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Across the nation architects are building, | 0:00:02 | 0:00:03 | |
designing and transforming the homes we live in. | 0:00:03 | 0:00:06 | |
One day I'm going to live in a house like this | 0:00:06 | 0:00:08 | |
and not just do it for others. | 0:00:08 | 0:00:09 | |
We're following some of those leading the way in ground-breaking design. | 0:00:09 | 0:00:13 | |
Their jaw would drop if they saw that. | 0:00:13 | 0:00:16 | |
I can't believe it. | 0:00:16 | 0:00:17 | |
We'll be with them every step of the way | 0:00:18 | 0:00:21 | |
as they battle with builders, blueprints | 0:00:21 | 0:00:23 | |
and the clients who hire them. | 0:00:23 | 0:00:25 | |
You've got a very strange understanding of the word "today." | 0:00:25 | 0:00:27 | |
Whoa, whoa, whoa! | 0:00:27 | 0:00:30 | |
That's not good. | 0:00:32 | 0:00:33 | |
It's like working with the Chuckle Brothers. | 0:00:33 | 0:00:35 | |
We're with them as they draw on their seven years of training | 0:00:35 | 0:00:38 | |
to solve everyday problems. | 0:00:38 | 0:00:39 | |
Quick word in his ear, make sure there's no more mishaps. | 0:00:39 | 0:00:42 | |
He's come in on an angle and ripped up the road, | 0:00:42 | 0:00:46 | |
but he's now ripped his exhaust pipe off. | 0:00:46 | 0:00:49 | |
Oh, man! | 0:00:49 | 0:00:50 | |
I've said many prayers. | 0:00:52 | 0:00:54 | |
That's amazing! | 0:00:54 | 0:00:55 | |
That's a pretty incredible difference, isn't it? | 0:00:55 | 0:00:58 | |
The fixings alone cost 17 grand. | 0:00:58 | 0:01:01 | |
All in the name of making the properties we dream of a reality. | 0:01:04 | 0:01:08 | |
Today, it's inspection time at the upside down house in Wales, | 0:01:21 | 0:01:24 | |
both for architect Chris... | 0:01:24 | 0:01:26 | |
I haven't been here for a few weeks. | 0:01:26 | 0:01:28 | |
..and for owner Marianne. | 0:01:28 | 0:01:29 | |
It's the first time she's been back on site after months of ill health, | 0:01:29 | 0:01:33 | |
but will she like what she sees? | 0:01:33 | 0:01:35 | |
I want her to love it as much as I do, basically. | 0:01:35 | 0:01:39 | |
And in Dunblane, | 0:01:39 | 0:01:41 | |
a dilapidated old mill is being restored to its former glory. | 0:01:41 | 0:01:44 | |
You can either just leave it, you can forget all about it, | 0:01:44 | 0:01:47 | |
or possibly put a glass floor in there. | 0:01:47 | 0:01:50 | |
But there's bad news in store for architect Bobby | 0:01:50 | 0:01:52 | |
when the building inspector pays a visit. | 0:01:52 | 0:01:55 | |
Well, the meeting wasn't satisfactory. | 0:01:55 | 0:01:59 | |
In the Vale of Glamorgan, Marianne and John are building a brand-new | 0:02:05 | 0:02:09 | |
hi-tech home right next door to their existing Welsh long house. | 0:02:09 | 0:02:12 | |
Their dream was to create a future-proof home. | 0:02:14 | 0:02:17 | |
Marianne took control to make sure that dream would become a reality. | 0:02:17 | 0:02:21 | |
I'm telling you what I want. | 0:02:21 | 0:02:22 | |
You tell me what I need to achieve what I want and how much it costs. | 0:02:22 | 0:02:27 | |
Helping them to bring their dream to fruition | 0:02:27 | 0:02:30 | |
is local award-winning architect Chris Loyn | 0:02:30 | 0:02:32 | |
and project designer James Stroud. | 0:02:32 | 0:02:34 | |
And what they've come up with together is stunning. | 0:02:36 | 0:02:40 | |
With a budget of £842,000 - £660,000 for build costs | 0:02:40 | 0:02:43 | |
and a further £180,000 for fittings and fees - they are creating | 0:02:43 | 0:02:46 | |
a two-storey upside down house, | 0:02:46 | 0:02:49 | |
rammed with technology and cutting-edge design. | 0:02:49 | 0:02:53 | |
Its simple steel frame construction means the whole build is only | 0:02:53 | 0:02:57 | |
scheduled to take ten months. | 0:02:57 | 0:02:59 | |
Up to now, Marianne has been a driving force behind the project. | 0:03:00 | 0:03:04 | |
Then over here... | 0:03:04 | 0:03:05 | |
Just before we leave this, I think we should have a TV point there. | 0:03:05 | 0:03:10 | |
OK. | 0:03:10 | 0:03:11 | |
We may never use it but it's best to put it in. | 0:03:11 | 0:03:13 | |
OK. | 0:03:15 | 0:03:16 | |
But on Boxing Day, six months into the build, disaster struck. | 0:03:16 | 0:03:19 | |
She was taken into hospital with a potentially life-threatening infection. | 0:03:19 | 0:03:23 | |
She's been the principal contact through the whole of the project, | 0:03:23 | 0:03:28 | |
and so it is a shame now where we're, you know, | 0:03:28 | 0:03:30 | |
