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at the edge of the Atlantic, is where nature dumps its spare rain. | 0:00:30 | 0:00:53 | |
but it's not so good for buildings. | 0:00:55 | 0:00:59 | |
It's pretty grand for this part | 0:01:03 | 0:01:06 | |
and we've discovered that it's been | 0:01:06 | 0:01:10 | |
during periods of prosperity. | 0:01:10 | 0:01:12 | |
that every room needs work. | 0:01:18 | 0:01:20 | |
On top of all that, there is the problem of the leaky roof. | 0:01:23 | 0:01:27 | |
But it's been patched up so often, | 0:01:32 | 0:01:36 | |
the building from the heavens, | 0:01:40 | 0:01:44 | |
but also from some place down below. | 0:01:44 | 0:01:48 | |
This is certainly a glamorous room. | 0:01:48 | 0:01:50 | |
The trouble is the house is built | 0:01:56 | 0:02:00 | |
When the floors were dug up, | 0:02:00 | 0:02:02 | |
we suddenly found ourselves constructing a swimming pool. | 0:02:02 | 0:02:06 | |
When they dug the floors out | 0:02:15 | 0:02:21 | |
I've never seen that happen before. | 0:02:21 | 0:02:24 | |
I've seen damp around the place | 0:02:24 | 0:02:27 | |
but I've never seen water pouring | 0:02:27 | 0:02:30 | |
The stone, as in most stone houses, | 0:02:33 | 0:02:39 | |
it doesn't go deep under the ground. | 0:02:39 | 0:02:41 | |
In particular it can come in between the stone and the ground. | 0:02:44 | 0:02:48 | |
We get water coming off the mountain | 0:02:48 | 0:02:52 | |
comes down through the yard | 0:02:52 | 0:02:56 | |
It looks like the sort of thing | 0:02:56 | 0:03:00 | |
There's a lot less of it now than | 0:03:02 | 0:03:07 | |
have to do something about. | 0:03:07 | 0:03:10 | |
If we don't eradicate this problem, | 0:03:21 | 0:03:23 | |
the water's going to decide to wander off into our building. | 0:03:26 | 0:03:31 | |
The other job we need to tackle to get the building dry is the roof. | 0:03:47 | 0:03:51 | |
Originally, it was covered with local slate which was soft. | 0:03:57 | 0:04:01 | |
As the slates began to deteriorate, they didn't repair the whole lot. | 0:04:01 | 0:04:13 | |
and eventually the two halves | 0:04:13 | 0:04:21 | |
to hold the thing together. | 0:04:21 | 0:04:23 | |
but very difficult to repair | 0:04:28 | 0:04:31 | |
why it's one of the few left. | 0:04:31 | 0:04:34 | |
Still, we're going to keep as much of the original as possible. | 0:04:34 | 0:04:39 | |
it's also its fuel and life source. | 0:04:44 | 0:04:47 | |
Up here on the hill a trickle starts | 0:04:47 | 0:04:52 | |
Then into a bit of a stream. | 0:04:52 | 0:04:55 | |
the stream is actually deep enough | 0:04:59 | 0:05:05 | |
for a human being to swim in. | 0:05:05 | 0:05:07 | |
as being a baptist stream, where people were plunged into the water. | 0:05:10 | 0:05:16 | |
Look, here are the steps leading down, a little bit silted up. | 0:05:16 | 0:05:21 | |
By the time the water gets here | 0:05:30 | 0:05:35 | |
providing water for the sheep | 0:05:38 | 0:05:41 | |
and keeping the fields green. | 0:05:41 | 0:05:43 | |
But it also, supposedly, provided power for this building here. | 0:05:43 | 0:05:48 | |
Although it was used as a barn | 0:05:49 | 0:05:54 | |
that water get to this mill? | 0:05:54 | 0:05:59 | |
I'd rather like to find out. | 0:05:59 | 0:06:02 | |
But apart from that we know | 0:06:05 | 0:06:09 | |
I've come to the National Library | 0:06:09 | 0:06:13 | |
Dated 1843. Yes. Surrogate copies | 0:06:19 | 0:06:23 | |
They're exactly as they are. | 0:06:37 | 0:06:41 | |
an important and useful thing. | 0:06:48 | 0:06:54 | |
