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We Brits have a passion for property and, of course, | 0:00:02 | 0:00:05 | |
our national obsession is house prices. | 0:00:05 | 0:00:08 | |
How much to buy? | 0:00:08 | 0:00:10 | |
You're looking at about 1.7 million for an apartment like this. | 0:00:10 | 0:00:13 | |
But housing is about so much more than bricks and mortar. | 0:00:13 | 0:00:18 | |
Look at the smile on my face. | 0:00:18 | 0:00:20 | |
It's about who we are and how we choose to live. | 0:00:20 | 0:00:23 | |
75 years since the Beveridge Report vowed | 0:00:26 | 0:00:29 | |
to rebuild Britain's housing... | 0:00:29 | 0:00:32 | |
Slums must go. | 0:00:32 | 0:00:33 | |
..we're opening the door to Britain's home truths... | 0:00:33 | 0:00:36 | |
..from council houses... | 0:00:38 | 0:00:39 | |
..to suburban semis... | 0:00:39 | 0:00:41 | |
..high-rises... | 0:00:41 | 0:00:42 | |
..to country pads... | 0:00:42 | 0:00:44 | |
..in fact, anywhere we call home... | 0:00:44 | 0:00:46 | |
..to find out if, three quarters of a century later, | 0:00:46 | 0:00:50 | |
we really have built a better place to live. | 0:00:50 | 0:00:53 | |
The great British suburbs. | 0:01:04 | 0:01:06 | |
What do you think of when you hear that phrase? | 0:01:06 | 0:01:08 | |
Is it the mock Tudor houses? | 0:01:08 | 0:01:10 | |
Is it neighbours obsessively washing their car or mowing their lawn? | 0:01:12 | 0:01:16 | |
Or maybe it's twitching net curtains, | 0:01:17 | 0:01:20 | |
behind which all sorts of saucy secrets lie. | 0:01:20 | 0:01:24 | |
Perhaps it's even got some eccentric characters, like this guy, | 0:01:24 | 0:01:27 | |
living at the end of the cul-de-sac. | 0:01:27 | 0:01:29 | |
Generally, I find the standards in the country dropping | 0:01:29 | 0:01:33 | |
but the standards in my own environment | 0:01:33 | 0:01:36 | |
do not appear to be dropping. | 0:01:36 | 0:01:38 | |
Everything I want is in Cheam. | 0:01:38 | 0:01:40 | |
And let's not forget that in the suburbs | 0:01:40 | 0:01:43 | |
there's no place like gnome. | 0:01:43 | 0:01:45 | |
Well, in this episode | 0:01:53 | 0:01:54 | |
I want to convince you that there's more to the British suburbs | 0:01:54 | 0:01:58 | |
than those cliches. Whether it's in Cheam, | 0:01:58 | 0:02:01 | |
or Didsbury in Manchester, or even Milltimber in Aberdeen, | 0:02:01 | 0:02:05 | |
over half of us live in the cul-de-sacs and avenues of suburbia | 0:02:05 | 0:02:10 | |
and many more of us were brought up in it... | 0:02:10 | 0:02:12 | |
..including me. | 0:02:15 | 0:02:17 | |
Little Alison Steadman. | 0:02:17 | 0:02:19 | |
I was raised in the Anfield area of Liverpool | 0:02:19 | 0:02:22 | |
but suburbia has followed me throughout my career, | 0:02:22 | 0:02:25 | |
especially in the roles I've played on stage and screen, | 0:02:25 | 0:02:30 | |
whether it's Beverly in Abigail's Party... | 0:02:30 | 0:02:32 | |
Would you like a little gin and tonic, Sue? | 0:02:32 | 0:02:35 | |
Cos me and Ange are drinking gin and tonic, actually. | 0:02:35 | 0:02:37 | |
..Mrs Bennett in Pride and Prejudice, | 0:02:37 | 0:02:40 | |
or even Pam from Gavin & Stacey. | 0:02:40 | 0:02:43 | |
I did love playing Pam. | 0:02:43 | 0:02:44 | |
I've done the lot. Pilates - doesn't work. Can't do the cabbage soup | 0:02:44 | 0:02:48 | |
cos Your Lordship don't like the smell, | 0:02:48 | 0:02:49 | |
and now I can't even have a steak. | 0:02:49 | 0:02:51 | |
So, looking at these characters, you think, | 0:02:52 | 0:02:54 | |
"Well, where did I get that from? What was the influence?" | 0:02:54 | 0:02:57 | |
And was it my suburban background? | 0:02:57 | 0:03:01 | |
Did it make me the actress I am? | 0:03:01 | 0:03:04 | |
I don't know. It'd be good to go back and find out. | 0:03:05 | 0:03:07 | |
So, let's do that, shall we? | 0:03:11 | 0:03:13 | |
First up, I want to show you why my suburbia is so special, | 0:03:13 | 0:03:17 | |
so I'm on my way back to Sherwyn Road in Anfield, | 0:03:17 | 0:03:21 | |
where my suburban story began. | 0:03:21 | 0:03:24 | |
This might get a bit teary because, although my house is still there, | 0:03:24 | 0:03:27 | |
my parents are sadly no longer alive. | 0:03:27 | 0:03:30 | |
It's been over 20 years since I visited and, if I'm honest, | 0:03:30 | 0:03:34 | |
I'm not really sure how I'm going to react. | 0:03:34 | 0:03:36 | |
I think it'll make me really sad that my parents aren't there. | 0:03:38 | 0:03:41 | |
I've only seen the house once since my mum died over 20 years ago and | 0:03:43 | 0:03:49 | |
it made me so upset because my mum wasn't standing at the door... | 0:03:49 | 0:03:52 | |
SHE LAUGHS ..with her arms out, | 0:03:52 | 0:03:54 | |
the way she used to. | 0:03:54 | 0:03:56 | |
Oh.. | 0:03:56 | 0:03:58 | |
And here we are. I'm back home. | 0:04:10 | 0:04:12 | |
Built in the 1930s, we lived in this classic suburban semi. | 0:04:12 | 0:04:16 | |
It's smaller than I remember | 0:04:16 | 0:04:18 | |
and there are certainly more cars around here | 0:04:18 | 0:04:20 | |
than when I was growing up, | 0:04:20 | 0:04:22 | |
when we could play in the street all day long. | 0:04:22 | 0:04:25 | |
It was a very, very nice road to grow up in. | 0:04:26 | 0:04:29 | |
It was very safe and there was a good community feeling. | 0:04:29 | 0:04:33 | |
Everybody knew everybody. | 0:04:33 | 0:04:35 | |
I was born in 1946, just after the war and a time of austerity. | 0:04:37 | 0:04:42 | |
We weren't exactly poor but nobody had much money. | 0:04:42 | 0:04:45 | |
Family roles were pretty traditional, too, | 0:04:47 | 0:04:50 | |
Mum in the kitchen and Dad at work. | 0:04:50 | 0:04:53 | |
-Hello, Daddy! -Hello, son! | 0:04:53 | 0:04:55 | |
Hello, John. You're soon back! | 0:04:55 | 0:04:57 | |
Ha-ha! That didn't take me long, my dear. | 0:04:57 | 0:05:00 | |
And children knew their place as well, | 0:05:00 | 0:05:02 | |
which, for me, was usually in the garden, working. | 0:05:02 | 0:05:05 | |
And there used to be a privet hedge at one time here and it was like the | 0:05:07 | 0:05:10 | |
worst job. I used to get the job of cutting the hedge. | 0:05:10 | 0:05:13 | |
And I used to hate it. | 0:05:13 | 0:05:16 | |
Oh, these shears and the sweeping up the leaves. | 0:05:16 | 0:05:18 | |
And I have weeded this garden and the back garden | 0:05:19 | 0:05:23 | |
so many times for my dad. | 0:05:23 | 0:05:25 | |
'Unfortunately, I never got the reward I craved | 0:05:25 | 0:05:28 | |
'for all that gardening, | 0:05:28 | 0:05:29 | |
'the one thing most little girls in suburbia want.' | 0:05:29 | 0:05:33 | |
Cos I was never allowed a dog. | 0:05:33 | 0:05:35 | |
The only thing my parents wouldn't let me have was a dog | 0:05:35 | 0:05:37 | |
and so all the dogs that lived in the road, | 0:05:37 | 0:05:41 | |
I used to bring into the house | 0:05:41 | 0:05:43 | |
and keep them for as long as I could and then, obviously, | 0:05:43 | 0:05:47 | |
they'd have to go home. | 0:05:47 | 0:05:48 | |
# Something tells me something's gonna happen tonight... # | 0:05:48 | 0:05:53 | |
So, my home truth about the suburbia I grew up in is that it gave me a | 0:05:53 | 0:05:57 | |
safe and grounded childhood | 0:05:57 | 0:05:59 | |
and maybe even laid the foundations for my career. | 0:05:59 | 0:06:02 | |
