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Across the nation architects are building, | 0:00:02 | 0:00:04 | |
designing and transforming the homes we live in. | 0:00:04 | 0:00:06 | |
One day I'm going to live in a house like this | 0:00:06 | 0:00:08 | |
and not just do it for others. | 0:00:08 | 0:00:09 | |
We're following some of those leading | 0:00:09 | 0:00:11 | |
the way in ground-breaking design. | 0:00:11 | 0:00:13 | |
Their jaw would drop if they saw that. | 0:00:13 | 0:00:16 | |
I can't believe it! | 0:00:16 | 0:00:17 | |
We'll be with them every step of the way as they battle with builders, | 0:00:19 | 0:00:23 | |
blueprints and the clients who hire them. | 0:00:23 | 0:00:25 | |
You've got a very strange understanding of the word "today". | 0:00:25 | 0:00:28 | |
Whoa, whoa, whoa! | 0:00:28 | 0:00:31 | |
-That's not good. -It's like working with the Chuckle Brothers. | 0:00:31 | 0:00:34 | |
HE CHUCKLES | 0:00:34 | 0:00:36 | |
We're with them as they draw on their seven years of training to solve everyday problems. | 0:00:36 | 0:00:40 | |
Quick word in his ear, make sure there's no more mishaps. | 0:00:40 | 0:00:43 | |
He's come in on an angle and ripped up the road. | 0:00:43 | 0:00:45 | |
But he's now ripped his exhaust pipe off. | 0:00:45 | 0:00:49 | |
Oh, man! | 0:00:49 | 0:00:51 | |
I've said many prayers. | 0:00:53 | 0:00:55 | |
That's amazing! | 0:00:55 | 0:00:56 | |
That's a pretty incredible difference, isn't it? | 0:00:56 | 0:00:59 | |
The fixings alone cost 17 grand. | 0:00:59 | 0:01:01 | |
All in the name of making the properties we dream of a reality. | 0:01:04 | 0:01:08 | |
Today in Dorset, homeowner Marcus' amazing pre-fabricated house | 0:01:22 | 0:01:26 | |
is finally shipped in from Germany. | 0:01:26 | 0:01:29 | |
It has a crack team on board | 0:01:29 | 0:01:30 | |
in a bid to assemble it in just five days. | 0:01:30 | 0:01:32 | |
If you see me smiling, I'm happy. That doesn't happen very often. | 0:01:32 | 0:01:36 | |
HE LAUGHS | 0:01:36 | 0:01:37 | |
And in Edinburgh, architect David Blaikie designs | 0:01:37 | 0:01:40 | |
a set of £100,000 steps in an attempt to change one woman's life. | 0:01:40 | 0:01:45 | |
It feels amazing. I never really believed that we'd get permission. | 0:01:45 | 0:01:50 | |
But getting them in is going to take more than divine intervention. | 0:01:50 | 0:01:53 | |
I've said many prayers. | 0:01:53 | 0:01:55 | |
In Dorset, Marcus Graziano | 0:01:56 | 0:01:59 | |
and his family are undertaking a massive build. | 0:01:59 | 0:02:01 | |
They have demolished their old 1930s bungalow and are replacing it | 0:02:01 | 0:02:05 | |
with their dream house, the likes of which have never been seen | 0:02:05 | 0:02:08 | |
before in their country village. A cutting-edge factory-built home, | 0:02:08 | 0:02:12 | |
designed by local architects Paul Robinson and Laurence Bowen. | 0:02:12 | 0:02:16 | |
It's contemporary in how it functions | 0:02:16 | 0:02:18 | |
and how the space is organised, but we're using traditional materials. | 0:02:18 | 0:02:23 | |
Marcus has a budget of £600,000 for this four-bedroom house. | 0:02:23 | 0:02:27 | |
What makes it unusual is the whole thing is being | 0:02:27 | 0:02:31 | |
built in a factory in Germany and shipped over to the UK. | 0:02:31 | 0:02:35 | |
After years of planning, months of preparing the site, | 0:02:37 | 0:02:39 | |
and weeks of setbacks caused by terrible weather, | 0:02:39 | 0:02:42 | |
today is the day they've all been waiting for. | 0:02:42 | 0:02:45 | |
It's February and the house is arriving from Germany. | 0:02:45 | 0:02:48 | |
Six lorry-loads and 87 pre-fabricated pieces, | 0:02:50 | 0:02:54 | |
all ready to be put together in just five days. | 0:02:54 | 0:02:58 | |
It's a huge moment for architects Paul and Laurence, | 0:02:58 | 0:03:01 | |
who have never designed a pre-fabricated house before. | 0:03:01 | 0:03:03 | |
They've come to the site to watch it go up. | 0:03:03 | 0:03:06 | |
I think it's interesting because, you know, it is different, | 0:03:06 | 0:03:09 | |
you know, we're used to this country making most...probably 90% of the | 0:03:09 | 0:03:14 | |
houses that we build are made out of bits of concrete and some muck. | 0:03:14 | 0:03:18 | |
And today we'll be using something a little bit different. | 0:03:18 | 0:03:21 | |
It's going to be interesting in terms of the speed. | 0:03:21 | 0:03:23 | |
We're probably going to get to a point, certainly in the next | 0:03:23 | 0:03:26 | |
five days, that would generally take three or four months, | 0:03:26 | 0:03:29 | |
so it's going to be pretty new | 0:03:29 | 0:03:31 | |
to be here on Monday and seeing a concrete slab and then by | 0:03:31 | 0:03:34 | |
Friday we'll pretty much have, you know, this house in place, really. | 0:03:34 | 0:03:38 | |