One of the things that happened in the North Pembrokeshire area | 0:06:58 | 0:07:13 | |
They developed their houses | 0:07:13 | 0:07:16 | |
you get so many Georgian type houses running up from St David's. | 0:07:23 | 0:07:27 | |
the main thing was the sea. | 0:07:45 | 0:07:47 | |
by people owning ships and trading. | 0:07:47 | 0:07:52 | |
the navy was always short of ships | 0:07:52 | 0:07:56 | |
and took on the privateers as part of their extra ship and naval power. | 0:07:58 | 0:08:04 | |
In a way, you had a sort of early milk cheque coming in | 0:08:04 | 0:08:10 | |
That might have had something | 0:08:13 | 0:08:16 | |
You mean the farmers..? You had tenant farmers owning ships | 0:08:16 | 0:08:20 | |
and farmers owning parts of ships. They used the ship to trade with? | 0:08:20 | 0:08:24 | |
Three or four of them clubbed | 0:08:24 | 0:08:28 | |
There was a huge amount of trading | 0:08:28 | 0:08:32 | |
I think this is my problem. | 0:08:32 | 0:08:34 | |
I think I'm coming to a remote place | 0:08:37 | 0:08:40 | |
from centres of population. | 0:08:40 | 0:08:44 | |
But if you went back 150 years you'd find there were lots of connections | 0:08:44 | 0:08:49 | |
That's what the mill was all about, | 0:08:55 | 0:08:59 | |
I got a bit of a shock when I saw it in the middle of the yard. | 0:09:04 | 0:09:08 | |
Perhaps other people will too, if they're small and try to climb it. | 0:09:08 | 0:09:12 | |
I've got to get rid of it somehow. | 0:09:12 | 0:09:14 | |
but every building fulfilled | 0:09:19 | 0:09:22 | |
which is how it sustained itself. | 0:09:25 | 0:09:27 | |
These were the stables. Horses provided power to run machinery | 0:09:27 | 0:09:31 | |
and ground into feed in the mill. | 0:09:34 | 0:09:37 | |
where their manure ran down here and was put back on the fields | 0:09:38 | 0:09:43 | |
which was fed to the animals. | 0:09:43 | 0:09:46 | |
then it was the way of the world. | 0:09:46 | 0:09:52 | |
So, it all fits together. What looks | 0:09:55 | 0:10:00 | |
And that is why it looks so good | 0:10:06 | 0:10:10 | |
They could become holiday cottages, | 0:10:21 | 0:10:47 | |
and I thought we should meet up | 0:10:51 | 0:10:54 | |
and have a charity concert, not only to raise a bit of funding, | 0:11:12 | 0:11:18 | |
So we would like you, if you would, to compare the evening for us. | 0:11:21 | 0:11:27 | |
It's in the Bay Hotel in Goodwick. | 0:11:27 | 0:11:30 | |
So I just sort of say things like, | 0:11:30 | 0:11:34 | |
Introduce each artist, yes. | 0:11:34 | 0:11:38 | |
if that's OK... Yes, go on. | 0:11:38 | 0:11:41 | |
How many items have you got? I think about six good items. | 0:11:45 | 0:11:49 | |
Six is absolutely fantastic. As long as we don't get too many, | 0:11:49 | 0:11:53 | |
I'm just going to pour myself | 0:11:56 | 0:11:59 | |
Tell us about the Point then. | 0:11:59 | 0:12:01 | |
overwhelming response came back | 0:12:01 | 0:12:05 | |
that people felt there wasn't enough for young people to do. | 0:12:05 | 0:12:09 | |
It was felt that they needed | 0:12:09 | 0:12:12 | |
It's important for young people | 0:12:12 | 0:12:15 | |
you can find one on the computer | 0:12:45 | 0:12:50 | |
They'll help you get a job. | 0:12:53 | 0:12:56 | |
If we're going to do a concert to raise money and awareness, | 0:12:58 | 0:13:02 | |
what extra things do you need here? | 0:13:02 | 0:13:04 | |
Does it get fuller than this then? | 0:13:04 | 0:13:07 | |
it gets really, really packed. | 0:13:07 | 0:13:11 | |
