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In the 1950s, the famous newsreel company, Pathe, produced | 0:00:03 | 0:00:08 | |
a major historical documentary series for British television. | 0:00:08 | 0:00:11 | |
Made by the award-winning producer Peter Baylis | 0:00:11 | 0:00:15 | |
and narrated by an illustrious line-up of celebrated actors, | 0:00:15 | 0:00:18 | |
Time To Remember chronicled the social, cultural and political forces | 0:00:18 | 0:00:22 | |
that shaped the first half of the 20th century. | 0:00:22 | 0:00:26 | |
The series contained several programmes that highlighted the shifting status of women. | 0:00:27 | 0:00:32 | |
The details of the progress made towards equality during the era | 0:00:32 | 0:00:36 | |
paint a vivid picture of a fascinating time. | 0:00:36 | 0:00:40 | |
# Come into the garden, Maud | 0:00:47 | 0:00:50 | |
# For the black bat, night, has flown | 0:00:50 | 0:00:55 | |
# Come into the garden, Maud | 0:00:55 | 0:00:58 | |
# I am here at the gate alone... # | 0:00:58 | 0:01:01 | |
Things, faces, friends, places. | 0:01:01 | 0:01:06 | |
Years and moments half-forgotten. | 0:01:06 | 0:01:10 | |
Laughs, fears, songs, tears, memories are made of this. | 0:01:10 | 0:01:17 | |
I remember a time, oh, so long ago. | 0:01:43 | 0:01:47 | |
A time when women at last emerged from their shells, | 0:01:47 | 0:01:51 | |
if that's the proper phrase, and took the bit between their teeth. | 0:01:51 | 0:01:56 | |
And what a disturbance it made, | 0:01:56 | 0:01:59 | |
but most of them wouldn't have missed it for the world. | 0:01:59 | 0:02:03 | |
The role women played in British society was transformed during the first half of the 20th century. | 0:02:05 | 0:02:11 | |
Back in 1900, women were politically disenfranchised and expected to defer, | 0:02:13 | 0:02:18 | |
first to their fathers and later to their husbands. | 0:02:18 | 0:02:22 | |
Slow, gentle, stately and reticent. | 0:02:22 | 0:02:27 | |
And that description, by the way, happens to sum up how we women were supposed to be at the time. | 0:02:27 | 0:02:33 | |
When unmarried or being courted, just beauty queens, gorgeous, decorative and dumb. | 0:02:33 | 0:02:41 | |
When married, matronly and motherly. | 0:02:41 | 0:02:44 | |
In either state, seen, admired, but not heard. | 0:02:44 | 0:02:49 | |
History dictated that it was the other sex | 0:02:49 | 0:02:53 | |
that was supposed to have all the brains, do all the thinking and voting. | 0:02:53 | 0:02:58 | |
And how pompous the men were in their masculine authority. | 0:02:58 | 0:03:02 | |
"I'm a self-made man and master in my own house, | 0:03:02 | 0:03:06 | |
"and if my wife so much as... But she doesn't, she knows her place." | 0:03:06 | 0:03:12 | |
Late Victorian women were constrained by rigid social conventions. | 0:03:12 | 0:03:16 | |
"Ladies do not at any time swing on swings. On Sunday too. | 0:03:16 | 0:03:23 | |
"Aggy Smith, tonight at supper, I shall speak to your father." | 0:03:23 | 0:03:30 | |
But even while the Queen still lived, there were signs of change, | 0:03:30 | 0:03:35 | |
signs of women breaking out of the prison of home and strict respectability. | 0:03:35 | 0:03:40 | |
I ask you, mixed cycling! Oh, the country's going to the dogs, six at a time. | 0:03:40 | 0:03:46 | |
The call for women's suffrage began to take hold during the reign of Queen Victoria, | 0:03:47 | 0:03:53 | |
but by the time George V came to the throne in 1910, little real headway had been made. | 0:03:53 | 0:03:59 | |