But, now, let me try to convince you about why the wider British suburbs | 0:06:02 | 0:06:07 | |
are simply superb, too. | 0:06:07 | 0:06:08 | |
To help give me some perspective on things, | 0:06:10 | 0:06:14 | |
I'm going to the top of Liverpool's iconic radio tower with local | 0:06:14 | 0:06:18 | |
historian, Melissa Conboy. | 0:06:18 | 0:06:21 | |
First things first, though - can I see my old house from way up here? | 0:06:21 | 0:06:25 | |
Right, so, that's Anfield ground, the football ground, | 0:06:26 | 0:06:30 | |
and I used to live about 10-15 minutes walk from there. | 0:06:30 | 0:06:34 | |
When Liverpool were playing on a Saturday, my mum would say, | 0:06:34 | 0:06:37 | |
"Ooh, they've scored!" | 0:06:37 | 0:06:38 | |
-Cos we could hear the cheering. -Because you could hear it? -Yeah! | 0:06:38 | 0:06:41 | |
'OK, I'm sure you'll be relieved to hear I'm not just up here to talk | 0:06:41 | 0:06:45 | |
'about football.' | 0:06:45 | 0:06:46 | |
I also want to find out when Liverpool's suburbia first began. | 0:06:46 | 0:06:50 | |
Liverpool grew from the Docklands. | 0:06:50 | 0:06:52 | |
You can see the Albert Dock right there. | 0:06:52 | 0:06:53 | |
-Yeah. -But right along this stretch of the Mersey, | 0:06:53 | 0:06:57 | |
you had Docklands throughout. | 0:06:57 | 0:06:58 | |
And this was where the working classes lived, | 0:06:58 | 0:07:01 | |
in small, low-lying areas, | 0:07:01 | 0:07:02 | |
back-to-back kind of terraced housing. | 0:07:02 | 0:07:05 | |
But the middle classes wanted to get away from kind of | 0:07:05 | 0:07:08 | |
the busyness, the dirtiness, the smelliness of all this. | 0:07:08 | 0:07:12 | |
So the middle classes moved slightly out and all around the Anglican | 0:07:12 | 0:07:16 | |
-cathedral that you can see there... -Mmm. -..was where the Georgians first | 0:07:16 | 0:07:19 | |
set up their new, kind of, affluent houses. | 0:07:19 | 0:07:23 | |
They are the ones that really start this idea of an aspiring, | 0:07:23 | 0:07:27 | |
suburban middle-class. | 0:07:27 | 0:07:28 | |
And this was true all over the country, not just in Liverpool. | 0:07:30 | 0:07:34 | |
So we've hotfooted down from the tower to check out what this | 0:07:34 | 0:07:38 | |
old-school suburbia looks like up close. | 0:07:38 | 0:07:41 | |
Of course, when people talk about Georgian architecture, | 0:07:44 | 0:07:47 | |
it's cities like Edinburgh and Bath that come to mind, but actually | 0:07:47 | 0:07:50 | |
Liverpool has one of the best-preserved | 0:07:50 | 0:07:53 | |
Georgian districts in the UK. | 0:07:53 | 0:07:55 | |
Imagine a horse and carriage coming along here, stopping, | 0:07:57 | 0:08:01 | |
elegant ladies get out in their dresses... | 0:08:01 | 0:08:05 | |
With their big hair. | 0:08:05 | 0:08:06 | |
And there's a shoe scraper. | 0:08:06 | 0:08:08 | |
-Exactly. -I like a shoe scraper, yeah. | 0:08:08 | 0:08:10 | |
"Don't bring that mud in here, darling!" | 0:08:11 | 0:08:13 | |
Of course, the doorway is elevated off the street | 0:08:15 | 0:08:18 | |
and surrounded by these cast-iron railings. | 0:08:18 | 0:08:21 | |
These, again, were kind of the signs of the grand | 0:08:21 | 0:08:24 | |
nouveau-riche middle classes. | 0:08:24 | 0:08:26 | |
Yeah. A bit like today, with flash cars and... | 0:08:26 | 0:08:30 | |
Yeah, absolutely. | 0:08:30 | 0:08:31 | |
If you notice at the top, | 0:08:31 | 0:08:32 | |
the windows are actually smaller on that top floor. | 0:08:32 | 0:08:35 | |
And that was cos that was probably | 0:08:35 | 0:08:37 | |
where the servants would have lived. | 0:08:37 | 0:08:39 | |
Well, you notice here there's steps going down, | 0:08:39 | 0:08:42 | |
so there'd be a separate entrance, like a tradesman's entrance... | 0:08:42 | 0:08:45 | |
-Yeah. -..for supplies, like food, coal. | 0:08:45 | 0:08:49 | |
So it would come in from the street and go directly down | 0:08:49 | 0:08:51 | |
-into the basement. -And through this gate. -Exactly. | 0:08:51 | 0:08:54 | |
I've got a delivery! | 0:08:57 | 0:08:59 | |
Straight in. You wouldn't have to deal with the elegant family | 0:08:59 | 0:09:02 | |
that live there. | 0:09:02 | 0:09:03 | |
Looking at these elaborate houses | 0:09:05 | 0:09:07 | |
you really get a sense of how much money must have been around in | 0:09:07 | 0:09:11 | |
Liverpool at that time. | 0:09:11 | 0:09:13 | |
Back then, a furnished townhouse could rent for around £200 a year | 0:09:13 | 0:09:18 | |
and there were plenty of takers. | 0:09:18 | 0:09:20 | |
In the 1800s, Liverpool, with its mighty port, | 0:09:20 | 0:09:23 | |
had more millionaires living here than anywhere else in the UK outside | 0:09:23 | 0:09:28 | |
of London. Today, | 0:09:28 | 0:09:30 | |
most of these houses are now split into rented accommodation, | 0:09:30 | 0:09:34 | |
flats and offices, | 0:09:34 | 0:09:35 | |
but if you did want to buy a whole one, it would cost you £600,000. | 0:09:35 | 0:09:40 | |
That's a lot of house for your money. | 0:09:40 | 0:09:43 | |
But there is a place where you can experience the luxury without taking | 0:09:43 | 0:09:47 | |
out a mortgage. Here, | 0:09:47 | 0:09:49 | |
in one of the city's most well-preserved boutique hotels, | 0:09:49 | 0:09:52 | |
where the interior design is pretty much how it might've been | 0:09:52 | 0:09:56 | |
back in the day. | 0:09:56 | 0:09:57 | |
OK. So, this would've been one of the early Georgian townhouses | 0:09:57 | 0:10:00 | |
of Liverpool. | 0:10:00 | 0:10:02 | |
And see how that kind of ornate decoration on the outside | 0:10:02 | 0:10:05 | |
carried on right inside. | 0:10:05 | 0:10:07 | |
-Yeah, lovely. -Again, a show of wealth. | 0:10:07 | 0:10:09 | |
-Yeah. -They want to show off. | 0:10:09 | 0:10:11 | |
I love the floor as well. | 0:10:11 | 0:10:12 | |
-Beautiful. -Yeah, beautiful tile decoration. | 0:10:12 | 0:10:15 | |
Ah-ha! | 0:10:15 | 0:10:16 | |
So, this would have been the drawing room, | 0:10:19 | 0:10:21 | |
a place perfect for entertaining in Georgian times. | 0:10:21 | 0:10:24 | |
Still very elegant feel to it, hasn't it? | 0:10:24 | 0:10:26 | |
-Yeah. -The lovely windows and the cornice. | 0:10:26 | 0:10:29 | |
Although this is a really | 0:10:29 | 0:10:31 | |
important and aspirational place to live, | 0:10:31 | 0:10:35 | |
but, throughout the century, we see a gradual move out, | 0:10:35 | 0:10:38 | |
away from the bustling city centre, | 0:10:38 | 0:10:40 | |
where the population doubles, and places like this, which has now, | 0:10:40 | 0:10:45 | |
by definition, become the inner-city, | 0:10:45 | 0:10:47 | |
start to get a bit run down. | 0:10:47 | 0:10:49 | |
Throughout the 19th and early 20th century, | 0:10:51 | 0:10:54 | |
urban populations were growing at frightening rates | 0:10:54 | 0:10:57 | |
all over the country as the Industrial Revolution took hold. | 0:10:57 | 0:11:01 | |
The result was inner-city slums, smog and pollution. | 0:11:01 | 0:11:05 | |
For those who could afford it, getting out somewhere cleaner, | 0:11:05 | 0:11:08 | |
fresher and altogether more leafy became a priority. | 0:11:08 | 0:11:12 | |
-ARCHIVE: -Builders, house-buyers and land speculators, | 0:11:12 | 0:11:14 | |
please take note that the Southern Railway company are opening for | 0:11:14 | 0:11:18 | |
traffic on the 9th of July 1928. | 0:11:18 | 0:11:21 | |
