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Chatsworth, Palace of the Peaks. | 0:00:03 | 0:00:05 | |
300 rooms... | 0:00:05 | 0:00:07 | |
..35,000 acres, | 0:00:08 | 0:00:10 | |
62 farms | 0:00:10 | 0:00:13 | |
and three villages. | 0:00:13 | 0:00:16 | |
Living here, we tend to forget how big it is | 0:00:16 | 0:00:18 | |
and it seems strange that it should just be for one couple. | 0:00:18 | 0:00:21 | |
For more than four-and-a-half centuries, | 0:00:21 | 0:00:24 | |
Chatsworth has been owned by one family. | 0:00:24 | 0:00:27 | |
We've got a Duke, we've got a Duke's son, a Duke's grandson, | 0:00:27 | 0:00:30 | |
so we've got the next two lined up! | 0:00:30 | 0:00:33 | |
A line now led by the 12th Duke of Devonshire | 0:00:33 | 0:00:37 | |
and his wife, the Duchess. | 0:00:37 | 0:00:40 | |
With an eye on its future... | 0:00:40 | 0:00:43 | |
Here they come. | 0:00:43 | 0:00:45 | |
..they run Chatsworth as a business, a glittering show that never ends. | 0:00:45 | 0:00:51 | |
Hello, would you like champagne? Thank you. | 0:00:51 | 0:00:53 | |
Big, old buildings, | 0:00:53 | 0:00:55 | |
seemed to soak up money quicker than almost anything you can imagine. | 0:00:55 | 0:00:59 | |
The main reason we put events on is to make money for the Chatsworth House Trust Fund. | 0:00:59 | 0:01:03 | |
Come spring time, it's the thorny problem of | 0:01:03 | 0:01:06 | |
the annual flower festival. | 0:01:06 | 0:01:07 | |
I've got to work in their home, fundamentally, so I don't want to | 0:01:07 | 0:01:10 | |
do anything that's going to offend or upset them. | 0:01:10 | 0:01:13 | |
The only thing I'm not very keen on is this behind us. | 0:01:13 | 0:01:16 | |
Designed by the Teletubbies! | 0:01:16 | 0:01:18 | |
THEY LAUGH | 0:01:18 | 0:01:20 | |
This is a rather amazing gallery, be careful what you're obscuring. | 0:01:20 | 0:01:24 | |
You've messed it all up, mister! | 0:01:24 | 0:01:27 | |
This is a year in the life of Chatsworth. | 0:01:27 | 0:01:31 | |
Spring time at Chatsworth, 7:30am. | 0:01:39 | 0:01:43 | |
For the Duke, a brisk walk to his first appointment. | 0:01:48 | 0:01:51 | |
Well, I'm going to Bakewell. | 0:01:54 | 0:01:55 | |
I'm going to get my haircut. which won't take very long. | 0:01:56 | 0:02:00 | |
Erm... | 0:02:00 | 0:02:02 | |
I try and walk over because it's a good opportunity... | 0:02:02 | 0:02:06 | |
I never get enough exercise. | 0:02:06 | 0:02:09 | |
So, instead of driving over, I'm walking over. | 0:02:09 | 0:02:12 | |
Back at the house, already hard at work, the eight housekeepers. | 0:02:24 | 0:02:29 | |
When I say I'm a cleaner, | 0:02:32 | 0:02:35 | |
I sort of feel, well, there's just more to it than that. | 0:02:35 | 0:02:39 | |
I mean, I can clean a bog out like the next person, | 0:02:39 | 0:02:43 | |
but it's a house that's packed full of things from every generation. | 0:02:43 | 0:02:47 | |
One of the electricians put lights on it on Christmas | 0:02:47 | 0:02:52 | |
and he put the light strategically in certain places. | 0:02:52 | 0:02:55 | |
Was told in no uncertain terms to move them! | 0:02:55 | 0:02:58 | |
SHE LAUGHS | 0:02:58 | 0:03:00 | |
Chatsworth has been part of my life since 1978 | 0:03:01 | 0:03:04 | |
and I married a Chatsworth girl, who was born on Chatsworth, | 0:03:04 | 0:03:08 | |
whose family are old Chatsworth people. | 0:03:08 | 0:03:10 | |
The Dowager Duchess, who was Duchess then, | 0:03:10 | 0:03:12 | |
would say, you either come to Chatsworth for a day or the rest of your life. | 0:03:12 | 0:03:17 | |
For me, that's what it's turned out to be. | 0:03:17 | 0:03:19 | |
The oak stairs takes a long time, really. There's a lot to it. | 0:03:23 | 0:03:29 | |
When they made all this fancy decoration, | 0:03:29 | 0:03:32 | |
they never thought about someone having to clean it. | 0:03:32 | 0:03:35 | |
You find that people come to work often stay a long time here. | 0:03:36 | 0:03:40 | |
Quite a few of the girls have got their ten-year necklaces. | 0:03:40 | 0:03:44 | |
So I've got to complete this year and, hopefully, | 0:03:44 | 0:03:47 | |
I might get a necklace as well, which would be rather nice. | 0:03:47 | 0:03:50 | |
I've worked at Chatsworth for 26 years. | 0:03:52 | 0:03:55 | |
After ten years, you get the necklace | 0:03:55 | 0:03:57 | |
which is Blue John on one side, which is mined in the Peak District. | 0:03:57 | 0:04:01 | |
On the other side is a snake with the symbol of Chatsworth. | 0:04:01 | 0:04:05 | |
After 25 years, you get a gold watch. | 0:04:05 | 0:04:08 | |
I wear it every day, I don't save it. | 0:04:08 | 0:04:11 | |
I just wear it every day and it keeps good time. | 0:04:11 | 0:04:15 | |
Yes, it's an honour to wear it, really. Yes. | 0:04:15 | 0:04:19 | |
Keeping Chatsworth clean and tidy is a job for everyone. | 0:04:23 | 0:04:28 | |
Well, once... | 0:04:28 | 0:04:29 | |
I can't resist it, but once I start picking up litter I've had it. | 0:04:29 | 0:04:33 | |
I'll have to be a bit selective, but I just can't walk over that. | 0:04:33 | 0:04:36 | |
It's one of our tickets, anyway. | 0:04:36 | 0:04:38 | |
We used to live here in the village, until I was 13. | 0:04:40 | 0:04:44 | |
I remember I had a sort of red, it was called a go-kart, | 0:04:44 | 0:04:46 | |
but it didn't have an engine. | 0:04:46 | 0:04:48 | |
A sort of red, like a sardine tin on wheels. | 0:04:48 | 0:04:53 | |
I'm going from the top of the hill out of control | 0:04:53 | 0:04:56 | |
and crashing to the side and I've still got a mark on my knee. | 0:04:56 | 0:04:59 | |
I don't think I went very far, or go very fast, | 0:04:59 | 0:05:02 | |
but it seemed like an horrific accident then. | 0:05:02 | 0:05:06 | |
And, you know, this is where we lived. | 0:05:06 | 0:05:08 | |
I played there all the time until I was eight. | 0:05:08 | 0:05:11 | |
I didn't go away to school. | 0:05:11 | 0:05:12 | |
Everything I did was either in the garden or in the village. | 0:05:12 | 0:05:16 | |
My parents weren't very strict, at all. | 0:05:17 | 0:05:20 | |
I think, they were very good to us, really. | 0:05:20 | 0:05:23 | |
I had a sister who was a year older | 0:05:24 | 0:05:26 | |
and so we did everything together. | 0:05:26 | 0:05:28 | |
She was much cleverer than me, but it was really nice. | 0:05:28 | 0:05:32 | |
I think we were very happy. | 0:05:32 | 0:05:34 | |
I don't think being a duke makes you feel anything, | 0:05:38 | 0:05:40 | |
it's just a name which is an historical thing. | 0:05:40 | 0:05:43 | |
So, with the ownership it's not really me, | 0:05:43 | 0:05:45 | |
it's sort of the family and it's just my luck. | 0:05:45 | 0:05:49 | |
I just feel, obviously, very proud of it. | 0:05:49 | 0:05:52 | |
The whole place, the village and the park | 0:05:52 | 0:05:55 | |
and the house and garden | 0:05:55 | 0:05:57 | |
and where we're walking, has always been part of my life | 0:05:57 | 0:06:00 | |
ever since I can remember. | 0:06:00 | 0:06:01 | |
On a lovely morning like this, you can't believe how lucky you are | 0:06:01 | 0:06:04 | |
to be alive and to be in Derbyshire. | 0:06:04 | 0:06:06 | |
It's not just the Duke who loves the place. | 0:06:12 | 0:06:13 | |
Lots of people would love to do what I'm doing. | 0:06:16 | 0:06:20 | |
To have that freedom to do different things, to look at antiques, | 0:06:20 | 0:06:23 | |
to handle antiques. | 0:06:23 | 0:06:25 | |
I mean, my absolute nightmare would be to sit in front of a computer, | 0:06:26 | 0:06:31 | |
day in, day out and so this sort of job suits me fine. | 0:06:31 | 0:06:37 | |
As yet, they haven't got me on a computer. | 0:06:38 | 0:06:41 | |
Actually, the Sculpture Gallery is my favourite, | 0:06:41 | 0:06:44 | |
especially if it's a hot day, first thing in the morning. | 0:06:44 | 0:06:48 | |
It's lovely and cool to dust the sculptures. | 0:06:48 | 0:06:51 | |
I mean, they are so beautiful | 0:06:51 | 0:06:53 | |
and Canova was so good at capturing the human form. | 0:06:53 | 0:06:59 | |
It's peaceful and serene. | 0:07:01 | 0:07:04 | |
You can hear the echo in the room. | 0:07:04 | 0:07:06 | |
I mean, they're gorgeous bodies. | 0:07:06 | 0:07:08 | |
I shouldn't think you'd find many bodies the same as these. | 0:07:08 | 0:07:11 | |
I'd love to get a bucket of water and wash them | 0:07:11 | 0:07:15 | |
but, of course, were not allowed to do that. | 0:07:15 | 0:07:17 | |
Years ago, before we knew that we weren't to wash them, | 0:07:17 | 0:07:21 | |
they came up lovely and white. | 0:07:21 | 0:07:24 | |
Being a housemaid here is a real privilege | 0:07:27 | 0:07:31 | |
because you go around and see all the signs that say "do not touch". | 0:07:31 | 0:07:34 | |
We can touch. | 0:07:34 | 0:07:35 | |
This is Mars being restrained by Cupid. | 0:07:36 | 0:07:39 | |