do you think they know about the good work the Point does? | 0:13:14 | 0:13:18 | |
Do you think they know much | 0:13:18 | 0:13:21 | |
Old people sometimes think that it's | 0:13:21 | 0:13:28 | |
I don't see any trouble around here, | 0:13:28 | 0:13:34 | |
It's like an ailing patient. | 0:13:39 | 0:13:41 | |
All the base of those studs | 0:14:03 | 0:14:25 | |
load bearing on to anything. | 0:14:25 | 0:14:28 | |
we try and keep the maximum amount | 0:14:34 | 0:14:37 | |
instead of having an old building, | 0:14:37 | 0:14:43 | |
you end up with an elaborate fake. | 0:14:43 | 0:14:45 | |
As you start to strip it back, you don't know where to stop really. | 0:15:05 | 0:15:09 | |
So I'm not 100% sure that we're going to end up keeping it. | 0:15:09 | 0:15:13 | |
I think we should go for it | 0:15:19 | 0:15:22 | |
and before we go any further, | 0:15:41 | 0:15:45 | |
So what do you feel about this roof | 0:15:49 | 0:15:52 | |
After arguing passionately to keep | 0:15:54 | 0:15:58 | |
the sheer mass of this roof | 0:16:00 | 0:16:03 | |
And we could just keep slapping | 0:16:05 | 0:16:09 | |
It would keep it all together. | 0:16:12 | 0:16:15 | |
This is the reason the slate industry in Pembrokeshire declined. | 0:16:17 | 0:16:21 | |
These aren't as hard as the slates | 0:16:21 | 0:16:25 | |
They're so soft, I wouldn't like | 0:16:25 | 0:16:29 | |
I'm not even pushing hard there and the whole thing is moving. | 0:16:29 | 0:16:33 | |
I'd probably go through it. | 0:16:33 | 0:16:35 | |
If you're trying to grout that later | 0:16:35 | 0:16:40 | |
I can't think off the top of my head | 0:16:47 | 0:16:50 | |
Maybe just mix up something which is going to set on top. | 0:16:50 | 0:16:54 | |
It would be fantastic to keep this. It's such a beautiful thing. | 0:16:54 | 0:16:58 | |
Leaving aside Greg's enthusiasm | 0:16:58 | 0:17:00 | |
for making a last ditch attempt | 0:17:00 | 0:17:08 | |
off, we were hoping to save this. | 0:17:08 | 0:17:30 | |
Then we'll completely replace this bit and join it on here. | 0:17:32 | 0:17:51 | |
and the purlins are too far spaced | 0:17:51 | 0:17:57 | |
but it won't save your timber. | 0:17:57 | 0:18:01 | |
But it has been holding this weight for at least the last century. | 0:18:01 | 0:18:06 | |
If there was a way you could | 0:18:11 | 0:18:14 | |
and put it straight back on, | 0:18:14 | 0:18:16 | |
But I can't see those rafters holding that for much longer. | 0:18:16 | 0:18:20 | |
It's pointless restoring all this | 0:18:20 | 0:18:22 | |
and then coming back in 20 years | 0:18:22 | 0:18:26 | |
But obviously I also agree with Greg that we need to conserve this. | 0:18:28 | 0:18:32 | |
about the roof further down, | 0:18:39 | 0:18:42 | |
I'm not moving an inch on that one. | 0:18:42 | 0:18:47 | |
You definitely believe that that roof down there has got to be saved. | 0:18:47 | 0:18:51 | |
My goodness me. This is complicated. | 0:18:51 | 0:18:53 | |
Are people going to be sitting | 0:19:03 | 0:19:06 | |
Yes. The tables will the laid | 0:19:06 | 0:19:10 | |
but we've decided against that | 0:19:15 | 0:19:19 | |
We're trying to fit everything in. | 0:19:19 | 0:19:21 | |
Are you planning to have dancing here later? I don't think so. | 0:19:29 | 0:19:33 | |
This isn't quite a big enough stage, | 0:19:35 | 0:19:38 | |
But they've got more stage units. I would hope so. I think so. | 0:19:41 | 0:19:47 | |
The choir are about 20 in number and there's a jazz ensemble. | 0:19:47 | 0:19:51 | |
And it's not a great acoustic | 0:19:51 | 0:19:55 | |