We're going to see German precision and engineering, hopefully. | 0:03:38 | 0:03:42 | |
We've seen it in the factory and obviously, you know, | 0:03:42 | 0:03:45 | |
we're really impressed with what we saw there, | 0:03:45 | 0:03:49 | |
so to see it again on site coming together will be...should be great. | 0:03:49 | 0:03:53 | |
To make sure the house goes up in just five days, Streif, | 0:03:53 | 0:03:58 | |
the company who built it in Germany, | 0:03:58 | 0:03:59 | |
has also brought in a specially trained crew to construct it. | 0:03:59 | 0:04:03 | |
OK! | 0:04:03 | 0:04:05 | |
They all need to be on their A game | 0:04:05 | 0:04:07 | |
if they're going to achieve their goal. | 0:04:07 | 0:04:09 | |
But it's February, it's day one of the build | 0:04:09 | 0:04:12 | |
and bad weather is forecast. | 0:04:12 | 0:04:13 | |
The building firm's UK company director, Bill Treves, is on site. | 0:04:13 | 0:04:16 | |
He'll put a stop to proceedings if the weather turns. | 0:04:16 | 0:04:19 | |
We don't want it to be too wet but we can't have it too windy. | 0:04:19 | 0:04:24 | |
There's a wind meter on top of the crane. | 0:04:24 | 0:04:27 | |
If it's 20mph we can't lift. | 0:04:27 | 0:04:29 | |
With the first trucks already on site | 0:04:31 | 0:04:33 | |
and the weather holding for now, they have little option | 0:04:33 | 0:04:35 | |
but to crack on and start assembling the house. | 0:04:35 | 0:04:39 | |
Each panel has been built | 0:04:39 | 0:04:41 | |
and designed to go together as efficiently as possible, | 0:04:41 | 0:04:43 | |
and comes pre-fitted with everything from insulated walls, | 0:04:43 | 0:04:46 | |
right down to holes for electricity sockets and a built-in cat-flap. | 0:04:46 | 0:04:50 | |
The meticulous nature of the build appeals to architect Laurence. | 0:04:52 | 0:04:56 | |
It's a standard screw. | 0:04:56 | 0:04:57 | |
Quite big panels. | 0:04:59 | 0:05:01 | |
It's basically what's going to hold this house together. | 0:05:01 | 0:05:04 | |
I've got to put it back because there is exactly 325 of them! | 0:05:06 | 0:05:09 | |
Paul watches as every section of this kit house goes together | 0:05:12 | 0:05:15 | |
with millimetre precision. | 0:05:15 | 0:05:17 | |
What's really important is that they get the ground floor | 0:05:17 | 0:05:21 | |
absolutely spot-on because as they go up, anything that's | 0:05:21 | 0:05:24 | |
sort of out slightly gets exaggerated as we go up. | 0:05:24 | 0:05:28 | |
Each panel of the house has been carefully measured | 0:05:28 | 0:05:31 | |
to slot together exactly. | 0:05:31 | 0:05:33 | |
A tiny mistake at this stage would be extremely | 0:05:33 | 0:05:35 | |
problematic by the time it comes to trying to fit the roof. | 0:05:35 | 0:05:38 | |
Next, the spectacular steel that will frame the huge rear | 0:05:38 | 0:05:42 | |
sliding doors is being lifted into place. | 0:05:42 | 0:05:45 | |
Weighing in at over a tonne, | 0:05:45 | 0:05:47 | |
it's one of the trickiest pieces of the entire jigsaw. | 0:05:47 | 0:05:50 | |
The three sliding doors are very expensive items | 0:05:50 | 0:05:52 | |
so getting this steel right is critical, really. | 0:05:52 | 0:05:58 | |
You don't want that to be wrong and then the doors don't fit | 0:05:58 | 0:06:01 | |
because there's quite a lot of money involved. | 0:06:01 | 0:06:03 | |
It's no wonder architect Paul is nervous - | 0:06:03 | 0:06:05 | |
the three double-glazed glass units | 0:06:05 | 0:06:07 | |
that will go into the giant frame are going to cost £22,000. | 0:06:07 | 0:06:10 | |
The frame's in. | 0:06:20 | 0:06:21 | |
It still remains to be seen if the huge sliding doors fit, | 0:06:21 | 0:06:24 | |
but if they don't, it will take three months to order new ones. | 0:06:24 | 0:06:27 | |
The weather stays fine | 0:06:29 | 0:06:30 | |
and after only two days, the ground floor is almost assembled. | 0:06:30 | 0:06:34 | |
No-one is more relieved than the house's new owner, Marcus. | 0:06:34 | 0:06:37 | |
It's quite crazy how quick they get stuff in, isn't it? | 0:06:41 | 0:06:43 | |
Marcus has poured his heart, | 0:06:43 | 0:06:46 | |
soul and £600,000 of his money into his new house. | 0:06:46 | 0:06:49 | |
He and his family are living in rented accommodation | 0:06:49 | 0:06:51 | |
until it's up, so he's keener than anyone to check on progress. | 0:06:51 | 0:06:54 | |
That's quite impressive, actually. | 0:06:54 | 0:06:56 | |
You can imagine the wind catching that | 0:06:56 | 0:06:58 | |
-and it just... -Yeah. -..cartwheeling around. | 0:06:58 | 0:07:01 | |
It's the way forward, isn't it? | 0:07:04 | 0:07:06 | |
I don't like that wall there. I think we should move it! | 0:07:07 | 0:07:11 | |
The first days of the build have gone smoothly | 0:07:13 | 0:07:15 | |
but at the end of day two high winds are forecast, | 0:07:15 | 0:07:18 | |
