Browse content similar to Dial "B" for Britain: The Story of the Landline. Check below for episodes and series from the same categories and more!
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The telephone. | 0:00:21 | 0:00:23 | |
How could we live without it? | 0:00:23 | 0:00:25 | |
I think it is abominable. | 0:00:25 | 0:00:26 | |
I think it's costly, and I think it's a thundering nuisance. | 0:00:26 | 0:00:29 | |
Incredibly, there was a time | 0:00:29 | 0:00:32 | |
when phones weren't pocket-sized wireless devices | 0:00:32 | 0:00:36 | |
but bulky objects, wired into our homes and workplaces. | 0:00:36 | 0:00:40 | |
Historians call this distant era The Age Of The Landline. | 0:00:40 | 0:00:44 | |
Over the course of 100 years, | 0:00:46 | 0:00:48 | |
engineers rolled out a communications network | 0:00:48 | 0:00:51 | |
that joined up Britain - | 0:00:51 | 0:00:53 | |
a web of more than 17 million miles of wire, | 0:00:53 | 0:00:57 | |
one of the most ambitious engineering projects | 0:00:57 | 0:01:00 | |
in British history. | 0:01:00 | 0:01:02 | |
Yet telephones were initially regarded with suspicion. | 0:01:02 | 0:01:06 | |
Who is going to answer the telephone? | 0:01:06 | 0:01:08 | |
Will there be improper conversations | 0:01:08 | 0:01:11 | |
between the maids and gentlemen callers? | 0:01:11 | 0:01:15 | |
They were agents of social change. | 0:01:15 | 0:01:18 | |
They were looking for educated, well-spoken young ladies | 0:01:18 | 0:01:21 | |
who would be able to enunciate clearly. | 0:01:21 | 0:01:23 | |
Number, please. | 0:01:23 | 0:01:25 | |
Thank you. | 0:01:25 | 0:01:27 | |
But when you wanted a phone, you often couldn't get one. | 0:01:27 | 0:01:30 | |
They say, "Well, sorry. Bad luck, chum. | 0:01:30 | 0:01:32 | |
"In two years' time, you might get a telephone." | 0:01:32 | 0:01:35 | |
This is the story of the battle to build Britain's phone network, | 0:01:37 | 0:01:41 | |
the heroes... | 0:01:41 | 0:01:42 | |
He said, "Tradesmen to the rear." | 0:01:42 | 0:01:44 | |
I said, "Does the doctor go to the rear?" He said, "No." | 0:01:44 | 0:01:47 | |
I said, "I'm the doctor of telephones." | 0:01:47 | 0:01:49 | |
..and heroines. | 0:01:49 | 0:01:50 | |
It was really comical, | 0:01:50 | 0:01:52 | |
trying to have a tin hat on with these things stuck to your ear. | 0:01:52 | 0:01:55 | |
The disappointments... | 0:01:55 | 0:01:57 | |
You would shout down the phone in the hope that they would put | 0:01:57 | 0:01:59 | |
the phone down so that the line would be restored | 0:01:59 | 0:02:02 | |
and you could actually use it yourself. | 0:02:02 | 0:02:04 | |
..and dreams. | 0:02:04 | 0:02:06 | |
Don't you think it will be rather fun? Don't you think anybody | 0:02:06 | 0:02:08 | |
who goes up 500 feet would like a panoramic view | 0:02:08 | 0:02:11 | |
of the greatest capital in the world, | 0:02:11 | 0:02:13 | |
just spread out in front of them? | 0:02:13 | 0:02:16 | |
And why it is that now, when we're more connected than ever, | 0:02:16 | 0:02:20 | |
it's not the telephone that's keeping us on the landline. | 0:02:20 | 0:02:23 | |
In 1877, | 0:02:40 | 0:02:42 | |
inventor Alexander Graham Bell sailed by steamship | 0:02:42 | 0:02:45 | |
from America to Britain, the land he once called home. | 0:02:45 | 0:02:49 | |
He'd come to showcase a revolutionary new electric device | 0:02:49 | 0:02:53 | |
that was taking the US by storm - | 0:02:53 | 0:02:56 | |
the telephone. | 0:02:56 | 0:02:57 | |
At Osborne House on the Isle of Wight, | 0:03:00 | 0:03:02 | |
Bell faced his sternest test yet. | 0:03:02 | 0:03:05 | |
The stakes were high | 0:03:05 | 0:03:06 | |
as he awaited the audience for his latest demonstration. | 0:03:06 | 0:03:09 | |
He had to impress none other than Queen Victoria. | 0:03:09 | 0:03:13 | |
This no doubt entirely historically accurate film from the 1930s | 0:03:17 | 0:03:21 | |
sets out Bell's meeting with the Queen, who politely makes no mention | 0:03:21 | 0:03:25 | |
of the Scottish inventor's strangely American accent. | 0:03:25 | 0:03:30 | |
I think you had better speak into it. | 0:03:30 | 0:03:32 | |
After all, one does not converse with a wire. | 0:03:32 | 0:03:36 | |
Beatrice, Major Phipps, come closer. | 0:03:38 | 0:03:41 | |
Listen. | 0:03:41 | 0:03:43 | |
If you please, ma'am, we're ready to begin. | 0:03:43 | 0:03:45 | |
You may proceed. | 0:03:45 | 0:03:46 | |
Sir Thomas Biddulph. | 0:03:47 | 0:03:48 | |
'Yes, I'm here.' | 0:03:49 | 0:03:52 | |
That is Sir Thomas' voice. | 0:03:52 | 0:03:54 | |
Bell's telephone arrived at exactly the right moment. | 0:03:56 | 0:04:00 | |
The rise of the office, a new phenomenon in Victorian society, | 0:04:00 | 0:04:03 | |
had created an eager market of businessmen. | 0:04:03 | 0:04:06 | |
There are legal changes to the notion of "company" | 0:04:06 | 0:04:10 | |
and the modern corporation is born at that time, legally. | 0:04:10 | 0:04:13 | |
And with it is somewhere for it to live - | 0:04:13 | 0:04:17 | |
an office block. | 0:04:17 | 0:04:19 | |
In America, a skyscraper. | 0:04:19 | 0:04:21 | |
So you suddenly need to be able to talk to each other. | 0:04:21 | 0:04:24 | |
Queen Victoria was amused enough to buy two devices from Bell, | 0:04:26 | 0:04:30 | |
and the telephone was away. | 0:04:30 | 0:04:32 | |
Flush with royal approval, Bell and his partners set up a firm, | 0:04:32 | 0:04:36 | |
imaginatively named The Telephone Company. | 0:04:36 | 0:04:39 | |
The fledgling service provided the most basic systems. | 0:04:42 | 0:04:45 | |
The first subscribers could only make calls to the other end | 0:04:45 | 0:04:48 | |
of their own phone lines. | 0:04:48 | 0:04:50 | |
Telephone communications were private circuits, point-to-point, | 0:04:50 | 0:04:55 | |
which is to say they connected | 0:04:55 | 0:04:56 | |
floors in a big house or in a factory, | 0:04:56 | 0:04:59 | |
there was no network, no public network as such. | 0:04:59 | 0:05:02 | |
No telephone exchanges. They were sold as private instruments, | 0:05:02 | 0:05:05 | |
initially by Alexander Graham Bell's agent, Colonel Reynolds, | 0:05:05 | 0:05:08 | |
who came across the Atlantic on a steamship | 0:05:08 | 0:05:11 | |
with a bag full of these telephone instruments | 0:05:11 | 0:05:13 | |
which he sold to the very wealthy and to businessmen. | 0:05:13 | 0:05:17 | |
As the potential for telephones in Britain became clear, | 0:05:17 | 0:05:21 | |
Bell's company was joined by myriad competitors | 0:05:21 | 0:05:24 | |
in a technological Wild West. | 0:05:24 | 0:05:27 | |
But businesses wanted to talk directly | 0:05:28 | 0:05:30 | |
to their suppliers and customers, | 0:05:30 | 0:05:33 | |
so the phone companies began to create networks of telephone lines, | 0:05:33 | 0:05:36 | |
connected by exchange switchboards. | 0:05:36 | 0:05:39 | |
Early phones didn't have dials, | 0:05:42 | 0:05:44 | |
so calls were put through by an operator. | 0:05:44 | 0:05:47 | |
Hello. What do you want? | 0:05:47 | 0:05:49 | |
The operator would physically have to take a plug, an electrical plug, | 0:05:49 | 0:05:54 | |
and plug your wires into a socket, which was then the two wires | 0:05:54 | 0:05:58 | |
connecting to the person you wanted to speak to. | 0:05:58 | 0:06:01 | |
Networks began to spring up | 0:06:04 | 0:06:06 | |
in commercial centres across the country, a tangled web | 0:06:06 | 0:06:09 | |
of cutting-edge engineering and financial opportunism. | 0:06:09 | 0:06:13 | |
But progress wasn't pretty. | 0:06:13 | 0:06:14 | |
So if you looked up in the sky, | 0:06:16 | 0:06:18 | |
you would actually see this cobweb of wires, crisscrossing the streets. | 0:06:18 | 0:06:24 | |
The height, the danger of actually putting men up there | 0:06:25 | 0:06:28 | |
to put the cables in, the risk when it snowed, | 0:06:28 | 0:06:32 | |
with snow falling on those wires, creating a lot of weight, | 0:06:32 | 0:06:35 | |
would sometimes bring down telegraph poles, | 0:06:35 | 0:06:37 | |
and some of the derricks would actually collapse. | 0:06:37 | 0:06:40 | |
The sprawling mass of wires expanded | 0:06:42 | 0:06:44 | |
as fast as the companies could put them in. | 0:06:44 | 0:06:48 | |
The network was changing the face of our cities. | 0:06:48 | 0:06:51 | |
But what started out as a service for businesses | 0:06:53 | 0:06:57 | |
soon began to stray into other areas of Victorian life, | 0:06:57 | 0:07:01 | |
where it wasn't anywhere near as welcome. | 0:07:01 | 0:07:04 | |
In Victorian society, the home was sacrosanct. | 0:07:13 | 0:07:17 | |
Here, telephones were treated with outright suspicion. | 0:07:17 | 0:07:21 | |
A whiff of scandal clung to the wires. | 0:07:21 | 0:07:24 | |
Who is going to answer the telephone? | 0:07:25 | 0:07:28 | |
Will there be improper conversations | 0:07:28 | 0:07:31 | |
between the maids and gentlemen callers? | 0:07:31 | 0:07:35 | |
Obviously, it was also lunacy, you know, fake news lunacy - | 0:07:35 | 0:07:39 | |
ie, "Will I catch a cold if I answer the telephone and other people... | 0:07:39 | 0:07:42 | |
"the person at the other end has a cold?" | 0:07:42 | 0:07:44 | |
That was going on, but there was a very real sense | 0:07:44 | 0:07:47 | |
that this was a leveller, a social leveller, | 0:07:47 | 0:07:51 | |
