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|---|---|---|---|
Behind Northern Ireland's streets and fences | 0:00:02 | 0:00:04 | |
lie some amazing hidden gardens. | 0:00:04 | 0:00:06 | |
Private spaces with passionate owners, open just a few days a year. | 0:00:06 | 0:00:10 | |
Now two top gardening experts, | 0:00:11 | 0:00:13 | |
Diarmuid Gavin and Helen Dillon, | 0:00:13 | 0:00:16 | |
are going to be searching for the best. | 0:00:16 | 0:00:18 | |
They'll be looking for great design... | 0:00:18 | 0:00:21 | |
Look at that! | 0:00:21 | 0:00:22 | |
It's an instant paradise. | 0:00:22 | 0:00:24 | |
..beautiful planting... | 0:00:24 | 0:00:25 | |
You've no right to call it a weed, but this is my favourite weed. | 0:00:25 | 0:00:29 | |
..and great gardening practice... | 0:00:29 | 0:00:31 | |
Do you know what I think the answer is? | 0:00:31 | 0:00:32 | |
-A hacksaw. -Yeah. | 0:00:32 | 0:00:34 | |
..as the nervous owners wait inside for the verdict. | 0:00:34 | 0:00:37 | |
I look forward to hearing what they say about it. | 0:00:37 | 0:00:39 | |
Wouldn't it be lovely to know what someone like Diarmuid Gavin | 0:00:39 | 0:00:42 | |
would do with this place? | 0:00:42 | 0:00:44 | |
This time, three gardens from Counties Antrim and Londonderry. | 0:00:44 | 0:00:48 | |
Which one will be best? | 0:00:48 | 0:00:50 | |
The first garden is in the suburbs of Derry, | 0:00:55 | 0:00:58 | |
set in the grounds of a magnificent Georgian villa. | 0:00:58 | 0:01:01 | |
Over the best part of half a century, restaurant owner Liam Green | 0:01:01 | 0:01:05 | |
has created a multi-layered wonderland. | 0:01:05 | 0:01:08 | |
When we bought the property in 1979, there was no garden. | 0:01:08 | 0:01:14 | |
I knew it was going to take a long time but I was young | 0:01:14 | 0:01:17 | |
and full of energy. | 0:01:17 | 0:01:19 | |
There are three distinct areas, | 0:01:20 | 0:01:22 | |
starting with a front garden that's straight out of Pride And Prejudice. | 0:01:22 | 0:01:26 | |
Then there's the formal Italian garden, | 0:01:26 | 0:01:28 | |
though he's been having difficulty keeping his four | 0:01:28 | 0:01:31 | |
Italian cypress trees on the straight and narrow. | 0:01:31 | 0:01:34 | |
Being Northern Ireland and the North West, | 0:01:34 | 0:01:36 | |
we get more wind than they get in Italy. | 0:01:36 | 0:01:39 | |
And as they got taller, some of them took a lean. | 0:01:39 | 0:01:43 | |
So I'm trying to correct that with steel cabling. I hope it works. | 0:01:43 | 0:01:48 | |
He has however worked wonders with two more common | 0:01:48 | 0:01:51 | |
Castlewellan Gold Leylandii. | 0:01:51 | 0:01:53 | |
They've worked well. | 0:01:53 | 0:01:55 | |
And over the years, I've continued to clip them | 0:01:55 | 0:01:58 | |
and they are quite impressive now. | 0:01:58 | 0:02:00 | |
And there's also a Japanese garden | 0:02:00 | 0:02:03 | |
based around a bonsai-like laburnum tree. | 0:02:03 | 0:02:06 | |
It's not a true Japanese garden but it's Japanese inspired. | 0:02:06 | 0:02:13 | |
So is Liam looking forward to a visit from our experts? | 0:02:13 | 0:02:17 | |
-We are in for a treat. -I think we are. | 0:02:17 | 0:02:20 | |
Diarmuid Gavin is one of the UK and Ireland's top garden designers | 0:02:20 | 0:02:24 | |
and has won gold at Chelsea. | 0:02:24 | 0:02:25 | |
Top gardening author Helen Dillon | 0:02:25 | 0:02:28 | |
owns Ireland's most famous private garden. | 0:02:28 | 0:02:30 | |
Together they will argue over the garden as Liam waits inside. | 0:02:30 | 0:02:34 | |
I'm prepared to listen very intently to what they might suggest to me. | 0:02:34 | 0:02:39 | |
And if they are very happy with it... | 0:02:39 | 0:02:41 | |
..I'd be even more delighted. | 0:02:42 | 0:02:44 | |
I love the balance of the whole thing, the house and the yews | 0:02:46 | 0:02:50 | |
and the path, it's all wonderfully Georgian. | 0:02:50 | 0:02:54 | |
Absolutely, it's straight out of a Jane Austen novel. | 0:02:54 | 0:02:57 | |
There is something relaxed, formal, simple, | 0:02:57 | 0:03:00 | |
and a little extra space to breathe. | 0:03:00 | 0:03:02 | |
The front pathway is lined with fine examples of Irish yew. | 0:03:03 | 0:03:07 | |
It's a plant we are very proud of in this country, aren't we? | 0:03:07 | 0:03:11 | |
We are because it's the true Irish yew, which is very sticky-uppy. | 0:03:11 | 0:03:16 | |
But the only problem with them is that they are inclined to get fat. | 0:03:16 | 0:03:20 | |
As we all do as we get older. They go fatter and fatter and fatter. | 0:03:20 | 0:03:23 | |
The instinct of the gardener is immediately to take off the outside. | 0:03:23 | 0:03:26 | |
You don't do that. | 0:03:26 | 0:03:27 | |
What you do is, you leave the middle whatever you do. | 0:03:27 | 0:03:30 | |
Because you want something to tie the outside to. | 0:03:30 | 0:03:32 | |
And then you take off every second outside branch. | 0:03:32 | 0:03:35 | |