The growth of railways provided middle-class commuters | 0:11:21 | 0:11:24 | |
with an escape route, | 0:11:24 | 0:11:25 | |
allowing them to live further from the centre of town, | 0:11:25 | 0:11:28 | |
and new communities grew up around the stations | 0:11:28 | 0:11:31 | |
of main commuter routes. | 0:11:31 | 0:11:33 | |
It's fresh air you need, old man. | 0:11:33 | 0:11:35 | |
Live at Croham Heights, South Croydon. | 0:11:35 | 0:11:37 | |
The type of houses that were being built in these new suburbs weren't | 0:11:41 | 0:11:45 | |
nearly as glamorous, or, indeed, spacious, | 0:11:45 | 0:11:47 | |
as the elegant townhouses I've just seen, | 0:11:47 | 0:11:50 | |
but they were to become Britain's most popular house type - | 0:11:50 | 0:11:54 | |
the suburban semi. | 0:11:54 | 0:11:56 | |
The heyday of their growth was, without a doubt, the 1930s, | 0:11:56 | 0:12:01 | |
when more than 4 million of them were built. | 0:12:01 | 0:12:03 | |
I've come to Woolton, on the outskirts of Liverpool, | 0:12:05 | 0:12:07 | |
where the imprint of these times is clear to see. | 0:12:07 | 0:12:10 | |
Put it bluntly, this place is full of semis. | 0:12:10 | 0:12:14 | |
As you can see, the typical design was a real mishmash of styles, | 0:12:15 | 0:12:20 | |
mixing retro pebble dash, brickwork and oak panelling, | 0:12:20 | 0:12:24 | |
with more modern Art Deco front doors. | 0:12:24 | 0:12:27 | |
Inside, meanwhile, | 0:12:27 | 0:12:28 | |
these houses were built for practicality more than style. | 0:12:28 | 0:12:32 | |
Out went the grand staircases and bedrooms of the Georgian townhouses | 0:12:32 | 0:12:37 | |
and in came kitchens with lots of cupboard space, a pantry, | 0:12:37 | 0:12:41 | |
two reasonable-size bedrooms and a box room, all very sensible. | 0:12:41 | 0:12:45 | |
In the 1930s, one of these would've cost less than £800. | 0:12:46 | 0:12:51 | |
Today, in a place like Woolton, | 0:12:51 | 0:12:54 | |
you'd be lucky to get change out of 250,000. | 0:12:54 | 0:12:57 | |
-Hello. -Hello, Alison. | 0:12:59 | 0:13:00 | |
Hi. 'But in my experience, | 0:13:00 | 0:13:02 | |
'it's the people who live in these semis who really give the suburbs | 0:13:02 | 0:13:06 | |
'its soul. They have a quiet, gentle charm.' | 0:13:06 | 0:13:10 | |
People like Jed, who's been living here since before the war. | 0:13:10 | 0:13:14 | |
What was life like | 0:13:14 | 0:13:15 | |
when you were growing up as a child in the village? | 0:13:15 | 0:13:19 | |
It was magical, in my opinion. | 0:13:19 | 0:13:21 | |
Cos you're young and you've got your life ahead of you. | 0:13:21 | 0:13:24 | |
I come from a big family. | 0:13:25 | 0:13:27 | |
I had five brothers and three sisters. | 0:13:27 | 0:13:30 | |
Now, as luck had it, my father was never out of work, | 0:13:31 | 0:13:34 | |
so we didn't have much money but we weren't really poor. | 0:13:34 | 0:13:38 | |
You always had a meal on the table. | 0:13:38 | 0:13:39 | |
-That's right. -That's important. | 0:13:39 | 0:13:41 | |
My bedroom window overlooked | 0:13:41 | 0:13:45 | |
-where the allotments are now down Vale Road. -Mmm. | 0:13:45 | 0:13:48 | |
And of a night or an evening, | 0:13:48 | 0:13:50 | |
I'd sit in my bedroom and watch the sun set. | 0:13:50 | 0:13:53 | |
I grew up in Anfield but I went to school in Childwall, | 0:13:53 | 0:13:57 | |
I went to Childwall Valley High School. | 0:13:57 | 0:14:00 | |
And I suddenly, at 11, started horse riding | 0:14:00 | 0:14:03 | |
and of course a lot of that area was still countryside. | 0:14:03 | 0:14:08 | |
And I can remember being so excited, | 0:14:08 | 0:14:09 | |
seeing my first fox and going home and telling my parents. | 0:14:09 | 0:14:13 | |
And then, it seemed in no time at all, | 0:14:13 | 0:14:15 | |
-all that land became housing estates. -Yes. | 0:14:15 | 0:14:19 | |
Has the village been spoiled, do you think, | 0:14:19 | 0:14:21 | |
now by certain developments? | 0:14:21 | 0:14:24 | |
Some buildings in the village were just demolished and modern buildings | 0:14:24 | 0:14:28 | |
-were put up, which didn't fit in with the village, you know? -Mmm. | 0:14:28 | 0:14:31 | |
Not so much I think, anyway. | 0:14:31 | 0:14:32 | |
-No. -But, er... -But nothing stays the same. | 0:14:32 | 0:14:36 | |
-Oh, no. No. -Things are always moving on, moving forward and changing. | 0:14:36 | 0:14:39 | |
But we don't like too much change, do we? | 0:14:39 | 0:14:41 | |
If you live in an area... | 0:14:41 | 0:14:42 | |
-I don't, I don't! -No! Well, I don't myself. | 0:14:42 | 0:14:45 | |
But change was coming | 0:14:47 | 0:14:49 | |
and it was the war that was to have a huge impact on British suburbs, | 0:14:49 | 0:14:53 | |
particularly in cities like Liverpool, Hull, Bristol and London, | 0:14:53 | 0:14:58 | |
as millions of kids were evacuated because of the Blitz. | 0:14:58 | 0:15:02 | |
-ARCHIVE: -Children leaving the great cities for the safety | 0:15:02 | 0:15:04 | |
of the countryside, leaving parents for foster parents. | 0:15:04 | 0:15:08 | |
When they return, they will have grown up. | 0:15:08 | 0:15:10 | |
Separation but safety. | 0:15:11 | 0:15:14 | |
Safety but... | 0:15:14 | 0:15:15 | |
..separation. | 0:15:16 | 0:15:17 | |
In the immediate post-war era, meanwhile, | 0:15:21 | 0:15:24 | |
as the incoming government vowed to clear the war-ravaged slums | 0:15:24 | 0:15:28 | |
and rebuild Britain, | 0:15:28 | 0:15:29 | |
the plan was to find permanent homes for those in need. | 0:15:29 | 0:15:33 | |
I'd like a nice self-contained house, | 0:15:33 | 0:15:36 | |
with a bathroom, and scullery, and a back and front garden | 0:15:36 | 0:15:38 | |
where the children can play, where I know where they would be, | 0:15:38 | 0:15:42 | |
and it would be a godsend. | 0:15:42 | 0:15:44 | |
A lot of them ended up in places like this, including one little boy, | 0:15:44 | 0:15:48 | |
who, in 1946, moved in to be with his aunt, | 0:15:48 | 0:15:51 | |
before he went on to change the world. | 0:15:51 | 0:15:55 | |
OK, it's confession time. | 0:15:55 | 0:15:57 | |
This isn't any ordinary semidetached suburban house | 0:15:57 | 0:16:02 | |
because 251 Menlove Avenue is the house where a certain little boy | 0:16:02 | 0:16:08 | |
moved in when he was five years old, to live with his aunt Mimi, | 0:16:08 | 0:16:12 | |
and that little boy was John Lennon. | 0:16:12 | 0:16:15 | |
And, in the wake of the Liverpool Blitz in 1946, | 0:16:15 | 0:16:20 | |
that room there on the left was John's bedroom. | 0:16:20 | 0:16:24 | |
Now, I would love to give you a guided tour | 0:16:30 | 0:16:32 | |
but, unfortunately, access is closely controlled | 0:16:32 | 0:16:35 | |
by a certain Yoko Ono | 0:16:35 | 0:16:38 | |
and she doesn't want us to film inside. | 0:16:38 | 0:16:40 | |
No. Can't come in. | 0:16:42 | 0:16:44 | |
'Yes, that's right, Yoko Ono says no, no.' | 0:16:44 | 0:16:47 | |
Not allowed. | 0:16:47 | 0:16:48 | |
Maybe the reason she doesn't want us to see in is that far from being | 0:16:52 | 0:16:56 | |
the working-class hero he claimed to be, | 0:16:56 | 0:16:58 | |
our John actually lived a relatively well-off middle-class lifestyle, | 0:16:58 | 0:17:02 | |
hardly in keeping with the image of a rock and roll band. | 0:17:02 | 0:17:05 | |
And, yet, without the suburbs, the Beatles may never have happened, | 0:17:11 | 0:17:15 | |
