Browse content similar to How to Solve a Cryptic Crossword. Check below for episodes and series from the same categories and more!
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# My heart is taking lessons | 0:00:17 | 0:00:21 | |
# And I notice too | 0:00:21 | 0:00:24 | |
# It began to la-la-la-la-ta-ta-ta | 0:00:24 | 0:00:27 | |
# When I looked at you. # | 0:00:27 | 0:00:29 | |
I've seen people buy the newspaper, fill in the crossword and then chuck it away without even reading it. | 0:00:32 | 0:00:37 | |
It's one of the most important parts of the paper. | 0:00:37 | 0:00:40 | |
A slightly difficult cryptic crossword every day just keeps you going. | 0:00:40 | 0:00:43 | |
What do other people say about their addiction to crosswords? | 0:00:43 | 0:00:46 | |
I got the bug when I was at school and I just lived for Sundays. | 0:00:46 | 0:00:51 | |
I think it's the pleasure of recognition. | 0:00:51 | 0:00:54 | |
Wow, I should have got that. | 0:00:54 | 0:00:56 | |
It does test the mind and a really good clue is a work of art. | 0:00:56 | 0:01:00 | |
Presbyterians is an anagram of Britney Spears. | 0:01:00 | 0:01:04 | |
Now that is cause for rejoicing. | 0:01:04 | 0:01:06 | |
The important thing is to get rid of the idea that it somehow needs | 0:01:06 | 0:01:09 | |
a special type of brain, because that's nonsense. | 0:01:09 | 0:01:12 | |
No. Useless. Can't do a single one. Can't do a single one. | 0:01:12 | 0:01:16 | |
Inside every single cryptic clue is a simple clue trying to get out. | 0:01:16 | 0:01:20 | |
Oh, yes, look, I've done it. | 0:01:20 | 0:01:22 | |
Hotelier, is that right? | 0:01:22 | 0:01:23 | |
I sit in this study, quite a lot of the hours of the week | 0:01:39 | 0:01:42 | |
making up crosswords for a lot of national newspapers... | 0:01:42 | 0:01:47 | |
five different dailies and Sundays and a few others besides. | 0:01:47 | 0:01:52 | |
Quixote. | 0:01:53 | 0:01:55 | |
It's Don Manley. | 0:01:55 | 0:01:57 | |
Don Manley's code names all have Don in it... | 0:01:57 | 0:01:59 | |
He compiles as Duck as in Donald Duck, Pasquale, Giovanni... | 0:01:59 | 0:02:03 | |
There's the puzzle that we set for this programme. | 0:02:06 | 0:02:09 | |
I was asked to put in a lot of words for different types of clue, | 0:02:09 | 0:02:14 | |
and to put in some words for specific people appearing in this programme. | 0:02:14 | 0:02:20 | |
I think you've got to understand how a clue is made up in a cryptic crossword. | 0:02:23 | 0:02:28 | |
I mean, for a start, you will always have a definition in a clue. | 0:02:28 | 0:02:33 | |
You either make the definition a little bit more veiled, | 0:02:33 | 0:02:37 | |
so you would have instead of "River in Paris" you might have "Parisian flower," | 0:02:37 | 0:02:43 | |
Parisian flow-er, something that flows for Seine, you see, | 0:02:43 | 0:02:46 | |
so there's a little bit of sort of cryptic definition. | 0:02:46 | 0:02:49 | |
The rest of the clue is something to do with messing around with the letters. | 0:02:49 | 0:02:54 | |
Some people call this word-play, and at the same time when you read the clue as a whole | 0:02:54 | 0:02:59 | |
it may make a very nice sentence but the sentence has nothing whatever | 0:02:59 | 0:03:04 | |
to do with the actual working out of the clue. | 0:03:04 | 0:03:08 | |
# You can get it if you really want | 0:03:10 | 0:03:14 | |
# You can get it if you really want | 0:03:14 | 0:03:17 | |
# You can get it if you really want | 0:03:17 | 0:03:20 | |
# But you must try, try and try | 0:03:20 | 0:03:23 | |
# Try and try | 0:03:23 | 0:03:27 | |
# You'll succeed at last. # | 0:03:27 | 0:03:29 | |
I think crosswords are for everybody at any time. | 0:03:29 | 0:03:32 | |
Many people here don't appreciate | 0:03:33 | 0:03:35 | |
the joys of a cryptic crossword. | 0:03:35 | 0:03:37 | |
They think that they're not clever enough, | 0:03:37 | 0:03:39 | |
but that is completely wrong thinking. | 0:03:39 | 0:03:41 | |
It's not about cleverness... | 0:03:41 | 0:03:43 | |
it's about the English language, it's about love of words, | 0:03:43 | 0:03:46 | |
it's about manipulating words and it's about enjoying double meanings... | 0:03:46 | 0:03:50 | |
puns and so on. If you can do those, you can do a crossword. | 0:03:50 | 0:03:55 | |
# You'll succeed at last. # | 0:03:55 | 0:03:57 | |
You would probably have a go at this easy one here, wouldn't you, | 0:03:57 | 0:04:01 | |
-in the Evening Standard. -I'd have a go at the easy one, yeah. | 0:04:01 | 0:04:03 | |
Definitions, but if you transfer a little bit to the left hand side | 0:04:03 | 0:04:06 | |
you'll see some cryptic clues where the answers are to some extent easy. | 0:04:06 | 0:04:10 | |
You've got two ways of getting to one, so have a look at that 19 for example, | 0:04:10 | 0:04:14 | |
"A snack at Chelsea perhaps". | 0:04:14 | 0:04:17 | |
-Chelsea bun. -Chelsea bun, | 0:04:19 | 0:04:21 | |
-exactly, which is also a snack. -So that's a cake. | 0:04:21 | 0:04:25 | |
So you've got two ways of getting at it whereas with these you've only got one way. | 0:04:25 | 0:04:28 | |
-True. -Any other one that comes to mind? -"They've been very successful..." | 0:04:28 | 0:04:32 | |
"They've been very successful with spice", | 0:04:32 | 0:04:33 | |
-so that's probably about pop music. -Spice Girls. -And how many letters? | 0:04:33 | 0:04:37 | |
-Five letters. -Girls is five letters, and you've got another one. | 0:04:37 | 0:04:40 | |
-There's two. -That's unbelievable! | 0:04:40 | 0:04:43 | |
TIM LAUGHS | 0:04:43 | 0:04:44 | |
In double definition we bolt together two separate definitions. | 0:04:50 | 0:04:55 | |
"Puzzles accounting for angry things said", well, "angry things said" | 0:04:55 | 0:04:59 | |
are cross words. | 0:04:59 | 0:05:02 | |
This is really an old joke, isn't it? | 0:05:02 | 0:05:04 | |
Cross words, angry things said, and puzzles are crosswords | 0:05:04 | 0:05:08 | |
so one definition accounts for another definition | 0:05:08 | 0:05:12 | |
so this is what we call a "double definition" clue. | 0:05:12 | 0:05:14 | |
The first thing that we call a crossword | 0:05:22 | 0:05:25 | |
was written by a Liverpudlian who emigrated to America, Arthur Wynne, | 0:05:25 | 0:05:30 | |
and he produced very straight definition puzzles. | 0:05:30 | 0:05:34 | |
And they came over here and within three or four years they'd started | 0:05:34 | 0:05:38 | |
being cryptic, because people were bored with the simple one. | 0:05:38 | 0:05:42 | |
There used to be just a simple one word meaning another word, | 0:05:42 | 0:05:45 | |
like state and condition, but we had a history of acrostics and riddles | 0:05:45 | 0:05:51 | |
and conundrums so we brought that to the concept of the square grid | 0:05:51 | 0:05:56 | |
with the words in and the clues so the two came together | 0:05:56 | 0:05:59 | |
and we created the cryptic crossword. | 0:05:59 | 0:06:02 | |
A man who is very much in the news at present is Dr Fisher, chosen as the new Archbishop of Canterbury. | 0:06:02 | 0:06:08 | |
He likes nothing better than to relax with a crossword. | 0:06:08 | 0:06:11 | |
The harder they are, the more he enjoys them. | 0:06:11 | 0:06:13 | |
He never has to use any reference books... He calls that cheating. | 0:06:13 | 0:06:17 | |
We started introducing our own culture into them... | 0:06:17 | 0:06:21 | |
language about cricket and you have to sort of learn different abbreviations, | 0:06:21 | 0:06:26 | |
army abbreviations and so on, | 0:06:26 | 0:06:28 | |
so although the crossword originated in America, | 0:06:28 | 0:06:32 | |
we took hold of it and put it into something a little bit different. | 0:06:32 | 0:06:35 | |
# At breakfast each day in our house Battles rage | 0:06:37 | 0:06:40 | |
# For I pick up The Times And turn to the back page | 0:06:40 | 0:06:43 | |
# Ignoring the eggs that She scrambled for me | 0:06:43 | 0:06:45 | |
# Hunt for words of six letters Which end Q blank V. # | 0:06:45 | 0:06:48 | |
One of the reasons the British took in such a great way to crosswords | 0:06:48 | 0:06:52 | |
was because of our English language. | 0:06:52 | 0:06:54 | |
There is only one other language, which is French, | 0:06:54 | 0:06:58 | |
that lends itself to double entendres, which is what we get from the French, | 0:06:58 | 0:07:03 | |
