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MUSIC: "In An English Country Garden" | 0:00:02 | 0:00:06 | |
Britain has gone gardening mad. | 0:00:06 | 0:00:08 | |
Most of us have got the gardening bug, and we now spend more of | 0:00:08 | 0:00:13 | |
our hard-earned cash on our gardens than any other nation in Europe. | 0:00:13 | 0:00:17 | |
-It's a story of how gardening went from this... -Welcome once again to our Gardening Club. | 0:00:17 | 0:00:22 | |
..and started being like this. | 0:00:22 | 0:00:25 | |
Almost without knowing it, we've been through a revolution. | 0:00:25 | 0:00:29 | |
One that tells a story of how our lives as well as our gardens | 0:00:29 | 0:00:32 | |
have changed beyond recognition. | 0:00:32 | 0:00:34 | |
So, just how did Britain get the gardening bug? | 0:00:34 | 0:00:39 | |
The story starts in 1940, and Britain was at war. | 0:00:51 | 0:00:55 | |
Life as we knew it came to a standstill, | 0:00:55 | 0:00:59 | |
and while the men were sent to fight, everyone left back at home | 0:00:59 | 0:01:03 | |
was conscripted into their own war effort. | 0:01:03 | 0:01:05 | |
The patriotic duty to grow as much veg as we possibly could. | 0:01:05 | 0:01:09 | |
It was the London Evening Standard - a headline on one of their leaders | 0:01:12 | 0:01:16 | |
came up with the Dig for Victory phrase. | 0:01:16 | 0:01:19 | |
The Government then embraced it, of course, | 0:01:21 | 0:01:23 | |
and what they urged us to do was to turn over every piece | 0:01:23 | 0:01:26 | |
of available and productive land into vegetable production. | 0:01:26 | 0:01:30 | |
MUSIC: "The Sun Has Got His Hat On" | 0:01:30 | 0:01:34 | |
The Government issued information | 0:01:38 | 0:01:40 | |
to advise and instruct people how to grow vegetables. | 0:01:40 | 0:01:43 | |
Beautiful posters, which are now very collectible, | 0:01:43 | 0:01:45 | |
with the Dig for Victory logo emblazoned across it. | 0:01:45 | 0:01:49 | |
I think it also was a really important part of the war effort, | 0:01:49 | 0:01:54 | |
socially and culturally, people felt that they were playing a part. | 0:01:54 | 0:01:58 | |
Across the country, great open public spaces | 0:01:58 | 0:02:01 | |
were full of vegetable growing. It was a marvellous endeavour. | 0:02:01 | 0:02:06 | |
'There may be room for vegetables on your Anderson shelter. | 0:02:06 | 0:02:09 | |
'Or in the backyard. Or even on that flat bit of roof.' | 0:02:09 | 0:02:14 | |
Dig for Victory was an incredibly important propaganda moment. | 0:02:14 | 0:02:18 | |
People like Potato Pete, | 0:02:18 | 0:02:20 | |
this character who was exhorting you to eat him, | 0:02:20 | 0:02:23 | |
a sort of cannibalistic, | 0:02:23 | 0:02:25 | |
he was like that Bertie Bassett liquorice man, in a way. | 0:02:25 | 0:02:29 | |
'Put your garden on war service. If you haven't got a garden, | 0:02:29 | 0:02:32 | |
'go to your local council office and ask for an allotment.' | 0:02:32 | 0:02:35 | |
Digging for victory was a serious business, | 0:02:40 | 0:02:42 | |
and, coupled with our healthy waste not, want not attitude, | 0:02:42 | 0:02:45 | |
soon led to Britain's first ever potato peeling patrol. | 0:02:45 | 0:02:48 | |
Dearly beloved brethren, is it not a sin | 0:02:48 | 0:02:51 | |
when you peel potatoes, to throw away the skin? | 0:02:51 | 0:02:54 | |
The skin feeds the pigs. The pigs feed us. | 0:02:54 | 0:02:57 | |
Dearly beloved brethren, is it not thus? | 0:02:57 | 0:03:00 | |
As well as the vegetables, there were things called pig clubs. | 0:03:00 | 0:03:05 | |
6,900 of them, I think. | 0:03:05 | 0:03:08 | |
Groups of gardeners got together and they bought a pig, | 0:03:08 | 0:03:11 | |
and it fed off vegetable and kitchen scraps. | 0:03:11 | 0:03:13 | |
Finally, at the end of the day, down to the kitchen | 0:03:13 | 0:03:16 | |
and they shared it amongst the people who had reared it. | 0:03:16 | 0:03:20 | |
'The black pig is Romeo. The white one, she's Juliet. | 0:03:20 | 0:03:23 | |
'But so far, there's no balcony scene. | 0:03:23 | 0:03:26 | |
'When they grow a little bigger, well, that'll be another story. | 0:03:26 | 0:03:30 | |
'A sad one for Romeo and Juliet.' | 0:03:30 | 0:03:32 | |
The Dig for Victory campaign grew and grew. | 0:03:35 | 0:03:37 | |
Everywhere you looked, people were digging up parks, playing fields, | 0:03:37 | 0:03:41 | |
flower beds and lawns. What the nation needed was a gardening guru. | 0:03:41 | 0:03:44 | |
And before long, the first gardening celebrity was born. | 0:03:44 | 0:03:47 | |
Where else but on the wireless? | 0:03:47 | 0:03:50 | |
-'Good afternoon... Ahem!' -Well, when we say "celebrity"... | 0:03:50 | 0:03:53 | |
'I suppose one of the most difficult jobs to explain | 0:03:53 | 0:03:57 | |
'over the wireless is the pruning of fruit trees.' | 0:03:57 | 0:04:00 | |
Cecil Middleton was a phenomenon | 0:04:00 | 0:04:03 | |
before and during the Second World War. | 0:04:03 | 0:04:05 | |
He started his broadcasting on the wireless in 1931. | 0:04:05 | 0:04:09 | |
On the Home Service he was getting 3.5 million. | 0:04:09 | 0:04:13 | |
Eat your heart out, Gardener's World. | 0:04:13 | 0:04:16 | |
'My general advice to amateurs is, | 0:04:16 | 0:04:18 | |
'if you don't know why you are making a certain cut, don't make it at all.' | 0:04:18 | 0:04:23 | |
I remember one of his homespun phrases was, | 0:04:23 | 0:04:26 | |
"The harder we did for victory, the sooner the roses will be with us." | 0:04:26 | 0:04:30 | |
For the women left at home, the war effort was seriously hard work. | 0:04:32 | 0:04:35 | |
The Women's Land Army mobilised 80,000 of us. | 0:04:35 | 0:04:39 | |
Women were suddenly in charge. | 0:04:39 | 0:04:42 | |
We may have only been digging up potatoes, but this change | 0:04:42 | 0:04:46 | |
paved the way for the emancipation of women in years to come. | 0:04:46 | 0:04:49 | |
I think the Land Army and the work that women did | 0:04:49 | 0:04:53 | |
through the Second World War almost put women on an equal basis. | 0:04:53 | 0:04:57 | |
They worked machinery, drove tractors, | 0:04:57 | 0:04:59 | |
the big heavy work that nobody would have expected of them previously. | 0:04:59 | 0:05:03 | |
I think actually it liberated a lot of women, it allowed them to do | 0:05:03 | 0:05:07 | |
men's work. And also played an important role in the war effort. | 0:05:07 | 0:05:11 | |
They became confident. I'm sure a lot of men had a horrible surprise | 0:05:11 | 0:05:16 | |
when they came back and found their housewives had turned | 0:05:16 | 0:05:19 | |
into these very sturdy strong confident women. | 0:05:19 | 0:05:22 | |
Whilst the war affected everyone's lives, | 0:05:22 | 0:05:25 | |
it didn't start us gardening as a nation. | 0:05:25 | 0:05:28 | |
We Brits already had a grand tradition of gardening, | 0:05:28 | 0:05:31 | |
-as only a nation who ruled the world could. -I think, before the war, | 0:05:31 | 0:05:35 | |
even the middle classes would have a jobbing gardener, um, and so... | 0:05:35 | 0:05:42 | |
I think a lot of middle class people | 0:05:42 | 0:05:44 | |
didn't actually do a lot of gardening themselves. | 0:05:44 | 0:05:47 | |
Before the Second World War, in the inter war years, | 0:05:47 | 0:05:50 | |
there were still very large gardens with large forces of gardeners, | 0:05:50 | 0:05:54 | |
really the Victorian set-up, with the head gardener, | 0:05:54 | 0:05:57 | |
and a strictly hierarchical order of men working under him. | 0:05:57 | 0:06:01 | |
The Second World War really caused the end of that system. | 0:06:01 | 0:06:04 | |
# Keep the home fires burning... # | 0:06:04 | 0:06:07 | |
Professional gardeners went off to the war to fight, | 0:06:07 | 0:06:10 | |
didn't always come back to be gardeners. | 0:06:10 | 0:06:13 | |
Ended up somewhere else. | 0:06:13 | 0:06:14 | |
And also I think deference had taken a great hit during the war. | 0:06:14 | 0:06:18 | |
I think Dig for Victory did give people a sense... | 0:06:23 | 0:06:27 | |
it certainly did teach some people how to start vegetable gardening, | 0:06:27 | 0:06:31 | |
particularly in the very inner city areas. I think maybe, | 0:06:31 | 0:06:34 | |
maybe it may have led to an idea | 0:06:34 | 0:06:36 | |
that your yard could be used for something else. | 0:06:36 | 0:06:40 | |
# You shake my nerves and you rattle my brain | 0:06:42 | 0:06:46 | |
# Too much love drives a man insane... # | 0:06:46 | 0:06:49 | |
The 1950s came along. | 0:06:49 | 0:06:51 | |
And, in the face of austerity, we got on with life as best we could. | 0:06:51 | 0:06:55 | |
Being choked to death by air pollution and surviving on rations. | 0:06:55 | 0:06:59 | |
We realised that gardening might actually cheer us up. | 0:06:59 | 0:07:03 | |
Especially as, on Sundays in the fifties, | 0:07:03 | 0:07:05 | |
there wasn't a fat lot else to do. | 0:07:05 | 0:07:08 | |
In those days, you couldn't go racing, you couldn't go to football. | 0:07:08 | 0:07:12 | |
You couldn't go shopping. | 0:07:12 | 0:07:14 | |
And I think, for a lot of people, | 0:07:15 | 0:07:17 | |
gardening was what you did on a Sunday afternoon. | 0:07:17 | 0:07:20 | |
The earliest recollection of why people did it | 0:07:20 | 0:07:22 | |
was because there wasn't a lot of other things to do, | 0:07:22 | 0:07:25 | |
and there was a real pride in their front patch. | 0:07:25 | 0:07:28 | |
They didn't want to be shown up by their neighbours or anybody else. | 0:07:28 | 0:07:32 | |
After the war, you had | 0:07:36 | 0:07:37 | |
all these little houses with little backyards. | 0:07:37 | 0:07:40 | |
And it's where you kept the outside loo, where you hung the washing. | 0:07:40 | 0:07:44 | |
And it was a purely functional area. | 0:07:44 | 0:07:47 | |
The yard mainly was for storing things like coal and wood. | 0:07:47 | 0:07:52 | |
There was a shed and often a privy, and people would keep it like that. | 0:07:52 | 0:07:55 | |
There wasn't a single garden, | 0:07:55 | 0:07:57 | |
back garden, in our row that I can remember. They were all little yards. | 0:07:57 | 0:08:01 | |
It is all about plumbing. If you can move the loo inside, then suddenly | 0:08:01 | 0:08:05 | |
you have got an area that doesn't smell. And you have got a shed. | 0:08:05 | 0:08:10 | |
And that yard then becomes a garden. | 0:08:10 | 0:08:13 | |
The Chelsea Flower Show, which had been cancelled during the war, | 0:08:22 | 0:08:26 | |
made a comeback, bringing a bit of glamour into | 0:08:26 | 0:08:29 | |
our rather dismal lives and fuelling our imaginations. | 0:08:29 | 0:08:32 | |
We flocked there in out droves, collecting all sorts of colourful | 0:08:33 | 0:08:37 | |
pick-me-ups to take home and plonk into our borders. | 0:08:37 | 0:08:40 | |
I think the people who went to Chelsea at that time - | 0:08:42 | 0:08:46 | |
really up until recent years - | 0:08:46 | 0:08:48 | |
um...would have been... It was the start of the season. | 0:08:48 | 0:08:53 | |
So it was a place to be seen. | 0:08:53 | 0:08:55 | |
'Ah, here's Harry Wheatcroft, the rose grower. | 0:08:55 | 0:08:58 | |
-'No show is complete without him.' -Yes, Harry Wheatcroft. | 0:08:58 | 0:09:03 | |
I can remember a large man with a moustache, | 0:09:03 | 0:09:07 | |
and maybe a checked jacket. | 0:09:07 | 0:09:09 | |
'Then come the thousands of visitors. | 0:09:09 | 0:09:12 | |
'Garden lovers, all of them, from every walk of life.' | 0:09:12 | 0:09:16 | |
It was a place to take your gardener, perhaps, and order this or that. | 0:09:16 | 0:09:19 | |
But really it was just a social event, rather than a flower show | 0:09:19 | 0:09:24 | |
in the way that we know them now. | 0:09:24 | 0:09:26 | |
'But on Friday night, the show must come to an end. | 0:09:27 | 0:09:30 | |
'The gardens are dismantled, and in a few days the huge marquees | 0:09:30 | 0:09:33 | |
'have disappeared, and nothing left but the scars on the turf.' | 0:09:33 | 0:09:37 | |
# This old house once knew his children... # | 0:09:41 | 0:09:45 | |
One of the big post-war priorities was creating | 0:09:45 | 0:09:48 | |
new housing for returning servicemen and their families. | 0:09:48 | 0:09:51 | |
Before we knew it, 160,000 prefabs were built, | 0:09:51 | 0:09:56 | |
each with its little, and we mean little, plot. | 0:09:56 | 0:10:00 | |
Post war, a lot of prefabs went up, so people just immediately | 0:10:00 | 0:10:04 | |
had somewhere to live. And I think most people know that | 0:10:04 | 0:10:07 | |
they ended up staying up much longer than was originally intended. | 0:10:07 | 0:10:11 | |
Imagine again all those years of the war, not knowing, | 0:10:11 | 0:10:16 | |
not having any certainty about home life, and, even though it was a box, | 0:10:16 | 0:10:20 | |
they had something to call home, with a little patch of ground in front. | 0:10:20 | 0:10:25 | |
Since the war, nobody has tried to invade us - | 0:10:25 | 0:10:29 | |
always helpful if you are being a gardener. If nobody tries to invade, | 0:10:29 | 0:10:33 | |
you look at the area around your house and you can make it prettier. | 0:10:33 | 0:10:36 | |
