Browse content similar to Skye and Matt/Mary and Luke. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Houses across Britain don't fit our needs... | 0:00:02 | 0:00:04 | |
We're going to feel like sardines in a can. | 0:00:04 | 0:00:06 | |
..or our dreams. | 0:00:06 | 0:00:08 | |
We really want to strip it out and start again. | 0:00:08 | 0:00:10 | |
'I'm Piers Taylor, | 0:00:13 | 0:00:15 | |
'and I've hand-picked a team of experts | 0:00:15 | 0:00:17 | |
'to transform everyday homes.' | 0:00:17 | 0:00:18 | |
Just to feel special and different. | 0:00:21 | 0:00:23 | |
'From bold changes...' | 0:00:23 | 0:00:25 | |
Your room as it is would disappear. | 0:00:25 | 0:00:27 | |
'..to stunning interior ideas... | 0:00:29 | 0:00:31 | |
'..and finishing touches.' | 0:00:33 | 0:00:34 | |
-Great, isn't it? -Yeah. | 0:00:34 | 0:00:36 | |
'Together, we'll show you what's possible in any home.' | 0:00:36 | 0:00:39 | |
-We thought it was beyond our wildest dreams. -Mmm. | 0:00:39 | 0:00:42 | |
'..and on any budget. | 0:00:42 | 0:00:43 | |
All of that is really just five scaffold boards. | 0:00:43 | 0:00:47 | |
'We'll use every trick of the trade... | 0:00:47 | 0:00:49 | |
You want to give a bit of a wow factor. | 0:00:49 | 0:00:51 | |
'..to prove a limit on your funds... | 0:00:51 | 0:00:53 | |
This stuff's free. | 0:00:53 | 0:00:54 | |
'..does not mean a limit on your imagination. | 0:00:54 | 0:00:57 | |
It's amazing. | 0:00:57 | 0:00:58 | |
'This week... | 0:01:01 | 0:01:02 | |
'How can a mother and son live apart but together?' | 0:01:02 | 0:01:05 | |
I hadn't expected it to be that separate. | 0:01:05 | 0:01:07 | |
'But is it a step they're willing to take? | 0:01:07 | 0:01:09 | |
The door was open for some change. That door's gradually closing. | 0:01:09 | 0:01:13 | |
'And how to double your floor space...' | 0:01:13 | 0:01:15 | |
It looks amazing. | 0:01:15 | 0:01:16 | |
'..without extending.' | 0:01:16 | 0:01:17 | |
You could actually take out the ceiling | 0:01:17 | 0:01:20 | |
and get a sleeping platform. | 0:01:20 | 0:01:21 | |
'With a baby due, it's a strict deadline and budget.' | 0:01:21 | 0:01:25 | |
We have to come back and it has to be liveable. | 0:01:25 | 0:01:27 | |
With its beautiful royal parks, leafy Kingston upon Thames | 0:01:36 | 0:01:39 | |
has been the perfect location for Skye and Matt | 0:01:39 | 0:01:42 | |
to raise their four children. | 0:01:42 | 0:01:44 | |
With property prices here rising by 21% a year, | 0:01:47 | 0:01:51 | |
it was now or never to buy their first home. | 0:01:51 | 0:01:53 | |
So they bought the only house they could afford, | 0:01:56 | 0:01:59 | |
and it's far from perfect. | 0:01:59 | 0:02:00 | |
I suppose it's a compromise. | 0:02:00 | 0:02:02 | |
We couldn't get everything we wanted. | 0:02:02 | 0:02:04 | |
We love the area, but the house prices were going up. | 0:02:04 | 0:02:08 | |
But fitting their family of six, soon to be seven, | 0:02:10 | 0:02:14 | |
into a three-bedroom terrace will be an enormous struggle. | 0:02:14 | 0:02:17 | |
You need to have a bit of imagination. | 0:02:17 | 0:02:20 | |
It's a long way from a family home at the moment. | 0:02:20 | 0:02:22 | |
We're going to feel like sardines in a can. | 0:02:22 | 0:02:25 | |
Like most British terraces, | 0:02:28 | 0:02:29 | |
it's the current layout that's the biggest issue. | 0:02:29 | 0:02:32 | |
With its disjointed porch, | 0:02:32 | 0:02:34 | |
downstairs bathroom and the dark, narrow corridor of rooms, | 0:02:34 | 0:02:39 | |
it's totally unsuitable for family living. | 0:02:39 | 0:02:42 | |
Ooh! | 0:02:42 | 0:02:43 | |
There was a fear that we'd made too much of a compromise by moving here. | 0:02:43 | 0:02:47 | |
But there's a further challenge with this project. | 0:02:47 | 0:02:50 | |
Matt and Skye are desperate to complete the work | 0:02:50 | 0:02:52 | |
and move into the house in just 12 weeks' time, | 0:02:52 | 0:02:55 | |
ready for their new arrival and the start of the new school year. | 0:02:55 | 0:02:59 | |
I see the clock ticking, but I also know that | 0:02:59 | 0:03:02 | |
if we start without really knowing what we're trying to achieve, | 0:03:02 | 0:03:05 | |
we'll just waste time and waste money. | 0:03:05 | 0:03:06 | |
Our hopes are the majority of it will get done | 0:03:06 | 0:03:09 | |
in three months' time. | 0:03:09 | 0:03:10 | |
The reality is... | 0:03:10 | 0:03:12 | |
..we have no clue. | 0:03:13 | 0:03:14 | |
Matt and Skye don't know where to start. | 0:03:18 | 0:03:21 | |
But how do you transform a tiny terrace | 0:03:23 | 0:03:26 | |
into a family home for seven? | 0:03:26 | 0:03:28 | |
It's my biggest challenge yet. | 0:03:28 | 0:03:30 | |
And with a budget of just £30,000, there's no room for error. | 0:03:30 | 0:03:34 | |
It's crazy that a family of seven would buy such a tiny house, | 0:03:36 | 0:03:39 | |
but that's the reality of living in a city. | 0:03:39 | 0:03:42 | |
It's going to be hard, but I think, for me... | 0:03:42 | 0:03:44 | |
it feels a really important thing that we do today | 0:03:44 | 0:03:46 | |
is get this house to work for Skye and Matt. | 0:03:46 | 0:03:48 | |
It's really charming. | 0:03:48 | 0:03:50 | |
I mean, you must have fallen in love with it when you first saw it. | 0:03:50 | 0:03:52 | |
-We thought of it as potential. -Potential. | 0:03:52 | 0:03:55 | |
Potential to fall in love with it. | 0:03:55 | 0:03:57 | |
But will I be able to unlock potential in this tiny home? | 0:03:57 | 0:04:01 | |
Just to get my bearings, this is... | 0:04:04 | 0:04:07 | |
-It's a lean-to. -That's a lean-to. | 0:04:07 | 0:04:09 | |
-So this is the outside wall, isn't it? -Yeah. | 0:04:09 | 0:04:11 | |
And there's no building here, it's just a shed. | 0:04:11 | 0:04:14 | |
-And the house proper starts here, doesn't it? -Yeah. | 0:04:14 | 0:04:18 | |
So what we'd like to do is make the rooms bigger, | 0:04:18 | 0:04:20 | |
possibly knocking this wall down. | 0:04:20 | 0:04:23 | |
Bring the whole house this way, | 0:04:23 | 0:04:25 | |
really, into this kind of dead space. | 0:04:25 | 0:04:27 | |
Yes, create a hallway for the front door | 0:04:27 | 0:04:29 | |
and then increasing the size of this room | 0:04:29 | 0:04:31 | |
and making this room sort of the central room of the house. | 0:04:31 | 0:04:33 | |
If you can, a side extension into your lean-to | 0:04:33 | 0:04:37 | |
could give you valuable additional space. | 0:04:37 | 0:04:40 | |
But that alone won't solve all the problems in this house. | 0:04:40 | 0:04:43 | |
But the bathroom strikes me as being | 0:04:43 | 0:04:46 | |
in a bit of the house that is almost the best bit. | 0:04:46 | 0:04:50 | |
It's got access to the garden, | 0:04:50 | 0:04:52 | |
it's got quite a lot of space, actually. | 0:04:52 | 0:04:54 | |
I mean, is that really the right place for the bathroom? | 0:04:54 | 0:04:56 | |
We looked at the possibility of moving the bathroom, | 0:04:56 | 0:04:59 | |
but I think we were having trouble finding the right place | 0:04:59 | 0:05:01 | |
to situate it in the rest of the house | 0:05:01 | 0:05:04 | |
without losing a bedroom. | 0:05:04 | 0:05:06 | |
Skye and Matt want to give their children the best start they can | 0:05:06 | 0:05:09 | |
and they've pinned everything on this house. | 0:05:09 | 0:05:12 | |
But to make it work for their expanding family | 0:05:14 | 0:05:17 | |
means a complete overhaul. | 0:05:17 | 0:05:18 | |
Every inch of every room needs to be maximised. | 0:05:18 | 0:05:22 | |
And for just 30K. | 0:05:23 | 0:05:25 | |
Space is a finite thing in this house. | 0:05:26 | 0:05:28 | |
There's not much of it, | 0:05:28 | 0:05:29 | |
and there's a lot of people that need to come together here. | 0:05:29 | 0:05:32 | |
I'm looking for a simple mechanism to unlock this house. | 0:05:32 | 0:05:36 | |
There'll be one move that makes everything else fall into place. | 0:05:36 | 0:05:40 | |
'Removing the internal walls will open up the ground-floor space | 0:05:42 | 0:05:46 | |
'and allow for a generous family living area, | 0:05:46 | 0:05:48 | |
'but it's the current location of the bathroom | 0:05:48 | 0:05:50 | |
'that holds everything back.' | 0:05:50 | 0:05:52 | |
If money was no object and you could move the bathroom upstairs, | 0:05:52 | 0:05:56 | |
would you, do you think? | 0:05:56 | 0:05:57 | |
-Yes. -I think yes. | 0:05:57 | 0:05:59 | |
Lose the bathroom from downstairs. | 0:05:59 | 0:06:02 | |
You open all that up and you build your kitchen, you know, | 0:06:02 | 0:06:07 | |
in there, wrapping around the corner, | 0:06:07 | 0:06:10 | |
and proportionally, this as a set of living spaces | 0:06:10 | 0:06:15 | |
that all opened up around a courtyard, | 0:06:15 | 0:06:18 | |
it would be kind of delightful on so many levels. | 0:06:18 | 0:06:21 | |
Yeah. It's obvious that as soon as you move | 0:06:21 | 0:06:24 | |
the bathroom out of the way... | 0:06:24 | 0:06:26 | |
-What's unlocked... -There's so many more options. | 0:06:26 | 0:06:29 | |