I love going around the back. | 0:07:41 | 0:07:43 | |
We all like polishing his bottom. | 0:07:45 | 0:07:47 | |
I should think it's shining by now! | 0:07:47 | 0:07:49 | |
11am... | 0:07:55 | 0:07:57 | |
The gates open and the warm weather is pulling in the crowds. | 0:07:57 | 0:08:01 | |
Hello. It's £2, please. Thank you. Have a good day. | 0:08:01 | 0:08:05 | |
Thank you. | 0:08:05 | 0:08:07 | |
Throughout the year, 16 special events help keep the tills ringing. | 0:08:08 | 0:08:13 | |
The main reason we put events on is to make money | 0:08:13 | 0:08:16 | |
for the Chatsworth House Trust, the charity that runs Chatsworth, the house, garden and park. | 0:08:16 | 0:08:21 | |
It is expensive looking after the place. | 0:08:21 | 0:08:24 | |
We couldn't do all the restoration work and the restoring | 0:08:24 | 0:08:27 | |
and repairing and the renewing without that cash. | 0:08:27 | 0:08:31 | |
That's one of the best ways of ensuring we have the money to do it. | 0:08:31 | 0:08:35 | |
One of the biggest events is Florabundance. | 0:08:39 | 0:08:42 | |
Now in its third year, this four-day flower festival | 0:08:42 | 0:08:46 | |
has taken over the gardens and the house. | 0:08:46 | 0:08:49 | |
Dominating some of the grandest rooms, | 0:08:50 | 0:08:52 | |
the event is organised by Jonathan Moseley. | 0:08:52 | 0:08:56 | |
I've got all the different coloured gravels | 0:08:57 | 0:09:00 | |
that are going to go on there. | 0:09:00 | 0:09:02 | |
That'll work OK. | 0:09:02 | 0:09:04 | |
A floral designer celebrated internationally, | 0:09:04 | 0:09:08 | |
he represented UK at the 10th World Show in America. | 0:09:08 | 0:09:12 | |
Gourds and ugli fruits | 0:09:12 | 0:09:13 | |
and dried, I've got a lot of dried stuff for them to use in there. | 0:09:13 | 0:09:17 | |
Florabundance is really bringing Chatsworth alive with flowers, | 0:09:17 | 0:09:20 | |
using things that have been grown in the gardens | 0:09:20 | 0:09:22 | |
and by the gardeners and, obviously, lots of exotic | 0:09:22 | 0:09:26 | |
and unusual blooms which I source and purchase. | 0:09:26 | 0:09:29 | |
We really need those stands to get on with that border. | 0:09:29 | 0:09:32 | |
A house like Chatsworth would've been full of potted plants | 0:09:32 | 0:09:34 | |
and growing flowers, just for cutting to bring into the house. | 0:09:34 | 0:09:38 | |
Now, of course, to preserve all the different tapestries, | 0:09:38 | 0:09:41 | |
the furnishings, the interior of the house, | 0:09:41 | 0:09:44 | |
it's rarely given the opportunity to have any flowers around. | 0:09:44 | 0:09:48 | |
I'm thrilled Florabundance has the chance to do that. | 0:09:48 | 0:09:50 | |
This year, he's come up with something spectacular. | 0:09:51 | 0:09:55 | |
The Sculpture Gallery is the easiest and nicest room to dress | 0:09:55 | 0:09:58 | |
because light levels in here are always excellent. | 0:09:58 | 0:10:01 | |
The inspiration behind the designs for this room | 0:10:01 | 0:10:04 | |
are the bulb fields of Holland, | 0:10:04 | 0:10:06 | |
where you've got big blocks, big swathes of all one colour | 0:10:06 | 0:10:09 | |
where there's all that regimented, linear footage of tulips, | 0:10:09 | 0:10:13 | |
which is just a spectacular sight to see. | 0:10:13 | 0:10:17 | |
In the centre there, | 0:10:17 | 0:10:18 | |
we're going to have a big rhododendron sculpture. | 0:10:18 | 0:10:21 | |
We're going to paint that shocking pink and vibrant bright orange. | 0:10:21 | 0:10:25 | |
Then we're going to have an explosion of tropical plants | 0:10:25 | 0:10:27 | |
and flowers shooting out there to create this very jungle, | 0:10:27 | 0:10:30 | |
very vegetative feel. | 0:10:30 | 0:10:31 | |
I'm quite excited about this room, it'll come together well | 0:10:33 | 0:10:36 | |
and it's just such a nice place to finish on. | 0:10:36 | 0:10:38 | |
But with Florabundance just days away, | 0:10:43 | 0:10:45 | |
there's a problem blossoming in the garden. | 0:10:45 | 0:10:47 | |
We're just harvesting these tulips that we planted for Florabundance. | 0:10:51 | 0:10:55 | |
Unfortunately, the sun's brought them on to quickly | 0:10:55 | 0:10:58 | |
so now we're going to use them for selling in the shops. | 0:10:58 | 0:11:01 | |
It's really difficult when you're fighting against the weather | 0:11:01 | 0:11:05 | |
and the pests. | 0:11:05 | 0:11:07 | |
Oops, sorry, Glenda. | 0:11:31 | 0:11:33 | |
This is one of the problems we've been having in this area. | 0:11:33 | 0:11:36 | |
-We started off with pheasants digging them up. -Oh, no! | 0:11:36 | 0:11:38 | |
There's been a host of mice and rabbits | 0:11:38 | 0:11:42 | |
and badgers also looking for moisture. | 0:11:42 | 0:11:44 | |
Now it's flower arrangers! | 0:11:44 | 0:11:46 | |
And now flower arrangers. Flower arrangers are going to start picking them. | 0:11:46 | 0:11:50 | |
-Poor things, they're fated. -What a shame. | 0:11:50 | 0:11:52 | |
It can't be a Tulip Festival without tulips, can it? | 0:11:52 | 0:11:54 | |
We'll have some for opening, but that's it. | 0:11:54 | 0:11:58 | |
-What are they like, Mick. -They're in better condition than these ones. | 0:11:58 | 0:12:02 | |
Shall we just have a little rummage to see if there's anything else we may get here. | 0:12:02 | 0:12:06 | |
Shall we have a walk around? | 0:12:06 | 0:12:07 | |
But just looking here, there's nothing! | 0:12:07 | 0:12:11 | |
If we could turn the clocks back | 0:12:12 | 0:12:14 | |
and we were cutting these to work with now, | 0:12:14 | 0:12:16 | |
you've got so many choices, really. | 0:12:16 | 0:12:18 | |
We need to look at bringing some in. | 0:12:20 | 0:12:22 | |
That's 5,500 tulips suddenly not at your disposal. | 0:12:22 | 0:12:26 | |
-We're down to 500, if we're lucky. -500, yeah. | 0:12:26 | 0:12:28 | |
That's a major loss to what I planned to work with. | 0:12:28 | 0:12:33 | |
I can't just suddenly rustle that quantity together on the budget. | 0:12:33 | 0:12:37 | |
As one of Britain's most popular tourist destinations, | 0:12:45 | 0:12:49 | |
Chatsworth pulls in thousands of people to this corner of Derbyshire. | 0:12:49 | 0:12:52 | |
From me, you know, people come to Derbyshire, | 0:12:55 | 0:12:58 | |
they come to Chatsworth and it can only be good for the local economy. | 0:12:58 | 0:13:03 | |
-Morning. -Morning. | 0:13:03 | 0:13:05 | |
-Are you all right? -I'm well, are you? | 0:13:05 | 0:13:07 | |
Yes, fine, thanks. | 0:13:07 | 0:13:08 | |
Did you walk this morning? | 0:13:08 | 0:13:10 | |
I did, it was beautiful. | 0:13:10 | 0:13:12 | |
It was a bit misty. | 0:13:12 | 0:13:13 | |
It was a bit misty to start with, but it was really lovely. | 0:13:13 | 0:13:18 | |
Perfect weather, absolutely. | 0:13:18 | 0:13:19 | |
-Are you having much off then? -Yes please. | 0:13:19 | 0:13:22 | |
It won't take long, I don't think. | 0:13:22 | 0:13:24 | |
-Is it busy at the house? -It's been great this week. | 0:13:24 | 0:13:26 | |
I've noticed in the town here, it's been very busy. | 0:13:26 | 0:13:29 | |
Yeah, it's brought a lot of people out. | 0:13:29 | 0:13:32 | |
I'm not quite sure where they come from but, anyway, | 0:13:32 | 0:13:34 | |
it was fantastic yesterday and the day before and it will be again today. | 0:13:34 | 0:13:37 | |
I think having a really confident forecast for several days ahead, | 0:13:37 | 0:13:41 | |
that makes a huge difference at this time of year. | 0:13:41 | 0:13:43 | |
-It brings people out more. -Yeah. | 0:13:43 | 0:13:45 | |
We're getting quite a lot from it, it's good. | 0:13:45 | 0:13:48 | |
It's all integral, isn't it? | 0:13:48 | 0:13:49 | |
-Bakewell feeds on us, we feed on Bakewell. -Exactly. | 0:13:49 | 0:13:53 | |
When the Duke has been for his haircut, | 0:13:53 | 0:13:56 | |
it's quite nice because people are sat in the shop looking. | 0:13:56 | 0:13:59 | |
It's like, "Was that the Duke?" It's like, "Yes, yes." | 0:13:59 | 0:14:02 | |
It's good, it's good for business. | 0:14:02 | 0:14:03 | |
It's good for me because it gets me out of bed | 0:14:03 | 0:14:06 | |
and makes me go for a decent walk in the morning. | 0:14:06 | 0:14:09 | |
-Can you give these go? -I will, yes. | 0:14:11 | 0:14:13 | |
-Thanks very much. -Thank you. -Lovely. | 0:14:23 | 0:14:27 | |
See you in about six weeks, | 0:14:27 | 0:14:30 | |
-I'll give you a ring. -That's fine. -OK? | 0:14:30 | 0:14:32 | |
-Have a good weekend. -Bye. | 0:14:32 | 0:14:33 | |
Living in the country, | 0:14:46 | 0:14:47 | |
I think, is the best of all. | 0:14:47 | 0:14:50 | |
I was brought up in the country and I love horses. | 0:14:50 | 0:14:53 | |
I like the freedom, the peace and quiet and the beauty of it. | 0:14:54 | 0:14:59 | |
It's such a lovely morning. It's perfect. | 0:14:59 | 0:15:02 | |
