:11 | |
because there's the rear gunner. | 0:42:11 | 0:42:13 | |
So there are seven in all. | 0:42:13 | 0:42:15 | |
Then there's the gunner here in the middle position. | 0:42:15 | 0:42:17 | |
But they're very vulnerable below here. | 0:42:17 | 0:42:20 | |
So you've got the navigator. | 0:42:20 | 0:42:22 | |
You've got various people there. But there's not much contact. | 0:42:22 | 0:42:24 | |
Tell us about your war years. Where were you during the war? | 0:42:26 | 0:42:30 | |
Well, I wasn't a brave warmonger, as they say. | 0:42:30 | 0:42:34 | |
I lived in a backwater, really. | 0:42:34 | 0:42:36 | |
I lived in East Anglia | 0:42:36 | 0:42:38 | |
and, at the time, we were 12 miles from the sea. | 0:42:38 | 0:42:41 | |
So I didn't have to go through all the bombing | 0:42:41 | 0:42:45 | |
that the people in London did and in the big cities. | 0:42:45 | 0:42:47 | |
Well, you say that, June, | 0:42:47 | 0:42:48 | |
but you actually came under fire a few times, didn't you? | 0:42:48 | 0:42:51 | |
You saw some action. | 0:42:51 | 0:42:52 | |
Well, in a strange sort of way, yes. | 0:42:52 | 0:42:55 | |
I was waiting for a trolley bus, I think I must have been about 15, | 0:42:55 | 0:42:58 | |
halfway down the hill that I lived in. | 0:42:58 | 0:43:01 | |
And I looked up to see if it was coming round the corner | 0:43:01 | 0:43:03 | |
and I saw a German fighter coming down the road, machine-gunning. | 0:43:03 | 0:43:10 | |
Well, fortunately for me, | 0:43:10 | 0:43:12 | |
there was a little cobbler shop attached to a residential house | 0:43:12 | 0:43:15 | |
right by the trolley bus stop and it had a lot of steps | 0:43:15 | 0:43:19 | |
and I ran up the steps | 0:43:19 | 0:43:21 | |
and flattened myself against the door. | 0:43:21 | 0:43:24 | |
Because I didn't go in. I wasn't a customer. | 0:43:24 | 0:43:26 | |
And then, when it had gone, | 0:43:26 | 0:43:28 | |
I just came down and waited at the bus stop again. | 0:43:28 | 0:43:31 | |
One of the most costly campaigns of recent times | 0:43:38 | 0:43:41 | |
has been the conflict in Afghanistan. | 0:43:41 | 0:43:43 | |
Today, on Remembrance Sunday, | 0:43:43 | 0:43:45 | |
we remember the story of one soldier, Jamie Webb. | 0:43:45 | 0:43:49 | |
A guided tour around an army patrol base in Helmand Province. | 0:43:53 | 0:43:58 | |
Lance Corporal Jamie Webb recorded this video | 0:44:01 | 0:44:04 | |
to show his family back home what life was like in Afghanistan. | 0:44:04 | 0:44:09 | |
Jamie's cheerfulness in adversity | 0:44:16 | 0:44:18 | |
shone through in the letters he sent home. | 0:44:18 | 0:44:20 | |
"Dear Mum and Dad and Luke..." - smiley face. | 0:44:24 | 0:44:27 | |
"Hope you are well and OK. | 0:44:27 | 0:44:30 | |
"I received some airmail today with some letters. | 0:44:30 | 0:44:33 | |
"It's quite a hot area. | 0:44:33 | 0:44:36 | |
"That means where helicopters can't land, | 0:44:36 | 0:44:38 | |
"because they have been targeted by Taliban. | 0:44:38 | 0:44:41 | |
"Just counting the days until I'm home again. | 0:44:41 | 0:44:43 | |
"Mum, Dad and Luke, I love you all so much. | 0:44:43 | 0:44:47 | |