So you'd take that one off and then leave the next one. | 0:03:35 | 0:03:38 | |
And then you take that one off. And you would leave the next one. | 0:03:38 | 0:03:40 | |
And then you take that one off. Then you've left the middle | 0:03:40 | 0:03:43 | |
and you can tie the remains to the middle | 0:03:43 | 0:03:46 | |
to keep your lovely conical effect and not too fat. | 0:03:46 | 0:03:48 | |
I do love it. | 0:03:48 | 0:03:50 | |
Liam's Japanese garden is an enchanting sanctuary of | 0:03:50 | 0:03:54 | |
exotic-looking plants, | 0:03:54 | 0:03:57 | |
dominated by a mature laburnum on a most unusual carpet. | 0:03:57 | 0:04:00 | |
I've never seen a plant that so many people detest used so brilliantly. | 0:04:03 | 0:04:08 | |
It looks absolutely dreamy. A beautiful green carpet. | 0:04:08 | 0:04:12 | |
How could you argue with that? I call it helxine, | 0:04:12 | 0:04:15 | |
what do you call it? | 0:04:15 | 0:04:16 | |
-Mind-your-own-business. -You are absolutely right. | 0:04:16 | 0:04:18 | |
That's the proper English name for it. | 0:04:18 | 0:04:20 | |
You just wanted an excuse to say, "Mind your own business." | 0:04:20 | 0:04:22 | |
-Mind-your-own-business. -Mind your own business to you. | 0:04:22 | 0:04:25 | |
You know what it reminds me of here? | 0:04:27 | 0:04:29 | |
The froth on top of a pint of porter. | 0:04:29 | 0:04:33 | |
-You know the way it begins to pour down the edge of the glass. -Yes. | 0:04:33 | 0:04:36 | |
-It just spills over. -Spills over. And here, it's spilling over. | 0:04:36 | 0:04:40 | |
And melting those stones in. | 0:04:40 | 0:04:42 | |
They look as if they are aged and have been here forever. | 0:04:42 | 0:04:46 | |
Often, it will grow where lawns won't grow or don't want to be. | 0:04:46 | 0:04:51 | |
But if you just want something that is lush and green... | 0:04:51 | 0:04:54 | |
Lush and green and behaves itself. And you never need to mow. | 0:04:54 | 0:04:58 | |
Brilliant. | 0:04:58 | 0:04:59 | |
Around the other side of the house is Liam's formal Italian garden | 0:05:02 | 0:05:06 | |
but it's easy to spot the leaning cypress. | 0:05:06 | 0:05:09 | |
-What a shame. -What a shame. | 0:05:09 | 0:05:12 | |
They are Italian cypress trees that just do not like the damp. | 0:05:12 | 0:05:16 | |
There is not enough drainage here. | 0:05:16 | 0:05:18 | |
They want to be in a hot hillside garden. | 0:05:18 | 0:05:21 | |
They will never be happy in this country. | 0:05:21 | 0:05:23 | |
Occasionally in places they'll grow OK but they are freaks rather than... | 0:05:23 | 0:05:27 | |
They're very good when they're young because they look adorable. | 0:05:27 | 0:05:30 | |
-They look just what you want. -And they are so cheap. | 0:05:30 | 0:05:32 | |
This is what they do when they get old | 0:05:32 | 0:05:34 | |
and I'm afraid it has to be bye-bye. | 0:05:34 | 0:05:37 | |
Some of the conifers are great. The box is fantastic. | 0:05:37 | 0:05:41 | |
And then you have this ugly thing. And so much paving. | 0:05:41 | 0:05:44 | |
-Do you know what I think the answer is? -What? | 0:05:44 | 0:05:47 | |
-A hacksaw. -Yeah. | 0:05:47 | 0:05:49 | |
-Yeah, yes. -And just saw it off. -For this and for that. -Yep. | 0:05:49 | 0:05:54 | |
-Yeah. -You might actually fall down there and break your neck, | 0:05:54 | 0:05:56 | |
but at least you've fallen down in a beautiful place. | 0:05:56 | 0:05:59 | |
And looking down into the sunken garden, things are looking up. | 0:06:00 | 0:06:04 | |
Down here is pure delight. | 0:06:04 | 0:06:06 | |
You have two of those Castlewellan Gold pretending to | 0:06:06 | 0:06:09 | |
-be Italian. -And doing it perfectly! Getting it right. | 0:06:09 | 0:06:13 | |
And the ironic thing is, I actually hate that plant. | 0:06:13 | 0:06:15 | |
It's usually too yellow and too brash. | 0:06:15 | 0:06:17 | |
But it looks absolutely stunning there. It's beautifully pruned. | 0:06:17 | 0:06:20 | |
It's perfect there. | 0:06:20 | 0:06:21 | |
It's terrific compared with those miseries up there. | 0:06:21 | 0:06:24 | |
They need to be whipped out. | 0:06:24 | 0:06:26 | |
So, Diarmuid, who do we think lives here? What sort of person? | 0:06:29 | 0:06:32 | |
It's Jane Austen and Darcy. Don't you think? | 0:06:32 | 0:06:36 | |
I thought it was Lady Chatterley actually. | 0:06:36 | 0:06:39 | |
Well, no, because I think whoever lives here also gardens here. | 0:06:39 | 0:06:44 | |
I'm not sure. I think this is a personal passion. | 0:06:44 | 0:06:47 | |
It may be quite nice and posh, it has a house I'd love to live in, but | 0:06:47 | 0:06:53 | |
whoever lives here understands every square inch and has built this... | 0:06:53 | 0:06:57 | |
And has put every thought you could possibly put into it. | 0:06:57 | 0:06:59 | |
Has thought about all the colours, | 0:06:59 | 0:07:01 | |
thought about where everything is, and got it 99% perfect. | 0:07:01 | 0:07:05 | |