I particularly like working with animals, | 0:15:03 | 0:15:06 | |
because I like that trust that you have with them. | 0:15:06 | 0:15:11 | |
When you build up a relationship with a horse, | 0:15:11 | 0:15:14 | |
they learn to trust you, and once you've got that trust, | 0:15:14 | 0:15:19 | |
it's just so thrilling. | 0:15:19 | 0:15:21 | |
It's in my blood. I love horses. | 0:15:22 | 0:15:25 | |
If you have a good one, well, it's the ultimate. | 0:15:25 | 0:15:28 | |
Since 1956, the three-day Chatsworth International Horse Trials | 0:15:36 | 0:15:41 | |
has attracted the world's leading riders. | 0:15:41 | 0:15:43 | |
In 1999, the Duchess took over running of the event | 0:15:48 | 0:15:52 | |
and it's now the highlight of the social calendar. | 0:15:52 | 0:15:55 | |
I always look forward to the horse trials. | 0:15:55 | 0:15:58 | |
I think it's my favourite event that we hold here, | 0:15:58 | 0:16:00 | |
because I love horses and I ride myself, so I enjoy seeing them. | 0:16:00 | 0:16:06 | |
It's expensive to run, but it's a very enjoyable event | 0:16:06 | 0:16:10 | |
and it's very prestigious | 0:16:10 | 0:16:12 | |
and we have an excellent team running it | 0:16:12 | 0:16:16 | |
and I love being involved. | 0:16:16 | 0:16:18 | |
And this year, there's extra pressure. | 0:16:20 | 0:16:24 | |
As an official qualifier for the London Olympics, | 0:16:26 | 0:16:29 | |
there will be 75 fences over the 300 acre course. | 0:16:29 | 0:16:33 | |
There's a lot riding on getting everything perfect. | 0:16:36 | 0:16:39 | |
I'm the designer of the cross-country course | 0:16:39 | 0:16:42 | |
and I'm the one that gets the stick if it goes wrong | 0:16:42 | 0:16:45 | |
with the cross-country team and the riders are not happy. | 0:16:45 | 0:16:50 | |
For Ian Stark and the international governing body, | 0:16:50 | 0:16:53 | |
every fence must meet Olympic standards. | 0:16:53 | 0:16:57 | |
-That's quite a nasty little fence, isn't it? -This one? -Yes. | 0:16:57 | 0:17:02 | |
I'm a nasty little person, you know that. | 0:17:02 | 0:17:04 | |
-It's not nasty. It's just asking a question. -OK. | 0:17:04 | 0:17:07 | |
Ian definitely knows exactly what he wants. | 0:17:07 | 0:17:09 | |
What one's always got to try to do is just to remind him | 0:17:09 | 0:17:13 | |
from time to time that not everybody rides like him. | 0:17:13 | 0:17:17 | |
You can't do a course for the idiots. | 0:17:17 | 0:17:20 | |
They shouldn't be here if they can't jump. Maybe that's not a good quote. | 0:17:20 | 0:17:24 | |
HE LAUGHS | 0:17:24 | 0:17:25 | |
You've got to be bold, you've got to be brave. | 0:17:27 | 0:17:29 | |
I suppose you've got to be a bit arrogant. | 0:17:29 | 0:17:31 | |
Do I confess to that? Well, probably. | 0:17:31 | 0:17:34 | |
-I think it will look quite different when there's water in here. -Yes. | 0:17:34 | 0:17:38 | |
If you bring that in, you're losing all this... | 0:17:38 | 0:17:42 | |
I'm only talking two inches or three inches or something. | 0:17:42 | 0:17:45 | |
-Can I nap on that one? -It is definitely a reach, isn't it? | 0:17:47 | 0:17:52 | |
Yes, but I went have that feeling of gung-ho to it. | 0:17:52 | 0:17:57 | |
What we're talking about is the difference between what you like | 0:17:57 | 0:18:01 | |
and what I would like and I'm the designer and it's not incorrect. | 0:18:01 | 0:18:05 | |
We really are going about nothing, really. | 0:18:05 | 0:18:07 | |
THEY LAUGH | 0:18:07 | 0:18:10 | |
-We've got to uphold standards. -Let's move on. -Have a spat. | 0:18:10 | 0:18:14 | |
-Right, an inch. -An inch. | 0:18:14 | 0:18:16 | |
Where are they going, Jonathan? | 0:18:22 | 0:18:24 | |
In the battle to save Chatsworth's tulips, victory is in sight. | 0:18:24 | 0:18:29 | |
5,500 reinforcements have been shipped in from Holland. | 0:18:29 | 0:18:33 | |
-That's going to be healthy, with all those Dutch buckets. -Yes, I know. Great. | 0:18:33 | 0:18:38 | |
Today is all hands on deck for flowers. | 0:18:38 | 0:18:39 | |
As you can see, all our flowers have arrived now. | 0:18:39 | 0:18:42 | |
It's a mammoth conditioning session, | 0:18:42 | 0:18:44 | |
which basically means giving some pre-treatment | 0:18:44 | 0:18:47 | |
to the flowers before they actually go in the arrangement, | 0:18:47 | 0:18:50 | |
so the gerberas need deep water up to their necks | 0:18:50 | 0:18:54 | |
to get them nice and turgid so they don't droop on us. | 0:18:54 | 0:18:57 | |
There's nothing worse than a droopy gerbera. | 0:18:57 | 0:19:00 | |
You could start, if you don't mind, doing the gerberas | 0:19:02 | 0:19:05 | |
and what I do is just in a bucket, hang them like that, back-to-back. | 0:19:05 | 0:19:09 | |
I think it will be too cold for these up here tomorrow. | 0:19:13 | 0:19:16 | |
It's going to be very cold tonight. | 0:19:16 | 0:19:19 | |
-They're going down anyway, aren't they? -They're going down. | 0:19:19 | 0:19:22 | |
It's like Christmas Day really | 0:19:22 | 0:19:24 | |
when you've got all your presents around, | 0:19:24 | 0:19:26 | |
you start delving in the boxes and see those lovely treats we've ordered. | 0:19:26 | 0:19:29 | |
So this is a bit of a flower fix for us today, so we're on a high. | 0:19:29 | 0:19:34 | |
Hello, horse trials. | 0:19:47 | 0:19:48 | |
Tissie Reason has been involved in the organisation | 0:19:48 | 0:19:51 | |
of Chatsworth International Horse Trials for the last 12 years | 0:19:51 | 0:19:55 | |
and was appointed director two years ago. | 0:19:55 | 0:19:58 | |
It is an expensive event to put on, | 0:19:58 | 0:20:00 | |
with all the ancillary things that we do here at Chatsworth | 0:20:00 | 0:20:03 | |
to make it the best we possibly can. | 0:20:03 | 0:20:05 | |
But equally, we're expecting good revenue in exchange. | 0:20:05 | 0:20:09 | |
But until the event actually starts, | 0:20:09 | 0:20:13 | |
we don't know till then if we really have got it right. | 0:20:13 | 0:20:16 | |
And, of course, it's essential that we do get it right | 0:20:16 | 0:20:18 | |
because the books must balance at the end of the day. | 0:20:18 | 0:20:21 | |
from the Chatsworth House Trust point of view, they want to see this event make a profit. | 0:20:21 | 0:20:25 | |
We've got my two daughters, Camilla and Melissa, | 0:20:25 | 0:20:27 | |
who have very kindly given up their weekend to come and help. | 0:20:27 | 0:20:31 | |
We were kind of born into this. | 0:20:31 | 0:20:33 | |
We didn't really have much choice! | 0:20:33 | 0:20:35 | |
-Ever since we were... -conceived... | 0:20:35 | 0:20:37 | |
..very little, we have attended the horse trials. | 0:20:37 | 0:20:39 | |
You refer to it as the zone. | 0:20:39 | 0:20:40 | |
And I refer to it as HTM, which is when mum gets in horse trials mode. | 0:20:40 | 0:20:44 | |
And you... | 0:20:44 | 0:20:45 | |
She's just in her own little place, and you just leave her there. | 0:20:45 | 0:20:49 | |
Sounds like PMT! | 0:20:49 | 0:20:50 | |
It's probably quite close, actually. | 0:20:50 | 0:20:51 | |
You ring in the evening to chat to you, | 0:20:51 | 0:20:53 | |
and you just know that you're sat at the computer doing something else. | 0:20:53 | 0:20:56 | |
And you'll tell you something really, really important, | 0:20:56 | 0:20:59 | |
and you'll just go, "Yeah, hmm, yeah." | 0:20:59 | 0:21:00 | |
You could say, "I'm getting married, I'm leaving the country..." | 0:21:00 | 0:21:03 | |
-I could tell you I was pregnant, and you'd go, "hmm, yes, that's nice." -TISSIE LAUGHS | 0:21:03 | 0:21:07 | |
-And just carry on. -I would not! | 0:21:07 | 0:21:09 | |
I'm trying to make this the entrance into the tent, | 0:21:13 | 0:21:17 | |
and this the out, the in and out. | 0:21:17 | 0:21:18 | |
You'd think that wasn't difficult for people to go in the in, | 0:21:18 | 0:21:21 | |
and out the out. | 0:21:21 | 0:21:22 | |
But tomorrow, people will try very hard to come in the out | 0:21:22 | 0:21:27 | |
and out the in. | 0:21:27 | 0:21:29 | |
So, hopefully tomorrow, when everyone wants to come home, | 0:21:34 | 0:21:37 | |
they'll walk up this hill, see the sign pointing them out, | 0:21:37 | 0:21:40 | |
and go out there. | 0:21:40 | 0:21:42 | |
But it won't be like that. | 0:21:42 | 0:21:44 | |
SHEEP BLEAT | 0:21:45 | 0:21:46 | |
Armed with the blooms, | 0:21:50 | 0:21:52 | |
supported by a volunteer army from the Women's Institute | 0:21:52 | 0:21:55 | |
and local flower arrangers, | 0:21:55 | 0:21:57 | |
Jonathan's plan for 268 designs swings into action. | 0:21:57 | 0:22:02 | |
It suits the house very well to have lots of arrangements | 0:22:02 | 0:22:04 | |
all the way through it. | 0:22:04 | 0:22:05 | |
Some of them are pretty amazing. | 0:22:05 | 0:22:07 | |
Done with huge diligence by the volunteers who do the flowers. | 0:22:07 | 0:22:11 | |