By 1911, there were quite a few women, the Pankhurst family among them, | 0:03:59 | 0:04:03 | |
who were beginning to get restless with this state of affairs. | 0:04:03 | 0:04:08 | |
Those chairs are being carried in to one of their early meetings. | 0:04:08 | 0:04:12 | |
Not so many chairs, | 0:04:12 | 0:04:14 | |
for then the suffragettes were few in number. | 0:04:14 | 0:04:17 | |
Votes for women then seemed like reaching for the moon. | 0:04:17 | 0:04:20 | |
How the world jeered and laughed at those first brave few. | 0:04:23 | 0:04:29 | |
But undaunted, they girded up...well, whatever it was that women girded up in those days, and marched on, | 0:04:29 | 0:04:36 | |
supremely confident in their ultimate victory. | 0:04:36 | 0:04:39 | |
What did the politicians do about these female demonstrations? Little to nothing, I'm afraid. | 0:04:39 | 0:04:45 | |
The British Prime Minister at the time was Mr Asquith | 0:04:45 | 0:04:49 | |
and you know what he was famous for saying - "wait and see". | 0:04:49 | 0:04:54 | |
Well to the fore was a fighting Welsh Liberal, David Lloyd George, | 0:04:54 | 0:04:58 | |
but he was too busy with National Insurance and other schemes. | 0:04:58 | 0:05:03 | |
One man was deeply sympathetic. | 0:05:04 | 0:05:06 | |
George Lansbury was always battling for the Pankhursts. | 0:05:06 | 0:05:10 | |
Strange, really, for they were anything but socialists, but then the cause rose above party politics. | 0:05:10 | 0:05:18 | |
Yet whatever support the suffragettes found or didn't find, each fresh opening of the British Parliament | 0:05:18 | 0:05:24 | |
saw their case either off the agenda or so near the bottom as to make no difference. | 0:05:24 | 0:05:30 | |
Votes for women, indeed. | 0:05:30 | 0:05:31 | |
Things like naval estimates were much more important. | 0:05:31 | 0:05:36 | |
This struggle for women's voting rights was being played out | 0:05:38 | 0:05:41 | |
against the backdrop of social unrest across the country. | 0:05:41 | 0:05:44 | |
Britain was a deeply class-riven society, with huge disparities of wealth, living conditions and power. | 0:05:44 | 0:05:51 | |
The momentum was building for social reforms across class and gender. | 0:05:51 | 0:05:55 | |
The fight for suffrage was symptomatic of this rejection of the old order. | 0:05:55 | 0:06:00 | |
1912, and the suffragettes still on the march | 0:06:02 | 0:06:07 | |
but, by now, the ranks have indeed swelled | 0:06:07 | 0:06:10 | |
and thousands of Aunt Agathas go forward together to battle for female emancipation. | 0:06:10 | 0:06:15 | |
By now, they have the support of the universities and the intellectuals, | 0:06:15 | 0:06:20 | |
and the movement knows no division of class or privilege, | 0:06:20 | 0:06:23 | |
for in it are the lowest and the highest. | 0:06:23 | 0:06:27 | |
And being the pioneers, the whole world has its eye on them. | 0:06:27 | 0:06:32 | |
March on, brave women of Britain, you've nothing to lose but your chains. | 0:06:32 | 0:06:37 | |
Always in history, it is the pioneers who suffer for ultimate victory. | 0:06:37 | 0:06:42 | |
By 1913, the cause was becoming more strident, | 0:06:42 | 0:06:45 | |
with some factions of the movement adopting a more militant approach. | 0:06:45 | 0:06:49 | |
A nation wondering what the world is coming to looks on anxiously | 0:06:49 | 0:06:54 | |
as, in great mass meetings, the women present their case forcefully. | 0:06:54 | 0:06:59 | |
Now comes a parting of the ways, | 0:06:59 | 0:07:02 | |