Time, at last, to meet the proud owner. | 0:07:07 | 0:07:10 | |
Welcome to Derry. | 0:07:10 | 0:07:11 | |
It's lovely to be here and lovely to meet you. | 0:07:11 | 0:07:14 | |
From the moment we went through that gate | 0:07:14 | 0:07:16 | |
at the bottom of the garden, we walked up the path of the Irish yews | 0:07:16 | 0:07:20 | |
on either side, it was just perfect. | 0:07:20 | 0:07:22 | |
We walked back into the 19th century. | 0:07:22 | 0:07:24 | |
We'd straightaway gone back 100 or 200 years. | 0:07:24 | 0:07:27 | |
-There is a few things that slightly jarred in there. -OK, tell me. | 0:07:27 | 0:07:32 | |
First of all, those Italian cypress trees. You've battled with them. | 0:07:32 | 0:07:37 | |
You wanted them to do, you wanted them to be straight, erect, | 0:07:37 | 0:07:41 | |
pointing towards heaven. | 0:07:41 | 0:07:42 | |
-Yeah. -And it's just, they don't like it here, do they? | 0:07:42 | 0:07:45 | |
-They don't. -Helen has a suggestion. -I'm listening. | 0:07:45 | 0:07:48 | |
I'm afraid it's very simple. It's off with his head! | 0:07:48 | 0:07:51 | |
-Yeah, OK. -And the quicker, the better. | 0:07:51 | 0:07:53 | |
Look, I accept...I accept everything. | 0:07:53 | 0:07:57 | |
And there was one other tiny suggestion. | 0:07:57 | 0:08:00 | |
When you are using the angle grinder to cut off the cypress trees, | 0:08:00 | 0:08:06 | |
take the railings out too. | 0:08:06 | 0:08:08 | |
-Would paint help? -No. | 0:08:08 | 0:08:10 | |
It would help. That's... It would help. | 0:08:10 | 0:08:13 | |
Matte black might help. | 0:08:13 | 0:08:15 | |
The railings are a copy of the railing in the house. | 0:08:15 | 0:08:20 | |
There had to be a reason. | 0:08:20 | 0:08:22 | |
-So you didn't just do any old railing? -No. | 0:08:22 | 0:08:24 | |
I think it's maybe the material that is slightly offensive. It's cold. | 0:08:24 | 0:08:30 | |
They were put in ten years ago. | 0:08:30 | 0:08:33 | |
-Yeah. -Galvanised steel was in. -Yes. | 0:08:33 | 0:08:38 | |
-Everywhere. Maybe you used it. -He's blaming me. -Yes. | 0:08:38 | 0:08:44 | |
And you're quite right. | 0:08:44 | 0:08:45 | |
Everywhere we look, you have picked beautiful stuff. | 0:08:45 | 0:08:48 | |
You've made wonderful choices in terms of planting. | 0:08:48 | 0:08:51 | |
We love what you've done with the Castlewellan Golds. | 0:08:51 | 0:08:54 | |
That was a real... That was just an experiment. | 0:08:54 | 0:08:58 | |
That is a horticultural triumph, that. That's a triumph. | 0:08:58 | 0:09:01 | |
The only thing, for me, wrong with them is they are too close together. | 0:09:01 | 0:09:05 | |
-No, they're not. -No? -No. -OK! | 0:09:05 | 0:09:07 | |
No. I think you are right. They are fun. They are fun. | 0:09:07 | 0:09:12 | |
They are not pretentious, they are fun. Liam, it's been a pure delight. | 0:09:12 | 0:09:16 | |
You have created something here that's very, very special. | 0:09:16 | 0:09:19 | |
-Well done and thank you. -Thank you very, very much. | 0:09:19 | 0:09:22 | |
Not far from Ballymena in County Antrim | 0:09:25 | 0:09:27 | |
is a large five-acre garden that has been developed from farmland | 0:09:27 | 0:09:31 | |
over 23 years by Hilary and Jim Rafferty. | 0:09:31 | 0:09:34 | |
We work together as a team and it works very successfully. | 0:09:34 | 0:09:38 | |
-Two head gardeners. -Two head gardeners. | 0:09:38 | 0:09:41 | |
The couple used an old mill race to make two huge ponds | 0:09:41 | 0:09:46 | |
as centrepieces for the garden, | 0:09:46 | 0:09:48 | |
with seating areas where they can enjoy the fruits of their labour. | 0:09:48 | 0:09:52 | |
It's very nice to sit there with a cup of tea. Or a glass of wine. | 0:09:52 | 0:09:56 | |
Over the years, they've thrown everything at the garden | 0:09:58 | 0:10:01 | |
to see what sticks. | 0:10:01 | 0:10:02 | |
"We've got a plant. Where will it go?" | 0:10:02 | 0:10:05 | |
So far, I think it's working. If it doesn't work, we move it. | 0:10:05 | 0:10:08 | |
It's as simple as that. | 0:10:08 | 0:10:09 | |
Both Hilary and Jim are very excited about the imminent visit. | 0:10:11 | 0:10:15 | |
-Absolutely fantastic. -Thrilled skinny. | 0:10:15 | 0:10:18 | |
We used to say, "Wouldn't it be lovely to know what | 0:10:18 | 0:10:21 | |
"somebody like Diarmuid Gavin would do with this place?" | 0:10:21 | 0:10:24 | |
-So we maybe will here. -Yeah. | 0:10:24 | 0:10:26 | |
Look at that! | 0:10:26 | 0:10:28 | |
Oh, what fun! | 0:10:28 | 0:10:29 | |
Lording it over the lake is a comical wooden throne. | 0:10:33 | 0:10:38 | |
Do I make a good queen? | 0:10:38 | 0:10:40 | |
You make a perfect queen. | 0:10:40 | 0:10:42 | |
I like this. This is very playful. | 0:10:42 | 0:10:46 | |
It makes you smile. And it makes you want to explore. | 0:10:46 | 0:10:49 | |
The feeling here is just one of happiness. | 0:10:50 | 0:10:55 | |
The lake is surrounded by raised walkways | 0:10:55 | 0:10:58 | |
bordered by a chaotic mix of flowers. | 0:10:58 | 0:11:01 | |
