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Chatsworth. Palace of the Peaks. | 0:00:02 | 0:00:05 | |
300 rooms. | 0:00:05 | 0:00:08 | |
35,000 acres. | 0:00:08 | 0:00:10 | |
62 farms | 0:00:10 | 0:00:13 | |
and three villages. | 0:00:13 | 0:00:16 | |
Living here, we tend to forget how big it is, | 0:00:16 | 0:00:18 | |
and it seems strange that it should just be for one couple. | 0:00:18 | 0:00:21 | |
For more than four-and-a-half centuries, | 0:00:21 | 0:00:24 | |
Chatsworth has been owned by one family. | 0:00:24 | 0:00:27 | |
We've got a Duke and we've got a Duke's son | 0:00:27 | 0:00:29 | |
and the Duke's grandson, so we've got the next two lined up. | 0:00:29 | 0:00:33 | |
A line now led by the 12th Duke of Devonshire and his wife, | 0:00:33 | 0:00:38 | |
the Duchess. | 0:00:38 | 0:00:40 | |
These days, Chatsworth is a major commercial venture. | 0:00:40 | 0:00:45 | |
Here they come. | 0:00:45 | 0:00:47 | |
A yearly show... | 0:00:47 | 0:00:48 | |
Hello, would you like champagne? | 0:00:48 | 0:00:50 | |
..bigger than any theatre production, | 0:00:50 | 0:00:53 | |
with a backstage team of 700 just to keep it running. | 0:00:53 | 0:00:57 | |
If I see the Duke and Duchess coming, I go round and go, "nee-noh..." | 0:00:57 | 0:01:00 | |
Like that, you see, and they know what I'm on about. | 0:01:00 | 0:01:04 | |
Stand by your beds is what it is. | 0:01:04 | 0:01:05 | |
I've met the Duke and Duchess once. | 0:01:05 | 0:01:08 | |
I thought you had to bow and things like that, the first time, | 0:01:08 | 0:01:10 | |
-I was standing like this. -HE LAUGHS | 0:01:10 | 0:01:12 | |
People who come, they either leave the next day, | 0:01:12 | 0:01:15 | |
or they stay for the rest of their lives. | 0:01:15 | 0:01:17 | |
Absolutely. | 0:01:17 | 0:01:19 | |
Centre stage is the house. | 0:01:19 | 0:01:22 | |
-Morning, Duchess, morning, Duke. -Morning, Duke, morning, Duchess. | 0:01:22 | 0:01:25 | |
From public displays... | 0:01:25 | 0:01:27 | |
It's not really "don't do that ever again," | 0:01:27 | 0:01:29 | |
it's just be careful what you're obscuring. | 0:01:29 | 0:01:32 | |
..to private views. | 0:01:32 | 0:01:33 | |
I love going round the back. | 0:01:33 | 0:01:35 | |
We all like polishing his bottom. | 0:01:35 | 0:01:38 | |
It's an unfolding drama where everyone has a role to play. | 0:01:38 | 0:01:43 | |
You've messed it all up, Mister. | 0:01:43 | 0:01:45 | |
This is a year in the life of Chatsworth. | 0:01:45 | 0:01:50 | |
Derbyshire in winter. Chatsworth is closed. | 0:01:59 | 0:02:03 | |
Opening week, in the middle of March, | 0:02:03 | 0:02:06 | |
it always is a bit of a deadline, | 0:02:06 | 0:02:08 | |
because the so-called quiet period when we're not open, | 0:02:08 | 0:02:12 | |
from just before Christmas, that is much the busiest time. | 0:02:12 | 0:02:16 | |
Everything is frenetic. | 0:02:16 | 0:02:18 | |
They call it the deep clean. | 0:02:22 | 0:02:24 | |
And everything must be done and dusted | 0:02:26 | 0:02:29 | |
before the curtain goes up on the new season. | 0:02:29 | 0:02:31 | |
With 100 rooms to get ready, | 0:02:33 | 0:02:35 | |
it's tough work for the Duke's 20-strong housekeeping team. | 0:02:35 | 0:02:38 | |
You go first. | 0:02:38 | 0:02:39 | |
In the winter clean, things get moved all the time, | 0:02:39 | 0:02:41 | |
because it's the only time of year when we can get things out of the way | 0:02:41 | 0:02:44 | |
cos there's no public coming through, and one slip... Ooh, it doesn't bear thinking about! | 0:02:44 | 0:02:49 | |
Ooh! | 0:02:49 | 0:02:51 | |
And there are specialists. | 0:02:51 | 0:02:53 | |
A textile department to prepare carpets, furnishings and drapes. | 0:02:53 | 0:02:58 | |
I'm pretty tired, but actually, it's the adrenaline, you get going, | 0:02:58 | 0:03:02 | |
and, you know... | 0:03:02 | 0:03:03 | |
It's not for ever, | 0:03:05 | 0:03:06 | |
so the adrenaline gets pumping and you just get through it. | 0:03:06 | 0:03:09 | |
To preserve the 1,250 works of art, much of it priceless, | 0:03:09 | 0:03:13 | |
the Duke has a team of expert curators. | 0:03:13 | 0:03:17 | |
When you think you've got everything sorted, | 0:03:17 | 0:03:20 | |
and then suddenly realise you've got other little bits to do, | 0:03:20 | 0:03:23 | |
that's when you start to panic slightly. | 0:03:23 | 0:03:26 | |
But not too much when you're handling this! | 0:03:26 | 0:03:28 | |
SHE LAUGHS | 0:03:28 | 0:03:29 | |
And Chatsworth has one of Britain's biggest private libraries. | 0:03:30 | 0:03:35 | |
There's an ongoing thing with cleaning books, | 0:03:35 | 0:03:37 | |
we've got 17,500 in here and in the ante-library, | 0:03:37 | 0:03:40 | |
and they all get taken off the shelves and dusted. | 0:03:40 | 0:03:43 | |
How's it going, Jan? | 0:03:43 | 0:03:45 | |
-Must have done quite a few. -I think I'm on 1650. | 0:03:45 | 0:03:47 | |
SHE LAUGHS | 0:03:47 | 0:03:48 | |
Outside. | 0:03:50 | 0:03:52 | |
Sprucing up 105 acres of world-famous gardens | 0:03:52 | 0:03:56 | |
is the midwinter challenge for the Duke's 21 gardeners. | 0:03:56 | 0:04:00 | |
So you're more than halfway now, I was just working it out. | 0:04:02 | 0:04:04 | |
-We won't get it finished today. -No. | 0:04:04 | 0:04:06 | |
Brilliant what you're doing, thank you very, very much. | 0:04:06 | 0:04:09 | |
And it will be really appreciated, I'm sure. | 0:04:09 | 0:04:11 | |
We just keep plodding along, all the paths should be re-gravelled, | 0:04:11 | 0:04:15 | |
everything else is in place, all the signs, all the benches are up. | 0:04:15 | 0:04:19 | |
Whether I feel the pressure or not... HE CHUCKLES | 0:04:19 | 0:04:21 | |
It still has to be done, and we just do it. | 0:04:21 | 0:04:25 | |
There's enough stone, brickwork, timber and glass | 0:04:25 | 0:04:28 | |
to keep 17 housemen busy every day of the year. | 0:04:28 | 0:04:32 | |
We've got to get these jobs done before Sunday, | 0:04:32 | 0:04:36 | |
-or else we get shouted at. -HE LAUGHS | 0:04:36 | 0:04:38 | |
All to put on a show for Chatsworth's 700,000 visitors. | 0:04:40 | 0:04:45 | |
And topping the bill is the grand dining room. | 0:04:46 | 0:04:51 | |
This year, the table setting will recall an historic moment | 0:04:51 | 0:04:54 | |
in Chatsworth's history. | 0:04:54 | 0:04:57 | |
Well, we are just laying the table ready for the new season, | 0:04:57 | 0:05:00 | |
which opens next weekend, and we've come in on a Sunday to do it | 0:05:00 | 0:05:05 | |
because it's a bit quieter. | 0:05:05 | 0:05:07 | |
We are doing a setting | 0:05:07 | 0:05:09 | |
which is based on Queen Victoria's visit in 1843. | 0:05:09 | 0:05:14 | |
There's quite a lot of silver going out. | 0:05:14 | 0:05:16 | |
It was in December that year when 37 guests, | 0:05:16 | 0:05:20 | |
including the Duke of Wellington and Lord Palmerston, | 0:05:20 | 0:05:23 | |
joined the Queen and Prince Albert for a weekend at Chatsworth. | 0:05:23 | 0:05:28 | |
There's a report in the illustrated London News about her visit, | 0:05:28 | 0:05:33 | |
which describes how the table looked, | 0:05:33 | 0:05:35 | |
so we know what pieces were on. | 0:05:35 | 0:05:37 | |
36. | 0:05:39 | 0:05:41 | |
A foot. | 0:05:43 | 0:05:44 | |
Her Majesty, Prince Albert and Lady Louisa Cavendish and Lord Melbourne | 0:05:44 | 0:05:48 | |
sat on the right of His Grace in the centre of the table. | 0:05:48 | 0:05:51 | |
Being faced by the Duke of Wellington and the Duke and Duchess of Buccleuch. | 0:05:51 | 0:05:54 | |
'So fingers crossed it'll all fit.' | 0:05:54 | 0:05:59 | |
'It just feels really uncomfortable,' | 0:05:59 | 0:06:02 | |
if you don't get the distances sort of equal, it's just, you look at it | 0:06:02 | 0:06:05 | |
and it just makes you feel very uncomfortable for some reason. | 0:06:05 | 0:06:08 | |
Either that or we're just fussy curators, I don't know which. | 0:06:08 | 0:06:11 | |
-SHE LAUGHS -Probably the latter. | 0:06:11 | 0:06:12 | |
I've been cleaning this silver for about three weeks. | 0:06:14 | 0:06:17 | |
It's therapeutic, in a way. | 0:06:17 | 0:06:19 | |
You can clean one piece and compare it to the other piece | 0:06:19 | 0:06:21 | |
that hasn't been cleaned for a year or whatever, | 0:06:21 | 0:06:23 | |
and it just looks really nice. | 0:06:23 | 0:06:25 | |
So what we're setting up for is we've got the soup, | 0:06:25 | 0:06:27 | |
and then the fish course, and then the meat course, | 0:06:27 | 0:06:30 | |
and then salad, but the forks go this way down, | 0:06:30 | 0:06:33 | |
because originally, if you had very lacy cuffs around your sleeves, | 0:06:33 | 0:06:36 | |
sort of like in the 18th century, obviously the laces catch on that, | 0:06:36 | 0:06:40 | |
so that's why we've got forks with the tines, sort of, face down. | 0:06:40 | 0:06:45 | |
We all joke that by the end of winter, | 0:06:46 | 0:06:48 | |
you're fitter than you were at the beginning | 0:06:48 | 0:06:50 | |
because there's so much to do. | 0:06:50 | 0:06:52 | |
Just that difference between the burnished silver, | 0:06:52 | 0:06:56 | |
that's sort of really shiny, and then the more matte silver as well, | 0:06:56 | 0:06:59 | |
and they comment about it even in the newspapers at the time, in 1843. | 0:06:59 | 0:07:03 | |