It's just a different sort of Chatsworth when people turn up, | 0:22:11 | 0:22:15 | |
and lo and behold, there's wonderful flower arrangements | 0:22:15 | 0:22:18 | |
in every room for those three or four days. | 0:22:18 | 0:22:19 | |
When I came to have a look what Jonathan wanted me to do, | 0:22:23 | 0:22:27 | |
he said, "Sylvana, I want you to do elegance." | 0:22:27 | 0:22:31 | |
And I don't normally do elegance. | 0:22:31 | 0:22:33 | |
SHE LAUGHS | 0:22:33 | 0:22:34 | |
So I don't know how I'm going, he hasn't been round yet, so... | 0:22:34 | 0:22:37 | |
It needs to be a bit lower. | 0:22:40 | 0:22:42 | |
That's it. | 0:22:42 | 0:22:43 | |
If anything, it could do with being a little bit lower. | 0:22:43 | 0:22:45 | |
Slightly lower. | 0:22:49 | 0:22:50 | |
You know what I like about flower arranging, | 0:22:50 | 0:22:53 | |
you know when you paint, it's just 2D, it's flat on the paper, | 0:22:53 | 0:22:56 | |
unless you use this sort of thick paint. | 0:22:56 | 0:22:59 | |
With flower arrangement, | 0:22:59 | 0:23:00 | |
it's like a sculpture, but it's living sculpture. | 0:23:00 | 0:23:04 | |
I mean, just look at the materials you're working with, you know, | 0:23:04 | 0:23:08 | |
orchids and gingers and gerberas, ooh...! | 0:23:08 | 0:23:11 | |
Why do you like flower arranging? | 0:23:11 | 0:23:13 | |
-It's... You can get lost in it, can't you? -Yes! Yes. | 0:23:13 | 0:23:16 | |
-Forget everything else that's going on in your life. -Yes. | 0:23:16 | 0:23:18 | |
-And just get totally absorbed by... -Mmm. Mmm. Brilliant. | 0:23:18 | 0:23:22 | |
That looks nice. Yeah, that's coming on great. The palm looks nice in it. | 0:23:22 | 0:23:25 | |
What I would do is just add more hazel. | 0:23:25 | 0:23:27 | |
-More hazel on the top. -Yeah, put some more hazel. | 0:23:27 | 0:23:29 | |
-And we've got these, and we can do the top, and... -Brill. Excellent. | 0:23:29 | 0:23:32 | |
-Spray it and then, off we go. Well done. -Thank you. No, thank you. | 0:23:32 | 0:23:35 | |
They're much closer together than they are on the others. | 0:23:35 | 0:23:38 | |
-Do you know why? -Why? | 0:23:38 | 0:23:40 | |
Because this is the wrong way round. | 0:23:41 | 0:23:43 | |
It's lengthways on. | 0:23:46 | 0:23:48 | |
It is. | 0:23:50 | 0:23:51 | |
-Ah. -That's sideways on. | 0:23:52 | 0:23:54 | |
-You've messed it all up, mister! -Disgrace! | 0:23:54 | 0:23:58 | |
BANG Oops! | 0:23:58 | 0:23:59 | |
Keeping the flowers watered over four days | 0:24:05 | 0:24:09 | |
is the next worry for Jonathan. | 0:24:09 | 0:24:11 | |
I'm a bit concerned about them all, I think they're all going to flop. | 0:24:11 | 0:24:15 | |
-It's vital they get a good drink each day. -Yes. | 0:24:15 | 0:24:18 | |
Cars they do drink up so much, they really do. | 0:24:18 | 0:24:20 | |
-So... -and we'd hate for our creations to die prematurely. | 0:24:20 | 0:24:23 | |
-Well, absolutely. We don't want that to happen, do we? -HE LAUGHS | 0:24:23 | 0:24:26 | |
No, we'd feel suicidal if that happened. SHE LAUGHS | 0:24:26 | 0:24:28 | |
I know you're going to hate me, | 0:24:30 | 0:24:31 | |
cos I'm going to nag on about watering all the time. | 0:24:31 | 0:24:34 | |
If we don't get enough watering early enough, | 0:24:34 | 0:24:36 | |
once that drying out process has started, you can't revert it back. | 0:24:36 | 0:24:40 | |
They'll start to deteriorate. | 0:24:40 | 0:24:42 | |
It's to keep the flowers and the foliage fresh. | 0:24:42 | 0:24:46 | |
On the top. | 0:24:46 | 0:24:48 | |
This is the first time I've had to do it. | 0:24:48 | 0:24:51 | |
I gather they were doing it last night, so... | 0:24:51 | 0:24:53 | |
It's just getting the balance, so you don't overflow. | 0:24:55 | 0:24:57 | |
Uh... | 0:24:57 | 0:24:59 | |
And it's trying to get the hose in, that's... | 0:25:01 | 0:25:03 | |
..a bit difficult. | 0:25:04 | 0:25:05 | |
SHEEP BLEAT | 0:25:08 | 0:25:10 | |
Being a Duke brings responsibilities and obligations. | 0:25:16 | 0:25:20 | |
Every year, he attends over 200 public functions. | 0:25:20 | 0:25:23 | |
Today's is just down the road. | 0:25:24 | 0:25:27 | |
We're going to the roundabout outside the Golden Gates, | 0:25:27 | 0:25:31 | |
because the Baslow WI have got an oak tree, | 0:25:31 | 0:25:34 | |
and they want me to help them with the planting of the tree. | 0:25:34 | 0:25:37 | |
He's our neighbour, | 0:25:37 | 0:25:39 | |
and you've got to be on good terms with your neighbour, haven't you? | 0:25:39 | 0:25:43 | |
I might need to borrow something! | 0:25:43 | 0:25:45 | |
SHE LAUGHS | 0:25:45 | 0:25:46 | |
And we're very lucky to live as close to Chatsworth, | 0:25:46 | 0:25:49 | |
and have the benefits of living near Chatsworth. | 0:25:49 | 0:25:51 | |
And he's very lucky having us. | 0:25:51 | 0:25:53 | |
JANE LAUGHS | 0:25:53 | 0:25:55 | |
I'm not sure about that, Lorna! | 0:25:55 | 0:25:57 | |
LORNA LAUGHS | 0:25:57 | 0:25:59 | |
CAR STOPS ABRUPTLY | 0:26:02 | 0:26:05 | |
BEEPING | 0:26:05 | 0:26:06 | |
Jane Walker? Hello! | 0:26:13 | 0:26:15 | |
Stoker Devonshire. How nice to meet you. | 0:26:15 | 0:26:17 | |
Ever since you kindly asked me, | 0:26:17 | 0:26:18 | |
I've been looking at the roundabout in a completely different way, cos... | 0:26:18 | 0:26:22 | |
Excellent, excellent. | 0:26:22 | 0:26:24 | |
-Because, you know, this is quite bland. -You'd never noticed it before? -No. | 0:26:24 | 0:26:27 | |
-It's always in the way. -Yes! -How long ago did you start? -2009. | 0:26:27 | 0:26:31 | |
Oh, that's very quick! | 0:26:31 | 0:26:33 | |
SHE LAUGHS | 0:26:33 | 0:26:34 | |
-So what would you like me to... Are you going to do it? -Well, I'll just say a few words. | 0:26:34 | 0:26:38 | |
-Oh yes, sorry, yes, excuse me. Right, I'll... Yes. -Some of them will want a good look at you! | 0:26:38 | 0:26:42 | |
SHE LAUGHS | 0:26:42 | 0:26:43 | |
Darlings! Welcome. LAUGHTER | 0:26:43 | 0:26:45 | |
Welcome. | 0:26:45 | 0:26:46 | |
From this afternoon, we will have improved | 0:26:46 | 0:26:50 | |
not only the entrance to the Peak District National Park, | 0:26:50 | 0:26:54 | |
but to our Baslow village. | 0:26:54 | 0:26:56 | |
To our homes. | 0:26:56 | 0:26:58 | |
In particular, one very magnificent home... | 0:26:58 | 0:27:02 | |
LAUGHTER | 0:27:02 | 0:27:03 | |
..of that magnificent man... | 0:27:03 | 0:27:05 | |
the magnificent generosity of the Duke | 0:27:05 | 0:27:09 | |
to agree to come here in the pouring rain and plant our tree, | 0:27:09 | 0:27:15 | |
to commemorate the 90th anniversary of Baslow WI. | 0:27:15 | 0:27:21 | |
CHEERING | 0:27:21 | 0:27:22 | |
APPLAUSE Thank you very much. | 0:27:22 | 0:27:24 | |
Thank you very much for asking me. I think it's a brilliant idea. | 0:27:24 | 0:27:27 | |
I mean, probably I haven't even noticed this roundabout, | 0:27:27 | 0:27:30 | |
but now it's going to be something we look forward to coming back to. | 0:27:30 | 0:27:33 | |
A great thing that you've done and are doing. | 0:27:33 | 0:27:35 | |
I don't know where you'll go next for a project, but I'm sure you'll find something. | 0:27:35 | 0:27:39 | |
Thank you very much. Shall I put a bit of earth...? | 0:27:39 | 0:27:41 | |
APPLAUSE | 0:27:41 | 0:27:42 | |
He's going to improve the approach to the village, | 0:27:47 | 0:27:49 | |
and when it's got as many wrinkles as me, it'll look even better. | 0:27:49 | 0:27:53 | |
SHE LAUGHS | 0:27:53 | 0:27:54 | |
Thank you very much. | 0:27:55 | 0:27:57 | |
-Bye-bye. -Bye. | 0:27:57 | 0:27:58 | |
They were great, weren't they? | 0:27:58 | 0:28:01 | |
Formidable lady, who definitely... | 0:28:01 | 0:28:03 | |
I almost feel sorry for the planners! | 0:28:03 | 0:28:05 | |
Of course next time, for the hundredth anniversary, | 0:28:06 | 0:28:09 | |
we're hoping to meet the Duchess. | 0:28:09 | 0:28:11 | |
We would like the Duke and the Duchess, a double whammy. | 0:28:11 | 0:28:14 | |
THEY LAUGH | 0:28:14 | 0:28:15 | |
-It's perfect going for them, actually. -Yes. | 0:28:22 | 0:28:24 | |
So we're very lucky. As long as it doesn't get any more rain... | 0:28:24 | 0:28:26 | |
-It looks as though we might! -HE LAUGHS | 0:28:26 | 0:28:29 | |
For 20 years, the Duchess and Ian Stark | 0:28:29 | 0:28:32 | |
have been competing in horse trials. | 0:28:32 | 0:28:35 | |
In 2000, at the Sydney Olympics, | 0:28:35 | 0:28:38 | |
Ian won silver riding the Duchess's horse, Jaybee. | 0:28:38 | 0:28:42 | |
Tomorrow in the cross country event, | 0:28:42 | 0:28:44 | |
he'll ride her horse, Looks Similar. | 0:28:44 | 0:28:47 | |
How do you think he'll cope with this? | 0:28:47 | 0:28:50 | |
Well, he won't be on this one, will he? | 0:28:50 | 0:28:51 | |
No, he doesn't jump this fence, but, um... He's in good form. | 0:28:51 | 0:28:55 | |