# As I walked home on a summer night | 0:10:36 | 0:10:39 | |
# And the stars in the heaven were shining bright | 0:10:39 | 0:10:43 | |
# Far away from the footlights' glare | 0:10:43 | 0:10:45 | |
# Into the sweet and scented air of a quaint old Cornish town... # | 0:10:45 | 0:10:50 | |
The garden was used for sitting out when it was sunny. | 0:10:50 | 0:10:55 | |
You never thought of going out, I never thought anyhow | 0:10:55 | 0:10:58 | |
of going out and doing anything constructive in the garden. | 0:10:58 | 0:11:02 | |
And if it was hot and sunny, you sat out of it. | 0:11:02 | 0:11:04 | |
It wasn't a thing of beauty and a joy forever. Well, it was, | 0:11:04 | 0:11:08 | |
but beauty in your eyes then, not, as it is now, an extra room. | 0:11:08 | 0:11:12 | |
It was a place where you went when it was hot. | 0:11:12 | 0:11:15 | |
I don't think one had many meals outside either. | 0:11:15 | 0:11:17 | |
If you wanted a meal outside, you went on a picnic. | 0:11:17 | 0:11:20 | |
# I thought I could hear the curious tone | 0:11:20 | 0:11:23 | |
# Of a cornet, clarinet and big trombone | 0:11:23 | 0:11:25 | |
# Fiddle, cello, big bass drum | 0:11:25 | 0:11:27 | |
# Bassoon, fleet and euphonium | 0:11:27 | 0:11:29 | |
# Far away I was in a trance | 0:11:29 | 0:11:31 | |
# I heard the sound of the floral dance... # | 0:11:31 | 0:11:35 | |
Well, in gardens in the 1950s, I think there was a division | 0:11:35 | 0:11:38 | |
between bits of the garden as there were inside the house. | 0:11:38 | 0:11:42 | |
And in a way, if you can think of the front garden as the front room, | 0:11:42 | 0:11:45 | |
that was the showpiece, and perhaps nobody really went there very much. | 0:11:45 | 0:11:49 | |
You'd have a round bed with a big shrub in the middle, | 0:11:49 | 0:11:52 | |
maybe a fuchsia or something. | 0:11:52 | 0:11:53 | |
Petunias or something planted out around it in the summertime. | 0:11:53 | 0:11:57 | |
And in the back, you might have a tiny little square of lawn | 0:11:57 | 0:12:00 | |
which again was very carefully kept. | 0:12:00 | 0:12:02 | |
And it would devolve into vegetables very often. | 0:12:02 | 0:12:05 | |
It wasn't really used for leisure purposes. | 0:12:05 | 0:12:08 | |
People weren't having barbecues or having Jacuzzis | 0:12:08 | 0:12:11 | |
with built in stereos. Things people have nowadays. | 0:12:11 | 0:12:14 | |
Our post war love of colour was essential in the fifties garden. | 0:12:19 | 0:12:24 | |
Livingstone daisies, dahlias and roses were all the rage. | 0:12:24 | 0:12:28 | |
What we had in most back gardens in this country was really the style | 0:12:28 | 0:12:33 | |
in a way which we still have, this basic structure of it. | 0:12:33 | 0:12:37 | |
It's a sort of miniaturised version of Arts and Crafts style | 0:12:37 | 0:12:40 | |
of the early part of the 20th century. | 0:12:40 | 0:12:42 | |
So you have features like, for example, crazy paving, | 0:12:42 | 0:12:46 | |
which lot of people laugh about today. | 0:12:46 | 0:12:49 | |
In the 1920s, crazy paving was the height of sophistication. | 0:12:49 | 0:12:54 | |
Then you have elements, like a sundial for example. | 0:12:54 | 0:12:58 | |
A quintessential Arts and Crafts feature. | 0:12:58 | 0:13:00 | |
You might have that in a suburban back garden as well. | 0:13:00 | 0:13:03 | |
Or you had a wishing well. | 0:13:03 | 0:13:05 | |
But at the same time, there was this great emphasis, I think, | 0:13:07 | 0:13:10 | |
particularly in the early fifties, on bright colour. If you look | 0:13:10 | 0:13:13 | |
at gardening books at this time, it's not helped by the fact | 0:13:13 | 0:13:16 | |
colour photography reproduction in books is very smudgy, | 0:13:16 | 0:13:20 | |
and you open them up and you get this kind of smudgy red or purple | 0:13:20 | 0:13:24 | |
kind of zinging out at you. Of course, it's to do with the fact | 0:13:24 | 0:13:28 | |
that we'd just been through this terrible war, | 0:13:28 | 0:13:31 | |
and in austerity, there was still rationing going on. | 0:13:31 | 0:13:34 | |
# Inch by inch, row by row | 0:13:34 | 0:13:38 | |
# We'll make this garden grow | 0:13:39 | 0:13:42 | |
# All it takes is a rake and a hoe | 0:13:42 | 0:13:45 | |
# And a piece of furrowed ground... # | 0:13:45 | 0:13:48 | |
We'd perfected our veg growing skills during the war, | 0:13:48 | 0:13:52 | |
but when it came to planting anything ornamental, | 0:13:52 | 0:13:55 | |
the truth is, most of us were still just learning the ropes. | 0:13:55 | 0:13:59 | |
I think, before the war, it was very much a question | 0:13:59 | 0:14:02 | |
of people passing on plants. | 0:14:02 | 0:14:04 | |
Not a lot of people would have ordered things, | 0:14:04 | 0:14:07 | |
not unless they were rather well-to-do. | 0:14:07 | 0:14:09 | |
After the war, people started to sort of... | 0:14:13 | 0:14:17 | |
experiment a little bit with seeds, but it was difficult. | 0:14:17 | 0:14:21 | |
You couldn't walk into a place and see great arrays of seed. | 0:14:21 | 0:14:24 | |
You had to get a catalogue, you had to try and find out | 0:14:24 | 0:14:27 | |
what those plants were. How did you find out? | 0:14:27 | 0:14:30 | |
You had no websites to visit, no internet, nothing. | 0:14:30 | 0:14:34 | |
I think the catalogues in those days, essentially, | 0:14:34 | 0:14:39 | |
they were lists of plants with more or less useful descriptions. | 0:14:39 | 0:14:44 | |
The second thing is, they expected people to be quite knowledgeable. | 0:14:44 | 0:14:49 | |
If you ordered roses, for instance, you'd just get this bundle of roots. | 0:14:50 | 0:14:55 | |
You still can, of course. It's one of the most exciting ways to do it. | 0:14:55 | 0:14:58 | |
But if you were an inexperienced gardener, | 0:14:58 | 0:15:01 | |
you'd have wondered what the hell this was. | 0:15:01 | 0:15:04 | |
I can't remember my mother ever going out to buy plants. | 0:15:04 | 0:15:09 | |
She might have bought some seeds. | 0:15:09 | 0:15:11 | |
Men and women were back out in the garden together. | 0:15:19 | 0:15:23 | |
But who exactly was doing what? | 0:15:23 | 0:15:25 | |
It was still very much a man's prerogative. | 0:15:27 | 0:15:30 | |
It was still very much a question of, you know, | 0:15:30 | 0:15:33 | |
a man and his tools, that's how you garden. | 0:15:33 | 0:15:36 | |
You know, you're in control, that's what you do. | 0:15:36 | 0:15:39 | |
You can probably generalise that Mum would do the flowers | 0:15:39 | 0:15:44 | |
and Dad would do the vegetables and Dad would do the lawn as well. | 0:15:44 | 0:15:48 | |
When I was very young, my grandfather, my darling grandfather, | 0:15:48 | 0:15:51 | |
I remember his one job was to clip the privet hedge. | 0:15:51 | 0:15:54 | |
With shears. I can remember that. And my grandmother had to nag him. | 0:15:54 | 0:15:58 | |
I don't think he enjoyed doing that very much. | 0:15:58 | 0:16:00 | |
1950s Britain had well and truly come down with the gardening bug. | 0:16:01 | 0:16:06 | |
The dawning of technology was rocketing us towards | 0:16:06 | 0:16:10 | |
a snazzy new automated era. Everything started to go high-tech. | 0:16:10 | 0:16:14 | |
There's an idea that gets about | 0:16:14 | 0:16:17 | |
that the garden can be something which can be tamed. | 0:16:17 | 0:16:21 | |
It's this sort of ancient battle, if you like, | 0:16:21 | 0:16:24 | |
between man, and I probably do mean man in this case, and nature. | 0:16:24 | 0:16:27 | |
Time-saving gadgets were part of the consumer boom. | 0:16:27 | 0:16:32 | |
And the gardening world was no exception. | 0:16:32 | 0:16:35 | |
If the day comes when we can press a button, sit back | 0:16:35 | 0:16:39 | |
and let the machine guide itself around the lawn, | 0:16:39 | 0:16:41 | |
then cutting the grass will really be a pleasure. | 0:16:41 | 0:16:44 | |
In Australia, you always had a lemon tree. And you always remember it, | 0:16:56 | 0:17:01 | |
because we children were sent to pee on it. | 0:17:01 | 0:17:04 | |
We weren't to go into the house | 0:17:04 | 0:17:06 | |
if we were outside playing, we had pee on the lemon tree, | 0:17:06 | 0:17:09 | |
because we believed that the lemon tree somehow appreciated | 0:17:09 | 0:17:13 | |
this offering of our essential juices. | 0:17:13 | 0:17:16 | |
In my first garden, um... it was a large suburban garden. | 0:17:16 | 0:17:21 | |
Very neat, mostly laid to lawn, | 0:17:21 | 0:17:24 | |
and full of lots of don'ts. You know... | 0:17:24 | 0:17:27 | |
"Don't go near the pond, you'll drown." | 0:17:27 | 0:17:30 | |
"Don't walk on the rockery, you'll fall and twist your ankle." | 0:17:30 | 0:17:33 | |
"Don't kick a ball into the borders." | 0:17:33 | 0:17:35 | |
I had a wee pond, I remember, which was overgrown, | 0:17:35 | 0:17:38 | |
but had the occasional frog, and a lovely rose at the end of my garden | 0:17:38 | 0:17:42 | |
called an albertine, which flowers for about a week, | 0:17:42 | 0:17:45 | |
drops all its petals and makes a hell of a mess. | 0:17:45 | 0:17:48 | |
And then doesn't do anything for the rest of the year. | 0:17:48 | 0:17:52 | |
After all of the years of austerity, we Brits were finally beginning | 0:18:02 | 0:18:06 | |
to loosen up a little bit. | 0:18:06 | 0:18:08 | |
Flower power had arrived from America and, suddenly, | 0:18:08 | 0:18:11 | |
it was becoming cool to be British. | 0:18:11 | 0:18:14 | |
But gardening wasn't really cool. | 0:18:14 | 0:18:16 | |
Not yet, anyway. | 0:18:16 | 0:18:19 | |
I'd love to be able to sit here and say the 1960s saw | 0:18:19 | 0:18:22 | |
this incredible unbuttoning of the horticultural world, | 0:18:22 | 0:18:25 | |
and we had psychedelic gardens, and people on acid trips creating | 0:18:25 | 0:18:28 | |
incredible kind of garden worlds with abstract plant material. | 0:18:28 | 0:18:33 | |
It wasn't really true. People were still wearing headscarves. | 0:18:33 | 0:18:36 | |
Lots and lots and lots of bright colours, garish colours, | 0:18:36 | 0:18:40 | |
mixed colours out there in the borders as well. | 0:18:40 | 0:18:44 | |
But I don't think it was a particularly young pastime. | 0:18:44 | 0:18:48 | |
The people who were really exploring the sixties in fashion and music, | 0:18:48 | 0:18:53 | |
I don't believe for a moment were out gardening. | 0:18:53 | 0:18:57 | |
I grew up in this suburban, almost rural idyll. | 0:19:00 | 0:19:04 | |
It was a London suburb and they were much more rural than they are now. | 0:19:04 | 0:19:08 | |
And it had all of the classic features. | 0:19:08 | 0:19:10 | |
It had a wonderful lawn, | 0:19:10 | 0:19:12 | |
it had great flower beds, it had magnificent trees, shrubs. | 0:19:12 | 0:19:16 | |
And I was encouraged at a very, very early age | 0:19:16 | 0:19:20 | |
to do a lot of things in the garden. You'd be picking apples, | 0:19:20 | 0:19:24 | |
you'd be cutting the grass, maybe with shears. | 0:19:24 | 0:19:29 | |
We had a couple of dogs, we had hamsters that were in the garden. | 0:19:29 | 0:19:33 | |
We had lots and lots and lots of cats. | 0:19:33 | 0:19:35 | |
I remember the cats were always buried under the hedge. | 0:19:35 | 0:19:39 | |
Modern times called for a modern materials in our gardens, and soon, | 0:19:40 | 0:19:44 | |
people began to offset the floral abundance of it all | 0:19:44 | 0:19:47 | |
with that essential forward-looking 1960s material. | 0:19:47 | 0:19:51 | |
Concrete! | 0:19:51 | 0:19:53 | |
They want something which is cheap and easy and new, | 0:19:53 | 0:19:57 | |
so concrete is the ideal material. Very malleable, | 0:19:57 | 0:20:00 | |
very democratic, really. | 0:20:00 | 0:20:03 | |
They colour it blue, pink, orange, fantastic! | 0:20:03 | 0:20:06 | |
Mum and Dad decided we should have our own paddling pool in the garden. | 0:20:06 | 0:20:10 | |
And one week, they just set to with spade and shovel | 0:20:10 | 0:20:14 | |
with Fiona, my big sister, | 0:20:14 | 0:20:17 | |
and dug a paddling pond about a quarter the size of a sort of room, | 0:20:17 | 0:20:22 | |
lined it with concrete, then filled it with a hose, | 0:20:22 | 0:20:25 | |
and then that was where, for years, we would, I suppose, swim. | 0:20:25 | 0:20:29 | |
MUSIC: "I Get Around" by the Beach Boys | 0:20:30 | 0:20:33 | |
Britain didn't just have the gardening bug, | 0:20:37 | 0:20:40 | |
we now had the travelling bug. | 0:20:40 | 0:20:42 | |
The new-fangled package holidays made foreign travel possible | 0:20:42 | 0:20:46 | |
for working people, who's only real previous experience of it | 0:20:46 | 0:20:49 | |
had been wartime conscription. | 0:20:49 | 0:20:52 | |
All of a sudden, we were jetting off to sunnier climes, | 0:20:52 | 0:20:54 | |
like Spain and Portugal. | 0:20:54 | 0:20:58 | |
The mass movement towards package holidays and foreign travel made | 0:20:58 | 0:21:01 | |
a difference to how people looked at their gardens when they got home. | 0:21:01 | 0:21:05 | |
Combined with the nice weather, | 0:21:05 | 0:21:07 | |
-it should make your holiday a happy one. -'So you had' | 0:21:07 | 0:21:11 | |
elements that had never existed in gardens before, like patios. | 0:21:11 | 0:21:14 | |