meaning the site is hugely vulnerable. | 0:07:18 | 0:07:21 | |
The installation could be jeopardised. | 0:07:21 | 0:07:24 | |
Bill Treves from the build company gives instructions | 0:07:24 | 0:07:26 | |
to batten down the existing structure. | 0:07:26 | 0:07:28 | |
He is seriously considering cancelling tomorrow's lift. | 0:07:28 | 0:07:31 | |
You can't have high winds or gusty winds | 0:07:31 | 0:07:35 | |
when we're lifting those big walls. | 0:07:35 | 0:07:38 | |
We've got to lift up over the top of the scaffolding. | 0:07:38 | 0:07:41 | |
The biggest wall is 12 metres long. it's virtually fully glazed. | 0:07:41 | 0:07:44 | |
If there's, you know, a gust when you're up there, you can't control it. | 0:07:44 | 0:07:47 | |
It's not like when you're down on the ground floor, you can walk it in. | 0:07:47 | 0:07:51 | |
When you're up, there's no chance. | 0:07:51 | 0:07:52 | |
Everyone hopes for the best | 0:07:55 | 0:07:57 | |
but the morning sees the protective layer blown off and torrential rain. | 0:07:57 | 0:08:01 | |
The bad weather threatens to put the build's tight schedule at risk. | 0:08:01 | 0:08:04 | |
In Edinburgh, in the heart of the New Town and in the shadow | 0:08:09 | 0:08:12 | |
of Scotland's most famous castle lies the A-listed Gayfield estate. | 0:08:12 | 0:08:16 | |
The historic nature of the buildings here means | 0:08:16 | 0:08:19 | |
they can't be altered in any way without special permission. | 0:08:19 | 0:08:23 | |
Angelica Goodden has just taken early retirement | 0:08:23 | 0:08:25 | |
from her lecturing role at Oxford University | 0:08:25 | 0:08:27 | |
and moved into one of the estate's stunning Georgian flats. | 0:08:27 | 0:08:30 | |
It's perfect in every way but one. | 0:08:30 | 0:08:33 | |
There are three steps up to the front door. | 0:08:33 | 0:08:36 | |
I have MS. | 0:08:36 | 0:08:38 | |
I've had it for years | 0:08:38 | 0:08:40 | |
but I've reached the age where MS does tend to get worse. | 0:08:40 | 0:08:44 | |
Angelica's passion for her new home has made her determined to overcome | 0:08:44 | 0:08:48 | |
the stairs without compromising the beauty of her new surroundings. | 0:08:48 | 0:08:52 | |
I don't want to give up because actually | 0:08:52 | 0:08:54 | |
when I'm wheelchair-bound, I intend to wheel myself around everywhere. | 0:08:54 | 0:09:00 | |
Because the house is listed, coming up with an access solution | 0:09:00 | 0:09:03 | |
the council will approve hasn't been easy. | 0:09:03 | 0:09:06 | |
So she's called on the services of architect David Blaikie. | 0:09:06 | 0:09:08 | |
We have to make the final project look like the project | 0:09:08 | 0:09:12 | |
when it started, so, you know, technically, there was | 0:09:12 | 0:09:16 | |
visually as little change as possible and that's how we | 0:09:16 | 0:09:19 | |
were able to convince the Planning Department to let us do this. | 0:09:19 | 0:09:24 | |
The, er... | 0:09:24 | 0:09:25 | |
When Angelica made her first approach to the Planning Department, | 0:09:27 | 0:09:32 | |
they were quite negative about what she was trying to do. | 0:09:32 | 0:09:35 | |
David has worked with Angelica and a Surrey-based lift company | 0:09:35 | 0:09:38 | |
to come up with a cutting-edge but elegantly beautiful solution. | 0:09:38 | 0:09:43 | |
What they're proposing is a hydraulic lift that will | 0:09:43 | 0:09:46 | |
look like the original steps and be clad in traditional stone | 0:09:46 | 0:09:49 | |
so it blends seamlessly with its surroundings. | 0:09:49 | 0:09:52 | |
It's a very, very light touch. | 0:09:54 | 0:09:56 | |
It was about retaining the visual appearance | 0:09:56 | 0:09:59 | |
of a A-listed Georgian building in Edinburgh | 0:09:59 | 0:10:05 | |
so that you didn't notice that anything was there. | 0:10:05 | 0:10:08 | |
Angelica's insistence on preserving the beauty | 0:10:09 | 0:10:11 | |
of her Edinburgh entrance isn't coming cheap - | 0:10:11 | 0:10:13 | |
she's having to spend her life savings to get what she wants. | 0:10:13 | 0:10:17 | |
It's shocking that something like this is going to cost | 0:10:17 | 0:10:24 | |
the best part of £100,000. | 0:10:24 | 0:10:27 | |
I hope I'm going to be solvent by the end of it, | 0:10:27 | 0:10:30 | |
but who knows exactly what the future's going to bring? | 0:10:30 | 0:10:33 | |
But for her £100,000 budget, | 0:10:34 | 0:10:35 | |
she'll end up with state-of-the-art | 0:10:35 | 0:10:37 | |
hydraulic steps in just four weeks' time. | 0:10:37 | 0:10:40 | |
This project may be slightly out of the ordinary for David | 0:10:40 | 0:10:43 | |
but it's exactly the sort of hands-on and personal job he likes. | 0:10:43 | 0:10:47 | |
It's one of the reasons I became | 0:10:47 | 0:10:48 | |
or I really wanted to become an architect, was | 0:10:48 | 0:10:51 | |
I always understood that it wasn't a desk-based profession. | 0:10:51 | 0:10:55 | |