ploughing towards the end of the project that she can't be | 0:03:30 | 0:03:34 | |
involved as much as she'd like to be. | 0:03:34 | 0:03:36 | |
It's February. Marianne has been in hospital for eight weeks, | 0:03:36 | 0:03:40 | |
and the home she is paying almost a million pounds for | 0:03:40 | 0:03:43 | |
is taking shape without her. | 0:03:43 | 0:03:44 | |
The windows and roof have been installed | 0:03:44 | 0:03:46 | |
so the building is watertight and ready for its next layer - elements | 0:03:46 | 0:03:50 | |
that will see the house blend into the beautiful Welsh countryside. | 0:03:50 | 0:03:53 | |
The walls are being clad with specially treated timber... | 0:03:53 | 0:03:56 | |
The only tricky bit is when you get to the windows. | 0:03:56 | 0:03:59 | |
You've got to start cutting the shape around the window. | 0:03:59 | 0:04:02 | |
And the roof is being transformed into a living garden, | 0:04:04 | 0:04:07 | |
with a flowering plant, sedum. | 0:04:07 | 0:04:09 | |
It does change the roof from being a completely paved area to a garden, | 0:04:10 | 0:04:15 | |
a roof garden. You know, it's a much more enjoyable sort of environment. | 0:04:15 | 0:04:20 | |
Today, in the absence of Marianne keeping an eye on site, | 0:04:23 | 0:04:26 | |
architect Chris has come to inspect the project. | 0:04:26 | 0:04:29 | |
This will be the first time he's seen the house | 0:04:29 | 0:04:31 | |
with its walls and windows in, giving the full impact | 0:04:31 | 0:04:33 | |
of the double height space he designed. | 0:04:33 | 0:04:35 | |
I'm fine. | 0:04:35 | 0:04:38 | |
I haven't been here for a few weeks | 0:04:38 | 0:04:40 | |
and now we've got the envelope sealed, | 0:04:40 | 0:04:42 | |
so I'll be interested to see how it feels as an enclosed space. | 0:04:42 | 0:04:47 | |
Oh, yeah! | 0:04:53 | 0:04:55 | |
Now that's what you kind of live and hold in your mind | 0:04:58 | 0:05:01 | |
but you can't draw something like that. | 0:05:01 | 0:05:03 | |
Good morning! I am fine! How are you? | 0:05:06 | 0:05:09 | |
This is feeling very nice. Yeah, man! | 0:05:09 | 0:05:13 | |
-Love this. -Yeah, it's great. | 0:05:13 | 0:05:15 | |
-Doesn't it work? -It's great. | 0:05:15 | 0:05:17 | |
Imagine artwork along that wall. | 0:05:19 | 0:05:21 | |
The light dropping down on it. | 0:05:21 | 0:05:24 | |
It'll be super. | 0:05:24 | 0:05:26 | |
Out there - glass of wine, gin and tonic? | 0:05:26 | 0:05:29 | |
One day I'm going to live in a house like this | 0:05:32 | 0:05:34 | |
and not just do it for others. | 0:05:34 | 0:05:36 | |
In my dreams! | 0:05:36 | 0:05:38 | |
Another special aspect of the house's future-proof design | 0:05:39 | 0:05:42 | |
is that there's space to have a lift. | 0:05:42 | 0:05:44 | |
Marianne and John were going to install it in years to come | 0:05:44 | 0:05:47 | |
but Marianne's illness has changed their minds. | 0:05:47 | 0:05:49 | |
We're now going to put this lift in at this stage | 0:05:49 | 0:05:52 | |
whereas before it was sort of future proofing the house, | 0:05:52 | 0:05:55 | |
and this was just going to be a store cupboard | 0:05:55 | 0:05:57 | |
until such time as you needed it. | 0:05:57 | 0:05:59 | |
Just cut the floor out and in goes the shaft - | 0:05:59 | 0:06:01 | |
it's all been sized accordingly - | 0:06:01 | 0:06:03 | |
and we do that a lot in our new well-off houses | 0:06:03 | 0:06:06 | |
and it just seems to be totally sensible. | 0:06:06 | 0:06:09 | |
A sleek modern lift at an additional cost of £14,000 | 0:06:09 | 0:06:11 | |
has been put on fast track order. | 0:06:11 | 0:06:14 | |
It's March. Marianne has been in and out of hospital since Christmas | 0:06:17 | 0:06:20 | |
and she's finally coming home. She's wheelchair bound and she's | 0:06:20 | 0:06:24 | |
already said she wants to inspect the site as soon as she gets back. | 0:06:24 | 0:06:27 | |
Today is one of those moments where she will see, | 0:06:27 | 0:06:31 | |
if you like, for the first time what's kind of been in our heads | 0:06:31 | 0:06:35 | |
for a lot longer. | 0:06:35 | 0:06:37 | |
Chris and James may be happy with progress, | 0:06:38 | 0:06:40 | |
but their client has spent the past 20 years dreaming about the house | 0:06:40 | 0:06:44 | |
and the past six months overseeing the build. | 0:06:44 | 0:06:46 | |
She's invested her money, her hopes and her vision | 0:06:46 | 0:06:49 | |
so she may have other ideas. | 0:06:49 | 0:06:51 | |
I'm very excited because I haven't been in the house | 0:06:51 | 0:06:54 | |
since before Christmas, so although I've seen stills | 0:06:54 | 0:06:58 | |