because this is also where John met Paul, | 0:17:15 | 0:17:18 | |
at their local church fete in 1955. | 0:17:18 | 0:17:21 | |
Now, you can't get more suburban than that. | 0:17:21 | 0:17:23 | |
There's even a ghostly reminder of the place they met | 0:17:24 | 0:17:28 | |
in the very churchyard. | 0:17:28 | 0:17:30 | |
Here lies one Eleanor Rigby. | 0:17:30 | 0:17:32 | |
This was also my era, of course, | 0:17:35 | 0:17:37 | |
and back in my old street | 0:17:37 | 0:17:39 | |
I've arranged to meet a few of my childhood chums. | 0:17:39 | 0:17:42 | |
They're arriving by taxi - now, that is posh! | 0:17:42 | 0:17:45 | |
Oh, this is weird. | 0:17:45 | 0:17:46 | |
'I've known both David and Brenda for over 60 years. | 0:17:48 | 0:17:51 | |
'Here come the waterworks again!' | 0:17:51 | 0:17:53 | |
Hello. | 0:17:53 | 0:17:55 | |
Lovely to see you. | 0:17:55 | 0:17:57 | |
I don't think the grass has been cut since we moved out. | 0:18:00 | 0:18:03 | |
-In our house. -How do you feel, Bren, when you look at your house? | 0:18:03 | 0:18:06 | |
It still upsets me | 0:18:06 | 0:18:07 | |
cos I remember the day when we gave it up and I had... | 0:18:07 | 0:18:11 | |
-I was the one who had to come and give the keys up to the landlord. -When your mum moved out? -Did you? | 0:18:11 | 0:18:15 | |
When my mum moved into the home. | 0:18:15 | 0:18:17 | |
Anne couldn't do it, she was too upset, so they made... | 0:18:17 | 0:18:20 | |
Gave the keys over, came outside, | 0:18:20 | 0:18:22 | |
sat in the car and cried my eyes out. | 0:18:22 | 0:18:24 | |
Jeff and Roger, they had a cable, they strung a cable across the road. | 0:18:24 | 0:18:28 | |
I know why they did that. | 0:18:28 | 0:18:29 | |
Midnight messages. | 0:18:29 | 0:18:30 | |
At the time I was in love with Roger Thompson. | 0:18:30 | 0:18:33 | |
And they did. And Roger and I used to send messages across from his | 0:18:33 | 0:18:36 | |
-window to mine. -What, little love notes? -Yeah. | 0:18:36 | 0:18:38 | |
-HE LAUGHS -Yeah. | 0:18:38 | 0:18:40 | |
I don't know if you remember but you were my first date. | 0:18:40 | 0:18:43 | |
I don't know if I was your first date but you were certainly | 0:18:43 | 0:18:45 | |
-my first date. -Oh, probably. -Yeah. | 0:18:45 | 0:18:48 | |
A little film at the Abbey Theatre in Wavertree. | 0:18:48 | 0:18:51 | |
-A real date? -Expresso Bongo with Cliff Richard. | 0:18:51 | 0:18:54 | |
-Oh. -Pre-Beatles. -Well, I chose well, I think. | 0:18:54 | 0:18:57 | |
-Yeah. -The film I'm talking about, not you! -Oh! | 0:18:57 | 0:18:59 | |
Like me, Brenda and David moved out of the area a while back. | 0:19:08 | 0:19:12 | |
So we've relocated to the local pub, | 0:19:13 | 0:19:15 | |
to talk about our memories over a classic suburban G&T. | 0:19:15 | 0:19:21 | |
I found this and I just thought you might like to have a look at it. | 0:19:21 | 0:19:24 | |
It's our family but it shows the houses in Sherwyn. | 0:19:24 | 0:19:28 | |
Anne, Geoffrey, Shirley, Brenda, John. | 0:19:29 | 0:19:34 | |
I mean, the houses, they were all very much the same, weren't they, | 0:19:34 | 0:19:36 | |
you know? They were all painted the same. | 0:19:36 | 0:19:39 | |
-Yeah. -Everything about them was uniform. | 0:19:39 | 0:19:42 | |
If suburbia was partly responsible for the Beatles getting together, | 0:19:44 | 0:19:48 | |
it was also the driving force behind another cultural revolution - | 0:19:48 | 0:19:52 | |
television. | 0:19:52 | 0:19:53 | |
In the early 1950s, | 0:19:54 | 0:19:56 | |
it was the must-have home accessory for every aspiring | 0:19:56 | 0:20:00 | |
suburban living room, as the number of TV licences | 0:20:00 | 0:20:03 | |
shot up from under one million to nearly four times that. | 0:20:03 | 0:20:07 | |
And it was one event that fuelled the demand more than most. | 0:20:09 | 0:20:12 | |
-ARCHIVE: -On the 2nd of June 1953, | 0:20:12 | 0:20:15 | |
London saw the crowning of Queen Elizabeth II. | 0:20:15 | 0:20:18 | |
We got our television for the coronation, I remember, | 0:20:18 | 0:20:22 | |
because I remember Fred Hart and Audrey came in our house to watch | 0:20:22 | 0:20:26 | |
-the coronation. -Yeah. -As if it wasn't crowded enough! | 0:20:26 | 0:20:28 | |
-Yeah. -And it was only a little, what was it, about 12 inch or something, | 0:20:28 | 0:20:31 | |
-the first televisions? -Had to close the curtains. -Yeah, you had to close the curtains. | 0:20:31 | 0:20:35 | |
Well, we got our television for the coronation. | 0:20:35 | 0:20:37 | |
I remember, there were so many people in the front room watching, | 0:20:37 | 0:20:41 | |
all packed round. | 0:20:41 | 0:20:43 | |
And there was people, | 0:20:43 | 0:20:44 | |
I remember, when the Queen appeared in her golden carriage, | 0:20:44 | 0:20:48 | |
which was so exciting, | 0:20:48 | 0:20:50 | |
there was people with cameras trying to take pictures of the television, | 0:20:50 | 0:20:54 | |
so they'd have a picture of the Queen! | 0:20:54 | 0:20:55 | |
-THEY SIGH -Yeah... -I've got this | 0:20:57 | 0:21:00 | |
that I thought you might like to see, | 0:21:00 | 0:21:02 | |
bring back a few more memories. | 0:21:02 | 0:21:04 | |
-See if you can find yourself on there. -Oh, the coronation! | 0:21:04 | 0:21:06 | |
What a happy day that was. | 0:21:08 | 0:21:11 | |
Oh, there I am. | 0:21:11 | 0:21:12 | |
There. The photographer, I can remember it, | 0:21:12 | 0:21:15 | |
he kept saying, "Say cheese, come on, let's all shout cheese". | 0:21:15 | 0:21:19 | |
-Yeah. -I was like this... I went, "Cheese!" | 0:21:19 | 0:21:22 | |
That's the exact expression. | 0:21:24 | 0:21:25 | |
It is. | 0:21:25 | 0:21:27 | |
Of course, I also have these early TV memories to thank for sparking | 0:21:27 | 0:21:31 | |
the acting bug that eventually led me to becoming an actress - | 0:21:31 | 0:21:35 | |
not that we were in watching the goggle-box all the time. | 0:21:35 | 0:21:39 | |
My memory of childhood is sunny days... | 0:21:39 | 0:21:43 | |
-Yeah. -Yeah. -..and being outside all the time, | 0:21:43 | 0:21:46 | |
either on the rec or playing in the street or in the garden. | 0:21:46 | 0:21:50 | |
-That's right. -I can remember my mum standing | 0:21:50 | 0:21:52 | |
shouting me and me hiding behind a wall because I didn't want to go in. | 0:21:52 | 0:21:56 | |
-That's right. -Pretending you weren't there. | 0:21:56 | 0:21:57 | |
-Yeah, yeah, yeah. -Used to go and hide, that's right. | 0:21:57 | 0:22:01 | |
We didn't think of it at the time, but it was a very special little | 0:22:01 | 0:22:04 | |
-place, wasn't it? -Yeah, it was lovely. -Very safe childhood. | 0:22:04 | 0:22:07 | |
Yeah. Very, very, very fond... | 0:22:07 | 0:22:09 | |
Come on, let's raise a glass. | 0:22:09 | 0:22:11 | |
-Fond memories. -Fond memories. | 0:22:11 | 0:22:12 | |
-To Sherwyn Road. BOTH: -To Sherwyn Road! | 0:22:12 | 0:22:14 | |
-And all who sailed in her. -And all who... Yeah. | 0:22:14 | 0:22:17 | |
But it wasn't just in our little corner of Liverpool | 0:22:22 | 0:22:25 | |
that things were idyllic. | 0:22:25 | 0:22:26 | |
These were exciting times, | 0:22:26 | 0:22:28 | |
when Britain's suburbs were being rebuilt | 0:22:28 | 0:22:31 | |
for a new generation of baby boomers. | 0:22:31 | 0:22:33 | |
I think the Prime Minister summed it up when he said, | 0:22:33 | 0:22:36 | |