and that that was really not necessarily a terribly good thing. | 0:07:51 | 0:07:55 | |
Gradually, though, the changing view of the telephone as something that | 0:07:57 | 0:08:00 | |
could be tolerated by the wealthy, if not exactly cherished, | 0:08:00 | 0:08:04 | |
was reflected in new handset designs for the Edwardian era. | 0:08:04 | 0:08:08 | |
A bit like the camera, the early telephone started | 0:08:08 | 0:08:11 | |
as a kind of scientific experiment, | 0:08:11 | 0:08:14 | |
the sort of thing you might find in a lab at Cambridge University - | 0:08:14 | 0:08:17 | |
mahogany and brass and bits of wire | 0:08:17 | 0:08:19 | |
and huge dials and details like that - and the big leap, I suppose, | 0:08:19 | 0:08:23 | |
was the candlestick, which turned this piece of engineering equipment | 0:08:23 | 0:08:26 | |
into something that you'd actually give houseroom to, | 0:08:26 | 0:08:29 | |
a consumer object, you might say. | 0:08:29 | 0:08:32 | |
The stylish design of the candlestick | 0:08:32 | 0:08:34 | |
encouraged the domestic use of telephones. | 0:08:34 | 0:08:37 | |
But they would only be seen in the wealthiest of homes. | 0:08:37 | 0:08:41 | |
If the rest of society wanted to get their hands on a telephone, | 0:08:41 | 0:08:44 | |
they were going to have to work for it. | 0:08:44 | 0:08:47 | |
Literally. | 0:08:47 | 0:08:48 | |
At the heart of the telephone network were the exchanges. | 0:08:57 | 0:09:01 | |
They were run by switchboard operators, | 0:09:01 | 0:09:03 | |
who helped keep the system going for nearly a century. | 0:09:03 | 0:09:06 | |
At first, the phone companies used young messenger boys | 0:09:08 | 0:09:11 | |
to connect the calls, | 0:09:11 | 0:09:13 | |
but it soon became apparent that this was a bad idea. | 0:09:13 | 0:09:16 | |
Very quickly the boys were dispensed with | 0:09:17 | 0:09:19 | |
because they were seen to be too rude and cheeky to customers. | 0:09:19 | 0:09:23 | |
Instead, phone companies started recruiting women en masse. | 0:09:23 | 0:09:27 | |
This change is actually creating | 0:09:28 | 0:09:33 | |
respectable jobs for lower middle-class girls. | 0:09:33 | 0:09:37 | |
Um, so women are joining the workforce as exchange operators, | 0:09:37 | 0:09:43 | |
telephone operators, it's a respectable job for a woman. | 0:09:43 | 0:09:47 | |
And that is not an inconsiderable factor | 0:09:47 | 0:09:50 | |
in the changing way we were organising society at this time. | 0:09:50 | 0:09:54 | |
There's a really simple reason why women were operators - | 0:09:54 | 0:09:57 | |
it's because they were cheaper workers than the men. | 0:09:57 | 0:10:02 | |
So there were also preferences for the sort of cultured, civilised, | 0:10:02 | 0:10:07 | |
soothing tones of the "Hello Girl", the female telephone operator. | 0:10:07 | 0:10:12 | |
The phone companies had very particular requirements. | 0:10:17 | 0:10:20 | |
The phone companies were looking for telephone operators | 0:10:20 | 0:10:23 | |
who would be able to answer in a particular manner. | 0:10:23 | 0:10:25 | |
They were looking for educated, well-spoken young ladies | 0:10:25 | 0:10:28 | |
who would be able to enunciate clearly | 0:10:28 | 0:10:30 | |
and say, "Number, please?" when you called up. | 0:10:30 | 0:10:34 | |
So they had this imagined middle-class style worker, | 0:10:34 | 0:10:37 | |
although, in fact, lots of varieties of women went into that profession. | 0:10:37 | 0:10:41 | |
Women would be recruited as operators for decades to come. | 0:10:41 | 0:10:45 | |
They obviously took notice of your speaking voice | 0:10:45 | 0:10:49 | |
because you needed to speak clearly. | 0:10:49 | 0:10:51 | |
A light would come on in front of the operator, | 0:10:52 | 0:10:56 | |
we would put a plug into that hole | 0:10:56 | 0:10:58 | |
next to your light and say, "Number, please?" | 0:10:58 | 0:11:01 | |
Number, please? | 0:11:01 | 0:11:04 | |
Thank you. | 0:11:04 | 0:11:05 | |
So you had an experienced telephonist | 0:11:05 | 0:11:07 | |
sit with you for a week or so | 0:11:07 | 0:11:09 | |
and they very rarely said, "Number, please?" | 0:11:09 | 0:11:12 | |
It was always "rubber knees!" | 0:11:12 | 0:11:13 | |
Go ahead, please. | 0:11:16 | 0:11:17 | |
If you wanted to go to the toilet, | 0:11:18 | 0:11:21 | |
you had to put your hand up and ask the assistant supervisor, | 0:11:21 | 0:11:27 | |
"Can I have an urgent or a run-through?" | 0:11:27 | 0:11:30 | |
And you weren't allowed off that board | 0:11:30 | 0:11:33 | |
until there was a vacancy for you to go. | 0:11:33 | 0:11:36 | |
There was one funny call, which I only remembered the other day. | 0:11:39 | 0:11:42 | |
I'd walked back into the switch room from a break | 0:11:42 | 0:11:44 | |
and one of the operators said, | 0:11:44 | 0:11:45 | |
"You'll never guess what I've just had to look for." | 0:11:45 | 0:11:47 | |
She said, "I've spent hours looking for the Countess of Ayr. | 0:11:47 | 0:11:50 | |
"Countess of Ayr, I've looked everywhere, | 0:11:50 | 0:11:52 | |
"do you think I could find it...?" | 0:11:52 | 0:11:54 | |
And eventually, in desperation, you would ask them to spell it. | 0:11:54 | 0:11:57 | |
It turned out to be the county surveyor. | 0:11:59 | 0:12:02 | |
She had a bit of a plum, this lady! | 0:12:02 | 0:12:04 | |
For the first few decades of its existence, the telephone was | 0:12:13 | 0:12:16 | |
the exclusive preserve of businesses and wealthy households. | 0:12:16 | 0:12:21 | |
But places began to spring up where anybody could use one - | 0:12:21 | 0:12:24 | |
early phone boxes, known as public call offices or silence cabinets. | 0:12:24 | 0:12:30 | |
Some of them were, believe it or not, attendant-operated, | 0:12:30 | 0:12:34 | |
so they would be manned. | 0:12:34 | 0:12:35 | |
The attendant would open the call box for you to go in, | 0:12:35 | 0:12:38 | |
they would make the call connection for you, | 0:12:38 | 0:12:40 | |
they would take your payment | 0:12:40 | 0:12:42 | |
and then they would close the door behind you | 0:12:42 | 0:12:45 | |
whilst you made your telephone call. | 0:12:45 | 0:12:47 | |
Others had coin boxes on them, | 0:12:47 | 0:12:49 | |
which actually required you to put 2p or 3p into the box | 0:12:49 | 0:12:54 | |
before you made your call. | 0:12:54 | 0:12:55 | |
Believe it or not, when you walked into a silent cabinet, | 0:12:55 | 0:12:58 | |
the floor moved and the roof lifted, so it was ventilated, | 0:12:58 | 0:13:02 | |
bearing in mind we're talking about a time | 0:13:02 | 0:13:04 | |
when people's personal hygiene wasn't as good as it is today, | 0:13:04 | 0:13:07 | |
and therefore people would spit into the microphone | 0:13:07 | 0:13:10 | |
and those sorts of things. | 0:13:10 | 0:13:11 | |
It wasn't long before a love-hate relationship with phone boxes | 0:13:13 | 0:13:16 | |
began to develop. | 0:13:16 | 0:13:17 | |
One of the earliest reports of kiosk vandalism, | 0:13:17 | 0:13:20 | |
phone box vandalism, was Samuel Wartski in 1907, | 0:13:20 | 0:13:25 | |
who had got really annoyed because he'd gone into a call box, | 0:13:25 | 0:13:30 | |
inserted the money, | 0:13:30 | 0:13:32 | |
the operator claimed that they hadn't heard him insert this money. | 0:13:32 | 0:13:36 | |
He knew he had, so he got absolutely riled by this | 0:13:36 | 0:13:41 | |
and set about wrecking the phone box apparatus, | 0:13:41 | 0:13:45 | |
and they say he cost 19 shillings' worth of damage to the phone box. | 0:13:45 | 0:13:51 | |
But strangely, when he was brought to court, the magistrates obviously | 0:13:51 | 0:13:54 | |
took pity on him and only fined him one shilling. | 0:13:54 | 0:13:57 | |
And there we are, vandalism begins. | 0:13:57 | 0:14:00 | |
In 1912, the private phone networks | 0:14:04 | 0:14:07 | |
were all taken over by the General Post Office, | 0:14:07 | 0:14:09 | |
which was the branch of government in charge of communications. | 0:14:09 | 0:14:12 | |
This effectively nationalised the whole system. | 0:14:12 | 0:14:16 | |
Phone boxes came in a multitude of shapes and sizes, | 0:14:16 | 0:14:20 | |
but the GPO wanted to spread telephones as widely as they could. | 0:14:20 | 0:14:24 | |
So, in 1920, they tried to come up with a standard design | 0:14:24 | 0:14:28 | |
that could be rolled out across the whole country. | 0:14:28 | 0:14:31 | |
But they were soon to learn how hard it was to please the public. | 0:14:31 | 0:14:35 | |
They introduce, in 1921, the first design, which they called the K1. | 0:14:36 | 0:14:42 | |
K1, first of all, is reinforced concrete. | 0:14:43 | 0:14:46 | |
It has a door with windows in it. | 0:14:46 | 0:14:49 | |
On that it would say, "Public Telephone". | 0:14:49 | 0:14:52 | |
It would also say, "Always Open". | 0:14:52 | 0:14:54 | |
Try as they might, the GPO couldn't please everyone with the K1. | 0:14:56 | 0:15:00 | |
In Eastbourne, the council wanted a phone box | 0:15:00 | 0:15:03 | |
to fit in with the bowling club pavilion. | 0:15:03 | 0:15:06 | |
So the GPO gave it a thatched roof. | 0:15:06 | 0:15:09 | |
But the K1 just wasn't doing the trick. | 0:15:09 | 0:15:12 | |
So, in 1924, the GPO tried again. | 0:15:12 | 0:15:15 | |
This time they got it right... | 0:15:15 | 0:15:17 | |
nearly. | 0:15:17 | 0:15:19 | |
A new competition was held to design, yet again, a standard kiosk. | 0:15:19 | 0:15:24 | |