You know, yes, you had to spend time at your desk or on the computer, | 0:10:55 | 0:11:01 | |
but you did get a chance to get out and about and see building sites | 0:11:01 | 0:11:05 | |
and meet other people and bits and pieces, so I do quite enjoy it. | 0:11:05 | 0:11:09 | |
It has taken weeks to get the steps through planning | 0:11:11 | 0:11:14 | |
but the big day finally arrives for work to begin. | 0:11:14 | 0:11:16 | |
Starting with the removal of the old stone steps. | 0:11:16 | 0:11:20 | |
It feels amazing. | 0:11:20 | 0:11:21 | |
I never really believed that we'd get the permission to install it | 0:11:21 | 0:11:25 | |
and that this stuff would begin | 0:11:25 | 0:11:27 | |
but come this morning, | 0:11:27 | 0:11:29 | |
noise of heavy lorries at about eight o'clock, | 0:11:29 | 0:11:33 | |
it was obviously going ahead. | 0:11:33 | 0:11:36 | |
David has given contractor Dennis McLister the task of making sure | 0:11:37 | 0:11:40 | |
the site is completely ready for the lift to be craned in. | 0:11:40 | 0:11:43 | |
It's a small job but it's very complicated. | 0:11:45 | 0:11:48 | |
We have gas pipes in the way, | 0:11:49 | 0:11:52 | |
the main electricity mains for the building in the way. | 0:11:52 | 0:11:55 | |
We're now removing Angelica's... not her only access | 0:11:55 | 0:11:58 | |
but her main access to the property. | 0:11:58 | 0:12:00 | |
We want the stonework to come out | 0:12:00 | 0:12:02 | |
and what needs to go back in as quickly as possible. | 0:12:02 | 0:12:04 | |
The problem is you have to break the egg to start making the omelette, | 0:12:04 | 0:12:07 | |
but once you've done it | 0:12:07 | 0:12:09 | |
you've got to get on with it quickly so she's not stuck in the house. | 0:12:09 | 0:12:13 | |
So far all the bricks are falling into place but, you know, | 0:12:13 | 0:12:17 | |
time will tell. | 0:12:17 | 0:12:19 | |
You know, these things never run smoothly. | 0:12:19 | 0:12:21 | |
With limited access to and from her flat, | 0:12:21 | 0:12:23 | |
Angelica's MS means she is virtually a prisoner in her own home. | 0:12:23 | 0:12:27 | |
She needs the job done as quickly and efficiently as possible. | 0:12:27 | 0:12:30 | |
But there's already a problem | 0:12:30 | 0:12:32 | |
so architect David is on a troubleshooting mission. | 0:12:32 | 0:12:36 | |
OK, back by about ten past one, Michael. OK. | 0:12:36 | 0:12:39 | |
Cheers. No, stay. DOG BARKS | 0:12:39 | 0:12:41 | |
They're putting the steelwork in this morning. | 0:12:42 | 0:12:45 | |
They've run into difficulties with Scottish Power, unfortunately, | 0:12:45 | 0:12:48 | |
which means that one of the bits of steel works is going to be | 0:12:48 | 0:12:51 | |
delayed until the end of the week. | 0:12:51 | 0:12:53 | |
The lift company are due to arrive in just four days. | 0:12:53 | 0:12:55 | |
If the steels aren't in place, the state-of-the-art steps | 0:12:55 | 0:12:58 | |
that will give Angelica back her freedom could be delayed for weeks. | 0:12:58 | 0:13:02 | |
In Dorset, it's day three of Marcus's house build. | 0:13:04 | 0:13:07 | |
The night's high winds have turned to rain but come lunchtime, | 0:13:07 | 0:13:10 | |
to the relief of the building company director Bill | 0:13:10 | 0:13:13 | |
and his team, there's a break in the weather. | 0:13:13 | 0:13:15 | |
We're going for it. | 0:13:15 | 0:13:17 | |
As long as there's blue sky around, there's hope! | 0:13:17 | 0:13:19 | |
They've lost half a day so they have to pull out all the stops | 0:13:19 | 0:13:22 | |
to make up for lost time so there's no margin for error. | 0:13:22 | 0:13:25 | |
Luckily they have a secret weapon in the shape of site manager | 0:13:25 | 0:13:28 | |
and precision pedant Tony. | 0:13:28 | 0:13:30 | |
Yeah, we're going to start putting the first floor cassette on. | 0:13:30 | 0:13:35 | |
I just want to check the level of the steels from the top there | 0:13:35 | 0:13:38 | |
which I'll do before we get going. | 0:13:38 | 0:13:40 | |
He works across all of the company's builds. | 0:13:40 | 0:13:43 | |
Yeah, the quality's paramount | 0:13:43 | 0:13:45 | |
and with Tony in charge, they'll get nothing past Tony. | 0:13:45 | 0:13:48 | |
He even straightens the carpet rugs in the place we're staying in, | 0:13:49 | 0:13:53 | |
and that's why he's called "Two-mil Tony"! | 0:13:53 | 0:13:55 | |
To guarantee he gets every stage of this construction spot on, | 0:13:55 | 0:13:58 | |
Tony relies on one trusty old faithful tool. | 0:13:58 | 0:14:02 | |
32 years I've had that and it's never let me down once. | 0:14:02 | 0:14:05 | |
Precise level within two mil. I love it! | 0:14:05 | 0:14:08 | |
And he's spotted something that bothers him with the steel levels. | 0:14:08 | 0:14:12 | |
In the middle...up. | 0:14:12 | 0:14:15 | |