Very competitive. | 0:28:55 | 0:28:56 | |
-IAN LAUGHS -Unattractive, but I am! | 0:28:56 | 0:28:59 | |
IAN LAUGHS I'm not, of course! | 0:28:59 | 0:29:00 | |
THEY LAUGH | 0:29:00 | 0:29:02 | |
..much! | 0:29:02 | 0:29:03 | |
We're not putting pressure on anyone, just each other. | 0:29:03 | 0:29:07 | |
-HE LAUGHS -Yeah. | 0:29:07 | 0:29:08 | |
You need to stir him up. | 0:29:08 | 0:29:10 | |
With the displays watered and ready, it's time for the doors to open | 0:29:15 | 0:29:19 | |
on the Chatsworth flower festival, Florabundance. | 0:29:19 | 0:29:22 | |
We have always want it to be different, | 0:29:33 | 0:29:35 | |
and I always ensure when I'm planning my designs, | 0:29:35 | 0:29:37 | |
that nobody's going to come and think, "same old flowers again, | 0:29:37 | 0:29:40 | |
"same old arrangements, Jonathan's doing this again." | 0:29:40 | 0:29:43 | |
I always want them to have that wow factor as they walk in, | 0:29:43 | 0:29:46 | |
and have that journey through the different rooms. | 0:29:46 | 0:29:48 | |
Oh, I think a lot of works gone into this, and I think they're beautiful. | 0:29:52 | 0:29:55 | |
-Yes. -We really do, yes. | 0:29:55 | 0:29:57 | |
No, it's amazing, it really is. | 0:30:01 | 0:30:03 | |
Superb. | 0:30:04 | 0:30:05 | |
The flowers are superb. | 0:30:10 | 0:30:11 | |
Wonderful. | 0:30:11 | 0:30:12 | |
I think the only thing I'm not very keen on is this, behind us. | 0:30:12 | 0:30:16 | |
SHE LAUGHS | 0:30:16 | 0:30:17 | |
Yeah, it's a bit like Princess Eugenie's hat at the Royal Wedding! | 0:30:17 | 0:30:22 | |
Designed by the Teletubbies, I think! | 0:30:22 | 0:30:25 | |
THEY LAUGH | 0:30:25 | 0:30:26 | |
-It is nice, that, is it a lily? -Yeah. | 0:30:26 | 0:30:30 | |
We were a bit shocked when we first came in | 0:30:30 | 0:30:33 | |
and saw the pink with the orange, but we've got used to it now. | 0:30:33 | 0:30:36 | |
THEY LAUGH | 0:30:36 | 0:30:38 | |
-It isn't a colour we'd put together, is it? -No. | 0:30:38 | 0:30:40 | |
THEY LAUGH | 0:30:40 | 0:30:41 | |
I don't really work directly with the Duke and Duchess, | 0:30:43 | 0:30:45 | |
but I hope that the arrangements that I do, | 0:30:45 | 0:30:47 | |
do meet up to their expectations and standards. | 0:30:47 | 0:30:50 | |
He's about to find out. | 0:30:52 | 0:30:53 | |
The Duke and Duchess are on their way. | 0:30:53 | 0:30:56 | |
Morning, Duchess, morning, Duke. | 0:30:56 | 0:30:58 | |
-Morning. -Morning. | 0:30:58 | 0:31:00 | |
-I think it's much the best to be done so far, don't you? -I think so. | 0:31:08 | 0:31:11 | |
-Yes. -You know, it's beautiful, really lovely, yeah. | 0:31:11 | 0:31:13 | |
Everything else this year is so much more complementary to the house. | 0:31:13 | 0:31:17 | |
And then this is particularly, um... um... | 0:31:17 | 0:31:21 | |
Complementary. | 0:31:21 | 0:31:22 | |
And I think we've just got to be really careful | 0:31:22 | 0:31:24 | |
about getting the balance right. | 0:31:24 | 0:31:26 | |
I've got to work in their home, fundamentally, haven't I, | 0:31:28 | 0:31:31 | |
so I don't want to do anything that's going to offend or upset them, | 0:31:31 | 0:31:34 | |
or sort of be contrary to their design ideology for the house itself. | 0:31:34 | 0:31:38 | |
I think the chapel is beautiful. | 0:31:38 | 0:31:41 | |
And the Painted Hall, I think that's lovely. | 0:31:41 | 0:31:44 | |
This, too, is amazing, really. | 0:31:44 | 0:31:48 | |
But, um... | 0:31:48 | 0:31:49 | |
Some of the colours are quite bright, but they're meant to be, | 0:31:49 | 0:31:52 | |
I mean, that's what he wanted to do, and it looks stunning. | 0:31:52 | 0:31:56 | |
I think flowers should always make people have an opinion, | 0:31:56 | 0:32:00 | |
be it good, be it bad, be it positive, be it negative. | 0:32:00 | 0:32:03 | |
It's not so much not liking what they've done, | 0:32:03 | 0:32:06 | |
it's more that this is a rather amazing gallery, | 0:32:06 | 0:32:08 | |
the sculpture gallery, | 0:32:08 | 0:32:10 | |
and you can't see it properly at the moment. | 0:32:10 | 0:32:12 | |
It's not really, "Don't do that ever again," | 0:32:12 | 0:32:14 | |
it's just, "Be careful what you're obscuring." | 0:32:14 | 0:32:18 | |
Jonathan's flowers have made their mark. | 0:32:26 | 0:32:29 | |
In more ways than one. | 0:32:30 | 0:32:33 | |
We've got a few problems, um... | 0:32:33 | 0:32:35 | |
In here, because when the displays were put on the table, | 0:32:35 | 0:32:40 | |
I don't think the base of the glass was cleaned, | 0:32:40 | 0:32:43 | |
and some of the colour has come through onto the tablecloth. | 0:32:43 | 0:32:46 | |
We knew they weren't going to have to water them, so we didn't put any plastic underneath. | 0:32:46 | 0:32:50 | |
Um... | 0:32:50 | 0:32:51 | |
So we'll just hope when they lift the remaining pots up that there's no stain left underneath there. | 0:32:51 | 0:32:56 | |
I don't know whether I want to be here when they do that! | 0:32:56 | 0:32:58 | |
So we'll send the cloth away to be laundered, and keep our fingers crossed. | 0:32:58 | 0:33:02 | |
The great dining room table is 30 by 12 feet, | 0:33:02 | 0:33:05 | |
and the tablecloth is a rarity. | 0:33:05 | 0:33:07 | |
There's only one antique spare. | 0:33:07 | 0:33:10 | |
And ironing it is the job of housekeepers, Jane and June. | 0:33:10 | 0:33:13 | |
-Ooh, it's very starched, isn't it? -It's very starched. | 0:33:13 | 0:33:16 | |
It's quite wrinkly, in fact, isn't it? | 0:33:16 | 0:33:19 | |
Oh, goodness, it's really stuck! | 0:33:19 | 0:33:21 | |
1891, it's been around this long. | 0:33:21 | 0:33:24 | |
We can't destroy it! | 0:33:24 | 0:33:26 | |
It just sounds so awful when you're pulling it apart, doesn't it? | 0:33:26 | 0:33:30 | |
I know. | 0:33:30 | 0:33:31 | |
Actually, it's going to go like tissue paper. | 0:33:34 | 0:33:37 | |
-I hope it doesn't rip into holes. -Oh, no. | 0:33:37 | 0:33:39 | |
Just do it very gently. | 0:33:39 | 0:33:41 | |
My heart's going bang, bang, bang, bang. | 0:33:44 | 0:33:46 | |
-So... -Oops! | 0:33:47 | 0:33:49 | |
I'm going to take my shoes off, June. | 0:33:49 | 0:33:51 | |
JUNE LAUGHS Cos we're going to have to tread on it! | 0:33:51 | 0:33:54 | |
-You're not going to do it with your feet, are you? -No! No! I'm not! THEY LAUGH | 0:33:54 | 0:33:58 | |
With my feet! | 0:33:58 | 0:34:00 | |
-It's like ironing paper. -It is, isn't it, yes. | 0:34:06 | 0:34:10 | |
Sounds like thunder. | 0:34:12 | 0:34:14 | |
I might take my shoes off to iron at home, you know, | 0:34:16 | 0:34:18 | |
because I think I'm doing it better with my shoes off! | 0:34:18 | 0:34:20 | |
It's more relaxing with your shoes off. JUNE LAUGHS | 0:34:20 | 0:34:24 | |
-I'm going to have to dash, Jane. -All right, then. | 0:34:26 | 0:34:28 | |
-I'm sorry to leave you at such a crucial moment. -It's all right. | 0:34:28 | 0:34:32 | |
Thanks ever so much, anyway, June. | 0:34:32 | 0:34:35 | |
And then there was one, and I'm going to have to move it. All on my own. | 0:34:35 | 0:34:39 | |
Yeah. | 0:34:41 | 0:34:43 | |
Oh, those creases, they're just terrible! | 0:34:44 | 0:34:47 | |
Oh, it's just impossible, this. | 0:34:47 | 0:34:50 | |
It's no good, we're going to have to put it on the big table, | 0:34:50 | 0:34:53 | |
and get an ironing board either side of it, | 0:34:53 | 0:34:55 | |
cos there's no way it can be done on here. | 0:34:55 | 0:34:57 | |
It's just impossible. | 0:34:57 | 0:34:59 | |
So I'm really going to give up, and let's hope it does better upstairs. | 0:34:59 | 0:35:05 | |
Chatsworth's kitchens. | 0:35:10 | 0:35:12 | |
Eight chefs, a head chef, two sous-chefs, | 0:35:12 | 0:35:15 | |
four cooks, and four bakers. | 0:35:15 | 0:35:17 | |
Among 50 catering staff to help prepare food | 0:35:17 | 0:35:20 | |
for over 100 events throughout the year. | 0:35:20 | 0:35:23 | |
-Have you got time for... (INDISTINCT)? -Yeah, no problem. | 0:35:23 | 0:35:27 | |
-Do it while you're working. -Yeah, OK. | 0:35:27 | 0:35:29 | |
'Tonight we've got the horse trials, | 0:35:29 | 0:35:31 | |
'and we've got a champagne reception with canapes.' | 0:35:31 | 0:35:34 | |
The Duke and Duchess are hosting it. | 0:35:34 | 0:35:36 | |
We expect about 140 guests in the Painted Hall, | 0:35:36 | 0:35:38 | |
and it's going to be a really prestigious event. | 0:35:38 | 0:35:41 | |
We really enjoy it as well, because it's fun for the staff. | 0:35:41 | 0:35:43 | |
The Duchess decides which kind of dish she'd like. | 0:35:43 | 0:35:45 | |
Um... | 0:35:45 | 0:35:46 | |
And then that obviously comes up to Adam, the head chef, | 0:35:46 | 0:35:49 | |
and he prepares the canapes as per her spec. | 0:35:49 | 0:35:51 | |
-Give us a shout if you need anything, then. -Yeah, I will do, yeah. | 0:35:52 | 0:35:55 | |