I think that's living, isn't it? It's not just surviving. | 0:06:29 | 0:06:32 | |
Squeezing in a bathroom upstairs | 0:06:32 | 0:06:34 | |
would also put an end to the family traipsing through three rooms | 0:06:34 | 0:06:38 | |
and up and down 14 perilously steep stairs | 0:06:38 | 0:06:41 | |
to use the loo. | 0:06:41 | 0:06:43 | |
But sacrificing bedroom space creates another problem to solve. | 0:06:43 | 0:06:46 | |
The obvious place for the bathroom is here. | 0:06:48 | 0:06:50 | |
Tuck it, sort of sneak it behind the stairs there. | 0:06:50 | 0:06:55 | |
If we were to make the bathroom as small as possible, | 0:06:55 | 0:06:59 | |
would we be able to make that area then a single bedroom? | 0:06:59 | 0:07:03 | |
Yes, I think you probably would, actually, | 0:07:03 | 0:07:05 | |
because what you could do is make that bedroom | 0:07:05 | 0:07:11 | |
kind of a storey and a half. | 0:07:11 | 0:07:13 | |
You could actually take out the ceiling through part of it | 0:07:13 | 0:07:16 | |
and get a kind of sleeping platform up in that space. | 0:07:16 | 0:07:21 | |
-I think that's quite a cool bedroom, isn't it? -Yeah. | 0:07:21 | 0:07:24 | |
That's the one I've had! | 0:07:24 | 0:07:25 | |
'My plan is unconventional, but it could give them | 0:07:27 | 0:07:30 | |
'everything they need. | 0:07:30 | 0:07:31 | |
'Relocating the bathroom to the first floor | 0:07:33 | 0:07:36 | |
'is vital to opening up the space downstairs. | 0:07:36 | 0:07:38 | |
'Extending into the lean-to will create | 0:07:39 | 0:07:42 | |
'a generous central family room that all seven of them can enjoy.' | 0:07:42 | 0:07:46 | |
Upstairs, and the middle bedroom will be divided | 0:07:49 | 0:07:51 | |
to make space for the new bathroom. | 0:07:51 | 0:07:54 | |
And raising the ceiling height here to build a sleeping platform | 0:07:54 | 0:07:57 | |
above the new bathroom will increase the bedroom floor space. | 0:07:57 | 0:08:00 | |
That's brilliant, that's amazing. | 0:08:02 | 0:08:05 | |
SHE LAUGHS AND SNIFFS | 0:08:05 | 0:08:07 | |
Sorry! | 0:08:07 | 0:08:08 | |
There are other ways of living, I think, | 0:08:10 | 0:08:13 | |
which will change the way that we live now. | 0:08:13 | 0:08:18 | |
The kids will have a fantastic space. | 0:08:18 | 0:08:21 | |
We did worry about whether we'd made the right decision | 0:08:21 | 0:08:25 | |
about buying this house. | 0:08:25 | 0:08:26 | |
And I think Piers has just solved most of our problems. | 0:08:29 | 0:08:32 | |
THEY LAUGH | 0:08:32 | 0:08:33 | |
Skye and Matt need this project to work for them and their children, | 0:08:38 | 0:08:41 | |
but there's a lot riding on their £30,000 budget. | 0:08:41 | 0:08:44 | |
With their deadline looming, work starts almost immediately. | 0:08:52 | 0:08:57 | |
Matt has brought in a few of his friends to come in | 0:08:57 | 0:09:00 | |
and take down the kitchen and the lean-to. | 0:09:00 | 0:09:03 | |
He has many talents, but DIY is not one of them. | 0:09:03 | 0:09:06 | |
You know, changing the plug is about as far as I go normally. | 0:09:06 | 0:09:08 | |
Desperate to make the most of their 30 grand, | 0:09:12 | 0:09:14 | |
Matt and his friends tackle the demolition. | 0:09:14 | 0:09:17 | |
It feels good to actually have got started, and, you know, | 0:09:17 | 0:09:20 | |
to have thrown the first sledgehammer at the building. | 0:09:20 | 0:09:22 | |
Before starting your own structural alterations, | 0:09:24 | 0:09:26 | |
you should always seek relevant approvals, | 0:09:26 | 0:09:28 | |
including building regs. | 0:09:28 | 0:09:30 | |
I think the knocking down is the easy bit. | 0:09:30 | 0:09:32 | |
I think the building up again is going to be the difficult part. | 0:09:32 | 0:09:35 | |
But as work gets underway, | 0:09:39 | 0:09:42 | |
they immediately uncover hidden costs. | 0:09:42 | 0:09:44 | |
We've just had an assessment of about £4,500-£5,000 | 0:09:44 | 0:09:49 | |
on the electrics, which has really affected the overall budget. | 0:09:49 | 0:09:54 | |
And it's just so frustrating. | 0:09:54 | 0:09:56 | |
With a family, a build and a tight budget to project-manage, | 0:09:56 | 0:10:00 | |
the pressure on Skye is mounting. | 0:10:00 | 0:10:03 | |
And there's now just ten weeks left until their moving-in date. | 0:10:05 | 0:10:09 | |
We have to come back and it has to be liveable. | 0:10:11 | 0:10:14 | |
Skye and Matt are struggling with the problem | 0:10:25 | 0:10:27 | |
caused by high house prices in the city. | 0:10:27 | 0:10:29 | |
Elsewhere, Mary is dealing with the fact that Luke, her adult son, | 0:10:29 | 0:10:34 | |
can't afford to move out. | 0:10:34 | 0:10:36 | |
Looking to downsize and move closer to family in Watford, | 0:10:45 | 0:10:48 | |
Mary bought this two-bedroom ex-council house for £220,000. | 0:10:48 | 0:10:53 | |
It was probably the least attractive house in this street. | 0:10:53 | 0:10:56 | |
It was a really good price to get rid of my mortgage | 0:10:56 | 0:10:59 | |
and be able do it up from scratch. | 0:10:59 | 0:11:01 | |
As soon as she got the keys, Mary was excited and set to work. | 0:11:04 | 0:11:08 | |
It was a hoarder's house... | 0:11:08 | 0:11:09 | |
It was literally stacked from floor to ceiling with rubbish, basically. | 0:11:11 | 0:11:14 | |
Now we've got to bring it all back to life. | 0:11:17 | 0:11:19 | |
But what Mary hadn't banked on was sharing her new home | 0:11:21 | 0:11:24 | |
with her 23-year-old graduate son Luke. | 0:11:24 | 0:11:27 | |
I've got used to having my own space. | 0:11:27 | 0:11:30 | |
He's got used to having his own space, being at uni, | 0:11:30 | 0:11:32 | |
so now we need to go back to making it work for both of us again. | 0:11:32 | 0:11:36 | |
The worst thing about living with my mum is | 0:11:36 | 0:11:38 | |
unnecessary questions about things that don't concern her. | 0:11:38 | 0:11:42 | |
MARY LAUGHS | 0:11:42 | 0:11:44 | |
So I said he can't have loads of money spent on his room | 0:11:44 | 0:11:46 | |
unless he actually does learn how to tidy up. | 0:11:46 | 0:11:49 | |
Things like this is why... | 0:11:49 | 0:11:51 | |
What we need to learn how to live together. | 0:11:51 | 0:11:54 | |
Carving out space to fit their very conflicting lifestyles | 0:11:56 | 0:11:59 | |
in this small two-bed house, | 0:11:59 | 0:12:00 | |
with its cramped kitchen and modest living room, won't be easy. | 0:12:00 | 0:12:04 | |
I'm worried about light. | 0:12:05 | 0:12:07 | |
I'm worried about the actual layout working properly. | 0:12:07 | 0:12:11 | |
It's quite a big task for just us two to be doing, | 0:12:11 | 0:12:14 | |
and we don't have any experience in doing it. | 0:12:14 | 0:12:17 | |
Mary has a generous £65,000 from the sale of her previous home, | 0:12:17 | 0:12:22 | |
but with an entire house to renovate, | 0:12:22 | 0:12:24 | |
it will get eaten up quickly. | 0:12:24 | 0:12:26 | |
Helping me transform these homes | 0:12:34 | 0:12:36 | |
is my hand-picked team of architects, | 0:12:36 | 0:12:38 | |
each challenged to create extraordinary spaces | 0:12:38 | 0:12:41 | |
with ordinary budgets. | 0:12:41 | 0:12:42 | |
Taking on this challenge is innovative architect Adam Khan. | 0:12:44 | 0:12:48 | |
In one way, it's really great that a parent | 0:12:51 | 0:12:53 | |
can live with their adult offspring, and they can get on well. | 0:12:53 | 0:12:56 | |
Sometimes you just need your own space, | 0:12:56 | 0:12:58 | |
you need your own headspace, you may want to bring someone back | 0:12:58 | 0:13:01 | |
and you want that little bit more privacy. | 0:13:01 | 0:13:03 | |
So how do you get that? | 0:13:03 | 0:13:05 | |
In her hurry to move in, Mary already has workmen onsite. | 0:13:05 | 0:13:10 | |
She intends to spend just under half of her £65,000 budget | 0:13:10 | 0:13:14 | |
building a 30-square-metre rear extension. | 0:13:14 | 0:13:16 | |
Adam needs to get straight up to speed with what they've planned. | 0:13:18 | 0:13:21 | |
The plan at the moment is to take the kitchen wall out. | 0:13:21 | 0:13:24 | |
Sort of an L-shaped kitchen with big dining and lounge areas. | 0:13:24 | 0:13:28 | |
And at the moment, we've got double doors here, we've got a window here. | 0:13:28 | 0:13:32 | |
Not sure whether we've got it right. | 0:13:32 | 0:13:34 | |
My worry is that it doesn't have much character | 0:13:34 | 0:13:36 | |
and it doesn't have a really clear relationship | 0:13:36 | 0:13:39 | |
to the garden or what's happening inside. | 0:13:39 | 0:13:42 | |
I'm worried about the middle of the house being a bit dark. | 0:13:42 | 0:13:45 | |
You might be ending up with just a bit of a box with | 0:13:45 | 0:13:47 | |
a couple of windows in it. | 0:13:47 | 0:13:48 | |
A large extension will give them more room, | 0:13:50 | 0:13:52 | |
but it doesn't solve the real issue here, | 0:13:52 | 0:13:55 | |
of giving this mother and son enough space | 0:13:55 | 0:13:57 | |
not to cramp each other's style. | 0:13:57 | 0:13:59 | |
As most people know, when you are living with your mum, | 0:13:59 | 0:14:02 | |