The winner of that was Sir Giles Gilbert Scott, | 0:15:24 | 0:15:27 | |
who produced what became Britain's second standard design, the K2, | 0:15:27 | 0:15:31 | |
and it was radically different to anything which had gone before. | 0:15:31 | 0:15:35 | |
As an architect, he saw this kiosk, this phone box, | 0:15:35 | 0:15:38 | |
as a miniature building. | 0:15:38 | 0:15:40 | |
It has a lovely domed roof, | 0:15:41 | 0:15:44 | |
which they say he took inspiration | 0:15:44 | 0:15:46 | |
from the Soane Memorial in St Pancras Old Churchyard in London. | 0:15:46 | 0:15:50 | |
It's a cast-iron construction, | 0:15:50 | 0:15:52 | |
so you've got moulded columns, architectural features. | 0:15:52 | 0:15:56 | |
You have a telephone sign, opaque glass, back-illuminated at the top. | 0:15:56 | 0:16:01 | |
It looked imposing, but the K2 was too expensive | 0:16:01 | 0:16:05 | |
to be installed anywhere outside the capital. | 0:16:05 | 0:16:08 | |
So, to celebrate the King's Silver Jubilee in 1935, | 0:16:08 | 0:16:12 | |
the GPO had one more try. | 0:16:12 | 0:16:15 | |
The General Post Office once again turned to Sir Giles Gilbert Scott | 0:16:15 | 0:16:18 | |
and what he produced has really become | 0:16:18 | 0:16:21 | |
Britain's ubiquitous red phone box, the K6. | 0:16:21 | 0:16:25 | |
The K6 had the stylish features of the K2, | 0:16:26 | 0:16:30 | |
but it was smaller and cheaper to make. | 0:16:30 | 0:16:33 | |
It is well proportioned, | 0:16:33 | 0:16:35 | |
the domed roof from the Soane Memorial is preserved. | 0:16:35 | 0:16:39 | |
But there was one thing about this new phone box | 0:16:40 | 0:16:43 | |
that many people really didn't like - | 0:16:43 | 0:16:46 | |
that shocking, un-British red colour. | 0:16:46 | 0:16:49 | |
Countryside campaigners demanded a rural version, | 0:16:51 | 0:16:56 | |
initially insisting on a colour that was much more appropriate | 0:16:56 | 0:16:59 | |
to this green and pleasant land... | 0:16:59 | 0:17:02 | |
grey. | 0:17:02 | 0:17:03 | |
And then there was Hull. | 0:17:04 | 0:17:06 | |
Kingston-Upon-Hull was the only municipality | 0:17:06 | 0:17:09 | |
that remained independent from the GPO's telephone network, | 0:17:09 | 0:17:13 | |
and it had its own ideas about colour schemes. | 0:17:13 | 0:17:15 | |
If you are from Hull, | 0:17:18 | 0:17:20 | |
then your identity as a person from Hull is slightly bound up | 0:17:20 | 0:17:24 | |
with the telephone system. The cream phone box | 0:17:24 | 0:17:27 | |
is really the icon of the city and you will still see them everywhere. | 0:17:27 | 0:17:34 | |
You can buy little biscuit tins in the shape of a cream phone box. | 0:17:34 | 0:17:38 | |
If you see the cream phone box, you know that you're home. | 0:17:38 | 0:17:41 | |
It's extraordinary how versatile the K6 turned out to be. | 0:17:42 | 0:17:46 | |
In rural communities, | 0:17:46 | 0:17:47 | |
the red phone box on the edge of the village | 0:17:47 | 0:17:49 | |
was the place which kept the place going. | 0:17:49 | 0:17:51 | |
People actually would go out and use it to communicate. | 0:17:51 | 0:17:54 | |
In cities, it fitted in all kinds | 0:17:54 | 0:17:56 | |
of sensitive architectural environments. They were great. | 0:17:56 | 0:18:00 | |
They belonged to an era when we still believed in privacy. | 0:18:00 | 0:18:03 | |
I'm so sorry to keep you waiting. | 0:18:03 | 0:18:06 | |
Not at all. | 0:18:06 | 0:18:07 | |
The smartphone might put you in constant contact, | 0:18:07 | 0:18:10 | |
but it also means everyone knows where you are. | 0:18:10 | 0:18:13 | |
If you're a spy or planning a bit of adultery, | 0:18:13 | 0:18:16 | |
forget it with a mobile phone. | 0:18:16 | 0:18:18 | |
K6 is a much better bet. | 0:18:18 | 0:18:20 | |
The Post Office had reached a crossroads by the 1930s. | 0:18:28 | 0:18:32 | |
The business world had felt the benefit of telephones, | 0:18:32 | 0:18:35 | |
but only the wealthiest actually had one in their home. | 0:18:35 | 0:18:38 | |
Calls were just frankly too expensive and there wasn't enough | 0:18:39 | 0:18:43 | |
of an appetite in Britain to pay those high tariffs, | 0:18:43 | 0:18:47 | |
so the Post Office had two tasks - | 0:18:47 | 0:18:50 | |
they had to increase the numbers of people using the service | 0:18:50 | 0:18:54 | |
and the way to do that was to reduce those costs. | 0:18:54 | 0:18:58 | |
But by increasing the number of people who were using telephones, | 0:18:58 | 0:19:01 | |
they could also release more money | 0:19:01 | 0:19:03 | |
into developing better equipment for the public. | 0:19:03 | 0:19:07 | |
So the GPO turned their attention to the aspiring middle classes. | 0:19:09 | 0:19:14 | |
Despite the Great Depression, THEIR living standards were on the rise, | 0:19:14 | 0:19:18 | |
but it was going to take an enormous effort | 0:19:18 | 0:19:20 | |
to convince them to get hooked up. | 0:19:20 | 0:19:23 | |
The first step was to make the telephone itself | 0:19:23 | 0:19:26 | |
an object of desire. | 0:19:26 | 0:19:27 | |
The real change came with the introduction of the new plastics | 0:19:29 | 0:19:33 | |
in the 1920s, because that meant you could make a one-piece moulded body. | 0:19:33 | 0:19:39 | |
The all-in-one pyramid phone | 0:19:39 | 0:19:40 | |
is something that you can actually relate to. | 0:19:40 | 0:19:42 | |
it's the start of it as an object, | 0:19:42 | 0:19:44 | |
rather than something which is fitting into its setting. | 0:19:44 | 0:19:47 | |
You could see its time... | 0:19:47 | 0:19:49 | |
It was actually that moment when Art Deco was giving way to modernity | 0:19:49 | 0:19:52 | |
and so the new look of the phone | 0:19:52 | 0:19:54 | |
was something which actually did hint at this modern world. | 0:19:54 | 0:19:57 | |
But if these new phones had more than just panache - | 0:20:05 | 0:20:08 | |
they also had a dial. | 0:20:08 | 0:20:10 | |
This meant you could make local calls by yourself | 0:20:10 | 0:20:13 | |
without the need to go through an operator. | 0:20:13 | 0:20:15 | |
Automatic exchanges allowed the GPO | 0:20:17 | 0:20:19 | |
to massively increase the number of people on the network, | 0:20:19 | 0:20:22 | |
but they didn't come cheap. | 0:20:22 | 0:20:24 | |
The Government, through the Post Office, | 0:20:25 | 0:20:27 | |
had invested hugely in the telephone network. | 0:20:27 | 0:20:30 | |
At one point in the late '20s, | 0:20:30 | 0:20:32 | |
they were opening a new automated telephone exchange once a week. | 0:20:32 | 0:20:36 | |
Instead of thousands of operators, | 0:20:37 | 0:20:40 | |
row after row of electromechanical switches connected the calls. | 0:20:40 | 0:20:43 | |
The system was invented in the 1890s | 0:20:45 | 0:20:47 | |
by an undertaker from Kansas called Almon B Strowger. | 0:20:47 | 0:20:51 | |
When his business went through a lean period, | 0:20:53 | 0:20:55 | |
Strowger discovered that the local telephone operator | 0:20:55 | 0:20:58 | |
was the wife of his rival, | 0:20:58 | 0:21:00 | |
who put anyone phoning up for an undertaker through to her husband. | 0:21:00 | 0:21:03 | |
Peeved in the extreme, | 0:21:06 | 0:21:07 | |
Strowger set about making a machine that replaced operators entirely. | 0:21:07 | 0:21:12 | |
He gets very worried that the women in the patch exchange, right, | 0:21:12 | 0:21:17 | |
have power. So somebody rings up and says, | 0:21:17 | 0:21:19 | |
"I want to talk to an undertaker..." | 0:21:19 | 0:21:21 | |
And come to think of it, it's exactly the argument about Facebook | 0:21:21 | 0:21:25 | |
and Google and what comes up if you punch something in. | 0:21:25 | 0:21:29 | |
So he's... So this guy was saying, "I am losing business." | 0:21:29 | 0:21:33 | |
Here's how it worked. | 0:21:35 | 0:21:37 | |
When you selected a number, | 0:21:37 | 0:21:39 | |
an electrical contact would generate a series of impulses | 0:21:39 | 0:21:43 | |
as you let go of the dial. So the number nine gave out nine impulses. | 0:21:43 | 0:21:47 | |
The number three gave out three. | 0:21:47 | 0:21:50 | |
These went to the exchange, | 0:21:50 | 0:21:51 | |
where the impulses drove a series of selector switches, | 0:21:51 | 0:21:55 | |
one from each number you dialled, | 0:21:55 | 0:21:57 | |
and they connected you to the right line. | 0:21:57 | 0:21:59 | |
-NEWSREEL: -Here, on the distribution frame, | 0:21:59 | 0:22:02 | |
is the converging point of 10,000 pairs of private telephone lines. | 0:22:02 | 0:22:06 | |
The sheer cost of automation meant it took decades to roll out. | 0:22:10 | 0:22:15 | |
Manual operators would still be around until the 1970s. | 0:22:15 | 0:22:18 | |
But Strowger's machine had other consequences, | 0:22:18 | 0:22:22 | |
like creating more jobs for the boys. | 0:22:22 | 0:22:25 | |
The telephone exchange is now a machine, | 0:22:25 | 0:22:29 | |
so a whole new generation of telephone engineers | 0:22:29 | 0:22:32 | |
have to be trained on the understanding | 0:22:32 | 0:22:35 | |
of the Strowger system, | 0:22:35 | 0:22:37 | |
they have to be trained on how to maintain it. | 0:22:37 | 0:22:40 | |
So you now find that telephone exchanges | 0:22:40 | 0:22:42 | |
have their resident engineering staff | 0:22:42 | 0:22:45 | |
who have to look after this machine | 0:22:45 | 0:22:46 | |
and care for it 24 hours a day, seven days a week. | 0:22:46 | 0:22:49 | |