"Love from Custard Cream Jamie." | 0:44:49 | 0:44:51 | |
To tell the story of Jamie - he was brave. | 0:44:55 | 0:44:58 | |
He was more than my brother. | 0:44:58 | 0:45:00 | |
He was my best friend. | 0:45:00 | 0:45:01 | |
And he was more than my best friend. He was my hero. | 0:45:01 | 0:45:04 | |
Always a very jolly person. | 0:45:06 | 0:45:09 | |
A lovely young man. | 0:45:09 | 0:45:11 | |
He was. | 0:45:14 | 0:45:15 | |
He was lovely. | 0:45:15 | 0:45:17 | |
He was a loving son to me and Sue. | 0:45:17 | 0:45:20 | |
I'm very proud of Jamie. | 0:45:24 | 0:45:26 | |
Jamie joined the Army when he was 18. | 0:45:28 | 0:45:30 | |
He served in Iraq and Afghanistan. | 0:45:30 | 0:45:33 | |
I worried about him all the time. | 0:45:35 | 0:45:38 | |
And when I spoke to him on the phone, | 0:45:38 | 0:45:40 | |
I'd ask him how he was or what he was doing and then, you know, | 0:45:40 | 0:45:43 | |
sometimes he couldn't tell you and he'd say, you know, | 0:45:43 | 0:45:45 | |
"The base has been attacked." | 0:45:45 | 0:45:47 | |
And then he'd say, "Not long until I'm home now, Luke." | 0:45:49 | 0:45:52 | |
On his second tour in three years, | 0:45:54 | 0:45:57 | |
the British withdrawal from Afghanistan was gaining pace. | 0:45:57 | 0:46:00 | |
Jamie rang his family to tell them he would soon be heading home. | 0:46:00 | 0:46:04 | |
He was on a high. Really happy. | 0:46:07 | 0:46:10 | |
To think it's over. | 0:46:10 | 0:46:11 | |
You know, the tour, like. | 0:46:11 | 0:46:13 | |
But later that day, there was a knock at the door. | 0:46:13 | 0:46:15 | |
Sue came upstairs and said, "There's a man at the door in a suit. | 0:46:18 | 0:46:20 | |
"He wants to see you." | 0:46:20 | 0:46:22 | |
And he came in and he explained about | 0:46:24 | 0:46:26 | |
that Jamie had been in a major incident. | 0:46:26 | 0:46:28 | |
And I said to him, "You'd better check his number, | 0:46:28 | 0:46:31 | |
"because I just spoke to him this morning." | 0:46:31 | 0:46:33 | |
So I said, "There's no way it could be my son. No way." | 0:46:33 | 0:46:37 | |
He said that there was an insurgent attack on the base... | 0:46:40 | 0:46:43 | |
..and that a truck had been driven through the wall | 0:46:45 | 0:46:48 | |
with explosives in and chemicals | 0:46:48 | 0:46:51 | |
and it had gone through the wall and it had blown it up. | 0:46:51 | 0:46:55 | |
I couldn't stand the thought of not being with him. | 0:46:55 | 0:46:58 | |
I wanted to know someone was with him when he died. | 0:47:00 | 0:47:03 | |
That's what it was. | 0:47:03 | 0:47:05 | |
He's never been without me. | 0:47:05 | 0:47:07 | |
Anything... When he was poorly when he was little, | 0:47:07 | 0:47:10 | |
I was always there. | 0:47:10 | 0:47:12 | |
And that was the hardest thing, not saying goodbye. | 0:47:13 | 0:47:16 | |
And we miss him terribly. | 0:47:17 | 0:47:19 | |
A British soldier has been killed by insurgents in Afghanistan. | 0:47:20 | 0:47:23 | |
Jamie's body was flown home to Cheshire. | 0:47:23 | 0:47:26 | |
The people of Handforth lined the streets in his honour. | 0:47:26 | 0:47:29 | |
Thousands. | 0:47:31 | 0:47:33 | |
There was loads. | 0:47:33 | 0:47:34 | |