for while some still preach gradual change, others demand war to the knife, | 0:07:02 | 0:07:08 | |
insist that all's fair in the fight for female rights. | 0:07:08 | 0:07:13 | |
For the militant, the war moves into the streets. | 0:07:14 | 0:07:18 | |
Everywhere, suffragettes throw stones, shout, | 0:07:18 | 0:07:22 | |
chain themselves to railings and resist everything including arrest. | 0:07:22 | 0:07:27 | |
Off to jail they go in their hundreds, there to endure hunger strikes and then forced feedings. | 0:07:27 | 0:07:34 | |
Votes for women. | 0:07:34 | 0:07:36 | |
The houses of leading political opponents go up in flames. | 0:07:39 | 0:07:44 | |
By any means, foul as well as fair, is the battle fought. | 0:07:44 | 0:07:50 | |
Then comes the day of the Derby at Epsom in 1913, | 0:07:50 | 0:07:55 | |
as always attended by the King and Queen and enthusiastic thousands. | 0:07:55 | 0:08:00 | |
The race starts like any other, | 0:08:04 | 0:08:07 | |
but when the horses reach Tattenham Corner, there comes a shock. | 0:08:07 | 0:08:11 | |
A woman runs out. | 0:08:11 | 0:08:13 | |
There is a fall. | 0:08:13 | 0:08:15 | |
The King's horse and Emily Davison lie on the turf. | 0:08:17 | 0:08:20 | |
Suffragette Emily Davison is out of the race for good. | 0:08:24 | 0:08:29 | |
Poor, brave little Emily. | 0:08:29 | 0:08:31 | |
It has been said that suffering from some incurable disease, she was doomed to die anyway. | 0:08:31 | 0:08:38 | |
But that does not detract from her courage in hurling herself | 0:08:38 | 0:08:42 | |
under pounding hooves to demonstrate that even weak women can die for a cause. | 0:08:42 | 0:08:46 | |
Slow march for Emily Davison. | 0:08:50 | 0:08:55 | |
And so the world enjoys its last summer of peace, unaware for the most part that Armageddon awaits, | 0:08:56 | 0:09:04 | |
unaware that the death of poor little Emily Davison is just one more nail in the coffin of the old order. | 0:09:04 | 0:09:11 | |
For war or no war, the suffragettes continue to march | 0:09:11 | 0:09:17 | |
and dear Aunt Agatha continues to sit it out, | 0:09:17 | 0:09:21 | |
confident as ever that victory is near, as indeed it is. | 0:09:21 | 0:09:27 | |
In fact, it took another five years and a world war until female property owners over the age of 30 | 0:09:28 | 0:09:34 | |
were finally granted the vote in 1918. | 0:09:34 | 0:09:36 | |
Women were only enfranchised on the same terms as men in 1928. | 0:09:36 | 0:09:41 | |
In 1919, Lady Astor made history as the first woman to take her seat as a member of the House of Commons. | 0:09:41 | 0:09:48 | |
This might not have been possible | 0:09:48 | 0:09:50 | |
without the immense contribution women had made on the home front during the Great War. | 0:09:50 | 0:09:57 | |
World War I effected a revolution in the lives of women of all classes. | 0:09:57 | 0:10:01 | |
Their mass employment in jobs, previously the sole preserve of men | 0:10:03 | 0:10:08 | |
and the subsequent altered perception of women's capabilities was to have lasting ramifications. | 0:10:08 | 0:10:13 | |
On the windows of the great industrial towns of Britain, | 0:10:16 | 0:10:20 | |
the rapping of the dawn knocker-up called the faithful to their lathes and drop hammers. | 0:10:20 | 0:10:26 | |
A Britain where now the women were taking the places of the men, | 0:10:26 | 0:10:31 | |
a Britain where the babies played in the arms of their nurses | 0:10:31 | 0:10:34 | |
while their mothers bent over machines and work benches, | 0:10:34 | 0:10:38 | |