so you can have words that sound the same that are spelt differently and mean different things. | 0:07:03 | 0:07:09 | |
# "Tea, darling?" she asks And I say "doesn't fit" | 0:07:09 | 0:07:13 | |
# No wonder the poor woman's Fed up with it | 0:07:13 | 0:07:16 | |
# Until Friday when our Marriage blossomed anew | 0:07:16 | 0:07:20 | |
# The reason is simple I haven't a clue... # | 0:07:20 | 0:07:24 | |
English seems to be peculiarly susceptible to word fracture. | 0:07:24 | 0:07:30 | |
You can take words apart, | 0:07:30 | 0:07:33 | |
words that can be seen as from two words side by side | 0:07:33 | 0:07:38 | |
or one word placed inside another one like a box, | 0:07:38 | 0:07:42 | |
or another word with a bit chopped off either end or somewhere in the middle. | 0:07:42 | 0:07:46 | |
# I never attended When buttering toast | 0:07:46 | 0:07:49 | |
# Ignored her requests When she asked for the post | 0:07:49 | 0:07:51 | |
# "How many letters today?" She would say | 0:07:51 | 0:07:53 | |
# I'd say "four hyphen five And the second one's A". # | 0:07:53 | 0:07:58 | |
If you take a word like "carpenter", | 0:07:58 | 0:07:59 | |
you can have carer outside pent, | 0:07:59 | 0:08:03 | |
you can have pen in carter. | 0:08:03 | 0:08:07 | |
You can play with the word and a lot of English words are capable of doing that. | 0:08:07 | 0:08:12 | |
# Now there's never a Cross word between us | 0:08:12 | 0:08:17 | |
# And we smile at each other Once more | 0:08:17 | 0:08:22 | |
# No more does she frown She's no longer one down | 0:08:22 | 0:08:28 | |
# She's the one across The table I adore. # | 0:08:28 | 0:08:32 | |
This sort of clue, we stick something inside something. | 0:08:38 | 0:08:41 | |
"Cunning, getting round the market quickly". | 0:08:41 | 0:08:47 | |
"Cunning" is sly... | 0:08:47 | 0:08:51 | |
"getting round the market", a market is a mart; | 0:08:51 | 0:08:55 | |
and if you put "sly" around "mart", you get smartly | 0:08:55 | 0:09:01 | |
and if you do something smartly, you do it quickly. | 0:09:01 | 0:09:04 | |
"Innovator - individual needing external support". | 0:09:07 | 0:09:11 | |
12 across, "individual" is one, in the middle of the clue. | 0:09:11 | 0:09:17 | |
The "external support" is a pier... | 0:09:17 | 0:09:19 | |
"Pier end" or something like that. | 0:09:20 | 0:09:22 | |
Oh, pioneer, of course. | 0:09:24 | 0:09:26 | |
A newspaper is a ravenous organism | 0:09:34 | 0:09:37 | |
that feeds on every single one of the 24 hours of the day. | 0:09:37 | 0:09:42 | |
One of my grandfather's friends was Barrington-Ward, the Editor of The Times. | 0:09:43 | 0:09:47 | |
Now The Times was losing circulation, hand over fist, | 0:09:47 | 0:09:50 | |
to The Telegraph because The Telegraph had | 0:09:50 | 0:09:53 | |
the new-fangled American fashion, the crossword, | 0:09:53 | 0:09:56 | |
so The Times had to get one pretty sharpish | 0:09:56 | 0:09:59 | |
and I know so many people who were really disapproving that The Times | 0:09:59 | 0:10:02 | |
had really stooped lower than they ever thought possible | 0:10:02 | 0:10:05 | |
and Barrington-Ward asked my grandfather, Robert Bell, | 0:10:05 | 0:10:08 | |
if he knew anyone who could do it, and, "Yes, my son can," he said, | 0:10:08 | 0:10:11 | |
and then he went down and talked to my dad and persuaded him to do it. | 0:10:11 | 0:10:14 | |
So then my father came to me. We were sitting in the country, | 0:10:14 | 0:10:19 | |
trying to farm with a pair of horses, | 0:10:19 | 0:10:21 | |
and he said, "Look, my boy, you're going to make up crossword puzzles for The Times." | 0:10:21 | 0:10:25 | |
"But Father," I said, "I haven't even solved a crossword puzzle". | 0:10:25 | 0:10:29 | |
"Well," he said, "you've got just ten days to learn!" | 0:10:29 | 0:10:32 | |
He knew absolutely nothing about it. He'd hardly seen one, | 0:10:32 | 0:10:35 | |
but he had a lively mind and a vast amount of knowledge and so he wrote the first one in 1930 | 0:10:35 | 0:10:41 | |
and something like 3,000 of his crossword puzzles later - | 0:10:41 | 0:10:45 | |
he wrote the 10,000th shortly before his death. | 0:10:45 | 0:10:49 | |
HE HUMS | 0:10:57 | 0:11:00 | |
What's this, "holiday"? | 0:11:03 | 0:11:05 | |
"Holiday," oh, Lord, if we haven't had that word a hundred times. | 0:11:05 | 0:11:09 | |
I think he did most of his best work in the morning. | 0:11:10 | 0:11:14 | |
A glass of sherry or something would be brought into him at about half past 12. | 0:11:14 | 0:11:19 | |
I do remember a lot of moaning and groaning from his study. | 0:11:19 | 0:11:23 | |
He used to take a whole day to do one of these things | 0:11:23 | 0:11:25 | |
and when he stopped farming, it was easier but he did thousands and thousands and thousands. | 0:11:25 | 0:11:31 | |
His study was something into which we children would never venture, uninvited. | 0:11:31 | 0:11:36 | |
He's not like one of these hands-on, modern, touchy-feely dads at all, | 0:11:36 | 0:11:40 | |
but over the years, all the spines fell off the dictionaries because he used them so extensively. | 0:11:40 | 0:11:48 | |
I think it helped him that he'd never been to a university. | 0:11:50 | 0:11:54 | |
That is, he had a totally free, unchannelled mind with a lot of stuff in it | 0:11:54 | 0:11:59 | |
and a lot of stuff is what he put in his puzzles. | 0:11:59 | 0:12:02 | |
We had half the cabinet ministers writing to The Times | 0:12:03 | 0:12:07 | |
and who was it? Josiah Stamp, he was very proud of his record | 0:12:07 | 0:12:12 | |
of doing the crossword puzzle in 50 minutes | 0:12:12 | 0:12:15 | |
whereupon Sir Austen Chamberlain wrote and said | 0:12:15 | 0:12:18 | |
he could knock nine minutes off that himself | 0:12:18 | 0:12:21 | |
and then he added that for real expertise, | 0:12:21 | 0:12:26 | |
The Provost of Eton, M R James, he'd heard that he timed his breakfast egg | 0:12:26 | 0:12:34 | |
by the time it took him to do the Times crossword puzzle | 0:12:34 | 0:12:36 | |
and he did not like a hard boiled egg! | 0:12:36 | 0:12:38 | |
What a lovely man, what a lovely man! | 0:12:38 | 0:12:41 | |
I'd forgotten all those stories, you know. | 0:12:41 | 0:12:43 | |
He got paid five guineas each for these crosswords, | 0:12:48 | 0:12:51 | |
and it helped make ends meet and I sometimes wonder | 0:12:51 | 0:12:55 | |
if he could have been paid a fraction of the gross national product | 0:12:55 | 0:13:00 | |
wasted by people who were doing these crossword puzzles | 0:13:00 | 0:13:02 | |
when they should have been working, we'd be extremely wealthy now! | 0:13:02 | 0:13:05 | |
It made you wonder what they did in their cabinet meetings, to tell you the truth. | 0:13:05 | 0:13:09 | |
16 across. | 0:13:09 | 0:13:11 | |
"Advice telling someone not to waste bread and be common-sensical". | 0:13:12 | 0:13:19 | |
Use your loaf. | 0:13:19 | 0:13:23 | |
We're all trying to do proper crosswords here. | 0:13:26 | 0:13:30 | |
Proper crosswords? What do you mean by that, proper crosswords? | 0:13:30 | 0:13:33 | |
I'm trying to do the Mephistopheles in The Financial Times, | 0:13:33 | 0:13:36 | |
a crossword which you wouldn't know where to start. | 0:13:36 | 0:13:38 | |
As it happens, I can do any crossword put in front of me, | 0:13:38 | 0:13:41 | |
including Messis-toto-toteles. | 0:13:41 | 0:13:43 | |
There's The Times. Now The Times is pretty smart. | 0:13:45 | 0:13:48 | |
It's fairly uniform in standard, it's quite difficult. | 0:13:48 | 0:13:53 | |
You might have a job starting off with this one. | 0:13:53 | 0:13:56 | |
Start with The Independent On Sunday, or The Daily Telegraph. | 0:13:56 | 0:14:00 | |
I recommend The Guardian as well, of course, because I set for The Guardian as Pasquale. | 0:14:00 | 0:14:06 | |
It just happens that I prefer the Sun Junior Coffee Time easy clues, that's all! | 0:14:06 | 0:14:13 | |
It's just a matter of taste. | 0:14:13 | 0:14:14 | |
If you like rude crosswords, you know, you can go out and buy Private Eye | 0:14:15 | 0:14:19 | |
and you've got to learn a little bit of different vocabulary if you buy the Private Eye. | 0:14:19 | 0:14:25 | |
You know that Brenda is the Queen, which is ER. | 0:14:25 | 0:14:28 | |
Some of the clues are a bit near the bone. | 0:14:28 | 0:14:30 | |
The Sun... People only buy that for one thing... | 0:14:30 | 0:14:34 | |
