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We're in the process of restoring this Pembrokeshire farmhouse. | 0:00:26 | 0:00:31 | |
It was built in about 1840, | 0:00:31 | 0:00:34 | |
and it's one of several buildings standing on 70 acres of land. | 0:00:34 | 0:00:37 | |
but it's not the land I'm interested in so much as the buildings. | 0:00:41 | 0:00:46 | |
I want to bring them up to date | 0:00:49 | 0:00:52 | |
In last week's programme, we saw | 0:00:54 | 0:00:58 | |
which looks great, but it's put us months behind schedule. | 0:00:58 | 0:01:02 | |
At least we've agreed not to put | 0:01:02 | 0:01:08 | |
And we've put a cosy corrugated | 0:01:14 | 0:01:26 | |
and living accommodation downstairs, | 0:01:26 | 0:01:32 | |
the stonework is all held together | 0:01:53 | 0:01:56 | |
We can't get the normal sized | 0:01:56 | 0:02:00 | |
in there for a few minutes. | 0:02:20 | 0:02:23 | |
This is the finished article - | 0:02:31 | 0:02:36 | |
In the courtyard next to the house, the big elm tree has to go. | 0:02:37 | 0:02:42 | |
which is a rarity where I come from. | 0:02:45 | 0:02:48 | |
The tree needs to come down. There are roots coming up into the house. | 0:02:48 | 0:02:53 | |
Also, it's close to the house | 0:02:55 | 0:02:58 | |
We thought we'd maybe chain | 0:03:05 | 0:03:09 | |
But I don't think...it seems that there's no other option. | 0:03:09 | 0:03:15 | |
The only positive outcome is we will | 0:03:32 | 0:03:37 | |
in the house. That's a consolation. | 0:03:37 | 0:03:42 | |
And the lintel is showing evidence of a substantial boring beetle | 0:03:58 | 0:04:03 | |
that may have happened before the lintel was put in here. | 0:04:03 | 0:04:07 | |
The stonework is holding itself up. | 0:04:07 | 0:04:12 | |
'I've met up with Greg Stevenson. | 0:04:18 | 0:04:20 | |
how we can make the best use | 0:04:20 | 0:04:24 | |
'of the space in the loft.' | 0:04:24 | 0:04:25 | |
goes into the middle of the room. | 0:04:34 | 0:04:38 | |
I was wondering whether we could... | 0:04:38 | 0:04:40 | |
It's in the right place. They were always in the middle of the room. | 0:04:40 | 0:04:44 | |
it's a bit scary coming down. | 0:04:44 | 0:04:47 | |
Kids are going to love this. | 0:04:47 | 0:04:53 | |
you've got something to hold onto, here. It's a bit dangerous. | 0:04:53 | 0:04:59 | |
I've got one of these at home, | 0:05:01 | 0:05:14 | |
an alternative place for it... | 0:05:19 | 0:05:30 | |
it's going to fit, actually. | 0:05:30 | 0:05:33 | |
People can walk up this way, you've got space down there. | 0:05:36 | 0:05:39 | |
You'd make it a bit wider than this, but it's the same principle. | 0:05:43 | 0:05:47 | |
couldn't do it against the... | 0:05:54 | 0:05:58 | |
Is there a reason why we can't put it against the wall over here? | 0:05:58 | 0:06:02 | |
No. That's a good idea, isn't it? | 0:06:02 | 0:06:05 | |
I don't know how... It's always the simplest ideas, isn't it? | 0:06:06 | 0:06:10 | |
It doesn't cut the room. You have all your space back, and it's safer. | 0:06:12 | 0:06:16 | |
you've got the wall to support you. | 0:06:16 | 0:06:20 | |
Why didn't we think of that before? | 0:06:20 | 0:06:24 | |
'Throughout the ground floor, we've chosen to lay under-floor heating | 0:06:30 | 0:06:35 | |
the radiators to a minimum. | 0:06:35 | 0:06:38 | |
'which is breathable and allows moisture to permeate and evaporate. | 0:06:46 | 0:06:49 | |