it can get a bit on top of you sometimes. | 0:14:02 | 0:14:05 | |
We just don't want to be on each other's toes. | 0:14:05 | 0:14:07 | |
Known for his unconventional approach to social space, | 0:14:10 | 0:14:13 | |
Adam created an incredible floating village | 0:14:13 | 0:14:16 | |
on a 400-tonne pontoon | 0:14:16 | 0:14:18 | |
at Brockholes Wetland Nature Reserve in Lancashire. | 0:14:18 | 0:14:21 | |
His radical design beautifully combined ancient and modern. | 0:14:22 | 0:14:26 | |
But can an equally radical solution close the generation gap in Watford? | 0:14:26 | 0:14:29 | |
So the current plans they've got are... | 0:14:31 | 0:14:34 | |
Well, they're a disaster. | 0:14:34 | 0:14:36 | |
At the moment, you're coming in to a little front entrance hallway. | 0:14:37 | 0:14:40 | |
You've got to go through all the other spaces | 0:14:40 | 0:14:42 | |
to get to the social space of the kitchen. | 0:14:42 | 0:14:44 | |
So there's a basic kind of problem of organisation. | 0:14:44 | 0:14:47 | |
That's the thing to get right here. | 0:14:48 | 0:14:51 | |
Adam needs to convince Mary to make some urgent changes, | 0:14:52 | 0:14:56 | |
starting with opening up the whole of the ground floor. | 0:14:56 | 0:14:59 | |
OK, so downstairs, say if you opened this opening up all the way here, | 0:15:00 | 0:15:06 | |
-you could even have a kind of sliding door. -Yeah. | 0:15:06 | 0:15:08 | |
Cos it's really nice if you're in a house and you can see out | 0:15:08 | 0:15:12 | |
the back of the house and out the front of the house. | 0:15:12 | 0:15:15 | |
If you're trying to maximise your ground floor, | 0:15:15 | 0:15:18 | |
losing internal walls and doorways, | 0:15:18 | 0:15:20 | |
and adding bi-fold doors and larger roof lights | 0:15:20 | 0:15:23 | |
will make your space feel bigger. | 0:15:23 | 0:15:25 | |
Light from both directions is really, really nice. | 0:15:25 | 0:15:28 | |
But it's upstairs, where Mary was planning just a revamp, | 0:15:28 | 0:15:31 | |
where Adam has had a radical rethink. | 0:15:31 | 0:15:33 | |
OK, so... | 0:15:33 | 0:15:34 | |
I think number one is to have your own bathroom each. | 0:15:36 | 0:15:39 | |
The next thing is, and this is a bit more dramatic, | 0:15:39 | 0:15:42 | |
is you're maybe getting a sense of your own entrances. | 0:15:42 | 0:15:46 | |
You go in that door there, and you go up the stairs. | 0:15:46 | 0:15:49 | |
Right, OK. | 0:15:49 | 0:15:50 | |
Whereas Luke, when it's time to come to your space, | 0:15:50 | 0:15:54 | |
there would be another stair. | 0:15:54 | 0:15:56 | |
It's quite unusual to do that in a house this size. | 0:15:56 | 0:15:59 | |
An extra staircase would take up a little more room, | 0:16:00 | 0:16:03 | |
but tackles the problem of privacy head-on. | 0:16:03 | 0:16:05 | |
This is a good plan for Luke. | 0:16:05 | 0:16:07 | |
No, I hadn't expected it to be that separate, I don't think. | 0:16:07 | 0:16:10 | |
But you want... | 0:16:11 | 0:16:12 | |
It's almost like having two bedsits upstairs, I feel. | 0:16:12 | 0:16:15 | |
-But you want separate living. -Mmm. | 0:16:15 | 0:16:17 | |
Adam's design solves all their problems, | 0:16:17 | 0:16:20 | |
but it's a bold move that requires courage. | 0:16:20 | 0:16:22 | |
Clearly you're in shock, | 0:16:22 | 0:16:24 | |
so you just need to take a step back | 0:16:24 | 0:16:28 | |
and think about whether... | 0:16:28 | 0:16:29 | |
It highlights the divide between Mary and Luke's vision | 0:16:29 | 0:16:33 | |
for how they want to live. | 0:16:33 | 0:16:35 | |
And it would be a real shame if they didn't do something | 0:16:35 | 0:16:37 | |
that kind of matched their lifestyles and matched | 0:16:37 | 0:16:40 | |
what they, emotionally, want. | 0:16:40 | 0:16:42 | |
Just because of... it was slightly unconventional. | 0:16:42 | 0:16:45 | |
But with the builders charging ahead, | 0:16:45 | 0:16:48 | |
Mary will need to make decisions fast, | 0:16:48 | 0:16:50 | |
before it's too late to undo any costly mistakes. | 0:16:50 | 0:16:53 | |
In Kingston, Skye and Matt have decided to go ahead | 0:17:01 | 0:17:04 | |
with my plans to move the bathroom upstairs, | 0:17:04 | 0:17:06 | |
but they've had an agonising four-week wait | 0:17:06 | 0:17:08 | |
for their builder Roly to start. | 0:17:08 | 0:17:10 | |
-Right, so this room is going to be split into two. -OK. | 0:17:12 | 0:17:17 | |
So the bathroom is going to be here. | 0:17:17 | 0:17:20 | |
Matt and I have decided to try and make this bathroom | 0:17:20 | 0:17:24 | |
as small as possible. | 0:17:24 | 0:17:25 | |
-OK, so it's still usable as a family bathroom. -Yeah. | 0:17:25 | 0:17:29 | |
We've got six weeks before baby comes, | 0:17:29 | 0:17:31 | |
four weeks before we move back in again, | 0:17:31 | 0:17:34 | |
so if we can get the upstairs finished, | 0:17:34 | 0:17:37 | |
we can live in the house. | 0:17:37 | 0:17:38 | |
There's a renewed sense of urgency here | 0:17:40 | 0:17:42 | |
and the wait has only increased Skye's ambitions. | 0:17:42 | 0:17:45 | |
Since Piers has given us | 0:17:45 | 0:17:47 | |
the inspiration to do one of the mezzanine floors, | 0:17:47 | 0:17:49 | |
we've decided to take it on board and do it in all the rooms. | 0:17:49 | 0:17:52 | |
The aim was to do minimum work for maximum benefit. | 0:17:52 | 0:17:56 | |
This idea will give them much-needed additional bedroom space, | 0:17:56 | 0:18:00 | |
but doing more than planned is a classic mistake | 0:18:00 | 0:18:04 | |
and extra costs will impact on the finishing touches. | 0:18:04 | 0:18:07 | |
So I want to show Skye how being inventive with limited space | 0:18:11 | 0:18:14 | |
and using interior design creatively can make all the difference. | 0:18:14 | 0:18:18 | |
What's essential here is that she understands | 0:18:18 | 0:18:21 | |
how you can use space in a really inventive way. | 0:18:21 | 0:18:25 | |
This unconventional home is a treasure trove | 0:18:29 | 0:18:33 | |
of design ideas you can emulate. | 0:18:33 | 0:18:36 | |
From the use of colour to create space and light | 0:18:36 | 0:18:39 | |
to the clever but simple use of inexpensive materials. | 0:18:39 | 0:18:42 | |
Wow. | 0:18:45 | 0:18:47 | |
I think it looks amazing. And different. | 0:18:47 | 0:18:49 | |
It's not bog-standard at all. | 0:18:49 | 0:18:51 | |
It's playful, it's fun, | 0:18:52 | 0:18:55 | |
it's quirky, it's unusual. | 0:18:55 | 0:18:57 | |
There's a bathroom in here... | 0:18:57 | 0:18:59 | |
-Which is going to be similar to our design. -Yeah, yeah. | 0:18:59 | 0:19:02 | |
I mean, it's so unexpected. Wow. | 0:19:02 | 0:19:04 | |
Despite its size, this bathroom feels luxurious, | 0:19:04 | 0:19:08 | |
and by using dark colours and bold patterns, | 0:19:08 | 0:19:10 | |
you can create the same sense of drama and opulence. | 0:19:10 | 0:19:13 | |
This ingenious maisonette proves that done cleverly, | 0:19:16 | 0:19:18 | |
you can incorporate space-saving ideas | 0:19:18 | 0:19:21 | |
into the very fabric of your home. | 0:19:21 | 0:19:23 | |
This is the proper staircase, but in all of this, it's storage. | 0:19:23 | 0:19:27 | |
-That doesn't look too expensive to make. -No, not at all. | 0:19:27 | 0:19:31 | |
This is just a set of standard fluorescent tubes | 0:19:33 | 0:19:36 | |
hung in an inventive way, | 0:19:36 | 0:19:38 | |
and it's like a chandelier, really, isn't it? | 0:19:38 | 0:19:40 | |
'The owner of the house created this using inexpensive | 0:19:41 | 0:19:44 | |
'off-the-shelf components. | 0:19:44 | 0:19:47 | |
'It was then checked and fitted by a qualified electrician.' | 0:19:47 | 0:19:50 | |
I suspect there's more storage in there again. | 0:19:50 | 0:19:53 | |
-I just think this is so amazing. -It's great, isn't it? | 0:19:53 | 0:19:56 | |
The walls aren't just walls. | 0:19:56 | 0:19:58 | |
And this stuff is really | 0:19:58 | 0:20:00 | |
the cheapest grade of plywood you can get. | 0:20:00 | 0:20:03 | |
This bookshelf is cute as well, isn't it? | 0:20:05 | 0:20:08 | |
I think cute is the only word for it. | 0:20:08 | 0:20:10 | |
Just enough space for the books you're reading, you know? | 0:20:10 | 0:20:13 | |
Or baby bottles. | 0:20:14 | 0:20:15 | |
Baby bottles! Yeah. | 0:20:15 | 0:20:17 | |
It's functional, and I love the fact | 0:20:20 | 0:20:22 | |
that it's functional and it looks good. | 0:20:22 | 0:20:25 | |
I want Skye to embrace the clever way these amazing ideas | 0:20:26 | 0:20:29 | |
can transform otherwise ordinary spaces. | 0:20:29 | 0:20:32 | |
You don't need big, elaborate rooms for everything and everyone. | 0:20:34 | 0:20:38 | |
What you need is a set of spaces that work really well, | 0:20:38 | 0:20:41 | |
and the quirkiest and the most modest space can be beautiful. | 0:20:41 | 0:20:45 | |
In Watford, the rear extension is almost finished, | 0:20:55 | 0:20:58 | |
but this move alone has cost Mary nearly 30 grand. | 0:20:58 | 0:21:01 | |
-Hello. -Hello! How are you? Nice to see you. | 0:21:01 | 0:21:04 | |
But has Mary taken on board Adam's bold design ideas? | 0:21:04 | 0:21:08 | |