# This year, I'm off to sunny Spain | 0:21:14 | 0:21:18 | |
# Viva Espana! # | 0:21:18 | 0:21:23 | |
Which is a Spanish word, it's the Spanish context. | 0:21:23 | 0:21:25 | |
Before that, if you'd any kind of hard standing, you'd probably call it | 0:21:25 | 0:21:31 | |
a terrace, which was French, or terrazzo, which was Italian. | 0:21:31 | 0:21:35 | |
But suddenly, because of Spain, there was this inspiration | 0:21:35 | 0:21:39 | |
about bringing living outside much more. | 0:21:39 | 0:21:44 | |
In the 1950s, your herb garden consisted | 0:21:44 | 0:21:47 | |
of a few bits of mint and possibly some parsley. | 0:21:47 | 0:21:53 | |
But once you'd been to Majorca, you came back and you thought | 0:21:53 | 0:21:56 | |
there was rosemary and lavender and a lot of things | 0:21:56 | 0:21:59 | |
that you felt that you wanted to grow in your own garden. | 0:21:59 | 0:22:02 | |
People realised there was a whole world out there | 0:22:06 | 0:22:09 | |
that they hadn't come across before. When I was a child, | 0:22:09 | 0:22:13 | |
olive oil was something you bought in the chemist. | 0:22:13 | 0:22:16 | |
It was something you put in your ears for ear ache. | 0:22:16 | 0:22:19 | |
Nobody cooked with olive oil in those days. | 0:22:19 | 0:22:21 | |
Back at home, new levels of prosperity | 0:22:23 | 0:22:25 | |
and shorter working hours of the 1960s | 0:22:25 | 0:22:28 | |
meant we had more time and money to spend on our gardens. | 0:22:28 | 0:22:32 | |
As much as £100 million a year. | 0:22:32 | 0:22:35 | |
And our spending was helped along by a new phenomenon | 0:22:35 | 0:22:38 | |
that had started life in America. Where else? | 0:22:38 | 0:22:42 | |
The gardening centre may well do for Syon House | 0:22:42 | 0:22:45 | |
what sideshows and lions have done for other historic homes. | 0:22:45 | 0:22:50 | |
We saw the arrival of the garden centre. | 0:22:50 | 0:22:52 | |
And again, linked to social mobility, | 0:22:52 | 0:22:55 | |
people owning cars, they could drive off for an outing in the afternoon. | 0:22:55 | 0:23:00 | |
-ANNOUNCER: -One of the things that makes the centre different | 0:23:00 | 0:23:04 | |
is that it contains what might be called | 0:23:04 | 0:23:06 | |
the first gardening supermarket. | 0:23:06 | 0:23:08 | |
And suddenly, this one stop shop for anything related to the garden, from | 0:23:08 | 0:23:11 | |
plants to furniture to barbecues, and it changed everything about how | 0:23:11 | 0:23:15 | |
we garden. It changed that need to nurture a plant from a seed | 0:23:15 | 0:23:19 | |
or a cutting, because why bother, you could go and buy a mature plant | 0:23:19 | 0:23:23 | |
and bring it back and pop it in and there it was, finished. | 0:23:23 | 0:23:26 | |
It took away the mystery. It took away some of the problems of growing. | 0:23:26 | 0:23:31 | |
And it made gardening much more accessible in many ways, | 0:23:31 | 0:23:33 | |
for people that didn't want to get their hands dirty. | 0:23:33 | 0:23:35 | |
Garden centres were agricultural and therefore, they could sell their | 0:23:35 | 0:23:40 | |
own stock on a Sunday. | 0:23:40 | 0:23:44 | |
Garden centres were therefore one of the very few places people | 0:23:44 | 0:23:47 | |
could go on a Sunday. | 0:23:47 | 0:23:49 | |
In early garden centres, we all had the most enormous | 0:23:49 | 0:23:53 | |
overflow car parks for Saturdays, and particularly Sunday afternoons. | 0:23:53 | 0:23:57 | |
Many a garden centre operator would tell you in the '60s and even into | 0:23:57 | 0:24:01 | |
the '70s, the most important job he had to do on a Sunday afternoon | 0:24:01 | 0:24:05 | |
was direct the cars to get them into the space available after lunch. | 0:24:05 | 0:24:09 | |
A small plant, a big plant. | 0:24:09 | 0:24:12 | |
No need to wait for them to grow up nowadays. | 0:24:12 | 0:24:15 | |
Just pick them up the size you want. | 0:24:15 | 0:24:17 | |
Complete with a trolley to cart them off to the car. | 0:24:17 | 0:24:19 | |
We were horticulturalists, going into retail, | 0:24:21 | 0:24:23 | |
and we knew nothing about retail. We were learning as we went along. | 0:24:23 | 0:24:27 | |
And the excitement and the fun of that was tremendous. | 0:24:27 | 0:24:30 | |
Having a good-looking garden was becoming fashionable. Trouble is, | 0:24:33 | 0:24:36 | |
it was still a bit too much like hard work. | 0:24:36 | 0:24:40 | |
And so our quest for ways of saving labour out in the garden continued. | 0:24:40 | 0:24:44 | |
This time, in the chemical department. | 0:24:44 | 0:24:48 | |
People used chemical sprays, quite freely, without any awareness | 0:24:48 | 0:24:52 | |
of any impact to the environment or natural balance and so on. | 0:24:52 | 0:24:55 | |
Because that really wasn't something that people had begun | 0:24:55 | 0:24:59 | |
to have any awareness of. | 0:24:59 | 0:25:01 | |
My father, you know, had this - very old-fashioned, looking back on it - | 0:25:01 | 0:25:05 | |
this old pump thing, hand pump, | 0:25:05 | 0:25:07 | |
and sort of reeked of garden chemicals everywhere. | 0:25:07 | 0:25:10 | |
All of the old fashioned chemicals, Paraquat, DDT, | 0:25:10 | 0:25:13 | |
were meant for an instant hit. | 0:25:13 | 0:25:15 | |
You sprayed them, whatever the problem was, dropped dead instantly. | 0:25:15 | 0:25:19 | |
Whereas these days, we've become much more sympathetic | 0:25:19 | 0:25:21 | |
to the environment, much more aware, | 0:25:21 | 0:25:24 | |
but it was that quick fix. | 0:25:24 | 0:25:25 | |
That was important in those days. | 0:25:25 | 0:25:28 | |
Saved you time. | 0:25:28 | 0:25:30 | |
When you save that labour, or save that time, actually, it should give | 0:25:30 | 0:25:34 | |
you time to do other things in the garden, like, shock horror, enjoy it. | 0:25:34 | 0:25:39 | |
Good afternoon, and welcome once again to our gardening club. | 0:25:59 | 0:26:04 | |
Gardening had had us glued to the wireless since the '40s and '50s. | 0:26:10 | 0:26:15 | |
So it was only a matter of time before television got its turn. | 0:26:15 | 0:26:18 | |
Even if it was still black and white. | 0:26:18 | 0:26:19 | |
Not exactly ideal for flowers. | 0:26:19 | 0:26:23 | |
And the person at the helm was a former parks man, | 0:26:23 | 0:26:26 | |
who became such a sensation that most of us remember him to this day. | 0:26:26 | 0:26:31 | |
Do I remember Percy Thrower?! | 0:26:31 | 0:26:33 | |
What sort of a question is that?! | 0:26:33 | 0:26:36 | |
We still use Percy Thrower's Gardening Encyclopaedia, or whatever it's called. | 0:26:36 | 0:26:40 | |
There were very few television programmes about gardening. | 0:26:40 | 0:26:44 | |
My hero always has been and always will be Percy Thrower. | 0:26:44 | 0:26:48 | |
He looked like a gardener, he talked like a gardener, and that | 0:26:48 | 0:26:51 | |
was very much hands-on gardening. | 0:26:51 | 0:26:54 | |
If you've only got room for one plum tree on a wall, I suggest Victoria. | 0:26:54 | 0:26:58 | |
My very earliest memory of gardening on television | 0:26:58 | 0:27:02 | |
was Percy Thrower for magnolias. | 0:27:02 | 0:27:05 | |
And it was the only gardening programme, | 0:27:05 | 0:27:07 | |
in fact, only television programme I was allowed to watch on television. | 0:27:07 | 0:27:11 | |
Last week, in Madeira, we were looking at the Canary date palm, | 0:27:11 | 0:27:17 | |
the avocado pear with the young fruits on. | 0:27:17 | 0:27:19 | |
Percy was the person that gave you a global | 0:27:19 | 0:27:22 | |
appreciation of what was going on. He went to places like Chelsea. | 0:27:22 | 0:27:27 | |
He went to the Southport Flower Show. | 0:27:27 | 0:27:29 | |
He brought a new world of horticulture to me. | 0:27:29 | 0:27:31 | |
Here I've got a lemon tree in flower. | 0:27:33 | 0:27:37 | |
I'd say probably that Percy Thrower was like the uncle you never had. | 0:27:37 | 0:27:40 | |
He knew it all, but he wore his learning lightly. | 0:27:41 | 0:27:46 | |
As we get into the spring, the summer and into the autumn, | 0:27:46 | 0:27:49 | |
no doubt we shall get greenfly. | 0:27:49 | 0:27:52 | |
He always seemed to be pruning things. | 0:27:52 | 0:27:55 | |
-He was obsessed with pruning. -This one can be clipped off there, | 0:27:55 | 0:27:58 | |
-just above that. -He was quite firm. A little bit strict. | 0:27:58 | 0:28:01 | |
He wasn't like the ones nowadays that want to be your best mate. | 0:28:01 | 0:28:05 | |
It was all about "you should do this or that". | 0:28:05 | 0:28:09 | |
Now, before replanting, peat, garden compost, | 0:28:09 | 0:28:13 | |
a little meal mixed into the soil, and then, planting these out. | 0:28:13 | 0:28:18 | |
You were constantly being reminded, | 0:28:18 | 0:28:20 | |
you know, that he was the expert, this is when you must do it, | 0:28:20 | 0:28:24 | |
this is how you must do it, | 0:28:24 | 0:28:26 | |
these are the rules, and you should stick by them. | 0:28:26 | 0:28:29 | |
He never actually does any digging from what I can remember. | 0:28:29 | 0:28:33 | |
He looks at an island bed that has got lots of heathers in it | 0:28:33 | 0:28:38 | |
and he goes, here we have this plant | 0:28:38 | 0:28:42 | |
and that plant, and sort of points at them, and then, he walks off. | 0:28:42 | 0:28:46 | |
But you never see him really getting excited. | 0:28:46 | 0:28:48 | |
Then he goes in the greenhouse and he hangs | 0:28:48 | 0:28:50 | |
up his coat and there's quite a bit of action in the greenhouse. | 0:28:50 | 0:28:53 | |
Televisually, it's very staid. | 0:28:53 | 0:28:55 | |
These days, you look back, but that's how television was, you know. | 0:28:55 | 0:28:58 | |
This is the attractive face of Britain. | 0:28:58 | 0:29:02 | |
And this is the less attractive. | 0:29:02 | 0:29:05 | |
Those of us who lived in 1960s towns remembered that they weren't exactly | 0:29:05 | 0:29:09 | |
the greenest places to live in. | 0:29:09 | 0:29:11 | |
Our towns needed cheering up, and fortunately, 1964 | 0:29:11 | 0:29:15 | |
saw the arrival of a new idea | 0:29:15 | 0:29:18 | |
that would sort out our forlorn looking parks and streets for good. | 0:29:18 | 0:29:21 | |
Thing is, it wasn't really a British idea at all. | 0:29:21 | 0:29:25 | |
There was a very famous gardener called Roy Hay in the 1960s. | 0:29:27 | 0:29:31 | |
He went out on holiday to France, | 0:29:31 | 0:29:33 | |
and he couldn't believe every village and every town how they took | 0:29:33 | 0:29:37 | |
so much pride and everything else. | 0:29:37 | 0:29:39 | |
And he came back and thought, "Well, why shouldn't we be doing this?" | 0:29:39 | 0:29:43 | |
Flowers, gardens, | 0:29:43 | 0:29:45 | |
even window-boxes add a touch of colour to every kind of district. | 0:29:45 | 0:29:50 | |
It's the three words from hell. | 0:29:50 | 0:29:52 | |
Britain in Bloom. I'm sorry, it should be banned. | 0:29:52 | 0:29:55 | |
# Where have all the flowers gone... # | 0:29:55 | 0:29:57 | |
You're driving through the countryside, everything is green | 0:29:57 | 0:30:02 | |
and beautiful and serene and you turn a corner into a little village | 0:30:02 | 0:30:07 | |
and it's purple petunias, those wagon wheels | 0:30:07 | 0:30:10 | |
that they put in the middle of the village and each spoke | 0:30:10 | 0:30:14 | |
is a petunia of a different colour. | 0:30:14 | 0:30:17 | |
Some people think there is a Captain Mainwaring element, | 0:30:17 | 0:30:21 | |
that there's people going round | 0:30:21 | 0:30:23 | |
saying, "Your hanging baskets are not looking good enough." | 0:30:23 | 0:30:25 | |
I think there's a small element | 0:30:25 | 0:30:27 | |
of that but Captain Mainwaring is a very English thing. | 0:30:27 | 0:30:31 | |
They go flat out to put flowers on absolutely every surface. | 0:30:31 | 0:30:37 | |
And nobody seems to realise that this is so troubling to the eye | 0:30:37 | 0:30:42 | |
that it's actually floral chaos. | 0:30:42 | 0:30:45 | |
People are often snooty about Britain in Bloom because... | 0:30:45 | 0:30:49 | |
It's a class thing... | 0:30:49 | 0:30:51 | |
Because they see it as being really rather common. | 0:30:51 | 0:30:56 | |
For me, the crystallisation of the ghastliness of it all | 0:30:57 | 0:31:02 | |
is the hanging basket. | 0:31:02 | 0:31:04 | |
Which I would shoot down, | 0:31:04 | 0:31:06 | |
I would ride roughshod through villages at midnight | 0:31:06 | 0:31:09 | |
shooting down the hanging baskets. | 0:31:09 | 0:31:11 | |
They disfigure some of the prettiest buildings in England. | 0:31:11 | 0:31:16 | |
When I come up to London I get on the train at Kemble, | 0:31:16 | 0:31:19 | |
a fabulous, posh station, it's where Prince Charles gets the train. | 0:31:19 | 0:31:23 | |
It's constantly referred to as one of Britain's bloomiest stations. | 0:31:23 | 0:31:28 | |
They were decorating it the other day and to celebrate it took all | 0:31:28 | 0:31:32 | |
the hanging baskets down and put them in the washing machine. | 0:31:32 | 0:31:35 | |
But I'd never noticed. Because fuchsia are so repellent | 0:31:35 | 0:31:39 | |
in their natural state, I'd always assumed that these hideous, | 0:31:39 | 0:31:44 | |
throbbing, disco flowers were real but they are not. | 0:31:44 | 0:31:48 | |