'The pipes aren't going to give | 0:06:57 | 0:07:02 | |
'We've decided to put the boiler in the shed next to the house | 0:07:02 | 0:07:06 | |
this is no ordinary boiler.' | 0:07:08 | 0:07:11 | |
This is the wood chip boiler. | 0:07:11 | 0:07:13 | |
And it has a hopper that feeds it. | 0:07:17 | 0:07:21 | |
so we might possibly be able to have an oil-fired boiler, | 0:07:32 | 0:07:36 | |
but the principle being that the oil is going to go up as it gets rarer | 0:07:36 | 0:07:41 | |
They think that as more people | 0:07:44 | 0:07:48 | |
so they are being produced in Wales, and then it comes round full circle | 0:07:54 | 0:08:00 | |
and increasing the production. | 0:08:00 | 0:08:04 | |
Once it's working, I don't have to come out here on a daily basis, | 0:08:04 | 0:08:12 | |
You have to empty the ash pan. Once a month, approximately. | 0:08:12 | 0:08:17 | |
Presumably, you'd have someone they can ring if there's a problem. | 0:08:17 | 0:08:21 | |
You could delegate that one. | 0:08:26 | 0:08:29 | |
That'll be.. Not me. I don't want... | 0:08:29 | 0:08:35 | |
I think this is a bit too dangerous | 0:08:55 | 0:08:59 | |
My first time I did it, they said, "See that field over there, | 0:08:59 | 0:09:03 | |
And then gradually, you get to the point where you feel | 0:09:13 | 0:09:16 | |
How long are you going to be here for? Ourselves, I'm not sure. | 0:09:20 | 0:09:24 | |
There seems to be rather a lot | 0:09:36 | 0:09:39 | |
I'd better have a chat with Colin. | 0:09:42 | 0:09:44 | |
We've ended up with all this stuff | 0:09:48 | 0:09:52 | |
Yes, this is being produced by the building of the house, | 0:09:53 | 0:10:00 | |
all of which is little more than what belongs in the earth anyway. | 0:10:02 | 0:10:07 | |
The problem we have at the moment | 0:10:09 | 0:10:13 | |
Every time we decide to shift it around, it's a huge expense | 0:10:13 | 0:10:18 | |
Now we've got it dumped here, sorted out where we wanted it | 0:10:18 | 0:10:23 | |
and now we've got to move it. | 0:10:23 | 0:10:27 | |
Absolutely. It's the epitome | 0:10:27 | 0:10:29 | |
I thought we were going to dump this down onto a hard surface | 0:10:29 | 0:10:34 | |
Yes. My thoughts were there was a volume required there | 0:10:36 | 0:10:41 | |
wherever standing was required here | 0:10:41 | 0:10:45 | |
for access to cars, which I thought | 0:10:45 | 0:10:51 | |
I don't see any reason why they can't park in front of the house. | 0:10:51 | 0:10:56 | |
I've got to try and get my head around what I can do with all this. | 0:10:58 | 0:11:04 | |
'Looks like an opportunity to demonstrate my digger capabilities.' | 0:11:04 | 0:11:08 | |
How do you turn the thing up? | 0:11:21 | 0:11:35 | |
I used to be able to do this. | 0:11:47 | 0:11:54 | |
Although it sometimes feels remote, | 0:12:19 | 0:12:22 | |
people have lived and farmed in this part of Pembrokeshire | 0:12:22 | 0:12:25 | |
It's extraordinary to be up here | 0:12:43 | 0:12:46 | |
and see the fields are alive with farmers going about their business. | 0:12:46 | 0:12:50 | |
But a lot of what we can see, | 0:12:50 | 0:12:55 | |
is actually not so very different. | 0:12:55 | 0:12:59 | |
That's the really challenging thing | 0:12:59 | 0:13:03 | |
The skeletal structure of the landscape, that web of roads | 0:13:03 | 0:13:07 | |
and field boundaries and all the other archaeological features, | 0:13:07 | 0:13:11 | |
is laid down 3000 years ago. | 0:13:11 | 0:13:18 | |