and Jon's shown me pictures and it looks great, | 0:06:58 | 0:07:01 | |
I haven't actually seen it myself, so I really want to go in there. | 0:07:01 | 0:07:06 | |
In Dunblane, north of Stirling, Darren and his wife Linda | 0:07:13 | 0:07:16 | |
are also about to embark on a project in their garden. | 0:07:16 | 0:07:19 | |
We've been in here for about three years. | 0:07:21 | 0:07:23 | |
It's a new build. | 0:07:23 | 0:07:25 | |
Part of the garden is the old mill. | 0:07:25 | 0:07:27 | |
The house was built on the founds of the mill partially, | 0:07:27 | 0:07:30 | |
and there was a ruin in the garden | 0:07:30 | 0:07:33 | |
and the developer had some ideas about it. | 0:07:33 | 0:07:36 | |
We didn't want it to be knocked down, | 0:07:36 | 0:07:39 | |
or a walled garden as was suggested initially, | 0:07:39 | 0:07:42 | |
and we thought why not just restore it? Restore it. | 0:07:42 | 0:07:45 | |
The architect Darren and Linda have chosen to help them | 0:07:45 | 0:07:48 | |
convert the mill is Bobby Halliday, who has run | 0:07:48 | 0:07:51 | |
his award-winning architecture firm for the last 30 years. | 0:07:51 | 0:07:54 | |
There's kind of one thing that is really important | 0:07:54 | 0:07:57 | |
and you need an ideas hat. | 0:07:57 | 0:07:59 | |
Both well known and respected in the local area, | 0:07:59 | 0:08:02 | |
helping clients see their dream homes realised is Bobby's passion. | 0:08:02 | 0:08:06 | |
The mill was a very simple building. Four walls, no roof, | 0:08:06 | 0:08:10 | |
and what we had to do really was just provide the client | 0:08:10 | 0:08:14 | |
with a family room, a games room, a TV room, | 0:08:14 | 0:08:18 | |
so really it was an additional element to the main house. | 0:08:18 | 0:08:24 | |
So we've opened this gable up, we have a glass balcony, | 0:08:24 | 0:08:27 | |
we have very big sliding doors and we have a small set of French doors | 0:08:27 | 0:08:32 | |
with a Juliette balcony upstairs. | 0:08:32 | 0:08:34 | |
On the ground floor, the design is an open-plan space | 0:08:34 | 0:08:38 | |
with a smallish kitchen come bar, | 0:08:38 | 0:08:41 | |
and upstairs we have guest living accommodation. | 0:08:41 | 0:08:45 | |
The build is scheduled to take nine months. | 0:08:45 | 0:08:49 | |
Darren and Linda have a budget of £100,000, | 0:08:49 | 0:08:51 | |
to cover the complete restoration of the ruined mill | 0:08:51 | 0:08:54 | |
into family accommodation, | 0:08:54 | 0:08:55 | |
a new kitchen and architect's fees to design and oversee the build. | 0:08:55 | 0:09:00 | |
The old trusty boots. They're always wet, they're always damp. | 0:09:00 | 0:09:04 | |
They never seem to get a chance to dry out. | 0:09:04 | 0:09:06 | |
Morning, Darren, how are you? | 0:09:07 | 0:09:09 | |
Good to see you, yeah, we're great. | 0:09:09 | 0:09:12 | |
The build has been under way for a month. | 0:09:12 | 0:09:14 | |
The roof is up and today, Bobby and colleague Geoff, | 0:09:14 | 0:09:16 | |
have arrived for a site visit. | 0:09:16 | 0:09:18 | |
So this is the old mill house. | 0:09:18 | 0:09:20 | |
The walls, as you can see, were existing | 0:09:20 | 0:09:23 | |
and are in pretty good condition. Things are looking good. | 0:09:23 | 0:09:26 | |
Bobby is particularly excited about today's visit | 0:09:26 | 0:09:29 | |
as a surprising discovery has been made underneath the site. | 0:09:29 | 0:09:32 | |
Under here somewhere, there is the remnants | 0:09:32 | 0:09:35 | |
of an old cast iron water wheel. | 0:09:35 | 0:09:38 | |
So we are quite intrigued to find out what happens. | 0:09:38 | 0:09:41 | |
The old water wheel was unearthed when the ground was being dug | 0:09:41 | 0:09:44 | |
to put in the utilities for the new conversion. | 0:09:44 | 0:09:47 | |
We'll manage. We'll manage. | 0:09:47 | 0:09:49 | |
At least it's not a big chasm or a big gorge we are going to fall down. | 0:09:49 | 0:09:54 | |
Wow, wow, wow, wow, wow. | 0:09:54 | 0:09:56 | |
Its discovery has put Bobby's creative mind into overdrive | 0:09:56 | 0:09:59 | |
and he can't wait to get a closer look. | 0:09:59 | 0:10:01 | |
Darren, I mean there are two ways of looking at this. | 0:10:01 | 0:10:05 | |
You can either just leave it, you can forget all about it, | 0:10:05 | 0:10:09 | |
or you could certainly tidy up the walls and possibly put something | 0:10:09 | 0:10:15 | |
in your deck rather than the steel. | 0:10:15 | 0:10:17 | |
You could possibly put a glass floor in there. | 0:10:17 | 0:10:20 | |
Have you got a budget for that, Bobby? | 0:10:20 | 0:10:22 | |
