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|---|---|---|---|
Behind Northern Ireland's streets | 0:00:02 | 0:00:03 | |
and fences lie some amazing hidden gardens, private spaces with | 0:00:03 | 0:00:07 | |
passionate owners, open just a few days a year. | 0:00:07 | 0:00:10 | |
Now, two top gardening experts, Diarmuid Gavin | 0:00:11 | 0:00:14 | |
and Helen Dillon are going to be searching for the best. | 0:00:14 | 0:00:18 | |
-They'll be looking for great design... -Look at that. | 0:00:19 | 0:00:22 | |
That sort of garden doesn't fit in with that. | 0:00:22 | 0:00:24 | |
..beautiful planting... | 0:00:24 | 0:00:25 | |
Alpine heaven, clematis heaven. | 0:00:25 | 0:00:27 | |
Guaranteed to make gardeners go weak at the knees. | 0:00:27 | 0:00:30 | |
..and great gardening practice... | 0:00:30 | 0:00:32 | |
It's like putting lipstick on a gorilla. It's still a gorilla. | 0:00:32 | 0:00:35 | |
-Do you know what I want to do here? -What? Lie down on the grass! | 0:00:35 | 0:00:38 | |
..all while the nervous owners wait inside for the verdict. | 0:00:38 | 0:00:42 | |
I can't believe that they're here. | 0:00:42 | 0:00:44 | |
It's like somebody coming in to criticise your children. | 0:00:44 | 0:00:47 | |
This week, three gardens from County Down, | 0:00:47 | 0:00:50 | |
but what will Diarmuid and Helen make of them? | 0:00:50 | 0:00:52 | |
The first garden sits on its own peninsula on Strangford Lough | 0:00:55 | 0:00:59 | |
in County Down. | 0:00:59 | 0:01:00 | |
Tracy Hamilton inherited the Georgian estate from | 0:01:00 | 0:01:03 | |
her grandparents, Jack and Kay Mackay, almost 30 years ago | 0:01:03 | 0:01:07 | |
and is aware of the great responsibility that comes with it. | 0:01:07 | 0:01:11 | |
It's a big property, a lot of management, but we respect it | 0:01:11 | 0:01:15 | |
and I just think we are very privileged to have it and, | 0:01:15 | 0:01:17 | |
you know, we put our all and our energy into it | 0:01:17 | 0:01:20 | |
and the more you put into something, the more you get out. | 0:01:20 | 0:01:23 | |
It's an astonishingly-demanding collection, | 0:01:23 | 0:01:25 | |
centred on a walled garden and surrounded by an arboretum | 0:01:25 | 0:01:29 | |
that contains some of the most impressive trees in Ireland. | 0:01:29 | 0:01:32 | |
It's a huge challenge for a busy business executive like Tracy. | 0:01:35 | 0:01:39 | |
There are days I think, "Oh, my goodness, | 0:01:39 | 0:01:40 | |
"does anyone realise what this place is involving?" | 0:01:40 | 0:01:44 | |
Tracy's solution is to keep meticulous notes | 0:01:44 | 0:01:47 | |
of what plant is where. | 0:01:47 | 0:01:48 | |
We are fortunate in that my grandparents kept all their | 0:01:49 | 0:01:52 | |
archives, we've got all the receipts and invoices of purchases. | 0:01:52 | 0:01:57 | |
We have documentation. | 0:01:57 | 0:01:58 | |
My grandmother was a great one for writing everything in little books. | 0:01:58 | 0:02:01 | |
And where she's planted things, what have died, the reasons... | 0:02:01 | 0:02:06 | |
So I think... just sheer recording and labelling. | 0:02:06 | 0:02:08 | |
So, how does Tracy feel about Diarmuid and Helen's visit? | 0:02:08 | 0:02:12 | |
When I heard that Diarmuid and Helen were coming, I thought, | 0:02:12 | 0:02:15 | |
"Oh, my goodness. The gurus of the Irish gardening world!" | 0:02:15 | 0:02:19 | |
But I appreciate what they'll say, | 0:02:19 | 0:02:21 | |
because it will be interesting to see. | 0:02:21 | 0:02:23 | |
Diarmuid Gavin is one of the UK and Ireland's top garden designers | 0:02:23 | 0:02:27 | |
and has won gold at Chelsea. | 0:02:27 | 0:02:29 | |
Top gardening author Helen Dillon owns Ireland's | 0:02:29 | 0:02:32 | |
best-known private garden. | 0:02:32 | 0:02:34 | |
Together, they will argue over the garden, while Tracy waits inside. | 0:02:34 | 0:02:38 | |
Oh, well, this is a bit different. Gorgeous. | 0:02:40 | 0:02:43 | |
Georgian house peeping up over the lawn in the distance. | 0:02:43 | 0:02:46 | |
Right, you go that way. You'll be invited up for tea. | 0:02:46 | 0:02:49 | |
I'm the gardener. I'll go through the back door. | 0:02:49 | 0:02:51 | |
I have to go with my friend. | 0:02:51 | 0:02:52 | |
ORGAN MUSIC PLAYS | 0:02:52 | 0:02:55 | |
The centrepiece of the property is a group of giant yews | 0:02:55 | 0:02:59 | |
that overlook a walled garden. | 0:02:59 | 0:03:01 | |
To me, this is a cathedral. | 0:03:01 | 0:03:04 | |
It's absolutely wonderful. | 0:03:04 | 0:03:06 | |
I have to say, the sunlight does it a huge amount of favours. | 0:03:06 | 0:03:08 | |
The sunlight puts in the magic and it's coming through | 0:03:08 | 0:03:11 | |
stained-glass windows and it's absolutely beautiful. | 0:03:11 | 0:03:14 | |
-Do you remember that, the wedding of William and Kate...? -Yeah. | 0:03:14 | 0:03:18 | |