What you're seeing is the constant overlay on there, the adaptation. | 0:13:19 | 0:13:24 | |
he's banging in a fence post | 0:13:24 | 0:13:27 | |
in a boundary that I can see, which is the ancient boundary of the farm. | 0:13:27 | 0:13:32 | |
running through the landscape. | 0:13:32 | 0:13:35 | |
That's what we call the Penclawdd. That farmer is banging in a post | 0:13:35 | 0:13:39 | |
where a farmer 3000 years ago | 0:13:39 | 0:13:44 | |
One of the things that we do with | 0:13:47 | 0:13:51 | |
is one of the things we do is start | 0:13:54 | 0:13:59 | |
all the farms which we know are there in the 13th or 14th centuries. | 0:14:02 | 0:14:07 | |
That's as far back really as we can | 0:14:07 | 0:14:13 | |
At first sight, what we seem to have scattered through this landscape | 0:14:20 | 0:14:24 | |
which are abandoned Iron Age farms. | 0:14:28 | 0:14:30 | |
The farms here are all laid out at right angles to that landscape. | 0:14:38 | 0:14:43 | |
sort of second division lord, | 0:14:48 | 0:15:04 | |
Cattle were pretty important. Cattle | 0:15:04 | 0:15:08 | |
the very earliest documents, | 0:15:12 | 0:15:15 | |
Jill the builder has told me about another house she's worked on nearby | 0:15:38 | 0:15:44 | |
so I've come to visit to see if I can pick up a little inspiration. | 0:15:44 | 0:15:48 | |
Harveys Cottage has been in Richard's family for generations. | 0:15:59 | 0:16:03 | |
Now he and his partner Sarah are restoring it as a home. | 0:16:03 | 0:16:07 | |
it's really, really pretty. | 0:16:10 | 0:16:13 | |
Yeah, we wanted it to be as, you know, as it would have been | 0:16:19 | 0:16:24 | |
a hundred years ago, but still have a bathroom and a kitchen. | 0:16:24 | 0:16:27 | |
Where did that come from with you, that desire for simplicity? | 0:16:27 | 0:16:31 | |
From Richard, actually. He wanted everything to be really basic. | 0:16:31 | 0:16:36 | |
And this smoothed-down effect here, | 0:16:37 | 0:16:41 | |
Then a few coats of limewash. | 0:16:48 | 0:16:52 | |
This is really encouraging to me. | 0:16:52 | 0:16:54 | |
We've got a big stone kitchen. It's pretty dark and gloomy. | 0:16:54 | 0:16:58 | |
What's great is this finish | 0:17:00 | 0:17:03 | |
..organic, isn't it? Like ice cream. | 0:17:04 | 0:17:08 | |
mellow feel, doesn't it? Yeah. | 0:17:10 | 0:17:14 | |
We actually got those as seconds. | 0:17:17 | 0:17:19 | |
Because my dad's a wall and floor tiler, we got him for the weekend, | 0:17:23 | 0:17:27 | |
So we're pretty pleased with that. | 0:17:27 | 0:17:30 | |
These are the original tiles. | 0:17:30 | 0:17:32 | |
Even though they're a bit broken up, | 0:17:34 | 0:17:37 | |
They're lovely, aren't they? | 0:17:37 | 0:17:39 | |
it was going to come up like that? | 0:17:45 | 0:17:48 | |
for what it looks like now. | 0:17:48 | 0:17:52 | |
So many of the people in the village | 0:17:54 | 0:17:59 | |
and see what we've achieved inside, | 0:17:59 | 0:18:05 | |
It was a bit of an eyesore. | 0:18:11 | 0:18:18 | |
when Jill was here plastering and lime rendering on the inside | 0:18:27 | 0:18:36 | |
I wanted to have some input | 0:18:36 | 0:18:38 | |
I did a few walls myself downstairs. | 0:18:41 | 0:18:46 | |
You'll love it. It's really easy. | 0:18:48 | 0:18:55 | |
and think you'll be inviting | 0:18:57 | 0:19:01 | |
This is extremely good advice. | 0:19:09 | 0:19:13 | |
since I was last at Trehilyn. | 0:19:13 | 0:19:17 | |