A budget? I would've thought to clean all this up, tidy it up, | 0:10:22 | 0:10:26 | |
I would've thought maybe £1,000 worth of pointing | 0:10:26 | 0:10:29 | |
and cleaning it out, but the glass floor I would've thought | 0:10:29 | 0:10:33 | |
would have cost you about maybe £2,500 for a piece of glass. | 0:10:33 | 0:10:37 | |
I know it's a lot of money, but what a feature that would give. | 0:10:37 | 0:10:41 | |
The build costs of around £100,000 | 0:10:42 | 0:10:44 | |
are likely to be pushed higher by the discovery of the wheel. | 0:10:44 | 0:10:48 | |
Bobby is hoping Darren will think it worth it. | 0:10:48 | 0:10:50 | |
How many houses round about this area have | 0:10:50 | 0:10:55 | |
the old remains of a water wheel? | 0:10:55 | 0:10:57 | |
-It's fantastic. -It's in your back garden, you know. | 0:10:57 | 0:11:00 | |
But Bobby and Geoff's post-site visit high doesn't last long. | 0:11:01 | 0:11:05 | |
Bobby is very hands on with his projects and, as the architect, | 0:11:05 | 0:11:08 | |
one of his responsibilities is to satisfy building control. | 0:11:08 | 0:11:12 | |
The building inspector for this project | 0:11:12 | 0:11:14 | |
has thrown a spanner in the works, and it's a big one. | 0:11:14 | 0:11:16 | |
The building inspector sent us a letter | 0:11:16 | 0:11:19 | |
and he wanted a few items clarified, | 0:11:19 | 0:11:22 | |
and one of the items that required clarification was | 0:11:22 | 0:11:27 | |
what was in the mill in the sub-floor area | 0:11:27 | 0:11:32 | |
prior to the concrete floor being laid. | 0:11:32 | 0:11:35 | |
The inspector believes that the concrete floor may have been laid | 0:11:35 | 0:11:39 | |
on top of the rotting timber of the old roof. | 0:11:39 | 0:11:41 | |
He wants proof that isn't the case. This is disastrous. | 0:11:41 | 0:11:45 | |
All work has to stop while investigations are carried out. | 0:11:45 | 0:11:48 | |
If the inspector is right, it could be game over. | 0:11:48 | 0:11:51 | |
Back in the Vale of Glamorgan, | 0:12:01 | 0:12:02 | |
project designer James has been living and breathing Marianne | 0:12:02 | 0:12:05 | |
and Jon's ultra-modern future-proof house. | 0:12:05 | 0:12:08 | |
I can imagine the fire, the Christmas tree, the lounger, | 0:12:08 | 0:12:12 | |
the music, the light. | 0:12:12 | 0:12:14 | |
What we've done here is introduce a seat into the shower enclosure. | 0:12:14 | 0:12:17 | |
We've suggested to Marianne that it's quite good for ladies | 0:12:17 | 0:12:20 | |
when they want to shave their legs or something in the shower. | 0:12:20 | 0:12:25 | |
Eight weeks ago, Marianne was taken ill, | 0:12:26 | 0:12:29 | |
and has had an extended stay in hospital. | 0:12:29 | 0:12:31 | |
She's back and desperate to see what she's been missing. | 0:12:31 | 0:12:34 | |
It's a problem with my hip, really, but other problems | 0:12:34 | 0:12:39 | |
manifested themselves when I went into hospital. | 0:12:39 | 0:12:43 | |
I'm still on treatment and I'm not going to be able to walk | 0:12:43 | 0:12:47 | |
until I have another operation, and I don't know how long that will be. | 0:12:47 | 0:12:52 | |
It is completely frustrating, completely and utterly frustrating | 0:12:55 | 0:12:59 | |
that I cannot get in there, | 0:12:59 | 0:13:01 | |
but at the moment, the way it is, I don't think it's worth pushing. | 0:13:01 | 0:13:05 | |
Right, so the steels are somewhere. You can't see them any more. | 0:13:05 | 0:13:10 | |
Her husband Jon's been in the driving seat | 0:13:10 | 0:13:12 | |
while Marianne's been away. | 0:13:12 | 0:13:13 | |
I've been in charge. | 0:13:13 | 0:13:15 | |
Well, this is why everything is making such good progress. | 0:13:15 | 0:13:19 | |
Jon is quite happy to relinquish his duties as soon as Marianne is back. | 0:13:19 | 0:13:23 | |
So you've got something like that, yeah? These are your wardrobes. | 0:13:23 | 0:13:27 | |
Yeah. | 0:13:27 | 0:13:29 | |
I think we're going to have to do without the TV - | 0:13:29 | 0:13:32 | |
that's the simplest thing. | 0:13:32 | 0:13:33 | |
Do you have a view on it, Jon? | 0:13:33 | 0:13:36 | |
What we're talking about is, when you're in bed here, right? | 0:13:36 | 0:13:41 | |
Are you bothered about having a wall of curtains along here? | 0:13:41 | 0:13:44 | |
No. | 0:13:44 | 0:13:46 | |
Great, decision made. | 0:13:46 | 0:13:48 | |
Yeah, OK. Fine. | 0:13:48 | 0:13:50 | |
The lift that she and Jon thought would be installed in years to come | 0:13:54 | 0:13:57 | |
has been put in early and is now ready for Marianne to use. | 0:13:57 | 0:14:00 | |