..in Westminster Abbey and the trees? That's what... | 0:03:18 | 0:03:22 | |
And they soared up like that, look, these are soaring like some great... | 0:03:22 | 0:03:26 | |
-Only one thing missing. -A Princess. | 0:03:26 | 0:03:28 | |
No, Pippa Middleton's bum. | 0:03:28 | 0:03:30 | |
I knew you were going to start that. I knew you would get it in somehow. | 0:03:30 | 0:03:34 | |
The walled garden protects the plants from the winds | 0:03:36 | 0:03:39 | |
blowing in from the lough and keeps intruders out. | 0:03:39 | 0:03:42 | |
-Well, most of them. -Do you know what I want to do here? -What? | 0:03:44 | 0:03:47 | |
Lie down on the grass and roll in the daisies. | 0:03:47 | 0:03:50 | |
I mean, it's a lawn built for that in this sun. | 0:03:50 | 0:03:53 | |
Around every corner is a new delight. | 0:03:56 | 0:03:59 | |
I absolutely adore that plant | 0:03:59 | 0:04:01 | |
when it's looking as good as that against the blue sky. | 0:04:01 | 0:04:04 | |
Crinodendron, the lantern tree. | 0:04:04 | 0:04:06 | |
I mean, you see it... It does so well in Northern Ireland | 0:04:06 | 0:04:09 | |
and I think it's the fact that it's a bit warmer than Scotland | 0:04:09 | 0:04:13 | |
and it's acid soil and this is near the sea | 0:04:13 | 0:04:16 | |
and you've got that, sort of, microclimate of being near the sea | 0:04:16 | 0:04:19 | |
and it's a blissfully-happy plant. It's dead easy. | 0:04:19 | 0:04:22 | |
And the way it drapes, it links into this rose. | 0:04:22 | 0:04:25 | |
I think this is moyesii, | 0:04:25 | 0:04:26 | |
but I wouldn't put my head in a block over it. | 0:04:26 | 0:04:29 | |
I think you're right. And the way that that's | 0:04:29 | 0:04:31 | |
been allowed to arch down so low. | 0:04:31 | 0:04:32 | |
And that's been... To climb up into the Crinodendron, it's just heaven. | 0:04:32 | 0:04:36 | |
And that's what I think a relaxed Irish garden is all about. | 0:04:36 | 0:04:40 | |
Look at this and alcove carved from inside a yew and a lover's bench. | 0:04:40 | 0:04:46 | |
Absolutely. First catch your lover. | 0:04:46 | 0:04:48 | |
I must show people this. You hardly ever see this as good as this. | 0:04:48 | 0:04:53 | |
This is the Scottish flame flower, but it actually comes from Chile | 0:04:53 | 0:04:58 | |
and the reason it was called the Scottish flame flower is | 0:04:58 | 0:05:00 | |
that it did so well in Scotland. It goes completely rampant | 0:05:00 | 0:05:03 | |
and looks absolutely gorgeous, like it does now, or it won't grow at all. | 0:05:03 | 0:05:08 | |
-You've got two choices. -What would be your top tip, | 0:05:08 | 0:05:10 | |
cos people find it hard to establish? | 0:05:10 | 0:05:12 | |
It wants its roots in the shade, like this, | 0:05:12 | 0:05:14 | |
and its head in the sun, like that. So this is the perfect place. | 0:05:14 | 0:05:16 | |
It says, "Thank you very much. I'm very happy here." | 0:05:16 | 0:05:19 | |
Clouds of geranium, which is most useful plant in a garden | 0:05:25 | 0:05:28 | |
-because it'll establish in a dry... -Sun or shade. | 0:05:28 | 0:05:31 | |
..dappled, shady place. Here, it looks gorgeous. | 0:05:31 | 0:05:33 | |
Don't need to stake it. There's a lovely blue one. | 0:05:33 | 0:05:35 | |
-That is beautiful. Melianthus! -My favourite plant. -Is it? | 0:05:35 | 0:05:39 | |
-My favourite plant. -Why? -It's just the most heavenly shape. | 0:05:39 | 0:05:42 | |
A kind of serrated, jagged edge. And the yew. | 0:05:42 | 0:05:44 | |
Now, this should happen a lot more. | 0:05:44 | 0:05:45 | |
And we wonder what's inside that yew. Looks like it's got a hole in it. | 0:05:45 | 0:05:49 | |
Wow! A doorway! | 0:05:49 | 0:05:52 | |
This.. This is magical. | 0:05:52 | 0:05:55 | |
HE GASPS | 0:05:55 | 0:05:56 | |
Look at this! | 0:05:56 | 0:05:59 | |
Wow, look at that sea. | 0:05:59 | 0:06:01 | |
And a beautiful, cool sea breeze. | 0:06:01 | 0:06:04 | |
Just the most magical garden to be drawn into explore. | 0:06:04 | 0:06:07 | |
Love it, love it. | 0:06:07 | 0:06:09 | |
You know, it takes a lot of confidence to create | 0:06:12 | 0:06:15 | |
or to look after a garden this way. | 0:06:15 | 0:06:18 | |
And not to say, "There's all those new plants and I've got to have them | 0:06:18 | 0:06:21 | |
"and I'll take out the old." | 0:06:21 | 0:06:22 | |
Let's just live with these lovely things we have. | 0:06:22 | 0:06:25 | |
So, this isn't a collectors garden? | 0:06:25 | 0:06:27 | |
No, this is NOT the collectors garden. | 0:06:27 | 0:06:29 | |
This is the contented garden. It's the happy garden. | 0:06:29 | 0:06:33 | |
Nothing has been shifted out to make way for the new. | 0:06:33 | 0:06:36 | |
And it was a collector's garden in Victorian times. | 0:06:36 | 0:06:39 | |
That was what people did. They did collecting. | 0:06:39 | 0:06:42 | |
But it's been allowed to relax. | 0:06:42 | 0:06:44 | |