Stefan with the column. | 0:14:15 | 0:14:17 | |
It must come up at least six or seven mil. | 0:14:18 | 0:14:21 | |
So he's got to lift it | 0:14:21 | 0:14:23 | |
and then we've got to put a packer underneath that column. | 0:14:23 | 0:14:26 | |
It is, it's going down. | 0:14:26 | 0:14:27 | |
Tony's attention to detail is crucial in such a quick | 0:14:28 | 0:14:31 | |
and sophisticated construction. | 0:14:31 | 0:14:33 | |
If his measurements are out, then the house won't fit together. | 0:14:33 | 0:14:37 | |
Fantastic. Two mil. | 0:14:38 | 0:14:42 | |
So if you see me smiling, I'm happy. | 0:14:42 | 0:14:44 | |
That doesn't happen very often... | 0:14:44 | 0:14:46 | |
because I'm always worried! | 0:14:46 | 0:14:48 | |
With Tony and the team on the case, | 0:14:50 | 0:14:52 | |
the next floor of the house shoots up over the next few days. | 0:14:52 | 0:14:55 | |
It's day five of the build | 0:14:57 | 0:14:59 | |
and the last of the wall panels they will lift is about to go in. | 0:14:59 | 0:15:03 | |
Normally, heavy panes of glass are fitted into a build on site | 0:15:03 | 0:15:06 | |
but not here - here, the walls come pre-glazed. | 0:15:06 | 0:15:10 | |
How they do it in the factory is remarkable. | 0:15:10 | 0:15:12 | |
All these things in, saves having to put it in on-site, | 0:15:12 | 0:15:15 | |
bringing in windows and stuff, putting them all in at once. | 0:15:15 | 0:15:18 | |
Fantastic. Saves a lot of grief. | 0:15:18 | 0:15:19 | |
Not only is this the biggest and heaviest panel | 0:15:21 | 0:15:24 | |
but it has to be lifted and fitted on to the first floor. | 0:15:24 | 0:15:27 | |
Even a small gust of wind could be disastrous. | 0:15:27 | 0:15:31 | |
It's substantial. It's one of the biggest ones. | 0:15:31 | 0:15:33 | |
I like when the front doors go in because they're really big | 0:15:33 | 0:15:36 | |
and this is the next exciting one. | 0:15:36 | 0:15:38 | |
Fantastic. | 0:15:38 | 0:15:39 | |
THEY SHOUT | 0:15:46 | 0:15:49 | |
No hiccups, no breakages - that's fantastic. | 0:16:10 | 0:16:13 | |
Under site manager Two-mil Tony's supervision, | 0:16:13 | 0:16:16 | |
they pull off another tricky manoeuvre - the panel | 0:16:16 | 0:16:18 | |
slots in perfectly, much to the relief of company director Bill. | 0:16:18 | 0:16:22 | |
Very satisfying. | 0:16:22 | 0:16:23 | |
That's the last major panel | 0:16:23 | 0:16:25 | |
on what was meant to be a complete no-lift day. | 0:16:25 | 0:16:27 | |
If we get the roof on and it all fits, I think we'll have done very well. | 0:16:27 | 0:16:31 | |
The bad weather has slowed them down so the build has had to be extended. | 0:16:31 | 0:16:35 | |
As the morning of day six dawns, | 0:16:35 | 0:16:37 | |
Bill and his team are left with the final and most challenging | 0:16:37 | 0:16:40 | |
part of the build - the roof, which is made up of eight huge panels. | 0:16:40 | 0:16:44 | |
Making sure the first one fits with millimetre precision is vital, | 0:16:44 | 0:16:48 | |
as the whole roof structure depends on it. | 0:16:48 | 0:16:50 | |
They're very long - they're nearly 13 metres long. | 0:16:53 | 0:16:56 | |
They have to fit over three walls. | 0:16:56 | 0:16:59 | |
They lift at four points. | 0:16:59 | 0:17:01 | |
They're even trying to lift it at the pitch that the roof is, | 0:17:01 | 0:17:04 | |
which is ten degrees. | 0:17:04 | 0:17:06 | |
It'll be a test of Tony's ingenuity. | 0:17:06 | 0:17:10 | |
We've got two-and-a-half mil to play with which, | 0:17:10 | 0:17:13 | |
over that height of building, is not a lot, so we'll see. | 0:17:13 | 0:17:16 | |
It won't be until the last panel slots into place | 0:17:18 | 0:17:20 | |
that Tony and the team will know if all of their measurements have paid off. | 0:17:20 | 0:17:24 | |
If they're even a few millimetres out with any of the walls, | 0:17:24 | 0:17:27 | |
then the panels simply won't fit. | 0:17:27 | 0:17:28 | |
Hey, hey, hey, how's that?! | 0:17:30 | 0:17:32 | |
This has gone in with less than a millimetre. | 0:17:32 | 0:17:35 | |
It's absolutely brilliant! | 0:17:35 | 0:17:37 | |
The last panel is lowered into position. | 0:17:43 | 0:17:45 | |
If this fits, then the whole house will have been | 0:17:45 | 0:17:47 | |
a masterclass in German efficiency and engineering. | 0:17:47 | 0:17:51 | |
If it doesn't, then it's back to the drawing board for Tony and his crew. | 0:17:51 | 0:17:55 | |
Whoa, whoa, whoa! | 0:17:55 | 0:17:58 | |
Waaayy! | 0:18:00 | 0:18:02 | |
Woo! | 0:18:02 | 0:18:04 | |
It's an instant house | 0:18:04 | 0:18:06 | |
but what's more satisfying is that it's a proper house. | 0:18:06 | 0:18:09 | |
It's well built and very substantial. | 0:18:09 | 0:18:12 | |
It's really in, two mil, I'm proud to say, so yes. | 0:18:14 | 0:18:16 | |
It's great. | 0:18:16 | 0:18:18 | |
This building is remarkable. | 0:18:18 | 0:18:20 | |