a Britain at last fully gearing herself to modern war. | 0:10:38 | 0:10:43 | |
That was where Aunt Maud came in. | 0:10:46 | 0:10:48 | |
What would have happened to the Allied offensives of 1917 | 0:10:48 | 0:10:51 | |
without Aunt Maud just doesn't bear thinking about. | 0:10:51 | 0:10:55 | |
Enough men at the front had come to mean women taking over at the back. | 0:11:00 | 0:11:04 | |
While Uncle Harry was away, Aunt Mabel worked on a laundry van. | 0:11:04 | 0:11:08 | |
That Mrs Higgins at No 9 was a tram conductress. | 0:11:11 | 0:11:14 | |
As Aunt Mable said, it was nice to see her keeping on the rails. | 0:11:14 | 0:11:20 | |
Mrs Higgins' friends Phoeb was bashing the front doors as a postwoman | 0:11:20 | 0:11:26 | |
and the two Ramsbottom sisters were throwing parcels about the wrong way up at the station. | 0:11:26 | 0:11:31 | |
And as well as them, there were women guards and women wheel dabbers. | 0:11:31 | 0:11:36 | |
I don't know whether you ever wound up one of those old lorries. | 0:11:38 | 0:11:42 | |
Sometimes they kicked back like a mule. | 0:11:42 | 0:11:45 | |
But with Mrs Jones, well, woe betide them if they so much as coughed. | 0:11:45 | 0:11:51 | |
And to think that only a year or so before in Britain, we'd been refusing them the vote. | 0:11:51 | 0:11:57 | |
To refuse some of them by 1917 was to ask for a bat over the bonce with a clanking handle. | 0:11:57 | 0:12:02 | |
They were doing the jobs and sometimes even showing the men how to do them. | 0:12:02 | 0:12:06 | |
I tell you, it was a grim moment for the male sex. | 0:12:06 | 0:12:11 | |
Look at 'em. | 0:12:13 | 0:12:15 | |
Look at 'em, in 1917. | 0:12:15 | 0:12:18 | |
What the world was going to be like after the war, Mrs Higgins' husband just shuddered to think. | 0:12:18 | 0:12:24 | |
# Keep the home fires burning | 0:12:25 | 0:12:30 | |
# While your hearts are yearning | 0:12:30 | 0:12:35 | |
# Though your lads are far away They dream... # | 0:12:35 | 0:12:40 | |
The socio-political changes women were experiencing | 0:12:40 | 0:12:43 | |
were reflected in the gradual transformation of women's styles of dress. | 0:12:43 | 0:12:47 | |
At the turn of the century, fashions were already beginning to lose some of the strict Victorian severity. | 0:12:50 | 0:12:56 | |
Hats were still a must, | 0:12:56 | 0:12:58 | |
but the increased physical activity of the modern woman's life meant clothing loosened up, a bit. | 0:12:58 | 0:13:03 | |
There's something to put on for every occasion. | 0:13:03 | 0:13:07 | |
The best for sport for, by now, sport, in small degree, was considered acceptable for ladies. | 0:13:07 | 0:13:13 | |
By 1919, newly enfranchised, and having kept the country functioning during the First World War, | 0:13:13 | 0:13:20 | |
women were reluctant to surrender the social and economic freedoms they had so recently won. | 0:13:20 | 0:13:26 | |
Women's increased self-confidence was evident in their public behaviour. | 0:13:26 | 0:13:30 | |
The etiquette of stringent respectability eased | 0:13:30 | 0:13:33 | |
and gave way to an independence and informality | 0:13:33 | 0:13:36 | |
that would have been unrecognisable to previous generations. | 0:13:36 | 0:13:40 | |
Unsurprisingly, it also impacted on their wardrobes. | 0:13:40 | 0:13:43 | |
The more relaxed fashions of the '20s | 0:13:47 | 0:13:50 | |
saw hemlines rise... | 0:13:50 | 0:13:53 | |
..and hairstyles shorten. | 0:13:54 | 0:13:57 | |