They are made in China. You can see written underneath it. | 0:31:50 | 0:31:53 | |
I wonder whether the Britain in Bloom authorities know | 0:31:53 | 0:31:57 | |
Kemble station has non-real fuchsia. | 0:31:57 | 0:32:00 | |
So much for flowers in our towns, but what about growing veg? | 0:32:05 | 0:32:12 | |
Another essential element | 0:32:12 | 0:32:14 | |
of the 1960s urban landscape was the good old allotment. | 0:32:14 | 0:32:18 | |
Mainly located alongside railways and canals, | 0:32:18 | 0:32:22 | |
they were still in regular use. | 0:32:22 | 0:32:25 | |
Allotments have a tremendously honourable history. | 0:32:25 | 0:32:28 | |
They go back to the Middle Ages. | 0:32:28 | 0:32:30 | |
There were patches of ground given | 0:32:30 | 0:32:33 | |
to people to be able to sustain themselves and their families. | 0:32:33 | 0:32:36 | |
Your full allotment is a chain long, | 0:32:36 | 0:32:41 | |
a cricket wicket, 22 yards. | 0:32:41 | 0:32:44 | |
That is a big area. | 0:32:44 | 0:32:46 | |
I've liked allotments not so much because of the plants | 0:32:46 | 0:32:49 | |
that grow there but because of the people that grow them. | 0:32:49 | 0:32:52 | |
I like the camaraderie that springs up. | 0:32:52 | 0:32:55 | |
A great sense of community. | 0:32:55 | 0:32:59 | |
Our allotment site was a collection, | 0:32:59 | 0:33:02 | |
rather romantically, of ramshackle sheds, | 0:33:02 | 0:33:04 | |
bits of greenhouses made out of old windows, polythene, corrugated iron. | 0:33:04 | 0:33:11 | |
There's always an old Joe or old Fred at an allotment who knows more | 0:33:11 | 0:33:15 | |
than anybody else, and everybody else bows to his greater knowledge. | 0:33:15 | 0:33:21 | |
It was just like heaven. | 0:33:21 | 0:33:24 | |
When I got that allotment and it was mine, | 0:33:24 | 0:33:28 | |
I felt like I belonged to Britain. | 0:33:28 | 0:33:31 | |
It was my bit of land, my bit of England. | 0:33:31 | 0:33:33 | |
# I've been cheated by you | 0:33:47 | 0:33:49 | |
you since I don't know when... # | 0:33:49 | 0:33:51 | |
The '70s were here and the litany of strikes and blackouts didn't | 0:33:51 | 0:33:55 | |
stop us enjoying ourselves. | 0:33:55 | 0:33:57 | |
Television was now in colour. | 0:33:57 | 0:33:59 | |
Shorter weeks meant leisure was the new buzz word. | 0:33:59 | 0:34:02 | |
And when we could actually get petrol we went out in our cars like | 0:34:02 | 0:34:06 | |
never before, and drew inspiration for our gardens back at home. | 0:34:06 | 0:34:10 | |
In the '70s, people were out and about a lot more. | 0:34:10 | 0:34:14 | |
They were travelling, visiting gardens, | 0:34:14 | 0:34:16 | |
going off for a Sunday afternoon | 0:34:16 | 0:34:18 | |
in the local countryside. | 0:34:18 | 0:34:22 | |
It's an historical fact that Britain is renowned for its gardens. | 0:34:22 | 0:34:26 | |
Over the years, the gardens created have developed character reflecting | 0:34:26 | 0:34:30 | |
the inborn expertise inherent in this country. | 0:34:30 | 0:34:34 | |
And this idea of seeing a beautifully kept, beautifully manicured gardens | 0:34:34 | 0:34:39 | |
and planting schemes would then be the little catalyst to go home | 0:34:39 | 0:34:43 | |
and do something rather special. | 0:34:43 | 0:34:45 | |
It's a place of great beauty and charm, in which to spend | 0:34:45 | 0:34:48 | |
a relaxing day out with the family. | 0:34:48 | 0:34:51 | |
It must also instil in many the desire to return home and emulate | 0:34:51 | 0:34:54 | |
what they've seen. | 0:34:54 | 0:34:56 | |
It's very possible that the first time I ever realised | 0:34:56 | 0:35:00 | |
what a garden could be like | 0:35:00 | 0:35:02 | |
was when I went for the first time to Sissinghurst. | 0:35:02 | 0:35:06 | |
And then I realised something about the British. | 0:35:14 | 0:35:17 | |
Their true expression of their voluptuousness, | 0:35:17 | 0:35:21 | |
their love of pleasure, | 0:35:21 | 0:35:24 | |
is not to be found in a conversation | 0:35:24 | 0:35:27 | |
or the social relationships, but they garden like sensualists. | 0:35:27 | 0:35:32 | |
They garden in the most extraordinary, opulent, mad way. | 0:35:32 | 0:35:37 | |
I suppose it's something when you | 0:35:37 | 0:35:39 | |
see a garden on a big, big scale it takes your breath away. | 0:35:39 | 0:35:43 | |
You've only have to go and see some of those | 0:35:43 | 0:35:45 | |
great historical gardens to realise that we couldn't possibly do it now. | 0:35:45 | 0:35:50 | |
I think it's very profound in the British psyche that the garden | 0:35:50 | 0:35:55 | |
that you have is a miniature of the grand garden, | 0:35:55 | 0:35:59 | |
the great Capability Brown or Repton landscape that you visited. | 0:35:59 | 0:36:04 | |
Back in our '70s homes, our passion for gardening was gathering pace. | 0:36:18 | 0:36:23 | |
No longer content with just tending our back gardens, | 0:36:23 | 0:36:26 | |
we started to use our front gardens for a bit of showing off. | 0:36:26 | 0:36:30 | |
They quickly became a way of showing the neighbours how genteel, | 0:36:30 | 0:36:34 | |
prosperous and clever we were. | 0:36:34 | 0:36:36 | |
I always think that a front garden is the outside version of a front room. | 0:36:36 | 0:36:41 | |
It's a space that's incredibly over-formal, totally pointless and all about showing off. | 0:36:41 | 0:36:47 | |
It's got all the most ornate bits that you feel make you look posh. | 0:36:47 | 0:36:51 | |
You even get a lot of the cliches, a lot of the devices, | 0:36:51 | 0:36:55 | |
that most people associate with the National Trust but in miniature. | 0:36:55 | 0:36:58 | |
You get tiny, concrete, heraldic beasts by the side of a drive. | 0:36:58 | 0:37:04 | |
If you can possibly bend your drive, even though it's just that much, | 0:37:06 | 0:37:11 | |
enough to make it really annoying to negotiate in your Datsun Cherry. | 0:37:11 | 0:37:17 | |
But that's gracious to be able to do that rather than a straight line. | 0:37:17 | 0:37:21 | |
# Why do you whisper green grass... # | 0:37:21 | 0:37:24 | |
The best one was the '70s with the pampas grass, which is supposed | 0:37:27 | 0:37:31 | |
to mean that you are swingers. | 0:37:31 | 0:37:33 | |
If you had that outside it meant it was definitely worth knocking | 0:37:33 | 0:37:37 | |
on the door of an evening clutching a bottle of Babycham. | 0:37:37 | 0:37:39 | |
It's one thing my stepmother was exceptionally proud of. | 0:37:39 | 0:37:46 | |
I think she would invite people just to see her pampas grass. | 0:37:46 | 0:37:51 | |
She would count the plumes. | 0:37:51 | 0:37:53 | |
"This year we had 12. | 0:37:53 | 0:37:55 | |
"We only had nine last year." | 0:37:55 | 0:37:56 | |
It says lots about a garden and the garden owner. | 0:37:56 | 0:38:00 | |
Pampas grass, very, very difficult to eradicate once it's in your garden. | 0:38:00 | 0:38:06 | |
The only way of going about it is with a pick axe and a bonfire. | 0:38:06 | 0:38:09 | |
I do mean that. | 0:38:09 | 0:38:12 | |
More than ever we loved emulating the grander gardening traditions | 0:38:12 | 0:38:16 | |
in our '70s gardens. | 0:38:16 | 0:38:18 | |
One of these had enjoyed a huge revival in the stately homes | 0:38:18 | 0:38:22 | |
of the 19th century. | 0:38:22 | 0:38:23 | |
Topiary was something that you had a fleet of gardeners doing. | 0:38:33 | 0:38:39 | |
It really demonstrated your supremacy over Mother Nature because there | 0:38:39 | 0:38:44 | |
she is, she's growing you a bush | 0:38:44 | 0:38:46 | |
which is bush-shaped, but you are instructing | 0:38:46 | 0:38:49 | |
someone to turn it into a peacock. | 0:38:49 | 0:38:51 | |
When it all starts going absolutely horribly wrong | 0:38:51 | 0:38:54 | |
is when it happens in Swindon and it's actually the Flying Scotsman. | 0:38:54 | 0:38:58 | |
Men have got a bit of a thing about trimming hedges. | 0:39:02 | 0:39:07 | |
They quite enjoy it, getting that perfect level top | 0:39:07 | 0:39:10 | |
and the smooth sides. | 0:39:10 | 0:39:13 | |
It's the woodwork that they never did. | 0:39:13 | 0:39:15 | |
It's that coffee-table they never made, the shelves they never put up. | 0:39:15 | 0:39:19 | |
They can do that in the garden, | 0:39:19 | 0:39:21 | |
it actually doesn't require a great deal of talent. | 0:39:21 | 0:39:25 | |
But there is something about that tiny, pocket handkerchief garden, | 0:39:25 | 0:39:28 | |
and that it's got the entire | 0:39:28 | 0:39:31 | |
cast of Alice in Wonderland through the medium of bush. | 0:39:31 | 0:39:34 | |
Another of our little garden crazes in the 1970s | 0:39:49 | 0:39:52 | |
also had a long tradition. | 0:39:52 | 0:39:54 | |
These days, apparently, they're only stylish if they're ironic. | 0:39:54 | 0:39:58 | |
Gnomes and the broad question of gnomology | 0:39:58 | 0:40:01 | |
is a sort of vexed question, if you like, in horticultural history. | 0:40:01 | 0:40:06 | |
There's a long and venerable history to gnomes. | 0:40:06 | 0:40:09 | |
A very dear friend, who actually I thought had quite a lot of taste | 0:40:09 | 0:40:13 | |
gave me a gnome for Christmas. | 0:40:13 | 0:40:16 | |
When people walk up the garden and they see him, you can tell | 0:40:16 | 0:40:19 | |
they never quite know what to say. | 0:40:19 | 0:40:21 | |
Should I mention the gnome, is he there as a joke? | 0:40:21 | 0:40:24 | |
We all know the story of the eccentric lord going off and getting "gnomen figuren" | 0:40:24 | 0:40:30 | |
as they were called from Germany, | 0:40:30 | 0:40:32 | |
which are table ornaments, very smart things | 0:40:32 | 0:40:35 | |
like Meissen porcelain and so on. | 0:40:35 | 0:40:36 | |
Instead, he had an interesting moment and decided to go out and put them | 0:40:36 | 0:40:41 | |
in the garden, arrange them around in his grotto. | 0:40:41 | 0:40:44 | |
I absolutely, genuinely like garden gnomes. | 0:40:44 | 0:40:48 | |
I think there's something | 0:40:48 | 0:40:51 | |
really comfortingly pretentiousless about them. | 0:40:51 | 0:40:56 | |
You can't get any lower than a garden gnome. | 0:40:56 | 0:41:00 | |
With foreign holidays now taking us as far as the Alps and Pyrenees, | 0:41:12 | 0:41:17 | |
the alpine look became a signature element of the '70s garden. | 0:41:17 | 0:41:21 | |
You had, in the '70s, certain signature things. | 0:41:27 | 0:41:31 | |
You have a craze for something like dwarf conifers. | 0:41:31 | 0:41:34 | |
And dwarf conifers are the horticultural equivalent | 0:41:34 | 0:41:38 | |
of flared trousers nowadays. | 0:41:38 | 0:41:41 | |
If you look at these things, | 0:41:41 | 0:41:43 | |
they are so redolent of that particular time and place. | 0:41:43 | 0:41:47 | |
Glenda's garden is a geriatric unit. | 0:41:47 | 0:41:50 | |
Somewhere where, as we grow older, there will be less and less to do | 0:41:50 | 0:41:54 | |
and yet we should enjoy the colour and the pleasure of it. | 0:41:54 | 0:41:58 | |
Dwarf conifers were the thing, you know. | 0:41:58 | 0:42:01 | |
These were the things you should go for. Those mixed with heathers. | 0:42:01 | 0:42:07 | |
Lavish and lashings of heathers and lovely conifers | 0:42:07 | 0:42:11 | |
in every shape and size and colour. | 0:42:11 | 0:42:13 | |
We were always on the look out for ways | 0:42:17 | 0:42:20 | |
of labour-saving in our gardens. | 0:42:20 | 0:42:22 | |
Composting had long been one of the most arduous jobs. | 0:42:22 | 0:42:25 | |
Soon, pre-mixed compost became available on the market | 0:42:25 | 0:42:29 | |
and our lives got that little bit easier. | 0:42:29 | 0:42:33 | |
For generations, compost making was the sweat of gardening. | 0:42:33 | 0:42:39 | |
Yes, there were all manner of books that told you how to do it, | 0:42:39 | 0:42:42 | |
how not to do it, stop it turning out as black slime, how to make it, | 0:42:42 | 0:42:46 | |
you know, useful in the garden. It was hard work. | 0:42:46 | 0:42:50 | |
A team of experts with the resources of Fisons research organisation | 0:42:51 | 0:42:55 | |
at Levington around them, have put in a vast amount of work to develop | 0:42:55 | 0:43:00 | |
what we now know as Levington compost. | 0:43:00 | 0:43:03 | |
Suddenly, the greatest labour-saving device of the lot, | 0:43:03 | 0:43:07 | |
you could buy compost in a bag, | 0:43:07 | 0:43:11 | |
in the early '70s some time. | 0:43:11 | 0:43:13 | |
This was available through this new breed of garden centre. | 0:43:13 | 0:43:16 | |
Now, the fact that the compost you could buy in the bag has got nothing | 0:43:16 | 0:43:20 | |
whatsoever to do with compost that you made yourself. | 0:43:20 | 0:43:24 | |
I mean, it's a completely different substance. | 0:43:24 | 0:43:27 | |
It's for planting in, it's not for soil improvement, | 0:43:27 | 0:43:30 | |
it's not to give you additional nutrients into your ground. | 0:43:30 | 0:43:34 | |
It's just a planting medium but they called it compost. | 0:43:34 | 0:43:38 | |
People have been muddled up about compost ever since. | 0:43:38 | 0:43:41 | |
# Old MacDonald has no garden Ee, ay, ee, ay, oh! | 0:43:41 | 0:43:45 | |
# Did you know with help from Fisons He can make things grow? # | 0:43:45 | 0:43:50 | |
Pre-mixed compost in a bag led to an instant hit - the gro-bag. | 0:43:50 | 0:43:55 | |