Designed by architects Paul and Laurence, | 0:18:20 | 0:18:22 | |
made hundreds of miles away in Germany, | 0:18:22 | 0:18:24 | |
transported to the UK and finally fitted with millimetre precision. | 0:18:24 | 0:18:28 | |
It's taken just six days, | 0:18:28 | 0:18:30 | |
where most conventionally built houses take months. | 0:18:30 | 0:18:32 | |
And Marcus, the proud new owner, is delighted. | 0:18:32 | 0:18:35 | |
That's awesome...we are, we're there. One house. | 0:18:35 | 0:18:40 | |
One week, one house. Brilliant. | 0:18:40 | 0:18:42 | |
Next, fixtures and fittings, then Marcus and his family can move in. | 0:18:42 | 0:18:46 | |
Back in Edinburgh, the construction | 0:18:53 | 0:18:54 | |
of Angelica's £100,000 hydraulic steps is not going to plan. | 0:18:54 | 0:18:58 | |
Architect David has gone to site to meet with the project manager, Dennis. | 0:18:58 | 0:19:03 | |
Very good, Dennis. How are you? | 0:19:03 | 0:19:05 | |
It's all levelled and squared. | 0:19:05 | 0:19:07 | |
The electricity main is in the way. | 0:19:07 | 0:19:09 | |
-Is it? -Yes. | 0:19:09 | 0:19:11 | |
The electricity board have to dig up the pavement | 0:19:11 | 0:19:13 | |
and move the cable running under the steps before Dennis can put | 0:19:13 | 0:19:15 | |
the rest of the steels in. | 0:19:15 | 0:19:17 | |
The next steel comes across here | 0:19:17 | 0:19:20 | |
so the electricity main is in the way. | 0:19:20 | 0:19:22 | |
They will just come and rejoin the cable on the pavement, | 0:19:22 | 0:19:24 | |
poke it through here and re-run the tails into the two meters | 0:19:24 | 0:19:28 | |
which are just inside both the doors. | 0:19:28 | 0:19:31 | |
They said they could do it all on Friday morning. | 0:19:31 | 0:19:34 | |
-Well, good. -Fingers crossed. -Yes. | 0:19:34 | 0:19:36 | |
With the lift arriving on Monday, they're cutting it fine. | 0:19:36 | 0:19:39 | |
If the electricity cable isn't moved, | 0:19:39 | 0:19:41 | |
they could miss their slot with the lift company | 0:19:41 | 0:19:44 | |
and have to wait weeks before the fitters can return. | 0:19:44 | 0:19:46 | |
But Friday morning brings an unpleasant surprise for Dennis. | 0:19:51 | 0:19:56 | |
The electricity board have been out and dug the hole | 0:19:56 | 0:19:59 | |
for the electricity main, | 0:19:59 | 0:20:00 | |
but digging the hole is about as far as they've got. | 0:20:00 | 0:20:04 | |
The knock-on effect is that if we can't get that steel in today. | 0:20:04 | 0:20:07 | |
then the lift isn't getting installed on Monday. | 0:20:07 | 0:20:10 | |
The electricity company were supposed to move a power supply. | 0:20:10 | 0:20:12 | |
They've dug a massive hole but, so far, that's it. | 0:20:12 | 0:20:16 | |
Lead contractor Dennis is meeting the electricity company on site | 0:20:16 | 0:20:19 | |
but it's a different team to the one that has dug the hole. | 0:20:19 | 0:20:23 | |
I've never seen a hole like it in my life! | 0:20:23 | 0:20:25 | |
It's not big enough. | 0:20:25 | 0:20:27 | |
It's not big enough? | 0:20:27 | 0:20:28 | |
I'm more concerned about who's going to fill the hole in | 0:20:28 | 0:20:31 | |
and get rid of this because all this lot has got to be | 0:20:31 | 0:20:33 | |
gone by lunchtime or we're all up the creek without a paddle. | 0:20:33 | 0:20:36 | |
-And you guys don't do the digging? -I'm a cable jointer. | 0:20:36 | 0:20:39 | |
-So can I dig that? -Aye, you can dig that. | 0:20:39 | 0:20:41 | |
Alec, shovel time. We're going to have to dig this. | 0:20:41 | 0:20:44 | |
The guys have dug the hole in the wrong place. Surprise, surprise! | 0:20:44 | 0:20:47 | |
Whilst Alec gets to work digging, | 0:20:47 | 0:20:49 | |
architect David arrives on site and is met by a worried Dennis. | 0:20:49 | 0:20:52 | |
Big problem is, we've got a huge hole and | 0:20:52 | 0:20:55 | |
unless they backfill that, we've got no chance of getting our steel in. | 0:20:55 | 0:20:58 | |
Can we not use those yellow plates that they put over a hole, | 0:20:58 | 0:21:01 | |
or is the hole too big? | 0:21:01 | 0:21:02 | |
-Let's go and have a look. -Come and have a look. | 0:21:02 | 0:21:04 | |
In terms of getting the last bit of steel inside, | 0:21:06 | 0:21:10 | |
the third one's in there. | 0:21:10 | 0:21:12 | |
Will you park it there or take | 0:21:12 | 0:21:15 | |
these down and take it in a bit closer? | 0:21:15 | 0:21:17 | |
Well, it depends on whether we've backfilled or not. | 0:21:17 | 0:21:20 | |
If this isn't backfilled, then this barrier system has to stay. | 0:21:20 | 0:21:23 | |
As architect, David has to liaise with the builder, the client | 0:21:23 | 0:21:26 | |
and the lift company. | 0:21:26 | 0:21:27 | |
Not to mention all the utilities that are involved in this small | 0:21:27 | 0:21:30 | |
but complicated build. | 0:21:30 | 0:21:32 | |