or rather a couple of things. | 0:14:34 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:37 | |
-Two across. -There you are. See what I mean! | 0:14:37 | 0:14:39 | |
LAUGHTER | 0:14:39 | 0:14:41 | |
Most of the dailies tend to be on the polite side | 0:14:41 | 0:14:46 | |
with perhaps some of them edging a little bit more into rudeness and impropriety than others. | 0:14:46 | 0:14:51 | |
Four letters. | 0:14:51 | 0:14:52 | |
"Often found in the bottom of a bird cage". | 0:14:52 | 0:14:56 | |
LAUGHTER | 0:14:56 | 0:14:58 | |
Something, something, I-T. | 0:15:00 | 0:15:03 | |
LAUGHTER | 0:15:03 | 0:15:04 | |
-Grit. -Excellent! | 0:15:11 | 0:15:15 | |
For me, doing crosswords is the most serene and satisfying | 0:15:24 | 0:15:32 | |
and civilised way I have yet discovered of wasting my time in life. | 0:15:32 | 0:15:39 | |
19 down, "Put off when tackling Times? He wouldn't be!" | 0:15:40 | 0:15:48 | |
Well, my first thoughts would be that "tackling" probably means | 0:15:49 | 0:15:55 | |
going round the outside of, all right? | 0:15:55 | 0:15:58 | |
And "Times" very often is going to be in crosswords, | 0:15:59 | 0:16:05 | |
a very common abbreviation would be "X". | 0:16:05 | 0:16:08 | |
So I would say that you've got a six-letter word | 0:16:09 | 0:16:12 | |
and in the middle somewhere is an "X". | 0:16:12 | 0:16:15 | |
Oh, I see, yeah. And "deter" is put off, isn't it, | 0:16:17 | 0:16:21 | |
so I rather think that this for me is not a terribly difficult one. | 0:16:21 | 0:16:26 | |
It is the word "deter" around an "X" | 0:16:26 | 0:16:29 | |
and I think that adds up to my name, doesn't it? Dexter, yes. | 0:16:29 | 0:16:34 | |
When I started writing fiction, | 0:16:37 | 0:16:39 | |
I knew that Morse was going to be besotted with crosswords. | 0:16:39 | 0:16:44 | |
I think unfortunately he was very fond of doing the crossword when he got in first thing in the morning, | 0:16:44 | 0:16:50 | |
before he started wondering how many corpses | 0:16:50 | 0:16:52 | |
he was going to try to investigate. | 0:16:52 | 0:16:57 | |
-You all right, sir? -Shoosh! | 0:16:58 | 0:17:00 | |
He would say, "No, no, no, no. | 0:17:01 | 0:17:03 | |
"Leave me alone for a couple of minutes, and don't interrupt me again. | 0:17:03 | 0:17:07 | |
"I'm timing myself!" | 0:17:07 | 0:17:09 | |
12 minutes. Not bad, not the record, but not bad. | 0:17:09 | 0:17:14 | |
I think the whole idea of spotting clues and understanding clues | 0:17:14 | 0:17:19 | |
which other people can't is at the heart, isn't it, of the whodunit crossword. | 0:17:19 | 0:17:26 | |
I set crosswords. | 0:17:26 | 0:17:28 | |
Do you! Which paper? | 0:17:28 | 0:17:31 | |
Different papers, but always the same name. | 0:17:31 | 0:17:34 | |
Daedalus. He built the Great Maze of Greek legend, you know. | 0:17:34 | 0:17:38 | |
You're Daedalus! I've been wrestling with you for years! | 0:17:38 | 0:17:41 | |
You know when someone like Morse or Poirot gets everybody in the library at the end of a case | 0:17:41 | 0:17:48 | |
and he, the author, has been dangling half a dozen suspects in front of everybody | 0:17:48 | 0:17:55 | |
in such a way that you're invariably going to guess the wrong person | 0:17:55 | 0:17:59 | |
and then you say, "Aaagh, but you didn't follow this particular clue". | 0:17:59 | 0:18:04 | |
I wanted to see who you were, if you were up to the job. | 0:18:04 | 0:18:09 | |
Now that I know you do my crosswords, of course... | 0:18:09 | 0:18:12 | |
Morse was doing The Times crossword, and he said, "Oh, that's a nice clue. Listen to this, Lewis." | 0:18:12 | 0:18:18 | |
And he said, "The clue is... | 0:18:18 | 0:18:20 | |
" 'Take in bachelor? This may do.' " | 0:18:20 | 0:18:28 | |
Well, in this abbreviation business in crosswords, | 0:18:29 | 0:18:32 | |
the letter "R" is very often used for recipe, recipe... | 0:18:32 | 0:18:38 | |
Take two ounces of sugar, so "R" equals "take", all right? | 0:18:38 | 0:18:45 | |
And a "bachelor", of course, is Bachelor of Arts, BA, | 0:18:45 | 0:18:50 | |
so you stick "R" in the middle of B-A | 0:18:50 | 0:18:56 | |
and you get an item of women's underclothing, do you not? | 0:18:56 | 0:19:01 | |
I always try to make five down just a little tricky. | 0:19:01 | 0:19:05 | |
And Morse tried very hard to interest Sergeant Lewis in this clue, | 0:19:06 | 0:19:10 | |
but I'm afraid with little success. | 0:19:10 | 0:19:13 | |
Now this is interesting. | 0:19:16 | 0:19:18 | |
If you've ever played charades at Christmas parties, | 0:19:22 | 0:19:25 | |
you know you introduce a word in act one which is "black", don't you, | 0:19:25 | 0:19:29 | |
and then in act two you introduce "smith", | 0:19:29 | 0:19:32 | |
and in the final denouement you introduce the word "blacksmith", | 0:19:32 | 0:19:36 | |
so you have "black", plus "smith" equals "blacksmith", right, | 0:19:36 | 0:19:40 | |
and charade clues work like that. | 0:19:40 | 0:19:43 | |
"Sharp weapon wounded girl". | 0:19:43 | 0:19:46 | |
A sharp weapon wounded a girl. | 0:19:46 | 0:19:49 | |
Well, it "cut a lass," so, wounded girl, cutlass, sharp weapon, cutlass. | 0:19:49 | 0:19:56 | |
18 down, "Commotion created by enthusiast taking someone in taxi". | 0:20:00 | 0:20:05 | |
An "enthusiast" is a fan. | 0:20:05 | 0:20:08 | |
Someone in a taxi is hopefully a fare, so the answer is "fanfare". | 0:20:08 | 0:20:13 | |
Especially for me, wasn't that? | 0:20:14 | 0:20:16 | |
I've been driving a taxi in the Borough of Trafford on the south side of Manchester now since 1994. | 0:20:23 | 0:20:31 | |
Previously I was in IT for 25 years. | 0:20:31 | 0:20:34 | |
I've managed to finish on one occasion third in the finals in the Times Crossword competition. | 0:20:36 | 0:20:41 | |
I think maybe I was a little lucky on the day. | 0:20:41 | 0:20:44 | |
It was a bit like an intellectual bingo session, actually. | 0:20:44 | 0:20:47 | |
"Eyes down for seven across, five letters beginning with X," that sort of thing. | 0:20:47 | 0:20:51 | |
To the uninitiated, a strange ritual, this puzzling of the champions, | 0:20:51 | 0:20:55 | |
to the crossword buffs, the first chance of glory. | 0:20:55 | 0:20:58 | |
If you simply look at the people who do The Times Crossword, | 0:20:58 | 0:21:01 | |
I would say I'm regularly in the first ten of those people, which is, for me, a good place to be. | 0:21:01 | 0:21:07 | |
Generally speaking, because I do a lot of crosswords in my working environment in the cab, | 0:21:07 | 0:21:12 | |
it tends to be a ten-minute chunk where I fill half a puzzle in | 0:21:12 | 0:21:16 | |
and then I'm picking at the rest in between jobs as the day goes on. | 0:21:16 | 0:21:19 | |
I have a couple of colleagues who have seen me doing the crosswords and said, | 0:21:19 | 0:21:24 | |
"I'd never be good enough to do that," and I said, "Well, you can if you start gently". | 0:21:24 | 0:21:28 | |
Some of the tabloid papers in the morning will publish a crossword | 0:21:28 | 0:21:32 | |
where you've got quick clues and cryptic clues leading to the same answer, | 0:21:32 | 0:21:36 | |
and I say to the lads that do these, "Do the quick clues, fill it in, | 0:21:36 | 0:21:41 | |
"then come back and look at the cryptic clues with your answers and see if you can translate it," | 0:21:41 | 0:21:45 | |
and I've got one of the lads already he's trying to do it as a cryptic, and only reverts to the quick clues | 0:21:45 | 0:21:51 | |
when he gets stuck, and he says it's given him a lot of pleasure and I feel very good about that. | 0:21:51 | 0:21:55 | |
But in the end, the puzzler who did it quicker and better emerged as a foreign office official, | 0:21:55 | 0:22:00 | |
Roy Dean from Bromley in Kent. | 0:22:00 | 0:22:02 | |
Isn't it very tiring, you know, you've been working hard today, you've had four crosswords to do? | 0:22:02 | 0:22:06 | |
Yesterday was even worse because yesterday we had eight and one of those was a real stinker. | 0:22:06 | 0:22:12 | |
I always try to start in the top left-hand corner, which is logical. | 0:22:13 | 0:22:17 | |
I read an article some years ago by a guy called Dr John Sykes, | 0:22:17 | 0:22:22 | |
the legendary guy who was so good in The Times Crossword Championships | 0:22:22 | 0:22:26 | |