I just feel, to sort of see it close up, with the daylight on it, | 0:07:03 | 0:07:06 | |
it's just, just beautiful. | 0:07:06 | 0:07:08 | |
So I've probably stripped and laid this table | 0:07:09 | 0:07:12 | |
about 20 times over the years, | 0:07:12 | 0:07:15 | |
I'm sort of getting professional at this now. | 0:07:15 | 0:07:17 | |
HE LAUGHS | 0:07:17 | 0:07:19 | |
Spot on. | 0:07:22 | 0:07:24 | |
-Phew! -SHE LAUGHS > | 0:07:24 | 0:07:25 | |
It's amazing, things always take longer than you think! | 0:07:25 | 0:07:28 | |
Especially in a house like this. | 0:07:28 | 0:07:30 | |
Well, it's exciting, there's always an awful lot to do, | 0:07:34 | 0:07:36 | |
but you've seen how hard everybody is working, so, you know, it's always, | 0:07:36 | 0:07:40 | |
like any deadline, one always longs for another day, | 0:07:40 | 0:07:43 | |
but then people have been wonderful, | 0:07:43 | 0:07:44 | |
and they've come in on the weekend and worked in the evenings, | 0:07:44 | 0:07:47 | |
and, you know, we're very lucky, they're very dedicated. | 0:07:47 | 0:07:50 | |
A dedication that late winter in Derbyshire can test to the limit. | 0:07:50 | 0:07:55 | |
THUNDER RUMBLES | 0:07:55 | 0:07:57 | |
Good morning. Today, we're litter picking. | 0:07:57 | 0:08:00 | |
It's raining outside, | 0:08:00 | 0:08:02 | |
but it's the estate combined litter picking day, which we do annually. | 0:08:02 | 0:08:05 | |
So there's lots of teams going out around the estate, | 0:08:05 | 0:08:08 | |
but it's absolutely a huge feat, | 0:08:08 | 0:08:10 | |
because actually it's miles and miles and miles, | 0:08:10 | 0:08:12 | |
so I think we're probably covering about a nine-mile-square radius. | 0:08:12 | 0:08:16 | |
Who's hiding? | 0:08:16 | 0:08:17 | |
LAUGHTER | 0:08:17 | 0:08:19 | |
Despite the drizzle, when it comes to picking up litter, | 0:08:19 | 0:08:22 | |
even the Duke and Duchess join in. | 0:08:22 | 0:08:26 | |
One, two, three. | 0:08:26 | 0:08:29 | |
LAUGHTER | 0:08:29 | 0:08:30 | |
-We're walking, we're walking. -From here? -We're picking, yeah. | 0:08:32 | 0:08:35 | |
Anybody who wants to can volunteer | 0:08:35 | 0:08:37 | |
to do an hour-and-a-half or two hours, | 0:08:37 | 0:08:39 | |
picking up litter on the roads | 0:08:39 | 0:08:42 | |
and the public footpath through the estate. | 0:08:42 | 0:08:45 | |
You mustn't keep chatting like that. | 0:08:45 | 0:08:47 | |
-Well... -You're meant to be looking down the edge. | 0:08:47 | 0:08:49 | |
'I think of this place, completely inaccurately,' | 0:08:54 | 0:08:56 | |
as a private house in a private garden. | 0:08:56 | 0:08:59 | |
And I am told, and I believe it because it suits me, | 0:08:59 | 0:09:02 | |
that that is what our visitors want. | 0:09:02 | 0:09:05 | |
What do we do with this? | 0:09:05 | 0:09:06 | |
Ooh! | 0:09:07 | 0:09:09 | |
'I think I was more bothered with growing up | 0:09:10 | 0:09:12 | |
'than worrying about who was going to look after this place when I was a child. | 0:09:12 | 0:09:15 | |
'I don't think I had any concept of that, it was just something... It was where we lived.' | 0:09:15 | 0:09:20 | |
'Historically, a duke was like any other hereditary peer, | 0:09:20 | 0:09:25 | |
'and they have the right to, and usually did, | 0:09:25 | 0:09:28 | |
'sit in the House of Lords. | 0:09:28 | 0:09:29 | |
'Quite rightly, the Blair government abolished the right | 0:09:31 | 0:09:34 | |
'for hereditary peers, and so I have no political role as a right. | 0:09:34 | 0:09:38 | |
'And I'm delighted,' | 0:09:38 | 0:09:41 | |
because I wouldn't be any good at all at that. | 0:09:41 | 0:09:44 | |
I think that had been in there for quite a long time, it was, | 0:09:44 | 0:09:47 | |
sort of, almost buried treasure. | 0:09:47 | 0:09:50 | |
Huh. | 0:09:50 | 0:09:51 | |
'But what we do now, my wife and I, are like the equivalent of the, | 0:09:51 | 0:09:54 | |
'sort of, executive chairman and chairwoman.' | 0:09:54 | 0:09:57 | |
I haven't actually ever found anything very interesting at all. | 0:09:57 | 0:10:00 | |
No fivers yet. | 0:10:00 | 0:10:02 | |
The good thing that comes out of this, | 0:10:06 | 0:10:08 | |
we've all got our patches where we obviously litter pick, | 0:10:08 | 0:10:11 | |
and then two weeks later, when you drive past it and see this litter, | 0:10:11 | 0:10:14 | |
you go, "Oh, the cheeky buggers." | 0:10:14 | 0:10:16 | |
Come out, you little bugger. | 0:10:20 | 0:10:23 | |
The minute this bag goes in the skip, I'm back to work, so... | 0:10:23 | 0:10:26 | |
Everybody else will be going for a shower | 0:10:26 | 0:10:28 | |
and making sure they smell nice, but I don't care. | 0:10:28 | 0:10:30 | |
I think it's better than last year, don't you? | 0:10:34 | 0:10:36 | |
I think there was more than last year. | 0:10:36 | 0:10:38 | |
-They... -Really? -Yeah. | 0:10:38 | 0:10:40 | |
But it's worth doing, I think. | 0:10:40 | 0:10:41 | |
From do-it-yourself rubbish collection | 0:10:41 | 0:10:44 | |
to a £14 million facelift. | 0:10:44 | 0:10:48 | |
This year, Chatsworth is getting a major makeover. | 0:10:48 | 0:10:52 | |
And for a 21st-century duke, some armour. | 0:10:52 | 0:10:56 | |
A plastic hard hat. | 0:10:56 | 0:10:57 | |
-Do you want me to go in front so I can just... -No, no, I'll be all right, if I'm not, I'll stop. | 0:10:57 | 0:11:01 | |
Thank you, Tom. | 0:11:01 | 0:11:03 | |
The place was beginning to fall to bits. | 0:11:03 | 0:11:05 | |
A piece quite nearly killed my great grandmother before the war, | 0:11:05 | 0:11:08 | |
so bits have been falling off for a long time, | 0:11:08 | 0:11:11 | |
and we didn't want to spend the rest of our lives in these. | 0:11:11 | 0:11:14 | |
Sunday, 13th March. | 0:11:19 | 0:11:21 | |
Opening day. | 0:11:21 | 0:11:22 | |
Great. | 0:11:22 | 0:11:24 | |
No, he's not, I'm afraid. OK, thanks, bye. | 0:11:24 | 0:11:27 | |
It's all a little bit fraught today, | 0:11:29 | 0:11:30 | |
so I'm going to see if I can find some keys. | 0:11:30 | 0:11:33 | |
Keys have been Christine Robinson's life for 36 years. | 0:11:33 | 0:11:37 | |
While only a third of the house is open to visitors, | 0:11:37 | 0:11:39 | |
there's still 100 rooms to unlock every day. | 0:11:39 | 0:11:42 | |
For 29 years before the current duke took over, | 0:11:44 | 0:11:47 | |
Christine worked for his parents. | 0:11:47 | 0:11:49 | |
We wondered, we've moved the two candelabra, | 0:11:49 | 0:11:52 | |
we've moved one of them onto the table at the end, your Grace, and we've moved... | 0:11:52 | 0:11:55 | |
-That's not in the middle, Christine, is it? Not quite. -I don't think it is, quite, no, it isn't. | 0:11:55 | 0:11:59 | |
I have a recurring nightmare before house opening, | 0:12:03 | 0:12:06 | |
that I'm going round with my bunch of keys, and I get overtaken by the visitors. | 0:12:06 | 0:12:10 | |
I know this is because I'm terrified the house isn't going to be open on time. | 0:12:10 | 0:12:14 | |
Whoo! | 0:12:14 | 0:12:15 | |
That's OK. | 0:12:15 | 0:12:16 | |
It's quite terrifying, really. | 0:12:16 | 0:12:18 | |
But it's a wonderful incentive to crack on and get it ready. | 0:12:18 | 0:12:21 | |
I keep threatening to get a pedometer. | 0:12:21 | 0:12:24 | |
Only I think it would terrify us if we realised just how far we walked. | 0:12:24 | 0:12:28 | |
This should all be all right, | 0:12:28 | 0:12:29 | |
because I came through here and dusted it this morning, | 0:12:29 | 0:12:32 | |
so if I find any dust through here, then it's me that's left it. | 0:12:32 | 0:12:36 | |
As head housekeeper, and an old hand, it's all routine. | 0:12:36 | 0:12:40 | |
But not for newcomers. | 0:12:40 | 0:12:42 | |
Aaaah! | 0:12:42 | 0:12:43 | |
Staff. | 0:12:44 | 0:12:46 | |
You've got to love them, haven't you? | 0:12:46 | 0:12:49 | |
-PHONE RINGS -Yeah, I've got you. | 0:12:49 | 0:12:51 | |
Good morning, Heather speaking. | 0:12:51 | 0:12:54 | |
24-year-old local girl Heather first visited Chatsworth as a baby. | 0:12:54 | 0:12:58 | |
In a slightly panicky stage until we're opened... | 0:12:58 | 0:13:01 | |
After working for the National Trust, | 0:13:01 | 0:13:03 | |
she's on trial in her dream job, head guide. | 0:13:03 | 0:13:06 | |
So I'm the first female head guide, which is quite, I think, | 0:13:06 | 0:13:09 | |
new to them, I think some struggled at the start, | 0:13:09 | 0:13:12 | |
but they're fine with that now. | 0:13:12 | 0:13:14 | |
There's just loads to do. | 0:13:14 | 0:13:16 | |
But I like that, it keeps you busy. | 0:13:16 | 0:13:17 | |
I've only got three more months left of my probation, | 0:13:17 | 0:13:21 | |
then we'll see if they still want me. | 0:13:21 | 0:13:25 | |
Whether Heather is the right long-term fit for Chatsworth | 0:13:25 | 0:13:29 | |
will be decided by her boss, Christine. | 0:13:29 | 0:13:32 | |
When the six months is up, there's... | 0:13:32 | 0:13:34 | |
A letter comes through from HR | 0:13:34 | 0:13:36 | |
to say that they have successfully completed their six-month probationary period, | 0:13:36 | 0:13:40 | |
and then they are a fully-fledged member of the team. | 0:13:40 | 0:13:42 | |
Sadly, if things don't work out, they get a different sort of letter, | 0:13:42 | 0:13:46 | |