-Cheers, Claire. -All right, thanks. | 0:35:55 | 0:35:58 | |
I'm making the tartlet bases for the lemon crayfish, | 0:35:58 | 0:36:02 | |
for tonight's canapes for the Duke and Duchess. | 0:36:02 | 0:36:07 | |
So... | 0:36:07 | 0:36:08 | |
A lot of responsibility. | 0:36:09 | 0:36:10 | |
22-year-old Nathan lives in Bakewell. | 0:36:12 | 0:36:15 | |
Since leaving college, he's made a career in catering, | 0:36:15 | 0:36:18 | |
and tonight, his food must be top-notch. | 0:36:18 | 0:36:22 | |
I've met the Duke and Duchess personally once, | 0:36:22 | 0:36:25 | |
at the last staff party. | 0:36:25 | 0:36:26 | |
They came and gave some awards out, | 0:36:26 | 0:36:29 | |
and walked and talked to everybody, which was nice. | 0:36:29 | 0:36:32 | |
I wasn't expecting something like that, | 0:36:32 | 0:36:34 | |
I thought you had to bow and things. | 0:36:34 | 0:36:36 | |
-The first time, I was standing like this, but no, you don't. -HE LAUGHS | 0:36:36 | 0:36:39 | |
But hopefully I'll get to see some of the house today | 0:36:40 | 0:36:42 | |
that I don't normally get to see, that'll be quite nice. | 0:36:42 | 0:36:45 | |
It's a privilege, really, isn't it, you know? It's immense. Really is. | 0:36:45 | 0:36:48 | |
Saying that, though, I just enjoy the drive to work. | 0:36:48 | 0:36:51 | |
You know? | 0:36:51 | 0:36:52 | |
Not every day you get a nice view like that on your way. | 0:36:52 | 0:36:55 | |
-Shall we get cracking? -I think we ought to. No! | 0:37:01 | 0:37:03 | |
Let's not get cracking, in case we crack one of those glasses. | 0:37:03 | 0:37:05 | |
-Let's get...moving. -Carefully get moving, then. -There we go. | 0:37:05 | 0:37:08 | |
HE LAUGHS | 0:37:08 | 0:37:09 | |
It's all change in the dining room. | 0:37:09 | 0:37:13 | |
With 150 pieces of cutlery, 120 pieces of glass, | 0:37:14 | 0:37:20 | |
and 47 pieces of silver to be dismantled, | 0:37:20 | 0:37:23 | |
swapping the tablecloth will make it a long night. | 0:37:23 | 0:37:26 | |
Gosh, I hope that comes out! | 0:37:27 | 0:37:30 | |
-I'll leave you to it. -OK, see you tomorrow. | 0:37:30 | 0:37:33 | |
We daren't put the iron on hot, | 0:37:33 | 0:37:35 | |
because of the underlay sticking to the table. | 0:37:35 | 0:37:38 | |
That's not doing a very good job, I'm afraid. | 0:37:38 | 0:37:43 | |
I think we're going to be here a long time. | 0:37:43 | 0:37:44 | |
Henry's going to find us asleep under the table in the morning, | 0:37:44 | 0:37:47 | |
-I think! -SHE LAUGHS | 0:37:47 | 0:37:48 | |
Looks like the Himalayas. | 0:37:48 | 0:37:51 | |
You realise I'll have very long hair | 0:37:54 | 0:37:56 | |
-by the time I get to the end of the table! -SHE LAUGHS | 0:37:56 | 0:37:59 | |
Three months later, we get to the end of the table. | 0:37:59 | 0:38:02 | |
-No, I wouldn't like to be a duchess. -I wouldn't like it at all. | 0:38:06 | 0:38:10 | |
-I think it... -I don't envy them at all. | 0:38:10 | 0:38:13 | |
Would anybody like that, to not have your own life completely? | 0:38:13 | 0:38:17 | |
There's always an element where you've got to be on show, | 0:38:17 | 0:38:20 | |
and that must be so difficult. | 0:38:20 | 0:38:22 | |
There must be some... | 0:38:26 | 0:38:28 | |
There's some good sides to it, though. | 0:38:28 | 0:38:30 | |
Oh, not having to do the ironing! | 0:38:30 | 0:38:32 | |
THEY LAUGH | 0:38:32 | 0:38:33 | |
Trouble is, Jane, you've got to find a duke first. | 0:38:36 | 0:38:40 | |
-If you want to be a duchess. -Well, this is true. | 0:38:40 | 0:38:43 | |
There's quite a few aristocrats out there, but they need an heir, | 0:38:43 | 0:38:47 | |
and I couldn't do that, either. | 0:38:47 | 0:38:48 | |
-My breeding days are over! -JANET LAUGHS | 0:38:48 | 0:38:51 | |
-Oh, Janet. -We're getting to the... | 0:38:59 | 0:39:01 | |
Will it get any better? | 0:39:01 | 0:39:03 | |
I think we've gone to the Rockies now. | 0:39:03 | 0:39:05 | |
You know how they say, a bad workman always blames his tools? | 0:39:05 | 0:39:08 | |
What's wrong with your iron, Jane? | 0:39:08 | 0:39:10 | |
My steam button's got stuck. | 0:39:11 | 0:39:13 | |
Don't feel as if we've... We've done very well. | 0:39:20 | 0:39:22 | |
SHE LAUGHS | 0:39:22 | 0:39:23 | |
Let's pray! | 0:39:23 | 0:39:25 | |
Tonight, to celebrate the start of the horse trials, | 0:39:29 | 0:39:33 | |
over 200 guests of the Duke and Duchess will gather in the Painted Hall. | 0:39:33 | 0:39:38 | |
For the team of eight staff, | 0:39:38 | 0:39:40 | |
72 bottles of champagne and Nathan's 600 canapes | 0:39:40 | 0:39:44 | |
will be the curtain-raiser for the three day event. | 0:39:44 | 0:39:47 | |
We've invited them here because it's Chatsworth Horse Trials, so... | 0:39:49 | 0:39:55 | |
-International. -Of course. | 0:39:55 | 0:39:56 | |
-It's really because... -International. | 0:39:56 | 0:39:58 | |
It a sort of thank you, isn't it. | 0:39:58 | 0:40:00 | |
It's a thank you to people like the doctors and the vets and, er... | 0:40:00 | 0:40:05 | |
-All the officials. -All the officials. | 0:40:05 | 0:40:07 | |
It's going all right, I think we're just ahead of time, just about. | 0:40:09 | 0:40:13 | |
I hope so, anyway. | 0:40:13 | 0:40:15 | |
If I'm not, then I'm in trouble, but... | 0:40:15 | 0:40:17 | |
Be fine. | 0:40:17 | 0:40:18 | |
A little bit nervous, I don't like doing any function. | 0:40:18 | 0:40:22 | |
Of course, I enjoy doing it, it's just the... | 0:40:22 | 0:40:25 | |
You don't want to mess it up, do you? | 0:40:26 | 0:40:27 | |
You know, we've had Florabundance and the horse trials this week. | 0:40:30 | 0:40:32 | |
Yes, very different. | 0:40:32 | 0:40:34 | |
It's something different to appeal to a different audience, | 0:40:34 | 0:40:37 | |
or people who want a day out, and tomorrow, | 0:40:37 | 0:40:38 | |
most of the people who come will be interested in the competition, | 0:40:38 | 0:40:41 | |
but some will want to come just as an excuse to have a walk round, | 0:40:41 | 0:40:44 | |
and see some people jumping amazing fences. | 0:40:44 | 0:40:47 | |
-So it'll be really nice. -Mmm. | 0:40:47 | 0:40:49 | |
So it's important, and it's fun. | 0:40:49 | 0:40:51 | |
It's a good combination. | 0:40:51 | 0:40:52 | |
-Are we talking, or are we not bothering? -Sorry. | 0:40:52 | 0:40:55 | |
-Come on, then. Covered in white off those gloves. -There we go. | 0:40:55 | 0:40:58 | |
25 to, we expect them in about quarter past, | 0:40:58 | 0:41:00 | |
so we need to be all ready. | 0:41:00 | 0:41:01 | |
-Yeah. -So we're going to start pouring about 10 to. | 0:41:01 | 0:41:04 | |
Canape girls, just stay on canapes. | 0:41:04 | 0:41:06 | |
And the girls on the drinks, obviously offering, | 0:41:06 | 0:41:08 | |
but keeping sort of in the background. | 0:41:08 | 0:41:11 | |
-Nathan, if you carry on... Look at you! -I know, I've got it all over the place. | 0:41:11 | 0:41:14 | |
Look! You can tell... | 0:41:14 | 0:41:16 | |
It's the gloves, they've got like talc and stuff inside. | 0:41:16 | 0:41:20 | |
-Let's make sure were all smart before they come in. -Yeah. | 0:41:20 | 0:41:22 | |
-So if you keep as you are, and just carry on building. -Yeah. | 0:41:22 | 0:41:26 | |
OK, and then once you're all built and we've got all the canapes done... | 0:41:26 | 0:41:29 | |
-You're the entertainment! -..then you can you can go in pot wash because you like a scrub. -Yeah! | 0:41:29 | 0:41:34 | |
-Smile at them. -Yeah. -Wander around discreetly. | 0:41:34 | 0:41:37 | |
So is everybody happy? | 0:41:37 | 0:41:38 | |
-ALL: Yeah. -Any questions? | 0:41:38 | 0:41:40 | |
They'll be punctual. They're just not ready. | 0:41:40 | 0:41:44 | |
Is it busy? | 0:42:00 | 0:42:01 | |
Is it not full yet? | 0:42:02 | 0:42:03 | |
No. | 0:42:03 | 0:42:05 | |
Champagne? | 0:42:05 | 0:42:06 | |
Champagne for you? | 0:42:06 | 0:42:08 | |
Just have to concentrate! | 0:42:08 | 0:42:09 | |
Like going down the catwalk. | 0:42:10 | 0:42:13 | |
-Hello! Hello, would you like champagne? -Yes, please. -Champagne for you? | 0:42:27 | 0:42:31 | |
As the champagne flows, | 0:42:31 | 0:42:32 | |
the pressure is on Nathan to keep his canapes moving. | 0:42:32 | 0:42:35 | |
-That's OK. -Yeah, only a couple of things are knocked off, anyway, so... | 0:42:37 | 0:42:41 | |
Good job I didn't have that Royal Doulton in my hand, and break it! | 0:42:41 | 0:42:45 | |
It's a good evening. | 0:42:52 | 0:42:53 | |
Yeah, a few drinks helps, after the stress of the day. | 0:42:53 | 0:42:56 | |
Here in the house, riding the Duchess's horse, | 0:42:56 | 0:42:58 | |
it doesn't get much better than that. | 0:42:58 | 0:43:00 | |
-Are you all right? -Very good, yes. | 0:43:00 | 0:43:03 | |
You know, the good thing about eventing | 0:43:03 | 0:43:05 | |