It's a riot of colour. | 0:11:01 | 0:11:03 | |
I like everything I'm seeing here. | 0:11:09 | 0:11:11 | |
It's just, you know, a rockery circa 1965. | 0:11:11 | 0:11:14 | |
But if you're going to do a rockery, go for it. | 0:11:14 | 0:11:17 | |
And they've certainly gone for it. | 0:11:17 | 0:11:18 | |
Look through this gap here. | 0:11:20 | 0:11:22 | |
You can see this meandering pathway that's lifted up | 0:11:22 | 0:11:25 | |
and offers towards you a great vista. | 0:11:25 | 0:11:27 | |
Of the lovely candelabra primulas. | 0:11:27 | 0:11:29 | |
The pond is home to many water lilies that have been | 0:11:31 | 0:11:34 | |
carefully kept in check. | 0:11:34 | 0:11:35 | |
Beautifully planted ponds. Ponds are complicated for people. | 0:11:38 | 0:11:42 | |
If you have a water feature and you want to grow marginal or | 0:11:42 | 0:11:46 | |
aquatic plants, you have to get the balance right. | 0:11:46 | 0:11:48 | |
But the balance is just right today. | 0:11:48 | 0:11:50 | |
From a human point of view, you've got a beautiful sheet of water | 0:11:50 | 0:11:53 | |
and the water lilies. | 0:11:53 | 0:11:54 | |
But if you look the other way for a moment, | 0:11:54 | 0:11:57 | |
you end up with all water lilies or all water. | 0:11:57 | 0:11:59 | |
Not, sort of, balance. | 0:11:59 | 0:12:01 | |
To see a different aspect of the garden, Diarmuid has a plan. | 0:12:01 | 0:12:05 | |
Have you seen Titanic? | 0:12:05 | 0:12:07 | |
Do you trust me? | 0:12:07 | 0:12:08 | |
HE CHUCKLES | 0:12:08 | 0:12:11 | |
-It's the inky black. -Isn't it? | 0:12:13 | 0:12:15 | |
-And we can't see the bottom. -That's it. -We'll just try the bottom. | 0:12:15 | 0:12:19 | |
Hang on a second. | 0:12:19 | 0:12:20 | |
Ooh. Ah, Diarmuid. Eeek! | 0:12:22 | 0:12:24 | |
THEY LAUGH | 0:12:27 | 0:12:29 | |
-Now you don't feel safe. -I think it's a 20-footer! | 0:12:29 | 0:12:31 | |
It's so rare to come to a water garden that has lilies in flower. | 0:12:33 | 0:12:39 | |
And then to ride over them. | 0:12:39 | 0:12:41 | |
THEY LAUGH | 0:12:41 | 0:12:44 | |
One side of the lake is dominated by a huge Leyland cypress hedge. | 0:12:44 | 0:12:49 | |
I just feel that hedge is so out of place. | 0:12:50 | 0:12:53 | |
-It may be keeping the wind off. -Off what? -But it's so alien. | 0:12:53 | 0:12:58 | |
It's so alien to the beech trees, to the birch trees, | 0:12:58 | 0:13:01 | |
to this beautiful planting here. | 0:13:01 | 0:13:03 | |
It's all so charming and so adorable. | 0:13:03 | 0:13:05 | |
And then we have this alien thug sitting here. | 0:13:05 | 0:13:08 | |
Beyond the top lake is a smaller lower lake | 0:13:12 | 0:13:15 | |
surrounded by young birch trees. | 0:13:15 | 0:13:17 | |
It's less developed here | 0:13:20 | 0:13:22 | |
with a few quirky artefacts to capture your attention. | 0:13:22 | 0:13:26 | |
Look at this guy here. Green Man. | 0:13:26 | 0:13:28 | |
Look at this, "The Green Man or Jack O'Green, is one of the oldest | 0:13:28 | 0:13:31 | |
"and most pagan symbols to be found in Christian churches. | 0:13:31 | 0:13:35 | |
"The Celts worshipped the head, believing it contained a human soul. | 0:13:35 | 0:13:40 | |
"And frequently depicted it surrounded by foliage." | 0:13:40 | 0:13:43 | |
-This is their little altar, I suppose. It's very sweet. -Isn't it? | 0:13:43 | 0:13:47 | |
It's a good place. | 0:13:47 | 0:13:48 | |
A river walkway runs down from the mill | 0:13:49 | 0:13:52 | |
with even more colourful plants. | 0:13:52 | 0:13:54 | |
What I love about this pink geranium, Diarmuid - | 0:13:56 | 0:13:59 | |
I know you're not quite so keen on this pink geranium - | 0:13:59 | 0:14:02 | |
if you have any problem in the garden, | 0:14:02 | 0:14:04 | |
just plant Geranium endressii. | 0:14:04 | 0:14:06 | |
This is Geranium endressii. You could stick this under a tree, | 0:14:06 | 0:14:09 | |
you could stick this under a bush, you could stick it anywhere. | 0:14:09 | 0:14:12 | |
And instead of having nettles, like you've got over there, | 0:14:12 | 0:14:15 | |
this side you could have lovely pink Geranium endressii. | 0:14:15 | 0:14:18 | |
I'm sorry, my customer's just walked off. He wouldn't listen. | 0:14:18 | 0:14:20 | |
Helen, how do you sum up a garden like this in a couple of words? | 0:14:22 | 0:14:27 | |
-Sublime. -That's one word. | 0:14:27 | 0:14:29 | |
That's one word. | 0:14:29 | 0:14:30 | |
But what I especially love is it's not a bit showy-offy. | 0:14:30 | 0:14:34 | |
People have planted lovely plants in huge variety, in a charming, | 0:14:34 | 0:14:39 | |
meandering, triple-level path that goes right round this water. | 0:14:39 | 0:14:43 | |
And it's an absolute delight. | 0:14:43 | 0:14:45 | |
We can argue individually about one plant or another plant but this | 0:14:45 | 0:14:48 | |
is just what someone absolutely adores and they've done it. | 0:14:48 | 0:14:51 | |
Who do we think...what do you think about who lives here? | 0:14:51 | 0:14:54 | |