which terminates their employment. | 0:13:46 | 0:13:48 | |
So we're off now to do the briefing. | 0:13:48 | 0:13:51 | |
They used to have them up in the mess room, | 0:13:53 | 0:13:56 | |
but I've moved them down here, so that we can start work straightaway. | 0:13:56 | 0:14:00 | |
And who wouldn't want to have a briefing in somewhere like this? | 0:14:00 | 0:14:03 | |
It's beautiful. | 0:14:03 | 0:14:05 | |
At the briefing, new girl Heather must win over 60 other guides. | 0:14:05 | 0:14:10 | |
Many have been doing the job since before she was born. | 0:14:10 | 0:14:14 | |
Go on. | 0:14:14 | 0:14:16 | |
Really? | 0:14:19 | 0:14:20 | |
-Yeah. -Why didn't she tell me, then? | 0:14:20 | 0:14:21 | |
I don't know, she just forgot to tell you. | 0:14:21 | 0:14:24 | |
We thought long and hard about her appointment | 0:14:24 | 0:14:28 | |
before we actually gave her the job, because, | 0:14:28 | 0:14:30 | |
I think the key thing, really, was her youth, | 0:14:30 | 0:14:32 | |
and the fact that the majority of the guiding team when she took it on | 0:14:32 | 0:14:35 | |
were of an older generation. | 0:14:35 | 0:14:38 | |
-Morning, everybody. -ALL: Good morning. -Hello. | 0:14:38 | 0:14:41 | |
Right, six coaches in today. | 0:14:41 | 0:14:43 | |
-All of them at 11 o'clock. -THEY ALL CHUCKLE | 0:14:43 | 0:14:46 | |
So it's going to be a bit of a squeeze, | 0:14:46 | 0:14:47 | |
but we'll manage, it'll be fine. | 0:14:47 | 0:14:49 | |
Have you all seen the new iPod handset as well? | 0:14:49 | 0:14:52 | |
No. | 0:14:52 | 0:14:54 | |
You haven't? | 0:14:54 | 0:14:55 | |
-No. -OK. | 0:14:55 | 0:14:56 | |
-LAUGHTER -Well, it's been going for about five days. | 0:14:56 | 0:14:59 | |
-So you can have a play. And it's really easy to use. -Thank you. | 0:14:59 | 0:15:02 | |
SHE LAUGHS | 0:15:02 | 0:15:03 | |
I think the first time, I was quite worried about, obviously, | 0:15:03 | 0:15:07 | |
so many guides, and having to look after them, and how they perceive me as well. | 0:15:07 | 0:15:11 | |
But I think they're OK with it. | 0:15:11 | 0:15:13 | |
It's, er... Yeah, it's going well, it's good. | 0:15:13 | 0:15:16 | |
Hello, Stuart. | 0:15:17 | 0:15:18 | |
-Hello. -Are you all right? You OK? | 0:15:18 | 0:15:20 | |
Superb. What do you think? | 0:15:20 | 0:15:22 | |
-It's a bit wrong. -Which bit? -It's the intro. | 0:15:22 | 0:15:24 | |
"the Duke's death at the age of 55 was sudden and unexpected, | 0:15:24 | 0:15:26 | |
and death duties at the maximum rate..." | 0:15:26 | 0:15:28 | |
So that... Actually, that's the 10th duke. | 0:15:28 | 0:15:31 | |
SHE SIGHS | 0:15:31 | 0:15:32 | |
-It's out. The full paragraph is out. -It is, isn't it? Let's have a look. | 0:15:32 | 0:15:37 | |
You're right. | 0:15:38 | 0:15:39 | |
Brilliant, thank you for letting me know. | 0:15:39 | 0:15:41 | |
11:00am. | 0:15:48 | 0:15:49 | |
Gates open. | 0:15:49 | 0:15:51 | |
'In some ways, it's a relief that we've got everything ready.' | 0:15:57 | 0:16:01 | |
And it's wonderful, we always go, the Duke and I, | 0:16:01 | 0:16:04 | |
we always go to the top of the stairs | 0:16:04 | 0:16:06 | |
'and welcome the first visitor.' | 0:16:06 | 0:16:09 | |
Here they come. | 0:16:09 | 0:16:10 | |
'I want people to come to Chatsworth and say,' | 0:16:10 | 0:16:14 | |
"This is the most amazing place," because that's what I think it is. | 0:16:14 | 0:16:17 | |
I want people never to forget it once they've been here, | 0:16:17 | 0:16:19 | |
and want to come back. | 0:16:19 | 0:16:20 | |
'I'm very, very proud of it, and I want to share that.' | 0:16:20 | 0:16:23 | |
-How are you? Long time no see! -Yes, it is. How are things? | 0:16:23 | 0:16:26 | |
-Oh, not bad. -Good morning, good morning. -Hello. | 0:16:26 | 0:16:29 | |
-Hello. -How are you? | 0:16:29 | 0:16:30 | |
This is a fantastic service. | 0:16:30 | 0:16:31 | |
Well, it's always exciting as the beginning of the season, | 0:16:31 | 0:16:34 | |
you know, we've been waiting for this for a couple of months, so... | 0:16:34 | 0:16:37 | |
'It's sort of a relief that the work is done, | 0:16:37 | 0:16:40 | |
'and that the visitors still want to come.' | 0:16:40 | 0:16:42 | |
-Priceless. Thank you very much. -OK. | 0:16:42 | 0:16:44 | |
-Good to see you. -Thank you. -Thank you. -All right, bye. | 0:16:44 | 0:16:46 | |
Hello, have you got your tickets already? Thank you very much. | 0:16:46 | 0:16:50 | |
A lot of changes. | 0:16:54 | 0:16:55 | |
-Yes, there's always something new. -Yes. -Different things appeal to different people. -Yes. -Don't they? | 0:16:55 | 0:16:59 | |
-And some of it is very nice. -Yes. -And some of it we think, ooh... I don't like that! | 0:16:59 | 0:17:03 | |
-SHE LAUGHS -Some of them... | 0:17:03 | 0:17:05 | |
The estate staff needs to manage up to 6,000 visitors a day. | 0:17:06 | 0:17:10 | |
With so many people, | 0:17:13 | 0:17:16 | |
it's a priority to protect the house and its contents. | 0:17:16 | 0:17:18 | |
Can you just take your rucksack off and pop it on your front? | 0:17:18 | 0:17:21 | |
-Oh... -just so you don't knock anything, that's all. -Oh... -Yes. | 0:17:21 | 0:17:25 | |
Excuse me sir, sorry to bother you, | 0:17:25 | 0:17:26 | |
can you take your rucksack off and put it on your front? | 0:17:26 | 0:17:30 | |
-Please? -There's nothing in the bag, it's OK. | 0:17:30 | 0:17:32 | |
No, no, no, because you might knock something. | 0:17:32 | 0:17:34 | |
You have to carry it on your front. | 0:17:34 | 0:17:36 | |
OK? Thank you. | 0:17:36 | 0:17:38 | |
It's just so rude, I don't mean him, but I mean, | 0:17:38 | 0:17:41 | |
-you know, if you've asked somebody, you expect them to... -Exactly. -You know? | 0:17:41 | 0:17:44 | |
I just don't understand. | 0:17:44 | 0:17:46 | |
Plus, it makes our jobs really difficult, | 0:17:46 | 0:17:47 | |
cos we're trying to do our security points, | 0:17:47 | 0:17:49 | |
we're trying to engage with people, | 0:17:49 | 0:17:52 | |
-and we're having to deal with something as basic as that, aren't we? -That's it. | 0:17:52 | 0:17:55 | |
It can get so frustrating. You see my frustrated face right now! SHE LAUGHS | 0:17:55 | 0:17:59 | |
Excuse me, can you... | 0:17:59 | 0:18:01 | |
No, no, it's all right, | 0:18:01 | 0:18:02 | |
can you just take your rucksack off and put it on your front? | 0:18:02 | 0:18:04 | |
-Ah... -Yeah. Just in case you knock anything, that's all, all right? | 0:18:04 | 0:18:07 | |
Thank you. | 0:18:07 | 0:18:09 | |
You know, it's not a museum, | 0:18:09 | 0:18:10 | |
we don't shut things off behind glass cabinets, | 0:18:10 | 0:18:12 | |
we do leave things open, this is someone's home, | 0:18:12 | 0:18:15 | |
and I wouldn't do it in someone else's house, | 0:18:15 | 0:18:18 | |
and I don't expect people to do it here, really. | 0:18:18 | 0:18:20 | |
And he's done it again. | 0:18:20 | 0:18:22 | |
OK, back in again. | 0:18:22 | 0:18:25 | |
I'm sorry, sir, can you take the... Thank you. | 0:18:29 | 0:18:33 | |
Can't cope with it. | 0:18:33 | 0:18:34 | |
I should throw more diva strops, shouldn't I, really? | 0:18:34 | 0:18:36 | |
A stately home is a costly place to run. | 0:18:43 | 0:18:47 | |
These days, income must be earned. | 0:18:47 | 0:18:49 | |
Working the land, charging admission and selling produce | 0:18:49 | 0:18:53 | |
through a farm shop are key to Chatsworth's financial future. | 0:18:53 | 0:18:58 | |
And driving this commercial approach... | 0:18:59 | 0:19:01 | |
Hello, Alan... | 0:19:01 | 0:19:02 | |
..is the Duchess. | 0:19:02 | 0:19:04 | |
Are you all right? | 0:19:04 | 0:19:05 | |
Very good. | 0:19:06 | 0:19:07 | |
I think it's fascinating, the shop. | 0:19:07 | 0:19:10 | |
My mother-in-law started it, and it was a brilliant idea. | 0:19:10 | 0:19:13 | |
And it started as an outlet for produce from the estate. | 0:19:13 | 0:19:19 | |
And then it grew and grew and grew, and she was brilliant. | 0:19:19 | 0:19:23 | |
Uh... | 0:19:23 | 0:19:24 | |
At developing it into something | 0:19:24 | 0:19:27 | |
which is now a very popular farm shop, | 0:19:27 | 0:19:30 | |
in fact, Farm Shop Of The Year. | 0:19:30 | 0:19:32 | |
And the manager of that farm shop is Andre Birkett. | 0:19:33 | 0:19:38 | |
How can you buy the tubs? | 0:19:38 | 0:19:39 | |
When they've got plants in them. | 0:19:40 | 0:19:42 | |
He's been part of Chatsworth for 29 years. | 0:19:42 | 0:19:46 | |
It's got to look loved. | 0:19:46 | 0:19:48 | |
If it doesn't look loved, then... | 0:19:48 | 0:19:50 | |
The job's jiggered. | 0:19:50 | 0:19:53 | |
Starting in the kitchens of the house, he worked his way up. | 0:19:54 | 0:19:58 | |
Can I help you with that, sir? Let me carry that to your car. | 0:20:00 | 0:20:03 | |
I can't see you struggle! | 0:20:03 | 0:20:06 | |
Now responsible for 120 staff, | 0:20:06 | 0:20:10 | |
Chatsworth's gourmet farm shop is Andre's pride and joy. | 0:20:10 | 0:20:13 | |
What are you actually doing? | 0:20:14 | 0:20:16 | |
Well, you've put the labels in the wrong place, Andrew. | 0:20:16 | 0:20:18 | |
So if I see gazpacho, that's exactly what the shelf edge should say. | 0:20:18 | 0:20:22 | |
He's continually fettling. | 0:20:22 | 0:20:23 | |
I still have to fettle! | 0:20:23 | 0:20:25 | |
ANDREW LAUGHS | 0:20:25 | 0:20:26 | |