that he eventually only entered in alternate years | 0:22:26 | 0:22:28 | |
to give other people a chance of winning it | 0:22:28 | 0:22:31 | |
and his theory was that when a compiler fills a grid in, | 0:22:31 | 0:22:35 | |
most of the clever words they thought of are across clues, | 0:22:35 | 0:22:38 | |
and the down clues tend to be fillers which are easier, | 0:22:38 | 0:22:41 | |
and I thought, "I don't know if I believe this," | 0:22:41 | 0:22:44 | |
until I tried it and found that nine times out of ten it worked. | 0:22:44 | 0:22:47 | |
Very occasionally I'll be stuck with a couple of clues | 0:22:47 | 0:22:50 | |
and one of my colleagues will say, "Let me have a quick look," | 0:22:50 | 0:22:53 | |
and they'll take it on the basis that while I'm sat trying to break the clue down, | 0:22:53 | 0:22:58 | |
they sometimes can see a word that will fit in the space in among the letters | 0:22:58 | 0:23:02 | |
and say, "Could it be 'vehicle'?" | 0:23:02 | 0:23:04 | |
and I'll look at it and say, "Yes, it is, because..." | 0:23:04 | 0:23:07 | |
and it doesn't happen very often, but they go away with quite a sense of satisfaction because they feel | 0:23:07 | 0:23:12 | |
that, like I've tried to beat the compiler, they've beaten me. | 0:23:12 | 0:23:15 | |
# Anything you can do I can do better | 0:23:17 | 0:23:20 | |
# I can do anything better than you | 0:23:20 | 0:23:23 | |
-# No you can't -Yes I can | 0:23:23 | 0:23:24 | |
-# No you can't -Yes I can | 0:23:24 | 0:23:25 | |
-# No you can't -Yes I can, yes I can... # | 0:23:25 | 0:23:28 | |
The whole business of solving crosswords, | 0:23:28 | 0:23:30 | |
setting and solving crosswords, is it's a battle of minds. | 0:23:30 | 0:23:34 | |
It is one-to-one combat. | 0:23:34 | 0:23:37 | |
A tussle of wits... between the setter and the solver. | 0:23:37 | 0:23:41 | |
Apart from anything else, if you manage to complete a fiendish crossword | 0:23:41 | 0:23:44 | |
you'll feel quite pleased with yourself. | 0:23:44 | 0:23:46 | |
Frankly, if ever I finish a crossword, that's an amazing achievement. | 0:23:46 | 0:23:51 | |
You should win, but not without a bit of a struggle. | 0:23:51 | 0:23:55 | |
Suddenly, five or six clues fall into place. | 0:23:55 | 0:23:59 | |
-That's thrilling. -Yes, it is. | 0:23:59 | 0:24:02 | |
Gosh, I enjoyed that! | 0:24:02 | 0:24:04 | |
One of the features of crosswords is what we call "bits and pieces", | 0:24:11 | 0:24:15 | |
and among these are the abbreviations... | 0:24:15 | 0:24:18 | |
Roman numerals, "V" equals 5, "L" equals 50. | 0:24:18 | 0:24:23 | |
Little foreign words like "the French" for "le", or "la", or "les". | 0:24:23 | 0:24:30 | |
All sorts of little bits and pieces, things that aren't quite English words. | 0:24:30 | 0:24:36 | |
Here's a clue that uses two abbreviations... | 0:24:36 | 0:24:39 | |
"Story that is beginning with short line". | 0:24:39 | 0:24:43 | |
Now "that is" is "i.e.", id est, | 0:24:43 | 0:24:47 | |
we're all familiar with that. | 0:24:47 | 0:24:49 | |
"Short line" is telling us that this is an abbreviation for a line. | 0:24:49 | 0:24:55 | |
If you look at learned work, we'll say "p.64, l.3", meaning line 3. | 0:24:55 | 0:25:01 | |
Put the "L" at the front because it begins with a short line... | 0:25:01 | 0:25:06 | |
L-I-E gives you "lie"... | 0:25:06 | 0:25:09 | |
and a lie is a story in the sense that stories are false, so it is a lie. | 0:25:09 | 0:25:14 | |
One across. | 0:25:15 | 0:25:16 | |
"Expert starts to give us real understanding". | 0:25:16 | 0:25:20 | |
Well, it says "starts to" and it probably means | 0:25:20 | 0:25:23 | |
it's the initial letters of the words that follow, and in this case it is... | 0:25:23 | 0:25:27 | |
"expert" is "guru", which is the initial letters of "gives us real understanding". | 0:25:27 | 0:25:32 | |
Oh, I've got it. G-U-R-U. | 0:25:32 | 0:25:36 | |
I am Roger Squires. | 0:25:40 | 0:25:42 | |
I'm known in most papers as Rufus. | 0:25:42 | 0:25:45 | |
I'm not known for being difficult, in fact all the papers I seem to go for | 0:25:47 | 0:25:52 | |
use me on Monday to get an easy start to the week. | 0:25:52 | 0:25:56 | |
I'm used on Mondays in the Glasgow Herald, The Telegraph, | 0:25:56 | 0:25:59 | |
The Guardian and The FT, most weeks | 0:25:59 | 0:26:03 | |
and whenever I put a difficult word in, I get complaints! | 0:26:03 | 0:26:08 | |
I was doing at one stage 40 a week and I've cut it down, actually. | 0:26:08 | 0:26:13 | |
I've been in the Guinness Book of Records since 1978. | 0:26:13 | 0:26:16 | |
Today's Monday crossword contains that record-breaking two millionth clue. | 0:26:16 | 0:26:20 | |
The man who set it, 75-year-old Roger Squires, Crossword Editor of the Birmingham Post for 22 years, | 0:26:20 | 0:26:27 | |
he's had his puzzles in 565 different publications and the answer to that two millionth clue, | 0:26:27 | 0:26:34 | |
the girls on the knees, | 0:26:34 | 0:26:35 | |
Pat and Ella make patella - a knee cap. | 0:26:35 | 0:26:39 | |
I want to try and bring fun. As an ex-magician, | 0:26:39 | 0:26:43 | |
I like to think it's the same thing... | 0:26:43 | 0:26:45 | |
misleading to cause entertainment, | 0:26:45 | 0:26:48 | |
but if I can have a bit of fun at the same time, I like to. | 0:26:48 | 0:26:53 | |
The one I seem to be most known for is "a bar of soap" | 0:26:53 | 0:26:57 | |
for the Rovers Return. Once you've realised "soap" | 0:26:57 | 0:27:01 | |
is a soap opera, and the "bar" is a pub... | 0:27:01 | 0:27:04 | |
a "bar of soap" is just a pub in a soap opera. | 0:27:04 | 0:27:09 | |
It could have been in EastEnders, actually, The Victoria just as well. | 0:27:09 | 0:27:13 | |
In fact, I might try that next week! | 0:27:13 | 0:27:15 | |
I set crosswords for The Observer under the pseudonym Azed. | 0:27:20 | 0:27:24 | |
I inherited the job from a setter who had the pseudonym of Ximines, | 0:27:25 | 0:27:31 | |
and he in turn inherited it from a setter who had the pseudonym of Torquemada. | 0:27:31 | 0:27:37 | |
Both Ximines and Torquemada were grand inquisitors in the Spanish Inquisition. | 0:27:40 | 0:27:44 | |
When I got the job | 0:27:44 | 0:27:45 | |
back in 1971, | 0:27:45 | 0:27:47 | |
I looked around for something to continue the tradition | 0:27:47 | 0:27:53 | |
and I couldn't find another inquisitor | 0:27:53 | 0:27:57 | |
with a suitably impressive name | 0:27:57 | 0:28:01 | |
but I did find one called Don Diego De Deza... | 0:28:01 | 0:28:05 | |
D-E-Z-A, so I just reversed him, | 0:28:05 | 0:28:08 | |
which also had a nice alphabetical ring to it, | 0:28:08 | 0:28:13 | |
and that's how Azed came about. | 0:28:13 | 0:28:15 | |
There are broadly speaking two main types of crossword. | 0:28:15 | 0:28:20 | |
There are those with which most people are probably most familiar... | 0:28:20 | 0:28:24 | |
my own use black bars instead of black squares to indicate where words end. | 0:28:24 | 0:28:31 | |
It doesn't take too long making the pattern. | 0:28:31 | 0:28:35 | |
Filling it with words takes somewhat longer, as you might imagine, | 0:28:35 | 0:28:39 | |
but not until I've done that and the grid is complete do I start | 0:28:39 | 0:28:43 | |
on the business of compiling the clues, | 0:28:43 | 0:28:46 | |
and I always write the clues in the order in which they appear in the puzzle. | 0:28:46 | 0:28:50 | |
I don't deliberately, I don't take what looked to me | 0:28:50 | 0:28:54 | |
the most interesting words and clue those first, | 0:28:54 | 0:28:57 | |
and get left with a sump of rather sort of drab four-letter words at the end | 0:28:57 | 0:29:02 | |
because if you approach a clue saying this is a drab word, you'll probably end up with a drab clue. | 0:29:02 | 0:29:08 | |
Any one of my puzzles may take me four or five hours, | 0:29:09 | 0:29:13 | |
which might sound like a long time, but spread over a week, it's not too excessive. | 0:29:13 | 0:29:19 | |
There's another type of clue called the "homophone", | 0:29:25 | 0:29:28 | |
and this relies on the fact | 0:29:28 | 0:29:30 | |
that words which are spelt differently sound the same, | 0:29:30 | 0:29:36 | |
so F-A-R-E and F-A-I-R sound the same, "fare" and "fair", | 0:29:36 | 0:29:44 | |
and there's an example in this puzzle, | 0:29:44 | 0:29:46 | |
"Regret sneer being heard? Nonsense!" | 0:29:46 | 0:29:52 | |