The new trends demanded a new body shape. | 0:13:58 | 0:14:01 | |
So widespread was the desire to achieve the fashionable flat look of the '20s flapper-girl | 0:14:01 | 0:14:06 | |
that Pathe chronicled the phenomenon in the figure of an upper-class English girl, Daphne. | 0:14:06 | 0:14:12 | |
If you wanted to have the boyish figure that was getting to be the rage - to be hipless and bustless - | 0:14:14 | 0:14:20 | |
try a couple of terms at St Winnie's. They'd fine you down there properly. | 0:14:20 | 0:14:24 | |
Steady, girls, don't overdo it. | 0:14:32 | 0:14:35 | |
Because it was the '20s and women were all out to refute the fact that it was a man's world, | 0:14:35 | 0:14:41 | |
there seemed great emphasis on sport and cricket, of all things, in particular. | 0:14:41 | 0:14:46 | |
Daphne's games mistress used to say | 0:14:46 | 0:14:48 | |
that a straight bat through life fears no fast bowlers, | 0:14:48 | 0:14:54 | |
and Miss Horsfall ought to know. I mean, look at her. | 0:14:54 | 0:14:57 | |
I suppose they felt that a girl ought to have a few muscles to give her a head start in life. | 0:14:57 | 0:15:05 | |
Worth's of Paris in 1924 said, "Women's fondness for sport fixes the presence of the, er, contour." | 0:15:05 | 0:15:11 | |
Well, the contours were certainly different, one had to admit that. | 0:15:11 | 0:15:15 | |
Freer, you might say. | 0:15:15 | 0:15:17 | |
Even at Deauville, | 0:15:19 | 0:15:22 | |
the same emphasis on keeping slim and maintaining the flat look. | 0:15:22 | 0:15:25 | |
Physical training to get down those curves | 0:15:25 | 0:15:27 | |
and achieve a chest like the front of a tramcar, that was the target. | 0:15:27 | 0:15:32 | |
Hard work to become flat both in front and behind, that was the motto for young and old, the light... | 0:15:40 | 0:15:47 | |
and the heavy. Terribly good for you too...I-I suppose. | 0:15:47 | 0:15:50 | |
But there does seem to have been some debate about the long-term effects | 0:16:11 | 0:16:16 | |
of all this physical activity on the sporting female. | 0:16:16 | 0:16:19 | |
Lenglen, Suzanne, French, but tennis champion of England from 1919 to 1923. | 0:16:19 | 0:16:26 | |
If normalcy for women meant back to the kitchen, | 0:16:26 | 0:16:29 | |
then Suzanne and the other ladies of her ilk were heading full tilt in the opposite direction. | 0:16:29 | 0:16:35 | |
They were everywhere. From the tennis club to the Olympic Games. | 0:16:35 | 0:16:38 | |
The weaker sex, look at them, and they still wanted a seat in the bus. | 0:16:38 | 0:16:43 | |
Just about this time, a committee was set up | 0:16:47 | 0:16:50 | |
to collect information on the sterility of the sporting type of woman. | 0:16:50 | 0:16:55 | |
The vital issue at stake was, would these strenuous games impair the natural function of motherhood? | 0:16:55 | 0:17:00 | |
For future generations to be or not to be - that was the question. | 0:17:02 | 0:17:05 | |
All the new freedoms of the '20s seemed epitomised in the person of Hollywood actress Mary Pickford. | 0:17:13 | 0:17:20 | |
The world's sweetheart, they called her, | 0:17:22 | 0:17:25 | |
and to many Mary Pickford personified that whole first generation of really free women | 0:17:25 | 0:17:31 | |
ready to do any man's job, and maybe do it even better. | 0:17:31 | 0:17:36 | |
Already, those who had worked the fields and factories during the recent war | 0:17:36 | 0:17:42 | |
were seeking fresh pastures in mass emigrations to Canada, Australia and New Zealand. | 0:17:42 | 0:17:47 | |