It wasn't only a godsend for those of us who had gardens, it was loved | 0:43:55 | 0:43:59 | |
by many people living in flats or on estates who didn't. | 0:43:59 | 0:44:03 | |
# Bye bye Baby Baby goodbye | 0:44:03 | 0:44:07 | |
# Bye bye Baby Don't make me cry | 0:44:10 | 0:44:17 | |
For some people who are gardening in quite difficult circumstances, | 0:44:17 | 0:44:22 | |
people in tower blocks with just a balcony, | 0:44:22 | 0:44:26 | |
for example, it suddenly made it possible for them | 0:44:26 | 0:44:28 | |
to have a fully mature garden on the balcony. | 0:44:28 | 0:44:31 | |
-Did you put the guard round? -Yes. | 0:44:31 | 0:44:35 | |
We thought they'd make it look like | 0:44:35 | 0:44:37 | |
a little garden, because we love flowers. | 0:44:37 | 0:44:40 | |
They grew their herbs, they could grow flowers, you know. | 0:44:40 | 0:44:43 | |
They could do that without having to, you know, | 0:44:43 | 0:44:47 | |
hump barrowloads of stuff up in the lift. | 0:44:47 | 0:44:50 | |
'I've had 17lbs of tomatoes out the grow bags which was amazing, really. | 0:44:50 | 0:44:55 | |
'For such a small bag, to have all those many tomatoes come out of it.' | 0:44:55 | 0:45:00 | |
Another great British gardening institution was | 0:45:03 | 0:45:06 | |
now essential viewing on the telly. | 0:45:06 | 0:45:09 | |
If you think back to the 1970s | 0:45:09 | 0:45:11 | |
and those vegetable shows, they were extraordinary because there were | 0:45:11 | 0:45:15 | |
these monstrous vegetables, quite unlike anything to do with reality. | 0:45:15 | 0:45:19 | |
We had leeks like that, potatoes like this, onions like that. | 0:45:19 | 0:45:23 | |
There are one or two dishes here which, | 0:45:23 | 0:45:27 | |
it's difficult to express the joy and pleasure in viewing them. | 0:45:27 | 0:45:31 | |
Most of the men who grew them were complete size queens. | 0:45:31 | 0:45:36 | |
They were desperate to grow something bigger than their mates. | 0:45:36 | 0:45:40 | |
How are you going to express in words the quality? | 0:45:40 | 0:45:45 | |
Almost as if they were tribesmen in the hills of New Guinea | 0:45:45 | 0:45:50 | |
who, if they didn't grow the biggest yam would probably not find a wife. | 0:45:50 | 0:45:55 | |
If you look here, you've got the length but not the girth. | 0:45:55 | 0:45:59 | |
What is it about vegetable competitions? | 0:45:59 | 0:46:01 | |
What is the point of growing something to see how big it can get? | 0:46:01 | 0:46:05 | |
I rather feel here | 0:46:05 | 0:46:08 | |
perfection, which has never been reached, | 0:46:08 | 0:46:12 | |
is approximately yes or apparently... | 0:46:12 | 0:46:15 | |
-We're almost there. -Exactly. | 0:46:15 | 0:46:18 | |
I learned all the tricks about those vegetables. | 0:46:18 | 0:46:21 | |
You grew your leeks in a drainpipe | 0:46:21 | 0:46:24 | |
and you wrapped your celery in newspaper | 0:46:24 | 0:46:30 | |
as you earthed it up to keep it lovely and clean. | 0:46:30 | 0:46:33 | |
Oh, what a joy to look at those! | 0:46:33 | 0:46:36 | |
It was always the same. It was always old men. | 0:46:36 | 0:46:38 | |
Old men and their marrows. It's a size thing. | 0:46:38 | 0:46:41 | |
Just look at the length of shaft. | 0:46:41 | 0:46:44 | |
There's no semblance of a bulbous bottom. | 0:46:44 | 0:46:48 | |
It all gets more and more penile. | 0:46:48 | 0:46:50 | |
The longer the leek, the straighter the bean, | 0:46:50 | 0:46:54 | |
the huger the onion. | 0:46:54 | 0:46:56 | |
Nobody ever suggested tasting them. | 0:46:56 | 0:46:59 | |
That exhibit of celery I shall carry for the rest of my life. | 0:46:59 | 0:47:05 | |
Thank you. | 0:47:05 | 0:47:07 | |
Anticyclones like this one have suddenly become all important | 0:47:07 | 0:47:11 | |
and they're one of the main reasons why this country is now in one of | 0:47:11 | 0:47:15 | |
the worst periods of drought since records began 200 years ago. | 0:47:15 | 0:47:20 | |
You can say that again, Jack. | 0:47:23 | 0:47:25 | |
1976 was the most scorching summer in the UK for ages. | 0:47:25 | 0:47:30 | |
Hosepipes were banned. Standpipes went up in the street. | 0:47:30 | 0:47:34 | |
Out in the garden, everything burned to a crisp. | 0:47:34 | 0:47:37 | |
1976 was astonishing. | 0:47:37 | 0:47:40 | |
I remember coming back from Jamaica and things here were | 0:47:40 | 0:47:42 | |
all sort of pale yellow and the country | 0:47:42 | 0:47:45 | |
really did look burnt. I remember my mum desperately having to save water | 0:47:45 | 0:47:49 | |
from the sink to keep her beans going and the little rivulet at the end of | 0:47:49 | 0:47:54 | |
the garden looked as though it would never come back. | 0:47:54 | 0:47:57 | |
It was really astonishing. | 0:47:57 | 0:47:58 | |
It seemed very, very strange but it turns out to have been | 0:47:58 | 0:48:02 | |
a harbinger of things to come. | 0:48:02 | 0:48:05 | |
There was only one thing for it - the UK's first ever | 0:48:06 | 0:48:11 | |
hosepipe ban crack squad. | 0:48:11 | 0:48:13 | |
By driving round the town, in this case Devizes, | 0:48:13 | 0:48:15 | |
in a somewhat ostentatious van, the patrol men hope to discourage the use | 0:48:15 | 0:48:20 | |
of sprinklers and hosepipes without having to bring a prosecution. | 0:48:20 | 0:48:23 | |
However, suspiciously wet patches in driveways had to be investigated. | 0:48:25 | 0:48:31 | |
Good morning, Madam. We're from Wessex Water Authority. | 0:48:35 | 0:48:38 | |
There's a drought on | 0:48:38 | 0:48:40 | |
and we're asking consumers to conserve water wherever possible. | 0:48:40 | 0:48:43 | |
We've also got a Wessex Water saver, which you | 0:48:43 | 0:48:46 | |
fill up with water and place in your cistern, away from any moving parts. | 0:48:46 | 0:48:50 | |
Every time you pull the flush, you will save about two pints of water. | 0:48:50 | 0:48:53 | |
As the '70s progressed, we were getting | 0:48:57 | 0:48:59 | |
more adventurous with our gardens. | 0:48:59 | 0:49:01 | |
We realised that they could be as much a place for people as plants. | 0:49:01 | 0:49:05 | |
And today's programme is all about eating out of doors. | 0:49:05 | 0:49:10 | |
The garden was becoming an extension of the house, an outdoor room, | 0:49:10 | 0:49:14 | |
somewhere we could enjoy ourselves or even do a spot of entertaining. | 0:49:14 | 0:49:18 | |
If you're going to have a barbecue, the first thing you need is charcoal. | 0:49:18 | 0:49:21 | |
Charcoal comes in two different forms - loose like this - | 0:49:21 | 0:49:26 | |
which is much easier to light, or briquettes like this. | 0:49:26 | 0:49:30 | |
Before the '70s, and particularly before we | 0:49:30 | 0:49:32 | |
all went on foreign travel, nobody had a barbecue in their garden. | 0:49:32 | 0:49:38 | |
Really, all you have to do now is wait for 20 minutes. | 0:49:38 | 0:49:42 | |
And that, coupled with the idea of the patio, and the outdoor room, | 0:49:42 | 0:49:46 | |
outside room, meant that people did spend and still do to spend a lot | 0:49:46 | 0:49:50 | |
more time socialising and eating and just sitting in their gardens. | 0:49:50 | 0:49:55 | |
Oh, that's hot. | 0:49:55 | 0:49:57 | |
I'm really distressed to think that most people | 0:49:57 | 0:50:01 | |
regard the garden as an outdoor room. | 0:50:01 | 0:50:03 | |
Rather than the point at which they interact with the natural world. | 0:50:03 | 0:50:08 | |
Most people who have a barbecue | 0:50:08 | 0:50:12 | |
in the back garden are driving people mad around them for about a mile, | 0:50:12 | 0:50:16 | |
I'd say, what with the smell of their cooking and the rest of it. | 0:50:16 | 0:50:20 | |
-Is it ready? -It certainly is. We're ready. | 0:50:20 | 0:50:23 | |
'It was when the barbie came over, wasn't it, really?' | 0:50:23 | 0:50:25 | |
And people started barbie-ing. | 0:50:25 | 0:50:27 | |
And you would go into shops and people would say, "Are you | 0:50:27 | 0:50:29 | |
"barbie-ing this weekend?" | 0:50:29 | 0:50:32 | |
Which was really a terribly new thing. | 0:50:32 | 0:50:34 | |
-Thank you. -By the 1970s, we had more and more stuff | 0:50:34 | 0:50:40 | |
and our gardens and houses were smaller. | 0:50:40 | 0:50:42 | |
Therefore more and more stuff, including the furniture, | 0:50:42 | 0:50:45 | |
had to go outside. | 0:50:45 | 0:50:46 | |
Therefore we got lots of these sort of interesting bits of | 0:50:46 | 0:50:50 | |
garden furniture and we got things like Space Hoppers, | 0:50:50 | 0:50:53 | |
which really improved the look of the garden, with all sorts | 0:50:53 | 0:50:56 | |
of very brightly coloured plastic. | 0:50:56 | 0:50:59 | |
Oh, hello! | 0:50:59 | 0:51:01 | |
The 1980s came along and with it a whole load of money. | 0:51:13 | 0:51:18 | |
Everything in Britain started going swanky. | 0:51:18 | 0:51:20 | |
Our houses, our phones and our gardens. | 0:51:20 | 0:51:25 | |
I think it was Asquith who said a prime minister must be | 0:51:25 | 0:51:27 | |
a good butcher. Are you a good butcher? | 0:51:27 | 0:51:29 | |
No, I'm not a good butcher | 0:51:29 | 0:51:31 | |
but I have had to learn to carve the joint. | 0:51:31 | 0:51:34 | |
There was a lot of money floating around. | 0:51:34 | 0:51:36 | |
Suddenly, people were owning their own houses. | 0:51:36 | 0:51:38 | |
As soon as you own your own house you have a garden that you care about. | 0:51:38 | 0:51:42 | |
As soon as you care about it you want somebody to come | 0:51:42 | 0:51:44 | |
-and do something with it. -Think power. Think shoulder-pads | 0:51:44 | 0:51:48 | |
think, you know, Thatcher has come to the throne. | 0:51:48 | 0:51:51 | |
Therefore, we want to be able to control our gardens. | 0:51:51 | 0:51:55 | |
Gardening was becoming big business and we turned out | 0:52:00 | 0:52:02 | |
at Chelsea like never before. | 0:52:02 | 0:52:05 | |
If you've got a few £1,000 to spend then how about a conservatory? | 0:52:05 | 0:52:09 | |
Just nine foot square and this one costs £3,500, if you have | 0:52:09 | 0:52:13 | |
a little more than you can get something a little bigger, perhaps. | 0:52:13 | 0:52:17 | |
With the gardening business | 0:52:17 | 0:52:20 | |
expanding, everyone wanted a piece of the action. | 0:52:20 | 0:52:24 | |
Even our Uncle Percy had got into hot water with the Beeb | 0:52:29 | 0:52:33 | |
just years before for denoting a brand of garden chemical. | 0:52:33 | 0:52:37 | |
And some vegetables to, grow them yourself? | 0:52:37 | 0:52:39 | |
Well, with the help of ICI Garden First. | 0:52:39 | 0:52:41 | |
Well, I've had no complaints with this lot so far. | 0:52:41 | 0:52:46 | |
I remember the absolute shock | 0:52:46 | 0:52:49 | |
when Percy lost his job, and it was from advertising chemicals. | 0:52:49 | 0:52:54 | |
-You're the expert, what's wrong with my roses this year? -You haven't been feeding them right. | 0:52:54 | 0:52:59 | |
-I always give mine ICI Rose Plus. -'And that was it.' | 0:52:59 | 0:53:03 | |
The BBC weren't going to tolerate that and Percy was gone. | 0:53:03 | 0:53:08 | |
With Percy gone, 1980s gardening telly had to go on without him, | 0:53:12 | 0:53:17 | |
and it did in the shape of Geoff Hamilton. | 0:53:17 | 0:53:20 | |
Very much the bloke next door, Geoff became the new man of gardening, | 0:53:23 | 0:53:28 | |
taking a more hands-on and perhaps less patriarchal approach. | 0:53:28 | 0:53:32 | |
He even put a little bit of romance in the garden. | 0:53:32 | 0:53:36 | |
I've just bought this bunch | 0:53:36 | 0:53:38 | |
of carnations for my wife for purely romantic reasons. | 0:53:38 | 0:53:41 | |
He was the first high-profile gardener, I believe, who really | 0:53:41 | 0:53:46 | |
embraced organic gardening. | 0:53:46 | 0:53:49 | |
And I think that, at a time when ordinary, you know, normal gardeners | 0:53:49 | 0:53:55 | |
were also beginning to get rather anxious about pesticides. | 0:53:55 | 0:53:59 | |
Look what I found. This actually is the caterpillar of | 0:53:59 | 0:54:02 | |
an elephant hawk moth, but that of course is going back in the garden, | 0:54:02 | 0:54:07 | |
another good reason, I think, | 0:54:07 | 0:54:10 | |
for trying to cut the use of chemicals down to a minimum. | 0:54:10 | 0:54:13 | |
I think he caught a public mood. | 0:54:13 | 0:54:16 | |
I'm replacing another disastrous rose down here and I've already dug | 0:54:16 | 0:54:21 | |
the hole which should be two foot square by at least a foot deep. | 0:54:21 | 0:54:25 | |
'He not only got his hands dirty, he, I mean he not only told you, | 0:54:25 | 0:54:30 | |
'he actually did it, you saw him actually doing it.' | 0:54:30 | 0:54:32 | |
I think he was the one who drew most people in, I think, to gardening. | 0:54:32 | 0:54:38 | |
Next week, we start building and throughout the series we are going | 0:54:38 | 0:54:41 | |
to show you how to turn this, | 0:54:41 | 0:54:46 | |
into this. | 0:54:46 | 0:54:47 | |
But that doesn't look like an uber modern garden at all. | 0:54:47 | 0:54:51 | |
Our 1980s gardens actually went a bit retro. | 0:54:51 | 0:54:56 | |