With new phones, exchanges and an expanding network, | 0:22:51 | 0:22:54 | |
the Post Office was ready to attract new subscribers. | 0:22:54 | 0:22:58 | |
But to make the phone as ubiquitous as the letter, | 0:22:58 | 0:23:01 | |
the GPO needed to get its message out there. | 0:23:01 | 0:23:04 | |
By the end of the 1920s, early '30s, | 0:23:04 | 0:23:07 | |
up to 25% of the network was not being used. | 0:23:07 | 0:23:11 | |
The whole situation changed, really, | 0:23:11 | 0:23:13 | |
with the appointment of Clement Attlee | 0:23:13 | 0:23:15 | |
as Postmaster General for only a few months in 1931. | 0:23:15 | 0:23:19 | |
But he saw immediately that | 0:23:19 | 0:23:20 | |
the Post Office had to change its whole approach. | 0:23:20 | 0:23:22 | |
He brought in Stephen Tallents, who was a pioneer in publicity. | 0:23:22 | 0:23:27 | |
He brought in press advertising, | 0:23:27 | 0:23:29 | |
he commissioned artists | 0:23:29 | 0:23:30 | |
to produce very colourful artwork. | 0:23:30 | 0:23:33 | |
A lot of the artwork which they submitted was very imaginative, | 0:23:33 | 0:23:36 | |
very leading-edge, very modernist, almost Bauhaus. | 0:23:36 | 0:23:40 | |
He also worked with young film-makers | 0:23:40 | 0:23:42 | |
and established the GPO film unit. | 0:23:42 | 0:23:44 | |
So there was a big push to really change the look of the Post Office | 0:23:44 | 0:23:48 | |
to attract new subscribers. | 0:23:48 | 0:23:50 | |
Do not abandon a call without allowing a reasonable time | 0:23:53 | 0:23:56 | |
for a distant subscriber to answer. | 0:23:56 | 0:23:57 | |
The GPO had begun its campaigns | 0:24:01 | 0:24:03 | |
at a time when the competition for middle-class cash was heating up. | 0:24:03 | 0:24:07 | |
The radio was becoming popular, cars were cheaper than ever before. | 0:24:07 | 0:24:12 | |
The telephone needed to boost its credentials as an essential service | 0:24:12 | 0:24:15 | |
for everyday life, particularly in an emergency. | 0:24:15 | 0:24:19 | |
A tragic house fire in 1935 led to criticism | 0:24:25 | 0:24:29 | |
that the phone system performed poorly in a crisis. | 0:24:29 | 0:24:32 | |
What was needed was a dedicated number, | 0:24:32 | 0:24:35 | |
a short cut to the emergency services. | 0:24:35 | 0:24:38 | |
What shall I do? | 0:24:38 | 0:24:40 | |
Oh! | 0:24:40 | 0:24:41 | |
Dial nine-double nine. | 0:24:41 | 0:24:44 | |
Fire! | 0:24:51 | 0:24:52 | |
BELLS RING | 0:24:52 | 0:24:54 | |
Oh, thank you! | 0:25:00 | 0:25:02 | |
So the question arose - what number to give it? | 0:25:02 | 0:25:04 | |
It couldn't be a one because the Post Office technicians, | 0:25:04 | 0:25:09 | |
the engineers, were concerned that there was more chance of a misdial | 0:25:09 | 0:25:14 | |
or the equipment not working correctly | 0:25:14 | 0:25:17 | |
if the first digit dialled is a one. | 0:25:17 | 0:25:19 | |
They wanted another distinctive number | 0:25:19 | 0:25:22 | |
and it was decided it would be nine, | 0:25:22 | 0:25:27 | |
but then 9-9-9. | 0:25:27 | 0:25:28 | |
Why not 9-1-1, I don't think anybody knows. | 0:25:28 | 0:25:32 | |
But it was the phone as a source of instant information | 0:25:34 | 0:25:37 | |
that really impressed the public. | 0:25:37 | 0:25:39 | |
In 1936, the GPO again showcased its technical prowess | 0:25:41 | 0:25:45 | |
and eye for publicity to launch the most famous service of all, | 0:25:45 | 0:25:49 | |
the Speaking Clock. | 0:25:49 | 0:25:51 | |
-RECORDING: -At the third stroke, it will be 8:57 precisely. | 0:25:53 | 0:25:58 | |
The Speaking Clock was designed by E Speight | 0:26:01 | 0:26:03 | |
at the Post Office Research Station in Dollis Hill, | 0:26:03 | 0:26:06 | |
which was in North West London, | 0:26:06 | 0:26:08 | |
and he brought a new way of recording sound to disc, | 0:26:08 | 0:26:12 | |
and it was recording the voice onto glass plates, | 0:26:12 | 0:26:16 | |
which were then synchronised and when a phone call was made, | 0:26:16 | 0:26:21 | |
it intercepted that signal and told the time. | 0:26:21 | 0:26:23 | |
In order to promote the service, | 0:26:23 | 0:26:25 | |
they had a competition called The Girl With The Golden Voice. | 0:26:25 | 0:26:28 | |
But there was a slight problem. | 0:26:30 | 0:26:32 | |
The winner's voice made it hard to distinguish between certain numbers. | 0:26:32 | 0:26:36 | |
At the third stroke, it will be 4:33 and 40 seconds. | 0:26:36 | 0:26:40 | |
It was won by a London telephonist, Ethel Cain, | 0:26:41 | 0:26:45 | |
and she became Jane Cain and took up a film contract. | 0:26:45 | 0:26:49 | |
Has to be said that when the engineer who made the recordings - | 0:26:49 | 0:26:53 | |
Eugene Wender, who had designed the optical disc system | 0:26:53 | 0:26:56 | |
that the clock was using - | 0:26:56 | 0:26:58 | |
heard the voice, he said, "Well, this is unsatisfactory. | 0:26:58 | 0:27:00 | |
"Can we have the runner-up?" | 0:27:00 | 0:27:02 | |
And then they said, | 0:27:02 | 0:27:04 | |
"No, you can't because there's been so much publicity about Jane Cain | 0:27:04 | 0:27:07 | |
"that you're stuck with her," and she had a slight speech defect, | 0:27:07 | 0:27:10 | |
which the judges hadn't noticed. | 0:27:10 | 0:27:12 | |
Well, I'm thrilled, | 0:27:12 | 0:27:14 | |
absolutely thrilled to have won this competition. | 0:27:14 | 0:27:16 | |
So, if you want to know the time, | 0:27:16 | 0:27:17 | |
there's no need now to ask a policeman, | 0:27:17 | 0:27:20 | |
just give me a ring sometime. | 0:27:20 | 0:27:22 | |
And Wender had to spend a lot of time | 0:27:22 | 0:27:25 | |
working on those optical soundtracks with Indian ink, | 0:27:25 | 0:27:29 | |
just changing the shape of the soundtracks | 0:27:29 | 0:27:32 | |
to get rid of this speech defect | 0:27:32 | 0:27:35 | |
and there still were complaints for years afterwards | 0:27:35 | 0:27:39 | |
that you couldn't distinguish between 30 and 40. | 0:27:39 | 0:27:42 | |
# Ring the supervisor | 0:27:42 | 0:27:44 | |
# She's sure to be at home | 0:27:44 | 0:27:46 | |
# It's me, you see | 0:27:46 | 0:27:48 | |
# The fairy of the phone... # | 0:27:48 | 0:27:50 | |
The British attitude to telephones was being transformed. | 0:27:52 | 0:27:56 | |
More and more people wanted to join the network | 0:27:56 | 0:27:58 | |
and the GPO encouraged them. | 0:27:58 | 0:28:01 | |
But the failure to deliver on their promises | 0:28:01 | 0:28:03 | |
would haunt the service for a generation. | 0:28:03 | 0:28:06 | |
AIR RAID SIREN WAILS | 0:28:10 | 0:28:12 | |
With the outbreak of World War II, | 0:28:16 | 0:28:18 | |
the drive to get the masses connected | 0:28:18 | 0:28:20 | |
came to a sudden, grinding halt. | 0:28:20 | 0:28:22 | |
The telephone network was redirected away from civilian use | 0:28:24 | 0:28:28 | |
to serve military needs. | 0:28:28 | 0:28:30 | |
After a decade of being constantly encouraged to make calls, | 0:28:30 | 0:28:35 | |
the public was now told to get off the line as quickly as possible. | 0:28:35 | 0:28:37 | |
The 1930s advertising was so successful | 0:28:39 | 0:28:42 | |
that the network is at capacity | 0:28:42 | 0:28:44 | |
and the network was needed for the war effort. | 0:28:44 | 0:28:47 | |
Lines are all engaged. | 0:28:47 | 0:28:48 | |
No, no, I can't get back Saturday night. | 0:28:48 | 0:28:50 | |
Darling, I'd rather go and see... | 0:28:50 | 0:28:52 | |
The Post Office introduced a whole range of posters | 0:28:52 | 0:28:55 | |
with messages like, "Be brief," | 0:28:55 | 0:28:57 | |
"Telephone less, telegraph less," | 0:28:57 | 0:28:59 | |
"Don't phone if a letter will do," | 0:28:59 | 0:29:01 | |
because the network was needed for military purposes. | 0:29:01 | 0:29:04 | |
The demand for new lines was relentless. | 0:29:05 | 0:29:07 | |
There were so many new installations to put in - | 0:29:09 | 0:29:12 | |
all the arms of the services, all the new airfields, | 0:29:12 | 0:29:15 | |
all needed to have their telephone systems | 0:29:15 | 0:29:18 | |
and also other landline communication networks | 0:29:18 | 0:29:21 | |
for radio systems, and the Post Office did all of those. | 0:29:21 | 0:29:24 | |
Keeping the network going was a major concern. | 0:29:25 | 0:29:29 | |
Telephone operators found themselves at the spearhead | 0:29:29 | 0:29:32 | |
of the GPO's war on the home front. | 0:29:32 | 0:29:34 | |
Gene Toms began working as an operator in 1940. | 0:29:36 | 0:29:39 | |
When the air raid went, we just put on our tin hats, | 0:29:40 | 0:29:43 | |
it was as simple as that, | 0:29:43 | 0:29:44 | |
which were, looking back on it, pretty useless | 0:29:44 | 0:29:48 | |
because it wasn't the bombing that bothered most of us, | 0:29:48 | 0:29:50 | |
because if the bomb dropped, I mean, then that was it. | 0:29:50 | 0:29:53 | |
It was the shrapnel coming from our own guns | 0:29:53 | 0:29:55 | |
then falling on these tin hats. | 0:29:55 | 0:29:58 | |
Wouldn't have had any impression at all - | 0:29:58 | 0:29:59 | |
they would have gone straight through... | 0:29:59 | 0:30:01 | |
But it made you feel better. | 0:30:01 | 0:30:02 | |
Even getting to work could be a challenge. | 0:30:04 | 0:30:07 | |
You turned the corner to go to work | 0:30:07 | 0:30:09 | |
and there was a land mine up in the tree outside the building. | 0:30:09 | 0:30:12 | |