You've made me rethink the glazing, | 0:21:08 | 0:21:09 | |
so we've now got big bi-folds going in across here, | 0:21:09 | 0:21:12 | |
and with a big skylight, so hopefully, | 0:21:12 | 0:21:14 | |
we're going to have a lot more light than we originally planned for. | 0:21:14 | 0:21:17 | |
It's great that Mary's seen the benefit of creating | 0:21:17 | 0:21:20 | |
more light and space in the extension. | 0:21:20 | 0:21:23 | |
But she still isn't on board with Adam's solution | 0:21:23 | 0:21:26 | |
for their shared living space, | 0:21:26 | 0:21:27 | |
and has said no to a second staircase. | 0:21:27 | 0:21:30 | |
'I guess that's the slight difference in our understanding | 0:21:31 | 0:21:34 | |
'about how to make those really big, fundamental changes to your house. | 0:21:34 | 0:21:38 | |
'The scope for being able to change things is...' | 0:21:40 | 0:21:44 | |
..is reducing. | 0:21:44 | 0:21:46 | |
Mary wants to play it safe | 0:21:46 | 0:21:48 | |
by retaining the separate rooms downstairs, | 0:21:48 | 0:21:51 | |
but Adam doesn't want her to backtrack on yet another idea. | 0:21:51 | 0:21:55 | |
Leave the chimney breast in position | 0:21:57 | 0:21:59 | |
and just open that whole lot through, | 0:21:59 | 0:22:02 | |
and I think that being able to see all the way to the garden | 0:22:02 | 0:22:05 | |
right from the living room would be a really lovely thing. | 0:22:05 | 0:22:08 | |
And I think the interesting thing is that when you get spaces | 0:22:08 | 0:22:11 | |
and they're connected to each other nicely, | 0:22:11 | 0:22:14 | |
but they have their own character, | 0:22:14 | 0:22:16 | |
the space feels bigger. | 0:22:16 | 0:22:17 | |
Making changes to your home takes a leap of faith, | 0:22:22 | 0:22:25 | |
and I think it's time to convince Mary that a few minor, | 0:22:25 | 0:22:28 | |
well-thought-out adjustments could make a huge difference. | 0:22:28 | 0:22:32 | |
Mary and Luke aren't going to do the separate bedroom scheme, | 0:22:32 | 0:22:35 | |
so what are they going to do? | 0:22:35 | 0:22:37 | |
So, the idea, I think, is to concentrate on | 0:22:37 | 0:22:40 | |
the ground floor as a big social space. | 0:22:40 | 0:22:42 | |
Instead of being little, pokey rooms, all separate, | 0:22:42 | 0:22:45 | |
try to get a big sense of connected space, light through, | 0:22:45 | 0:22:49 | |
but equally, without becoming one vast kind of hall. | 0:22:49 | 0:22:52 | |
That sounds like a really good idea, | 0:22:52 | 0:22:53 | |
and also a really good model for domestic space generally, | 0:22:53 | 0:22:56 | |
because in a way, what they haven't done is the radical scheme | 0:22:56 | 0:22:59 | |
of having two very separate spaces, | 0:22:59 | 0:23:01 | |
and I like the delicate touch of just setting up somewhere | 0:23:01 | 0:23:03 | |
where they can co-exist quite happily without | 0:23:03 | 0:23:06 | |
any big, grand architectural move. | 0:23:06 | 0:23:08 | |
With work underway, Mary can't afford to hesitate. | 0:23:13 | 0:23:17 | |
So I've brought her to a fantastic home | 0:23:17 | 0:23:19 | |
that could make her rethink open-plan living. | 0:23:19 | 0:23:21 | |
-Hi, Mary. Hi, Luke. -Hi. How are you? -Hi, Piers. | 0:23:27 | 0:23:29 | |
-How you doing? -Good, good, good. Nice to see you. -Good to see you. | 0:23:29 | 0:23:32 | |
Pleased to see you. Looking forward to today. | 0:23:32 | 0:23:34 | |
Good! So, what do you think? | 0:23:34 | 0:23:35 | |
Really, really like the outside. | 0:23:35 | 0:23:36 | |
-I'm looking forward to seeing inside. -Yeah, it looks lovely. | 0:23:36 | 0:23:39 | |
'This compact new build is a great example of | 0:23:40 | 0:23:43 | |
'what's becoming known as broken plan.' | 0:23:43 | 0:23:45 | |
So, come on in. | 0:23:47 | 0:23:48 | |
It's very modern, but I actually really like it. | 0:23:53 | 0:23:55 | |
'Broken plan is where an open space is loosely divided | 0:23:56 | 0:23:59 | |
'by partitions, furniture, or lighting.' | 0:23:59 | 0:24:02 | |
There very distinct zones and areas | 0:24:03 | 0:24:04 | |
where you could imagine doing something different. | 0:24:04 | 0:24:07 | |
I mean, there's a study there, | 0:24:07 | 0:24:09 | |
and instead of having a wall and a door, | 0:24:09 | 0:24:11 | |
there's just a glazed screen that implies a separation between it. | 0:24:11 | 0:24:14 | |
'To create broken plan space, | 0:24:16 | 0:24:18 | |
'you can use wider, or taller, non-standard doorways | 0:24:18 | 0:24:21 | |
'to open up views through your home | 0:24:21 | 0:24:23 | |
'without taking out walls or installing expensive beams.' | 0:24:23 | 0:24:27 | |
'And repositioning furniture is a simple way | 0:24:27 | 0:24:29 | |
'you can create zones within a room.' | 0:24:29 | 0:24:32 | |
It's neither open plan or enclosed. It's sort of halfway between. | 0:24:32 | 0:24:36 | |
There's this opening here which works really well. | 0:24:36 | 0:24:39 | |
So it's full height. | 0:24:39 | 0:24:40 | |
You benefit from seeing the full length of the building. | 0:24:40 | 0:24:43 | |
Yeah, I can picture it something like this, | 0:24:43 | 0:24:45 | |
where it's quite split but open. | 0:24:45 | 0:24:47 | |
If you want it to feel separate, you can make it feel separate. | 0:24:47 | 0:24:50 | |
It is really open. | 0:24:50 | 0:24:51 | |
These look like very standard base units | 0:24:51 | 0:24:53 | |
with a beautiful piece of melamine-faced ply on it, | 0:24:53 | 0:24:56 | |
but then what's nice about this is | 0:24:56 | 0:24:58 | |
that the floor goes right underneath it, so again, | 0:24:58 | 0:25:02 | |
it adds to that sense of the space feeling bigger. | 0:25:02 | 0:25:05 | |
By using simple tricks like lifting furniture off the floor, | 0:25:06 | 0:25:10 | |
or choosing a single colour for walls and floors, | 0:25:10 | 0:25:13 | |
you can create a feeling of space. | 0:25:13 | 0:25:15 | |
It feels like one building, yet there are these separate zones, | 0:25:17 | 0:25:20 | |
and the zones aren't made with doors and walls, | 0:25:20 | 0:25:22 | |
they're made by implying a separate area. | 0:25:22 | 0:25:24 | |
Do you think it's something you'd think about doing now? | 0:25:24 | 0:25:27 | |
I think I would now, yeah. | 0:25:27 | 0:25:28 | |
-Yeah? -It would definitely work for us. Definitely. | 0:25:28 | 0:25:30 | |
See what that's like. | 0:25:30 | 0:25:32 | |
Roof lights over the stairwell like this | 0:25:32 | 0:25:34 | |
are a simple way to flood light into your home, | 0:25:34 | 0:25:37 | |
in what can traditionally be the gloomiest space. | 0:25:37 | 0:25:40 | |
Well, I mean, this is a space | 0:25:40 | 0:25:42 | |
that doesn't give you any more floor space | 0:25:42 | 0:25:44 | |
in a house that isn't huge, | 0:25:44 | 0:25:46 | |
and yet for me, it feels essential. | 0:25:46 | 0:25:49 | |
Cos you're a lot more conventional in the way you think about | 0:25:49 | 0:25:51 | |
how a property should be. | 0:25:51 | 0:25:53 | |
I suppose my mind-set is that you have separate rooms, | 0:25:53 | 0:25:55 | |
and now I see, actually, | 0:25:55 | 0:25:57 | |
by opening up, it makes the space look much bigger. | 0:25:57 | 0:25:59 | |
You can also see that there are other ways to zone areas. | 0:25:59 | 0:26:02 | |
Oh, definitely. Yeah. | 0:26:02 | 0:26:03 | |
Whether it's a floor level or a different material, I can see that. | 0:26:03 | 0:26:06 | |
The main thing would be that you can have it open | 0:26:09 | 0:26:12 | |
but still make it feel separate. | 0:26:12 | 0:26:13 | |
It sounds cliche and architecture-speak, | 0:26:13 | 0:26:17 | |
"Separate but..." Yeah. But it can actually be done. | 0:26:17 | 0:26:21 | |
And I'd say that's the biggest thing, | 0:26:21 | 0:26:24 | |
because Mum is quite rigid in her views, | 0:26:24 | 0:26:26 | |
and so I reckon it's probably took down some of her boundaries | 0:26:26 | 0:26:28 | |
in her head in terms of what we can do with the house. | 0:26:28 | 0:26:31 | |
And I can see now how some of Adam's ideas would work for us, | 0:26:33 | 0:26:36 | |
cos I can see them visually in here, | 0:26:36 | 0:26:38 | |
and they look... I just really like the style of the house. | 0:26:38 | 0:26:40 | |
I think what today has done is shown Mary in particular | 0:26:40 | 0:26:44 | |
how she can move her own thinking on | 0:26:44 | 0:26:47 | |
from a building that needs to have a set of rooms with doors, | 0:26:47 | 0:26:52 | |
laid out conventionally, into something that's subtly different, | 0:26:52 | 0:26:55 | |
yet isn't scary, isn't frightening, | 0:26:55 | 0:26:57 | |
and isn't so out there that she can't imagine living in it. | 0:26:57 | 0:27:00 | |
With delays ongoing in Kingston, | 0:27:13 | 0:27:15 | |
one delivery arrives ahead of schedule... | 0:27:15 | 0:27:18 | |
..baby Ewan. | 0:27:21 | 0:27:22 | |
It all happened very quickly. | 0:27:24 | 0:27:25 | |
We were not ready at all, really. | 0:27:25 | 0:27:28 | |
He was two weeks early. | 0:27:28 | 0:27:29 | |
We had no supplies, no nappies, no clothes. | 0:27:29 | 0:27:33 | |