There's a certain mellowness to it which is absolutely most endearing. | 0:06:44 | 0:06:48 | |
So, of course, the big question now is, who lives in a house | 0:06:56 | 0:07:00 | |
and with a garden like this? I have some ideas on that. | 0:07:00 | 0:07:03 | |
I think it might be a, kind of, minor member of European royalty, | 0:07:03 | 0:07:07 | |
say a Swedish princess, who wanted to get away from her place | 0:07:07 | 0:07:12 | |
and be in the land of green. | 0:07:12 | 0:07:14 | |
It could be, I think, it actually is, Elton and David. | 0:07:14 | 0:07:17 | |
They've grown up. They've had kids, | 0:07:17 | 0:07:19 | |
they've given up the bling and they want elegance. | 0:07:19 | 0:07:22 | |
It's not big enough for the whole caboodle. It's not big enough. | 0:07:22 | 0:07:25 | |
Time at last to meet Tracey, the proud owner. | 0:07:25 | 0:07:29 | |
-Welcome to Ringdufferin. -Lovely to see you. | 0:07:31 | 0:07:33 | |
Hi, Helen, welcome to Ringdufferin. | 0:07:33 | 0:07:35 | |
-It's a great treat. -It really is, isn't it? | 0:07:35 | 0:07:38 | |
Very few people would approach the idea of a house or garden | 0:07:38 | 0:07:43 | |
with that notion of taking it on. What does that mean to you? | 0:07:43 | 0:07:47 | |
A lot of energy. A lot of work. It is a serious commitment. | 0:07:47 | 0:07:51 | |
And when you say taking it on, what are you taking it one for? | 0:07:51 | 0:07:55 | |
I think because of my own passion. | 0:07:55 | 0:07:59 | |
I adore Strangford Lough, I adore the location. | 0:07:59 | 0:08:03 | |
We are very fortunate to be living here. | 0:08:03 | 0:08:05 | |
Are you looking after the house and the garden for future generations? | 0:08:05 | 0:08:08 | |
Yes, for everybody, cos the nice thing about Ringdufferin | 0:08:08 | 0:08:12 | |
is we have so many specialist groups that come here | 0:08:12 | 0:08:14 | |
and to see people's reaction, seeing a property like this, | 0:08:14 | 0:08:18 | |
in family ownership, it just brings out the magic. | 0:08:18 | 0:08:22 | |
We are very fortunate in Ireland | 0:08:22 | 0:08:24 | |
to have wonderful, wonderful properties, but not all | 0:08:24 | 0:08:26 | |
are lived in by the family. | 0:08:26 | 0:08:27 | |
And I think that that's what people really, really enjoy when they come. | 0:08:27 | 0:08:31 | |
For me, the treat of the week or the treat of the whole series | 0:08:31 | 0:08:35 | |
-has to be the yews in the middle of the walled garden. -I know. | 0:08:35 | 0:08:39 | |
It was just absolutely magical. What year was that lot put in? | 0:08:39 | 0:08:43 | |
We reckon 1820, because the Florencecourt yew | 0:08:43 | 0:08:46 | |
was discovered in 1780 | 0:08:46 | 0:08:48 | |
and they weren't commercially available, as far as I'm aware, | 0:08:48 | 0:08:52 | |
until 1820 and they have to be one of the first ones planted. | 0:08:52 | 0:08:54 | |
You think you should be doing something else? | 0:08:54 | 0:08:57 | |
Do you think you should be as adventurous | 0:08:57 | 0:08:59 | |
as whoever created this garden was? | 0:08:59 | 0:09:02 | |
Do you think you should make not a place of rest, but a statement? | 0:09:02 | 0:09:05 | |
Um, I hear what you're saying, I know I should be. It's just, | 0:09:07 | 0:09:10 | |
we don't... Yes, it's a very big garden, but something would have | 0:09:10 | 0:09:14 | |
to come out to make a statement, I think, which would be a tricky one. | 0:09:14 | 0:09:19 | |
You don't have the confidence in your own ability, do you? | 0:09:19 | 0:09:21 | |
It's not really confidence. | 0:09:21 | 0:09:23 | |
I don't want to take away something that works. | 0:09:23 | 0:09:25 | |
It all works. But this garden has always been added to and I'm not | 0:09:25 | 0:09:29 | |
talking about added to gently. There's a statement to be made here. | 0:09:29 | 0:09:33 | |
There's a statement to be made about you and YOUR family living here. | 0:09:33 | 0:09:36 | |
Do you think I should have a water feature | 0:09:36 | 0:09:39 | |
-of the walled garden? -She says that witheringly! | 0:09:39 | 0:09:41 | |
-She did rather. She did rather. -I'd love a little garden room, | 0:09:41 | 0:09:44 | |
which would be my garden office, with all my planting records | 0:09:44 | 0:09:47 | |
and all my books, and I'd be right in the midst of the garden. | 0:09:47 | 0:09:50 | |
-With a vista? -Yes. | 0:09:50 | 0:09:52 | |
I think this is a most charming garden, | 0:09:52 | 0:09:56 | |
but I do think it needs the imprint of its curator | 0:09:56 | 0:10:01 | |
and I would like to see something that reflects your personality. | 0:10:01 | 0:10:05 | |
Not something gentle. Something that makes a...statement. | 0:10:05 | 0:10:10 | |
-Shh! -Does that mean that we have the pleasure | 0:10:10 | 0:10:12 | |
of you coming back to see what I've done? | 0:10:12 | 0:10:14 | |
-THEY LAUGH -I'd be delighted to. | 0:10:14 | 0:10:16 | |