"You've never had it so good." | 0:22:36 | 0:22:39 | |
And, in suburbia, we had never wanted our houses to look so good, | 0:22:39 | 0:22:44 | |
inside and out, | 0:22:44 | 0:22:46 | |
from having the perfect garden, to our increased obsession with DIY. | 0:22:46 | 0:22:51 | |
I'm not even going to look as though I'm doing this whole job | 0:22:51 | 0:22:54 | |
because I get into quite enough trouble, | 0:22:54 | 0:22:57 | |
wives telling their husbands that I did the job in ten minutes, | 0:22:57 | 0:23:00 | |
why don't they get cracking! So I'm keeping off that one. | 0:23:00 | 0:23:03 | |
Yes, we wanted to create the ideal home | 0:23:03 | 0:23:07 | |
and we knew exactly where to find it. | 0:23:07 | 0:23:09 | |
-ARCHIVE: -Last week at Olympia in London, the Ideal Home Exhibition | 0:23:11 | 0:23:14 | |
opened its doors to crowds of visitors. | 0:23:14 | 0:23:16 | |
The Ideal Home Exhibition actually began in 1908, | 0:23:20 | 0:23:24 | |
the same year as they began building the Liver Building. | 0:23:24 | 0:23:27 | |
But it was the rise of the newly-affluent, | 0:23:32 | 0:23:34 | |
suburban middle class that really cemented its popularity, | 0:23:34 | 0:23:38 | |
clocking up a record attendance of 1.5 million visitors. | 0:23:38 | 0:23:43 | |
The Queen herself has visited 11 times | 0:23:43 | 0:23:46 | |
and, over the years, she would've seen | 0:23:46 | 0:23:48 | |
up-to-the-minute interior design, | 0:23:48 | 0:23:50 | |
the first fitted kitchens, and the latest in home technology. | 0:23:50 | 0:23:54 | |
-ARCHIVE: -Views inside one of the houses on show | 0:23:54 | 0:23:56 | |
reveal a number of novel features. | 0:23:56 | 0:23:58 | |
For example, this built-in aquarium, | 0:23:58 | 0:24:01 | |
and, come cocktail time, it's easy to fix a drink in this ideal home... | 0:24:01 | 0:24:05 | |
Not that this homeware revolution came cheap. | 0:24:06 | 0:24:09 | |
Washing machines in 1969 were over £1,000 in today's money, | 0:24:09 | 0:24:13 | |
and a TV cost more than a month's wages. | 0:24:13 | 0:24:17 | |
By the 1970s, there was even more temptation about. | 0:24:22 | 0:24:26 | |
-ARCHIVE: -Emphasis is on ease of operation everywhere, | 0:24:26 | 0:24:29 | |
you can even open the curtains in the dawn's early light | 0:24:29 | 0:24:31 | |
without getting out of bed. | 0:24:31 | 0:24:33 | |
And, so, suburban homes were offered a revolution in how to buy | 0:24:33 | 0:24:37 | |
their household goods, | 0:24:37 | 0:24:38 | |
when home catalogues started arriving through the door. | 0:24:38 | 0:24:42 | |
As with rock and roll, | 0:24:42 | 0:24:43 | |
Liverpool was leading the way with the hometown company, Littlewoods. | 0:24:43 | 0:24:47 | |
Now these are the catalogues. | 0:24:47 | 0:24:49 | |
'I've come to meet David Heathcote | 0:24:49 | 0:24:51 | |
'at the Liverpool School of Art and Design, | 0:24:51 | 0:24:53 | |
'to find out more about Liverpool's impact on the homeware revolution.' | 0:24:53 | 0:24:57 | |
I remember my grandparents had the same furniture for years | 0:24:57 | 0:25:01 | |
and years and years, | 0:25:01 | 0:25:02 | |
and, then, suddenly, in the sort of '60s and '70s, | 0:25:02 | 0:25:05 | |
everyone wanted, "Oh, no, we want this now and that now." | 0:25:05 | 0:25:08 | |
So the choice was there. | 0:25:08 | 0:25:10 | |
And, of course, things like this kitchen, this green kitchen, right? | 0:25:10 | 0:25:15 | |
That was what hire purchase was about, really, | 0:25:15 | 0:25:18 | |
to allow people to buy new things more often than | 0:25:18 | 0:25:20 | |
they would have done before. | 0:25:20 | 0:25:22 | |
Well, it just suddenly made the world accessible. | 0:25:22 | 0:25:25 | |
And I like this idea that you can have a mattress | 0:25:25 | 0:25:28 | |
that you'll never see, except when you change the bed, | 0:25:28 | 0:25:31 | |
that's got a trendy pattern all over it... | 0:25:31 | 0:25:33 | |
-A really jazzy... -Just so you know you're in a modern house. | 0:25:33 | 0:25:35 | |
-ARCHIVE: -Hire purchase is one of the greatest assets of the modern | 0:25:35 | 0:25:38 | |
community. It enables us to fill our homes with beautiful things | 0:25:38 | 0:25:43 | |
we could never otherwise afford. | 0:25:43 | 0:25:45 | |
It raises our standard of living. | 0:25:45 | 0:25:47 | |
As people got used to the idea of hire purchase, | 0:25:47 | 0:25:50 | |
they became more consumerist, they would think, | 0:25:50 | 0:25:54 | |
"Oh, yeah, I can get rid of that now, I can have another one." | 0:25:54 | 0:25:56 | |
But I think there is something immoral, | 0:25:56 | 0:25:58 | |
certainly to my grandmother, you know, why get something new, | 0:25:58 | 0:26:02 | |
-when you've got something already? -Yeah, yeah. | 0:26:02 | 0:26:04 | |
This was an era when keeping up with the Joneses | 0:26:09 | 0:26:11 | |
became a national pastime. | 0:26:11 | 0:26:13 | |
As neighbours in suburbia used their homes to show | 0:26:13 | 0:26:16 | |
just how well-to-do they were, no matter how ludicrous. | 0:26:16 | 0:26:20 | |
-ARCHIVE: -When you're feeling sleepy, you simply pull a bed from nowhere. | 0:26:22 | 0:26:25 | |
All aimed at saving space where space is at a premium. | 0:26:28 | 0:26:30 | |
For the serious drinker, how about a bar with a built-in bed? | 0:26:33 | 0:26:36 | |
From the high street, homeware stores popped up to meet the demand | 0:26:40 | 0:26:44 | |
of those with a real taste for social climbing. | 0:26:44 | 0:26:47 | |
Very much in the spirit of Abigail's Party, we've got a fondue party. | 0:26:49 | 0:26:53 | |
Ah, the fondue party, yes! | 0:26:53 | 0:26:54 | |
I mean, you know, Habitat spotted there was a gap for young people who | 0:26:54 | 0:26:58 | |
wanted to buy furniture like clothing. | 0:26:58 | 0:27:00 | |
I mean, it was a brilliant idea. | 0:27:00 | 0:27:02 | |
Habitat whitewood furniture, the whole idea of that, | 0:27:02 | 0:27:05 | |
as it shows you there, | 0:27:05 | 0:27:07 | |
you're supposed to paint it a psychedelic colour yourself. | 0:27:07 | 0:27:10 | |
Whereas at least in the Littlewoods one, | 0:27:10 | 0:27:12 | |
it comes with a pattern on it already. | 0:27:12 | 0:27:14 | |
-I like that, though. -Yeah, I think this said freedom. | 0:27:14 | 0:27:17 | |
You know, that it's somehow my decision, I'm being me, | 0:27:17 | 0:27:20 | |
I'm being individual. | 0:27:20 | 0:27:21 | |
MUSIC: The Good Life theme tune | 0:27:21 | 0:27:23 | |
By the 1970s, middle-class suburbia | 0:27:23 | 0:27:25 | |
was very much considered the mainstream way of life in Britain. | 0:27:25 | 0:27:29 | |
And this started to be reflected back in the comedy of the day, | 0:27:29 | 0:27:33 | |
which began to poke fun at the obsessions and pre-occupations | 0:27:33 | 0:27:37 | |
of those who lived in cul-de-sacs and avenues. | 0:27:37 | 0:27:40 | |
From Butterflies... | 0:27:40 | 0:27:42 | |
-Morning. -I was deliberately not reading my newspaper, | 0:27:44 | 0:27:47 | |
because I consider it to be bad manners | 0:27:47 | 0:27:49 | |
to eat and read. | 0:27:49 | 0:27:50 | |
To The Fall And Rise Of Reggie Perrin, starring Liverpool's | 0:27:50 | 0:27:53 | |
very own son, Leonard Rossiter. | 0:27:53 | 0:27:55 | |
Morning Peter! | 0:27:55 | 0:27:56 | |
And, of course, the daddy of all suburban sitcoms, The Good Life. | 0:27:58 | 0:28:02 | |