Already, there were women lawyers, women doctors and even women dentists. | 0:17:47 | 0:17:52 | |
Alice Delysia shocked some when she kicked off at a football match, | 0:17:52 | 0:17:57 | |
but a few titters of disapproval couldn't stem such a tide, | 0:17:57 | 0:18:00 | |
no sir...or madam. Suddenly on the sports fields, there were women centre forwards, | 0:18:00 | 0:18:06 | |
goalkeepers, right backs, left backs...and better halves. | 0:18:06 | 0:18:10 | |
Women had spotted their goals and were now all out to get them. | 0:18:10 | 0:18:15 | |
Gone with the wind of war were the ladies of Victorian and Edwardian England, | 0:18:19 | 0:18:25 | |
the ladies that once would have bathed only when covered from head to toe. | 0:18:25 | 0:18:28 | |
Now the beaches of Britain were displaying, well, more than any respectable woman should, | 0:18:28 | 0:18:35 | |
splashing about as though in the privacy of their own bathrooms, the shameless hussies. | 0:18:35 | 0:18:41 | |
Yes, women had their behinds in the saddle and their feet on the pedals and there was no stopping them. | 0:18:41 | 0:18:49 | |
In the race for superiority, men were hard pressed even to catch up. | 0:18:49 | 0:18:53 | |
With such expanded horizons, it seemed the future opportunities for our flapper were limitless. | 0:18:53 | 0:19:00 | |
When it came to careers, Daphne's mummy didn't quite realise that these were the '20s, | 0:19:00 | 0:19:06 | |
and the '20s were different. "Oh, Mummy, I don't need a chaperone!" | 0:19:06 | 0:19:08 | |
Yes, the '20s had brought a whole new set of careers for women. | 0:19:16 | 0:19:21 | |
A little unconventional, but careers all the same. | 0:19:21 | 0:19:25 | |
Why, only the other day | 0:19:25 | 0:19:28 | |
they had a visit to London from that American flying girl, what was her name? Oh, yes, Amelia Earhart. | 0:19:28 | 0:19:33 | |
Then there was Britain's own Amy Johnson. | 0:19:43 | 0:19:45 | |
There seemed nothing that women weren't doing nowadays. | 0:19:45 | 0:19:49 | |
Going off on long car expeditions to Africa or India or China. | 0:19:53 | 0:19:59 | |
How can they do it? I mean, the inconvenience and the discomfort! | 0:19:59 | 0:20:03 | |
A women's world, that's what it was now. | 0:20:09 | 0:20:13 | |
The social trends begun after the First World War continued into the '30s, | 0:20:17 | 0:20:22 | |
although the flat look, so characteristic of the flapper, found its moment had passed. | 0:20:22 | 0:20:27 | |
The '30s. Did the girls look as nice? | 0:20:31 | 0:20:34 | |
Well, being younger then, they all looked nice to me. | 0:20:34 | 0:20:37 | |
Just breaking out of the severe masculine styles of the '20s and returning to basic...femininity. | 0:20:37 | 0:20:44 | |
Pretty good stuff, really, and those beach pyjamas! | 0:20:49 | 0:20:53 | |
After all the mannish horrors of the '20s, a return to the strictly feminine. | 0:20:58 | 0:21:04 | |
For the boys, a very welcome change indeed. | 0:21:04 | 0:21:06 | |
The girls no longer tried to look boyish, thank heaven, but did everything to emphasise their sex. | 0:21:10 | 0:21:15 | |
The sale of cosmetics boomed. | 0:21:15 | 0:21:19 | |
For every lipstick sold ten years before, now 1,500 were being disposed of. | 0:21:19 | 0:21:25 | |
Just wipe that smile off your face. | 0:21:25 | 0:21:28 | |
Someone has said that the new fashions of the '30s were a harkening back to the Victorian era, | 0:21:32 | 0:21:38 | |
expressing a nostalgia for the secure life of those bygone times. | 0:21:38 | 0:21:42 | |