The Germans used to drop these things by parachute | 0:30:12 | 0:30:15 | |
and they were exactly like the mines that you see at sea. | 0:30:15 | 0:30:18 | |
So there was no work that day | 0:30:18 | 0:30:20 | |
and, of course, poor police officers standing there, | 0:30:20 | 0:30:23 | |
waiting for the bomb disposal squad to arrive. | 0:30:23 | 0:30:26 | |
Gene was moved from a local system | 0:30:26 | 0:30:28 | |
to the Central London Faraday Exchange, | 0:30:28 | 0:30:30 | |
one of the largest in the country. | 0:30:30 | 0:30:32 | |
It was quite quiet. | 0:30:33 | 0:30:35 | |
You could hear a hum, but never any real noise, | 0:30:35 | 0:30:40 | |
not unless the air raid siren went and then, of course, | 0:30:40 | 0:30:42 | |
everybody ran to put our tin hats on, which was really comical, | 0:30:42 | 0:30:46 | |
trying to have a tin hat on with these things stuck to your ear! | 0:30:46 | 0:30:49 | |
With the German bombing campaign in full flow, | 0:30:50 | 0:30:53 | |
operators had to keep calm and carry on. | 0:30:53 | 0:30:56 | |
We didn't go anywhere. | 0:30:56 | 0:30:58 | |
People still wanted telephone calls and, of course, in Faraday, | 0:30:58 | 0:31:01 | |
they were all long-distance calls, of course, that's why we were there, | 0:31:01 | 0:31:04 | |
and some of these, of course, were very urgent. | 0:31:04 | 0:31:07 | |
We had the Air Ministry, War Office, Admiralty - | 0:31:07 | 0:31:10 | |
all their switchboards came through to us. | 0:31:10 | 0:31:13 | |
Sometimes we couldn't get a call through. | 0:31:13 | 0:31:15 | |
If we'd had a bad raid on London, we had no lines out, | 0:31:15 | 0:31:19 | |
we had to find those that we'd got | 0:31:19 | 0:31:21 | |
and I have actually called to Glasgow via Cornwall | 0:31:21 | 0:31:24 | |
and then to Wales because they were the only ones that had lines. | 0:31:24 | 0:31:27 | |
But in wartime, with many calls urgent in one way or another, | 0:31:28 | 0:31:32 | |
determining who should be put through first wasn't easy. | 0:31:32 | 0:31:36 | |
I must get through straight away. | 0:31:36 | 0:31:38 | |
The people who were entitled to priorities one and two | 0:31:38 | 0:31:42 | |
were no problem at all. | 0:31:42 | 0:31:44 | |
It was those who thought that they were very important | 0:31:44 | 0:31:47 | |
who, with a bit of luck, would have priority three, | 0:31:47 | 0:31:50 | |
and I'll call him Major Smith, which wasn't his name, | 0:31:50 | 0:31:53 | |
he was a terror. You had to be extremely polite, of course, | 0:31:53 | 0:31:57 | |
but tell him that it wasn't his job. | 0:31:57 | 0:32:00 | |
You're holding up vital war work. | 0:32:00 | 0:32:02 | |
But Major Smith, he was definitely my nemesis. | 0:32:02 | 0:32:04 | |
Not all calls from Army personnel were about operational matters. | 0:32:08 | 0:32:11 | |
Ordinary soldiers often wanted | 0:32:13 | 0:32:15 | |
to speak to loved ones from phone boxes. | 0:32:15 | 0:32:18 | |
That was the thing I disliked most, | 0:32:18 | 0:32:19 | |
cutting servicemen off after three minutes. | 0:32:19 | 0:32:21 | |
He was talking to his wife or his children or whatever. | 0:32:21 | 0:32:24 | |
That was the worst bit. | 0:32:24 | 0:32:25 | |
Occasionally, you would risk letting them stay. | 0:32:25 | 0:32:30 | |
Fortunately, I never got caught. | 0:32:30 | 0:32:33 | |
In the exchange, news about the progress of the war travelled fast. | 0:32:33 | 0:32:37 | |
I was on duty the morning of D-Day. | 0:32:37 | 0:32:41 | |
The rumour rang through the exchange, | 0:32:41 | 0:32:43 | |
"They've landed and, no, they haven't..." | 0:32:43 | 0:32:45 | |
And I don't know who found out | 0:32:45 | 0:32:46 | |
and by the time they'd actually landed, | 0:32:46 | 0:32:48 | |
we knew they were on the way. | 0:32:48 | 0:32:50 | |
With the end of the war, thousands returned to civilian life. | 0:32:56 | 0:32:59 | |
But it wouldn't be business as usual. | 0:32:59 | 0:33:01 | |
Austerity meant long waiting lists | 0:33:01 | 0:33:04 | |
and Britain's telephone infrastructure | 0:33:04 | 0:33:06 | |
had taken a battering. | 0:33:06 | 0:33:08 | |
A new generation of roaming engineers took on the task | 0:33:11 | 0:33:14 | |
of getting the post-war network into shape - | 0:33:14 | 0:33:17 | |
rebuilding, repairing and expanding it. | 0:33:17 | 0:33:20 | |
This was an enormous challenge, | 0:33:20 | 0:33:22 | |
but, despite limited resources, they would embrace it. | 0:33:22 | 0:33:25 | |
Well, you had a stepped... | 0:33:28 | 0:33:29 | |
What was known as a stepped trench. | 0:33:29 | 0:33:31 | |
And you slid your pole down to the bottom, pushed it up with a ladder | 0:33:34 | 0:33:39 | |
and then filled it in. | 0:33:39 | 0:33:42 | |
And then you climbed the pole. | 0:33:42 | 0:33:44 | |
You've got the arms, wooden arms, | 0:33:44 | 0:33:47 | |
and you put the insulators and everything on before it went up, | 0:33:47 | 0:33:51 | |
so all you had to do was to climb up and put the wires on the insulators. | 0:33:51 | 0:33:55 | |
Initially, it was a bit daunting to go up a pole. | 0:33:57 | 0:34:00 | |
You used to have leather belts. | 0:34:00 | 0:34:01 | |
Once a week, you used to have to coat them | 0:34:01 | 0:34:04 | |
with a special kind of polish to keep them flexible | 0:34:04 | 0:34:07 | |
and you all had your own belts, | 0:34:07 | 0:34:09 | |
you were responsible for your own belt. | 0:34:09 | 0:34:10 | |
You got up the pole, holding one hand on a step | 0:34:12 | 0:34:16 | |
and you flicked the belt and if you got used to it, | 0:34:16 | 0:34:20 | |
it would come right round the pole, right up to your safety device, | 0:34:20 | 0:34:23 | |
you buckled up, and then put it into the safety buckle | 0:34:23 | 0:34:27 | |
and, bingo, you were there. | 0:34:27 | 0:34:29 | |
And I think the worst thing was leaning out, that was the time, | 0:34:31 | 0:34:36 | |
and your feet are on two steps. | 0:34:36 | 0:34:38 | |
That's the time that, you know, wow, do you hold on or what?! | 0:34:38 | 0:34:42 | |
Once you got used to it, it was all right. | 0:34:42 | 0:34:45 | |
Attitudes to safety were rather laissez-faire. | 0:34:45 | 0:34:48 | |
Health and safety didn't really exist. | 0:34:48 | 0:34:51 | |
I can remember being on one pole and it was known as a D-pole - | 0:34:51 | 0:34:55 | |
it had a red label saying "danger". | 0:34:55 | 0:34:58 | |
And we had to transfer the wires off it | 0:34:59 | 0:35:01 | |
and the only thing that was holding it up were the wires. | 0:35:01 | 0:35:05 | |
So when I got rid of the last pair, | 0:35:05 | 0:35:07 | |
the pole began to go like this, you see, | 0:35:07 | 0:35:10 | |
and I thought, "Oh, dear, I'm going down." | 0:35:10 | 0:35:12 | |
So I had to unlock my safety belt, | 0:35:12 | 0:35:15 | |
jump onto the new pole that was alongside | 0:35:15 | 0:35:18 | |
and the old one just went down. | 0:35:18 | 0:35:20 | |
So I thought, "That's one up!" | 0:35:20 | 0:35:22 | |
HE CHUCKLES | 0:35:22 | 0:35:23 | |
In the '50s and '60s, | 0:35:27 | 0:35:29 | |
the sheer scale of the network meant that modernising it | 0:35:29 | 0:35:32 | |
was a perpetual struggle. | 0:35:32 | 0:35:33 | |
Much of the equipment in the exchanges was ageing | 0:35:33 | 0:35:36 | |
and needed teams of engineers to keep it all going. | 0:35:36 | 0:35:39 | |
Even in London, there was quite a few exchanges | 0:35:42 | 0:35:45 | |
that dated from the 1930s still working well | 0:35:45 | 0:35:49 | |
virtually to the end of the Strowger system, | 0:35:49 | 0:35:52 | |
until about the 1990s. | 0:35:52 | 0:35:54 | |
There was a lot of routine work, which meant taking switches out, | 0:35:54 | 0:35:58 | |
lubricating, cleaning, adjusting. | 0:35:58 | 0:36:00 | |
So, at each telephone exchange, you would find a team of engineers | 0:36:02 | 0:36:05 | |
whose job it was to actually maintain, | 0:36:05 | 0:36:08 | |
that meant cleaning the Strowger equipment, | 0:36:08 | 0:36:11 | |
the switch banks and keeping it in tiptop condition. | 0:36:11 | 0:36:15 | |
And there's also the fault-finding aspect of it. | 0:36:15 | 0:36:18 | |
Things obviously went wrong, bits dropped off... | 0:36:18 | 0:36:20 | |
You could find yourself being involved on a fault | 0:36:20 | 0:36:24 | |
for several days. | 0:36:24 | 0:36:25 | |
Parts of the network truly did belong to another era. | 0:36:26 | 0:36:29 | |
We were converting telephone exchange to automatic | 0:36:30 | 0:36:33 | |
cos all around this particular area was manual. | 0:36:33 | 0:36:36 | |
And when we done Esher and Oxshott, | 0:36:36 | 0:36:38 | |
it was like going back in a time warp. | 0:36:38 | 0:36:41 | |
He's in a hurry, Joe. | 0:36:46 | 0:36:48 | |
So are we, we've got to have this back in service by morning. | 0:36:48 | 0:36:50 | |
And we had to do everything from scratch - rewire every house, | 0:36:50 | 0:36:54 | |
bring it up to date... | 0:36:54 | 0:36:56 | |
And the Oxshott Telephone Exchange was all in one room - | 0:36:56 | 0:37:01 | |
the frame, the equipment, the lot. | 0:37:01 | 0:37:04 | |
And at night-time, | 0:37:04 | 0:37:05 | |
it was manned by a husband and wife team who lived upstairs. | 0:37:05 | 0:37:09 | |
Now, it was a very, very personal service, | 0:37:09 | 0:37:12 | |
because the people used to say, | 0:37:12 | 0:37:13 | |
"Um, I'm going out. I'll be back about ten o'clock tonight." | 0:37:13 | 0:37:17 | |