It's a glass mirrored box. | 0:14:03 | 0:14:05 | |
It's very stylish. You know, the idea is to walk past it | 0:14:05 | 0:14:08 | |
and it looks like a part of the furniture, if you like. | 0:14:08 | 0:14:10 | |
You wouldn't think you actually had a lift in your home. | 0:14:10 | 0:14:13 | |
It's a tense day for James. | 0:14:13 | 0:14:15 | |
Well, I just want to make sure it looks as nice as it can | 0:14:15 | 0:14:19 | |
when Marianne comes up, so... | 0:14:19 | 0:14:22 | |
Marianne hasn't been in her new home for over two months. | 0:14:22 | 0:14:26 | |
Now she's finally heading in with her son and daughter | 0:14:26 | 0:14:29 | |
to see what progress has been made. | 0:14:29 | 0:14:31 | |
I want her to love it as much as I do, basically. | 0:14:31 | 0:14:35 | |
Here we are. Into the front room. | 0:14:35 | 0:14:38 | |
Into the room. Oh, great. | 0:14:38 | 0:14:40 | |
Hey, this is a nice space, isn't it? | 0:14:40 | 0:14:43 | |
Oh, isn't it fabulous? Oh, it's just great. | 0:14:43 | 0:14:47 | |
-Do you want to see the bedrooms? -Yeah, go on. | 0:14:47 | 0:14:50 | |
If you want to see them, yeah. | 0:14:50 | 0:14:51 | |
You see, everywhere is wide enough for you to get in. | 0:14:51 | 0:14:54 | |
Yeah, it's great. | 0:14:54 | 0:14:55 | |
And she can use her fabulous glass-fronted lift | 0:14:57 | 0:15:00 | |
for the very first time. | 0:15:00 | 0:15:01 | |
Is it for four people, normally, do you know? | 0:15:01 | 0:15:03 | |
I don't know what the maximum capacity is. | 0:15:03 | 0:15:06 | |
OK. | 0:15:06 | 0:15:07 | |
What I'm worried about is will it take all the wine? | 0:15:07 | 0:15:10 | |
Right, stop before you get the view. I want to see your face. | 0:15:15 | 0:15:19 | |
OK. | 0:15:22 | 0:15:23 | |
Oh, this is amazing, isn't it? Oh, I can't believe it. | 0:15:26 | 0:15:31 | |
We knew what the view was like but it is unbelievable. | 0:15:35 | 0:15:39 | |
Seeing her new home in the flesh is a big relief to Marianne, | 0:15:39 | 0:15:43 | |
and an even bigger one for James who's put his heart and soul | 0:15:43 | 0:15:46 | |
into the project while she's been away. | 0:15:46 | 0:15:48 | |
I think she's pleased, yeah. | 0:15:48 | 0:15:50 | |
I think it's fab, yeah. I think it's really good, yeah. | 0:15:52 | 0:15:55 | |
And big changes since I last saw it, so, no, | 0:15:55 | 0:15:58 | |
I'm really pleased with it. It's great. | 0:15:58 | 0:16:00 | |
It is an exciting job | 0:16:02 | 0:16:04 | |
and obviously you get to share it with colleagues and you get | 0:16:04 | 0:16:08 | |
to share it with the guys on site, but it is really nice to be able | 0:16:08 | 0:16:12 | |
to sort of give Marianne a tour round | 0:16:12 | 0:16:14 | |
and talk about all these things that we may have discussed | 0:16:14 | 0:16:18 | |
in the house, but not in the flesh, | 0:16:18 | 0:16:21 | |
and it's really nice then. | 0:16:21 | 0:16:23 | |
It's a treat for me as much as it is for her. | 0:16:23 | 0:16:26 | |
-But it's lovely, isn't it? -I'm glad you like it. | 0:16:26 | 0:16:29 | |
In Scotland, | 0:16:41 | 0:16:42 | |
architect Bobby is working on the restoration of a ruined mill. | 0:16:42 | 0:16:46 | |
It's great to be back here. | 0:16:46 | 0:16:48 | |
But today he and his colleague Ali are heading to a project | 0:16:48 | 0:16:51 | |
they're particularly proud of - | 0:16:51 | 0:16:53 | |
an extension on a Victorian house in Bridge of Allan. | 0:16:53 | 0:16:57 | |
That overhang looks really good. | 0:16:57 | 0:16:59 | |
Like the mill, the challenge here was to design a space that was | 0:16:59 | 0:17:02 | |
modern and contemporary but remained in keeping with its surroundings. | 0:17:02 | 0:17:06 | |
That's the first time probably since the project started that | 0:17:06 | 0:17:09 | |
we've actually stopped and paused and studied them, and you think, | 0:17:09 | 0:17:13 | |
"Oh, yeah, that's what we had to do to get that lintel in there. | 0:17:13 | 0:17:17 | |
"That's what we had to do to get that steel beam in there." | 0:17:17 | 0:17:21 | |
Wow. | 0:17:21 | 0:17:22 | |
Owners John Quinn and wife, Anne, endured six months without a kitchen | 0:17:22 | 0:17:26 | |
while the old conservatory was dismantled | 0:17:26 | 0:17:28 | |
and their £200,000 extension was built. | 0:17:28 | 0:17:32 | |
We're delighted with it | 0:17:35 | 0:17:37 | |
and everybody that comes into the house is very, very impressed. | 0:17:37 | 0:17:41 | |
We've introduced a couple of beams and a couple of split levels | 0:17:43 | 0:17:48 | |