I was rather expecting to come down | 0:20:00 | 0:20:03 | |
They've just finished nothing. | 0:20:12 | 0:20:16 | |
It's like dealing with children | 0:20:22 | 0:20:25 | |
We could do this and do that | 0:20:27 | 0:20:31 | |
We're looking a long, long way from | 0:20:31 | 0:20:36 | |
It's the same, just never... | 0:20:42 | 0:20:44 | |
Never get involved in landscaping. | 0:20:47 | 0:20:51 | |
with the earth, you're doomed. | 0:20:53 | 0:20:58 | |
Jill, now, it's five months | 0:21:00 | 0:21:06 | |
So, why, what's been going on then? | 0:21:08 | 0:21:11 | |
We've had a delay. This rather lovely floor here is Welsh slate. | 0:21:13 | 0:21:18 | |
getting the order delivered | 0:21:18 | 0:21:22 | |
all the other parts of the process. | 0:21:22 | 0:21:26 | |
was dealing with the quarry | 0:21:50 | 0:21:57 | |
And how are we doing upstairs? | 0:22:19 | 0:22:21 | |
It's been difficult to get decisions | 0:22:21 | 0:22:26 | |
So I found myself continuously chasing instructions and decisions, | 0:22:26 | 0:22:31 | |
which is somewhat draining. | 0:22:31 | 0:22:33 | |
Until we can sort the boiler out, | 0:22:43 | 0:22:49 | |
We're aiming for August still. | 0:22:51 | 0:22:55 | |
There seems an awful lot to do | 0:22:58 | 0:23:02 | |
I think it's time I had a chat | 0:23:02 | 0:23:06 | |
I'd expected it to be further along | 0:23:15 | 0:23:20 | |
The chain of command is a bit odd. | 0:23:22 | 0:23:26 | |
Normally, you've got client, | 0:23:28 | 0:23:32 | |
everyone's in a straight line, | 0:23:37 | 0:23:42 | |
Are you saying that because there's no-one project managing this job? | 0:23:45 | 0:23:49 | |
to project manage, isn't it? | 0:23:49 | 0:23:52 | |
Because I'm not directly involved, | 0:23:56 | 0:23:58 | |
I'm missing out on a lot going on between you and the builder, | 0:23:58 | 0:24:03 | |
and I come back in a week's time and say, "What about this and that," | 0:24:19 | 0:24:24 | |
and Jill says, "We're not doing that any more." Since when? | 0:24:24 | 0:24:27 | |
"We discussed it last week." | 0:24:27 | 0:24:31 | |
We're casual but we don't expect everyone else to be casual. | 0:24:46 | 0:24:50 | |
I think I'm more shocked actually | 0:25:40 | 0:25:46 | |
that we're not progressing. | 0:25:46 | 0:25:49 | |
I can't imagine we're going to be finished in six weeks time. | 0:25:52 | 0:25:56 | |
Western Power has arrived to move the electricity pole, which I hate | 0:26:01 | 0:26:05 | |
was too close to the house. | 0:26:05 | 0:26:09 | |
We're taking a section of line out | 0:26:18 | 0:26:20 | |
We've moved the transformer | 0:26:23 | 0:26:26 | |
and placing an underground cable in | 0:26:26 | 0:26:28 | |
instead of an overhead line | 0:26:28 | 0:26:31 | |
has brought along some volunteers | 0:27:01 | 0:27:04 | |
to clear the public footpath | 0:27:04 | 0:27:08 | |
We'd like to keep the path as close | 0:27:08 | 0:27:13 | |
walk over this bit, which we can't | 0:27:17 | 0:27:21 | |
follow the path around here and then come to the old stile here. | 0:27:21 | 0:27:28 | |
OK. You don't have strimmers? | 0:27:35 | 0:27:38 | |
my fantastic, long-lost footbridge. | 0:27:55 | 0:27:59 | |
the first to cross it ahead. | 0:28:05 | 0:28:09 | |
I'm just going to go and do my trudge across the bridge here | 0:28:09 | 0:28:12 | |
as the septic tank springs a leak. | 0:28:29 | 0:28:39 | |
Subtitles by Red Bee Media Ltd | 0:29:06 | 0:29:08 |