All these characters lived in a certain type of street, | 0:28:02 | 0:28:05 | |
one we came to know as Acacia Avenue. | 0:28:05 | 0:28:08 | |
So, why is suburbia so funny? | 0:28:08 | 0:28:10 | |
Local stand-up and fellow suburbanite, Sam Avery, | 0:28:10 | 0:28:14 | |
has a theory, so I'm meeting him in a real life Acacia Avenue | 0:28:14 | 0:28:18 | |
here in Liverpool. | 0:28:18 | 0:28:19 | |
So, I should really be on that side of the pavement, shouldn't I... | 0:28:19 | 0:28:22 | |
-Yeah, you should, actually. -..as a chivalrous male. -Yeah. | 0:28:22 | 0:28:25 | |
-Let's get you on that side. -Yeah. -That's better, isn't it? | 0:28:25 | 0:28:28 | |
So, why is it that suburbia is always such a funny subject? | 0:28:28 | 0:28:33 | |
I think suburbia is certainly one part of the social mobility | 0:28:33 | 0:28:36 | |
that became very popular in the '60s and '70s and | 0:28:36 | 0:28:40 | |
certainly when you look at British sitcoms, | 0:28:40 | 0:28:42 | |
where it shows characters out of their depth, maybe, | 0:28:42 | 0:28:45 | |
or it shows characters who have got a very distinct aim, | 0:28:45 | 0:28:48 | |
and sometimes that aim is to appear slightly classier than they perhaps are. | 0:28:48 | 0:28:52 | |
I think it's the real thing this time, you can tell in her voice. | 0:28:52 | 0:28:56 | |
I shall have to take her in hand, | 0:28:56 | 0:28:58 | |
the benefit of my experience, | 0:28:58 | 0:29:00 | |
could considerably aid her social advancement. | 0:29:00 | 0:29:03 | |
Their perception of themselves is here, | 0:29:03 | 0:29:06 | |
and the world they live in | 0:29:06 | 0:29:07 | |
is down here, and that's where the comedy lives, | 0:29:07 | 0:29:09 | |
in that gap between the two. | 0:29:09 | 0:29:10 | |
This is our downstairs, toilet. OK? | 0:29:10 | 0:29:14 | |
I really get what Sam is saying. | 0:29:14 | 0:29:16 | |
This gap between perception of one's social status and the reality was | 0:29:16 | 0:29:20 | |
certainly at the core of playing Beverly in Abigail's Party. | 0:29:20 | 0:29:24 | |
But, for me, it was always done with affection, | 0:29:24 | 0:29:27 | |
showing that we in suburbia are able to laugh at ourselves. | 0:29:27 | 0:29:31 | |
Oh, fantastic, it's Beaujolais. Lovely. | 0:29:31 | 0:29:33 | |
Now, you'll remember at the start, that I wanted to show you | 0:29:33 | 0:29:37 | |
how suburbia wasn't all about the cliches? | 0:29:37 | 0:29:40 | |
Well, now it's time to prove it. | 0:29:40 | 0:29:42 | |
Sam and I are about to conduct a little door-to-door survey, | 0:29:42 | 0:29:46 | |
to see how many of the stereotypes this Acacia Avenue conforms to. | 0:29:46 | 0:29:52 | |
Do they wash their cars every Sunday? | 0:29:52 | 0:29:54 | |
Are they impossibly house proud? | 0:29:54 | 0:29:56 | |
Do they own gnomes? | 0:29:56 | 0:29:58 | |
We're about to find out. | 0:29:58 | 0:29:59 | |
We've even got our own clipboards. | 0:29:59 | 0:30:02 | |
Question number one, how often do you mow your lawn? | 0:30:02 | 0:30:05 | |
Not often enough. | 0:30:05 | 0:30:06 | |
-Never. -Never. | 0:30:06 | 0:30:08 | |
-Have you got a lawn? -Yes. | 0:30:08 | 0:30:09 | |
-Never. -Never? -I've got an artificial lawn. | 0:30:09 | 0:30:11 | |
Oh, you've got an artificial lawn, ah, great. | 0:30:11 | 0:30:13 | |
Do you own a garden gnome? | 0:30:16 | 0:30:18 | |
-No. -I can tell by your face, that, actually, | 0:30:19 | 0:30:22 | |
you have owned one in the past. | 0:30:22 | 0:30:24 | |
Yeah, I did have a gnome, yeah, then somebody smashed the head off it. | 0:30:24 | 0:30:27 | |
Oh, no! Un-gnome people! | 0:30:27 | 0:30:29 | |
# And there was a little, old man | 0:30:29 | 0:30:32 | |
# In scarlet and grey... # | 0:30:32 | 0:30:34 | |
I'd love to know the statistics about garden gnomes and whether they | 0:30:34 | 0:30:37 | |
-still sell as well as they did 20 years ago. -Mmm. | 0:30:37 | 0:30:40 | |
If I was to enter your house now, | 0:30:40 | 0:30:41 | |
would you insist on a shoes off policy? | 0:30:41 | 0:30:44 | |
It's optional. | 0:30:44 | 0:30:45 | |
It's an unwritten rule. | 0:30:45 | 0:30:46 | |
OK. I was wondering if you leave loads of shoes lying about, | 0:30:46 | 0:30:49 | |
people go, keep them on? | 0:30:49 | 0:30:50 | |
-Yeah. -You could have smelly feet? | 0:30:50 | 0:30:53 | |
I could have smelly feet, I do have smelly feet. | 0:30:53 | 0:30:55 | |
Do you insist on coasters for drinks? | 0:30:55 | 0:30:57 | |
-No. -Yeah. | 0:30:57 | 0:30:59 | |
Yeah. You've got to have coasters, you've got your coffee table, | 0:30:59 | 0:31:02 | |
you don't want that damaging, do you? | 0:31:02 | 0:31:03 | |
Do you usually open the door to people doing surveys? | 0:31:03 | 0:31:07 | |
-Yeah. -You do? -And I try to be polite. | 0:31:09 | 0:31:11 | |
Well, that was a bit of fun. | 0:31:12 | 0:31:14 | |
And I think after crunching the data, it's fair to say | 0:31:14 | 0:31:17 | |
that Acacia Avenue, Liverpool, | 0:31:17 | 0:31:19 | |
manages to pass the cliche test...just. | 0:31:19 | 0:31:22 | |
Everyone except one person was happy to do surveys. | 0:31:22 | 0:31:25 | |
-Everyone? -Yes! | 0:31:25 | 0:31:27 | |
But if the 1970s were all about suburbia laughing at itself, | 0:31:31 | 0:31:34 | |
in the 1980s, we were about to see them taken very seriously indeed | 0:31:34 | 0:31:39 | |
as one woman climbed to power. | 0:31:39 | 0:31:42 | |
-ARCHIVE: -As leader of the opposition, | 0:31:42 | 0:31:44 | |
Margaret Thatcher leads a busy political life | 0:31:44 | 0:31:46 | |
but she keeps her finger on the domestic pulse. | 0:31:46 | 0:31:48 | |
She calls herself a career housewife. | 0:31:48 | 0:31:51 | |
As a grocer's daughter and, yes, self-confessed housewife, | 0:31:51 | 0:31:56 | |
Mrs Thatcher wanted to appeal | 0:31:56 | 0:31:58 | |
to the quiet majority living in the suburbs, | 0:31:58 | 0:32:01 | |
even going so far as canvassing support in places | 0:32:01 | 0:32:04 | |
like the Ideal Home Exhibition. | 0:32:04 | 0:32:07 | |
-ARCHIVE: -Conservative leader, Mrs Margaret Thatcher, | 0:32:07 | 0:32:09 | |
meets a young couple and their children who have bought the 5,000th | 0:32:09 | 0:32:12 | |
Victorian house to be converted into a modern dwelling. | 0:32:12 | 0:32:16 | |
When she was elected, it's fair to say, | 0:32:16 | 0:32:18 | |
she wanted to expand the suburban dream for all, | 0:32:18 | 0:32:21 | |
bringing in policies such as the right-to-buy scheme, | 0:32:21 | 0:32:25 | |
so council house tenants could own their own home. | 0:32:25 | 0:32:27 | |
The design of houses, meanwhile, | 0:32:27 | 0:32:29 | |
reflected this supremacy as the mock Tudor style came into fashion. | 0:32:29 | 0:32:33 | |
This was an age when the Englishman's home | 0:32:34 | 0:32:37 | |
really was his castle, as this documentary from 1984 shows. | 0:32:37 | 0:32:42 | |
I've always had the feeling that this house | 0:32:42 | 0:32:44 | |
is the safe place I return to. | 0:32:44 | 0:32:47 | |
I can, if I want, lift up the drawbridge | 0:32:47 | 0:32:50 | |
and I can cut the rest of the world out. | 0:32:50 | 0:32:53 | |
Yes, in the '80s, | 0:32:53 | 0:32:55 | |
Britain's middle-classes really did have something to sing about. | 0:32:55 | 0:32:59 | |
# ..dwelt a miner forty niner | 0:32:59 | 0:33:02 | |
# And his daughter Clementine. # | 0:33:02 | 0:33:04 | |
And yet there was another side to this decade, | 0:33:07 | 0:33:09 | |