And then obviously, the focus changed | 0:27:33 | 0:27:35 | |
on to the baby rather than the build. | 0:27:35 | 0:27:38 | |
With the school holidays now over, | 0:27:39 | 0:27:42 | |
the family have been forced to return to the house, | 0:27:42 | 0:27:44 | |
and all of them are living in just two rooms | 0:27:44 | 0:27:47 | |
in the middle of a building site. | 0:27:47 | 0:27:49 | |
So the pressure is on, and I am stressed. | 0:27:51 | 0:27:54 | |
As any parent knows, | 0:27:54 | 0:27:56 | |
having a newborn is a full-time job on its own. | 0:27:56 | 0:27:59 | |
So far, Skye and Matt have spent half of their 30K budget, | 0:28:01 | 0:28:05 | |
and the big structural work downstairs hasn't even begun. | 0:28:05 | 0:28:09 | |
It's now critical I help them get this project back on track. | 0:28:11 | 0:28:14 | |
Gosh, there's a real sense of progress in here. | 0:28:16 | 0:28:19 | |
Dropping the ceiling unlocks this whole space, doesn't it? | 0:28:19 | 0:28:23 | |
Yeah, now the beams are up at the height, | 0:28:23 | 0:28:26 | |
you can really start to see how the bed platform will work. | 0:28:26 | 0:28:29 | |
-It does work, doesn't it? -Yeah. | 0:28:29 | 0:28:32 | |
However, I can see a fundamental problem | 0:28:32 | 0:28:34 | |
with the bed platform joists. | 0:28:34 | 0:28:36 | |
Are these, then, structural? | 0:28:36 | 0:28:38 | |
Do these actually tie that external wall back together or not? | 0:28:38 | 0:28:41 | |
Yeah, so we actually have to change this. | 0:28:41 | 0:28:43 | |
Removing the ceiling means the new platform joists | 0:28:43 | 0:28:47 | |
need to provide crucial support for the roof, | 0:28:47 | 0:28:49 | |
so they should run from one exterior wall to the other. | 0:28:49 | 0:28:53 | |
These ones don't. | 0:28:53 | 0:28:54 | |
And why have they gone in incorrectly? | 0:28:54 | 0:28:57 | |
So, it's just a mistake, really, in terms of misunderstanding, | 0:28:57 | 0:29:00 | |
in terms of what needed to be done with the platform. | 0:29:00 | 0:29:04 | |
Skye and Matt are in constant contact with building control, | 0:29:04 | 0:29:08 | |
so this will be quickly resolved. | 0:29:08 | 0:29:10 | |
They also must ensure the children can safely access the beds. | 0:29:10 | 0:29:14 | |
At the moment, we're really just thinking about | 0:29:14 | 0:29:16 | |
getting the structure in place. | 0:29:16 | 0:29:17 | |
There's all these other extra pieces, | 0:29:17 | 0:29:19 | |
but actually, what will really make the difference, you know, | 0:29:19 | 0:29:22 | |
how do you actually get into the loft beds? | 0:29:22 | 0:29:25 | |
You can't put an ordinary bed up there, | 0:29:25 | 0:29:27 | |
you can't put an ordinary staircase here, | 0:29:27 | 0:29:30 | |
you can't put conventional storage easily here. | 0:29:30 | 0:29:33 | |
So really, eking out every inch to get unexpected bits of storage | 0:29:33 | 0:29:38 | |
and extra space would be great. | 0:29:38 | 0:29:41 | |
Thankfully, this mix-up was caught early, | 0:29:44 | 0:29:46 | |
but I need to make sure there are no more costly mistakes. | 0:29:46 | 0:29:49 | |
I want to help them visualise their raised platform beds. | 0:29:54 | 0:29:58 | |
So, Skye and Matt, I really want to show you this. | 0:30:06 | 0:30:08 | |
And what the designer's done is put in this beautiful, crisp, | 0:30:08 | 0:30:12 | |
simple mezzanine structure with this lovely staircase going up. | 0:30:12 | 0:30:16 | |
So this is just black MDF with these lovely handrails. | 0:30:16 | 0:30:21 | |
I quite like the simplicity of it. I like the contrast. | 0:30:21 | 0:30:26 | |
I can see that working in ours. | 0:30:26 | 0:30:28 | |
I think you could maybe use a bit more colour. Or a lot more colour. | 0:30:28 | 0:30:31 | |
Maybe paint used in a quirky and quite poppy way. | 0:30:31 | 0:30:35 | |
The principle of how a staircase binds the whole thing together, | 0:30:37 | 0:30:40 | |
I think, really, is key, and I think the staircase is the key | 0:30:40 | 0:30:43 | |
to making your bed platform work. | 0:30:43 | 0:30:45 | |
Expert advice is required for any bespoke staircase design. | 0:30:47 | 0:30:51 | |
There are strict guidelines to follow | 0:30:51 | 0:30:53 | |
and they must be constructed by professionals. | 0:30:53 | 0:30:56 | |
it's very nice up here, isn't it, being tucked underneath the rafters? | 0:30:58 | 0:31:01 | |
Yeah, so even though you're under the rafters, | 0:31:02 | 0:31:05 | |
it doesn't feel enclosed because there's so much space. | 0:31:05 | 0:31:08 | |
I think it was really important to see this, | 0:31:08 | 0:31:10 | |
because it just makes it so much more visible and tangible. | 0:31:10 | 0:31:14 | |
Willow's bed platform will be above the newly relocated bathroom, | 0:31:14 | 0:31:17 | |
and I want to show Skye and Matt how they could design it. | 0:31:17 | 0:31:20 | |
The things that we need to solve are, how do you get up there | 0:31:23 | 0:31:26 | |
and what the handrail is. | 0:31:26 | 0:31:27 | |
My thinking at the moment is that you make a very simple | 0:31:27 | 0:31:32 | |
set of boxes that you climb up over. | 0:31:32 | 0:31:37 | |
Within that, you then build sort of shelves | 0:31:37 | 0:31:41 | |
and compartments to store stuff in. And then your handrail could just be | 0:31:41 | 0:31:46 | |
turned down, you know, down the side of this. | 0:31:46 | 0:31:49 | |
'As a bed platform, in specific circumstance, | 0:31:49 | 0:31:52 | |
'there may be some flexibility on how it's accessed. | 0:31:52 | 0:31:55 | |
'Every case will be assessed on its own merits by Building Control.' | 0:31:55 | 0:31:59 | |
Within these storage sort of shelves, | 0:31:59 | 0:32:02 | |
it could be that you just use normal MDF, and you just paint them, you know, | 0:32:02 | 0:32:06 | |
paint them quirky colours. | 0:32:06 | 0:32:09 | |
-What do you reckon? -I think it looks good. | 0:32:10 | 0:32:12 | |
More importantly, what would Willow think? | 0:32:12 | 0:32:14 | |
The fact that she'll be able to customise it herself, I think, | 0:32:14 | 0:32:17 | |
-if we get her involved in decorating it and... -Yeah. | 0:32:17 | 0:32:21 | |
And choosing the colours. | 0:32:21 | 0:32:22 | |
It's really been all about getting the structure in place, getting the platform up. | 0:32:24 | 0:32:28 | |
But now, seeing that, I think | 0:32:28 | 0:32:29 | |
it's starting to really show what a great room it's going to be. | 0:32:29 | 0:32:33 | |
We just need to get back to the house and work it out. | 0:32:33 | 0:32:37 | |
I hope this will drive them forward | 0:32:37 | 0:32:39 | |
to get the beds finished as soon as possible. | 0:32:39 | 0:32:41 | |
In Watford, Mary has at last taken the plunge | 0:32:46 | 0:32:48 | |
and is embracing broken plan living. | 0:32:48 | 0:32:51 | |
We took on Adam's suggestion and we've taken out the original | 0:32:51 | 0:32:54 | |
door, and instead, we've cut in a hole, | 0:32:54 | 0:32:58 | |
so it's now just open through from here into the new extension. | 0:32:58 | 0:33:02 | |
The larger opening between the front and back connects these two | 0:33:02 | 0:33:05 | |
parts of the house, giving a view right through to the garden. | 0:33:05 | 0:33:08 | |
As well as the two roof lights, | 0:33:10 | 0:33:12 | |
Mary's also invested an extra £5,000 in bi-fold doors. | 0:33:12 | 0:33:17 | |
They now have a space that will be flooded with light in the daytime, | 0:33:17 | 0:33:20 | |
but now they have to get the artificial lighting right, too. | 0:33:20 | 0:33:24 | |
At the moment, I'm a bit stuck on the lighting for the extension, | 0:33:25 | 0:33:30 | |
because of having roof lights, beams, you're sort of stuck for your | 0:33:30 | 0:33:33 | |
ceiling spaces where you put your lights. | 0:33:33 | 0:33:36 | |
People often get their lighting and interior layout wrong, | 0:33:37 | 0:33:41 | |
so Adam returns to give Mary and Luke some design advice | 0:33:41 | 0:33:44 | |
so they don't just fit dozens of spotlights. | 0:33:44 | 0:33:47 | |
It's really important, | 0:33:47 | 0:33:48 | |
seeing as we haven't adopted the shared ideas for upstairs, | 0:33:48 | 0:33:52 | |
that we somehow create downstairs in a way that we can be... | 0:33:52 | 0:33:55 | |
We can have our own space if we want our own space. | 0:33:55 | 0:33:58 | |
I guess that's where, hopefully, Adam can help us. | 0:33:58 | 0:34:01 | |
Adam immediately sets them to work | 0:34:02 | 0:34:04 | |
on the furniture layout in the extension. | 0:34:04 | 0:34:06 | |
-Is that where your worktop...? -Yeah, roughly, yeah, yeah. | 0:34:06 | 0:34:10 | |
Using props like this is a great way to see how each area | 0:34:10 | 0:34:13 | |
will work within your room. | 0:34:13 | 0:34:16 | |
It's nice that this space is maybe not under the roof light that | 0:34:16 | 0:34:20 | |
that space is. That gives an immediate difference. | 0:34:20 | 0:34:24 | |
-Maybe this is two-seat sofa? -Yeah. | 0:34:25 | 0:34:29 | |
So, sort of bunching it around that natural light is really good, | 0:34:29 | 0:34:32 | |