The next garden is in Bessbrook, just outside Newry, in County Down | 0:10:19 | 0:10:23 | |
and it's the proud achievement of William and Hillary McKelvie. | 0:10:23 | 0:10:27 | |
In a limited space, they've created a garden | 0:10:27 | 0:10:30 | |
which is small, but perfectly formed. | 0:10:30 | 0:10:33 | |
We decided if it was divided up a bit, | 0:10:33 | 0:10:35 | |
you could fool yourself into thinking | 0:10:35 | 0:10:38 | |
you had more done than you had. | 0:10:38 | 0:10:40 | |
So, you had the top bit done and, then, you had the middle bit done | 0:10:40 | 0:10:43 | |
and then the bottom bit done. | 0:10:43 | 0:10:45 | |
Avid plant collectors Bill and Hillary | 0:10:46 | 0:10:48 | |
have an impressive range of plants, | 0:10:48 | 0:10:50 | |
but one type stands out. | 0:10:50 | 0:10:53 | |
Yes, we love our alpines. | 0:10:53 | 0:10:55 | |
-Slightly(!) -THEY LAUGH | 0:10:55 | 0:10:57 | |
Yes! | 0:10:57 | 0:10:59 | |
Yes, their garden is packed with small alpine rock plants | 0:11:00 | 0:11:03 | |
with many showcased in a crevice garden, | 0:11:03 | 0:11:06 | |
inspired by a trip to the Czech Republic. | 0:11:06 | 0:11:09 | |
They do their rock gardens completely different to us. | 0:11:09 | 0:11:12 | |
So, we came back and we did a small trial one to see how it would go | 0:11:12 | 0:11:16 | |
and three years ago, we decided to do the big rock bed. | 0:11:16 | 0:11:20 | |
So, how do William and Hillary feel about Helen and Diarmuid's visit? | 0:11:20 | 0:11:24 | |
It's like somebody coming in to criticise your children! | 0:11:24 | 0:11:28 | |
Because the garden really can get an obsession with you. | 0:11:28 | 0:11:31 | |
So, the fact that somebody might criticise it is terrible. | 0:11:31 | 0:11:35 | |
Well, it's not Downton Abbey. | 0:11:36 | 0:11:38 | |
No, but it could have some Downton Abbey plants in it. | 0:11:39 | 0:11:43 | |
My goodness. | 0:11:43 | 0:11:45 | |
Hanging baskets and troughs greet you | 0:11:45 | 0:11:47 | |
at the entrance to the first of William and Hillary's garden areas. | 0:11:47 | 0:11:51 | |
Lovely sunny place. | 0:11:51 | 0:11:53 | |
-Look at this lot here. -Ah, a bit of colour, by the house. | 0:11:53 | 0:11:56 | |
I mean, Diarmuid, look at this adorable little hanging bell. | 0:11:56 | 0:12:01 | |
-It is very sweet. -It's a sweetie pie. | 0:12:01 | 0:12:04 | |
And really nice sweet peas growing up around it. | 0:12:04 | 0:12:08 | |
I know, and delicate sweet hearts that you don't see anywhere else. | 0:12:08 | 0:12:11 | |
And people don't grow enough clematis in pots. | 0:12:11 | 0:12:15 | |
Exactly. Then you can really look after it, you can really feed it | 0:12:15 | 0:12:18 | |
and stop it drying out, which immediately gives it wilt. | 0:12:18 | 0:12:21 | |
It's not long before Diarmuid and Helen spot their first alpine plant. | 0:12:21 | 0:12:26 | |
-It's alpine heaven. -I think it's got a bit of height. | 0:12:26 | 0:12:28 | |
A lot of alpine gardens are very flat. | 0:12:28 | 0:12:30 | |
-I think it's excitingly done, that. -Yeah. | 0:12:30 | 0:12:34 | |
Clematis everywhere. | 0:12:35 | 0:12:36 | |
Alpine heaven, clematis heaven. | 0:12:36 | 0:12:38 | |
-Beautiful planted troughs. -Nice pots. | 0:12:38 | 0:12:42 | |
An archway of roses leads to another garden room. | 0:12:43 | 0:12:47 | |
Oh, it's a garden of compartments. | 0:12:47 | 0:12:49 | |
It's quite dated. It centres around plants. | 0:12:49 | 0:12:52 | |
Whatever makes the plants happy is... | 0:12:52 | 0:12:54 | |
-Is primary, exactly. -..is primary. | 0:12:54 | 0:12:57 | |
And then, yes, you have this glorious archway, | 0:12:57 | 0:13:00 | |
so you're seduced into a completely different type. | 0:13:00 | 0:13:03 | |
When I look up there, I see a cottage garden, I suppose. | 0:13:03 | 0:13:06 | |
Well, it's opening out to more alpines! | 0:13:12 | 0:13:14 | |
HE CHUCKLES | 0:13:14 | 0:13:16 | |
Thou shalt not scoff at alpines! | 0:13:16 | 0:13:18 | |
I have to say, for me, it's just too much. | 0:13:20 | 0:13:22 | |
I understand, from the gardener's point of view, | 0:13:22 | 0:13:24 | |
this is what they collect, this is what they absolutely love, | 0:13:24 | 0:13:27 | |
but the way it's set out is very 1960s, 1970s. | 0:13:27 | 0:13:31 | |
You see what I think, that's the scale. | 0:13:31 | 0:13:34 | |
That whole thing is the scale of a lovely cottage garden. | 0:13:34 | 0:13:37 | |
Romantic and fally-abouty and centred and flowery and lovely | 0:13:37 | 0:13:40 | |
and then, we get here and it all gets dwarfy | 0:13:40 | 0:13:43 | |
and I think this is fine if you want to grow specialised plants | 0:13:43 | 0:13:46 | |
and they're brilliantly grown and they're very, very happy plants. | 0:13:46 | 0:13:49 | |
If this could be on its own somewhere else, | 0:13:49 | 0:13:51 | |
-rather that on top of that romantic jumble... -I think you're right. | 0:13:51 | 0:13:55 | |