one that takes us back to the place where I started my journey. | 0:33:09 | 0:33:12 | |
The old Georgian and Victorian suburbs. | 0:33:15 | 0:33:18 | |
Here, a more diverse working class community now lived | 0:33:18 | 0:33:22 | |
and Mrs Thatcher's housing revolution | 0:33:22 | 0:33:25 | |
left many feeling left behind. | 0:33:25 | 0:33:27 | |
This was especially true in Liverpool | 0:33:27 | 0:33:29 | |
and the area I'm off to now. | 0:33:29 | 0:33:31 | |
MUSIC: Two Tribes by Frankie Goes to Hollywood | 0:33:31 | 0:33:33 | |
The old suburb of Toxteth, where, in 1981, riots broke out. | 0:33:33 | 0:33:39 | |
# When two tribes go to war | 0:33:39 | 0:33:40 | |
# A point is all you can score...# | 0:33:40 | 0:33:44 | |
-ARCHIVE: -One of the worst and most terrifying nights of rioting | 0:33:46 | 0:33:48 | |
ever seen in Britain began just after 9 o'clock. | 0:33:48 | 0:33:52 | |
Youths hijacked several milk floats | 0:33:52 | 0:33:54 | |
and drove them straight at the police lines as they began | 0:33:54 | 0:33:58 | |
to form with their riot shields at the end of Upper Parliament Street, | 0:33:58 | 0:34:01 | |
the scene of the previous night's running battles. | 0:34:01 | 0:34:04 | |
In essence, those who now lived in the old suburbs, | 0:34:04 | 0:34:07 | |
which had become rundown and neglected, | 0:34:07 | 0:34:09 | |
were pitting themselves against the politics of the new middle-class, | 0:34:09 | 0:34:13 | |
living in Mr Thatcher's version of suburbia. | 0:34:13 | 0:34:16 | |
What do you think of what's happened in this street last night? | 0:34:16 | 0:34:18 | |
What do I think? I think the war's started again. | 0:34:18 | 0:34:22 | |
A declaration of war. It's a war. | 0:34:22 | 0:34:25 | |
Yes, the suburbs were at war. | 0:34:25 | 0:34:28 | |
But what was it like to live here at that time? | 0:34:28 | 0:34:30 | |
-Hi, Derek. -Hi, Alison, how are you? Nice to see you. | 0:34:32 | 0:34:35 | |
'I've come to meet a famous Liverpool face who, | 0:34:35 | 0:34:37 | |
'Derek Hatton, who remembers it well, | 0:34:37 | 0:34:39 | |
'and Mike Boyle, who grew up in the area.' | 0:34:39 | 0:34:42 | |
So, Derek, you were a councillor at the time? | 0:34:46 | 0:34:49 | |
What was it like for you when it happened? | 0:34:50 | 0:34:53 | |
I don't think any of us were really surprised that something was happening. | 0:34:53 | 0:34:58 | |
I think we all knew that there was a bit of a build-up. | 0:34:58 | 0:35:01 | |
Almost like a tinder box. | 0:35:01 | 0:35:02 | |
Then, when it happened here, | 0:35:02 | 0:35:04 | |
I don't think we quite expected it to be at the level that it was. | 0:35:04 | 0:35:07 | |
-No. -You know, you looked around and each way you looked there was | 0:35:07 | 0:35:10 | |
blazes, there was things on fire, | 0:35:10 | 0:35:12 | |
there was police cars, sirens, around. | 0:35:12 | 0:35:15 | |
-ARCHIVE: -The rioters, black and white, | 0:35:16 | 0:35:18 | |
reigned a constant barrage of stones, | 0:35:18 | 0:35:20 | |
bottles and petrol bombs at the police, | 0:35:20 | 0:35:23 | |
whose casualties mounted every time they charged. | 0:35:23 | 0:35:25 | |
It upset me, the average Scouser, whether you were black or white. | 0:35:27 | 0:35:30 | |
Your city was in turmoil. | 0:35:30 | 0:35:32 | |
For the white young men on the streets rioting, | 0:35:32 | 0:35:34 | |
it was that feeling of helplessness, | 0:35:34 | 0:35:36 | |
because they couldn't get jobs either. | 0:35:36 | 0:35:38 | |
That's what lit the touch paper here. | 0:35:38 | 0:35:40 | |
-ARCHIVE: -Reinforcements arrived from Greater Manchester, | 0:35:40 | 0:35:43 | |
Lancashire and Cheshire but time and again they were forced to retreat. | 0:35:43 | 0:35:47 | |
The police were ill-equipped to deal with this. | 0:35:47 | 0:35:50 | |
I mean, it wasn't riot gear by any stretch of the imagination. | 0:35:50 | 0:35:52 | |
No. No. | 0:35:52 | 0:35:54 | |
-ARCHIVE: -One constable's helmet was later recovered | 0:35:54 | 0:35:57 | |
with a spiked railing firmly embedded in it. | 0:35:57 | 0:36:00 | |
The situation was so dangerous that the Fire Brigade had to stay clear. | 0:36:00 | 0:36:05 | |
Famous landmarks, like the former Rialto dance hall, | 0:36:05 | 0:36:08 | |
were simply burnt to the ground. | 0:36:08 | 0:36:10 | |
That's the Rialto, you know. | 0:36:10 | 0:36:12 | |
They were very selective in terms of where was burnt down. | 0:36:12 | 0:36:15 | |
-They were making a point. -That's right. | 0:36:15 | 0:36:17 | |
-It wasn't just riots. -No. It was business, wasn't it? | 0:36:17 | 0:36:19 | |
It was, I mean, they saw...it was a class thing. | 0:36:19 | 0:36:22 | |
-Yes. -They thought the likes of Rialto, The Racket Club, | 0:36:22 | 0:36:24 | |
-the gentlemen's club up the road. -Oh, yes, that's right. Very elitist. | 0:36:24 | 0:36:27 | |
They were burnt to the ground, but anything like a local shop | 0:36:27 | 0:36:30 | |
that was owned by their own people, no way that was burnt down. | 0:36:30 | 0:36:33 | |
That was never touched, no. | 0:36:33 | 0:36:34 | |
Do you think housing was a big issue? | 0:36:34 | 0:36:37 | |
That was one of the main issues that pushed that riot? | 0:36:37 | 0:36:40 | |
Yeah, because the nature of the property that the people lived in | 0:36:40 | 0:36:43 | |
dated back to the Victorian times, | 0:36:43 | 0:36:45 | |
even the small, six-roomed terraced houses. | 0:36:45 | 0:36:47 | |
-I went to school in the '60s, down here in town. -Right. | 0:36:47 | 0:36:51 | |
In the '60s, you'd come down on the bus and all those houses were | 0:36:51 | 0:36:54 | |
-derelict. -Yes. -They were derelict for 20-odd, 30 years. | 0:36:54 | 0:36:57 | |
-So that must have had a big influence on... -It did. | 0:36:57 | 0:37:00 | |
That again adds to that frustration and feeling of hopelessness, | 0:37:00 | 0:37:04 | |
and generation upon generation experienced this. | 0:37:04 | 0:37:07 | |
It culminates and bubbles over in '81, by the fact that | 0:37:07 | 0:37:10 | |
that particular generation said | 0:37:10 | 0:37:11 | |
"We're not prepared to put it up with this any more." | 0:37:11 | 0:37:13 | |
And the irony is after the Toxteth riots of course things did happen. | 0:37:13 | 0:37:17 | |
Houses did get built, job situation was changed, education did change, | 0:37:17 | 0:37:21 | |
things did happen, so that's why, after that, then it calmed down. | 0:37:21 | 0:37:24 | |
But it only calmed down because things were done. | 0:37:24 | 0:37:27 | |
Today, Toxteth is improving with new housing and investment in the area. | 0:37:32 | 0:37:37 | |
It's still a wonderfully multicultural community | 0:37:37 | 0:37:40 | |
and, although it's heartbreaking to see many streets still lying empty, | 0:37:40 | 0:37:43 | |
other streets have improved beyond all recognition. | 0:37:43 | 0:37:47 | |
Mike wants to show me one of its major suburban success stories. | 0:37:47 | 0:37:52 | |
It's a beautiful street. | 0:37:52 | 0:37:54 | |
This is Beaconsfield Street in the heart of Toxteth. | 0:37:54 | 0:37:57 | |
It's a street which recently has been, as you can see, | 0:37:57 | 0:37:59 | |
-the houses have been renovated. -Yeah. -In fact, this area, | 0:37:59 | 0:38:02 | |
this particular street and the street next to it | 0:38:02 | 0:38:05 | |