It was covered, all that side, all the other side of the street. | 0:47:34 | 0:47:37 | |
And all the children were in a line throwing roses on the coffin. | 0:47:37 | 0:47:40 | |
It was just full. | 0:47:40 | 0:47:43 | |
That was so much respect for my son. | 0:47:43 | 0:47:45 | |
Jamie's name was recorded on the Bastion Wall, | 0:47:46 | 0:47:49 | |
a memorial standing in the Army's main base in Afghanistan. | 0:47:49 | 0:47:53 | |
It's since been dismantled and recreated in Staffordshire. | 0:47:53 | 0:47:57 | |
His family are going to see it. | 0:47:57 | 0:47:59 | |
For me to go... | 0:48:00 | 0:48:02 | |
..it's hard, but good. | 0:48:03 | 0:48:06 | |
I'm proud. | 0:48:06 | 0:48:07 | |
Such a lovely man. | 0:48:07 | 0:48:09 | |
Oh, there's the wall, look. | 0:48:18 | 0:48:20 | |
Jamie's name will be one of 453 | 0:48:25 | 0:48:28 | |
being rededicated on the new Bastion Wall, | 0:48:28 | 0:48:32 | |
a replica of the one which stood in Afghanistan. | 0:48:32 | 0:48:35 | |
It will join 300 other memorials in the Arboretum. | 0:48:35 | 0:48:38 | |
It's the first time Jamie's family have seen his name on it. | 0:48:40 | 0:48:44 | |
To look at a wall that Jamie would have once seen | 0:48:56 | 0:49:00 | |
in Afghanistan, in Camp Bastion... | 0:49:00 | 0:49:02 | |
Yeah, he must have walked past it. | 0:49:03 | 0:49:05 | |
And now it's over here in the National Arboretum. | 0:49:05 | 0:49:07 | |
And he used to pay his respects to them all, | 0:49:07 | 0:49:09 | |
because he lost lots of them, of his friends. | 0:49:09 | 0:49:11 | |
He wouldn't think he'd be added with them. | 0:49:13 | 0:49:15 | |
Forces families are joined at the rededication ceremony | 0:49:19 | 0:49:23 | |
by the Prime Minister and Prince Harry, | 0:49:23 | 0:49:25 | |
who himself saw action in Afghanistan. | 0:49:25 | 0:49:27 | |
THE NATION ANTHEM PLAYS | 0:49:27 | 0:49:29 | |
This memorial reflects the spirit of the old one, | 0:49:29 | 0:49:33 | |
containing, as it does, the original brass plaques, | 0:49:33 | 0:49:37 | |
a large piece of the original stonework, | 0:49:37 | 0:49:39 | |
the original cross | 0:49:39 | 0:49:42 | |
and the last Union flag to fly over the memorial in Camp Bastion. | 0:49:42 | 0:49:47 | |
At the going down of the sun and in the morning, | 0:49:54 | 0:49:57 | |
we will remember them. | 0:49:57 | 0:49:58 | |
We will remember them. | 0:50:00 | 0:50:02 | |
THE LAST POST PLAYS | 0:50:02 | 0:50:06 | |
I'd like to thank all the people that have made this happen. | 0:50:18 | 0:50:21 | |
Yeah. It means a lot. | 0:50:21 | 0:50:23 | |
You know, to help keep the fallen's memory alive for ever. | 0:50:23 | 0:50:26 | |
Because it means a lot. And it means a lot for the soldiers, as well. | 0:50:26 | 0:50:30 | |
Yeah. Because of their friends, comrades. | 0:50:30 | 0:50:33 | |
They were together through thick and thin over there. | 0:50:33 | 0:50:36 | |
Brothers in arms for ever. | 0:50:38 | 0:50:40 | |
Well, earlier, we heard the amazing story of Joy Lofthouse, | 0:50:48 | 0:50:52 | |
who flew 18 different types of planes during the Second World War. | 0:50:52 | 0:50:56 | |