He has got very high standards. | 0:20:26 | 0:20:29 | |
It's just so that I can say that I have put my mark on it, | 0:20:29 | 0:20:31 | |
but when I come down in an hour, | 0:20:31 | 0:20:32 | |
it'll all be higgledy-piggledy again. | 0:20:32 | 0:20:34 | |
We have an excellent turnover of £5.5 million per year. | 0:20:38 | 0:20:42 | |
We are all working hard to provide the funds for Chatsworth. | 0:20:42 | 0:20:46 | |
I can remember when we did our first thousand-pound Saturday, | 0:20:46 | 0:20:49 | |
which was the biggest achievement, and, you know, | 0:20:49 | 0:20:52 | |
everyone was so glad that we'd managed to turn over £1,000, | 0:20:52 | 0:20:54 | |
that the champagne was opened. | 0:20:54 | 0:20:56 | |
And then, actually, a few years on then, | 0:20:56 | 0:20:59 | |
to turn our first million pounds, was significant. | 0:20:59 | 0:21:04 | |
Convinced his hands-on management has brought success | 0:21:04 | 0:21:07 | |
to the farm shop and restaurant, | 0:21:07 | 0:21:10 | |
Andre's latest mission has been to upgrade the lavatories. | 0:21:10 | 0:21:13 | |
The Duchess was very keen | 0:21:13 | 0:21:15 | |
when we had the toilets revamped at the farm shop, | 0:21:15 | 0:21:18 | |
that the walls weren't blank, so over the last three months, | 0:21:18 | 0:21:21 | |
she's been collating lots of photographs of the family | 0:21:21 | 0:21:24 | |
and images of Chatsworth. | 0:21:24 | 0:21:26 | |
And they were only installed yesterday, and somebody's already tried to pinch one. | 0:21:26 | 0:21:30 | |
So it has been ripped off the wall, apparently, | 0:21:30 | 0:21:32 | |
so I will just nip across and have a look and see. | 0:21:32 | 0:21:35 | |
See what the damage is. | 0:21:35 | 0:21:36 | |
FLUSHING | 0:21:40 | 0:21:41 | |
Oh... | 0:21:41 | 0:21:43 | |
Something not right. | 0:21:45 | 0:21:47 | |
Oh... | 0:21:55 | 0:21:57 | |
Oh! | 0:21:59 | 0:22:00 | |
Ooh... | 0:22:00 | 0:22:02 | |
God! | 0:22:02 | 0:22:03 | |
HE SIGHS | 0:22:08 | 0:22:09 | |
Somebody's messed their underpants. | 0:22:09 | 0:22:13 | |
I do sometimes judge people's... mentality. | 0:22:16 | 0:22:21 | |
People do the most disgusting things. | 0:22:21 | 0:22:24 | |
I just knew something was happening, | 0:22:24 | 0:22:26 | |
cos it was obviously just carrying on filling up. | 0:22:26 | 0:22:29 | |
HE SIGHS | 0:22:31 | 0:22:32 | |
The problem is that we have here at Chatsworth, | 0:22:32 | 0:22:35 | |
is that locally there is no more public loos about. | 0:22:35 | 0:22:38 | |
Van drivers, people that aren't even coming here, | 0:22:38 | 0:22:41 | |
use this as a free toilet. | 0:22:41 | 0:22:44 | |
And they have got absolutely no respect. | 0:22:44 | 0:22:47 | |
For what we do. | 0:22:49 | 0:22:50 | |
One of the images has disappeared, | 0:22:50 | 0:22:52 | |
so somebody's pulled it off the wall and taken it away. | 0:22:52 | 0:22:54 | |
And obviously, this has just been | 0:22:54 | 0:22:58 | |
fully revamped, redecorated, re-plastered... | 0:22:58 | 0:23:01 | |
And so, that's what happens, which is very sad. | 0:23:03 | 0:23:06 | |
Very sad. | 0:23:07 | 0:23:08 | |
It feels like a personal attack to me. | 0:23:10 | 0:23:12 | |
I know it isn't, I know it's just one of those things, | 0:23:12 | 0:23:15 | |
somebody else hasn't thought about their actions. | 0:23:15 | 0:23:18 | |
But to me... | 0:23:18 | 0:23:20 | |
You're trying to enhance things and make things nice, | 0:23:22 | 0:23:25 | |
and they're not here for any other reason than to make it a better, | 0:23:25 | 0:23:28 | |
more pleasant experience for the visitor that's coming in | 0:23:28 | 0:23:31 | |
and using these facilities. | 0:23:31 | 0:23:33 | |
And yet, sadly, it's the minority that spoil it for the majority. | 0:23:34 | 0:23:39 | |
The Duchess would be mortified if... | 0:23:39 | 0:23:41 | |
she'd known already that this happened, | 0:23:41 | 0:23:44 | |
so I think we can probably get away with it. | 0:23:44 | 0:23:46 | |
Get something up as if it's not happened. | 0:23:46 | 0:23:49 | |
And hope it doesn't happen again. | 0:23:49 | 0:23:51 | |
'Listen, across the world, I think people do the strangest of things, | 0:23:57 | 0:24:00 | |
'don't they, so Chatsworth is no different.' | 0:24:00 | 0:24:03 | |
You know, accidents do happen. | 0:24:03 | 0:24:06 | |
HE CHUCKLES | 0:24:06 | 0:24:07 | |
At the house, staff are expected to have all the answers. | 0:24:07 | 0:24:13 | |
No-one more so than Heather. | 0:24:13 | 0:24:15 | |
The badge obviously says Head Guide, Um... | 0:24:15 | 0:24:18 | |
People tend to think I've probably been here for years and years, | 0:24:18 | 0:24:21 | |
and so they expect you to have a certain standard of knowledge, | 0:24:21 | 0:24:24 | |
so I find I have to perhaps research a bit more than the regular guides, | 0:24:24 | 0:24:29 | |
so I can keep up there. | 0:24:29 | 0:24:31 | |
You might get occasional people asking you about specific bits, | 0:24:31 | 0:24:35 | |
at which point, I need to dig into the depths of my mind | 0:24:35 | 0:24:39 | |
and try and remember what they're about. | 0:24:39 | 0:24:41 | |
But the basics, I know, so that's OK. | 0:24:41 | 0:24:43 | |
Ooh, can you please... | 0:24:43 | 0:24:45 | |
-I'm sorry. -Try not to touch it, sorry. | 0:24:45 | 0:24:47 | |
This is by Edmund De Waal, modern art. | 0:24:47 | 0:24:51 | |
2007, it's called The Sounding Line. | 0:24:51 | 0:24:53 | |
Erm... And it was created for this area. | 0:24:53 | 0:24:55 | |
-These down here, can you see they're slightly wonky? -Yeah. | 0:24:55 | 0:24:58 | |
-They're created in three parts, fired in three parts and stuck on top of each other. -Oh, I see. | 0:24:58 | 0:25:02 | |
Do they make sounds, and if you... Or why are they called The Sound... | 0:25:02 | 0:25:05 | |
Why are they called The Sounding Line? I'm not sure. I'm sure somewhere it'll explain. | 0:25:05 | 0:25:10 | |
All these are religious paintings, so you've got Jacob's Ladder... | 0:25:10 | 0:25:14 | |
and then you've got Joseph, Technicolour Dreamcoat, and... Oh, what was his wife's name? | 0:25:14 | 0:25:20 | |
Joseph's? | 0:25:20 | 0:25:21 | |
What do we know about Jim Allison, on the table? | 0:25:21 | 0:25:24 | |
Ooh, these, I'm not sure, actually. If you have a look at the, erm... | 0:25:24 | 0:25:27 | |
-I've seen it on this. -Let's have a quick look, what does it say there? | 0:25:27 | 0:25:31 | |
The foot is Greek. | 0:25:31 | 0:25:32 | |
Something in my head was saying Roman, but it's not, it's Greek. | 0:25:32 | 0:25:36 | |
I'm trying to find the Tintoretto as well, | 0:25:36 | 0:25:38 | |
because I know it's Samson and Delilah, but I can't remember the exact date. | 0:25:38 | 0:25:42 | |
-And they're a piece of modern art... -Urgh... -Created in 2007. -Sorry. | 0:25:42 | 0:25:47 | |
-Are you not convinced? -No, I don't like modern art. -HEATHER LAUGHS | 0:25:47 | 0:25:50 | |
So as soon as Paul gets back, then I can go and swot up a little bit. | 0:25:50 | 0:25:56 | |
-Hi. -Hi. | 0:25:58 | 0:25:59 | |
Hi. | 0:25:59 | 0:26:00 | |
5:00pm. | 0:26:08 | 0:26:10 | |
Doors close. | 0:26:10 | 0:26:11 | |
The last visitors melt away. | 0:26:11 | 0:26:14 | |
Usually, the first thing that we know that visitors have left, | 0:26:17 | 0:26:20 | |
is when people sort of trickle away from the garden, | 0:26:20 | 0:26:23 | |
and then the water gets turned off at 5:30pm, | 0:26:23 | 0:26:25 | |
the Cascade and the Emperor Fountain get turned off. | 0:26:25 | 0:26:28 | |
Our day doesn't usually end until dinner time, which is about... | 0:26:32 | 0:26:35 | |
After eight o'clock sometime. | 0:26:35 | 0:26:36 | |
We try not to go back to the office after dinner if we can. | 0:26:36 | 0:26:40 | |
We don't actually watch the television, hardly ever, | 0:26:40 | 0:26:42 | |
but we read a book and then probably fall asleep quite quickly, | 0:26:42 | 0:26:45 | |
but the day is never really over, and the house is never really quiet. | 0:26:45 | 0:26:48 | |
Except very late at night. | 0:26:48 | 0:26:50 | |
For some, after a day being bombarded with questions, | 0:26:53 | 0:26:56 | |
there is work to do. | 0:26:56 | 0:26:58 | |
Struggling with her work-life balance, | 0:27:00 | 0:27:01 | |
but knowing she is on probation, Heather brushes up on Chatsworth. | 0:27:01 | 0:27:05 | |
At the moment, really, I'm just swotting up. | 0:27:05 | 0:27:07 | |
You know, I'm still learning very quickly, | 0:27:07 | 0:27:10 | |
and often, I'll read during the evening. | 0:27:10 | 0:27:12 | |
You know, you do find that you can sometimes get a bit engrossed in books, really, | 0:27:12 | 0:27:17 | |
and not pay much attention to your family instead, but I've got to do it. | 0:27:17 | 0:27:20 | |
I've got to try and get as much knowledge as possible, really. | 0:27:20 | 0:27:23 | |
I think for me as a confidence thing, the more I know, | 0:27:23 | 0:27:27 | |
the more I can kind of, almost forget about the probation a little bit as well, | 0:27:27 | 0:27:30 | |
really, and try and concentrate on something else at the moment. | 0:27:30 | 0:27:33 | |
'You know, I've always worked in stately homes, | 0:27:33 | 0:27:36 | |
'but they've always been slightly smaller ones,' | 0:27:36 | 0:27:39 | |