You're right, but that's from a design point of view. | 0:13:55 | 0:13:57 | |
They just love alpines. What can they do? | 0:13:57 | 0:14:00 | |
Nobody is to be contemptuous about alpines round here! | 0:14:00 | 0:14:03 | |
Among the impressive array of plants on show, | 0:14:04 | 0:14:07 | |
one has caught Helen's attention. | 0:14:07 | 0:14:09 | |
Are you not enchanted by that colour? | 0:14:09 | 0:14:11 | |
-What a colour! -That is absolutely gorgeous. -I mean, these corydalis - | 0:14:11 | 0:14:14 | |
I think they call it "cor-id-alis" instead of "cory-dalis" - | 0:14:14 | 0:14:17 | |
they particularly love Northern Ireland. | 0:14:17 | 0:14:19 | |
I think it's the moisture and the cool. | 0:14:19 | 0:14:21 | |
It's that exquisite blue, | 0:14:21 | 0:14:23 | |
which is guaranteed to make gardeners go weak at the knees. | 0:14:23 | 0:14:26 | |
The end of the garden has a lawn and a seating area | 0:14:29 | 0:14:32 | |
and not an alpine in sight. | 0:14:32 | 0:14:34 | |
And finally, pure serenity. | 0:14:34 | 0:14:37 | |
Seats one, two, three, four, five, six. | 0:14:40 | 0:14:43 | |
Not much room, really. | 0:14:43 | 0:14:45 | |
People are being squeezed out of this garden. | 0:14:45 | 0:14:47 | |
-It's not a garden, I think. -Well, actually, sorry to be so negative, | 0:14:47 | 0:14:50 | |
but a classic mistake people make | 0:14:50 | 0:14:52 | |
is they don't make the seating area big enough. | 0:14:52 | 0:14:54 | |
Because they say, "That'll be just fine for two people", | 0:14:55 | 0:14:58 | |
but when they've got six friends, it doesn't work. | 0:14:58 | 0:15:00 | |
It's not... It's a garden for working in. | 0:15:00 | 0:15:03 | |
It's not for sitting in, because they want every inch of space, | 0:15:03 | 0:15:06 | |
as I do, to plant a plant, rather than plant a chair. | 0:15:06 | 0:15:09 | |
But, overall, a beautiful space. | 0:15:09 | 0:15:11 | |
Overall, a lovely, plain space | 0:15:11 | 0:15:12 | |
and a place to wriggle one's toes in the dew in the morning, | 0:15:12 | 0:15:15 | |
which is what one needs. | 0:15:15 | 0:15:16 | |
So, who lives in a garden like this? | 0:15:20 | 0:15:22 | |
Somebody who absolutely adores plants and has adored them | 0:15:22 | 0:15:26 | |
for a very long time and, um, I have it a bit myself, | 0:15:26 | 0:15:29 | |
it's a kind of alcoholism, but it's over plants. | 0:15:29 | 0:15:31 | |
You see one and you have to have it. | 0:15:31 | 0:15:33 | |
But I don't think that's really fair, | 0:15:33 | 0:15:35 | |
because these are very, very knowledgeable people. | 0:15:35 | 0:15:38 | |
They are really knowledgeable, they really love their plants | 0:15:38 | 0:15:40 | |
and they've done a wonderful job. Except, my only criticism - | 0:15:40 | 0:15:43 | |
to me, it feels a little bit squashed. | 0:15:43 | 0:15:46 | |
Time to meet the nervous owners. | 0:15:47 | 0:15:50 | |
Sorry to be treading on your territory. | 0:15:50 | 0:15:52 | |
-Not at all, you're more than welcome. -It's a dreamy garden. | 0:15:52 | 0:15:56 | |
How do you feel it works, from a design point of view? | 0:15:56 | 0:15:59 | |
Usually, whenever people come, they'll come round, | 0:15:59 | 0:16:02 | |
which is the back of our house and they take a look at it, | 0:16:02 | 0:16:05 | |
and they say, "Well, it's not going to take long to visit here." | 0:16:05 | 0:16:07 | |
And then they'll come round and you usually get an "Oh", | 0:16:07 | 0:16:11 | |
whenever you come through the side and they see the whole patio area | 0:16:11 | 0:16:15 | |
and then you'll get, "Oh, my goodness, there's more." | 0:16:15 | 0:16:18 | |
-But your passion is obviously alpines. -Yes. | 0:16:18 | 0:16:21 | |
-Where does that come from? -They're so beautiful. | 0:16:21 | 0:16:23 | |
The very first alpine show that we went to, in Greenmount, Glasnevin, | 0:16:23 | 0:16:28 | |
had a trough planted up. | 0:16:28 | 0:16:31 | |
And I just looked at it and I said to him, | 0:16:31 | 0:16:33 | |
"I really, really want to do that." Oh, it's just fabulous. | 0:16:33 | 0:16:37 | |
Would you say, in a way, | 0:16:37 | 0:16:38 | |
that your great love of alpines has sort of taken over here? | 0:16:38 | 0:16:41 | |
Can I burst in here? Do you know what she called you earlier on? | 0:16:41 | 0:16:44 | |
-What? -Alcoholics. | 0:16:44 | 0:16:45 | |
THEY LAUGH | 0:16:45 | 0:16:47 | |
Well, we consider ourselves plantaholics, more than alcoholics. | 0:16:47 | 0:16:50 | |
Exactly. | 0:16:50 | 0:16:51 | |
There is another story here, too. | 0:16:51 | 0:16:53 | |
When I examined this garden and I meet you. | 0:16:53 | 0:16:57 | |
-It's about a partnership, isn't it? -Oh, yes. -It is. | 0:16:57 | 0:16:59 | |
You know, and that love | 0:16:59 | 0:17:01 | |
and passion for the garden, also, is about you two. | 0:17:01 | 0:17:04 | |
It'd be very hard to do it just all on your own. | 0:17:04 | 0:17:07 | |