Joy never lost her passion for flying. | 0:50:56 | 0:50:58 | |
And what better way to celebrate the wonderful work she did | 0:50:58 | 0:51:02 | |
than by reuniting her with one of her favourite planes? | 0:51:02 | 0:51:05 | |
Today is a chance for Joy to turn back the clock. | 0:51:10 | 0:51:13 | |
More than 70 years after she learned to fly, | 0:51:15 | 0:51:18 | |
she's taking to the skies once again. | 0:51:18 | 0:51:20 | |
Well, it's a long time since I've been in a Tiger Moth. | 0:51:22 | 0:51:25 | |
So part of me is looking forward to it | 0:51:25 | 0:51:28 | |
and part of me is wondering how I will feel in the wide open spaces. | 0:51:28 | 0:51:32 | |
But I'm very much looking forward to it, | 0:51:32 | 0:51:34 | |
taking me back to my very, very early days of training. | 0:51:34 | 0:51:38 | |
Tiger Moths were the main training planes for ATA pilots. | 0:51:39 | 0:51:43 | |
With an open cockpit and simple controls, | 0:51:43 | 0:51:46 | |
they were the ideal plane to perfect flying skills. | 0:51:46 | 0:51:49 | |
Today, Joy will fly in this one | 0:51:49 | 0:51:51 | |
at White Waltham Airfield in Berkshire, | 0:51:51 | 0:51:54 | |
her old training ground. | 0:51:54 | 0:51:56 | |
It's so long since I flew in an open-cockpit aeroplane. | 0:51:58 | 0:52:02 | |
I hope I shall feel all right! | 0:52:02 | 0:52:04 | |
And I've got to climb up on there. I think I can manage that. | 0:52:04 | 0:52:08 | |
Flying with Joy, another woman of the sky, | 0:52:08 | 0:52:11 | |
instructor Amanda Harrison. | 0:52:11 | 0:52:13 | |
Hello, Joy! | 0:52:14 | 0:52:15 | |
Hello. Oh, it's a lady pilot! | 0:52:15 | 0:52:18 | |
I'm your pilot today. I hadn't realised that. | 0:52:18 | 0:52:20 | |
I have to say, I've wanted to fly an ATA lady... Have you? | 0:52:20 | 0:52:24 | |
Yes, absolutely. | 0:52:24 | 0:52:25 | |
So this is a huge privilege for me. I'm glad about that. | 0:52:25 | 0:52:28 | |
After we've done the three circuits... Yeah. | 0:52:30 | 0:52:32 | |
..we're then going to fly out and I'm going to hand it over to you | 0:52:32 | 0:52:35 | |
and say, "You have control." | 0:52:35 | 0:52:36 | |
Well, not for long! | 0:52:36 | 0:52:38 | |
How's that? That's OK. | 0:52:44 | 0:52:46 | |
Not since the 1940s has Joy done this. | 0:52:46 | 0:52:50 | |
And there's no stopping her now. | 0:52:51 | 0:52:54 | |
Right, here we go. It all gets quite noisy. | 0:52:59 | 0:53:01 | |
SHE LAUGHS | 0:53:20 | 0:53:22 | |
Well, now, I'm not allowed to say what her landing was like. | 0:54:06 | 0:54:09 | |
I'm sure it was better than anything I could have done! | 0:54:09 | 0:54:12 | |
I'd better say it was eight out of eight, shall I? | 0:54:14 | 0:54:15 | |
It was a great experience to be back in a Tiger Moth, yes. | 0:54:17 | 0:54:20 | |
I wouldn't like to do it day after day after day at my age. | 0:54:20 | 0:54:24 | |
But the experience of being back in an open-cockpit aeroplane | 0:54:24 | 0:54:28 | |
that I flew during the war... | 0:54:28 | 0:54:31 | |
Everybody wants to be reminded of when they were young. | 0:54:31 | 0:54:34 | |
And flying today does that for me, | 0:54:34 | 0:54:37 | |