I'm really looking forward to meeting them | 0:14:54 | 0:14:57 | |
because it's a place full of joy, happiness, of creativity, | 0:14:57 | 0:15:00 | |
they've gone for it, they are adventurous. | 0:15:00 | 0:15:02 | |
I think we will like them. | 0:15:02 | 0:15:04 | |
-Hello. -Hi. -Hello. -Lovely to meet you. | 0:15:06 | 0:15:08 | |
-Delighted to meet you two. -The pleasure is mine. It really is. | 0:15:08 | 0:15:11 | |
We are very happy here. | 0:15:11 | 0:15:13 | |
There is lots of plants. | 0:15:13 | 0:15:15 | |
There is rockeries mixed in with rows, there's all sorts of jarring, | 0:15:15 | 0:15:20 | |
clashing colours. It doesn't seem to matter here. | 0:15:20 | 0:15:23 | |
You don't go with any style, you make your own style. | 0:15:23 | 0:15:26 | |
-You do what you want and what feels right. -Yes. | 0:15:26 | 0:15:29 | |
-My wife calls it a Jackson Pollock. -It is a Jackson Pollock. | 0:15:29 | 0:15:33 | |
-I really like Jackson Pollock. -Does the pond take a lot of maintenance? | 0:15:33 | 0:15:39 | |
Water lilies and pond weed can be a... | 0:15:39 | 0:15:42 | |
Marginal planting can be very vigorous. | 0:15:42 | 0:15:44 | |
They can be. But then, the pond's so deep they only go so far. | 0:15:44 | 0:15:48 | |
-So it's not just so bad. -That's so interesting. | 0:15:48 | 0:15:50 | |
-You've got that lovely expanse of plain water. -Yes. | 0:15:50 | 0:15:52 | |
I wonder how you managed to control it. Thought it was so clever. | 0:15:52 | 0:15:55 | |
-The depth, yes. -Did you know before you did it because...? | 0:15:55 | 0:15:58 | |
Yes, that it was the depth that would control... | 0:15:58 | 0:16:00 | |
-That they'd have to behave themselves? -Yes. | 0:16:00 | 0:16:02 | |
15ft deep at its deepest. | 0:16:02 | 0:16:04 | |
We did put the oar down but it never got to the bottom. | 0:16:04 | 0:16:07 | |
THEY LAUGH | 0:16:07 | 0:16:08 | |
Were the both of you in the boat then? | 0:16:08 | 0:16:10 | |
-Yeah. -Oh, dear. | 0:16:10 | 0:16:11 | |
Meandering through the garden, we came across the guard of the garden. | 0:16:11 | 0:16:16 | |
-The Green Man. -The Green Man. -Tell me about him. | 0:16:16 | 0:16:19 | |
We've had the Green Man 30 years, at least. | 0:16:19 | 0:16:22 | |
We bought it in England. I came across that lump of granite. | 0:16:22 | 0:16:26 | |
I had the large stone planted there. | 0:16:26 | 0:16:28 | |
And I put the granite in front of it. | 0:16:28 | 0:16:30 | |
Then I decided to build a fernery, because of what it is. | 0:16:30 | 0:16:34 | |
Explain the spirit of the garden. What does that mean to you? | 0:16:34 | 0:16:38 | |
Peaceful, tranquil. Um, beautiful. | 0:16:38 | 0:16:42 | |
-Druid-like. -Druid-like, yes. | 0:16:42 | 0:16:45 | |
I have been known to drift around in a kaftan but... | 0:16:45 | 0:16:48 | |
THEY LAUGH | 0:16:48 | 0:16:50 | |
There's only one element of the garden that jarred with us. | 0:16:50 | 0:16:53 | |
Just one thing. | 0:16:53 | 0:16:55 | |
-The hedge. -Ah, yes. -Well, we couldn't be without it. | 0:16:55 | 0:16:58 | |
Without that, we couldn't have a garden. | 0:16:58 | 0:17:00 | |
I thought the winds were so bad until the trees grew up, | 0:17:00 | 0:17:04 | |
we might lose those rhododendrons. | 0:17:04 | 0:17:06 | |
I have to say, we have just revelled in our chance... | 0:17:06 | 0:17:11 | |
From you, that is great. | 0:17:11 | 0:17:13 | |
You've created a very special, very happy place. | 0:17:13 | 0:17:16 | |
And one that we are so glad that you shared with us. | 0:17:16 | 0:17:20 | |
-Thank you again. -I'm glad. -Thank you very much. | 0:17:20 | 0:17:22 | |
-Now, can I ask one thing of you before you go? -Yes. | 0:17:22 | 0:17:24 | |
I have two of your books and one of yours. Could you sign them? | 0:17:24 | 0:17:27 | |
THEY LAUGH | 0:17:27 | 0:17:29 | |
I'm glad the balance is right. | 0:17:29 | 0:17:31 | |
-THEY LAUGH -Oh, you cheeky fella! | 0:17:31 | 0:17:33 | |
THEY LAUGH | 0:17:33 | 0:17:34 | |
Of course. | 0:17:34 | 0:17:35 | |
Portstewart, on the windswept north coast of Antrim, | 0:17:38 | 0:17:41 | |
is a tricky place to build a great garden. | 0:17:41 | 0:17:44 | |
But it hasn't stopped retired engineer James Logan. | 0:17:44 | 0:17:48 | |
His amazing Islamic-style garden was inspired after visiting | 0:17:48 | 0:17:51 | |
the Alhambra in Spain. | 0:17:51 | 0:17:53 | |
I had one of these sort of eureka moments. | 0:17:53 | 0:17:55 | |
I thought, "God, this garden, the shape of it, the orientation of it, | 0:17:55 | 0:18:00 | |
"I could maybe do something like the garden in the Alhambra | 0:18:00 | 0:18:03 | |
"that I really love so much." | 0:18:03 | 0:18:06 | |
The garden is dominated by dense rose beds. | 0:18:06 | 0:18:09 | |
If you go into the history of the Islamic gardens, roses were | 0:18:09 | 0:18:13 | |
the key plant that was actually growing in gardens like this. | 0:18:13 | 0:18:18 | |