Those people behind the pillars | 0:19:57 | 0:20:01 | |
you're sitting at your tables, | 0:20:01 | 0:20:04 | |
you'll have to concentrate. | 0:20:04 | 0:20:06 | |
..and nobody will hear at all. | 0:20:20 | 0:20:22 | |
But my pre-performance demands | 0:20:26 | 0:20:30 | |
compared with the star of the show. | 0:20:30 | 0:20:32 | |
principal player and cash guzzler | 0:20:32 | 0:20:38 | |
The slates were due to arrive last | 0:20:40 | 0:21:10 | |
the first layer of packers, | 0:21:22 | 0:21:26 | |
that's to pack out the base layer. | 0:21:26 | 0:21:29 | |
We're about to put the first | 0:21:29 | 0:21:33 | |
It's quite momentous because we've waited a long time to do this. | 0:21:33 | 0:21:37 | |
the best way to use the lime. | 0:21:39 | 0:21:43 | |
Roofers would have used oak slates | 0:21:46 | 0:21:50 | |
It would have come quickly to them. | 0:21:50 | 0:21:53 | |
We're doing it to historical measurements, which differ. | 0:21:57 | 0:22:01 | |
So what's that? That's 161 there. | 0:22:02 | 0:22:05 | |
So, we have different lengths and those lengths in different widths. | 0:22:10 | 0:22:15 | |
the different widths randomly. | 0:22:15 | 0:22:19 | |
If the joints are in the wrong place, you get water penetration. | 0:22:25 | 0:22:29 | |
the joints cross over enough. | 0:22:29 | 0:22:33 | |
the carpenter who did the slating. | 0:22:34 | 0:22:38 | |
He'd have a bucket of lime. He's not someone who builds walls. | 0:22:38 | 0:22:43 | |
He'd pick up a small dollop | 0:22:43 | 0:22:47 | |
of the slate and fix the next one. | 0:22:47 | 0:22:52 | |
We don't want to dollop it on | 0:23:14 | 0:23:19 | |
Nathan suggests they'd have dolloped lime and squidged a slate on top. | 0:23:21 | 0:23:26 | |
It's basically a bit of lime, which was to help wind flap. That's it. | 0:23:40 | 0:23:46 | |
The timbers are still here, but the slate has all gone. | 0:24:01 | 0:24:05 | |
I was interested in this house | 0:24:05 | 0:24:10 | |
We agreed half of the main house | 0:24:10 | 0:24:14 | |
I conceded to that as a compromise. | 0:24:14 | 0:24:16 | |
and there's just four walls left. | 0:24:39 | 0:24:43 | |
We're desperate to keep all we can. | 0:24:50 | 0:24:53 | |
and everything they pick up | 0:24:59 | 0:25:03 | |
I thought we could have patched | 0:25:11 | 0:25:15 | |
it was saturated underneath. | 0:25:18 | 0:25:22 | |
That was after three or four days | 0:25:22 | 0:25:26 | |
the house, creating condensation. | 0:25:26 | 0:25:30 | |
the place dripped with condensation. | 0:25:30 | 0:25:35 | |
and there's no point arguing | 0:25:35 | 0:25:38 | |
That's what I wanted to see | 0:25:48 | 0:25:51 | |
I'd like to hand you over now | 0:26:07 | 0:26:10 | |
that's the only Welsh I know! | 0:26:32 | 0:26:36 | |
How nice to see you all here. | 0:26:36 | 0:26:39 | |
It's also bloody inconvenient! | 0:26:45 | 0:26:48 | |
It's not often one is asked to talk | 0:26:51 | 0:26:56 | |
And I'm doing that tomorrow | 0:27:02 | 0:27:06 | |
In the meantime, I've been asked to come here, which I'm happy to do. | 0:27:06 | 0:27:27 | |
Have we got any husbands and wives | 0:27:37 | 0:27:42 | |
The point is, I want the husbands | 0:27:42 | 0:27:49 | |
We have some wonderful things | 0:27:49 | 0:27:56 | |
Let me tell you that we're here to fleece every penny we can | 0:27:59 | 0:28:04 | |
to some previous occupants. | 0:28:16 | 0:28:20 | |
I think Sion's found something | 0:28:20 | 0:28:23 | |
Colin continues to clear up. | 0:28:26 | 0:28:28 | |
going to look very good on camera. | 0:28:28 | 0:28:33 |