reminds me of when I was young. | 0:54:37 | 0:54:39 | |
Well, that's about it from this special programme | 0:54:43 | 0:54:45 | |
for Remembrance Sunday. | 0:54:45 | 0:54:47 | |
But there's just time to show you | 0:54:47 | 0:54:49 | |
one of our favourite performances from the week. | 0:54:49 | 0:54:52 | |
# He was a famous trumpet man from out Chicago way | 0:55:08 | 0:55:11 | |
# He had a boogie style that no-one else could play | 0:55:11 | 0:55:13 | |
# He was the top man at his craft | 0:55:13 | 0:55:16 | |
# But then his number came up and he was gone with the draft | 0:55:16 | 0:55:19 | |
# He's in the Army now, a-blowin' reveille | 0:55:19 | 0:55:22 | |
# He's the boogie-woogie bugle boy of Company B | 0:55:22 | 0:55:25 | |
# They made him blow a bugle for his Uncle Sam | 0:55:25 | 0:55:28 | |
# It really brought him down because he couldn't jam | 0:55:28 | 0:55:30 | |
# The captain seemed to understand | 0:55:30 | 0:55:33 | |
# Because the next day the cap went out and drafted a band | 0:55:33 | 0:55:36 | |
# And now the company jumps when he plays reveille | 0:55:36 | 0:55:38 | |
# He's the boogie-woogie bugle boy of Company B | 0:55:38 | 0:55:41 | |
# A-toot, a-toot, a-toot-diddelyada-toot | 0:55:41 | 0:55:44 | |
# He blows it eight to the bar in boogie rhythm | 0:55:44 | 0:55:47 | |
# He can't blow a note unless the bass and guitar is playin' with him | 0:55:47 | 0:55:50 | |
# He makes the company jump when he plays reveille | 0:55:52 | 0:55:55 | |
# He's the boogie-woogie bugle boy of Company B | 0:55:55 | 0:55:58 | |
# He was some boogie-woogie bugle boy of Company B | 0:55:58 | 0:56:02 | |
# And when he plays boogie-woogie bugle he is busy as a buzzy bee | 0:56:04 | 0:56:09 | |
# And when he plays he makes the company jump eight to the bar | 0:56:09 | 0:56:12 | |
# He's the boogie-woogie bugle boy of Company B | 0:56:12 | 0:56:15 | |
# Toot toot toot-diddelyada Toot-diddelyada, toot-toot | 0:56:15 | 0:56:17 | |
# He blows it eight to the bar | 0:56:17 | 0:56:19 | |
# He can't blow a note if the bass and guitar isn't with him | 0:56:21 | 0:56:25 | |
# And the company jumps when he plays reveille | 0:56:25 | 0:56:28 | |
# He's the boogie-woogie bugle boy of Company B... # | 0:56:28 | 0:56:31 | |
TRUMPET SOLO | 0:56:31 | 0:56:33 | |
# He puts the boys to sleep with boogie every night | 0:56:48 | 0:56:51 | |
# And wakes 'em up the same way in the early bright | 0:56:51 | 0:56:54 | |
# They clap their hands and stamp their feet | 0:56:54 | 0:56:56 | |
# Because they know how he plays when someone gives him a beat | 0:56:56 | 0:56:59 | |
# He really shakes it up when he plays reveille | 0:56:59 | 0:57:02 | |
# He's the boogie-woogie bugle boy of Company B | 0:57:02 | 0:57:04 | |
# Dat-da da-do-do da-dup | 0:57:05 | 0:57:16 | |
# And the company jumps when he plays reveille | 0:57:16 | 0:57:18 | |
# He's the boogie-woogie bugle boy of Company B. # | 0:57:18 | 0:57:23 | |
Thank you for joining us on this day of reflection. | 0:57:27 | 0:57:30 | |
From all of us here at the Imperial War Museum in Duxford, goodbye. | 0:57:30 | 0:57:34 | |
Goodbye. | 0:57:34 | 0:57:35 |