Basically, all I have to do with it | 0:18:18 | 0:18:22 | |
is prune the roses in the wintertime. | 0:18:22 | 0:18:25 | |
These sort of roses, which are shrub roses, | 0:18:25 | 0:18:27 | |
don't require precise pruning. | 0:18:27 | 0:18:29 | |
You can literally almost go through them with hedge clippers. | 0:18:29 | 0:18:32 | |
So it doesn't require much maintenance. | 0:18:32 | 0:18:36 | |
The central flowing rill of water is very important to James. | 0:18:36 | 0:18:40 | |
The water in this garden, it's gentle. It's quiet. | 0:18:41 | 0:18:45 | |
It's not like some of these water features you sometimes see | 0:18:45 | 0:18:49 | |
in garden shows which sound like a cow having a pee. | 0:18:49 | 0:18:53 | |
It's quite a meditative sort of environment. | 0:18:53 | 0:18:56 | |
Though meditation is not a concept his grandchildren find easy. | 0:18:56 | 0:19:00 | |
I've had children paddling in the rill, floating boats up | 0:19:00 | 0:19:05 | |
and down, and trying to get me to buy goldfish. You know. So... | 0:19:05 | 0:19:09 | |
No way. | 0:19:09 | 0:19:11 | |
So is James looking forward to the visit? | 0:19:11 | 0:19:14 | |
Having Diarmuid and Helen here, absolutely, it's a great privilege. | 0:19:14 | 0:19:17 | |
I look forward to meeting them. | 0:19:17 | 0:19:19 | |
I'm a great fan of Helen | 0:19:19 | 0:19:20 | |
and her forthright manner in gardening matters. | 0:19:20 | 0:19:23 | |
And I look forward to hearing what they say about it. | 0:19:23 | 0:19:26 | |
Before they even get to James' garden, | 0:19:26 | 0:19:28 | |
Diarmuid and Helen have to pass by rose bushes in the back public lane. | 0:19:28 | 0:19:33 | |
These rugosa roses are fantastically good. | 0:19:33 | 0:19:36 | |
I don't find this white one so good, cos when it gets too wet, | 0:19:36 | 0:19:39 | |
it turns into a big sog. | 0:19:39 | 0:19:41 | |
Whereas this pink one here will take dogs' abuse. | 0:19:41 | 0:19:44 | |
It's a fantastic plant | 0:19:44 | 0:19:45 | |
because it comes from the seaside in Japan, | 0:19:45 | 0:19:48 | |
where it's covered in salt spray, covered in awful wind. | 0:19:48 | 0:19:51 | |
And look what it does. It's fantastic. | 0:19:51 | 0:19:54 | |
And even in the seaside in Ulster, this is a fantastic place. | 0:19:54 | 0:19:57 | |
-It's an absolutely fool-proof rose. -It's quite peony-like, isn't it? | 0:19:57 | 0:20:01 | |
And almost peony scented. This is so underused, this wonderful plant. | 0:20:01 | 0:20:06 | |
-Some weeding needs doing. -This is my favourite weed. | 0:20:06 | 0:20:08 | |
And you've no right to call it a weed. | 0:20:08 | 0:20:10 | |
The seeds of this teasel are the most attractive things | 0:20:10 | 0:20:13 | |
if you want to get goldfinches into your garden. | 0:20:13 | 0:20:16 | |
This is the first thing they land on when it's got seed. | 0:20:16 | 0:20:18 | |
The second interesting thing about it is, this is | 0:20:18 | 0:20:21 | |
the plant that the man who invented Velcro got the idea from. | 0:20:21 | 0:20:24 | |
Because it's got these extraordinary backward prickles all over it. | 0:20:24 | 0:20:27 | |
And by getting one bit and noticing it's always clinging to the | 0:20:27 | 0:20:30 | |
other bit, he thought of Velcro and became a mega-millionaire. | 0:20:30 | 0:20:33 | |
So that's an interesting thing about this plant. | 0:20:33 | 0:20:36 | |
My husband hates it and I particularly like it. | 0:20:36 | 0:20:38 | |
So we have the teasel row every year in which he says, | 0:20:38 | 0:20:40 | |
"Take them out," and I say, "Leave them in." | 0:20:40 | 0:20:42 | |
-Is he a bit of a TEASE-el? -He is. | 0:20:42 | 0:20:44 | |
But also, he doesn't realise what a wonderful statuesque | 0:20:44 | 0:20:48 | |
seed head it is in winter. | 0:20:48 | 0:20:50 | |
When you've got a whole group of them. | 0:20:50 | 0:20:52 | |
Quite a long wall. | 0:20:52 | 0:20:53 | |
The lane finally leads to the main event. | 0:20:53 | 0:20:57 | |
Christmas! | 0:20:57 | 0:20:58 | |
-Look at this! -Oh, look at this! | 0:20:58 | 0:21:00 | |
-Gosh! -It's a garden of earthly delights. That's what they call it. | 0:21:00 | 0:21:04 | |
It's an instant paradise. | 0:21:04 | 0:21:06 | |
It's a Moroccan fantasy based on the Alhambra. | 0:21:06 | 0:21:10 | |
Filled with sweet-smelling roses. | 0:21:10 | 0:21:13 | |
It's an Islamic-style garden. | 0:21:13 | 0:21:15 | |
And you are creating a garden that would represent the afterlife. | 0:21:15 | 0:21:18 | |
So if you'd lived a good life, | 0:21:18 | 0:21:20 | |
you ended up in a place like this after you passed away. | 0:21:20 | 0:21:23 | |
And not only would you end up in a place like this, | 0:21:23 | 0:21:25 | |
you've got about 500 virgins thrown in. | 0:21:25 | 0:21:27 | |
I believe. No, seriously. I'm serious. | 0:21:27 | 0:21:30 | |
The rill stretches some 20 metres from the pavilion | 0:21:32 | 0:21:36 | |
to a more functional area for sitting and entertaining. | 0:21:36 | 0:21:39 | |