You need... you definitely need back-up. | 0:17:07 | 0:17:10 | |
And is that the perfect partnership there? | 0:17:10 | 0:17:12 | |
-Oh, I think so. -I think so. | 0:17:12 | 0:17:15 | |
I agree. THEY LAUGH | 0:17:15 | 0:17:17 | |
Well, of course, we think, as everybody would think, | 0:17:17 | 0:17:21 | |
your garden is absolutely charming. | 0:17:21 | 0:17:23 | |
-Thank you. -Thank you very much. | 0:17:23 | 0:17:25 | |
Our final garden is in the shadow of the Mourne mountains | 0:17:27 | 0:17:30 | |
in Castlewellan. | 0:17:30 | 0:17:32 | |
Sam Harrison bought this two-acre site in the '70s | 0:17:32 | 0:17:35 | |
and set about creating a meandering parkland, full of surprises. | 0:17:35 | 0:17:39 | |
It has been like a good book. | 0:17:41 | 0:17:43 | |
There's always a beginning, a middle and an end. | 0:17:43 | 0:17:46 | |
I haven't got to the end yet. | 0:17:46 | 0:17:47 | |
As a forester in nearby Castlewellan Forest Park, | 0:17:48 | 0:17:51 | |
Sam knew how to make his vision a reality. | 0:17:51 | 0:17:55 | |
I had the skills to grow my own seeds, | 0:17:55 | 0:17:58 | |
so it was such a joy to do from a blank canvas. | 0:17:58 | 0:18:03 | |
Humour is an important element in Sam's garden. | 0:18:03 | 0:18:06 | |
If I hadn't have been a forester, I wanted to be a cartoonist and | 0:18:06 | 0:18:09 | |
I would like to think that parts of that are on show around the garden. | 0:18:09 | 0:18:14 | |
So, how does Sam feel about a visit from Diarmuid and Helen? | 0:18:15 | 0:18:18 | |
If the truth be told, I can't believe that they're here, | 0:18:18 | 0:18:22 | |
because, to me, my garden's only a wee, small garden | 0:18:22 | 0:18:25 | |
and for people like that come into my garden to say nice things, | 0:18:25 | 0:18:30 | |
or bad things, I don't care... I'll defend my garden, | 0:18:30 | 0:18:34 | |
but at the same time, it's just unusual. | 0:18:34 | 0:18:36 | |
What do you think of this, Diarmuid? | 0:18:36 | 0:18:39 | |
Well, it's a Paris, isn't it? It's a pear, a domed pear. | 0:18:39 | 0:18:43 | |
What do I think that? Not a lot. | 0:18:43 | 0:18:45 | |
It's quite pretty today, but if you let it go, it just goes everywhere. | 0:18:45 | 0:18:49 | |
It has got no manners. | 0:18:49 | 0:18:51 | |
The problem with it, it's a beautiful leaf, | 0:18:51 | 0:18:53 | |
but it won't grow into a perfect dome. | 0:18:53 | 0:18:55 | |
It wants to grow every which way. | 0:18:55 | 0:18:58 | |
So I decided I was going to have to spend the rest of my life | 0:18:58 | 0:19:00 | |
being married to it, to cut it back into shape. | 0:19:00 | 0:19:03 | |
It's a lovely leaf, but it doesn't know... It's got no manners on it. | 0:19:03 | 0:19:06 | |
-Look at it. -Have you cut your husband into shape? -I haven't finished yet. | 0:19:06 | 0:19:10 | |
What I like there, Diarmuid, is that long bed full of different ferns. | 0:19:13 | 0:19:19 | |
A kind of Victorian fernery. | 0:19:19 | 0:19:22 | |
Bringing the house in, settling it into... | 0:19:22 | 0:19:24 | |
It makes that house sit down so beautifully on its sort of green. | 0:19:24 | 0:19:27 | |
Yes, kind of. But...there's a problem there. | 0:19:27 | 0:19:31 | |
-Big problem. Big problem. -Big problem. | 0:19:31 | 0:19:33 | |
It's the small island in the lawn that offends Diarmuid. | 0:19:34 | 0:19:38 | |
But it doesn't take long before they start to see the bigger picture. | 0:19:38 | 0:19:41 | |
-Look at that. -There is your vista. -Things are looking up. | 0:19:41 | 0:19:44 | |
-Yeah, look, pathway there. -I want to go round there. -We're drawn. | 0:19:52 | 0:19:55 | |
Now, that, I find quite inviting. | 0:19:55 | 0:19:56 | |
Charming. Absolutely charming. | 0:19:58 | 0:20:00 | |
Away from the front lawn, a discreet path leads to a woodland area | 0:20:00 | 0:20:04 | |
with lots of surprises. | 0:20:04 | 0:20:06 | |
-Look at this. -Hen's teeth! | 0:20:06 | 0:20:09 | |
Did many foxes die for that, or what? | 0:20:09 | 0:20:12 | |
-I think it's how many Basil Brushes? -How many Basil Brushes, yes! | 0:20:12 | 0:20:16 | |
-And look at this heavenly abutilon. -Oh, look at that! | 0:20:16 | 0:20:19 | |
-I'm a sucker for pale mauve. -That colour against the sky! | 0:20:19 | 0:20:23 | |
-Isn't that just gorgeous? -Do you know, | 0:20:23 | 0:20:25 | |
we've come into an absolutely delightful woodland glade... | 0:20:25 | 0:20:29 | |
-An absolute delight. -..With an amazing collection of plants. | 0:20:29 | 0:20:33 | |
There's some humour with the planting that's been introduced. | 0:20:33 | 0:20:36 | |
I would not have expected a solanum there. | 0:20:36 | 0:20:39 | |
I wouldn't have expected the abutilon. Anyway, this is charming. | 0:20:39 | 0:20:43 | |
-Charming. -Charming and easily copyable. | 0:20:43 | 0:20:46 | |
It changes completely. Lots of trees. The spire is great. | 0:20:53 | 0:20:57 | |