Well, be that as it may, things certainly underwent great change. | 0:21:42 | 0:21:47 | |
In place of the old flat-chested cylindrical look, | 0:21:47 | 0:21:50 | |
flowing lines, leg of mutton sleeves, chirpy hats to reveal coquettishly one side of the head. | 0:21:50 | 0:21:56 | |
But though elaborate, this garb was essentially practical. | 0:22:01 | 0:22:05 | |
Those new zip fasteners saw to that. | 0:22:05 | 0:22:08 | |
Curves may have been back in vogue, but the fashion for keep-fit hadn't diminished. | 0:22:08 | 0:22:12 | |
Health and beauty, that was the general title. | 0:22:12 | 0:22:16 | |
Some women I knew went for years. | 0:22:16 | 0:22:19 | |
They got healthy anyway - you can't have everything. | 0:22:19 | 0:22:21 | |
Bring your leg over, Nelly! | 0:22:21 | 0:22:24 | |
It certainly entailed doing all sorts of things that you wouldn't normally indulge in, | 0:22:37 | 0:22:42 | |
but you know what women are once they get an idea into their heads, there's no stopping them. | 0:22:42 | 0:22:47 | |
..Four, five, six and snap! | 0:22:47 | 0:22:50 | |
One, two, three, four, one, two, down, pom-pi-dom, pom-pi-tiddly-om. | 0:22:50 | 0:22:53 | |
Tiddly-tiddly-om, tiddly-om-pom-pom. | 0:22:53 | 0:22:57 | |
Tiddly-ompi-dom-pi-dom, one, two, three, four, diddly diddly... | 0:22:57 | 0:23:01 | |
In the original Time To Remember, Sally Smith characterises the "everygirl" of the 1930s, | 0:23:01 | 0:23:07 | |
exploring all the new avenues now open to her. | 0:23:07 | 0:23:11 | |
Sally Smith was more likely than not a working girl now, | 0:23:11 | 0:23:15 | |
employing her nimble fingers along those selfsame mass production lines. | 0:23:15 | 0:23:20 | |
And no matter how routine the job was, she seldom seemed to get bored with it. | 0:23:20 | 0:23:25 | |
Every day saw her entering into new occupations. | 0:23:29 | 0:23:32 | |
In such a time of mass unemployment, it was a wonder that men weren't more often up in arms about it. | 0:23:32 | 0:23:39 | |
But then a pretty face can often give quite a boost to sales. | 0:23:39 | 0:23:43 | |
As travelling at high speeds seemed to be the first recreation of the new age, | 0:23:43 | 0:23:47 | |
Sally Smith had to get into that too. | 0:23:47 | 0:23:49 | |
Well, if Amy Johnson could build her own plane, fly it and service it, why shouldn't Sally? | 0:23:49 | 0:23:57 | |
Even in the '30s, there were still plenty of places to fly to | 0:23:57 | 0:24:00 | |
and, in the process, break a record and win yourself a newspaper prize of, say, £10,000. | 0:24:00 | 0:24:07 | |
So nobody could claim it wasn't worth a candle. | 0:24:07 | 0:24:10 | |
But whatever they claimed, Sally would still have gone her own sweet way, so what was the use? | 0:24:10 | 0:24:17 | |
That was the spirit in which Sally Smith got into everything, and we mean everything. | 0:24:17 | 0:24:23 | |
Marriage didn't seem to make any difference. | 0:24:28 | 0:24:32 | |
With all those mass-produced devices | 0:24:32 | 0:24:34 | |
to help with the washing up, cooking and cleaning, there was no knowing where Mrs Sally Smith might end up. | 0:24:34 | 0:24:41 | |
"No time for whist today, dear, got a rally tomorrow. | 0:24:41 | 0:24:45 | |
"Must get the old bike tuned up first." | 0:24:45 | 0:24:48 | |
Yes, they were an adventurous lot, no denying it. | 0:24:54 | 0:24:58 | |
The first Great War had been the start of women taking over men's jobs. | 0:24:58 | 0:25:03 | |
Now it looked as though only another and greater war between the sexes could put an end to the trend. | 0:25:03 | 0:25:06 | |