When you step outside of the house, | 0:21:40 | 0:21:43 | |
all of a sudden you're on this big, wide, practical terrace or patio. | 0:21:43 | 0:21:47 | |
It's not cluttered. It has pots and containers. | 0:21:47 | 0:21:50 | |
It has the barbecue. A place to sit. And these two gigantic urns, | 0:21:50 | 0:21:54 | |
which are planted with petunias and nicely edged. | 0:21:54 | 0:21:58 | |
I presume they've given it a good old slap with the yoghurt. | 0:21:58 | 0:22:01 | |
And if that didn't work, give it another go. | 0:22:01 | 0:22:03 | |
What happens there? You smear yoghurt over terracotta or concrete. | 0:22:03 | 0:22:07 | |
And that will bring algae | 0:22:07 | 0:22:09 | |
-and lichens and moss. -Nice things that want to live there. | 0:22:09 | 0:22:12 | |
And nice things that want to live there. | 0:22:12 | 0:22:14 | |
And make the place feel lived in. Create an aged aura, I suppose. | 0:22:14 | 0:22:18 | |
Do you know what I also like? | 0:22:22 | 0:22:23 | |
From here on in, there's nothing practical about this garden. | 0:22:23 | 0:22:28 | |
It is style over form and function. And so it should be. | 0:22:28 | 0:22:32 | |
That isn't a wide path. | 0:22:32 | 0:22:33 | |
You have to be very delicate and careful as you wander your way round. | 0:22:33 | 0:22:36 | |
-You have to be careful not to fall in, absolutely. -You do. | 0:22:36 | 0:22:39 | |
What I like about it is it completely works. | 0:22:39 | 0:22:42 | |
It's a brilliant example of what you could do with a very small | 0:22:42 | 0:22:45 | |
garden to make a magnificent and magic effect. | 0:22:45 | 0:22:48 | |
In effect, you've got an oasis from the outside world. | 0:22:48 | 0:22:52 | |
I think we're to assume that this garden is inspired | 0:22:52 | 0:22:56 | |
directly by the Alhambra. | 0:22:56 | 0:22:58 | |
And in that garden, whoever created those palaces, | 0:22:58 | 0:23:01 | |
water would have been central. | 0:23:01 | 0:23:03 | |
They would have needed water for the palace, for the aristocrats. | 0:23:03 | 0:23:06 | |
They would have needed water for the garden, for food, for agriculture. | 0:23:06 | 0:23:10 | |
But they also used water in most magical way. | 0:23:10 | 0:23:13 | |
And they showed their prowess at engineering by having all | 0:23:13 | 0:23:16 | |
these fountains, all these pipes. But it was an extraordinary... | 0:23:16 | 0:23:20 | |
You're talking 600-700 years ago. | 0:23:20 | 0:23:22 | |
An extraordinary feat of engineering to get those fountains | 0:23:22 | 0:23:26 | |
bubbling away, all the lines with water coming out there. | 0:23:26 | 0:23:29 | |
But even these days, | 0:23:29 | 0:23:30 | |
I still can't decide which way this water's actually flowing. | 0:23:30 | 0:23:33 | |
I mean, it's lovely and fresh everywhere. | 0:23:33 | 0:23:34 | |
But which way is it actually flowing? | 0:23:34 | 0:23:36 | |
You see, the gardener here has been very... | 0:23:36 | 0:23:38 | |
He's thought about it for a long time. | 0:23:38 | 0:23:40 | |
What do you think of the background colour that's been used? | 0:23:40 | 0:23:43 | |
I don't mind it. | 0:23:43 | 0:23:44 | |
It's sort of terracotta and it's sort of Mediterranean. | 0:23:44 | 0:23:47 | |
But it's quite soft. It's not arguing with Northern Ireland. | 0:23:47 | 0:23:50 | |
If we'd had the amazing sunshine that we've been lucky enough to get | 0:23:50 | 0:23:54 | |
part of this summer, this garden would dance. | 0:23:54 | 0:23:57 | |
In the dullish light, not so successful. | 0:23:57 | 0:24:00 | |
But what other colour would you use? | 0:24:00 | 0:24:02 | |
What sort of person do you think created this garden? | 0:24:05 | 0:24:08 | |
I don't think this is a person who dithered around and tried | 0:24:08 | 0:24:11 | |
a bit of this, a bit of that, and a bit of the other. | 0:24:11 | 0:24:13 | |
I think they probably saw the whole picture together. | 0:24:13 | 0:24:15 | |
And I think they got it right. | 0:24:15 | 0:24:17 | |
And I think, considering it's a very small space and we're | 0:24:17 | 0:24:20 | |
in Northern Ireland rather than sunny Spain, I think it's terrific. | 0:24:20 | 0:24:23 | |
-Hello. -Hi. -Hello, Diarmuid. Hello, Helen. | 0:24:24 | 0:24:26 | |
-Very pleased to meet you. -Very pleased to meet you too. | 0:24:26 | 0:24:29 | |
Very pleased to meet you. Welcome to Portstewart. | 0:24:29 | 0:24:31 | |
It's just a delight to be sitting in your garden. | 0:24:31 | 0:24:35 | |
-It really is. -Well, that's what it was really designed for. | 0:24:35 | 0:24:37 | |
It was designed to be sat in. | 0:24:37 | 0:24:39 | |
-Good. -Certainly, I think when I put this garden together... | 0:24:39 | 0:24:42 | |
I didn't want to be sitting down and thinking, | 0:24:42 | 0:24:45 | |
"There's some grass to edge or some weeds to pull up." | 0:24:45 | 0:24:48 | |
It was a place to be in harmony with the whole unity of the garden. | 0:24:48 | 0:24:53 | |