and now it's Chatsworth, I mean, Chatsworth's Chatsworth. | 0:27:39 | 0:27:42 | |
And I'm just, kind of, thinking, "Have I done enough?" | 0:27:42 | 0:27:44 | |
Really, have I done enough yet? Am I proving myself? | 0:27:46 | 0:27:49 | |
You know, I'm managing a team of 60, am I managing to do that OK? | 0:27:49 | 0:27:52 | |
You know, I mean, you just don't know, do you? | 0:27:52 | 0:27:54 | |
I will never let anyone else know I'm nervous, | 0:27:54 | 0:27:57 | |
and I'd never let the guides know I'm nervous, | 0:27:57 | 0:27:59 | |
but, you know, sometimes it's something I am, deep down. | 0:27:59 | 0:28:02 | |
I think, I wouldn't even let Christine know I'm nervous, | 0:28:02 | 0:28:05 | |
but I am. | 0:28:05 | 0:28:06 | |
So we'll see. | 0:28:06 | 0:28:09 | |
Hopefully they have faith. | 0:28:09 | 0:28:10 | |
SHEEP BLEAT | 0:28:15 | 0:28:17 | |
The show Chatsworth puts on is all about English history. | 0:28:23 | 0:28:26 | |
And at its heart is the legacy of the Devonshire family. | 0:28:28 | 0:28:33 | |
It in the middle is the first Duke, | 0:28:34 | 0:28:35 | |
so he is the key person, he was very, very important, | 0:28:35 | 0:28:38 | |
he built the square bit of the house you see now, not the wing. | 0:28:38 | 0:28:43 | |
The second key figure is the bachelor Duke, up there. | 0:28:43 | 0:28:45 | |
And he built the new wing, a wonderful man in many, many ways, | 0:28:45 | 0:28:48 | |
very, very extravagant. | 0:28:48 | 0:28:49 | |
Left a huge amount of debt on his death, | 0:28:49 | 0:28:52 | |
but really reinvigorated Chatsworth, | 0:28:52 | 0:28:55 | |
and I think the third most important is my father, | 0:28:55 | 0:28:59 | |
because he really saved Chatsworth after the war. | 0:28:59 | 0:29:01 | |
Chatsworth would have become a national museum or something. | 0:29:01 | 0:29:05 | |
We had 80% death duties to pay when my grandfather died in 1950. | 0:29:05 | 0:29:09 | |
My father was only 30 then. | 0:29:09 | 0:29:10 | |
And he and my mother together, over 40 or 50 years, | 0:29:10 | 0:29:14 | |
really the rest of their life, they spent, | 0:29:14 | 0:29:17 | |
first of all saving Chatsworth, and then building it up. | 0:29:17 | 0:29:19 | |
Now, Chatsworth is about the house, | 0:29:19 | 0:29:21 | |
not so much about the people who live here. | 0:29:21 | 0:29:24 | |
Today, with 700 staff and a multi-million pound turnover, | 0:29:24 | 0:29:28 | |
Chatsworth is the biggest local employer. | 0:29:28 | 0:29:30 | |
And the Duke is the boss. | 0:29:31 | 0:29:33 | |
'I was here all day on Saturday, literally, I think, from about eight till eight.' | 0:29:33 | 0:29:36 | |
I mean, in theory, I'm two or three years past the old retirement age, | 0:29:36 | 0:29:39 | |
but luckily they changed the law so you can't make people retire at 65 any more. | 0:29:39 | 0:29:43 | |
PHONE RINGS | 0:29:43 | 0:29:45 | |
Hello, Liz, um, could you come and look at the diary, please? Thanks. | 0:29:45 | 0:29:51 | |
My work life is 70% probably Chatsworth stuff. | 0:29:53 | 0:29:56 | |
If it's your own house, it does matter what colour the paint is | 0:29:56 | 0:29:59 | |
and it does matter what sort of tulips you're going to plant. | 0:29:59 | 0:30:02 | |
Those little things matter a lot to us cos it's where we live, | 0:30:02 | 0:30:06 | |
it's not just a job. | 0:30:06 | 0:30:08 | |
It's far more than that, so inevitably we micromanage | 0:30:08 | 0:30:11 | |
and I don't really apologise for that. | 0:30:11 | 0:30:13 | |
-I'll be with the guests most of the morning. -Mm-hm. | 0:30:13 | 0:30:18 | |
Then I've got a private meeting at half past six in the lower library | 0:30:18 | 0:30:21 | |
which, in the diary, you may or may not have seen just yet. | 0:30:21 | 0:30:23 | |
-Yep. Do you want tea and coffee for that? -No. | 0:30:23 | 0:30:26 | |
Er...erm. | 0:30:26 | 0:30:27 | |
-I'll just let the butlers know. -Yeah. | 0:30:27 | 0:30:30 | |
-OK, that's fine. Good, thanks. -All right. | 0:30:30 | 0:30:32 | |
I mean, a lot of people who live in big houses decide at a certain | 0:30:32 | 0:30:36 | |
stage in their life - sometimes pre-announced, sometimes not - | 0:30:36 | 0:30:39 | |
to move out and let the next person take over. | 0:30:39 | 0:30:43 | |
Whether we stay here until we die or whether we move out, I don't know. | 0:30:44 | 0:30:48 | |
But I think you can certainly retire from this job. | 0:30:48 | 0:30:50 | |
But, erm, we're not ready for that. | 0:30:50 | 0:30:52 | |
When the Duke succeeded his father in 2004, | 0:30:55 | 0:30:58 | |
the Duke's mother, the dowager duchess, moved to Edensor. | 0:30:58 | 0:31:01 | |
A village on the estate. | 0:31:01 | 0:31:03 | |
And she remains a pillar of local life. | 0:31:07 | 0:31:10 | |
Her three-volume autobiography, personally signed, | 0:31:10 | 0:31:13 | |
takes pride of place in the Chatsworth shop. | 0:31:13 | 0:31:17 | |
It's a different world, | 0:31:17 | 0:31:19 | |
a completely different world to what I was used to. | 0:31:19 | 0:31:21 | |
It is now a proper business. | 0:31:21 | 0:31:24 | |
All the houses of this kind are run as businesses now. | 0:31:24 | 0:31:29 | |
But anyway, I'm delighted to be here | 0:31:29 | 0:31:32 | |
because it's two steps from the garden, two steps from the kitchen. | 0:31:32 | 0:31:36 | |
At Chatsworth you had to think which was the quickest way to get to the kitchen. | 0:31:36 | 0:31:40 | |
I was getting too old for it. | 0:31:40 | 0:31:43 | |
Besides, it was high time my son and daughter-in-law came. | 0:31:43 | 0:31:46 | |
But for Andre the dowager holds a special place. | 0:31:49 | 0:31:52 | |
For most of his time working at Chatsworth, she was in charge. | 0:31:52 | 0:31:56 | |
This morning we're going to go and see the dowager, | 0:31:56 | 0:31:59 | |
the Duchess of Devonshire. | 0:31:59 | 0:32:01 | |
I've got some books that she needs to sign. | 0:32:01 | 0:32:03 | |
As a boy I found it very difficult coming to Chatsworth, it was | 0:32:03 | 0:32:06 | |
very much like Upstairs Downstairs at the time and I was, on arrival, | 0:32:06 | 0:32:10 | |
with my tatty old suitcase and my family drove off down the drive. | 0:32:10 | 0:32:13 | |
There were tears in my eyes. | 0:32:13 | 0:32:15 | |
The first time away from home and it was a very difficult time. | 0:32:15 | 0:32:19 | |
My intentions were only to stay at Chatsworth for 18 months. | 0:32:21 | 0:32:24 | |
29 years later I'm still here. | 0:32:24 | 0:32:26 | |
This is the old vicarage and this is where the dowager lives. | 0:32:26 | 0:32:29 | |
I feel quite at home here. | 0:32:29 | 0:32:31 | |
But we'll go in t'servants' entrance like I always do. | 0:32:31 | 0:32:34 | |
Good morning Your Grace, I've got some books to sign, if that's possible. | 0:32:39 | 0:32:43 | |
-That's very good. -Would you be able to do that for me? -Have you got a pen? | 0:32:43 | 0:32:46 | |
I think I have. | 0:32:46 | 0:32:47 | |
-One customer came and said they wanted an unsigned book. -SHE LAUGHS | 0:32:47 | 0:32:51 | |
Which was a rather bizarre request. | 0:32:51 | 0:32:53 | |
Normally I'm getting told off cos a book's gone out that hasn't | 0:32:53 | 0:32:56 | |
been signed and then I'm coming and saying, "Can you get me a book that's NOT signed?" | 0:32:56 | 0:33:00 | |
-So... -That's very funny. | 0:33:00 | 0:33:02 | |
Well, it's quite hard to find an unsigned book. | 0:33:02 | 0:33:05 | |
The Dowager is the youngest and last survivor of the legendary Mitford | 0:33:07 | 0:33:12 | |
sisters whose lives and loves transfixed society during the 1930s. | 0:33:12 | 0:33:15 | |
Known to her family as Debo, she married Andrew Devonshire in 1941. | 0:33:19 | 0:33:23 | |
I've been there for 46 years and one month. | 0:33:23 | 0:33:27 | |
People who come, they either leave the next day, fed up with the way | 0:33:27 | 0:33:31 | |
the place is run or they stay for the rest of their lives, like these two. | 0:33:31 | 0:33:35 | |
Absolutely, yes. | 0:33:35 | 0:33:37 | |
They get terribly attached to this place for some reason, don't they? | 0:33:37 | 0:33:41 | |
I think we all do Your Grace, don't we? | 0:33:41 | 0:33:43 | |
There's something magical about it, | 0:33:43 | 0:33:45 | |
but it's also that tradition, I think. | 0:33:45 | 0:33:48 | |
And it's sort of pretty well unique because this village is all | 0:33:48 | 0:33:53 | |
occupied by people who have worked on the estate or who have retired. | 0:33:53 | 0:33:59 | |
I think from outside everybody looks on us like we're | 0:33:59 | 0:34:01 | |
perhaps a bit odd living together and working together. | 0:34:01 | 0:34:04 | |
Do you think they do? | 0:34:04 | 0:34:05 | |
Well, I think some people find it bizarre. | 0:34:05 | 0:34:08 | |
Yes, I suppose they do! | 0:34:08 | 0:34:10 | |
But you see the trouble is that all humans are the same | 0:34:10 | 0:34:14 | |
so there's no point making a great fuss about who's what. | 0:34:14 | 0:34:17 | |
It's better for everyone to get together, I reckon. | 0:34:17 | 0:34:20 | |
Absolutely. | 0:34:20 | 0:34:21 | |
Wait a minute, let's get this thing proper. There we are. | 0:34:21 | 0:34:27 | |
-One. -Wonderful. | 0:34:29 | 0:34:30 | |
And the figures were good last week, Your Grace, weren't they, for the farm shop? | 0:34:30 | 0:34:33 | |