Was it a reaction against all the pin-striped, red braced, filo-faxed | 0:55:03 | 0:55:07 | |
clutching, champagne swilling, nonsense that lurked out there | 0:55:07 | 0:55:10 | |
in '80s Britain? | 0:55:10 | 0:55:12 | |
My guess is, probably. | 0:55:12 | 0:55:13 | |
I think this whole yearning for some sort of cottage garden | 0:55:13 | 0:55:18 | |
started in the '80s, it went on right through | 0:55:18 | 0:55:22 | |
into the '90s and it is still going strong now. | 0:55:22 | 0:55:25 | |
But it was this kind of yearning for something that never really was. | 0:55:25 | 0:55:29 | |
The cottage garden was an invention | 0:55:29 | 0:55:31 | |
of Wordsworth and his sister, it had never been like that. | 0:55:31 | 0:55:35 | |
But people wanted to create this sort of place filled with flowers | 0:55:35 | 0:55:40 | |
and perfume. | 0:55:40 | 0:55:42 | |
In a mews near Knightsbridge, Mrs Coat gardens on the pavement. | 0:55:45 | 0:55:50 | |
The effect I am trying to get is of an English cottage, country garden. | 0:55:50 | 0:55:56 | |
Colours must be relative and if they are | 0:55:56 | 0:55:59 | |
carefully matched together the beauty of each one is enhanced. | 0:55:59 | 0:56:04 | |
You also have the cultural influence of things like the marriage of | 0:56:06 | 0:56:09 | |
the Prince and Princess of Wales, you had new romanticism grumbling | 0:56:09 | 0:56:13 | |
along in the background. | 0:56:13 | 0:56:15 | |
Laura Ashley, you know, that was the big brand of the early '80s. | 0:56:15 | 0:56:18 | |
Frilly collars, you know, sort of Princess, mutton-chopped sleeves. | 0:56:18 | 0:56:24 | |
This yearning for something stable and glorious and lovely. | 0:56:24 | 0:56:28 | |
So we looked back into our past and do you remember in 1977 | 0:56:28 | 0:56:33 | |
the Country Diary of an Edwardian Lady was published. | 0:56:33 | 0:56:36 | |
That went to eight reprints in just a matter of months. | 0:56:36 | 0:56:40 | |
It was an extraordinary hit and it was this need, this yearning | 0:56:40 | 0:56:44 | |
for a golden afternoon of the Edwardian age | 0:56:44 | 0:56:46 | |
and that was reflected in our gardens. | 0:56:46 | 0:56:49 | |
The quintessential part of any English garden in the 1780s, | 0:56:58 | 0:57:04 | |
the 1880s, or now the 1980s was the lawn. | 0:57:04 | 0:57:08 | |
Being British we can't just grow a bit of grass and sit on it, we have | 0:57:08 | 0:57:12 | |
to make a great big deal of it and obsess about it being perfect. | 0:57:12 | 0:57:15 | |
And needless to say that is very much the domain of men. | 0:57:15 | 0:57:20 | |
When I was a child, the business of starting | 0:57:21 | 0:57:24 | |
a lawn mower, you know, with the rope and the wooden | 0:57:24 | 0:57:26 | |
bobble on the end of it and you | 0:57:26 | 0:57:29 | |
wrapped it around whatever it was and pulled, and then it didn't start. | 0:57:29 | 0:57:33 | |
It was a tremendous palaver. | 0:57:33 | 0:57:36 | |
I think women very sensibly kept well away from that. | 0:57:36 | 0:57:40 | |
It's June, OK, the sun is shining, it's a Saturday, | 0:57:52 | 0:57:55 | |
you've had a hard week at work, you come back, Saturday morning, | 0:57:55 | 0:58:01 | |
how lovely. What you do? You go to the shed and bring out | 0:58:01 | 0:58:03 | |
this large, messy, dirty, smelly machine and you... | 0:58:03 | 0:58:07 | |
and all that stuff goes on and you walk up and down and up and down and | 0:58:07 | 0:58:12 | |
up and down, making a foul noise and what you end up in the end is a pile | 0:58:12 | 0:58:16 | |
of stuff that composts very badly and smells of petrol and dog's mess. | 0:58:16 | 0:58:19 | |
It's like men and motors, isn't it? | 0:58:19 | 0:58:21 | |
You wash the car and it has to be immaculate. | 0:58:21 | 0:58:23 | |
And the lawn is the same thing, if I am going to do it, | 0:58:23 | 0:58:26 | |
I am going to do this properly. | 0:58:26 | 0:58:28 | |
I am going to get the book, | 0:58:28 | 0:58:30 | |
the lawn expert and I'm going to aerate it and scarify it | 0:58:30 | 0:58:32 | |
and weed it and feed it and water it and mow it. | 0:58:32 | 0:58:35 | |
And if I'm going to mow it, I've gotta have a good mower, haven't I? | 0:58:35 | 0:58:39 | |
You know, I've got to have a really sharp, I've got | 0:58:39 | 0:58:42 | |
to sharpen it every winter and change the oil and everything | 0:58:42 | 0:58:45 | |
and it becomes a complete obsession. | 0:58:45 | 0:58:48 | |
Fortunately, someone realised there was a mower | 0:58:49 | 0:58:51 | |
that was perfect for women who are sick of waiting for their blokes | 0:58:51 | 0:58:55 | |
to go out and mow the lawn. | 0:58:55 | 0:58:57 | |
The hover mower. | 0:58:57 | 0:58:59 | |
-Quite literally took off. -Flymo! | 0:58:59 | 0:59:01 | |
New Flymo DXE, first ever hover mower to cut and collect the grass. | 0:59:01 | 0:59:06 | |
And then suddenly they started to introduce the Flymo | 0:59:09 | 0:59:13 | |
and all the rest of it and they would | 0:59:13 | 0:59:15 | |
have some very attractive lady just swinging it gently around. | 0:59:15 | 0:59:18 | |
And, of course, the lady thought if she can do it, so can I. | 0:59:18 | 0:59:21 | |
They took an awful lot away from the man, he was totally deflated. | 0:59:21 | 0:59:24 | |
He was OK for a few banks, if you wanted to go up a few banks | 0:59:24 | 0:59:27 | |
like that, | 0:59:27 | 0:59:29 | |
but you couldn't get stripes on it and actually and if you picked up | 0:59:29 | 0:59:33 | |
a blade of grass after a hover mower has had a go at it | 0:59:33 | 0:59:35 | |
you'll see it's really badly cut and it goes a bit brown on the edges. | 0:59:35 | 0:59:39 | |
You need a really sharp cut with a sharp blade. | 0:59:39 | 0:59:42 | |
CAR HORN | 0:59:43 | 0:59:45 | |
No, I don't know, they're fun to use but no, I didn't approve. | 0:59:47 | 0:59:52 | |
1980s Britain was expanding. | 0:59:59 | 1:00:02 | |
Our towns grew bigger, land got scarcer and gardens became smaller. | 1:00:02 | 1:00:06 | |
Soon our hankering for privacy became a national pastime. | 1:00:06 | 1:00:10 | |
You wouldn't want to meet the neighbours, God forbid! | 1:00:10 | 1:00:14 | |
So one of the first jobs we are going to be doing is to show you how | 1:00:14 | 1:00:17 | |
to put up a proper fence. | 1:00:17 | 1:00:19 | |
In the good old days of gardening | 1:00:19 | 1:00:21 | |
fences were to lean on and to talk over. | 1:00:21 | 1:00:27 | |
Now they are barriers, to keep people out. | 1:00:27 | 1:00:30 | |
Now the very first thing you have got to do when you put up a fence | 1:00:30 | 1:00:33 | |
is to sort out your line. | 1:00:33 | 1:00:35 | |
Do take care over this, I have known so many disputes between | 1:00:35 | 1:00:39 | |
neighbours over an inch of land. | 1:00:39 | 1:00:41 | |
These days with these high fences you hardly ever see your neighbour | 1:00:41 | 1:00:45 | |
and I think that is indicative of today's enclosed people. | 1:00:45 | 1:00:50 | |
'We have lost the sense of community in gardens. | 1:00:50 | 1:00:52 | |
'We have almost lost the sense of community within neighbourhoods.' | 1:00:52 | 1:00:54 | |
That's the other one, exactly right. | 1:00:54 | 1:00:57 | |
I think by the 1980s, this little island of ours becomes | 1:00:57 | 1:01:02 | |
more and more crowded. | 1:01:02 | 1:01:04 | |
More and more people have their | 1:01:04 | 1:01:05 | |
own houses and gardens but they are smaller houses and smaller gardens. | 1:01:05 | 1:01:10 | |
So those become little empires which are fiercely, fiercely protected. | 1:01:10 | 1:01:15 | |
You've got to make sure this panel is exactly on the same level | 1:01:15 | 1:01:17 | |
as that one and it isn't. | 1:01:17 | 1:01:19 | |
My parents weren't the sort to gossip over the garden wall, | 1:01:19 | 1:01:22 | |
it just wasn't done. | 1:01:22 | 1:01:24 | |
And the first thing I did when I got my own garden, actually, | 1:01:24 | 1:01:27 | |
was to put fencing on top of the walls, to make it even higher. | 1:01:27 | 1:01:32 | |
I want my space. I want | 1:01:32 | 1:01:34 | |
a definite marker where my garden ends and someone else's begins. | 1:01:34 | 1:01:39 | |
And the same thing down the bottom | 1:01:39 | 1:01:41 | |
-if you put the hammer down the bottom now. -All right. | 1:01:41 | 1:01:43 | |
You have this pretence that there is a wall, a bit like | 1:01:43 | 1:01:46 | |
in the theatre, the third wall, there is | 1:01:46 | 1:01:49 | |
an invisible wall and you don't acknowledge each other beyond that. | 1:01:49 | 1:01:52 | |
It is all bound up with our English need for our own space, if you like. | 1:01:52 | 1:01:57 | |
Well, I don't know, this is enough to put you off gardening for life. | 1:01:57 | 1:02:01 | |
Possibly, but you probably never had to sit through this. | 1:02:03 | 1:02:07 | |
The UK's first ever daytime TV show was in many ways a trail blazer. | 1:02:09 | 1:02:12 | |
But maybe not when it came to gardening. | 1:02:12 | 1:02:16 | |
Pebble Mill at One was always one of those very bizarre, | 1:02:17 | 1:02:19 | |
very guilty pleasures, because we only ever got | 1:02:19 | 1:02:22 | |
access to it when we were ill. | 1:02:22 | 1:02:24 | |
Because there was no way you would watch Pebble Mill at One | 1:02:24 | 1:02:27 | |
during school holidays. | 1:02:27 | 1:02:28 | |
But if you were lying on the sofa and saying, "Yeah, Mum, I'm feeling a bit | 1:02:28 | 1:02:32 | |
"better, I might be able to have some lemonade now." | 1:02:32 | 1:02:34 | |
Weeds are not the love of gardeners, I can tell you. | 1:02:34 | 1:02:36 | |
We thought we would have a look at that because this time of year | 1:02:36 | 1:02:40 | |
there are a number of weed killers you can used very effectively. | 1:02:40 | 1:02:42 | |
And Peter Seabrook had a tiny little border that was on the windy, | 1:02:42 | 1:02:50 | |
windiest corner of the Pebble Mill studios. | 1:02:50 | 1:02:55 | |
That he would then bore you so rigid for ten minutes about soil types. | 1:02:55 | 1:03:00 | |
We have weed killers | 1:03:00 | 1:03:01 | |
that will kill grass and leave everything else behind. | 1:03:01 | 1:03:04 | |
Very clever but if you are using weed killers it is quite useful | 1:03:04 | 1:03:07 | |
to have the right sort of container clearly marked. | 1:03:07 | 1:03:10 | |
It was nothing to do with how it looked. | 1:03:10 | 1:03:12 | |
It was nothing to do with actually making something that was stunning | 1:03:12 | 1:03:15 | |
and there was no reveal. It was all about preparation and, you know... | 1:03:15 | 1:03:20 | |
The 1990s arrived. | 1:03:23 | 1:03:25 | |
Our thirst for retail therapy | 1:03:25 | 1:03:26 | |
seemed unquenchable and we wanted everything in an instant. | 1:03:26 | 1:03:30 | |
'The '90s were the hangover created by the exuberance | 1:03:30 | 1:03:33 | |
'and the partying of the '80s. | 1:03:33 | 1:03:36 | |
'I've got a tremendously soft spot for the '80s.' | 1:03:36 | 1:03:39 | |
Can't bear the '90s. | 1:03:39 | 1:03:41 | |
The '90s, Take That and you know, minimalism. | 1:03:41 | 1:03:46 | |
Garden centres had turned into shopping centres | 1:03:50 | 1:03:53 | |
in which we were spending as much as £4 billion every year. | 1:03:53 | 1:03:57 | |
Now you could buy anything you could possibly want | 1:03:57 | 1:04:00 | |
and even one or two things to do with gardening. | 1:04:00 | 1:04:03 | |
Hello. | 1:04:03 | 1:04:04 | |
1990s gardening became something | 1:04:06 | 1:04:08 | |
that didn't necessarily mean dirty hands | 1:04:08 | 1:04:11 | |
but it did mean a lot of retail therapy. | 1:04:11 | 1:04:14 | |
It meant going shopping and bringing whatever you chose home in the car, | 1:04:14 | 1:04:19 | |
be it plants, furniture, lighting, pots, decorations, | 1:04:19 | 1:04:25 | |
wind chimes, anything that you could furnish the house with, you could | 1:04:25 | 1:04:29 | |
virtually furnish a garden with. | 1:04:29 | 1:04:31 | |
'It is now what is known in the trade as "tea and wee".' | 1:04:34 | 1:04:39 | |
It is a destination in its own right. You can actually get on | 1:04:39 | 1:04:43 | |
a coach trip, and go to a big garden centre for a cup of tea and a wee. | 1:04:43 | 1:04:48 | |
It just goes to show quite how powerful the term "gardening" is | 1:04:48 | 1:04:52 | |
in terms of retail in this country. | 1:04:52 | 1:04:57 | |
If you want to sell anything, make it sound like gardening, | 1:04:57 | 1:04:59 | |
and people think, "That's OK then." | 1:04:59 | 1:05:01 | |
Gardening is a good, clean, grown-up occupation which means that | 1:05:01 | 1:05:05 | |
I can trust it because it's about horticulture. | 1:05:05 | 1:05:08 | |
Gardener's World was booming as much as gardening itself, | 1:05:13 | 1:05:16 | |
and regularly drawing an amazing six million viewers. | 1:05:16 | 1:05:21 | |
No surprise there, given that it was now hosted | 1:05:21 | 1:05:23 | |
by a man whose TV career had started as a trusty expert on Nationwide. | 1:05:23 | 1:05:29 | |
He quickly became the nation's favourite | 1:05:29 | 1:05:32 | |
and rather fanciable gardener. | 1:05:32 | 1:05:34 | |
Alan Titchmarsh has conquered a series of rather dodgy hair styles | 1:05:34 | 1:05:40 | |