So people were ringing in... | 0:37:17 | 0:37:19 | |
They used to put what we called a peg in the multiple | 0:37:19 | 0:37:21 | |
with a little note, | 0:37:21 | 0:37:22 | |
and they used to take notes, just like an answer service, | 0:37:22 | 0:37:25 | |
but it was very, very personal, you see. | 0:37:25 | 0:37:27 | |
And they'd come in and say, "Did anyone leave any... | 0:37:27 | 0:37:29 | |
"Call me?" "Yes, yeah, Mr So-and-so, called you..." | 0:37:29 | 0:37:32 | |
"Thank you very much." And at Christmas time, | 0:37:32 | 0:37:35 | |
you could not move in that exchange | 0:37:35 | 0:37:37 | |
for hampers sent in by the customers. | 0:37:37 | 0:37:40 | |
3-4... | 0:37:40 | 0:37:41 | |
It wasn't just the technology that could be tricky, | 0:37:44 | 0:37:47 | |
but the customers, too. | 0:37:47 | 0:37:49 | |
When I was told that a customer was possibly very obnoxious | 0:37:51 | 0:37:56 | |
and been shouting and all the rest of it, | 0:37:56 | 0:37:59 | |
I would ring and knock on the door in a bright manner | 0:37:59 | 0:38:03 | |
and turn my back on the door, | 0:38:03 | 0:38:05 | |
and the moment I heard the latch go and the door open, | 0:38:05 | 0:38:08 | |
I would swing round with a bright smile on my face | 0:38:08 | 0:38:11 | |
and say, "Good morning, telephone engineer!" | 0:38:11 | 0:38:15 | |
And, of course, they go... They go to say... | 0:38:15 | 0:38:18 | |
Well, they think, "Well, I can't be rude to this fella, | 0:38:18 | 0:38:21 | |
"He is being pleasant." | 0:38:21 | 0:38:23 | |
PHONE RINGS | 0:38:23 | 0:38:25 | |
Hello? 6-0-9-5-7? | 0:38:27 | 0:38:29 | |
Good morning, the exchange here, just testing the line. | 0:38:29 | 0:38:32 | |
Have the engineers left you a directory and a dial code list? | 0:38:32 | 0:38:36 | |
Thank you. | 0:38:36 | 0:38:37 | |
I've worked in houses where, you know, | 0:38:37 | 0:38:39 | |
the butler came to the door and I said, "GPO." | 0:38:39 | 0:38:42 | |
He said, "Tradesmen to the rear." | 0:38:42 | 0:38:44 | |
I said, "Does the doctor go to the rear?" | 0:38:44 | 0:38:46 | |
He said, "No." "Well," I said, "I'm a doctor of telephones," you see? | 0:38:46 | 0:38:49 | |
In I go, and I actually had tea, the tea was pushed on a trolley in, | 0:38:49 | 0:38:53 | |
and you sit down, you know, this... | 0:38:53 | 0:38:55 | |
It was that type of area. | 0:38:55 | 0:38:57 | |
The limited resources available to expand the phone network | 0:39:04 | 0:39:07 | |
presented a conundrum. | 0:39:07 | 0:39:09 | |
People WANTED to get connected, | 0:39:09 | 0:39:11 | |
but there just wasn't the capacity to give everyone a phone. | 0:39:11 | 0:39:14 | |
One cheaper solution was to double up with another household, | 0:39:14 | 0:39:18 | |
the so-called party line. | 0:39:18 | 0:39:20 | |
It was a lot less fun than it sounded. | 0:39:20 | 0:39:22 | |
-Here's the tea. -Thank you very much, lady. | 0:39:23 | 0:39:27 | |
We had a party line for a while, | 0:39:27 | 0:39:29 | |
which was something that you did. | 0:39:29 | 0:39:31 | |
You got it on a slightly different rate, | 0:39:31 | 0:39:33 | |
it was cheaper and you shared the line with somebody else. | 0:39:33 | 0:39:36 | |
So you had to kind of gingerly pick it up just to check if there was... | 0:39:36 | 0:39:40 | |
If the people, whoever they were, I mean, they weren't the... | 0:39:40 | 0:39:43 | |
That's the mysterious thing, they weren't... | 0:39:43 | 0:39:45 | |
Were they the people next door? | 0:39:45 | 0:39:46 | |
I don't know, they almost seemed like occupants of another realm. | 0:39:46 | 0:39:50 | |
-Oh, good morning. -Morning. | 0:39:50 | 0:39:52 | |
You are Mr Health, aren't you, number 14? | 0:39:52 | 0:39:55 | |
-Aye, that's right. -How do you do? | 0:39:55 | 0:39:57 | |
-My name's Richards. -Oh, how do you do? | 0:39:57 | 0:39:59 | |
Pleased to meet you. | 0:39:59 | 0:40:00 | |
I believe we're sort of sharing a line now. | 0:40:00 | 0:40:03 | |
Sharing, yes... | 0:40:03 | 0:40:04 | |
You would pick up the phone and find | 0:40:04 | 0:40:06 | |
that you were connected to somebody else's house | 0:40:06 | 0:40:09 | |
and it meant that the person who you shared the line with, | 0:40:09 | 0:40:12 | |
whoever they were talking to, hadn't put the phone down. | 0:40:12 | 0:40:15 | |
And I can remember doing things like, you know, | 0:40:15 | 0:40:18 | |
when it was stuck in this position, as it were, | 0:40:18 | 0:40:21 | |
yelling down the phone to try and attract | 0:40:21 | 0:40:23 | |
the attention of a person who... | 0:40:23 | 0:40:25 | |
You know, we had no idea who... | 0:40:25 | 0:40:27 | |
Who they were, where the were in the world. | 0:40:27 | 0:40:29 | |
But you would ring and you would shout down the phone | 0:40:29 | 0:40:31 | |
in the hope that they would hear it and put the phone down | 0:40:31 | 0:40:35 | |
so the line would be restored and you could actually use it yourself. | 0:40:35 | 0:40:40 | |
Of course, not everyone wanted to share. | 0:40:40 | 0:40:43 | |
A lady, she refused to go party line. | 0:40:43 | 0:40:47 | |
She utterly refused. | 0:40:47 | 0:40:48 | |
Couldn't get past the front door. | 0:40:48 | 0:40:50 | |
And it was on my patch. | 0:40:50 | 0:40:52 | |
I went to see her and I said, "Look, you've got to go." | 0:40:52 | 0:40:56 | |
"But I can't," she said. "It'll ruin my business." | 0:40:56 | 0:40:59 | |
So I said, "How is it going party line ruining your business?" | 0:40:59 | 0:41:03 | |
Well, she was lady of the night. | 0:41:03 | 0:41:05 | |
So she didn't want to go party line in case the neighbour picked up | 0:41:06 | 0:41:10 | |
and could hear the customers applying for a time and place. | 0:41:10 | 0:41:14 | |
Eventually, we did get in and converted to party line | 0:41:14 | 0:41:17 | |
but we never said nothing to the other half | 0:41:17 | 0:41:19 | |
of what she was doing, obviously, | 0:41:19 | 0:41:21 | |
cos he'd be listening on the phone all the time! | 0:41:21 | 0:41:24 | |
The party line enabled more subscribers to get on the network, | 0:41:27 | 0:41:31 | |
even if some were unimpressed. | 0:41:31 | 0:41:33 | |
But behind the scenes, the GPO were making advances in technology | 0:41:33 | 0:41:37 | |
that would change how people used their phones. | 0:41:37 | 0:41:40 | |
In 1958, the Queen visited Bristol | 0:41:40 | 0:41:43 | |
to unveil a new system with the slightly unfortunate name of STD - | 0:41:43 | 0:41:48 | |
Subscriber Trunk Dialling. | 0:41:48 | 0:41:50 | |
STD meant you could make long-distance calls | 0:41:50 | 0:41:53 | |
without the help of an operator and they cost less. | 0:41:53 | 0:41:56 | |
PHONE RINGS | 0:41:59 | 0:42:00 | |
The Lord Provost of Edinburgh speaking. | 0:42:00 | 0:42:03 | |
This is the Queen speaking from Bristol. | 0:42:03 | 0:42:06 | |
Good afternoon, Lord Provost. | 0:42:06 | 0:42:07 | |
STD also made phone calls more complicated. | 0:42:09 | 0:42:13 | |
It inevitably meant telephone numbers got larger | 0:42:13 | 0:42:16 | |
because you had more numbers that had to be used | 0:42:16 | 0:42:20 | |
to represent the whole country, | 0:42:20 | 0:42:22 | |
rather than just a small region. | 0:42:22 | 0:42:25 | |
So we get regional codes. | 0:42:25 | 0:42:27 | |
This is when Manchester becomes 061, | 0:42:27 | 0:42:30 | |
it's when London becomes 01 and so on. | 0:42:30 | 0:42:32 | |
What is your number, please? | 0:42:33 | 0:42:35 | |
Well, all very charming but no more of that. | 0:42:36 | 0:42:39 | |
O-B... | 0:42:41 | 0:42:45 | |
It took a while for the nation to catch up. | 0:42:45 | 0:42:47 | |
This is Subscriber Trunk Dialling. | 0:42:47 | 0:42:50 | |
You, as a subscriber, is dialling your number | 0:42:50 | 0:42:53 | |
through the trunk network and they used to kind of... | 0:42:53 | 0:42:56 | |
"Oh, I can see what we're doing." | 0:42:56 | 0:42:58 | |
'Let us look up the code for Bristol in the code list. | 0:42:58 | 0:43:01 | |
'Bristol. | 0:43:01 | 0:43:03 | |
'Here it is, OBR 2. | 0:43:03 | 0:43:05 | |
'O-B-R-2.' | 0:43:05 | 0:43:12 | |
I picked up a coin box one day and I said to this gentleman, | 0:43:12 | 0:43:16 | |
"You can now dial these calls yourself," | 0:43:16 | 0:43:20 | |
and gave him the code and he said to me, | 0:43:20 | 0:43:23 | |
"Oh, Miss, I would try and dial it myself, | 0:43:23 | 0:43:27 | |
"but there's three letters and only one finger hole, | 0:43:27 | 0:43:30 | |
"and so I don't know what to do." | 0:43:30 | 0:43:32 | |
So then I dialled it for him. | 0:43:32 | 0:43:35 | |
When you talk about the introduction of Subscriber Trunk Dialling, | 0:43:36 | 0:43:38 | |
you're talking about the continued automation of the telephone network. | 0:43:38 | 0:43:43 | |
So, inevitably, more engineers are needed | 0:43:43 | 0:43:46 | |
because of course the network has got more complicated, | 0:43:46 | 0:43:50 | |
there's more technology in the network. | 0:43:50 | 0:43:53 | |
It would take a long time before everyone had access to STD. | 0:43:53 | 0:43:58 | |
Meanwhile, the GPO once more turned its attention | 0:43:58 | 0:44:00 | |
to getting as many people connected as it possibly could. | 0:44:00 | 0:44:04 | |
A new post-austerity era was dawning. | 0:44:04 | 0:44:07 | |
Oh, two pennyworth is all I can afford. | 0:44:09 | 0:44:11 | |
See you Friday. Bye! | 0:44:11 | 0:44:12 | |