is probably that the horses do most of the work, | 0:43:05 | 0:43:08 | |
so the training and lifting a glass occasionally | 0:43:08 | 0:43:11 | |
is very, very important. | 0:43:11 | 0:43:12 | |
It's all about having a nice time. | 0:43:12 | 0:43:14 | |
-Shall we start looking for glasses? -Yeah, let's start. -Yeah. | 0:43:15 | 0:43:18 | |
It's gone well, it's gone really well. | 0:43:20 | 0:43:22 | |
Apart from the latecomers, which threw us off, | 0:43:22 | 0:43:24 | |
because we sent all the canapes out, but we thought we only had... | 0:43:24 | 0:43:27 | |
We had to lots of latecomers, we had to run back and make some more up. | 0:43:27 | 0:43:30 | |
HE LAUGHS | 0:43:32 | 0:43:33 | |
It's just gone so fast, I can't believe. | 0:43:39 | 0:43:42 | |
Four o'clock, we were all getting ready, and now it's all done. | 0:43:42 | 0:43:46 | |
SHE SIGHS | 0:43:46 | 0:43:48 | |
Such a lovely place when it's all empty. | 0:43:48 | 0:43:50 | |
Great night. | 0:43:50 | 0:43:53 | |
Now, get packed up, get off home. | 0:43:53 | 0:43:58 | |
Wait for me, Nathan. | 0:44:01 | 0:44:02 | |
8am. | 0:44:14 | 0:44:15 | |
After a night of ironing, | 0:44:15 | 0:44:17 | |
the tablecloth should be ready for laying. | 0:44:17 | 0:44:20 | |
It's just difficult to get all the creases out. | 0:44:20 | 0:44:24 | |
Looks OK. | 0:44:25 | 0:44:26 | |
Thingies, silver covers most of the creases up anyway, | 0:44:26 | 0:44:29 | |
so no-one can see it. | 0:44:29 | 0:44:30 | |
I think it'll look fine once it's laid. | 0:44:30 | 0:44:33 | |
With a bit of luck. | 0:44:35 | 0:44:36 | |
-Right. -Optimistic. | 0:44:36 | 0:44:39 | |
With over 500 competitors and 10,000 paying spectators, | 0:44:49 | 0:44:54 | |
the Duke's army of 360 staff has its work cut out. | 0:44:54 | 0:44:59 | |
And like any army, it marches on its stomach. | 0:44:59 | 0:45:03 | |
Yeah, ten past nine, breakfast time. | 0:45:03 | 0:45:06 | |
FRYING PAN SIZZLES | 0:45:07 | 0:45:09 | |
Bacon sandwiches for today. | 0:45:09 | 0:45:11 | |
You don't get a body like this eating muesli, do you? | 0:45:13 | 0:45:16 | |
The sheep and pigs have muesli, I don't. | 0:45:17 | 0:45:20 | |
I just keep an eye on this gate. | 0:45:20 | 0:45:22 | |
There's usually sort of, like, 200, 300 people | 0:45:22 | 0:45:24 | |
that come through here in a day. | 0:45:24 | 0:45:27 | |
This is the normal time | 0:45:27 | 0:45:28 | |
when everybody starts rushing through the gate, | 0:45:28 | 0:45:32 | |
the minute I put the frying pan on. | 0:45:32 | 0:45:33 | |
Then I get a massive rush on, but then I end up with burnt bacon, so... | 0:45:34 | 0:45:39 | |
Be prepared for me running it off to that gate | 0:45:41 | 0:45:44 | |
Just getting a serviette. | 0:45:45 | 0:45:47 | |
A napkin. | 0:45:47 | 0:45:48 | |
We are not completely uncouthed in the country. | 0:45:48 | 0:45:52 | |
Oh, hang on... | 0:45:56 | 0:45:57 | |
Morning. | 0:45:59 | 0:46:01 | |
Got tickets? | 0:46:01 | 0:46:02 | |
-Excellent, thank you very much. -All right? -All right, bye bye. | 0:46:04 | 0:46:07 | |
INDISTINCT MESSAGE ON RADIO | 0:46:09 | 0:46:11 | |
I've got outside catering. | 0:46:11 | 0:46:13 | |
HE CHUCKLES | 0:46:13 | 0:46:15 | |
Mmm! Best sandwich I'll have all day. | 0:46:15 | 0:46:17 | |
Until the next one, obviously. | 0:46:17 | 0:46:19 | |
Sorry, just in the middle of my breakfast. | 0:46:21 | 0:46:23 | |
-There you go. -Excellent, thank you. | 0:46:23 | 0:46:25 | |
Now in its seventh decade, and the only World Cup qualifier in the UK, | 0:46:33 | 0:46:37 | |
the horse trials always attract huge crowds. | 0:46:37 | 0:46:41 | |
The horsey world is quite social. | 0:46:45 | 0:46:47 | |
It's a sort of circus that goes round the countryside, | 0:46:47 | 0:46:49 | |
it's international, actually. | 0:46:49 | 0:46:51 | |
And so, you know, the riders see each other every week, | 0:46:51 | 0:46:53 | |
they're competing, like any other elite sportsmen. | 0:46:53 | 0:46:56 | |
It's in their diary from one year to the next, | 0:46:56 | 0:46:58 | |
and they'll come every year, which is great. | 0:46:58 | 0:47:01 | |
I feel very fortunate that we have such a prestigious horse trial | 0:47:01 | 0:47:05 | |
here at Chatsworth. | 0:47:05 | 0:47:06 | |
And when you see the best riders in the world | 0:47:06 | 0:47:09 | |
coming here to compete against local people, | 0:47:09 | 0:47:12 | |
I think that's what horse trials are all about. | 0:47:12 | 0:47:15 | |
It's all for the love of the horse. | 0:47:15 | 0:47:17 | |
Across the three day event, | 0:47:20 | 0:47:22 | |
the most anticipated and dangerous competition is the cross country. | 0:47:22 | 0:47:27 | |
The cross country part of the event is exciting, | 0:47:28 | 0:47:31 | |
and it's high risk, I mean, it's dangerous. | 0:47:31 | 0:47:34 | |
Er... Particularly for the rider. | 0:47:34 | 0:47:36 | |
The adrenaline is flowing really fast, | 0:47:36 | 0:47:39 | |
but, you know, we all enjoy a bit of adrenaline flow. | 0:47:39 | 0:47:44 | |
A top-class cross country course | 0:47:44 | 0:47:46 | |
must challenge the all-important trust between rider and horse. | 0:47:46 | 0:47:50 | |
Most feared are the water jumps. | 0:47:50 | 0:47:52 | |
The horse doesn't know | 0:47:54 | 0:47:55 | |
if it's jumping into six feet or just a few inches. | 0:47:55 | 0:47:58 | |
Ian to the Duchess, come in, please. | 0:47:58 | 0:48:00 | |
I think you have to ring her, Val, she's not answering the radio. | 0:48:01 | 0:48:05 | |
She maybe hasn't got one yet. | 0:48:05 | 0:48:07 | |
Either that or she's ignoring me. | 0:48:07 | 0:48:08 | |
HE LAUGHS | 0:48:08 | 0:48:10 | |
The design of this year's course has taken Ian Stark nine months. | 0:48:10 | 0:48:14 | |
Yeah, the nerves are creeping in, the stomach's churning. I did waken up at four o'clock this morning. | 0:48:14 | 0:48:18 | |
I managed to sleep for another, sort of 45 minutes, but, um... | 0:48:18 | 0:48:22 | |
I don't get much sleep now for the rest of the weekend, | 0:48:22 | 0:48:24 | |
cos I get a little bit anxious about the whole situation. | 0:48:24 | 0:48:28 | |
That was all right. Looked good. | 0:48:28 | 0:48:30 | |
'I always thought when I was competing, if I didn't get nervous, it was time to give up, | 0:48:30 | 0:48:33 | |
'and so maybe it's the same with course designing.' | 0:48:33 | 0:48:36 | |
You just hope that everyone gets home in one piece | 0:48:36 | 0:48:39 | |
and lives to tell the story. | 0:48:39 | 0:48:41 | |
While the riders run the course, | 0:48:47 | 0:48:50 | |
circulation in the house is more sedate. | 0:48:50 | 0:48:52 | |
The dining room might have delighted King Edward VII, Queen Alexandra, | 0:48:52 | 0:48:58 | |
and even a young Queen Victoria, | 0:48:58 | 0:49:02 | |
but nothing escapes the beady eye of the paying public. | 0:49:02 | 0:49:05 | |
Don't like the look of that. It doesn't belong here. | 0:49:06 | 0:49:09 | |
That's what I think about that. How could they iron it? | 0:49:09 | 0:49:12 | |
I think that the tablecloth actually detracts from the beautiful silver | 0:49:12 | 0:49:17 | |
that's on the table, with the creases that are in it. | 0:49:17 | 0:49:20 | |
-Yes. -If it was perfectly ironed, pristinely ironed, I think that would be great. | 0:49:20 | 0:49:25 | |
Or no cloth at all. I think no cloth at all would have been better. | 0:49:25 | 0:49:28 | |
Oh, no cloth at all, do you think? | 0:49:28 | 0:49:30 | |
-Yeah. -Depends what the table's like underneath, doesn't it? -THEY LAUGH | 0:49:30 | 0:49:33 | |
I'm feeling sick at this very moment, very sick. | 0:49:36 | 0:49:39 | |
It's all the pressure. | 0:49:39 | 0:49:41 | |
Ian Stark is about to compete in the cross country event. | 0:49:43 | 0:49:47 | |
He will ride for Chatsworth on the Duchess's horse, Looks Similar. | 0:49:47 | 0:49:51 | |
-You all right? -Yeah. | 0:49:51 | 0:49:53 | |
Pull that. | 0:49:53 | 0:49:54 | |
Tight enough? | 0:49:54 | 0:49:56 | |
Thanks. | 0:49:56 | 0:49:57 | |
OK? | 0:49:58 | 0:50:00 | |
Yeah. | 0:50:00 | 0:50:01 | |
Despite 20 years watching Ian compete, | 0:50:01 | 0:50:05 | |
Ian's wife, Jenny, and the Duchess, always feel the pressure, | 0:50:05 | 0:50:08 | |
and tension is high as Ian pushes himself to the limit. | 0:50:08 | 0:50:12 | |
When Ian is riding my horses, it's very nerve-racking. | 0:50:12 | 0:50:17 | |
Your heart is in your mouth, | 0:50:17 | 0:50:18 | |
and Jenny and I stand there together, feeling very nervous. | 0:50:18 | 0:50:22 | |
Quite sick at this point! | 0:50:22 | 0:50:25 | |
I should be fine, but I'm not! I'll tell you in 10 minutes, bleurgh! | 0:50:25 | 0:50:29 | |
SHE CHUCKLES | 0:50:29 | 0:50:30 | |
-He's going to start. -Oh, dear. | 0:50:31 | 0:50:36 | |
INDISTINCT LOUDSPEAKER ANNOUNCEMENT | 0:50:36 | 0:50:39 | |
Yeah, he's off. | 0:50:39 | 0:50:40 | |