and those two items actually visually separate the accommodation. | 0:17:48 | 0:17:54 | |
Knocking down the wall to the dining room makes the whole | 0:17:54 | 0:17:57 | |
living space open plan, one of Bobby's signature looks, | 0:17:57 | 0:18:01 | |
as well as lots of hi-tech, high impact wow factors. | 0:18:01 | 0:18:05 | |
We like to take the old-fashioned houses, | 0:18:05 | 0:18:09 | |
the conservation of these houses, | 0:18:09 | 0:18:11 | |
we like to use stone, we like to use slate | 0:18:11 | 0:18:14 | |
and I really feel that here we have connected this new piece | 0:18:14 | 0:18:19 | |
of house sculpture with the old Victorian house. | 0:18:19 | 0:18:23 | |
Back in Dunblane, Bobby's going to have to bring all of the same skills | 0:18:30 | 0:18:34 | |
to bear on his latest project, overseeing the conversion | 0:18:34 | 0:18:36 | |
of Darren and Linda's old mill. | 0:18:36 | 0:18:38 | |
He's been hit by a major problem with the building inspector | 0:18:38 | 0:18:42 | |
who's concerned that prior to Bobby taking on the build, | 0:18:42 | 0:18:44 | |
the mill's original timber roof might have fallen into the ruin, | 0:18:44 | 0:18:47 | |
and has been left to rot under the new concrete floor, | 0:18:47 | 0:18:49 | |
making it unsafe. | 0:18:49 | 0:18:51 | |
Bobby's found some evidence that he hopes will help his case. | 0:18:51 | 0:18:55 | |
I've actually got a nice photograph here of the mill. | 0:18:56 | 0:19:00 | |
You can see the four walls, there's no roof on the building. | 0:19:00 | 0:19:05 | |
Inside, it's basically just vegetation. | 0:19:05 | 0:19:08 | |
Now, this vegetation would have been all scraped away | 0:19:08 | 0:19:12 | |
and I'm pretty sure when the digger was in there scraping it, | 0:19:12 | 0:19:15 | |
if there was any timber in there, then he would have | 0:19:15 | 0:19:19 | |
noticed the timber and it would have been chucked out. | 0:19:19 | 0:19:22 | |
But it's plainly obvious to me that the roof has been removed. | 0:19:22 | 0:19:26 | |
That's not going to stop the project coming to a conclusion. | 0:19:26 | 0:19:31 | |
It's just a hiccup and it's a hiccup that we need to get through. | 0:19:31 | 0:19:35 | |
Bobby heads to site and it's eerily quiet. | 0:19:36 | 0:19:39 | |
All work has had to stop | 0:19:39 | 0:19:40 | |
until Bobby can allay the fears of the building inspector. | 0:19:40 | 0:19:43 | |
So far it's been shut down for two weeks, costing Darren, | 0:19:43 | 0:19:46 | |
the client, both time and money. | 0:19:46 | 0:19:48 | |
Bobby needs to look at the site, as he has to work out where to | 0:19:48 | 0:19:51 | |
drill an inspection hole for the building inspector. | 0:19:51 | 0:19:54 | |
Nope! | 0:19:54 | 0:19:55 | |
Going through the slab is really difficult, it's really messy. | 0:19:55 | 0:20:00 | |
You're going to puncture the damp proof membrane - | 0:20:00 | 0:20:03 | |
that's the polythene film which is underneath the concrete. | 0:20:03 | 0:20:07 | |
I really don't want to go down there. That's a last resort. | 0:20:07 | 0:20:10 | |
There's a nice shaft in there that used to house the old wheel. | 0:20:10 | 0:20:14 | |
Now, that's ideal because we can go down there, | 0:20:14 | 0:20:17 | |
or someone can go down there, and basically core cut a hole | 0:20:17 | 0:20:22 | |
with a machine straight through the underbuilding which is underneath | 0:20:22 | 0:20:25 | |
this wall and hopefully get into the area underneath the concrete slab, | 0:20:25 | 0:20:31 | |
shine a torch in, get a trowel in there, bring some of this stuff out, | 0:20:31 | 0:20:36 | |
get in so far and hopefully we don't discover any wood. | 0:20:36 | 0:20:40 | |
A week later, and a decision has been made to drill | 0:20:40 | 0:20:43 | |
an inspection hole in the wall of the wheel shaft - | 0:20:43 | 0:20:46 | |
exactly what Bobby was hoping for. | 0:20:46 | 0:20:48 | |
They want the hole to be nearly a metre square, | 0:20:48 | 0:20:50 | |
so they'll be able to go in. | 0:20:50 | 0:20:52 | |
It'll be probably quite long. A couple of metres long. | 0:20:52 | 0:20:55 | |
So as I say, we really do want to make sure that we are positive | 0:20:55 | 0:21:00 | |
that the site's in the condition it should be in. | 0:21:00 | 0:21:04 | |
But it's a massive undertaking. | 0:21:04 | 0:21:06 | |
The building inspector needs to be able to climb in | 0:21:06 | 0:21:08 | |
under the concrete floor. | 0:21:08 | 0:21:10 | |
Owner Darren is overseeing the work. | 0:21:10 | 0:21:13 | |
Charged with the job of drilling the hole is John. | 0:21:13 | 0:21:16 | |