Now, "being heard" or "we hear" | 0:29:52 | 0:29:57 | |
or "by the sound of it" | 0:29:57 | 0:29:58 | |
or "in the auditorium" - | 0:29:58 | 0:30:00 | |
all these things can tell the solver I want to say the answer | 0:30:00 | 0:30:08 | |
and it will sound like something else. | 0:30:08 | 0:30:11 | |
This is what I call the "sounds like" clue - | 0:30:11 | 0:30:14 | |
there's probably a more technical word for it. | 0:30:14 | 0:30:16 | |
Regret - rue, | 0:30:16 | 0:30:18 | |
sneer - barb... | 0:30:18 | 0:30:20 | |
"rhubarb". | 0:30:20 | 0:30:22 | |
And what does rhubarb mean? | 0:30:22 | 0:30:24 | |
Apart from noises of actors and so on, it means "nonsense"... rhubarb! | 0:30:24 | 0:30:29 | |
Line given audibly, three letters. | 0:30:31 | 0:30:33 | |
With a "C"...would be "cue", | 0:30:36 | 0:30:40 | |
although I'm not sure whether that's quite correct, that clue. | 0:30:40 | 0:30:43 | |
It's a theatrical clue. | 0:30:43 | 0:30:45 | |
For some bizarre reason, a lot of actors do crosswords. | 0:30:47 | 0:30:50 | |
It seems to be a particularly 'actory' thing to do. | 0:30:50 | 0:30:53 | |
You know, in our job, there is a lot of hanging around. | 0:30:53 | 0:30:57 | |
You can just let your mind half-drift onto the crossword. | 0:30:57 | 0:31:00 | |
All the dressing rooms at the National look in on each other, which is lovely. | 0:31:02 | 0:31:06 | |
This particular dressing room has a history behind it | 0:31:06 | 0:31:10 | |
because I think this is where the sort of bosses used to... | 0:31:10 | 0:31:13 | |
the boss actors used to be, ever since the National started. | 0:31:13 | 0:31:17 | |
I don't know whether Olivier was here, I hope he was. | 0:31:17 | 0:31:19 | |
To go to a theatre and shut myself up in a dressing room | 0:31:19 | 0:31:22 | |
and come out as somebody else and live a mimicked life | 0:31:22 | 0:31:27 | |
does give me pleasure, and I suppose always has done. | 0:31:27 | 0:31:31 | |
Gielgud, apparently, was a crossworder, | 0:31:31 | 0:31:33 | |
but I've heard this story that he used to just fill in the grid | 0:31:33 | 0:31:36 | |
with any words he could make fit. | 0:31:36 | 0:31:38 | |
I'm a terrible escapist in life. | 0:31:38 | 0:31:40 | |
I can't believe he always did that. Perhaps in desperation he would. | 0:31:40 | 0:31:43 | |
There's this story of him putting down a completed crossword and | 0:31:43 | 0:31:47 | |
then saying, "That's absolute nonsense..." | 0:31:47 | 0:31:50 | |
But I could be doing the man down. | 0:31:50 | 0:31:52 | |
"The Loire is fantastic - I can offer you accommodation". | 0:31:52 | 0:31:58 | |
Oh, yes, of course, I've done it. | 0:31:59 | 0:32:01 | |
It's an anagram of The Loire and it's hotelier, is that right? | 0:32:01 | 0:32:04 | |
Oh, it's a lovely part of the world, isn't it, | 0:32:10 | 0:32:13 | |
all those beautiful trees and fields and variety of birds. | 0:32:13 | 0:32:18 | |
I don't know what the anagrammatic misprints came from or what that was about. | 0:32:18 | 0:32:22 | |
John and Connie, I don't think either of them were especially | 0:32:22 | 0:32:26 | |
crossword freaks, you know. | 0:32:26 | 0:32:28 | |
There was never anytime, anywhere on Fawlty Towers to do crosswords, no way, no way. | 0:32:28 | 0:32:33 | |
Timothy, my husband, and I more or less met through crosswords, really. | 0:32:38 | 0:32:42 | |
We were in television together, we both had quite small parts | 0:32:42 | 0:32:45 | |
and we had what I can only describe as sort of polo mints | 0:32:45 | 0:32:49 | |
and crosswords flirtation, if you know what I mean. | 0:32:49 | 0:32:52 | |
He's a crossword freak, too. | 0:32:52 | 0:32:54 | |
I get the Guardian and The Telegraph delivered | 0:32:54 | 0:32:56 | |
because I like the range of opinion, | 0:32:56 | 0:32:59 | |
but I move fairly quickly to The Guardian crossword | 0:32:59 | 0:33:03 | |
with my cup of coffee and my bowl of muesli | 0:33:03 | 0:33:05 | |
and I can sit there for a good hour and a half, | 0:33:05 | 0:33:08 | |
cos I'm quite an early riser. | 0:33:08 | 0:33:09 | |
I'm addicted to Araucaria - the setter in The Guardian. | 0:33:09 | 0:33:13 | |
At last we have an opportunity to put faces to the names that | 0:33:13 | 0:33:16 | |
have graced the pages of many broad sheets and periodicals. | 0:33:16 | 0:33:20 | |
John Graham, Araucaria of the Guardian, | 0:33:22 | 0:33:25 | |
and of the Financial Times, | 0:33:25 | 0:33:27 | |
the "Doyen" of compilers and the inspiration | 0:33:27 | 0:33:29 | |
to everyone who ever wanted to be or is a compiler. | 0:33:29 | 0:33:32 | |
I wrote him a fan letter once saying, "you drive me madder than | 0:33:34 | 0:33:37 | |
"any other person in the world I don't know and I love you". | 0:33:37 | 0:33:40 | |
And he wrote back this very sweet letter saying he loved me too | 0:33:40 | 0:33:44 | |
because he had seen me on the box, you see. | 0:33:44 | 0:33:46 | |
I met Araucaria once, | 0:33:46 | 0:33:48 | |
which was a thrill. | 0:33:48 | 0:33:50 | |
I hope he'll forgive me for saying this but he was exactly what I hoped he would be. | 0:33:50 | 0:33:54 | |
He had a bit of a wry smile the whole time. | 0:33:54 | 0:33:56 | |
-British Library, Hogg. -Eros. | 0:33:56 | 0:33:59 | |
Nope. Anyone want to buzz from the Crossword Compilers? | 0:33:59 | 0:34:02 | |
-Graham. -Purpose. -Correct. | 0:34:02 | 0:34:05 | |
APPLAUSE | 0:34:05 | 0:34:06 | |
Why Araucaria is the best? I think it's his wit, really. | 0:34:06 | 0:34:11 | |
He makes me laugh more than anyone else. | 0:34:11 | 0:34:14 | |
He's cheeky, and occasionally, | 0:34:14 | 0:34:16 | |
I think, he probably bends the rules a little bit. | 0:34:16 | 0:34:19 | |
I'm quoted at the beginning of his book. | 0:34:19 | 0:34:22 | |
"My constant bedtime companion, Prunella Scales." | 0:34:22 | 0:34:26 | |
An anagram is a jumble of letters. | 0:34:35 | 0:34:37 | |
"'Fatty is a dope' - that's cruel!" | 0:34:37 | 0:34:39 | |
The clue will make you think of some Billy-Bunter-type figure | 0:34:39 | 0:34:43 | |
being ragged and bullied by | 0:34:43 | 0:34:46 | |
his thin colleagues in class and you'll start, | 0:34:46 | 0:34:51 | |
you'll build up a little picture, almost a little cartoon picture. | 0:34:51 | 0:34:54 | |
The cartoon picture is actually quite irrelevant to the clue. | 0:34:54 | 0:34:58 | |
It's there to amuse you, to divert you, | 0:34:58 | 0:35:00 | |
but when you analyse the clue, you find "fatty" for the definition. | 0:35:00 | 0:35:05 | |
Something is cruel, something is being mangled in some way, | 0:35:05 | 0:35:10 | |
and it happens to be "is a dope", and an anagram of "is a dope" | 0:35:10 | 0:35:16 | |
is adipose, which means "fatty" - adipose tissue, fatty tissue. | 0:35:16 | 0:35:21 | |
Ten across, "Those who have to put papers to bed can become so tired". | 0:35:25 | 0:35:30 | |
Well, those who put papers to bed must be editors, | 0:35:30 | 0:35:33 | |
because that's what they do and that is an anagram of "so tired", | 0:35:33 | 0:35:37 | |
so that's "editors". | 0:35:37 | 0:35:39 | |
I was working at The Telegraph and the editor | 0:35:44 | 0:35:47 | |
called me and said, "Well, we like you, | 0:35:47 | 0:35:50 | |
"we like the fact that you work, | 0:35:50 | 0:35:52 | |
"which is not what everybody does, | 0:35:52 | 0:35:55 | |
"and just keep coming in and we'll keep paying you, we'll | 0:35:55 | 0:36:00 | |
"find something for you". | 0:36:00 | 0:36:01 | |
Well, that's an offer you can't refuse, isn't it? You know, | 0:36:01 | 0:36:04 | |
do nothing and we'll pay you... | 0:36:04 | 0:36:06 | |
So I kept coming in and then about a month later he called me and | 0:36:06 | 0:36:09 | |
he said, "Do you do crosswords?" | 0:36:09 | 0:36:12 | |
and I said "Yes", | 0:36:12 | 0:36:14 | |
and he said, "Would you like to be Crossword Editor?" | 0:36:14 | 0:36:17 | |
and I said, "Yes", and he said, "Well, that's that, then". | 0:36:17 | 0:36:20 | |
You are responsible for the crossword. You have a team of compilers who compile it. | 0:36:22 | 0:36:27 | |
They send it into you and you endeavour to turn it round | 0:36:27 | 0:36:32 | |
so it appears in the paper with the right pattern, the right clues and the right solution. | 0:36:32 | 0:36:38 | |
Now that sounds incredibly easy. | 0:36:38 | 0:36:39 | |
It isn't! | 0:36:39 | 0:36:40 | |