-Bang on time. -Wish I were coming. | 0:44:12 | 0:44:15 | |
There you are, tuppence. | 0:44:15 | 0:44:16 | |
In the '60s, having a telephone was about living the dream | 0:44:24 | 0:44:27 | |
in a very modern way. | 0:44:27 | 0:44:29 | |
Everything from music to design demanded the fresh and new. | 0:44:29 | 0:44:34 | |
Just as in the 1930s, | 0:44:34 | 0:44:35 | |
phones needed to rediscover their sense of style | 0:44:35 | 0:44:39 | |
and appeal to a new generation of potential callers. | 0:44:39 | 0:44:42 | |
'The telephone age. | 0:44:46 | 0:44:47 | |
'Yes, indeed it is. | 0:44:47 | 0:44:49 | |
'The telephone is everywhere around us. | 0:44:49 | 0:44:52 | |
'Part of our lives, as modern as the jet plane, | 0:44:52 | 0:44:56 | |
'as familiar and as taken for granted as an electric cooker.' | 0:44:56 | 0:45:01 | |
We were going in the '60s from a period of austerity, | 0:45:01 | 0:45:04 | |
of post-war rationing, | 0:45:04 | 0:45:05 | |
to a time of consumer abundance and that spilled over into everything, | 0:45:05 | 0:45:09 | |
the colour of the phone, its shape, | 0:45:09 | 0:45:11 | |
the idea that you might actually change it regularly, | 0:45:11 | 0:45:14 | |
that you had some kind of choice, | 0:45:14 | 0:45:16 | |
that you weren't just being provided. | 0:45:16 | 0:45:19 | |
Just here. There, on the hall table. | 0:45:19 | 0:45:22 | |
The introduction of modern plastics into the telephone | 0:45:22 | 0:45:25 | |
also brought with it colour, | 0:45:25 | 0:45:27 | |
and now you had a choice of colour for the phone. | 0:45:27 | 0:45:30 | |
It didn't have to be black any more. | 0:45:30 | 0:45:31 | |
And I had one lady one day, she said, | 0:45:32 | 0:45:35 | |
"Now, I'll arrange the hall table with the phone on it. | 0:45:35 | 0:45:38 | |
"Don't fix it yet." | 0:45:38 | 0:45:40 | |
And she opened the front door and she walked down the path | 0:45:40 | 0:45:43 | |
to the front gate and she said, "Oh, yes, that's ideal." | 0:45:43 | 0:45:46 | |
And what she was looking for was that when the front door was open, | 0:45:46 | 0:45:51 | |
the neighbours would be able to see the coloured phone | 0:45:51 | 0:45:54 | |
through the front door! | 0:45:54 | 0:45:56 | |
If you wanted cream, you could have cream. | 0:45:57 | 0:45:59 | |
If you wanted red, you could have red. | 0:45:59 | 0:46:01 | |
The phone is becoming fashionable. | 0:46:01 | 0:46:03 | |
It's tuning in to that interest in home decoration. | 0:46:03 | 0:46:07 | |
'There are some more over here, you know.' | 0:46:07 | 0:46:09 | |
The coolest phone of the lot was the Trimphone. | 0:46:09 | 0:46:13 | |
'Mrs Lund takes it all in her stride | 0:46:13 | 0:46:15 | |
'and she dictates that a blue Trimphone | 0:46:15 | 0:46:17 | |
'will match the new decorations in the hall very nicely, thank you.' | 0:46:17 | 0:46:21 | |
The General Post Office actually wanted a more luxurious home, | 0:46:21 | 0:46:25 | |
a different style of phone. | 0:46:25 | 0:46:27 | |
And that brought along really quite a novel design, | 0:46:27 | 0:46:30 | |
the so-called Trimphone. | 0:46:30 | 0:46:32 | |
Trim Ringer Illuminated Model - Trimphone. | 0:46:32 | 0:46:37 | |
And this was quite different | 0:46:37 | 0:46:39 | |
to any of the other handsets of the time. | 0:46:39 | 0:46:42 | |
First of all, the actual handset you held was L-shaped. | 0:46:42 | 0:46:47 | |
It sat vertically on the body of the phone, | 0:46:47 | 0:46:50 | |
rather than horizontally at the top. | 0:46:50 | 0:46:54 | |
It was also, as it turned out later in life, controversial. | 0:46:54 | 0:46:58 | |
It had an illuminated dial - it glowed in the dark. | 0:46:58 | 0:47:02 | |
And the controversy was over how that glow was on done, | 0:47:02 | 0:47:05 | |
which was a small amount of radioactivity in a glass tube | 0:47:05 | 0:47:08 | |
underneath the dial. | 0:47:08 | 0:47:10 | |
Changing the shape, the form, the shape of handle, | 0:47:10 | 0:47:14 | |
the Trimphone was trying to be a revolution. | 0:47:14 | 0:47:16 | |
You could say maybe it was the Mini Cooper of telephone design. | 0:47:16 | 0:47:20 | |
It looked lighter, it was less ponderous, | 0:47:20 | 0:47:23 | |
it sort of belonged to this modern drip-dry nylon world. | 0:47:23 | 0:47:28 | |
'Satisfied that everything's working correctly, | 0:47:28 | 0:47:30 | |
'it's over to you, Mrs Lund, and that's all there is to it. | 0:47:30 | 0:47:33 | |
'It's off to the next job for him... | 0:47:33 | 0:47:35 | |
'..and for her, a chance to try the new phone for herself | 0:47:36 | 0:47:39 | |
'and guess who she calls first?' | 0:47:39 | 0:47:41 | |
'Why, Mr Lund, of course. | 0:47:43 | 0:47:45 | |
'She tells him she's speaking from their very own phone. | 0:47:45 | 0:47:47 | |
'Well, isn't that nice?' | 0:47:47 | 0:47:49 | |
With new colours and shapes available, | 0:47:53 | 0:47:55 | |
phones were more appealing than ever before and more people wanted one. | 0:47:55 | 0:48:00 | |
In 1965, the Post Office had 4.3 million subscribers, | 0:48:00 | 0:48:04 | |
many of whom had bought into the aspirational lifestyle | 0:48:04 | 0:48:07 | |
that the new telephones represented. | 0:48:07 | 0:48:10 | |
But the reality of the service was often considerably less inspiring. | 0:48:10 | 0:48:14 | |
We'd just pick up the phone and there'd be nothing happening | 0:48:15 | 0:48:18 | |
and you'd hear clicks and things and know that someone was there | 0:48:18 | 0:48:20 | |
and they wouldn't speak to you. | 0:48:20 | 0:48:22 | |
I have to wait sometimes 15 to 20 minutes | 0:48:22 | 0:48:25 | |
before I can get hold of the operator to make a call. | 0:48:25 | 0:48:28 | |
I find that quite often, | 0:48:28 | 0:48:30 | |
my calls don't ring straight through and you have to try at least | 0:48:30 | 0:48:33 | |
four or five times before the call actually registers. | 0:48:33 | 0:48:36 | |
Mr Wedgwood Benn, as Postmaster General, | 0:48:36 | 0:48:38 | |
why is it, do you think, that the Post Office's telephone service | 0:48:38 | 0:48:41 | |
has got such a bad name? | 0:48:41 | 0:48:43 | |
Well, first of all, I don't think it has. | 0:48:43 | 0:48:45 | |
We commission independent surveys | 0:48:45 | 0:48:47 | |
and 70% are satisfied. | 0:48:47 | 0:48:48 | |
Not good enough, but the people | 0:48:48 | 0:48:50 | |
appearing in the programme | 0:48:50 | 0:48:52 | |
were not representative, of course. | 0:48:52 | 0:48:53 | |
Obviously, they were picked because they had complaints. | 0:48:53 | 0:48:55 | |
Well, we are investigating complaints... | 0:48:55 | 0:48:57 | |
Well, I appreciate this. | 0:48:57 | 0:48:58 | |
I mean, any viewer looking at it would want to know | 0:48:58 | 0:49:01 | |
that this isn't, of course, a cross section. | 0:49:01 | 0:49:03 | |
I can't hear you... | 0:49:04 | 0:49:05 | |
Even a well-known mayor waded into the debate. | 0:49:05 | 0:49:08 | |
What? Yes! | 0:49:08 | 0:49:10 | |
Crackling! | 0:49:10 | 0:49:11 | |
Oh, it's no good. Try again later. | 0:49:12 | 0:49:14 | |
"I've had the same trouble," says Mr Troop. | 0:49:16 | 0:49:17 | |
"Every time I ring anybody up, | 0:49:17 | 0:49:19 | |
"there's this crackling noise and I can't hear a thing." | 0:49:19 | 0:49:21 | |
There is an episode of Trumpton | 0:49:21 | 0:49:23 | |
where the phone system goes totally haywire, really, | 0:49:23 | 0:49:27 | |
and it creates chaos in the town. | 0:49:27 | 0:49:30 | |
Nobody's calls are connected properly because this character, | 0:49:30 | 0:49:34 | |
he's just some guy from the GP... | 0:49:34 | 0:49:36 | |
Actually, he's not even from the GPO, he's from the PO, | 0:49:36 | 0:49:38 | |
which perhaps tells us something about Trumpton's attitude | 0:49:38 | 0:49:42 | |
to the telecommunication system. | 0:49:42 | 0:49:43 | |
# Engineers... # | 0:49:43 | 0:49:45 | |
And he makes all these connections in the wrong way | 0:49:45 | 0:49:48 | |
and all of these cross-purposes conversations happen, | 0:49:48 | 0:49:52 | |
including a false call for the emergency services of Trumpton | 0:49:52 | 0:49:56 | |
and we know how hard-pressed they are, | 0:49:56 | 0:49:59 | |
because they're called out every week to deal with something. | 0:49:59 | 0:50:02 | |
During the '60s, phone subscriptions doubled. | 0:50:08 | 0:50:11 | |
But for most of the country, | 0:50:11 | 0:50:12 | |
making a call still meant using a phone box | 0:50:12 | 0:50:14 | |
and the service could be even worse than home lines. | 0:50:14 | 0:50:18 | |
-NEWSREEL: -But there are 20 times as many complaints | 0:50:20 | 0:50:22 | |
about public telephones as about private ones. | 0:50:22 | 0:50:25 | |
Complaints about broken instruments, directories missing or torn up, | 0:50:25 | 0:50:31 | |
cracked glass and filthy floors. | 0:50:31 | 0:50:33 | |
Of course, the Post Office is well aware of these problems. | 0:50:35 | 0:50:37 | |
In 1962, they designed and launched these brave new kiosks, | 0:50:37 | 0:50:41 | |
all glass and aluminium. | 0:50:41 | 0:50:43 | |
Three years later and the total number | 0:50:43 | 0:50:45 | |
of these super kiosks throughout the land... | 0:50:45 | 0:50:47 | |
is five. | 0:50:47 | 0:50:48 | |
The GPO needed to dispel the nagging doubts about telephones | 0:50:50 | 0:50:53 | |
and reassure the public that the future would be bright. | 0:50:53 | 0:50:57 | |