I reckon the wall's about a metre thick, so we're about halfway. | 0:21:16 | 0:21:22 | |
I feel bad about actually knocking a hole in the wall, | 0:21:22 | 0:21:25 | |
such an ancient building. | 0:21:25 | 0:21:27 | |
Aye, it's a shame. | 0:21:27 | 0:21:29 | |
But the thick ancient walls are putting up a fight... | 0:21:29 | 0:21:32 | |
Solid. Absolutely solid. | 0:21:32 | 0:21:34 | |
Thicker than I expected and harder going than I expected as well. | 0:21:34 | 0:21:39 | |
Once they've broken through, | 0:21:40 | 0:21:41 | |
the worst thing they could find is rotting timbers. | 0:21:41 | 0:21:45 | |
It takes several hours, but eventually... | 0:21:45 | 0:21:47 | |
Yay! I broke through so there's your roots. | 0:21:47 | 0:21:52 | |
They've been here for ages and I'm glad. | 0:21:52 | 0:21:55 | |
All I need to do is widen the hole now and expose it all | 0:21:57 | 0:22:01 | |
but it looks fine. | 0:22:01 | 0:22:02 | |
It could be good news for Darren... | 0:22:02 | 0:22:05 | |
Well, the guys have dug though. | 0:22:05 | 0:22:07 | |
That's a few hours now that we've been digging | 0:22:07 | 0:22:10 | |
and we've been quite happy with finding | 0:22:10 | 0:22:13 | |
just basic building material, | 0:22:13 | 0:22:15 | |
just soil and really what we knew we would find. | 0:22:15 | 0:22:19 | |
But just when it seems there's light at the end of the tunnel, an on-site | 0:22:19 | 0:22:22 | |
meeting with the building inspector leaves Bobby in an even bigger hole. | 0:22:22 | 0:22:26 | |
Er, well, the meeting wasn't satisfactory. | 0:22:26 | 0:22:29 | |
It didn't go too well. | 0:22:29 | 0:22:31 | |
The building inspector noticed another area | 0:22:31 | 0:22:35 | |
in the wheel lade, that he suggested that we make another hole. | 0:22:35 | 0:22:39 | |
It's bad news for both architect and client and, worse still, | 0:22:39 | 0:22:43 | |
it delays the project even further. | 0:22:43 | 0:22:45 | |
Disappointing. We were hoping for some kind of resolution today, | 0:22:45 | 0:22:48 | |
just so we can move the whole thing on. | 0:22:48 | 0:22:50 | |
The building control officer was obviously looking for a little bit more investigation. | 0:22:50 | 0:22:54 | |
Obviously, we feel that's been done. We're not really sure | 0:22:54 | 0:22:57 | |
what any further investigation is going to prove, | 0:22:57 | 0:23:00 | |
so, yeah, it's just disappointing. | 0:23:00 | 0:23:03 | |
They're left with no option but to drill a second hole | 0:23:03 | 0:23:06 | |
and hope it convinces the building inspector | 0:23:06 | 0:23:08 | |
that the ground underneath the mill is safe. | 0:23:08 | 0:23:10 | |
What's the saying, Geoff? TGI Friday! | 0:23:10 | 0:23:13 | |
Just a few days later, Bobby is back in the office | 0:23:18 | 0:23:20 | |
preparing for his final showdown with the building inspector. | 0:23:20 | 0:23:23 | |
Darren has dug the second hole and Bobby has the photos. | 0:23:23 | 0:23:26 | |
This is a vertical piece of corrugated steel in the mill lade. | 0:23:26 | 0:23:30 | |
It's obviously been there for many years, and we can see soil here, | 0:23:30 | 0:23:35 | |
we can see underbuilding bricks, blocks that have been | 0:23:35 | 0:23:40 | |
used to upfill to the concrete floor levels. | 0:23:40 | 0:23:44 | |
So again, there are no timber materials in here. | 0:23:44 | 0:23:47 | |
If the new hole doesn't satisfy the building inspector | 0:23:47 | 0:23:50 | |
then the project could stall for good. | 0:23:50 | 0:23:52 | |
It's a delicate situation for Bobby to manage. | 0:23:52 | 0:23:55 | |
With an anxious client and concerned building inspector to deal with, | 0:23:55 | 0:23:58 | |
he's stuck between a rock and a hard place. | 0:23:58 | 0:24:00 | |
Darren, I think, is worried because he basically wants to start | 0:24:00 | 0:24:04 | |
work, construction work again on the project. | 0:24:04 | 0:24:08 | |
But we have done all that we can do. | 0:24:08 | 0:24:10 | |
Bobby and Geoff head to site with the project on a knife edge. | 0:24:10 | 0:24:15 | |
It's been seven weeks since work stopped on-site | 0:24:15 | 0:24:17 | |
and it's D-Day for the build. | 0:24:17 | 0:24:19 | |
A couple of hours later, Bobby has some news for client Darren. | 0:24:24 | 0:24:28 | |
Geoff, I'll just give Darren a phone right now and just let him | 0:24:28 | 0:24:31 | |
know what the position is. | 0:24:31 | 0:24:33 | |
That was a tight call down there, I'll tell you. | 0:24:36 | 0:24:39 | |
Oh, Darren, things are good. The building inspector just left. | 0:24:40 | 0:24:44 | |