which is offset from the dining table there. | 0:34:32 | 0:34:35 | |
-So we're zoning it for us. -That's right. | 0:34:35 | 0:34:37 | |
Once you've decided where your furniture should sit, you can | 0:34:39 | 0:34:42 | |
also try playing around with lighting to define individual areas. | 0:34:42 | 0:34:46 | |
Lighting is absolutely critical. | 0:34:47 | 0:34:49 | |
I guess we all realise that's important with day lighting, | 0:34:49 | 0:34:52 | |
trying to get good, different, balance day lighting, light from different | 0:34:52 | 0:34:56 | |
directions, but it's equally important with artificial light. | 0:34:56 | 0:34:59 | |
-Come over here. -Yeah. | 0:34:59 | 0:35:01 | |
So we're kind of breaking it down into high, middle and low. | 0:35:01 | 0:35:05 | |
Using different levels and types of lighting, | 0:35:07 | 0:35:09 | |
you can create different atmospheres in each zoned area. | 0:35:09 | 0:35:13 | |
It's a bit of a focal point. It's washing down on to the table. | 0:35:13 | 0:35:17 | |
It's also really nice, the way it's reflected, and you're seeing a bit of the skylight | 0:35:17 | 0:35:21 | |
and the things around the room. | 0:35:21 | 0:35:24 | |
Really low light kind of washing up a wall is very nice, | 0:35:24 | 0:35:28 | |
-very kind of soft. -Yes. -Really nice. | 0:35:28 | 0:35:30 | |
More or less nice there. | 0:35:30 | 0:35:32 | |
-Wouldn't want to end up with it in line with that. -No. | 0:35:32 | 0:35:34 | |
As with the furniture, so with the lighting. | 0:35:34 | 0:35:36 | |
We want to get them kind of staggered and offset from each other. | 0:35:36 | 0:35:40 | |
So that's more of a downlight to it, isn't it, that one? | 0:35:40 | 0:35:43 | |
A pool of light there, really focused down on that area. | 0:35:43 | 0:35:46 | |
You don't need to spend hundreds | 0:35:50 | 0:35:51 | |
on labour and fittings for LED spots. | 0:35:51 | 0:35:54 | |
Flexible lights like these range from £10 to £45 each. | 0:35:54 | 0:35:58 | |
What we've tried to do today is to get the different areas, | 0:35:59 | 0:36:03 | |
each having a slightly different character, | 0:36:03 | 0:36:05 | |
but also starting to get some principles of different | 0:36:05 | 0:36:08 | |
types of lighting, integrating light out into the garden, | 0:36:08 | 0:36:10 | |
so drawing the eye out, connecting the inside and the outside. | 0:36:10 | 0:36:14 | |
This extension won't be entirely spotlight-free, | 0:36:14 | 0:36:17 | |
as Mary will needs some task lighting over the kitchen worktop. | 0:36:17 | 0:36:21 | |
How many spots do you think you need to cover an area like this? | 0:36:21 | 0:36:24 | |
Really, you want those spots to be doing a job, | 0:36:24 | 0:36:26 | |
rather than just a kind of blanket of them across the ceiling, | 0:36:26 | 0:36:30 | |
which will end up looking like a shop. | 0:36:30 | 0:36:32 | |
I think maybe what was useful was they started to get that | 0:36:32 | 0:36:35 | |
idea about the different types of lighting. | 0:36:35 | 0:36:37 | |
Understanding the difference between the low lights, | 0:36:37 | 0:36:39 | |
middle lights, and layering, getting depth | 0:36:39 | 0:36:41 | |
and length of view, and I think Luke really, really understood that. | 0:36:41 | 0:36:45 | |
Two months later, Adam is back, | 0:36:53 | 0:36:55 | |
and after Mary's initial reluctance to follow some of his ideas, | 0:36:55 | 0:36:59 | |
he's keen to see what they have accomplished. | 0:36:59 | 0:37:02 | |
What I'd love to see is that the place has kind of different zones, | 0:37:02 | 0:37:06 | |
which you would naturally just go to and inhabit, you know, | 0:37:06 | 0:37:10 | |
so you could feel, you could get a bit of privacy. That would be great. | 0:37:10 | 0:37:14 | |
When Adam first met Mary and Luke, | 0:37:16 | 0:37:18 | |
they were desperate for some independent space | 0:37:18 | 0:37:20 | |
within their cramped, dated semi. | 0:37:20 | 0:37:23 | |
On the ground floor, a tiny living room led into a small, rear kitchen. | 0:37:23 | 0:37:27 | |
This is looking lovely. | 0:37:33 | 0:37:35 | |
I know, we're getting there. | 0:37:35 | 0:37:36 | |
Now, the space has been totally opened up. | 0:37:39 | 0:37:42 | |
It's looking really lovely, really bright. | 0:37:42 | 0:37:44 | |
Lovely to see all the way through. | 0:37:44 | 0:37:47 | |
With new bi-fold doors on to the garden, skylights above, and | 0:37:47 | 0:37:51 | |
the interior walls removed, light pours through the entire floor. | 0:37:51 | 0:37:55 | |
And here's where we've taken on a lot of your suggestions. | 0:37:57 | 0:38:01 | |
The seamless floor, the nice, big bi-folds. | 0:38:01 | 0:38:04 | |
They've learnt lessons from the house we took them to. | 0:38:05 | 0:38:08 | |
They've used the same flooring throughout, | 0:38:08 | 0:38:10 | |
and ceiling-to-floor openings create a feeling of endless space. | 0:38:10 | 0:38:15 | |
Opening up rooms like this also saves on the cost of doors | 0:38:15 | 0:38:18 | |
and joinery. | 0:38:18 | 0:38:20 | |
It's really opened up the room. You can see completely out to the garden. | 0:38:20 | 0:38:23 | |
-Just so much light, such a bright room now. -Yeah. | 0:38:23 | 0:38:26 | |
I'm really pleased with it. | 0:38:26 | 0:38:28 | |
Be amazing, hopefully, having a few barbecues, | 0:38:28 | 0:38:30 | |
and just open up the whole space here. | 0:38:30 | 0:38:32 | |
It's really nice to see the light coming from both directions. | 0:38:32 | 0:38:34 | |
That's always really nice in a room. | 0:38:34 | 0:38:37 | |
But additionally here, to get the light coming from the side, | 0:38:37 | 0:38:39 | |
really, really pleasing to see. | 0:38:39 | 0:38:41 | |
Although Mary didn't want to have two separate entrances | 0:38:43 | 0:38:46 | |
and stairwells, she has added French doors to the side, | 0:38:46 | 0:38:49 | |
which allows in even more light. | 0:38:49 | 0:38:51 | |
If you're planning an extension, roof lights above can help | 0:38:53 | 0:38:56 | |
you avoid creating a dark middle zone in your home. | 0:38:56 | 0:39:00 | |
So I guess the next step is to think how you're going to furnish it, how you're going to light it. | 0:39:00 | 0:39:04 | |
We've tried to take on a little bit of what you said. | 0:39:04 | 0:39:07 | |
I mean, we've only had the house back for a couple of days, so we've put some basics in. | 0:39:07 | 0:39:11 | |
So we've put a dining area, we've put a seating area. | 0:39:11 | 0:39:14 | |
We have gone for the statement light that you suggested over the table. | 0:39:15 | 0:39:18 | |
Probably a bit bigger than you suggested, but we like it! | 0:39:18 | 0:39:21 | |
That's great. That's lovely. | 0:39:21 | 0:39:24 | |
Using lighting, like these pendant lights over a table, is a simple way | 0:39:24 | 0:39:27 | |
to define different zones within a space that needn't be expensive. | 0:39:27 | 0:39:33 | |
The kitchen was once a small, gloomy room | 0:39:33 | 0:39:35 | |
at the back of the house. | 0:39:35 | 0:39:36 | |
Now it's the central hub. | 0:39:41 | 0:39:43 | |
What you've done here is create the kitchen really as the heart of the house. | 0:39:43 | 0:39:48 | |
This kitchen would cost 12 grand on the high street, | 0:39:51 | 0:39:54 | |
but Mary got it for just six by going to a trade outlet. | 0:39:54 | 0:39:57 | |
She's used a single, light, paint colour to tie the units in | 0:39:58 | 0:40:02 | |
with the walls and furnishings, making the space feel unified and bigger. | 0:40:02 | 0:40:06 | |
No-one's on top of each other, because it's big enough. | 0:40:07 | 0:40:10 | |
It will definitely change the way we are living as a family. | 0:40:10 | 0:40:13 | |
It's so open-plan, it's nice and social, | 0:40:13 | 0:40:16 | |
but yet you've got your own little separate places to be as well. | 0:40:16 | 0:40:20 | |
Once fully furnished, | 0:40:23 | 0:40:25 | |
they'll create defined zones and pockets of interest, | 0:40:25 | 0:40:27 | |
and it will evolve into a beautiful space | 0:40:27 | 0:40:29 | |
that they can enjoy time in together and separately. | 0:40:29 | 0:40:33 | |
You know, when we talked about creating little spaces, really, | 0:40:34 | 0:40:37 | |
each of those spaces is a little collection of... | 0:40:37 | 0:40:41 | |
It's the seating, but it's also the rug, the lighting, any plants. | 0:40:41 | 0:40:45 | |
Those together make a little collection. | 0:40:45 | 0:40:47 | |
And that's going to be terrific, especially | 0:40:47 | 0:40:49 | |
when you get kind of plants in here, plants out there, | 0:40:49 | 0:40:52 | |
tables out there and a table in here. | 0:40:52 | 0:40:54 | |
You know, that kind of crossover | 0:40:54 | 0:40:56 | |
and connection between inside and outside is really, really nice. | 0:40:56 | 0:40:59 | |
I'm really happy now that you persuaded us | 0:40:59 | 0:41:01 | |
to do all these big openings. | 0:41:01 | 0:41:03 | |
I wouldn't have been brave enough to do that myself, but now that's one | 0:41:03 | 0:41:06 | |
of the things, when everyone comes in, they say about being able to see from the front to the back... | 0:41:06 | 0:41:10 | |