Did the beef lead? | 0:34:33 | 0:34:35 | |
The beef did very well | 0:34:35 | 0:34:36 | |
and we've got some more venison in from the estate which is good. | 0:34:36 | 0:34:42 | |
Oh...don't muddle me! HE LAUGHS | 0:34:42 | 0:34:44 | |
That's all right, sorry. | 0:34:44 | 0:34:46 | |
-That's all your fault! -I won't talk after this one. | 0:34:46 | 0:34:49 | |
You CAN'T not talk! It's not in your nature. | 0:34:49 | 0:34:51 | |
Under the dowager and her husband | 0:34:55 | 0:34:58 | |
the estate first moved into the retail trade. | 0:34:58 | 0:35:00 | |
Today it's 62 farms and 100 acres of woodland supply the farm shop | 0:35:02 | 0:35:06 | |
with all its beef, lamb and venison. | 0:35:06 | 0:35:09 | |
-You know the Fairsize farm? -Yes. | 0:35:09 | 0:35:11 | |
-There's a little valley runs up from it. It's in that. -On the right? | 0:35:11 | 0:35:14 | |
-I'll go and have a look. -Well, it may have gone. The fox may have taken it anyway. | 0:35:14 | 0:35:17 | |
-There's no foxes here, is there? -No foxes?! | 0:35:17 | 0:35:20 | |
You tell me! | 0:35:20 | 0:35:23 | |
When she was in charge, she pushed the estate to make money, | 0:35:23 | 0:35:26 | |
helped by young farmer Ian Turner. | 0:35:26 | 0:35:29 | |
-He's got some funny theories! -Has he?! | 0:35:30 | 0:35:33 | |
And today he still runs the farm. | 0:35:34 | 0:35:36 | |
Lambing time's a marvellous time on a farm, the creation of new life. | 0:35:41 | 0:35:45 | |
You know, it all depends on what number of lambs we get for what | 0:35:45 | 0:35:49 | |
we sell and then the economics of the running of the estate. | 0:35:49 | 0:35:52 | |
We've got to keep this place running for evermore. | 0:35:52 | 0:35:55 | |
We've got a duke and we've got a duke's son | 0:35:56 | 0:35:58 | |
and a duke's grandson so we've got the next two lined up! | 0:35:58 | 0:36:02 | |
My first lambing was in January. | 0:36:04 | 0:36:07 | |
I had to be told step-by-step what to do but I think I've got the gist of it now. | 0:36:07 | 0:36:11 | |
Come on, girl. | 0:36:14 | 0:36:15 | |
There we go. | 0:36:18 | 0:36:19 | |
Check to see if she's having another. | 0:36:24 | 0:36:26 | |
No, she's not having another. That's her two. | 0:36:28 | 0:36:31 | |
So far I'd say we've had over 3,000 lambs. | 0:36:33 | 0:36:36 | |
I'm not sure how many we're going to have in total | 0:36:36 | 0:36:38 | |
but last year I think they had 4,800, which is quite a number! | 0:36:38 | 0:36:43 | |
Hello, lass, what've you got? Two Texels. What've you got? | 0:36:44 | 0:36:47 | |
Two Suffolks, two Texels. | 0:36:49 | 0:36:52 | |
Here we are we've got a ewe that's only has one lamb here. | 0:36:52 | 0:36:55 | |
We had a ewe down the bottom end who's had three lambs. | 0:36:55 | 0:36:58 | |
The ewes have got a design fault. | 0:36:59 | 0:37:00 | |
They've only got two buttons on their waistcoat. | 0:37:00 | 0:37:04 | |
They could do with four, some days here. | 0:37:04 | 0:37:06 | |
It's more economical for us for a ewe to raise two lambs than | 0:37:08 | 0:37:12 | |
what it is to raise one lamb. | 0:37:12 | 0:37:15 | |
If she has one lamb it'll probably go fat early on but | 0:37:15 | 0:37:18 | |
if she has two lambs, there's chance of her making twice as much money. | 0:37:18 | 0:37:23 | |
Right, Frances has just put the ewe down and she's going to hold | 0:37:24 | 0:37:29 | |
her down and Natalie's going to simulate that she's lambing again. | 0:37:29 | 0:37:33 | |
You've found another lamb in there? | 0:37:37 | 0:37:40 | |
You've made sure both the teats work first, have you? | 0:37:40 | 0:37:43 | |
Well done, girls. Don't rub it on there, rub it on t'lamb. | 0:37:44 | 0:37:47 | |
There you are, she thinks she's had two. | 0:37:50 | 0:37:53 | |
She's loving them both now. | 0:37:57 | 0:37:59 | |
She's drying her second lamb, which is her foster lamb, very well. | 0:38:01 | 0:38:05 | |
And it looks like it'll be a good take. | 0:38:05 | 0:38:08 | |
Spring lambs on the farm, | 0:38:18 | 0:38:21 | |
but not all their visitors are spring chickens. | 0:38:21 | 0:38:23 | |
With over 100 acres to cover, electric buggies are in high demand. | 0:38:24 | 0:38:30 | |
-We might be lucky, I think, on the next one. -Yes! | 0:38:37 | 0:38:40 | |
I can get five of you on. | 0:38:42 | 0:38:44 | |
Last one went without us cos it only takes five. | 0:38:44 | 0:38:47 | |
There are six of us. | 0:38:47 | 0:38:49 | |
So we said we'd wait for the next one so we're hopefully on it. | 0:38:49 | 0:38:52 | |
-Americans stereotypically do not like to wait. -No. | 0:38:55 | 0:38:59 | |
Garden buggies at the moment are a bit of a problem for us. | 0:38:59 | 0:39:02 | |
We've had a few issues with queue-jumping | 0:39:02 | 0:39:05 | |
and customers getting irate with each other. | 0:39:05 | 0:39:08 | |
-Then I've still got to wait for that to come back? -They'll be about half an hour. | 0:39:08 | 0:39:12 | |
-Oh. -Not at the moment. | 0:39:13 | 0:39:14 | |
How many buggies do we actually have in our possession on the front of house side of things? | 0:39:14 | 0:39:20 | |
Er, three at the moment. | 0:39:20 | 0:39:23 | |
Have we got three down at, what do you call it, maintenance? | 0:39:23 | 0:39:26 | |
I think we've got five in total. | 0:39:26 | 0:39:29 | |
Yeah, one of them at the minute is completely out of commission. | 0:39:29 | 0:39:32 | |
-Apart from that I'm not 100% sure. -No. | 0:39:32 | 0:39:35 | |
Er, do you have an ETA for the second buggy? Over. | 0:39:35 | 0:39:40 | |
Fighting to keep their visitors mobile is the estate's only qualified mechanic, Andy. | 0:39:41 | 0:39:47 | |
Wants fixing. | 0:39:47 | 0:39:49 | |
Fixed. | 0:39:49 | 0:39:50 | |
Wants fixing. | 0:39:50 | 0:39:51 | |
Can't fix it. | 0:39:51 | 0:39:53 | |
I think that about sums it up. | 0:39:53 | 0:39:56 | |
That one's a new engine in it. | 0:39:56 | 0:39:57 | |
These two are... that's ready for servicing | 0:39:57 | 0:40:01 | |
and them two are sort of... if I ever get time. | 0:40:01 | 0:40:04 | |
They are quite busy on the garden tours at the moment. | 0:40:06 | 0:40:10 | |
It doesn't help if some of them are off the road and we haven't got | 0:40:10 | 0:40:13 | |
any spare ones so we have to mend these to get them back in the loop. | 0:40:13 | 0:40:17 | |
I've got so many jobs, so many mixed jobs that everything's a priority | 0:40:20 | 0:40:25 | |
and you struggle a bit to try and get which priority you should be on. | 0:40:25 | 0:40:29 | |
We could be anything from toilet cleaners, dog catchers, | 0:40:29 | 0:40:35 | |
you name it, we do it. | 0:40:35 | 0:40:36 | |
If I was to wear a badge with the things that I did on here, | 0:40:36 | 0:40:41 | |
I wouldn't be able to carry it. | 0:40:41 | 0:40:43 | |
Whatever time I spend on it now will keep it going for the next | 0:40:46 | 0:40:50 | |
three or four months, hopefully. | 0:40:50 | 0:40:53 | |
I don't want a big queue of people waiting for something that's | 0:40:55 | 0:40:58 | |
not going to turn up. | 0:40:58 | 0:41:00 | |
Until Andy can patch up more buggies... | 0:41:00 | 0:41:04 | |
We were waiting for 40 minutes for a buggy and then before we could | 0:41:04 | 0:41:07 | |
get on everybody else had piled on and we were the first in the queue! | 0:41:07 | 0:41:11 | |
And I thought, "Hello?!" | 0:41:11 | 0:41:13 | |
Anyway, he assured me we'd get on the next one in half | 0:41:13 | 0:41:15 | |
in hour's time...everybody jumped on and here we are without, | 0:41:15 | 0:41:19 | |
not on the buggy again. | 0:41:19 | 0:41:21 | |
And with skirmishes breaking out amongst the visitors... | 0:41:23 | 0:41:26 | |
Do you want to take a seat... | 0:41:26 | 0:41:28 | |
..Heather calls for back up. | 0:41:31 | 0:41:33 | |
Hi, it's Heather from the Sculpture Gallery. I really need your help. | 0:41:33 | 0:41:38 | |
We have no other buggies at all. | 0:41:38 | 0:41:40 | |
Right, OK. Have you got two in the gardens, do you know where they are? | 0:41:43 | 0:41:46 | |
-Let's see if we can use the Duke's buggy. -Shall I go and fetch it? -Yeah. | 0:41:46 | 0:41:51 | |
Will the keys be in it? | 0:41:51 | 0:41:52 | |
Hi, it's Heather from Sculpture Gallery. I really need your help. | 0:41:52 | 0:41:56 | |
Is there any way at all that we could use the Duke's buggy? | 0:41:58 | 0:42:01 | |
Oh, what, the door near where the garden buggy is? | 0:42:01 | 0:42:05 | |
Great, I'll send David down there. OK, thank you, bye. | 0:42:05 | 0:42:08 | |
Yeah, we're going to use the Duke's buggy. | 0:42:08 | 0:42:11 | |
If you go and you meet Dina, she'll be stood at the door | 0:42:11 | 0:42:13 | |
near where the buggy is and she'll hand the keys straight over to you. | 0:42:13 | 0:42:16 | |
-Now? -Now. | 0:42:16 | 0:42:19 | |
And now we're going to have one all to ourselves. | 0:42:26 | 0:42:30 | |
the Duke's buggy! | 0:42:30 | 0:42:32 | |
Bye! | 0:42:36 | 0:42:38 | |
You know, sometimes you've got to think on your feet little bit | 0:42:39 | 0:42:43 | |
with these things but it's part of your job really. | 0:42:43 | 0:42:45 | |
And I don't mind. That's why I'm here. | 0:42:45 | 0:42:49 | |
Overseeing the shops and restaurants, | 0:42:51 | 0:42:54 | |
the present duchess is on call throughout the summer. | 0:42:54 | 0:42:58 | |