The Crossword Editor checks everything and says, | 0:36:43 | 0:36:46 | |
"No, you can't have that, | 0:36:46 | 0:36:47 | |
"because we don't allow this or that", you know, | 0:36:47 | 0:36:51 | |
or, "It's obscene" or, "It's too obscure", blah, blah, blah. | 0:36:51 | 0:36:55 | |
You know what the crossword ethos is of that paper, | 0:36:57 | 0:37:00 | |
and you've got to make sure that your compilers stick with that, | 0:37:00 | 0:37:04 | |
and sometimes they want to do the pyrotechnics and the clever stuff | 0:37:04 | 0:37:08 | |
and you know what's gonna happen is the solvers are gonna phone in | 0:37:08 | 0:37:12 | |
and say, "This is far too clever, this chap thinks he's too clever, | 0:37:12 | 0:37:15 | |
"too much of himself, so sharp he'll cut himself", | 0:37:15 | 0:37:18 | |
that's a phrase that is often used, | 0:37:18 | 0:37:20 | |
so you just have to say whoa, no, no, no, just gently here. | 0:37:20 | 0:37:25 | |
They are supposed to solve these things. | 0:37:25 | 0:37:27 | |
"She may hope to succeed". | 0:37:27 | 0:37:30 | |
Mainly it's male crossword editors, but on The Telegraph, | 0:37:30 | 0:37:34 | |
it's always been a female Crossword Editor. | 0:37:34 | 0:37:37 | |
Heiress, heiress. I never know how to pronounce that. | 0:37:37 | 0:37:41 | |
Heiress. | 0:37:41 | 0:37:42 | |
When I got this job, I was absolutely delighted | 0:37:45 | 0:37:48 | |
and my sister looked at me askance and said, "What!" | 0:37:48 | 0:37:51 | |
She said, "That's the squarest job I've ever heard of", | 0:37:51 | 0:37:54 | |
she said, "and all you'll be doing all day is looking at squares!" | 0:37:54 | 0:37:58 | |
But now I'm very fond of squares. | 0:37:58 | 0:37:59 | |
Basically I have evil geniuses dotted around the world | 0:38:01 | 0:38:04 | |
who send me their puzzles. | 0:38:04 | 0:38:07 | |
I've got one in Oregon, one in France, | 0:38:07 | 0:38:09 | |
one in the West Country, one in Oxford, so I rarely see my setters. | 0:38:09 | 0:38:13 | |
They send me a text file, basically, | 0:38:13 | 0:38:16 | |
with the number of the grid and then the clues, and with this | 0:38:16 | 0:38:22 | |
clever bit of software, I build it into what you see in the paper. | 0:38:22 | 0:38:26 | |
Now isn't that magic! | 0:38:28 | 0:38:29 | |
And then I will take it into the kitchen with my cup of tea | 0:38:33 | 0:38:36 | |
and have a go at it as if it had just arrived on my doorstep. | 0:38:36 | 0:38:40 | |
Yes, of course I've got the answers, | 0:38:40 | 0:38:42 | |
if I need them, and sometimes I do need them, you know. | 0:38:42 | 0:38:45 | |
We don't all get every clue, | 0:38:45 | 0:38:48 | |
but I try and do it first without them, so that's fair, I think. | 0:38:48 | 0:38:51 | |
So you solve the crossword and make sure it | 0:38:55 | 0:38:57 | |
gets into the paper the right way and you answer the letters. | 0:38:57 | 0:39:01 | |
And there's a lot of letters. | 0:39:01 | 0:39:04 | |
'Dear Editor, your clues are deteriorating...' | 0:39:04 | 0:39:08 | |
'Recently it has not given either of us any pleasure...' | 0:39:08 | 0:39:11 | |
-'Five across...' -'And later I am still gazing at...' | 0:39:11 | 0:39:17 | |
'The clue has no bearing on the answer!' | 0:39:17 | 0:39:19 | |
There was one reader who I do really remember because | 0:39:19 | 0:39:22 | |
she complained about a clue. | 0:39:22 | 0:39:24 | |
The clue was wrong and she was incandescent on the phone, | 0:39:24 | 0:39:29 | |
and I said, "I'm very sorry, I do apologise, it was a mistake". | 0:39:29 | 0:39:33 | |
She said, "That's not good enough!" and you think, well, | 0:39:33 | 0:39:36 | |
what can I do? You can't undo the past, so I said, | 0:39:36 | 0:39:40 | |
"Madam, I will get back to you." | 0:39:40 | 0:39:43 | |
So I rang off and I thought what on earth am I going to do? | 0:39:43 | 0:39:46 | |
I phoned her back and I said, "I have fired the compiler" | 0:39:46 | 0:39:51 | |
and there was this deadly hush at the end of the phone, | 0:39:51 | 0:39:54 | |
because she suddenly realised she had over-reacted. | 0:39:54 | 0:39:57 | |
I hadn't actually fired the compiler but I thought this was a way... | 0:39:57 | 0:40:00 | |
and she said, "Oh. Well...well, maybe I was a little hasty". | 0:40:00 | 0:40:07 | |
I said "Well, we do take notice of our readers. | 0:40:07 | 0:40:12 | |
"Thank you very much, madam." | 0:40:12 | 0:40:13 | |
and I put down the phone and I gave her the fright of her life! | 0:40:13 | 0:40:16 | |
'Twenty two across, answer "amateur". Please explain...' | 0:40:16 | 0:40:20 | |
'I was politely told to buy myself a new Oxford dictionary...' | 0:40:20 | 0:40:24 | |
If there has been a mistake, there will be lots of shouting and, "What are you? Dyslexic?" | 0:40:24 | 0:40:29 | |
So I write back to everybody and if I've got something | 0:40:29 | 0:40:32 | |
wrong, you can do nothing but put your hands up and say I'm sorry. | 0:40:32 | 0:40:36 | |
But there was one... My favourite was something that actually wasn't my fault. | 0:40:36 | 0:40:40 | |
The advert was printed on top of the grid, so people couldn't see | 0:40:40 | 0:40:44 | |
the grid and they couldn't fill it in properly | 0:40:44 | 0:40:46 | |
and I just had a letter in from someone, | 0:40:46 | 0:40:48 | |
and it said on the top, "You made an arse of this!" | 0:40:48 | 0:40:51 | |
Which is my favourite! | 0:40:51 | 0:40:53 | |
People do take it very, very seriously and really over-seriously. | 0:40:55 | 0:40:59 | |
I have a friend who is a pilot, and I used to get very agitated | 0:41:01 | 0:41:04 | |
about this because people were quite abusive sometimes, | 0:41:04 | 0:41:07 | |
and he'd say, "Don't worry, Val". | 0:41:07 | 0:41:11 | |
He said, "Nobody dies, nobody dies. | 0:41:11 | 0:41:14 | |
"I make a mistake, people die. | 0:41:14 | 0:41:16 | |
"You make a mistake, it's a crossword puzzle!". | 0:41:16 | 0:41:19 | |
Let's talk about reversals. | 0:41:24 | 0:41:26 | |
This is a question of giving you the answer the wrong way round | 0:41:26 | 0:41:29 | |
and telling you that we're giving it you the wrong way round. | 0:41:29 | 0:41:33 | |
So, we all know that "pets" | 0:41:34 | 0:41:36 | |
is "step" backwards... | 0:41:36 | 0:41:39 | |
..and "reed" - R-E-E-D, is "deer" backwards, | 0:41:42 | 0:41:46 | |
and that is something that I've used in one of my clues here... | 0:41:46 | 0:41:50 | |
"Animal in grass rolling over". | 0:41:50 | 0:41:53 | |
"Animal in grass rolling over". | 0:41:54 | 0:41:57 | |
Actually, what's 'rolling over' isn't the animal, | 0:41:57 | 0:41:59 | |
it's the grass that's 'rolling over' and the grass happens to be reed... | 0:41:59 | 0:42:04 | |
R-E-E-D and if we roll that over, turn it around, | 0:42:04 | 0:42:09 | |
in a cross clue, we've got deer, D-E-E-R. | 0:42:09 | 0:42:14 | |
Paul, how often do you do the crossword? | 0:42:20 | 0:42:22 | |
Friday I treat myself to some mind games. | 0:42:22 | 0:42:25 | |
-And is it always The Telegraph? -It is. -That's a very good choice. | 0:42:25 | 0:42:29 | |
It's just about my level. | 0:42:29 | 0:42:30 | |
That's a good choice on Friday, because that's composed by the same man every Friday. | 0:42:30 | 0:42:35 | |
-I'd rather gathered that, over the last four weeks. -Yes. | 0:42:35 | 0:42:38 | |
He's called Don Manley on Friday. | 0:42:38 | 0:42:40 | |
And you will get to read his mind, won't you, and work out his tricks and so on? | 0:42:40 | 0:42:44 | |
-Yeah, indeed... -Work out his likes and dislikes. | 0:42:44 | 0:42:46 | |
What interests me is two down. | 0:42:46 | 0:42:48 | |
-On two down we've got "At last, restricting new spies in terms of resources". -Yes. | 0:42:48 | 0:42:54 | |
"At last" is likely to be finally, | 0:42:54 | 0:42:56 | |
and in the crossword world, "spies" is nearly always CIA. | 0:42:56 | 0:43:00 | |
OK. Well, that's a new one for me, you know. | 0:43:00 | 0:43:03 | |
Spies are always CIA, right. | 0:43:03 | 0:43:06 | |
So if you put "CIA" inside "finally", you'll get financially. | 0:43:06 | 0:43:10 | |
-Aah! -And that means "in terms of resources". | 0:43:10 | 0:43:13 | |
Very good. It's easy when you know. | 0:43:13 | 0:43:15 | |
But of course you had to know the code that spies | 0:43:15 | 0:43:18 | |
equals CIA, didn't you? | 0:43:18 | 0:43:19 | |