Gorgeous view. Heavenly view. | 0:20:57 | 0:20:58 | |
The view is just beautiful, with the mountains behind it. | 0:20:58 | 0:21:01 | |
-Really gorgeous. -Things are looking up. | 0:21:01 | 0:21:03 | |
But on the way back out to the lawn, there's another '70s hangover | 0:21:03 | 0:21:08 | |
that is bound to catch their eye. | 0:21:08 | 0:21:10 | |
To me, the whole of the back of that is dead. | 0:21:10 | 0:21:14 | |
And it's not going to recover. That sort of tree doesn't recover, | 0:21:14 | 0:21:17 | |
-which looks god-awful, quite frankly. -It's desperate. | 0:21:17 | 0:21:21 | |
Would you grow something up it? | 0:21:21 | 0:21:23 | |
No, I think it would be horrible and it wouldn't work. | 0:21:23 | 0:21:25 | |
It would look like somebody... It's like putting lipstick on a gorilla. | 0:21:25 | 0:21:29 | |
It's still a gorilla. That is a gorilla and gorillas must go. | 0:21:29 | 0:21:32 | |
Every second garden in the country has this issue. | 0:21:32 | 0:21:36 | |
And they don't do anything about it. They leave it there. | 0:21:36 | 0:21:38 | |
-They leave it. Onwards! -Goodbye, fair tree. It's gone. | 0:21:38 | 0:21:41 | |
-Well, this is lovely. -And shadow is so important. -This is beautiful. | 0:21:47 | 0:21:51 | |
-See these globes? -Yes. -Do you know where that came from? -No. | 0:21:57 | 0:22:02 | |
Do you remember a lollipop garden I did at the Chelsea Flower Show? | 0:22:02 | 0:22:06 | |
Gosh, doesn't it spread? | 0:22:06 | 0:22:08 | |
-Is that funny? -It's that same bright blue. -And that's where it came from. | 0:22:08 | 0:22:11 | |
Everyone's still using it and they're using it with an Easter Island head. | 0:22:11 | 0:22:14 | |
Sam's garden lets you wander into leafy cul-de-sacs | 0:22:16 | 0:22:19 | |
peppered with his trademark humour. | 0:22:19 | 0:22:21 | |
What on earth is that?! | 0:22:24 | 0:22:26 | |
HE CHUCKLES | 0:22:26 | 0:22:28 | |
Well, I think it denotes a certain...sense of humour. | 0:22:31 | 0:22:36 | |
-Have you ever seen one of these before? -No. | 0:22:36 | 0:22:39 | |
But, in amongst the humorous touches, | 0:22:43 | 0:22:45 | |
there are some seriously-impressive plants. | 0:22:45 | 0:22:48 | |
Now, here's your favourite plant. | 0:22:48 | 0:22:51 | |
-See? -HE LAUGHS | 0:22:52 | 0:22:54 | |
He's trying to catch me, you see. | 0:22:54 | 0:22:56 | |
He's trying to catch me, because this here is the gunnera. | 0:22:56 | 0:22:59 | |
A magnificent giant, very, very prickly whatsit there. | 0:22:59 | 0:23:03 | |
And this looks just like it, but it's the rhubarb family. This is a rheum. | 0:23:03 | 0:23:07 | |
This is related to rhubarb. Edible rhubarb. | 0:23:07 | 0:23:10 | |
And I reckon whoever owns this garden has a sense of humour. | 0:23:10 | 0:23:13 | |
He's had a joke. He said, | 0:23:13 | 0:23:14 | |
"I'll just put them there and sort them all out." | 0:23:14 | 0:23:16 | |
So, Helen, paint me a picture of the person who created this garden. | 0:23:22 | 0:23:27 | |
Well, this is somebody who absolutely adores and loves | 0:23:27 | 0:23:31 | |
and understands wooded plants, for a start. | 0:23:31 | 0:23:35 | |
And adores The Grateful Dead, | 0:23:35 | 0:23:37 | |
dipping foodstuff into melted cheese, | 0:23:37 | 0:23:40 | |
probably Status Quo, also, and is stuck in the 1970s, | 0:23:40 | 0:23:44 | |
but, with a sense of humour and, I think, | 0:23:44 | 0:23:47 | |
for some very obvious reasons, it's a man. | 0:23:47 | 0:23:51 | |
Uh, possibly. | 0:23:51 | 0:23:53 | |
Possibly. Now you mention it, definitely. | 0:23:53 | 0:23:56 | |
Time to meet Sam, the proud owner. | 0:23:56 | 0:23:59 | |
Well, Sam, this garden, for us, has been an extraordinary surprise. | 0:23:59 | 0:24:04 | |
Because, to be honest, when we got here, | 0:24:04 | 0:24:06 | |
we weren't absolutely bananas about the new bit of planting in the front. | 0:24:06 | 0:24:10 | |
-And then we walk into this paradise round the back here. -Right. | 0:24:10 | 0:24:13 | |
I'm a collector, by trade. I just collect things. | 0:24:13 | 0:24:16 | |
And trees are no different and shrubs are no different | 0:24:16 | 0:24:20 | |
and they seem to have worked out. Now, life can change you a wee bit. | 0:24:20 | 0:24:24 | |
The man above will thin out this and something thins out that, | 0:24:24 | 0:24:28 | |
but what is left now has given me a lovely tapestry of being able | 0:24:28 | 0:24:32 | |
to sit there and say, "Yes, this is mine." | 0:24:32 | 0:24:35 | |
So your style of gardening revolves around curved shaped beds | 0:24:35 | 0:24:39 | |
leading, opening up vistas, leading you to certain places, | 0:24:39 | 0:24:43 | |
and appreciating what will grow in the Northern Irish climate. | 0:24:43 | 0:24:47 | |
My garden started off like a jigsaw puzzle, | 0:24:47 | 0:24:50 | |
but I added, this term, peninsulas. | 0:24:50 | 0:24:52 | |