You'll be pleased to hear that he's given you the go-ahead | 0:24:44 | 0:24:48 | |
to proceed with building operations again. | 0:24:48 | 0:24:51 | |
If you just leave it to your architects, | 0:24:51 | 0:24:53 | |
then everything will be fine, OK? | 0:24:53 | 0:24:55 | |
Six weeks later and Bobby and Geoff are heading back | 0:25:01 | 0:25:05 | |
to visit the converted mill, | 0:25:05 | 0:25:06 | |
to see if all the hard work and stress has paid off. | 0:25:06 | 0:25:09 | |
The crumbling ruins of the old mill have been transformed | 0:25:09 | 0:25:12 | |
into a handsome living space. | 0:25:12 | 0:25:14 | |
The empty old shell now houses a kitchen diner and a pool table. | 0:25:18 | 0:25:22 | |
And in the lounge area, the French doors look out | 0:25:27 | 0:25:30 | |
onto the stream and garden. | 0:25:30 | 0:25:34 | |
The two areas are separated by a stunning feature fireplace. | 0:25:34 | 0:25:38 | |
A floating staircase leads up to a new bedroom and bathroom. | 0:25:41 | 0:25:46 | |
Seeing the mill finished is a big moment for Bobby and Geoff. | 0:25:50 | 0:25:53 | |
-It's great. How are you guys? -We're good. How are you? | 0:25:56 | 0:25:58 | |
Just fantastic. I'm even better that I've walked in here. | 0:25:58 | 0:26:03 | |
This is just brilliant. This is just jaw dropping. It's fantastic. | 0:26:03 | 0:26:07 | |
-It looks awesome. -We're delighted. -It's a fun room, family room. | 0:26:07 | 0:26:11 | |
This is it. This is exactly what it says on the tin. | 0:26:11 | 0:26:15 | |
It also could easily be accommodation, granny flat. | 0:26:15 | 0:26:19 | |
This could easily be a kitchen and lounge, bedroom upstairs. | 0:26:19 | 0:26:23 | |
So it'll hopefully be an asset to the house as well. | 0:26:23 | 0:26:27 | |
This is just a really nice studio. | 0:26:27 | 0:26:29 | |
A really nice feeling about it. | 0:26:29 | 0:26:31 | |
And just when you come in those sliding doors, | 0:26:31 | 0:26:34 | |
you see that amazing tree. | 0:26:34 | 0:26:37 | |
It's almost like a tree house to some extent. | 0:26:37 | 0:26:39 | |
Well, there's a touch of that when you look out. | 0:26:39 | 0:26:41 | |
You actually feel as if you're up in the tree. | 0:26:41 | 0:26:43 | |
You're part of it as opposed to... It's also quite nice when you're | 0:26:43 | 0:26:47 | |
downstairs as well. Just that vista down the stream is fantastic. | 0:26:47 | 0:26:50 | |
You feel like you're part of it, | 0:26:50 | 0:26:52 | |
you are not detached from it. You are very much in that area. | 0:26:52 | 0:26:56 | |
The project is a success | 0:26:56 | 0:26:57 | |
but for Bobby there is still some unfinished business. | 0:26:57 | 0:27:01 | |
Underneath here, we have the famous mill lade. | 0:27:01 | 0:27:05 | |
I would still like to try and persuade Darren and Linda to open up | 0:27:05 | 0:27:10 | |
a section of this deck and replace it with a piece of glass. | 0:27:10 | 0:27:16 | |
Just go beyond the call of duty | 0:27:16 | 0:27:19 | |
and just do a little bit of extra work in here. | 0:27:19 | 0:27:23 | |
You know, that's the thing actually that will make the project | 0:27:23 | 0:27:26 | |
an award winner, I think, just by opening this up. | 0:27:26 | 0:27:30 | |
That might happen in the future, but for now, | 0:27:30 | 0:27:32 | |
Darren and Linda are very happy with the new addition to their home. | 0:27:32 | 0:27:36 | |
I think we'll use it more than we anticipated. I think originally | 0:27:36 | 0:27:40 | |
we felt it would have been like an annex, granny flat, | 0:27:40 | 0:27:42 | |
but I think we'd probably use this at nights | 0:27:42 | 0:27:46 | |
more than we felt we would. | 0:27:46 | 0:27:49 | |
Our daughter has got her eye on it already! | 0:27:49 | 0:27:52 | |
In the last few days since it's been finished, I feel like it's | 0:27:55 | 0:27:58 | |
my husband next door, because he's always here! | 0:27:58 | 0:28:01 | |
Next time on Building Dream Homes - | 0:28:05 | 0:28:07 | |
at a build in the New Forest, | 0:28:07 | 0:28:09 | |
things go awry for architect Wendy. | 0:28:09 | 0:28:11 | |
A few changes that we've made... | 0:28:11 | 0:28:13 | |
If I'm honest, I'm a bit disappointed with. | 0:28:13 | 0:28:17 | |
And in Wales, getting Marianne and John's home finished | 0:28:17 | 0:28:19 | |
is down to the wire. | 0:28:19 | 0:28:21 | |
Well, we're trying to prevent, I guess, a death by a thousand cuts. | 0:28:21 | 0:28:26 | |
You know, something not quite right here, | 0:28:26 | 0:28:28 | |
something not quite right there, all add up to be a bit of a mess. | 0:28:28 | 0:28:32 |