I did, but that's something I can keep with me. | 0:43:19 | 0:43:22 | |
-Thank you. -OK. | 0:43:22 | 0:43:23 | |
It is difficult. You do get coincidences in crosswords. | 0:43:25 | 0:43:29 | |
I very nearly got fired, | 0:43:29 | 0:43:31 | |
because there was a clue which was "outcry at Tory assassination" | 0:43:31 | 0:43:37 | |
and the solution was "blue murder". | 0:43:37 | 0:43:39 | |
Perfect clue, nothing wrong with it, | 0:43:39 | 0:43:41 | |
except it appeared on the day that a Tory was assassinated. | 0:43:41 | 0:43:45 | |
'The Conservative MP, Ian Gow, is murdered at his home in East Sussex, | 0:43:45 | 0:43:50 | |
killed by a bomb placed underneath his car. | 0:43:50 | 0:43:53 | |
It looks as though it's deliberate... | 0:43:53 | 0:43:55 | |
it's not deliberate. | 0:43:55 | 0:43:57 | |
One day, a few weeks ago there were two Picasso paintings found, | 0:43:57 | 0:44:01 | |
and the compiler of that day | 0:44:01 | 0:44:02 | |
had a Picasso clue which was absolutely coincidental, but that was like a happy coincidence. | 0:44:02 | 0:44:08 | |
I think what's sad is if something very bad has happened on the day | 0:44:08 | 0:44:11 | |
and there's something gone in the crossword about a plane crash or something, then | 0:44:11 | 0:44:15 | |
you don't want that to happen but it's inevitable, I think, sometimes. | 0:44:15 | 0:44:19 | |
I can remember one compiler, who is sadly now dead, | 0:44:19 | 0:44:22 | |
said that during 9/11, the Twin Towers, | 0:44:22 | 0:44:26 | |
he had a crossword on-line which had "Pentagon" | 0:44:26 | 0:44:32 | |
with "Jet" going through the first "E" in Pentagon, | 0:44:32 | 0:44:35 | |
and that was the centre of the crossword on that day. | 0:44:35 | 0:44:39 | |
It's coincidence... | 0:44:39 | 0:44:40 | |
but it doesn't look like it. | 0:44:40 | 0:44:43 | |
'Actress appearing with Frank Sinatra in 1954 -significant time' | 0:44:43 | 0:44:48 | |
- could be Doris Day. | 0:44:48 | 0:44:50 | |
That's quite cheeky. "F. Sinatra", so it will be D Day - wouldn't it? | 0:44:50 | 0:44:56 | |
There is a tale, | 0:45:05 | 0:45:06 | |
quite a well-known tale - the crossword, and D-Day. | 0:45:06 | 0:45:12 | |
In The Telegraph crossword, sort of April, May and early June, | 0:45:14 | 0:45:18 | |
several code words used in D-Day appeared in the crossword. | 0:45:18 | 0:45:23 | |
This was brought to the attention of MI5 how, I don't know. | 0:45:25 | 0:45:28 | |
I just have this lovely vision of MI5 sitting and solving their crosswords. | 0:45:28 | 0:45:34 | |
They hauled in then-compiler, Mr Dawe. | 0:45:34 | 0:45:37 | |
They gave him a good going-over and he just explained it was, | 0:45:37 | 0:45:42 | |
you know, coincidence. | 0:45:42 | 0:45:44 | |
He was a schoolmaster, as well as a compiler and his school | 0:45:44 | 0:45:48 | |
was evacuated during the War down to the West Country, | 0:45:48 | 0:45:52 | |
and one of the pupils, Ronald French was his name, he used to go to where | 0:45:52 | 0:45:59 | |
his mother worked in the Canadian Forces canteen, and they mixed with | 0:45:59 | 0:46:04 | |
the Canadian soldiers, and they banded around the code words | 0:46:04 | 0:46:08 | |
for D-Day all the time. | 0:46:08 | 0:46:10 | |
What had happened was that what Dawe used to do | 0:46:12 | 0:46:16 | |
was he would get boys in to fill in the grid as part of detention. | 0:46:16 | 0:46:21 | |
And one day Ronald, for some reason or other, put all these words in. | 0:46:23 | 0:46:28 | |
We still don't know really about the code words. | 0:46:31 | 0:46:35 | |
It probably was just coincidence, | 0:46:35 | 0:46:38 | |
but it's a lovely story and it goes on and on and on. | 0:46:38 | 0:46:41 | |
I'm an artist and I was commissioned by Art on the Underground to produce | 0:46:54 | 0:46:58 | |
a project for Stanmore Station. | 0:46:58 | 0:47:00 | |
The project I decided to create uses crosswords at the core to represent | 0:47:04 | 0:47:08 | |
members of the community. | 0:47:08 | 0:47:10 | |
When I was doing research for the project, | 0:47:11 | 0:47:13 | |
I uncovered this really amazing poster in the archive of the | 0:47:13 | 0:47:18 | |
Transport Museum and the poster had a crossword on it | 0:47:18 | 0:47:21 | |
and it had a title that said "The Cockney Crossword". | 0:47:21 | 0:47:24 | |
The leaflet that went with this poster was actually | 0:47:24 | 0:47:28 | |
informing people how to behave in the tunnels during the Blitz. | 0:47:28 | 0:47:31 | |
People went down into the platforms | 0:47:37 | 0:47:39 | |
and actually would probably stay there most of the night | 0:47:39 | 0:47:42 | |
while there was an air raid going on. | 0:47:42 | 0:47:45 | |
But the crossword was being used, and it was something people could | 0:47:47 | 0:47:51 | |
share and that's sort of partly what I was interested in. | 0:47:51 | 0:47:54 | |
I used to go to school in Stanmore. | 0:47:55 | 0:47:57 | |
I used to travel past what was then an army barracks | 0:47:57 | 0:48:01 | |
and as I was doing research for the project I discovered that this army | 0:48:01 | 0:48:04 | |
barracks was actually once an out-station to Bletchley Park. | 0:48:04 | 0:48:08 | |
I suppose a piece of historical trivia that really grabbed my attention was that one of the main | 0:48:09 | 0:48:15 | |
recruitment exercises for recruiting code-breakers | 0:48:15 | 0:48:19 | |
was if you could complete the Daily Telegraph crossword | 0:48:19 | 0:48:22 | |
in under twelve minutes, | 0:48:22 | 0:48:23 | |
you had the potential to be a code-breaker, | 0:48:23 | 0:48:26 | |
so that's the connection between crosswords, Stanmore and Bletchley Park. | 0:48:26 | 0:48:30 | |
The commuter will be able to pick up a crossword booklet | 0:48:35 | 0:48:38 | |
which contains all the crosswords in the series | 0:48:38 | 0:48:41 | |
from any station along the Jubilee Line. | 0:48:41 | 0:48:45 | |
The only way you'll get the solutions to the crosswords is by actually travelling | 0:48:45 | 0:48:49 | |
to the end of the line and finding the solutions embedded in | 0:48:49 | 0:48:52 | |
the artwork at Stanmore Station. | 0:48:52 | 0:48:54 | |
Thanks all for coming here today. | 0:49:09 | 0:49:11 | |
You've all really helped me to get to this point of the project and I | 0:49:11 | 0:49:15 | |
just want to show you a piece of the work that will go up in the atrium | 0:49:15 | 0:49:19 | |
space that we're standing below. | 0:49:19 | 0:49:22 | |
All these puzzles we've created are really important, | 0:49:22 | 0:49:25 | |
they're not just puzzles, they're portraits, | 0:49:25 | 0:49:28 | |
so I wanted to put them into something grand | 0:49:28 | 0:49:30 | |
and sort of elevate this everyday thing, a crossword puzzle, | 0:49:30 | 0:49:33 | |
into something much more important. | 0:49:33 | 0:49:36 | |
'My initial idea was that I wanted each crossword | 0:49:36 | 0:49:39 | |
'that was produced to represent a group or a member of the community | 0:49:39 | 0:49:43 | |
'that I'd had a conversation with. | 0:49:43 | 0:49:45 | |
'A lot of my work stems from the conversation.' | 0:49:45 | 0:49:48 | |
I think I'll reveal the artwork. | 0:49:49 | 0:49:51 | |
Ooh! Isn't that beautiful! | 0:49:54 | 0:49:56 | |
We'll have these up and they'll be about two metres by two metres, | 0:49:58 | 0:50:02 | |
sort of squared, so they're gonna be pretty large, so | 0:50:02 | 0:50:05 | |
you can sort of look up and be able | 0:50:05 | 0:50:07 | |
to read the words, so it's the Sistine Chapel of Stanmore! | 0:50:07 | 0:50:11 | |
I think it's beautiful, | 0:50:15 | 0:50:17 | |
and I also feel like it's a bit like I've been let into a secret society, | 0:50:17 | 0:50:21 | |
with the whole cryptic crossword thing because I thought | 0:50:21 | 0:50:24 | |
originally I couldn't really get into them, but now I know the secrets. | 0:50:24 | 0:50:28 | |
I feel slightly...I feel good about it now... slightly. | 0:50:28 | 0:50:31 | |
One of the easiest types of clue to spot is the hidden clue. | 0:50:36 | 0:50:40 | |
Hidden ones are quite easy, usually, | 0:50:42 | 0:50:44 | |
because you've got all the letters in front of you. | 0:50:44 | 0:50:47 | |
The setter is actually saying 'hey, the needle might be in the haystack, | 0:50:47 | 0:50:51 | |
'but it's there, just find it'. | 0:50:51 | 0:50:53 | |