When my mother-in-law handed over the farm shop for us to run, | 0:42:58 | 0:43:02 | |
I found there was a large pair of shoes to fill | 0:43:02 | 0:43:05 | |
but it's very important to keep the farm shop evolving | 0:43:05 | 0:43:08 | |
because our customers know what they want and they're always looking for | 0:43:08 | 0:43:13 | |
something new and interesting, and so we need to keep one step ahead. | 0:43:13 | 0:43:18 | |
Andre has asked me to look at some cheeses, some new, different cheeses | 0:43:21 | 0:43:26 | |
to choose and decide if we want to sell them in the shop. | 0:43:26 | 0:43:30 | |
I think we'll have a look around the shop, while I'm there. | 0:43:30 | 0:43:34 | |
As Amanda Carmen Heyward-Lonsdale, | 0:43:36 | 0:43:39 | |
daughter of Commander Edward Gavin Heyward-Lonsdale, | 0:43:39 | 0:43:43 | |
she married Peregrine Cavendish on 28th June 1967 | 0:43:43 | 0:43:46 | |
at St Martin-in-the-Fields, London. | 0:43:46 | 0:43:49 | |
Now she's running a grocer's shop. | 0:43:51 | 0:43:53 | |
If I see the Duke and Duchess coming up the drive, | 0:43:56 | 0:44:00 | |
I go around... and they know what I'm on about. | 0:44:00 | 0:44:04 | |
Stand by your beds is what it is. | 0:44:04 | 0:44:06 | |
We've had some delicious cod which is excellent. Really, really fresh. | 0:44:09 | 0:44:14 | |
Andre, will you send some tuna up next time when Sophie asks you? | 0:44:14 | 0:44:18 | |
-Of course you can. -Yes, please. Thank you. | 0:44:18 | 0:44:21 | |
It's great when she does come and says, | 0:44:21 | 0:44:23 | |
like she said to Sophie on the fish counter, "The fish was fantastic that we had yesterday." | 0:44:23 | 0:44:28 | |
It's good customer feedback from... | 0:44:28 | 0:44:31 | |
the head of the table, as you might say. | 0:44:31 | 0:44:34 | |
-I think it's a really good thing to do. -Well, it brings the customers in. | 0:44:34 | 0:44:38 | |
And the head of the table is ready to move on to the cheese course. | 0:44:38 | 0:44:41 | |
Now, what have you got? | 0:44:41 | 0:44:44 | |
We've now had two years of the continental cheeses | 0:44:44 | 0:44:47 | |
we've got on the counter. | 0:44:47 | 0:44:48 | |
There are only six but they've been excellent sellers | 0:44:48 | 0:44:51 | |
and that was your driving... driving force to get those in | 0:44:51 | 0:44:57 | |
and they've been brilliant. | 0:44:57 | 0:44:59 | |
-And I just wondered if maybe it's time for... -a change. | 0:44:59 | 0:45:03 | |
-..a change with them. -Fine, OK. | 0:45:03 | 0:45:05 | |
-This looks very strong. What is it? Unpasteurised. -Unpasteurised. | 0:45:05 | 0:45:11 | |
-Shall we have a try? -No, don't let's start with the strongest. | 0:45:11 | 0:45:14 | |
-Let's start with the weakest. Are we going to be able to taste all of them? -Of course we are. | 0:45:14 | 0:45:19 | |
That's going to start with, is it? | 0:45:19 | 0:45:21 | |
Selling foreign cheeses in an English farm shop is very controversial | 0:45:21 | 0:45:25 | |
so I think it's something the family should always be involved in | 0:45:25 | 0:45:28 | |
and I'd always speak to the Duchess first before doing things like this | 0:45:28 | 0:45:31 | |
because we're very proud that we've got 99% of our products being British. | 0:45:31 | 0:45:35 | |
So, absolutely, I wouldn't dare do it without consultation. | 0:45:38 | 0:45:43 | |
I like that one. It's creamy. I don't like that one as much. | 0:45:46 | 0:45:50 | |
It's too dry. It's a bit like Gouda. | 0:45:50 | 0:45:53 | |
Yeah. Stronger. | 0:45:55 | 0:45:57 | |
-I like it. -Sweet, that's very nice. Excellent. | 0:45:59 | 0:46:01 | |
We know what we like now and we know what we don't like. | 0:46:01 | 0:46:04 | |
-We know where we are. -We know where we are. | 0:46:04 | 0:46:07 | |
Anything to show me downstairs? | 0:46:07 | 0:46:09 | |
Photographs in the loos. | 0:46:10 | 0:46:12 | |
-Did you know we had a little bit of a mishap? -No, what happened? | 0:46:12 | 0:46:17 | |
One of them was stolen after day three. | 0:46:17 | 0:46:20 | |
-Which one, the Duke? -No, it wasn't the Duke! | 0:46:21 | 0:46:24 | |
It was one of the gardens in the gents but while it's a bad thing | 0:46:24 | 0:46:29 | |
that it's happening, it's because they're so good. | 0:46:29 | 0:46:32 | |
-Notify the builder. -Absolutely. | 0:46:34 | 0:46:37 | |
Great country houses have always been | 0:46:40 | 0:46:42 | |
a source of employment for the local community. | 0:46:42 | 0:46:45 | |
The commercial success of Chatsworth is helping to keep | 0:46:47 | 0:46:50 | |
this tradition alive. | 0:46:50 | 0:46:52 | |
A lot of families have worked here for more than a generation. | 0:46:52 | 0:46:56 | |
They're hefted to the place like a flock of sheep can be hefted to a hill. | 0:46:56 | 0:47:00 | |
They don't need to be shepherded after several generations. | 0:47:00 | 0:47:03 | |
And I think that they're really proud to see that Chatsworth | 0:47:03 | 0:47:06 | |
is voted the most popular historic house. | 0:47:06 | 0:47:09 | |
When we get those awards, that is... I think we all feel, | 0:47:09 | 0:47:13 | |
everybody here feels we've all played a part in winning that award. | 0:47:13 | 0:47:17 | |
Morning. | 0:47:18 | 0:47:20 | |
Good morning, everybody. | 0:47:20 | 0:47:21 | |
This is the Countryside Alliance lifetime achievement award. | 0:47:21 | 0:47:25 | |
It's for the whole estate | 0:47:25 | 0:47:27 | |
and all the things that have happened at Chatsworth | 0:47:27 | 0:47:31 | |
over the last 20 or 30 years, so it's really more for my parents than for us, | 0:47:31 | 0:47:34 | |
but it's certainly for an awful lot of you who have been involved | 0:47:34 | 0:47:37 | |
for a long time and so is about to go up outside my mother's front door. | 0:47:37 | 0:47:40 | |
So thank you very much. Well done. | 0:47:40 | 0:47:42 | |
APPLAUSE | 0:47:42 | 0:47:44 | |
I feel a sense of obligation to my parents - | 0:47:46 | 0:47:49 | |
a really strong obligation to them | 0:47:49 | 0:47:51 | |
because they did such a fantastic job because they kept this place going | 0:47:51 | 0:47:55 | |
when lots of other people would have just given up and with good reason. | 0:47:55 | 0:48:00 | |
We're really only building on what they created. | 0:48:00 | 0:48:02 | |
They did nearly all the hard work. | 0:48:02 | 0:48:04 | |
I think it's nice. A proper bit of kit. | 0:48:08 | 0:48:10 | |
They'll probably give an award to the person who made it. | 0:48:10 | 0:48:13 | |
This is the Countryside Alliance annual awards. | 0:48:13 | 0:48:16 | |
It's a lovely thing to be given. | 0:48:16 | 0:48:17 | |
It's the first time they've given a lifetime achievement award. | 0:48:17 | 0:48:20 | |
In the '50s when my parents started all this, | 0:48:20 | 0:48:23 | |
everything was at a really low ebb, including Chatsworth, and now it | 0:48:23 | 0:48:28 | |
goes very well and it has done for 20 years but it wasn't always like that. | 0:48:28 | 0:48:34 | |
-It was much more of a struggle. -It was a terrific struggle. | 0:48:34 | 0:48:38 | |
And the taxation was so high. | 0:48:38 | 0:48:41 | |
I suddenly realised that if we could have a butchery | 0:48:41 | 0:48:45 | |
-and sell direct to the public... -From the farm. | 0:48:45 | 0:48:47 | |
..from the farm, everybody would know that it was Chatsworth produce. | 0:48:47 | 0:48:52 | |
And that was the strength of it. I had no official job here. | 0:48:52 | 0:48:58 | |
I just was behind the scenes. | 0:48:58 | 0:49:00 | |
So I just rattled on until they got so bored of it, | 0:49:00 | 0:49:04 | |
in the end they said, "All right, we had better do it then." | 0:49:04 | 0:49:08 | |
"We'll try," they said. | 0:49:08 | 0:49:09 | |
I suppose you'd call it that very rare thing called common sense. | 0:49:09 | 0:49:13 | |
I do believe it was. | 0:49:13 | 0:49:14 | |
THEY LAUGH | 0:49:14 | 0:49:16 | |
-So that was good. -It's unheard of. | 0:49:16 | 0:49:19 | |
We can put it there. That looks of it. | 0:49:19 | 0:49:21 | |
-That's very good. -Or up here. -That a bit too high. -Too high? Yes. | 0:49:21 | 0:49:24 | |
OK, well it can go there. | 0:49:24 | 0:49:27 | |
-That'll be lovely. -That will be all right, won't it? Just perfect. | 0:49:27 | 0:49:31 | |
We could put it on... Under the bell, so people have to see it. | 0:49:31 | 0:49:35 | |
-Well, and then... -And you could say underneath, "Aren't I clever?" | 0:49:35 | 0:49:38 | |
or something like that? All right. | 0:49:38 | 0:49:40 | |
-Well, we'll try once more we get some screws. -Yes, all right. Yes. | 0:49:40 | 0:49:44 | |
All right. Very good. Lovely. | 0:49:44 | 0:49:47 | |
Thank you very much indeed. I shall see you soon. | 0:49:47 | 0:49:51 | |
-I really will ask you to lunch next time. -Yes, please. | 0:49:51 | 0:49:55 | |
Today is the annual sheep service and at the village church, | 0:50:02 | 0:50:07 | |
the Dowager meets the flock. | 0:50:07 | 0:50:09 | |
The name Jacob sheep derives from Jacob in the Bible, | 0:50:10 | 0:50:14 | |
one of the shepherds, | 0:50:14 | 0:50:15 | |
and he had all piebald sheep and they become name as Jacob sheep. | 0:50:15 | 0:50:18 | |
The fourth Duke introduced six Jacob ewes. | 0:50:18 | 0:50:22 | |
I think next year, It'll be 250 years that Jacobs have been on the estate. | 0:50:22 | 0:50:25 | |