If we can't create sufficient access across here for our | 0:21:32 | 0:21:36 | |
contractor to put in the steelwork, we have to cancel Sesame. | 0:21:36 | 0:21:40 | |
I don't know what the repercussions of that are. | 0:21:40 | 0:21:42 | |
I've heard them saying it might be after Christmas | 0:21:42 | 0:21:44 | |
before they can do it and that would be disastrous. | 0:21:44 | 0:21:47 | |
They're up against the clock. | 0:21:47 | 0:21:48 | |
The steels need to be in place | 0:21:48 | 0:21:50 | |
to support the huge hydraulic system that will power the steps. | 0:21:50 | 0:21:53 | |
It's a lot of disruption but there's a couple of ways around it. | 0:21:53 | 0:21:56 | |
We'd probably be able to get the steel down the stairs | 0:21:56 | 0:21:58 | |
and install it that way. | 0:21:58 | 0:22:00 | |
It's not the safest way to do it but we need to move forward and get it done. | 0:22:00 | 0:22:03 | |
With Angelica struggling to leave her flat with all the work, | 0:22:03 | 0:22:07 | |
David heads in with an update. | 0:22:07 | 0:22:09 | |
We were a bit concerned earlier on because they've had to dig | 0:22:09 | 0:22:12 | |
a much bigger hole than they thought they were going to have to dig. | 0:22:12 | 0:22:15 | |
Because the guys from the company have actually been very helpful, | 0:22:15 | 0:22:19 | |
they've done all that they can do. | 0:22:19 | 0:22:21 | |
-They're not used to this sort of pressure, I think. -Yeah. | 0:22:21 | 0:22:24 | |
They're going to divert a lorry from another site nearby to come | 0:22:24 | 0:22:29 | |
and collect all the rubbish and take it away. | 0:22:29 | 0:22:31 | |
-That would be brilliant. -Then Dennis can put down some boards | 0:22:31 | 0:22:34 | |
and put the steelwork in this afternoon. | 0:22:34 | 0:22:36 | |
As Friday afternoon comes to an end, | 0:22:37 | 0:22:39 | |
the power main is finally moved to its new position. | 0:22:39 | 0:22:42 | |
And Dennis employs good old-fashioned muscle power | 0:22:43 | 0:22:46 | |
to carry the last of the steels around the hole. | 0:22:46 | 0:22:48 | |
The only question now is with all that disruption, | 0:22:48 | 0:22:52 | |
will they have managed to achieve the millimetre precision needed | 0:22:52 | 0:22:55 | |
for the lift firm to fit their bespoke system? | 0:22:55 | 0:22:57 | |
It's the day of the installation | 0:23:00 | 0:23:02 | |
and right on time, the lift company arrive. | 0:23:02 | 0:23:05 | |
-I'm Dennis, by the way. -I'm Sam. This is Simon. | 0:23:05 | 0:23:07 | |
Sam. Don't worry, Sam and Simon, I'll forget! | 0:23:07 | 0:23:10 | |
As the team start measuring up for the state-of-the-art stairlift, | 0:23:12 | 0:23:15 | |
David arrives with colleague Ryan Duthie | 0:23:15 | 0:23:18 | |
to cast his professional eye over proceedings. | 0:23:18 | 0:23:20 | |
-See how things are going. -Yep. | 0:23:20 | 0:23:23 | |
They're checking the levels and the plumbness and levels and | 0:23:25 | 0:23:28 | |
positions of the steels and they say they've all got to come out again. | 0:23:28 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:33 | |
No! They said they're fine. They said... | 0:23:33 | 0:23:35 | |
I heard that, so that's good. That must be good. | 0:23:35 | 0:23:38 | |
The steels may be looking good | 0:23:38 | 0:23:40 | |
but there's only a minute margin for error | 0:23:40 | 0:23:42 | |
if the lift is going to fit into its new home. | 0:23:42 | 0:23:45 | |
They won't know if they've achieved it | 0:23:45 | 0:23:47 | |
until the first section is lifted into place. | 0:23:47 | 0:23:50 | |
With the critical stage approaching, | 0:23:50 | 0:23:52 | |
Angelica's made it out through the basement flat | 0:23:52 | 0:23:55 | |
to see her stairs take shape. | 0:23:55 | 0:23:57 | |
The first thing that's going in is the grey box, which they're then going to position. | 0:23:57 | 0:24:02 | |
-That's enormous. -This is the bit that moves the stone steps up | 0:24:02 | 0:24:05 | |
and down so it's the first part that goes in | 0:24:05 | 0:24:07 | |
and rests on the steels that Dennis has put in, | 0:24:07 | 0:24:11 | |
and then this scissor lift which moves the main platform | 0:24:11 | 0:24:14 | |
up and down goes in after that. | 0:24:14 | 0:24:16 | |
It's crunch time. | 0:24:17 | 0:24:19 | |
It's taken months to get to this point, | 0:24:19 | 0:24:21 | |
services have been moved, the steels to support the step have been | 0:24:21 | 0:24:24 | |
put in with millimetre accuracy... | 0:24:24 | 0:24:26 | |
..but if this first part of the lift | 0:24:27 | 0:24:29 | |
doesn't fit, everything will have to stop. | 0:24:29 | 0:24:32 | |
I've said many prayers. | 0:24:32 | 0:24:34 | |
The steels will have to come out again | 0:24:34 | 0:24:36 | |
and it could set the project back by weeks. | 0:24:36 | 0:24:39 | |
OK? Ready, Simon? Are you all good? | 0:24:39 | 0:24:42 | |