won the Turner Prize last year for, I think it was urban regeneration. | 0:38:05 | 0:38:09 | |
Really? I just love it when houses like this are brought back to life | 0:38:09 | 0:38:14 | |
and restored, instead of knocking them down, building flats. | 0:38:14 | 0:38:19 | |
-Absolutely, yes. -Restore the beautiful Victorian houses. | 0:38:19 | 0:38:22 | |
That's right. | 0:38:22 | 0:38:23 | |
Hopefully, those dark days of the '80s are now behind us | 0:38:25 | 0:38:28 | |
and certainly over the last 20 or so years in Liverpool, | 0:38:28 | 0:38:32 | |
there's a real feeling of rejuvenation | 0:38:32 | 0:38:34 | |
and building right across the city, | 0:38:34 | 0:38:36 | |
not just in the suburbs. | 0:38:36 | 0:38:38 | |
But, of course, many Liverpudlians are still craving suburbia, | 0:38:42 | 0:38:45 | |
and I can't finish my journey without taking a peek | 0:38:45 | 0:38:48 | |
at what the latest suburban enclaves look like. | 0:38:48 | 0:38:51 | |
So, I've come to Crosby, a slice of suburbia popular with commuters | 0:38:51 | 0:38:56 | |
since the opening of the Crosby and Southport railway in 1848. | 0:38:56 | 0:39:01 | |
I haven't seen any garden gnomes. | 0:39:01 | 0:39:03 | |
Garden gnomes are not popular? | 0:39:03 | 0:39:06 | |
Well, I think the garden gnome trend is on the decline | 0:39:06 | 0:39:09 | |
at the moment, I believe. Yes. Yeah. | 0:39:09 | 0:39:11 | |
Taking me on my tour is local estate agent, Alex Bibby. | 0:39:11 | 0:39:16 | |
Right, we're off to a brand-new development | 0:39:16 | 0:39:18 | |
on a road called Victoria Road, in a gated complex | 0:39:18 | 0:39:22 | |
which is a desirable option for a lot of buyers these days. | 0:39:22 | 0:39:26 | |
So, explain to me what "gated" actually means? | 0:39:26 | 0:39:29 | |
It doesn't sound very nice to me! | 0:39:29 | 0:39:31 | |
Essentially, it's a collection of houses behind double gates, | 0:39:32 | 0:39:37 | |
so that you have a little more privacy and seclusion. | 0:39:37 | 0:39:41 | |
'There are currently over 1,000 gated communities across the UK | 0:39:41 | 0:39:45 | |
'and that number is growing every year.' | 0:39:45 | 0:39:48 | |
Alison, do come in. | 0:39:48 | 0:39:50 | |
Oh! Wow! | 0:39:50 | 0:39:53 | |
Oh! Yeah. | 0:39:53 | 0:39:54 | |
Very nice. | 0:39:56 | 0:39:58 | |
'When it's finished, this development will be made up | 0:39:58 | 0:40:01 | |
'of eight, four-bedroom detached houses, | 0:40:01 | 0:40:03 | |
'all done to a high spec.' | 0:40:03 | 0:40:04 | |
-That, I like. -You'd never want to leave the house, would you? | 0:40:08 | 0:40:11 | |
Well... | 0:40:13 | 0:40:14 | |
'I wonder what Beverly from Abigail's Party, | 0:40:14 | 0:40:17 | |
'or Pam from Gavin & Stacey would have made of these places? | 0:40:17 | 0:40:20 | |
'They're absolutely enormous.' | 0:40:20 | 0:40:22 | |
Here we are, Alison. Come on into the fantastic kitchen, | 0:40:22 | 0:40:25 | |
family, entertaining room. | 0:40:25 | 0:40:27 | |
Well... | 0:40:29 | 0:40:31 | |
'But never mind them, what would my mum say?' | 0:40:31 | 0:40:34 | |
If my mother could walk in here now and see this amount of space, | 0:40:34 | 0:40:37 | |
you probably could, well, | 0:40:37 | 0:40:39 | |
our whole house would have fitted into this ground floor, you know. | 0:40:39 | 0:40:43 | |
'So I suppose the big question is | 0:40:44 | 0:40:46 | |
'just what does it take to buy this sort of suburban dream today?' | 0:40:46 | 0:40:51 | |
It's so chi-chi. | 0:40:51 | 0:40:53 | |
How much would it cost? | 0:40:53 | 0:40:55 | |
Yes, well, the properties on this development are starting | 0:40:55 | 0:40:57 | |
at around about £900,000, upwards. | 0:40:57 | 0:41:01 | |
-Starting? -Yes. Yes. | 0:41:01 | 0:41:04 | |
Right, OK. | 0:41:05 | 0:41:06 | |
I mean, London prices, that's not much, | 0:41:06 | 0:41:09 | |
but for prices in the north of England, that's a lot. | 0:41:09 | 0:41:12 | |
'Like all good salesmen, | 0:41:14 | 0:41:16 | |
'Alex has left me alone to take in the price and make myself at home.' | 0:41:16 | 0:41:19 | |
Two fridges, two freezers, and... | 0:41:21 | 0:41:23 | |
..a wine cooler. | 0:41:25 | 0:41:26 | |
'Unlike Beverly's house, there's no Beaujolais in this fridge.' | 0:41:26 | 0:41:30 | |
Ah, champagne! | 0:41:30 | 0:41:33 | |
'Could I imagine living somewhere like this?' | 0:41:33 | 0:41:36 | |
It's a very, very different feel from the suburbia that I knew, | 0:41:36 | 0:41:40 | |
and, indeed, no, the suburbia I know's a bit more cosy, | 0:41:40 | 0:41:45 | |
a bit more, sort of, pots and pans... | 0:41:45 | 0:41:50 | |
Yeah. | 0:41:50 | 0:41:52 | |
Suburbia's certainly moved on. | 0:41:52 | 0:41:54 | |
It's almost the end of my journey, | 0:41:56 | 0:41:59 | |
so what home truths have I learned about Britain's suburbia? | 0:41:59 | 0:42:02 | |
Well, I hope I've convinced you that they're not just the cliche we often | 0:42:02 | 0:42:07 | |
think they are. To me they have a quiet charm and dignity to them, | 0:42:07 | 0:42:11 | |
and that's embodied in the people who live here. | 0:42:11 | 0:42:14 | |
But they've also been at the centre of our nation's story, | 0:42:14 | 0:42:18 | |
changing the way we've lived, | 0:42:18 | 0:42:20 | |
producing some extraordinary people in the process, | 0:42:20 | 0:42:23 | |
and never being afraid to laugh at themselves along the way. | 0:42:23 | 0:42:26 | |
So, have I convinced you that the suburbs are superb? | 0:42:28 | 0:42:32 | |
I hope so. | 0:42:32 | 0:42:34 | |
Now it's time to celebrate my home truth back in Anfield | 0:42:34 | 0:42:37 | |
with my dear old friends, David and Brenda. | 0:42:37 | 0:42:41 | |
Just to finish off, I thought we'd have a little celebration, so... | 0:42:41 | 0:42:45 | |
..I've brought you a little, um... | 0:42:47 | 0:42:49 | |
-a little nibble... -Oh. | 0:42:49 | 0:42:51 | |
Oh, my goodness. | 0:42:51 | 0:42:53 | |
-Abigail! -Yes, it brings back memories, doesn't it? | 0:42:53 | 0:42:57 | |
I know none of us ever had garden gnomes but the cliche is that | 0:42:57 | 0:43:01 | |
-suburbia... -Oh, my goodness me! | 0:43:01 | 0:43:04 | |
..has garden gnomes, so you've got to pick... | 0:43:04 | 0:43:07 | |
This is called Pick Your Gnome. | 0:43:07 | 0:43:08 | |
-Oh, my goodness. -Choose our gnome, cos there's one each. | 0:43:08 | 0:43:12 | |
OK? | 0:43:12 | 0:43:13 | |
-Pick your gnome! -Well, no, ladies first, obviously. | 0:43:13 | 0:43:16 | |
I'm going to have to go with this chappie, | 0:43:16 | 0:43:19 | |
because he's got a red jacket on and I'm Liverpudlian, | 0:43:19 | 0:43:23 | |
through and through and through. | 0:43:23 | 0:43:25 | |
-OK, David? -No. No. Ladies first. | 0:43:25 | 0:43:27 | |
OK, I'll go for the watering can, this chap. | 0:43:27 | 0:43:30 | |
OK, and I'll have... | 0:43:31 | 0:43:33 | |
There's no place like gnome! | 0:43:33 | 0:43:35 | |
# Let's take a ride | 0:43:39 | 0:43:41 | |
# And run with the dogs tonight | 0:43:41 | 0:43:44 | |
# In suburbia | 0:43:44 | 0:43:48 | |
# You can't hide | 0:43:48 | 0:43:50 | |
# Run with the dogs tonight | 0:43:50 | 0:43:52 | |
# In suburbia | 0:43:52 | 0:43:55 | |
# Break a window | 0:43:55 | 0:43:57 | |
# By the town hall | 0:43:57 | 0:43:58 | |
# Listen, the siren screams | 0:43:58 | 0:44:01 | |
# There in the distance... # | 0:44:01 | 0:44:04 |