Whoever it was who said that little piece about harkening back | 0:25:08 | 0:25:11 | |
to the Victorian era was on rather shaky ground, if you ask me. | 0:25:11 | 0:25:15 | |
It certainly couldn't be claimed | 0:25:15 | 0:25:17 | |
that these young ladies were expressing any nostalgia for the safe and secure. | 0:25:17 | 0:25:22 | |
No doubt about it, the '30s had introduced a very new era indeed. | 0:25:22 | 0:25:28 | |
With the advent of the Second World War, | 0:25:35 | 0:25:37 | |
women once again stepped up to the breach, | 0:25:37 | 0:25:41 | |
returning en masse to the production lines and taking on traditionally male occupations | 0:25:41 | 0:25:46 | |
in more diverse and visible roles than ever before. | 0:25:46 | 0:25:49 | |
The hair once again got shorter, but this time for practical reasons. | 0:25:49 | 0:25:53 | |
Just about then, they brought in the Victory hairstyle for women, | 0:25:53 | 0:25:56 | |
not so much a style, really, as a chopping off to prevent the locks being caught up in the works. | 0:25:56 | 0:26:03 | |
For the women who worked the machines that made the things that were going to win the war | 0:26:03 | 0:26:07 | |
didn't have much time for frills. | 0:26:07 | 0:26:09 | |
Day shift, night shift, overtime, double time... | 0:26:09 | 0:26:13 | |
The significance of women's mass contribution was such, they even started writing songs about it. | 0:26:13 | 0:26:19 | |
# ..That works the thingummy bob | 0:26:19 | 0:26:24 | |
# It's the girl that makes the thing | 0:26:24 | 0:26:26 | |
# That drills the hole that holds the ring | 0:26:26 | 0:26:28 | |
# That makes the thingummy bob | 0:26:28 | 0:26:31 | |
# That makes the engines roar | 0:26:31 | 0:26:34 | |
# And it's the girl that makes the thing | 0:26:34 | 0:26:38 | |
# That holds the oil that oils the ring | 0:26:38 | 0:26:41 | |
# That makes the thingummy bob that's going to win the war! | 0:26:41 | 0:26:46 | |
# It is, an' all! # | 0:26:51 | 0:26:54 | |
The journey women had taken in less than 50 years was dramatic. | 0:26:54 | 0:26:59 | |
From social repression and political exclusion to keeping the home fires burning | 0:26:59 | 0:27:04 | |
and the home front functioning, this first generation of 20th-century women | 0:27:04 | 0:27:08 | |
had fought the good fight for greater independence and embraced its expanded horizons. | 0:27:08 | 0:27:13 | |
The Great War brought women into the workplace in numbers and occupations never seen before. | 0:27:13 | 0:27:19 | |
Their contribution to the war effort profoundly altered perceptions of women's capabilities, | 0:27:19 | 0:27:25 | |
and is said to have influenced their political enfranchisement. | 0:27:25 | 0:27:28 | |
New economic freedom, increased confidence and growing opportunity instilled in women | 0:27:28 | 0:27:35 | |
a sense of self-determination which was to be played out in the roaring '20s and early '30s. | 0:27:35 | 0:27:41 | |
By the outset of the Second World War, there was no question that women would once again | 0:27:43 | 0:27:48 | |
take up the mantle and keep the country running while the men were away. | 0:27:48 | 0:27:52 | |
The pioneering women of the early 20th century were an inspiration for those that followed. | 0:27:52 | 0:27:58 | |
The freedoms they fought for created a momentum for change and a demand for equality | 0:27:58 | 0:28:03 | |
that would alter fundamentally the lives of generations of women to come. | 0:28:03 | 0:28:08 |