-OK. -And how open it all is and how modern it all looks. | 0:41:10 | 0:41:13 | |
It's completely changed, I suppose, the style of a 1950s house | 0:41:13 | 0:41:16 | |
and brought it up-to-date. | 0:41:16 | 0:41:18 | |
Great. | 0:41:18 | 0:41:19 | |
Mary has truly revived this forgotten home. | 0:41:24 | 0:41:26 | |
She was determined to remain mortgage-free moving forward, | 0:41:26 | 0:41:30 | |
so has this build come in on budget? | 0:41:30 | 0:41:32 | |
OK, so, Mary, how's it going? | 0:41:32 | 0:41:34 | |
Because I know you had a very tight budget at the outset. | 0:41:34 | 0:41:37 | |
And you changed things during the build, which is | 0:41:37 | 0:41:40 | |
-always very dangerous. -I think we're about £68,000. | 0:41:40 | 0:41:44 | |
The glazing's probably the majority of our overspend, | 0:41:44 | 0:41:46 | |
but I think that's made the difference to the project. | 0:41:46 | 0:41:49 | |
-And I'm still mortgage-free, which is the most important thing. -I think you've done really well. | 0:41:49 | 0:41:53 | |
I mean, it's a difficult challenge you set down, | 0:41:53 | 0:41:55 | |
about how two adults can live together and have their own space. | 0:41:55 | 0:41:58 | |
Lots of people are going to be faced with that same challenge. | 0:41:58 | 0:42:01 | |
And OK, we threw out some fairly radical ideas about giving you your | 0:42:01 | 0:42:06 | |
own front doors, and that may not work here, but I'm just | 0:42:06 | 0:42:10 | |
really glad that you've been able to take useful things for this space. | 0:42:10 | 0:42:14 | |
You pushed our boundaries, and we did extend them out, | 0:42:14 | 0:42:17 | |
but not quite as far as yours! | 0:42:17 | 0:42:19 | |
THEY LAUGH | 0:42:19 | 0:42:22 | |
-I'm really pleased with the outcome of it all. -Lovely, Mary. | 0:42:22 | 0:42:24 | |
Absolutely gorgeous. | 0:42:24 | 0:42:26 | |
I think it's the job of an architect to be challenging, | 0:42:26 | 0:42:28 | |
to throw out wild suggestions, to really push people, and I'm really, | 0:42:28 | 0:42:32 | |
really glad that Mary's enthusiastic and really chuffed about the space. | 0:42:32 | 0:42:37 | |
That's lovely to see. | 0:42:37 | 0:42:38 | |
-So I've left it white in here. -CHAMPAGNE CORK POPS | 0:42:38 | 0:42:40 | |
-Oh! -Ooh! | 0:42:40 | 0:42:43 | |
All over my new furniture. | 0:42:45 | 0:42:47 | |
So many houses are just really collections of little rooms | 0:42:47 | 0:42:50 | |
connected by a corridor, | 0:42:50 | 0:42:52 | |
and that just doesn't really match the way a lot of us live. | 0:42:52 | 0:42:54 | |
But I think it's nice to know that you can create spaces | 0:42:54 | 0:42:57 | |
quite easily that would really kind of transform your life | 0:42:57 | 0:43:01 | |
and the way that you live with your family. | 0:43:01 | 0:43:03 | |
I think that's really positive. | 0:43:03 | 0:43:05 | |
In Kingston, the platform beds are finally taking shape. | 0:43:16 | 0:43:20 | |
But they've spent nearly all of their 30K budget, | 0:43:22 | 0:43:24 | |
and there's a lot more work left to do. | 0:43:24 | 0:43:26 | |
You've got the rest of the... The table's going to collapse! | 0:43:28 | 0:43:30 | |
You two are being very silly. | 0:43:30 | 0:43:32 | |
With Skye, Matt and their five children | 0:43:32 | 0:43:34 | |
still surviving in just two rooms... | 0:43:34 | 0:43:36 | |
-Right, can we stop being silly, please? -Being silly. | 0:43:40 | 0:43:43 | |
With our allocation of money now in our pot, we've got to still | 0:43:44 | 0:43:49 | |
pay for electrics, plumbing and the rest of the bills. | 0:43:49 | 0:43:53 | |
After that, we've only got a few hundred left, so we've had to | 0:43:53 | 0:43:57 | |
prioritise on part of the build, | 0:43:57 | 0:43:59 | |
and we won't unfortunately be able to move the bathroom up. | 0:43:59 | 0:44:03 | |
She's desperate just to finish and get her family settled in. | 0:44:05 | 0:44:08 | |
So I understand why she's reluctant | 0:44:09 | 0:44:11 | |
to lose her one working bathroom downstairs. | 0:44:11 | 0:44:14 | |
The most important thing to get this house to work is the way the spaces | 0:44:17 | 0:44:22 | |
knit together, and at the moment, the bathroom is downstairs, | 0:44:22 | 0:44:25 | |
cutting the circulation in half, | 0:44:25 | 0:44:28 | |
and it means that in the middle of the night, children would have | 0:44:28 | 0:44:31 | |
to go downstairs, across the living areas, through the kitchen, | 0:44:31 | 0:44:34 | |
into the bathroom. So getting the bathroom here where it needs to | 0:44:34 | 0:44:38 | |
is just the biggest priority. | 0:44:38 | 0:44:41 | |
Relocating the bathroom upstairs is key to this whole project, | 0:44:42 | 0:44:46 | |
and with the plumbing already re-routed, | 0:44:46 | 0:44:48 | |
I think this pivotal move can be achieved with limited upheaval. | 0:44:48 | 0:44:51 | |
Making that a living space rather than a bathroom is important, | 0:44:51 | 0:44:54 | |
-isn't it? -Yes, yes, it is. | 0:44:54 | 0:44:56 | |
But we're just running out of money, | 0:44:56 | 0:44:59 | |
so we're looking at what priorities we have. | 0:44:59 | 0:45:02 | |
Just taking the bathroom fittings out and capping them | 0:45:02 | 0:45:04 | |
is a couple of hours of Roly's time, and then you can move all this other | 0:45:04 | 0:45:09 | |
junk in there and carry on using this, and have a bathroom upstairs. | 0:45:09 | 0:45:13 | |
How about I, today, help you take those fittings out, | 0:45:13 | 0:45:16 | |
put them upstairs, see how it looks? | 0:45:16 | 0:45:19 | |
OK! If you want, yeah. | 0:45:19 | 0:45:20 | |
-Shall we do that? -Yeah. -Are you up for it? -Yeah, definitely. -OK. | 0:45:20 | 0:45:24 | |
It's a cheap and simple solution. | 0:45:26 | 0:45:28 | |
Recycling the bath will save Skye at least £70, | 0:45:28 | 0:45:32 | |
and the only cost in moving it upstairs | 0:45:32 | 0:45:33 | |
is the time taken for Roly to plumb it in. | 0:45:33 | 0:45:36 | |
And while Roly gets to work, | 0:45:41 | 0:45:43 | |
I want to find a way to add some much-needed interior finish | 0:45:43 | 0:45:46 | |
that won't affect their already stretched budget. | 0:45:46 | 0:45:48 | |
I need to find something for free, so I'm going to go to | 0:45:50 | 0:45:53 | |
a glazier's and see if I can get some off-cuts from a skip or a bin | 0:45:53 | 0:45:57 | |
that they can give us for nothing and see | 0:45:57 | 0:45:59 | |
if we can make something beautiful out of those off-cuts. | 0:45:59 | 0:46:03 | |
It's always worth asking local fabricators and merchants | 0:46:05 | 0:46:08 | |
for off-cuts like these that would otherwise be thrown out. | 0:46:08 | 0:46:11 | |
It can be a cheap, or even free, way to source materials for your home. | 0:46:11 | 0:46:16 | |
So what I've asked him to do is keep all the off-cuts for a week, | 0:46:16 | 0:46:19 | |
and then you can go in and get them for nothing. | 0:46:19 | 0:46:22 | |
So the edges need grinding. So that's the bit you need to pay for. | 0:46:22 | 0:46:25 | |
And I think it's £7 a metre to get it done, or something. | 0:46:25 | 0:46:29 | |
So I could take some of this and then go back to them | 0:46:29 | 0:46:31 | |
and say, "Can you make this safe for me?" and they'll do that? | 0:46:31 | 0:46:35 | |
Absolutely. I would really like to try and fill | 0:46:35 | 0:46:39 | |
from floor to ceiling with off-cuts. | 0:46:39 | 0:46:42 | |
-It will really increase the sense of space. -Is that something that I can do? -Absolutely. | 0:46:42 | 0:46:47 | |
I mean, these are small, lightweight pieces of glass, | 0:46:47 | 0:46:49 | |
and all you do is squirt on the back some mirror adhesive | 0:46:49 | 0:46:53 | |
and then put them on the wall. | 0:46:53 | 0:46:54 | |
I think it would be really beautiful to paint this wall | 0:46:54 | 0:47:00 | |
a beautiful colour before you put the mirror on. | 0:47:00 | 0:47:02 | |
-I like the randomness of the mirrors. -Craziness. | 0:47:02 | 0:47:06 | |
Craziness. Like our family. | 0:47:06 | 0:47:08 | |
Within just a few hours, | 0:47:13 | 0:47:14 | |
Skye and Matt have a working bathroom | 0:47:14 | 0:47:16 | |
and a vision for how to complete it. | 0:47:16 | 0:47:18 | |
Ooh! Wahey! | 0:47:20 | 0:47:22 | |
I'm pleased to have stopped them throwing away this vital move, | 0:47:24 | 0:47:28 | |
but there's still a long way to go. | 0:47:28 | 0:47:29 | |
With the structural work completed, the race is now on | 0:47:41 | 0:47:44 | |
to get family life back to normal. | 0:47:44 | 0:47:46 | |
But it's a mammoth task, and they're working in chaos. | 0:47:46 | 0:47:50 | |
It is a bit of as jigsaw puzzle. In terms of, we have to sort of move everyone into one room while | 0:47:50 | 0:47:54 | |
we work on another room, then move them all out of that room | 0:47:54 | 0:47:57 | |
back into the first room so we can work on the second room. | 0:47:57 | 0:48:00 | |
Yeah, does make it quite complicated, | 0:48:00 | 0:48:01 | |