Were there difficult decisions or did you decide, right, | 0:24:53 | 0:24:56 | |
I'm going to make a garden that pays homage to the Alhambra, | 0:24:56 | 0:25:01 | |
but I'm going to do it with Northern Irish sensibility? | 0:25:01 | 0:25:04 | |
That's absolutely right. | 0:25:04 | 0:25:06 | |
I mean, you can look at some of the brickwork in the wall here. | 0:25:06 | 0:25:10 | |
This sort of comes from, you know, a concrete fabrication company. | 0:25:10 | 0:25:15 | |
Absolutely. But it works. It's absolutely perfect. | 0:25:15 | 0:25:20 | |
And the colour you've got it is perfect. It works. It's brilliant. | 0:25:20 | 0:25:22 | |
Again, the same thing with all the tiling in the garden. | 0:25:22 | 0:25:25 | |
How about the planting when it comes? | 0:25:25 | 0:25:27 | |
Because you're demonstrating a knowledge of...a good planting | 0:25:27 | 0:25:32 | |
knowledge, a good aspect knowledge, as well as the overall design. | 0:25:32 | 0:25:35 | |
You look around the immediate landscape here. There's no trees. | 0:25:35 | 0:25:39 | |
As I said, the North Atlantic is over that wall. | 0:25:39 | 0:25:42 | |
So it's not easy gardening. It's not leafy suburbs. This is tricky. | 0:25:42 | 0:25:45 | |
Helen was reminding me that one of the essences of the Islamic | 0:25:45 | 0:25:50 | |
-garden is you're representing the afterlife in a way. -Mm-hmm. | 0:25:50 | 0:25:54 | |
And she thought about 500 virgins that you got for good behaviour... | 0:25:54 | 0:25:58 | |
HE LAUGHS | 0:25:58 | 0:26:00 | |
I'm actually showing this is a piece of heaven here on earth. | 0:26:01 | 0:26:05 | |
And I can assure you, | 0:26:05 | 0:26:07 | |
there's never been 500 virgins in this garden, you know. | 0:26:07 | 0:26:09 | |
HE LAUGHS | 0:26:09 | 0:26:11 | |
So three fantastic gardens that anyone would be proud of - | 0:26:11 | 0:26:15 | |
but which one will Diarmuid and Helen decide is the best? | 0:26:15 | 0:26:18 | |
Using classic judging criteria of design, | 0:26:18 | 0:26:21 | |
planting and good gardening practice, | 0:26:21 | 0:26:23 | |
they will try to come up with a winner. | 0:26:23 | 0:26:25 | |
First, they consider Liam Green's Jane Austen garden | 0:26:25 | 0:26:29 | |
with dashes of Italy and Japan. | 0:26:29 | 0:26:31 | |
I thought it was perfect. | 0:26:31 | 0:26:33 | |
Except for those very annoying conifers which didn't behave | 0:26:33 | 0:26:36 | |
and went wobbly at the top. | 0:26:36 | 0:26:38 | |
I couldn't fault it. I thought it was really, really good. | 0:26:38 | 0:26:41 | |
I just loved the fact that every decision was a considered one. | 0:26:41 | 0:26:47 | |
I especially adored the green carpet of the very bad weed, | 0:26:47 | 0:26:52 | |
the helxine, used underneath the laburnum in the Japanese garden. | 0:26:52 | 0:26:57 | |
I thought it was brilliance itself. | 0:26:57 | 0:26:59 | |
I knew this was the work of one person. One hand. One mind. | 0:26:59 | 0:27:03 | |
He knew everything. | 0:27:03 | 0:27:04 | |
Next, Hilary and Jim's waterways with splashes of Jackson Pollock. | 0:27:05 | 0:27:10 | |
I thought the lake was so strong and so successful, | 0:27:11 | 0:27:15 | |
it didn't awfully matter what the rest of it was. | 0:27:15 | 0:27:18 | |
It kind of worked. | 0:27:18 | 0:27:19 | |
I was utterly charmed by this garden. | 0:27:19 | 0:27:22 | |
It made me smile from the moment I discovered a throne on the lake. | 0:27:22 | 0:27:27 | |
The hedge was problematic. But then, I think the wind was problematic. | 0:27:28 | 0:27:32 | |
And what about James Logan's recreation of the Alhambra | 0:27:34 | 0:27:37 | |
in weather-beaten Portstewart? | 0:27:37 | 0:27:39 | |
I absolutely loved the surprise of going in | 0:27:41 | 0:27:44 | |
through that side entrance and seeing these billowing roses. | 0:27:44 | 0:27:49 | |
I must say, I thought it worked really well. | 0:27:49 | 0:27:51 | |
I mean, we were standing looking at it for, what, two hours? | 0:27:51 | 0:27:54 | |
And there wasn't a bad moment in it. | 0:27:54 | 0:27:56 | |
I mean, I don't think it was incredibly technical gardening. | 0:27:56 | 0:27:59 | |
That garden was more about decorating with plants. | 0:27:59 | 0:28:02 | |
But I don't think he put a foot wrong in the design of it. | 0:28:02 | 0:28:05 | |
And he put fairly easy plants, which he was looking after well. | 0:28:05 | 0:28:09 | |
And it worked. | 0:28:09 | 0:28:10 | |
So which one did they like best? | 0:28:10 | 0:28:12 | |
A very difficult decision but we have a result. | 0:28:13 | 0:28:17 | |
-Liam. -Liam it is. | 0:28:17 | 0:28:19 | |
Delighted to hear it. Although I loved all the others. | 0:28:19 | 0:28:22 | |
So congratulations then to Liam Green, | 0:28:22 | 0:28:25 | |
edging it against some very high-quality competition. | 0:28:25 | 0:28:28 | |
A worthy winner. Well, we've enjoyed our garden visiting. | 0:28:30 | 0:28:33 | |
See you next time. | 0:28:33 | 0:28:35 | |
-Bye. -Goodbye. | 0:28:35 | 0:28:36 |