LOUDSPEAKER: 'And Ian Stark is away.' | 0:50:40 | 0:50:43 | |
We should begin to move, otherwise we won't see him at the ice pond. | 0:50:47 | 0:50:52 | |
-'Scary.' -SHE CHUCKLES | 0:50:59 | 0:51:01 | |
'Because he's a very brave rider. | 0:51:01 | 0:51:04 | |
'He knows what he can expect from a horse, and it's very exciting.' | 0:51:04 | 0:51:09 | |
Hold tight, everybody. | 0:51:14 | 0:51:16 | |
-Can we see him? -OK. | 0:51:18 | 0:51:20 | |
OK, go there. | 0:51:20 | 0:51:21 | |
'His courses are excellent. | 0:51:23 | 0:51:26 | |
'He's trying to make it good for both the horse and the rider, | 0:51:26 | 0:51:29 | |
'if they are good enough.' | 0:51:29 | 0:51:31 | |
Next up, Ian's water jump. | 0:51:35 | 0:51:38 | |
Designed to test the best. | 0:51:38 | 0:51:41 | |
It's gone quiet! | 0:51:50 | 0:51:52 | |
Ohh... Do you think that's good? | 0:51:52 | 0:51:53 | |
It's not always a good sign! It's not always a good sign. | 0:51:53 | 0:51:57 | |
He's coming, he's coming. | 0:51:57 | 0:51:58 | |
Ohhh! Right! | 0:52:10 | 0:52:12 | |
'To have a clear round in cross country within the time | 0:52:12 | 0:52:16 | |
is just so thrilling. | 0:52:16 | 0:52:20 | |
It means that you've ridden it well, | 0:52:20 | 0:52:21 | |
and you've got the best out of the horse, | 0:52:21 | 0:52:24 | |
and that's what you're trying to achieve, | 0:52:24 | 0:52:26 | |
and it's very, very exciting. | 0:52:26 | 0:52:28 | |
Oh, I'm thrilled. Thrilled to bits. He went so well. | 0:52:33 | 0:52:36 | |
No, it was, you know... | 0:52:36 | 0:52:38 | |
SHE SIGHS | 0:52:38 | 0:52:39 | |
What a relief. | 0:52:39 | 0:52:41 | |
-We've been doing it for plenty... -We've done a lot of years, yeah. | 0:52:41 | 0:52:44 | |
-HE LAUGHS -More than 20 years we've been at it. | 0:52:44 | 0:52:46 | |
Erm... | 0:52:47 | 0:52:49 | |
Ian's been riding my horses for that much time. | 0:52:49 | 0:52:51 | |
I get her to muck out occasionally. | 0:52:52 | 0:52:55 | |
HE LAUGHS | 0:52:55 | 0:52:57 | |
Maybe that's pushing my luck. | 0:52:57 | 0:52:58 | |
It's so good that he just comes up with the... | 0:52:58 | 0:53:01 | |
With the answers. Oh, sorry! | 0:53:01 | 0:53:04 | |
Sprayed the Duchess. | 0:53:04 | 0:53:06 | |
HE LAUGHS | 0:53:06 | 0:53:07 | |
Ah-ha-ha-ha! That's dangerous, now! | 0:53:07 | 0:53:10 | |
HE LAUGHS | 0:53:10 | 0:53:11 | |
CHICKENS CLUCK | 0:53:11 | 0:53:14 | |
Thank you very much for all your hard work. | 0:53:16 | 0:53:18 | |
I think that's absolutely everything today. | 0:53:18 | 0:53:20 | |
All right, yes, Tony? | 0:53:20 | 0:53:22 | |
Just one thing, we had some visitors complaining about the table. | 0:53:22 | 0:53:26 | |
There was about six ladies came in, and every one of them made comments | 0:53:26 | 0:53:29 | |
about the tablecloth, and not actually what was on it. | 0:53:29 | 0:53:33 | |
Thank you. I'll let them know. Thanks, guys. | 0:53:33 | 0:53:35 | |
-Do we really want to know? -Oh, I don't know! | 0:53:41 | 0:53:44 | |
THEY LAUGH | 0:53:44 | 0:53:45 | |
-Oh, there it is, look. -Oh! | 0:53:45 | 0:53:46 | |
'The tablecloth in the great dining room | 0:53:46 | 0:53:49 | |
'is 30 feet long by 12 feet wide.' | 0:53:49 | 0:53:50 | |
Five comments. "Could do with an iron!" | 0:53:52 | 0:53:55 | |
"Great, but looks crumpled and lets the magnificent table setting down." | 0:53:55 | 0:54:00 | |
With the creases turning into a crisis, | 0:54:06 | 0:54:09 | |
head of textiles, Susie Stokoe, is called in to cast an expert eye. | 0:54:09 | 0:54:14 | |
Not looking great, is it? | 0:54:14 | 0:54:16 | |
But it isn't as bad as it was! | 0:54:16 | 0:54:17 | |
-Well, it doesn't even feel like fabric. -No. | 0:54:17 | 0:54:20 | |
Um... It's been very over-starched, it's sort of tight, | 0:54:20 | 0:54:23 | |
and that means any tensions, | 0:54:23 | 0:54:28 | |
when it's being ironed, | 0:54:28 | 0:54:30 | |
that are wrong or different in different areas, | 0:54:30 | 0:54:33 | |
you're forcing the fabric to in a way be distorted, | 0:54:33 | 0:54:37 | |
and this room does fluctuate in humidity, | 0:54:37 | 0:54:40 | |
so the cotton will be trying to suck in moisture, | 0:54:40 | 0:54:44 | |
and become like fabric again. | 0:54:44 | 0:54:47 | |
So it's all got to come off, | 0:54:47 | 0:54:49 | |
and then we will have it looking neat and tidy. | 0:54:49 | 0:54:52 | |
Once again, the elaborate Victorian table setting | 0:54:54 | 0:54:58 | |
will have to be dismantled. | 0:54:58 | 0:55:00 | |
So I've probably stripped and laid this table | 0:55:02 | 0:55:05 | |
about 20 times over the years. | 0:55:05 | 0:55:07 | |
I'm sort of getting professional at this now. | 0:55:07 | 0:55:10 | |
HE LAUGHS | 0:55:10 | 0:55:12 | |
I'm sure the tablecloth is going to look really lovely today. | 0:55:13 | 0:55:18 | |
-It can't be any worse! -SHE CHUCKLES | 0:55:18 | 0:55:20 | |
Get it all in there. | 0:55:20 | 0:55:22 | |
LOUDSPEAKER: 'In first place, Emily Baldwin with Drivetime.' | 0:55:22 | 0:55:27 | |
APPLAUSE | 0:55:27 | 0:55:28 | |
It's gone brilliantly. | 0:55:28 | 0:55:29 | |
Yes, it's been the most super three days, | 0:55:29 | 0:55:31 | |
and everybody has said how good the going is. | 0:55:31 | 0:55:33 | |
I'm just relieved that we got it right. | 0:55:33 | 0:55:34 | |
'Astier Nicolas, riding Jhakti du Janlie for France.' APPLAUSE | 0:55:34 | 0:55:39 | |
IAN STARK: It's such an exciting place to be, | 0:55:39 | 0:55:41 | |
and it's a great event, a great venue, | 0:55:41 | 0:55:43 | |
the riders are raving about the ground. | 0:55:43 | 0:55:45 | |
What these guys have done to the course is just incredible. | 0:55:45 | 0:55:48 | |
The ground was perfect. | 0:55:48 | 0:55:50 | |
And I quite like to take the credit for that, so it's fine! | 0:55:50 | 0:55:53 | |
THEY LAUGH | 0:55:53 | 0:55:55 | |
Even the creases are stiff! | 0:55:55 | 0:55:58 | |
-Just the way it sounds, it sounds crispy. -Yes. | 0:55:58 | 0:56:01 | |
-Actually feels like fabric! -It does! | 0:56:02 | 0:56:05 | |
THEY LAUGH | 0:56:05 | 0:56:07 | |
I've done my best, and you can only do that. | 0:56:07 | 0:56:10 | |
So, yeah, all in all, I'm really pleased. | 0:56:10 | 0:56:14 | |
Where is your snake up that end? | 0:56:14 | 0:56:17 | |
-He's here. -That snake there, and there's one... | 0:56:17 | 0:56:20 | |
It was just so frustrating, not to be able to get it to look nice. | 0:56:20 | 0:56:25 | |
Go for it. | 0:56:25 | 0:56:26 | |
-I can't use both hands at once! -Yeah, you can! | 0:56:26 | 0:56:29 | |
-Do you want me to have a go? -Why don't you have a go at this side? | 0:56:29 | 0:56:32 | |
'I was just so horrified, and so relieved | 0:56:32 | 0:56:34 | |
'when a new tablecloth came in, and we could make that look really nice. | 0:56:34 | 0:56:40 | |
Chatsworth is the magic word, and everything has to be the best. | 0:56:40 | 0:56:44 | |
-THE DUKE: -The pride in it is shared by people who work here. | 0:56:46 | 0:56:49 | |
I think it's very humbling, I think we're very, very lucky. | 0:56:49 | 0:56:52 | |
-Don't you think it's better? -Definitely! | 0:56:52 | 0:56:55 | |
Shouldn't have complaints now. | 0:56:57 | 0:57:01 | |
The tablecloth looks perfect. | 0:57:08 | 0:57:09 | |
Just looks really nice. | 0:57:09 | 0:57:11 | |
Next time: | 0:57:15 | 0:57:17 | |
Chatsworth, not just home to the Duke and Duchess... | 0:57:17 | 0:57:19 | |
Years ago, when you joined Chatsworth as a 16-year-old, | 0:57:19 | 0:57:22 | |
and then you'd have your house for life, you never wanted to go anywhere else, really. | 0:57:22 | 0:57:27 | |
But times are changing. | 0:57:27 | 0:57:29 | |
-Such a charming little cottage. -It really is. | 0:57:29 | 0:57:32 | |
It was lived in by a tenant. | 0:57:32 | 0:57:33 | |
'Now we've decided it's going to become a holiday cottage.' | 0:57:33 | 0:57:37 | |
I wouldn't mind a place like that myself, to be brutally honest. | 0:57:37 | 0:57:40 | |
But some traditions carry on. | 0:57:40 | 0:57:42 | |
Evening, all. | 0:57:42 | 0:57:44 | |
You've got a big straight 'un there, John. | 0:57:44 | 0:57:46 | |
Oh, yes, that's what they all say! | 0:57:46 | 0:57:48 | |
Are you going to get your big taters out? | 0:57:48 | 0:57:50 | |
-I'm going to get my big potatoes out. -Get your big potatoes out. | 0:57:50 | 0:57:54 | |
It's stiff competition at the local horticultural show. | 0:57:54 | 0:57:56 | |
-Ooh! -Sharp, cough medicine-ish. | 0:57:56 | 0:57:59 | |
It's not my cup of tea, that. | 0:57:59 | 0:58:01 | |
And a shadow that has been hanging over everyone is about to be lifted. | 0:58:01 | 0:58:06 | |
18th century bling, it's just the best thing. | 0:58:06 | 0:58:09 | |
-It's a dream come true for us, it really is, isn't it? -Yes. | 0:58:09 | 0:58:12 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:40 |