And they did it with a dazzling, unmissable symbol | 0:50:57 | 0:51:00 | |
of technological prowess. | 0:51:00 | 0:51:01 | |
By the early '60s, | 0:51:10 | 0:51:11 | |
the GPO needed to find a new way of meeting the growing demand | 0:51:11 | 0:51:14 | |
for connections and get ahead of the game. | 0:51:14 | 0:51:17 | |
Simply winding out ever more landlines wasn't going to cut it. | 0:51:17 | 0:51:21 | |
Instead, they went wireless, turning to a technology | 0:51:21 | 0:51:24 | |
that transmitted microwaves through the air. | 0:51:24 | 0:51:28 | |
In 1961, construction began on the Post Office Tower. | 0:51:28 | 0:51:32 | |
The tower was actually built essentially as a tall radio antenna | 0:51:34 | 0:51:39 | |
and throughout the country, | 0:51:39 | 0:51:41 | |
there was a whole series of these towers built, | 0:51:41 | 0:51:44 | |
not quite as elegant as the Post Office Tower in London, | 0:51:44 | 0:51:47 | |
but as functional. | 0:51:47 | 0:51:49 | |
So this whole network was built in order to provide the capacity | 0:51:49 | 0:51:53 | |
for the handling of the phone calls we were now making. | 0:51:53 | 0:51:56 | |
The tower could handle 150,000 calls simultaneously. | 0:51:59 | 0:52:04 | |
The GPO built it so tall | 0:52:04 | 0:52:05 | |
that nothing else would get in the way of the signal. | 0:52:05 | 0:52:09 | |
It was part of a network of 130 stations throughout the country, | 0:52:09 | 0:52:13 | |
and the tallest building in London when it was finished. | 0:52:13 | 0:52:16 | |
But the tower was more than the sum of its parts. | 0:52:19 | 0:52:22 | |
It made you feel that the telephonic future was in good hands. | 0:52:22 | 0:52:26 | |
And you could stop by for a bite to eat, if you had the head for it. | 0:52:26 | 0:52:30 | |
You're going to have the floor of the restaurant revolving. | 0:52:30 | 0:52:32 | |
-Why did you do this? -Don't you think it would be rather fun? | 0:52:32 | 0:52:35 | |
Don't you think anybody who goes up 500 feet would like a panoramic view | 0:52:35 | 0:52:39 | |
of the greatest capital in the world just spread out in front of them? | 0:52:39 | 0:52:42 | |
It won't go around too fast, you know. | 0:52:42 | 0:52:45 | |
About one revolution in half an hour. | 0:52:45 | 0:52:47 | |
So it won't put them off their food? | 0:52:47 | 0:52:48 | |
Well, I don't think so. I don't think so. | 0:52:48 | 0:52:50 | |
However, there was a downside | 0:52:56 | 0:52:58 | |
to this growing technological transformation. | 0:52:58 | 0:53:01 | |
Creating a network that could cater for everyone | 0:53:01 | 0:53:04 | |
meant removing people from the process. | 0:53:04 | 0:53:07 | |
Operators had been at the centre of the system since the outset. | 0:53:07 | 0:53:11 | |
But in the 1970s, | 0:53:11 | 0:53:12 | |
the last manual exchanges were finally replaced by machines. | 0:53:12 | 0:53:17 | |
We were a family. Everybody looked after everybody. | 0:53:17 | 0:53:20 | |
We grew up through those teenage years, | 0:53:20 | 0:53:23 | |
learning from each other, | 0:53:23 | 0:53:25 | |
learning about boys and life. | 0:53:25 | 0:53:27 | |
Everything was done together as a real family. | 0:53:29 | 0:53:32 | |
We all realised that was the end of an era. | 0:53:32 | 0:53:34 | |
It was a sad time for operators. | 0:53:36 | 0:53:38 | |
But automation and the Post Office's new technology meant | 0:53:38 | 0:53:41 | |
that the infrastructure was finally in place to begin to match demand. | 0:53:41 | 0:53:45 | |
During the '70s, | 0:53:53 | 0:53:54 | |
having a phone in the home became considered a necessity. | 0:53:54 | 0:53:57 | |
The baby boom generation were starting families of their own | 0:54:01 | 0:54:04 | |
and consumer culture had given them | 0:54:04 | 0:54:06 | |
very different expectations from their parents. | 0:54:06 | 0:54:09 | |
They wanted their mod cons | 0:54:09 | 0:54:10 | |
and they had the disposable income to buy them. | 0:54:10 | 0:54:13 | |
Uptake in the 1970s was particularly marked | 0:54:15 | 0:54:19 | |
and that may have been because | 0:54:19 | 0:54:21 | |
families were moving around the country. | 0:54:21 | 0:54:23 | |
You see higher levels of geographical mobility, | 0:54:23 | 0:54:26 | |
so Britons had a stronger need to phone home, | 0:54:26 | 0:54:29 | |
to try to maintain contact, for example, with the families | 0:54:29 | 0:54:32 | |
who were being rehoused outside of London | 0:54:32 | 0:54:34 | |
in the overspill developments | 0:54:34 | 0:54:35 | |
and who wanted to maintain their links | 0:54:35 | 0:54:37 | |
with their prior friends and family. | 0:54:37 | 0:54:40 | |
-Hello? -'Hello, Granny.' | 0:54:40 | 0:54:41 | |
Daniel! | 0:54:41 | 0:54:43 | |
'Your phone could get you closer to someone.' | 0:54:43 | 0:54:45 | |
Ever more of us were joining the network. | 0:54:47 | 0:54:50 | |
But even with access to our own phones, | 0:54:50 | 0:54:52 | |
we weren't exactly a nation of chatterboxes. | 0:54:52 | 0:54:55 | |
Most people kept a wary eye on the length of calls. | 0:54:55 | 0:54:59 | |
The public needed convincing to loosen up, | 0:54:59 | 0:55:01 | |
relax and stop worrying about the cost. | 0:55:01 | 0:55:04 | |
In 1976, the Post Office came up | 0:55:05 | 0:55:07 | |
with just the thing to help us along - | 0:55:07 | 0:55:09 | |
a yellow bird called Buzby. | 0:55:09 | 0:55:12 | |
TRILLING, PHONE RINGS | 0:55:12 | 0:55:14 | |
TRILLING, PHONE CLICKS | 0:55:14 | 0:55:16 | |
Hey, listen to this. | 0:55:16 | 0:55:17 | |
'# Happy birthday, dear Grandma | 0:55:17 | 0:55:21 | |
'# Happy birthday to you. #' | 0:55:21 | 0:55:24 | |
Buzby was the state-owned bird | 0:55:24 | 0:55:28 | |
who represented the phone system | 0:55:28 | 0:55:30 | |
and who, I think, used to hang around in telephone boxes, | 0:55:30 | 0:55:33 | |
um, encouraging people to use them. | 0:55:33 | 0:55:36 | |
First, I fell out of the nest this morning and hit me head. | 0:55:36 | 0:55:40 | |
And I sprained me ankle on the way to the shop. | 0:55:40 | 0:55:43 | |
The 1976 Buzby campaign really changes the pace, in my view, | 0:55:44 | 0:55:50 | |
because suddenly you've got a campaign | 0:55:50 | 0:55:53 | |
which has gone truly national. | 0:55:53 | 0:55:55 | |
It was truly a massive campaign, | 0:55:55 | 0:55:58 | |
probably the largest and first of its type. | 0:55:58 | 0:56:01 | |
And that really brought the telephone | 0:56:01 | 0:56:04 | |
into the consciousness of the general public. | 0:56:04 | 0:56:06 | |
And if you dial direct on your own phone during cheap rate, | 0:56:06 | 0:56:09 | |
you get at least three minutes for less than 10p - | 0:56:09 | 0:56:12 | |
so why not phone someone you love tonight? | 0:56:12 | 0:56:14 | |
It could be the happiest 10p you've ever spent. | 0:56:14 | 0:56:16 | |
After a few years of Buzby flapping around, | 0:56:20 | 0:56:22 | |
the burgeoning network was making millions. | 0:56:22 | 0:56:25 | |
By the 1980s, we'd become the nation of phone users | 0:56:25 | 0:56:28 | |
that the early pioneers had dreamed of. | 0:56:28 | 0:56:31 | |
What had once been a service was now very much a business - | 0:56:31 | 0:56:34 | |
with what appeared to be a lucrative future. | 0:56:34 | 0:56:37 | |
So, in 1984, the Government sold it off. | 0:56:37 | 0:56:41 | |
But as the shareholders of this newly privatised business | 0:56:41 | 0:56:44 | |
dreamed of their coming balance sheets, | 0:56:44 | 0:56:46 | |
a quirky piece of new technology arrived on the scene | 0:56:46 | 0:56:49 | |
that would go on to change the world. | 0:56:49 | 0:56:52 | |
The C5. | 0:56:52 | 0:56:54 | |
No, not the C5. | 0:56:54 | 0:56:56 | |
Right, now, then... | 0:56:56 | 0:56:57 | |
I've got my cellular radio phone here. | 0:56:57 | 0:57:00 | |
That's it. You see, no cables attached at all. | 0:57:01 | 0:57:04 | |
Completely portable. | 0:57:04 | 0:57:05 | |
Now, of course, we all use mobile phones. | 0:57:09 | 0:57:13 | |
But in true telephone tradition, | 0:57:13 | 0:57:15 | |
we still complain about bad service and dodgy lines, | 0:57:15 | 0:57:19 | |
and sometimes we even use them to speak to people. | 0:57:19 | 0:57:22 | |
The popularity of the mobile phone | 0:57:24 | 0:57:26 | |
appeared to signal the death of the old landline, | 0:57:26 | 0:57:29 | |
but that was before the arrival of something nobody was expecting - | 0:57:29 | 0:57:33 | |
the internet. | 0:57:33 | 0:57:34 | |
A communications revolution that used the landline network | 0:57:35 | 0:57:39 | |
to transmit digital data. | 0:57:39 | 0:57:41 | |
All that effort by the pioneers and builders of Britain's phone system | 0:57:42 | 0:57:46 | |
was vindicated by a technology they could never have imagined. | 0:57:46 | 0:57:50 | |
So the landline lives on, | 0:57:51 | 0:57:54 | |
the epic achievement of a century of struggle to connect the nation. | 0:57:54 | 0:57:58 | |
It was part of history and something that I don't really think | 0:58:00 | 0:58:02 | |
I would wanted to have missed. | 0:58:02 | 0:58:04 | |
I was very proud of the work I did and I'm still very proud. | 0:58:05 | 0:58:09 | |
I saw a revolution outside. | 0:58:10 | 0:58:12 | |
I never thought it would happen, but it did. | 0:58:12 | 0:58:15 | |
It was changing every day. | 0:58:15 | 0:58:17 | |
Before your eyes, you saw a vast advancement in communications. | 0:58:17 | 0:58:24 |