All good. | 0:24:42 | 0:24:44 | |
Wa-hey! | 0:24:46 | 0:24:48 | |
That's it. That's perfect. | 0:24:51 | 0:24:53 | |
It fits, and with the crucial first part of the lift in place, | 0:24:53 | 0:24:56 | |
the rest follows easily. | 0:24:56 | 0:24:58 | |
That's it. Keep going. Like it. Say when you stop. | 0:24:58 | 0:25:01 | |
-Yeah. -Stop! | 0:25:01 | 0:25:02 | |
The new stairs are clad with the same local stone | 0:25:02 | 0:25:04 | |
used in the surrounding properties, | 0:25:04 | 0:25:06 | |
helping the whole system to blend seamlessly into its surroundings. | 0:25:06 | 0:25:10 | |
Finally, David can breathe a sigh of relief. | 0:25:10 | 0:25:13 | |
You begin to see the final picture now. | 0:25:13 | 0:25:16 | |
After having to deal with all the utilities | 0:25:16 | 0:25:18 | |
and the Roads Department and all the rest of them | 0:25:18 | 0:25:21 | |
and it's now taking shape in front of our eyes, it's fantastic. | 0:25:21 | 0:25:24 | |
A week later, Angelica is already making full use of her new access | 0:25:31 | 0:25:34 | |
and David's come back to take a look at his design in action. | 0:25:34 | 0:25:38 | |
Morning, Angelica. How are you? | 0:25:41 | 0:25:44 | |
-Fine. -Good. So... | 0:25:44 | 0:25:46 | |
-Doesn't it look stunning? -Doesn't it? A beautiful day. | 0:25:46 | 0:25:49 | |
-Yes. -Gorgeous light. | 0:25:49 | 0:25:50 | |
Instead of just going straight up, | 0:25:56 | 0:25:58 | |
it's got to go down through of all this. | 0:25:58 | 0:26:01 | |
It's got to activate the wheel something or other | 0:26:01 | 0:26:03 | |
-Ah right, the wheel stop at the back. -Wheel stop, yeah. | 0:26:03 | 0:26:06 | |
-So that then sort of lifts this one. -Yeah. | 0:26:06 | 0:26:08 | |
Here it comes. | 0:26:10 | 0:26:11 | |
It all looks so crisp and smart. | 0:26:13 | 0:26:15 | |
Doesn't it? I mean, it is a work of art. | 0:26:15 | 0:26:17 | |
Yeah. There we go. | 0:26:17 | 0:26:20 | |
It's been a long time, was it all worth it? | 0:26:21 | 0:26:24 | |
Oh, absolutely definitely. | 0:26:24 | 0:26:25 | |
Yeah? Good. I'm so glad to hear you say that because I think | 0:26:25 | 0:26:29 | |
it's an extraordinarily brave thing to have chosen to do. | 0:26:29 | 0:26:33 | |
I think it's been worth it both from a disability point of view | 0:26:33 | 0:26:37 | |
-and from an aesthetic point of view. -Yeah, absolutely. | 0:26:37 | 0:26:39 | |
I think it's a wonderful bit of design that I'm proud of. | 0:26:39 | 0:26:43 | |
Yeah. I'm really pleased. | 0:26:43 | 0:26:45 | |
I'm really happy that it's turned out so well. | 0:26:45 | 0:26:48 | |
I think it's really impressive to see the step working | 0:26:48 | 0:26:51 | |
because it is so quiet and it's so precise. | 0:26:51 | 0:26:54 | |
It just sits there neat and tidy, lovely. | 0:26:54 | 0:26:56 | |
So it's just everything comes together really nicely in the end. It's good. | 0:26:58 | 0:27:02 | |
To celebrate her new step, Angelica has invited her friends, | 0:27:06 | 0:27:09 | |
neighbours and family round for a party. | 0:27:09 | 0:27:11 | |
I think it's wonderful | 0:27:13 | 0:27:15 | |
and I think it's amazing that you don't see any difference, | 0:27:15 | 0:27:18 | |
and it means that she can stay in her home and that's what matters. | 0:27:18 | 0:27:23 | |
It just gives me everything I hoped for. | 0:27:23 | 0:27:26 | |
It means I can go to and fro without needing to ask a passer-by | 0:27:26 | 0:27:29 | |
to help me get the bike or me down the steps. | 0:27:29 | 0:27:33 | |
It just feels like the best use of money I've ever | 0:27:33 | 0:27:36 | |
made in my life, I think. | 0:27:36 | 0:27:37 | |
It feels very important to have won that freedom back that I feel | 0:27:39 | 0:27:42 | |
I haven't had for a long time. | 0:27:42 | 0:27:45 | |
In the process I've got to know | 0:27:45 | 0:27:47 | |
a whole group of really interesting committed people. | 0:27:47 | 0:27:50 | |
It's felt like a great sort of life-affirming experience. | 0:27:51 | 0:27:56 | |
It sounds a bit of a cliche but that's how it feels to me now. | 0:27:56 | 0:28:01 | |
Next time on Building Dream Homes - for the factory-built house, | 0:28:04 | 0:28:08 | |
the massive £22,000 rear doors | 0:28:08 | 0:28:09 | |
are finally fitted and Marcus's new home is complete. | 0:28:09 | 0:28:13 | |
You have to just catch the corner. | 0:28:13 | 0:28:15 | |
On something that's as strong as that, | 0:28:15 | 0:28:17 | |
You know, you can hit it with a lump hammer | 0:28:17 | 0:28:19 | |
but you only need to catch it wrong. Poof! It's gone. | 0:28:19 | 0:28:22 | |
And in the New Forest, architect Wendy designs a new home in a tiny space. | 0:28:22 | 0:28:25 | |
But her big ideas for a small house come unstuck when disaster strikes. | 0:28:25 | 0:28:29 | |
It's thousands of pounds' worth of damage. | 0:28:29 | 0:28:32 |