So all of a sudden, instead of plants 20 plants, | 0:24:52 | 0:24:56 | |
I can plant 40 plants in the same area, | 0:24:56 | 0:24:59 | |
but with having no straight lines, I can... | 0:24:59 | 0:25:02 | |
A straight line would say to Helen, "I'm not walking 50 yards, | 0:25:02 | 0:25:05 | |
"I can see it all in one go." | 0:25:05 | 0:25:07 | |
Whereas, if I zig-zag round my garden, | 0:25:07 | 0:25:10 | |
I can get Helen to do 200 yards | 0:25:10 | 0:25:13 | |
and your mind tells you you haven't seen it all yet. | 0:25:13 | 0:25:17 | |
-And also you can disappear. -Yes. -You can go on a journey. -Yes. | 0:25:17 | 0:25:20 | |
-So, that's what the garden means to you - creation and relaxation. -Yes. | 0:25:20 | 0:25:23 | |
There are some things I haven't seen in any book. | 0:25:23 | 0:25:26 | |
A few odd bits of sculpture. | 0:25:26 | 0:25:28 | |
Yes, well, you've got to be humorous in your garden. | 0:25:28 | 0:25:32 | |
You've got to make people smile and comment. | 0:25:32 | 0:25:34 | |
You're smiling now, so you obviously enjoyed it. | 0:25:34 | 0:25:36 | |
-It certainly had that effect. -Good. | 0:25:36 | 0:25:39 | |
But I've never seen one wear a tie before. | 0:25:39 | 0:25:41 | |
Well, I have a group coming tomorrow from the south of England | 0:25:41 | 0:25:45 | |
and the organisers said we will have ladies in our company | 0:25:45 | 0:25:49 | |
that might find that offensive. | 0:25:49 | 0:25:51 | |
So he hasn't seen it with a tie on! | 0:25:51 | 0:25:53 | |
We have thoroughly enjoyed that humour. | 0:25:55 | 0:25:58 | |
We've thoroughly enjoyed your understanding | 0:25:58 | 0:26:02 | |
of what could grow here | 0:26:02 | 0:26:04 | |
and the private Eden that you've carved out here. | 0:26:04 | 0:26:07 | |
How beautifully it's put together. It's put together exquisitely. | 0:26:07 | 0:26:10 | |
So, three very different gardens. | 0:26:11 | 0:26:14 | |
But which one did Diarmuid and Helen like best? | 0:26:14 | 0:26:18 | |
Can they possibly pick a favourite? | 0:26:18 | 0:26:19 | |
First, they considered Sam's Castlewellan woodland, | 0:26:21 | 0:26:24 | |
created over 40 years. | 0:26:24 | 0:26:26 | |
I did get a bit of a shock to begin with. | 0:26:26 | 0:26:28 | |
But, it was, and Sam himself was, heaven itself. | 0:26:29 | 0:26:34 | |
It just oozes out of him. | 0:26:34 | 0:26:37 | |
He could tell me about every plant, where he bought it, | 0:26:38 | 0:26:41 | |
why he placed it and what he was going to do in the future. | 0:26:41 | 0:26:44 | |
In the one area, he would plant them all together | 0:26:44 | 0:26:47 | |
and then he'd move them. | 0:26:47 | 0:26:49 | |
Good. Good. | 0:26:49 | 0:26:50 | |
What about William and Hillary's alpine extravaganza in Bessbrook? | 0:26:50 | 0:26:55 | |
From a design point of view, it's hard to make a good design | 0:26:55 | 0:26:59 | |
if you're raving mad collector, but things were beautiful planted. | 0:26:59 | 0:27:05 | |
Their passion for collecting plants was absolutely wonderful. | 0:27:05 | 0:27:10 | |
And understanding what those plants needed, the requirements. | 0:27:10 | 0:27:15 | |
And she had her alpines and he had his clematis. | 0:27:15 | 0:27:19 | |
There was a jolly mix, but too much of a squeezed mix in places. | 0:27:19 | 0:27:24 | |
And, finally, Tracy's astonishing heritage heaven. | 0:27:26 | 0:27:29 | |
I LOVE this garden. | 0:27:29 | 0:27:32 | |
If I could live in any of the gardens that we saw, | 0:27:32 | 0:27:34 | |
it would be this one. | 0:27:34 | 0:27:36 | |
But from a design point of view, | 0:27:37 | 0:27:40 | |
it's not going anywhere else. | 0:27:40 | 0:27:42 | |
I think great thought has gone into which plants to leave | 0:27:42 | 0:27:46 | |
and which plants to take out and, um, it's... | 0:27:46 | 0:27:50 | |
There's a lovely balance of what was there | 0:27:50 | 0:27:53 | |
and the new plants very slowly, gently coming in. | 0:27:53 | 0:27:57 | |
It's not all happening, bang, | 0:27:57 | 0:27:59 | |
with a sort of, "Bring in that lot and bring in the gang." | 0:27:59 | 0:28:01 | |
Three unique gardens, but it's time to pick a favourite. | 0:28:03 | 0:28:07 | |
-Sam. -Fantastic. | 0:28:09 | 0:28:12 | |
It's hard because they're such different gardens, | 0:28:12 | 0:28:15 | |
-but you can't be unhappy for Sam. -I'm delighted for Sam. | 0:28:15 | 0:28:19 | |
So, well done to Sam, whose 40 years of hard work | 0:28:19 | 0:28:22 | |
has edged it against some very impressive competition. | 0:28:22 | 0:28:26 | |
So, what do you think, Diarmuid? | 0:28:26 | 0:28:28 | |
Three amazing gardens and we could barely decide between them. | 0:28:28 | 0:28:31 | |
I think it was all an absolute delight | 0:28:31 | 0:28:34 | |
and thank you for joining us on our wonderful romp | 0:28:34 | 0:28:38 | |
through some lovely gardens. | 0:28:38 | 0:28:40 | |
-Goodbye! -Bye! | 0:28:40 | 0:28:42 |