to become the darling of television, really. | 1:05:40 | 1:05:44 | |
Everything moved from gardening | 1:05:44 | 1:05:46 | |
to chat shows, to the whole lot, and there's a very good reason for that. | 1:05:46 | 1:05:49 | |
It's because it is very difficult, | 1:05:49 | 1:05:51 | |
in fact I would say it was near nigh impossible to dislike Alan. | 1:05:51 | 1:05:55 | |
The fork is fairly essential too, and on my soil, it is | 1:05:55 | 1:05:58 | |
very stony, it is easier to dig with than is the spade. | 1:05:58 | 1:06:01 | |
But I don't use a big one like this. | 1:06:01 | 1:06:04 | |
Not being particularly macho, I go for one of these, the lady's fork. | 1:06:04 | 1:06:08 | |
Alan was already a TV presenter. | 1:06:08 | 1:06:10 | |
Nobody knew he was much of a gardener, even though | 1:06:10 | 1:06:13 | |
he is a fantastic gardener | 1:06:13 | 1:06:15 | |
and studied at Kew and had worked on amateur gardening magazines | 1:06:15 | 1:06:18 | |
as an editor, so he had serious gardening credentials behind that. | 1:06:18 | 1:06:21 | |
But then he brought his presenting skills, his clever presenting skills | 1:06:21 | 1:06:26 | |
along with it, and a bit of | 1:06:26 | 1:06:28 | |
drama, a bit of light and shade, and really understood television. | 1:06:28 | 1:06:33 | |
They say that one orchid in your buttonhole | 1:06:33 | 1:06:36 | |
makes you look a million dollars. | 1:06:36 | 1:06:38 | |
This huge collection here, the like which I've never seen before, | 1:06:38 | 1:06:42 | |
is worth more than £1 million. Wish I had just | 1:06:42 | 1:06:44 | |
Wish I had just one of them. | 1:06:44 | 1:06:46 | |
Alan was always very informative. | 1:06:46 | 1:06:48 | |
I take away a lot from the programme. | 1:06:48 | 1:06:51 | |
But he also sometimes makes me think as if I'm slightly losing my marbles. | 1:06:51 | 1:06:56 | |
Rather than presenting a programme, | 1:06:56 | 1:06:58 | |
it's as if he's bringing me a mug of cocoa and my tablets, | 1:06:58 | 1:07:01 | |
saying, "There there, dear, you'll be all right." | 1:07:01 | 1:07:03 | |
There was an old woman who lived in a shoe, | 1:07:03 | 1:07:05 | |
she had so many children she didn't know what to do. | 1:07:05 | 1:07:08 | |
For me, Chelsea Flower Show is all about the gosh factor. | 1:07:08 | 1:07:12 | |
With Alan, yeah, Alan is pretty sexy. The women love him. | 1:07:12 | 1:07:16 | |
Quite a few men love him too. | 1:07:19 | 1:07:22 | |
I've seen Alan up at Gardeners' World Live at the NEC. | 1:07:22 | 1:07:25 | |
He's been mobbed, mobbed by the over-eighties! | 1:07:25 | 1:07:29 | |
Leylandii, what should be done about the tree | 1:07:38 | 1:07:41 | |
that caused more neighbourhood disputes than any other? | 1:07:41 | 1:07:44 | |
As our concerns for things like privacy and home security grew | 1:07:44 | 1:07:48 | |
in the 1990s, the boundaries around our gardens reached new heights. | 1:07:48 | 1:07:52 | |
Quite literally. | 1:07:52 | 1:07:54 | |
Thanks to our love affair with the fastest-growing conifer on earth. | 1:07:54 | 1:08:00 | |
Here's one at a year, that's the baby we saw at the beginning. | 1:08:00 | 1:08:04 | |
This is how it looks a year later. | 1:08:04 | 1:08:06 | |
This one is four years old. And this one is five. | 1:08:06 | 1:08:09 | |
It's the leylandii's rapid growth and the way it blocks out light | 1:08:09 | 1:08:14 | |
that's causing a staggering 17,000 hedge disputes a year. | 1:08:14 | 1:08:18 | |
What it doesn't say on the label, or it does in very small letters, | 1:08:18 | 1:08:22 | |
it says, "PS, does not stop growing after three years." | 1:08:22 | 1:08:27 | |
Obviously, the nurseries and garden centres pushed this plant | 1:08:30 | 1:08:34 | |
because it was easy to propagate and it grew very fast, | 1:08:34 | 1:08:36 | |
and people do want hedges that grow fast. | 1:08:36 | 1:08:40 | |
They just want it to stop. | 1:08:40 | 1:08:43 | |
It just turned into a monster. | 1:08:43 | 1:08:45 | |
A man has been charged with the murder of his neighbour | 1:08:47 | 1:08:51 | |
who was shot dead after an argument about a garden hedge. | 1:08:51 | 1:08:54 | |
One person was even murdered as a result, a dispute over a hedge! | 1:08:54 | 1:08:59 | |
Appalling stuff. | 1:08:59 | 1:09:00 | |
There could be a solution to that monster of suburbia, the leylandii. | 1:09:00 | 1:09:04 | |
New proposals would mean home owners | 1:09:04 | 1:09:06 | |
could get their council to chop down the trees | 1:09:06 | 1:09:09 | |
if neighbours can't sort out the problem. | 1:09:09 | 1:09:11 | |
Local authorities receive thousands of complaints | 1:09:11 | 1:09:14 | |
about hedges every year, most on leylandii. | 1:09:14 | 1:09:16 | |
Disgruntled neighbours can do little to have them controlled. | 1:09:16 | 1:09:20 | |
The government plans to give councils new powers | 1:09:20 | 1:09:23 | |
to intervene in disputes. | 1:09:23 | 1:09:25 | |
For the residents of this quiet corner of the English countryside, | 1:09:25 | 1:09:28 | |
the sound of the chainsaws marks a welcome end to a long battle. | 1:09:28 | 1:09:32 | |
-Hello, Lawrence. -Hello! | 1:09:37 | 1:09:38 | |
Hopefully our film will persuade you to help us out. This is our cottage. | 1:09:38 | 1:09:44 | |
Oooh! | 1:09:44 | 1:09:45 | |
Gardening programmes trudged along doing worthy things about the earth | 1:09:45 | 1:09:49 | |
and what you do with the earth, and the plants and how you do seeds, | 1:09:49 | 1:09:52 | |
and what you do for winter and how you look after your lawn. | 1:09:52 | 1:09:56 | |
And then suddenly, bang! Diarmuid Gavin arrives. | 1:09:56 | 1:09:59 | |
I mean, I love this. I think the bed outside is absolutely beautiful. | 1:09:59 | 1:10:05 | |
That's the nicest thing, the view of that. | 1:10:05 | 1:10:07 | |
If I had my way, I would get rid of all this actually. If it wasn't... | 1:10:07 | 1:10:11 | |
Don't lean too hard on it! | 1:10:11 | 1:10:13 | |
Home Front was at the time very unusual, and still is unusual | 1:10:13 | 1:10:16 | |
because it wasn't... it never had a format to it. | 1:10:16 | 1:10:19 | |
Above the very simple thing, which was that | 1:10:19 | 1:10:21 | |
you had me doing the interior, and Diarmuid doing an out-terior. | 1:10:21 | 1:10:26 | |
We were working for the same client, working for one householder, | 1:10:26 | 1:10:30 | |
and it was supposed to be what they say in television is a "journey". | 1:10:30 | 1:10:34 | |
I can't wait to get on with it and see what he comes up with. Excited. | 1:10:34 | 1:10:38 | |
He comes into ordinary, perfectly nice suburban gardens, | 1:10:38 | 1:10:43 | |
and he just... Some people say he wrecked them, I don't. | 1:10:43 | 1:10:48 | |
I think he just caused revolution in them. | 1:10:48 | 1:10:50 | |
The bottom border has been completely butchered. | 1:10:50 | 1:10:53 | |
We were assured that the planting, the plants would be dealt with, | 1:10:53 | 1:10:58 | |
and looked after, and to be honest, it looks like someone's just gone in, | 1:10:58 | 1:11:02 | |
cut the tops off the plants and pushed it into polythene bags. | 1:11:02 | 1:11:05 | |
He would do things in one way, and I'd do them in another way. | 1:11:05 | 1:11:09 | |
There'd be a constant fight going on about who was doing it better. | 1:11:09 | 1:11:13 | |
Because we were always vying for attention. | 1:11:13 | 1:11:17 | |
But how do you feel now, that you have finally confronted | 1:11:21 | 1:11:25 | |
this whole issue of creating a contemporary garden | 1:11:25 | 1:11:29 | |
using a traditional idiom? | 1:11:29 | 1:11:31 | |
And done it so successfully? | 1:11:31 | 1:11:34 | |
Very happy. | 1:11:34 | 1:11:37 | |
'Diarmuid and I would just say things | 1:11:37 | 1:11:40 | |
'to see whether we could get away with it, which we often did. | 1:11:40 | 1:11:44 | |
'We were horribly over-indulged. | 1:11:44 | 1:11:47 | |
'We were fabulously over-indulged.' | 1:11:47 | 1:11:49 | |
I'd go, "Let's go and have lunch in Venice." | 1:11:49 | 1:11:51 | |
Diarmuid would go, "Let's go to the National Seed Collection." | 1:11:51 | 1:11:55 | |
We'd all go, yeah... | 1:11:55 | 1:11:56 | |
Sorry, were you expecting a design show? | 1:12:06 | 1:12:09 | |
We did have a constant problem with Diarmuid's gardens. | 1:12:12 | 1:12:15 | |
One of the classics was when he dug up someone's dead cat. | 1:12:15 | 1:12:19 | |
I hope you haven't dug up my little Snoopy's grave out there. | 1:12:21 | 1:12:24 | |
I did mention it. My cat. | 1:12:26 | 1:12:27 | |
It's very sad. Earlier this year, one of my cats died. | 1:12:29 | 1:12:33 | |
And we buried her here actually, underneath the tree here. | 1:12:33 | 1:12:36 | |
-The cat's in there. -'The worst possible thing happens,' | 1:12:39 | 1:12:42 | |
he brings in a digger, and they're excavating, | 1:12:42 | 1:12:45 | |
and suddenly there is the dead cat | 1:12:45 | 1:12:47 | |
that has been in a beautifully tended grave | 1:12:47 | 1:12:49 | |
for the last 15 years or something. And it's just, oh... | 1:12:49 | 1:12:52 | |
So, the promise is... | 1:12:59 | 1:13:01 | |
I think we're going to need to be very diplomatic. | 1:13:01 | 1:13:03 | |
I'm not very good at that, Laurence. | 1:13:03 | 1:13:06 | |
Hand in hand with the makeover culture, if you like, | 1:13:15 | 1:13:18 | |
and the idea of gardens as an extension of the house, | 1:13:18 | 1:13:21 | |
went the idea that improving your garden | 1:13:21 | 1:13:23 | |
is money well spent, that it will increase the value of your house. | 1:13:23 | 1:13:28 | |
And of course, this was at a time of a great property boom. | 1:13:28 | 1:13:32 | |
I remember I was the editor of a magazine at the time, | 1:13:32 | 1:13:34 | |
we commissioned a survey from estate agents | 1:13:34 | 1:13:37 | |
who were telling us that, after the kitchen, | 1:13:37 | 1:13:40 | |
the garden was the biggest selling point of any house. | 1:13:40 | 1:13:43 | |
So it was an idea that it was investment, | 1:13:43 | 1:13:46 | |
to spend money on your garden. | 1:13:46 | 1:13:49 | |
And I think there is definitely an element of truth in that. | 1:13:49 | 1:13:52 | |
It does persuade you, as well as the kitchen and bathroom. | 1:13:52 | 1:13:56 | |
-BIG BEN STRIKES -# Millennium! # | 1:14:06 | 1:14:09 | |
A new millennium dawned, and the world was starting to wake up | 1:14:09 | 1:14:13 | |
to the dangers of global warming. | 1:14:13 | 1:14:16 | |
Everything and everyone went green. | 1:14:16 | 1:14:19 | |
But there was only so much we could do as individuals. | 1:14:20 | 1:14:23 | |
And it slowly dawned on us that, just like 60 years before, | 1:14:23 | 1:14:27 | |
sustainability might have to start in our own gardens. | 1:14:27 | 1:14:31 | |
So who better to become head boy in this era of environmental angst | 1:14:38 | 1:14:42 | |
than a man whose passion for all things organic was infectious? | 1:14:42 | 1:14:46 | |
He wasn't a trained gardener. | 1:14:46 | 1:14:48 | |
He was an ex-jeweller, no less. | 1:14:48 | 1:14:51 | |
He was built like an oak tree, spoke like he meant it. | 1:14:51 | 1:14:54 | |
He persuaded us to love and cherish our gardens like never before. | 1:14:54 | 1:15:00 | |
Monty carried on the tradition of Gardeners' World, | 1:15:00 | 1:15:05 | |
of taking gardeners on. | 1:15:05 | 1:15:07 | |
So, he was the great composter. | 1:15:07 | 1:15:09 | |
He certainly got me composting, if not the whole country. | 1:15:09 | 1:15:12 | |
But also, the organic thing that Geoff Hamilton had started, | 1:15:12 | 1:15:16 | |
Monty took that along. | 1:15:16 | 1:15:18 | |
And here in the long borders, we are doing an experiment. | 1:15:18 | 1:15:21 | |
We're using just rainwater on this side, just grey water on that side. | 1:15:21 | 1:15:26 | |
We want to compare the effect on pretty much the same plants. | 1:15:26 | 1:15:30 | |
Particularly with wildlife, bringing it into the garden, | 1:15:30 | 1:15:33 | |
rather than getting rid of it. | 1:15:33 | 1:15:36 | |
And I associate Monty very much with that, | 1:15:36 | 1:15:39 | |
very much with natural gardening. | 1:15:39 | 1:15:41 | |
And for a chemical gardener, | 1:15:41 | 1:15:43 | |
you can paint the leaves with a glyphosate. | 1:15:43 | 1:15:45 | |
I am an organic gardener, I wouldn't dream of doing that. | 1:15:45 | 1:15:48 | |
Monty has got the most wonderful hands. | 1:15:48 | 1:15:50 | |
It's almost as if they're tattooed with topsoil. | 1:15:50 | 1:15:54 | |
All the middle-aged women in the world have the idea of | 1:15:54 | 1:15:57 | |
Monty's earth-stained hands running across their tender parts. | 1:15:57 | 1:16:01 | |
It used to send thrills through the whole of England on Friday evening. | 1:16:01 | 1:16:05 | |
With Monty to guide us, | 1:16:15 | 1:16:17 | |
our new interest in all-organic growing and all things green | 1:16:17 | 1:16:21 | |
meant that grow your own was the new big thing, | 1:16:21 | 1:16:24 | |
and the vegetable plot an essential part of every garden. | 1:16:24 | 1:16:28 | |
Suddenly, you couldn't get an allotment for love nor money. | 1:16:28 | 1:16:32 | |
I think the resurgence of the passion for allotments | 1:16:32 | 1:16:35 | |