Right, we'll have these two out. | 0:50:25 | 0:50:28 | |
There you go, you two. | 0:50:30 | 0:50:32 | |
These are two we've selected to take. | 0:50:32 | 0:50:34 | |
They're not too big for the kids to carry. | 0:50:34 | 0:50:37 | |
Morning, your Grace. Are you OK? | 0:50:38 | 0:50:40 | |
Are you happy with all the sheep in the churchyard? | 0:50:40 | 0:50:44 | |
-You've got three Jacob ewes. -At last. You're a very good fellow. | 0:50:44 | 0:50:48 | |
Everything is doing well. | 0:50:48 | 0:50:51 | |
# All things bright and beautiful | 0:50:53 | 0:50:56 | |
# All creatures great and small | 0:50:56 | 0:50:59 | |
# All things wise and wonderful | 0:51:00 | 0:51:05 | |
# The Lord God made them all... # | 0:51:05 | 0:51:08 | |
O, Lamb of God, bless this thy lamb, which bears thy name. | 0:51:09 | 0:51:13 | |
O, Lamb of God, bless this lamb, which bears thy name. Amen. | 0:51:15 | 0:51:19 | |
There you go. | 0:51:26 | 0:51:28 | |
Probably both go in and feed | 0:51:34 | 0:51:36 | |
because they've had a couple of hours away and it's comforting for them. | 0:51:36 | 0:51:39 | |
She's going to be all right. She's letting them feed. | 0:51:41 | 0:51:44 | |
They'll just smell a bit of people holding them and covering them. | 0:51:45 | 0:51:49 | |
We'll leave her a day and keep an eye on her. Good. | 0:51:49 | 0:51:53 | |
With the Duchess keen to sell French cheese alongside local fare, | 0:51:59 | 0:52:02 | |
Andre has set up a tasting to test her selection. | 0:52:02 | 0:52:06 | |
For the last three weeks, | 0:52:07 | 0:52:10 | |
we've had the Duchess's favourite choices of foreign cheeses on sale. | 0:52:10 | 0:52:13 | |
It's the first time really we've accepted openly foreign produce into the shop. | 0:52:13 | 0:52:18 | |
And what we want to do now, moving on from that, | 0:52:18 | 0:52:22 | |
we've got Bob to come in and do tastings from our cheese suppliers. | 0:52:22 | 0:52:25 | |
It's all very new to us, Bob, doing this. | 0:52:25 | 0:52:28 | |
-All these foreign cheeses, you know. -It's good foreign cheese though. | 0:52:28 | 0:52:32 | |
-It's good. -It's the best you can get. | 0:52:32 | 0:52:34 | |
Try that cheese, Angie, as you go by. Speak to Bob, he doesn't bite. | 0:52:34 | 0:52:38 | |
Quite strong but the aftertaste is fantastic. | 0:52:40 | 0:52:44 | |
There you go, sir. | 0:52:45 | 0:52:48 | |
These represent the top end of the very best of French cheeses | 0:52:48 | 0:52:51 | |
so we've presented them to Andre and they've picked eight. | 0:52:51 | 0:52:55 | |
-It wasn't me, it was the Duchess. -It was the Duchess. | 0:52:55 | 0:52:58 | |
It's not as strong as it looks. | 0:53:00 | 0:53:03 | |
That's nice. | 0:53:03 | 0:53:06 | |
I love cheese, I'm terrible. | 0:53:06 | 0:53:08 | |
-I love cheese. -I do as well. | 0:53:08 | 0:53:10 | |
-Hand ladled, a beautiful flavour quite sticky. -It is quite sticky. | 0:53:12 | 0:53:17 | |
People can now choose to buy it or not but we've given it a nice push. | 0:53:20 | 0:53:25 | |
-That's nice. I'll have one of those. Thank you. -I'm very pleased. | 0:53:25 | 0:53:30 | |
I could eat them all. They're all nice. | 0:53:31 | 0:53:34 | |
Change. Embrace it, that's what I say. | 0:53:34 | 0:53:37 | |
-Shall we just look at the cheeses? -Yes, come on. | 0:53:39 | 0:53:42 | |
I want to hear about these cheeses. | 0:53:42 | 0:53:44 | |
I think you'd be very interested to find out that | 0:53:44 | 0:53:47 | |
all these that we tried, these are all on sale now. | 0:53:47 | 0:53:51 | |
14% of our total cheese sales have been your choice. | 0:53:51 | 0:53:55 | |
-Our choice, come on. -Our choice. | 0:53:57 | 0:54:01 | |
We've given it a boost. We've had tastings with customers. | 0:54:01 | 0:54:03 | |
We've had their feedback and it's been really, really positive. | 0:54:03 | 0:54:07 | |
-So... really positive. -That's really exciting. | 0:54:07 | 0:54:10 | |
I think these two were probably the best that we did the tastings with. | 0:54:10 | 0:54:15 | |
-And it's obviously boosted the sales on the counter as well. -Wonderful. | 0:54:15 | 0:54:21 | |
This is good. | 0:54:21 | 0:54:22 | |
What about like the photographs in the loos? | 0:54:24 | 0:54:27 | |
-The photographs in the toilets... -Are they still flying off the wall? | 0:54:27 | 0:54:31 | |
No, they're not. They've been screwed to the wall now | 0:54:31 | 0:54:34 | |
so whoever's got a collection of two that can pull them off, | 0:54:34 | 0:54:38 | |
I think that's where that collection will stop. | 0:54:38 | 0:54:41 | |
So unless they're going to bring a toolkit with them. | 0:54:41 | 0:54:44 | |
-No, they're all there and in tact. -That's good. | 0:54:44 | 0:54:47 | |
-They're still looking fine. -That sorted that out, well done. | 0:54:47 | 0:54:50 | |
Fantastic. | 0:54:50 | 0:54:51 | |
OK, that's fine. | 0:54:51 | 0:54:53 | |
For Heather, judgement day. | 0:54:53 | 0:54:56 | |
With her probation at an end,... | 0:54:56 | 0:54:59 | |
Have I got everyone? We look a bit empty. | 0:54:59 | 0:55:01 | |
..next stop, the head housekeeper's office. | 0:55:01 | 0:55:05 | |
I can't even comprehend it at the moment, to be honest. | 0:55:05 | 0:55:07 | |
I'm trying not to think about it. I'm trying to see the positive side. | 0:55:07 | 0:55:11 | |
I've done everything I can, that's all I can go for really. | 0:55:11 | 0:55:15 | |
I just hope she's seen that. | 0:55:15 | 0:55:16 | |
Yeah, I laugh more when I'm nervous. | 0:55:18 | 0:55:20 | |
I don't even want to think about it, really. | 0:55:20 | 0:55:25 | |
I just want to get in there, | 0:55:25 | 0:55:28 | |
see what she says and get it done. | 0:55:28 | 0:55:31 | |
KNOCK AT THE DOOR | 0:55:31 | 0:55:32 | |
-Come in. Hi, Heather. -Hello. | 0:55:32 | 0:55:37 | |
We need to sit down and have a chat, talk about what's happened. | 0:55:39 | 0:55:42 | |
What's gone well, what hasn't gone quite so well over the last six months. | 0:55:42 | 0:55:46 | |
When you arrived, the relationship with the guides was very challenging. | 0:55:46 | 0:55:49 | |
I think for you coming in, not knowing anything really | 0:55:49 | 0:55:52 | |
and having to take over a team who have been here for a very long time, | 0:55:52 | 0:55:55 | |
I think that must have been a real challenge for you. | 0:55:55 | 0:55:59 | |
-It's one that I think you've risen to. -I feel a lot more confident. | 0:55:59 | 0:56:04 | |
A couple of negative things but... Don't look like that. | 0:56:04 | 0:56:07 | |
Because what I feel is important really is about being honest | 0:56:08 | 0:56:12 | |
and I think that's the key. | 0:56:12 | 0:56:13 | |
There were one or two things that I've asked you to do things | 0:56:13 | 0:56:17 | |
and they've slipped through the net. | 0:56:17 | 0:56:19 | |
I think as well, because things are slotting in together | 0:56:19 | 0:56:22 | |
when you say stuff it makes sense to me so I will remember it, | 0:56:22 | 0:56:25 | |
whereas before it might be something that I'm not used to. | 0:56:25 | 0:56:28 | |
Is made perfect sense to me but it probably wouldn't to you, | 0:56:28 | 0:56:30 | |
so that's a fair comment. | 0:56:30 | 0:56:33 | |
On a personal note, I really do... I love your sense of fun | 0:56:33 | 0:56:36 | |
and your enthusiasm and your passion. | 0:56:36 | 0:56:39 | |
And I've got your letter here, to confirm your appointment. | 0:56:39 | 0:56:43 | |
Oh, lovely, thank you very much. | 0:56:43 | 0:56:45 | |
-I've also got you some work the next year, a diary for 2012. -Yay! | 0:56:45 | 0:56:48 | |
-Well done, Heather. I'm pleased. -Thank you very much, thank you. | 0:56:48 | 0:56:52 | |
Great, got it, so I'm really chuffed. Really happy. | 0:56:57 | 0:57:00 | |
Really, really happy. | 0:57:00 | 0:57:02 | |
It just means I can just like forget about that now | 0:57:02 | 0:57:05 | |
and get on with my job. | 0:57:05 | 0:57:07 | |
I've got to say, I'd have been absolutely gutted | 0:57:07 | 0:57:10 | |
if I hadn't have carried on so, no, I'm really happy. | 0:57:10 | 0:57:13 | |
Next week on Chatsworth... | 0:57:19 | 0:57:21 | |
Conflict blossoms at the flower festival. | 0:57:21 | 0:57:24 | |
This is a rather amazing gallery. | 0:57:24 | 0:57:26 | |
I've got to work on their home, fundamentally, so I don't want | 0:57:26 | 0:57:29 | |
to do anything that's going to offend or upset them. | 0:57:29 | 0:57:31 | |
Just be careful what you're obscuring. | 0:57:31 | 0:57:34 | |
For the Duchess, | 0:57:36 | 0:57:37 | |
the highlight of her social calendar | 0:57:37 | 0:57:40 | |
turns into a bumpy ride... | 0:57:40 | 0:57:42 | |
Hold tight, everybody! | 0:57:42 | 0:57:44 | |
..as she struggles to get the Chatsworth International horse trials under starter's orders. | 0:57:44 | 0:57:49 | |
I'm feeling sick at this very moment, very sick. | 0:57:49 | 0:57:53 | |
Pressure! | 0:57:53 | 0:57:56 | |
And some serious problems need ironing out. | 0:57:56 | 0:58:00 | |
-Oh, Janet. -You know they always say, a bad workman always blames his tools? | 0:58:00 | 0:58:04 | |
-What's wrong with your iron, Jane? -My steam button has got stuck. | 0:58:04 | 0:58:08 | |
THEY LAUGH | 0:58:08 | 0:58:09 | |
Subtitles by Red Bee Media Ltd | 0:58:27 | 0:58:29 |