"Member of an ancient people in epic tale". | 0:50:53 | 0:50:58 | |
That little word "in" | 0:50:58 | 0:51:00 | |
is the secret here. | 0:51:00 | 0:51:02 | |
That tells you in this particular clue to look inside "epic tale" | 0:51:02 | 0:51:09 | |
and if you look in "epic tale", you see P-I-C-T, and you pick out | 0:51:09 | 0:51:17 | |
the P-I-C-T and you've got Pict, | 0:51:17 | 0:51:19 | |
who's a member of an ancient people. | 0:51:19 | 0:51:22 | |
Language always changes. | 0:51:25 | 0:51:26 | |
If it stayed the same, we'd be as dead as dodos. | 0:51:26 | 0:51:29 | |
I was Crossword Editor for a long time on The Telegraph, thirty years, | 0:51:29 | 0:51:33 | |
and in that time, the word changed so much. | 0:51:33 | 0:51:37 | |
I knocked out a few phrases that modern youth would never have heard | 0:51:37 | 0:51:41 | |
of and I was hard pushed at and I gradually brought in things like | 0:51:41 | 0:51:46 | |
bits and bites and RAMS and computer language, | 0:51:46 | 0:51:50 | |
but you do it very, very gradually and you change the meaning | 0:51:50 | 0:51:53 | |
of words very, very gradually and you cheat with the dictionary, | 0:51:53 | 0:51:56 | |
but that's half the fun - | 0:51:56 | 0:51:57 | |
finding words that do mean different things, like RAMS, they can be sheep | 0:51:57 | 0:52:01 | |
or things in computers, and that's the fun of it. | 0:52:01 | 0:52:05 | |
Phrases creep into everyday use | 0:52:10 | 0:52:13 | |
and when they're new, a crossword compiler will seize on them | 0:52:13 | 0:52:17 | |
and I'd a complaint from a couple of older guys one day who got in touch | 0:52:17 | 0:52:23 | |
with me and said, "Can you solve fifteen across in today's paper?" | 0:52:23 | 0:52:27 | |
and it was a clue about music and the answer was "gangsta rap"... | 0:52:27 | 0:52:31 | |
"gangsta" spelt with the "A" on the end in the correct way, | 0:52:31 | 0:52:34 | |
and these two guys had just never heard of it because they were | 0:52:34 | 0:52:37 | |
Radio 3 merchants, if you like! | 0:52:37 | 0:52:39 | |
Clues can become a little bit more modern. | 0:52:39 | 0:52:42 | |
I know my compilers are very fond of drug references, often have letters | 0:52:42 | 0:52:46 | |
in from people saying, "are they all addicts?", | 0:52:46 | 0:52:48 | |
but things like the fact that you can have an "E" | 0:52:48 | 0:52:51 | |
now has really helped them, | 0:52:51 | 0:52:53 | |
so Ecstasy has come into The Telegraph crossword society. | 0:52:53 | 0:52:57 | |
There was a gentleman called Dean Inge the compilers were very, very fond of in the '70s and '80s | 0:53:00 | 0:53:06 | |
and he was from Victorian times | 0:53:06 | 0:53:07 | |
and he was synonymous with gloom, so if you said, you know, "gloomy Dean" | 0:53:07 | 0:53:13 | |
the solution would be "Inge". Most people, you know, had not | 0:53:13 | 0:53:16 | |
a notion who this chap was, so I said "no more Dean Inge". | 0:53:16 | 0:53:20 | |
The daily newspapers tend to concentrate on relatively straightforward clues, | 0:53:24 | 0:53:30 | |
but they can get very sophisticated indeed. | 0:53:30 | 0:53:34 | |
Every now and again you can do a very special clue called the "& lit" | 0:53:39 | 0:53:44 | |
and literally, where the definition | 0:53:44 | 0:53:48 | |
and the anagram of whatever it is, cover the whole length of the clue | 0:53:48 | 0:53:55 | |
and the whole clue can be read in two different ways. | 0:53:55 | 0:54:01 | |
Here's a hidden "& lit". | 0:54:01 | 0:54:03 | |
"Part of it'it"...now that's now it's an apostrophe I-T, | 0:54:03 | 0:54:09 | |
"..an iceberg". | 0:54:09 | 0:54:11 | |
Seven letters, and we all know what hit an iceberg, don't we? | 0:54:11 | 0:54:14 | |
The Titanic, right? Now look at the clue. | 0:54:14 | 0:54:18 | |
It's a hidden clue, isn't it? | 0:54:18 | 0:54:20 | |
"Part of it 'it an iceberg". | 0:54:20 | 0:54:23 | |
"Part of it 'it an iceberg" gives you "T", | 0:54:23 | 0:54:25 | |
then the "I-T", from apostrophe "I-T"... | 0:54:25 | 0:54:28 | |
we've cheated there, obviously, "an" - A-N, | 0:54:28 | 0:54:31 | |
I-C from "iceberg" | 0:54:31 | 0:54:33 | |
so the whole clue | 0:54:33 | 0:54:35 | |
is doing the thing in two different ways, | 0:54:35 | 0:54:39 | |
and that's a very special clue that we all try to strive for. | 0:54:39 | 0:54:43 | |
"Some in Commons term Mrs T one, abusively". | 0:54:44 | 0:54:51 | |
This is in the days when Margaret Thatcher | 0:54:51 | 0:54:54 | |
was still playing Mrs and it refers to her. | 0:54:54 | 0:54:58 | |
You may notice that "Some in Commons term" part of | 0:54:59 | 0:55:03 | |
the two word phrase "Commons term" | 0:55:03 | 0:55:06 | |
is M-O-N-S-T-E-R, but... | 0:55:06 | 0:55:11 | |
there's more to it than that. | 0:55:11 | 0:55:13 | |
"Mrs T one abusively" | 0:55:13 | 0:55:16 | |
suggests an anagram of "Mrs T One" | 0:55:16 | 0:55:20 | |
and an anagram of Mrs T One is "monster". | 0:55:20 | 0:55:25 | |
It's a multi-layered clue which is, I think, quite brilliant. | 0:55:25 | 0:55:29 | |
Now then for some reason, Wagner has been one of my | 0:55:30 | 0:55:34 | |
greatest heroes in life and therefore, Morse's great hero. | 0:55:34 | 0:55:39 | |
No woman would put up with me... | 0:55:40 | 0:55:42 | |
I play my records too loud. | 0:55:42 | 0:55:44 | |
You could get her ear plugs. | 0:55:44 | 0:55:47 | |
And he once told, and it's at the top of one of the chapters, | 0:55:49 | 0:55:54 | |
"We'll get excited with ring seat" | 0:55:54 | 0:55:57 | |
and the "ring seat", of course, | 0:55:57 | 0:55:59 | |
is a seat - a jolly good seat, going to see the Ring Of The Nibelung. | 0:55:59 | 0:56:05 | |
What we've got is W-E | 0:56:05 | 0:56:09 | |
"with ring seat" | 0:56:09 | 0:56:11 | |
and then "get excited". | 0:56:11 | 0:56:13 | |
The letters get jumbled around, moved around, "excited", | 0:56:13 | 0:56:17 | |
with "ring", | 0:56:17 | 0:56:19 | |
and that is Wagnerites. | 0:56:19 | 0:56:22 | |
Can you solve the first ever crossword clue | 0:56:31 | 0:56:34 | |
-that I wrote as a child? -Go on, then. -At 14 years old. | 0:56:34 | 0:56:37 | |
-And what's the clue? -"Imperative he fetch his fruit". | 0:56:37 | 0:56:40 | |
-Imperative what? -"Imperative he fetch his fruit". | 0:56:40 | 0:56:43 | |
-Imperative he fetch his fruit?". -Yeah. Five letters. | 0:56:43 | 0:56:46 | |
-Yeah. First letter is? -M. | 0:56:46 | 0:56:48 | |
M? Melon. | 0:56:48 | 0:56:49 | |
How would that be, "Imperative he fetch his fruit"? | 0:56:49 | 0:56:51 | |
-I know! -You're a crossword doctor! -I know I am. -I'm a simple man. | 0:56:51 | 0:56:55 | |
I'm a writer. I'm a simple man. | 0:56:55 | 0:56:56 | |
-"Imperative he fetch his fruit?". -Yeah. | 0:56:56 | 0:56:59 | |
-It may not be a very sound clue, is it? -It's a very sound clue. | 0:56:59 | 0:57:02 | |
Oh, God, yes, absolutely entomologically the most sound... | 0:57:02 | 0:57:05 | |
it's all sewn up, baby! | 0:57:05 | 0:57:07 | |
-It ends in "O", the last letter is "O". -It ends in O? Mango. Mango. | 0:57:07 | 0:57:10 | |
There you go. Man-go. "Imperative he fetch his fruit"... Man go, that's an imperative. | 0:57:10 | 0:57:15 | |
Crossword doctor, crossword schmoctor! | 0:57:15 | 0:57:18 | |
There it is. That's our puzzle | 0:57:35 | 0:57:38 | |
and I hope you've enjoyed looking at it. | 0:57:38 | 0:57:40 | |
Going from this simple definition in the foothills | 0:57:43 | 0:57:48 | |
of these rather tedious mountains up to the top of Everest, | 0:57:48 | 0:57:51 | |
it's analogous to opening the doors of delight, isn't it? | 0:57:51 | 0:57:56 | |
Fashions change, intellectuals' fashions change, | 0:58:02 | 0:58:05 | |
but you know, I'm quite sure that the crossword will still be with us | 0:58:05 | 0:58:08 | |
when my grandson is an old man. | 0:58:08 | 0:58:10 | |
There's something about it, and I know so many people who | 0:58:10 | 0:58:14 | |
just turn straight to the back page | 0:58:14 | 0:58:15 | |
and I understand that, as a former journalist why they might. | 0:58:15 | 0:58:19 | |
I meet university students doing it and I think, | 0:58:20 | 0:58:24 | |
oh, they've just started doing the crossword! Yes! | 0:58:24 | 0:58:27 | |
Which is really, really exciting...for me, anyway. | 0:58:27 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 | |
E-mail [email protected] | 0:58:51 | 0:58:54 |