comes out of a recognition of modern living, | 1:16:35 | 1:16:40 | |
what modern life is about, and people wanting to return to | 1:16:40 | 1:16:44 | |
the good old things in life, the things that really mean something. | 1:16:44 | 1:16:47 | |
-Eddie. -Eddie! Oh! | 1:16:47 | 1:16:50 | |
'The camaraderie that comes,' | 1:16:50 | 1:16:52 | |
and you cannot be on an allotment site and be a loner. | 1:16:52 | 1:16:56 | |
It doesn't work. | 1:16:56 | 1:16:57 | |
People who do allotments, they are not made. | 1:16:57 | 1:17:01 | |
I don't think they're made. They are born. A special breed. | 1:17:01 | 1:17:06 | |
'I think allotments today reflect a wide cross-section of society. | 1:17:11 | 1:17:16 | |
'We have got everybody, sex, religion, age, money, | 1:17:16 | 1:17:20 | |
'it doesn't matter any more in the allotment society. | 1:17:20 | 1:17:24 | |
'They want to grow.' | 1:17:24 | 1:17:25 | |
Thank you for attending the meeting. | 1:17:27 | 1:17:29 | |
We are here tonight to discuss the show. | 1:17:29 | 1:17:32 | |
The committee can be a fearsome thing in the allotment movement. | 1:17:32 | 1:17:38 | |
The big, well-organised committees have real power. | 1:17:38 | 1:17:42 | |
-What time do we have to have the things in, 12 o'clock, is it? -12. | 1:17:42 | 1:17:46 | |
'And there are rules about what you can grow, rules about | 1:17:46 | 1:17:50 | |
'how you can grow, how tidy it has to be. | 1:17:50 | 1:17:53 | |
'How long the grass is allowed to be on the path beside your allotment.' | 1:17:53 | 1:17:57 | |
There doesn't seem to be a rule on rusty corrugated iron, | 1:18:00 | 1:18:03 | |
because there is quite a lot of that about on most allotment sites. | 1:18:03 | 1:18:06 | |
That seems to get through the net. | 1:18:06 | 1:18:08 | |
They hit the right political agenda. It gives you instant organic food. | 1:18:10 | 1:18:14 | |
We are about to die of starvation because of the recession, | 1:18:14 | 1:18:17 | |
it will sort that out. | 1:18:17 | 1:18:18 | |
And it gives you green exercise. | 1:18:18 | 1:18:21 | |
You can look good when you reappear in your office, | 1:18:21 | 1:18:23 | |
cos you have a little bit of grime around your fingers. Very cool. | 1:18:23 | 1:18:27 | |
Decades of fashions and trends in gardening | 1:18:29 | 1:18:33 | |
had got us into loving our gardens like never before. | 1:18:33 | 1:18:36 | |
What's more, garden design | 1:18:36 | 1:18:38 | |
was something everyone could now try for themselves. | 1:18:38 | 1:18:41 | |
It was affordable and cool to redo your garden, | 1:18:41 | 1:18:44 | |
and makeovers soon went properly showbiz. | 1:18:44 | 1:18:47 | |
It's a nightmare. | 1:18:47 | 1:18:49 | |
It's that idea that you'll get home, | 1:18:49 | 1:18:52 | |
you will open the door and look through | 1:18:52 | 1:18:55 | |
and they have been in your garden while you're away and redesigned it. | 1:18:55 | 1:18:59 | |
Ground Force, the essential makeover programme. | 1:19:02 | 1:19:05 | |
It opened with chirpy band music and lorries running around the place. | 1:19:05 | 1:19:11 | |
You end up in this small garden somewhere... | 1:19:11 | 1:19:13 | |
Oh. They probably think I'm from a cosmetics firm. | 1:19:13 | 1:19:17 | |
'Mrs Smith decided that she really wanted to have her garden done' | 1:19:17 | 1:19:21 | |
as a surprise for Mr Smith, so Mr Smith, they quickly invented | 1:19:21 | 1:19:24 | |
some second cousin in Aberdeen, and he was sent off to Aberdeen. | 1:19:24 | 1:19:28 | |
Tommy, Charlie... | 1:19:28 | 1:19:29 | |
'Mrs Smith welcomed with open arms Alan Titchmarsh, Charlie Dimmock | 1:19:29 | 1:19:34 | |
-'and Tommy Walsh, who would come in and be chirpy, generally.' -Crikey! | 1:19:34 | 1:19:37 | |
Fine, OK, I've got the solution. Forget the plan. | 1:19:37 | 1:19:40 | |
Two mountain goats, one tethered there, one tethered there. | 1:19:40 | 1:19:43 | |
They graze up and down. | 1:19:43 | 1:19:46 | |
'Alan would draw a picture and say, "Yeah, we are going to do that."' | 1:19:46 | 1:19:49 | |
And then it would be all action. | 1:19:49 | 1:19:52 | |
Charlie was the one... | 1:19:59 | 1:20:01 | |
This extraordinary Daily Mail phenomenon she became, | 1:20:01 | 1:20:05 | |
purely because she was sort of short on underwear. | 1:20:05 | 1:20:08 | |
There's this girl who was actually very good at doing what she did, | 1:20:15 | 1:20:19 | |
and building ponds and fountains, | 1:20:19 | 1:20:21 | |
and had this Pre-Raphaelite hair that cascaded around the place. | 1:20:21 | 1:20:26 | |
And then everything sort of swinging in various different directions. | 1:20:26 | 1:20:30 | |
And that more than anything else got more chaps out of their sheds, | 1:20:30 | 1:20:35 | |
and into gardening, than... There was a moment when | 1:20:35 | 1:20:38 | |
she was possibly the most famous person in the whole country. | 1:20:38 | 1:20:41 | |
The householder then comes back at the 11th hour, | 1:20:45 | 1:20:49 | |
is lured into the garden, and then suddenly, you know, there it is! | 1:20:49 | 1:20:52 | |
Oh my God! | 1:20:53 | 1:20:55 | |
-Oh! -Hello, you. Nice to see you. -And you! | 1:20:59 | 1:21:02 | |
It's not only completely changed, but there you've got | 1:21:02 | 1:21:05 | |
Charlie and Tommy and Alan, standing there with a bottle of champagne. | 1:21:05 | 1:21:10 | |
Meanwhile, the entire street, | 1:21:10 | 1:21:12 | |
the entire cul-de-sac has come out to be part of the celebration. | 1:21:12 | 1:21:16 | |
I didn't see a garden that looked better at the end of the programme | 1:21:20 | 1:21:23 | |
than it did at the beginning. | 1:21:23 | 1:21:25 | |
All I saw was things I really don't... | 1:21:25 | 1:21:27 | |
that don't belong in a garden. | 1:21:27 | 1:21:29 | |
There was a vocabulary of materials, if you like, in 1990s makeover. | 1:21:31 | 1:21:37 | |
There was a great emphasis on ornamental decoration. | 1:21:37 | 1:21:40 | |
So, mirrors, that sort of thing. | 1:21:40 | 1:21:43 | |
I really like the use of the mirror here. | 1:21:43 | 1:21:46 | |
You get double the value from your plants. | 1:21:46 | 1:21:48 | |
And the illusion that the garden is much longer than it is. | 1:21:48 | 1:21:51 | |
Anybody who puts a mirror in a garden is very cruel. | 1:21:51 | 1:21:55 | |
The birds just fly straight into it, bang, | 1:21:55 | 1:21:58 | |
and you end up with dead sparrows around your feature | 1:21:58 | 1:22:02 | |
which has cost a fortune. | 1:22:02 | 1:22:03 | |
Garden furniture usually comes in spindly geometric, | 1:22:03 | 1:22:07 | |
or else Mediterranean, again with tiley tops. | 1:22:07 | 1:22:11 | |
The cobalt blue planters, they became the biggest cliche of all. | 1:22:11 | 1:22:14 | |
And, of course, the water feature. | 1:22:14 | 1:22:16 | |
The water pouring over there, the whole thing growing, | 1:22:16 | 1:22:19 | |
-and the sound effect... -Oh, I can't wait! | 1:22:19 | 1:22:22 | |
Yes you can! | 1:22:22 | 1:22:23 | |
-What the hell?! -Ah yes, that's lovely. -No, it's not. | 1:22:24 | 1:22:29 | |
There you go. | 1:22:29 | 1:22:31 | |
-Oh yes. That is brilliant. -No, it isn't. | 1:22:31 | 1:22:36 | |
-I absolutely love it. -No, you don't. | 1:22:36 | 1:22:38 | |
They are designed for hot places. | 1:22:38 | 1:22:42 | |
Water features, moving water is supposed to make the air cooler. | 1:22:42 | 1:22:47 | |
It is Sintra, it is Granada. | 1:22:47 | 1:22:50 | |
It is about air-conditioning. | 1:22:50 | 1:22:52 | |
So doing it where it is raining half the time is completely pointless. | 1:22:52 | 1:22:57 | |
And it means that designers and presenters and people like that | 1:22:57 | 1:23:01 | |
can use nice, soothing, gardening words like "oasis", and "calm". | 1:23:01 | 1:23:08 | |
And, "a refuge from the busyness of the outside world." | 1:23:08 | 1:23:11 | |
That's the sort nonsense that designers like to talk sometimes. | 1:23:11 | 1:23:15 | |
You've got some decking down. Yippee! | 1:23:15 | 1:23:18 | |
There's one thing that is wrong with modern gardens, it is decking. | 1:23:18 | 1:23:23 | |
There is no good decking. | 1:23:23 | 1:23:25 | |
-One, two, three... -I know exactly why people use decking. | 1:23:25 | 1:23:28 | |
Because it goes in very quickly, it's very clean and quick to put in. | 1:23:28 | 1:23:32 | |
It free drains so you don't have to start digging excavations | 1:23:32 | 1:23:36 | |
and putting in sub bases, and taking all that spoil away. | 1:23:36 | 1:23:40 | |
It's quiet, it's warm, and it's a great weekend DIY project. | 1:23:40 | 1:23:43 | |
A 2.4 metre by 3 metre deck, which is exactly the size that you buy | 1:23:43 | 1:23:49 | |
timber from the builders' merchant, can go in in... | 1:23:49 | 1:23:53 | |
you can do it a couple of hours in a makeover programme. | 1:23:53 | 1:23:56 | |
There is a moment where gardening on television stopped being nourishing, | 1:23:59 | 1:24:05 | |
and started being full of E-numbers. | 1:24:05 | 1:24:09 | |
Small Town Gardens was a makeover programme, but a proper, | 1:24:09 | 1:24:12 | |
serious makeover programme, you know? | 1:24:12 | 1:24:14 | |
It wasn't just turning up for a few days. There was a proper designer. | 1:24:14 | 1:24:18 | |
So, they gave me this godforsaken ghastly, dank, wet, yucky... | 1:24:20 | 1:24:26 | |
'hovel on a slope in Chippenham to redesign the garden for. | 1:24:26 | 1:24:30 | |
'So, we did something with sort of rubber and chains | 1:24:30 | 1:24:33 | |
'that was very slightly on the edge of pervy.' | 1:24:33 | 1:24:36 | |
-I've got quite a lot. -This is starting to look quite kinky! | 1:24:36 | 1:24:40 | |
The person whose garden it was was great. | 1:24:40 | 1:24:43 | |
She said, I want something that nobody else will have. | 1:24:43 | 1:24:46 | |
I bet nobody had anything else like this in Chippenham! | 1:24:46 | 1:24:49 | |
Karen wanted a radical, unique design, a one-off, | 1:24:49 | 1:24:53 | |
and she certainly got that. | 1:24:53 | 1:24:54 | |
And Joe keeps telling me this, and reminds me of this, that I basically | 1:24:54 | 1:24:59 | |
killed makeover programmes! And that was the end! | 1:24:59 | 1:25:01 | |
That was the last makeover. | 1:25:01 | 1:25:03 | |
Suddenly everyone was saying, enough makeover already! | 1:25:03 | 1:25:07 | |
James has murdered it, so I murdered makeover. | 1:25:07 | 1:25:09 | |
Gardening had changed beyond all recognition. | 1:25:14 | 1:25:17 | |
In the space of 50 years it had gone from being a hobby for the retired | 1:25:17 | 1:25:21 | |
or eccentric, to an national, and now fashionable, passion. | 1:25:21 | 1:25:26 | |
It had become a big part of our lives and was big business. | 1:25:26 | 1:25:31 | |
But makeover was dead, we'd wrecked the planet and, perhaps, | 1:25:31 | 1:25:34 | |
we'd realised that gardens are too important anyway for the quick fix. | 1:25:34 | 1:25:38 | |
So, where to go from here? | 1:25:38 | 1:25:41 | |
I think what's happened over the last half century | 1:25:41 | 1:25:45 | |
is that people have taken control of their own gardens | 1:25:45 | 1:25:49 | |
to a much greater extent. | 1:25:49 | 1:25:51 | |
I think it's very democratic. | 1:25:51 | 1:25:53 | |
Everybody feels they can, everybody should feel they can. | 1:25:53 | 1:25:57 | |
Well, the era we're in, | 1:25:58 | 1:26:00 | |
of course, is defined by our ecological angst, | 1:26:00 | 1:26:05 | |
and the garden is obviously an ideal interface if you like. | 1:26:05 | 1:26:08 | |
It's where man meets nature, | 1:26:08 | 1:26:10 | |
or where homeowners meet nature. So what we do with our garden | 1:26:10 | 1:26:14 | |
is a sort of expression, really, of how we're coping with | 1:26:14 | 1:26:17 | |
this ecological conundrum we face, and all of this guilt we've got. | 1:26:17 | 1:26:21 | |
The sense it's us who ruined the planet, so how can we assuage that? | 1:26:21 | 1:26:26 | |
But I think at the same time there is more and more understanding | 1:26:26 | 1:26:29 | |
about how important gardens are in terms of our minds. | 1:26:29 | 1:26:33 | |
They're therapy. | 1:26:33 | 1:26:36 | |
We are now looking out | 1:26:36 | 1:26:38 | |
into the cold, harsh outside world and it's a scary place again. | 1:26:38 | 1:26:44 | |
It's economically buggered, we're worried about the climate, | 1:26:44 | 1:26:48 | |
we've got globalised international terrorism, | 1:26:48 | 1:26:51 | |
so what on earth are we going to do when we're beset by these problems? | 1:26:51 | 1:26:56 | |
And the answer is garden. | 1:26:56 | 1:26:57 | |
What I'm hoping for | 1:26:57 | 1:26:59 | |
is that people stop gardening and let the wilderness take over. | 1:26:59 | 1:27:06 | |
So, it's goodbye colour, goodbye decking, | 1:27:07 | 1:27:10 | |
goodbye chain-hung pergolas and tumbledown walls | 1:27:10 | 1:27:16 | |
and stainless steel this and goodness knows what, | 1:27:16 | 1:27:19 | |
and it's back to roses and vegetables | 1:27:19 | 1:27:22 | |
and cottagey-wottagey, pargety, potagy, | 1:27:22 | 1:27:29 | |
gravely-wavely horticulture, really. | 1:27:29 | 1:27:32 | |
Subtitles by Red Bee Media Ltd | 1:27:50 | 1:27:52 | |
E-mail [email protected] | 1:27:52 | 1:27:54 |