and, you know, certainly slows down the work that you're doing. | 0:48:01 | 0:48:06 | |
The focus turns to the finishing touches. | 0:48:06 | 0:48:09 | |
-Is that comfortable, or do you want it higher? -Perfect. | 0:48:09 | 0:48:12 | |
The couple are keen to use colours | 0:48:12 | 0:48:13 | |
that give each room a sense of individuality. | 0:48:13 | 0:48:17 | |
Last night was a one o'clock one. | 0:48:17 | 0:48:20 | |
The kids have been sharing a room for eight months, | 0:48:20 | 0:48:23 | |
and they can see it coming together, | 0:48:23 | 0:48:25 | |
so I think their patience is running very thin with each other. | 0:48:25 | 0:48:28 | |
So Matt and I are quite conscious that | 0:48:29 | 0:48:31 | |
if we get things in place, then we can move them into their rooms. | 0:48:31 | 0:48:34 | |
And maybe they won't, er... | 0:48:34 | 0:48:36 | |
..kill each other in the meantime. | 0:48:38 | 0:48:41 | |
Got about 80 minutes, I think, once that film's finished, | 0:48:41 | 0:48:45 | |
and then...back downstairs. | 0:48:45 | 0:48:49 | |
With the stairwell for the loft bed being constructed, | 0:48:52 | 0:48:54 | |
the space upstairs will finally be unlocked. | 0:48:54 | 0:48:57 | |
But with every room in need of work and redecoration, | 0:48:58 | 0:49:01 | |
the end is still a long way off. | 0:49:01 | 0:49:03 | |
It's been almost three months since I last caught up with Skye and Matt. | 0:49:12 | 0:49:16 | |
I can't wait to see if this family are finally able | 0:49:18 | 0:49:20 | |
to live in their home. | 0:49:20 | 0:49:22 | |
Like people all over the country, | 0:49:23 | 0:49:25 | |
they bought the best house they could afford in an expensive area. | 0:49:25 | 0:49:29 | |
It fell far short of their needs, | 0:49:30 | 0:49:32 | |
and I had my biggest challenge of helping them turn this house | 0:49:32 | 0:49:36 | |
into something that was suitable for their family of seven. | 0:49:36 | 0:49:40 | |
When Skye and Matt bought this house, | 0:49:44 | 0:49:46 | |
the problems began right from the front door. | 0:49:46 | 0:49:48 | |
The ground floor was a cramped set of rooms, | 0:49:50 | 0:49:52 | |
narrowing into the only bathroom at the rear. | 0:49:52 | 0:49:55 | |
Wow, look at this! | 0:49:57 | 0:49:58 | |
This is fantastic! | 0:50:02 | 0:50:03 | |
The house is still very much a work in progress, | 0:50:05 | 0:50:08 | |
but the spaces are starting to flow. | 0:50:08 | 0:50:10 | |
By adding a hallway and extending into the old lean-to, | 0:50:11 | 0:50:14 | |
the entire floor now feels open and spacious | 0:50:14 | 0:50:17 | |
and fit for this large family. | 0:50:17 | 0:50:19 | |
-What a difference just one metre makes. -It's got rid of the | 0:50:20 | 0:50:24 | |
bottleneck that we had here, so this has been fantastic. | 0:50:24 | 0:50:28 | |
Because there's no door here, because this floor runs through, | 0:50:28 | 0:50:31 | |
and critically, because you've put these roof lights in, the whole | 0:50:31 | 0:50:35 | |
thing feels like you're coming into a really spacious house. How does | 0:50:35 | 0:50:39 | |
this make you feel now when you come in? | 0:50:39 | 0:50:41 | |
It's know, you know, a great space that we can use for bringing up the | 0:50:41 | 0:50:45 | |
family, really, which it certainly wasn't when we first bought it. | 0:50:45 | 0:50:48 | |
Skye and Matt used two colours across the ground floor, white for | 0:50:51 | 0:50:54 | |
the walls and red for the floor. | 0:50:54 | 0:50:56 | |
This simple trick is one way you can unify your space and help it | 0:50:56 | 0:51:00 | |
feel bigger than it actually is, for the cost of just a tin of paint. | 0:51:00 | 0:51:03 | |
I mean, I think what's great is that this is still a small house, | 0:51:03 | 0:51:08 | |
yet this feels appropriate for a big family. | 0:51:08 | 0:51:10 | |
I mean, that's what's wonderful. | 0:51:10 | 0:51:12 | |
And it doesn't feel mean, doesn't feel cramped, doesn't feel pinched. | 0:51:12 | 0:51:15 | |
But the actual square footage is still relatively modest. | 0:51:15 | 0:51:20 | |
It's great seeing right the way through these windows into the garden. | 0:51:20 | 0:51:23 | |
What's it like being together now as a family in here, | 0:51:25 | 0:51:28 | |
eating at this table? | 0:51:28 | 0:51:30 | |
Well, the kids love eating here and doing their homework, and I can | 0:51:30 | 0:51:34 | |
keep an eye on them with the baby, and just sitting as a family, | 0:51:34 | 0:51:38 | |
and we never really had that space before. | 0:51:38 | 0:51:40 | |
It makes such a big difference. | 0:51:40 | 0:51:42 | |
The kitchen was once a confined space, | 0:51:45 | 0:51:47 | |
shut off at back of the house. | 0:51:47 | 0:51:49 | |
Now with the interior wall and chimney removed, it spans out, | 0:51:53 | 0:51:56 | |
becoming the heart of the home. | 0:51:56 | 0:51:58 | |
There's so much space. I mean, you must be delighted with this. | 0:52:00 | 0:52:04 | |
I absolutely love this. This is my area, my little treasure. | 0:52:04 | 0:52:08 | |
This is a standard kitchen that you've dressed up with | 0:52:08 | 0:52:12 | |
stainless steel handles and a stainless steel top. | 0:52:12 | 0:52:14 | |
-Yes, yes. -So this was the bottom of the range. | 0:52:14 | 0:52:17 | |
We didn't want anything too fancy, | 0:52:17 | 0:52:19 | |
but we wanted to just add a little element of individuality. | 0:52:19 | 0:52:23 | |
Buying basic units but spending a little more on the detailing | 0:52:26 | 0:52:29 | |
is a great way to make the most of your budget. | 0:52:29 | 0:52:32 | |
You could also use this idea to update a tired kitchen | 0:52:32 | 0:52:35 | |
you already have without the expense of replacing the entire suite. | 0:52:35 | 0:52:39 | |
It's really worked out well, that we've got this big, long space, | 0:52:40 | 0:52:43 | |
so we can all really be working in the kitchen at the same time. | 0:52:43 | 0:52:46 | |
It's really made a big difference to the family life for us. | 0:52:46 | 0:52:49 | |
With plenty of work still to do here, | 0:52:52 | 0:52:54 | |
Skye and Matt have made the most of their budget, | 0:52:54 | 0:52:56 | |
painting bare brick and temporarily transforming | 0:52:56 | 0:52:58 | |
the unfinished look into their decorative theme. | 0:52:58 | 0:53:02 | |
You've done exactly the right thing, because you've got all the | 0:53:02 | 0:53:05 | |
spaces right, and you've left them purposely a bit raw | 0:53:05 | 0:53:08 | |
because you've spent the money just getting the spaces where they need | 0:53:08 | 0:53:12 | |
to be, and over time, you can do all sorts of things like add the | 0:53:12 | 0:53:15 | |
bi-folds, and you can sort out the other rooms on the ground | 0:53:15 | 0:53:18 | |
floor that are still up for grabs. | 0:53:18 | 0:53:20 | |
But what I really want to see now is how you've packed the kids in upstairs. | 0:53:20 | 0:53:25 | |
-Can we go and have a look? -Of course. | 0:53:25 | 0:53:27 | |
The modest three bedrooms just weren't big enough to sleep seven. | 0:53:28 | 0:53:32 | |
There's more work to do to finish off the ceilings, | 0:53:34 | 0:53:36 | |
but by following my idea for raised beds, | 0:53:36 | 0:53:39 | |
they've almost doubled their floor space, | 0:53:39 | 0:53:41 | |
without knocking out walls. | 0:53:41 | 0:53:42 | |
-This has really worked, hasn't it? -It's fantastic. | 0:53:45 | 0:53:48 | |
It's a really good use of space. | 0:53:48 | 0:53:50 | |
By making what effectively is an elaborate bunk bed. | 0:53:50 | 0:53:53 | |
Willow loves this space. | 0:53:53 | 0:53:55 | |
She goes up there... It's almost like her little castle. | 0:53:55 | 0:53:58 | |
We took a lot of effort in trying to make it special. | 0:53:58 | 0:54:01 | |
I really like how you've done this storage, | 0:54:01 | 0:54:03 | |
because it is just part of the staircase. | 0:54:03 | 0:54:05 | |
Storage can be built into any space, | 0:54:05 | 0:54:07 | |
and by using materials like MDF, this needn't be expensive. | 0:54:07 | 0:54:11 | |
Did Willow choose these colours? | 0:54:12 | 0:54:14 | |
Yes, she did choose them with a certain palette. | 0:54:14 | 0:54:17 | |
-Pink and nearly pink? -Yes, yes! | 0:54:17 | 0:54:20 | |
It's nice for her, being surrounded by a family of boys, | 0:54:20 | 0:54:23 | |
to have her girlie room. | 0:54:23 | 0:54:25 | |
Her domain, completely. | 0:54:25 | 0:54:26 | |
And rather than cram two bunks in the boys' room, | 0:54:30 | 0:54:32 | |
they've added a loft bed in here, too, | 0:54:32 | 0:54:34 | |
transforming it into a fun, vibrant and generous space. | 0:54:34 | 0:54:38 | |
Not many bedrooms would work for four boys, but actually, | 0:54:39 | 0:54:42 | |
this is more than just a dormitory, isn't it? | 0:54:42 | 0:54:44 | |
It feels like a special place. | 0:54:44 | 0:54:47 | |
Through careful talks with building control, | 0:54:47 | 0:54:49 | |
they've been able to create this small bed platform accessed by a ladder. | 0:54:49 | 0:54:54 | |
And that extra space up there, with a bit of JJ's own space, | 0:54:54 | 0:54:58 | |
I think was really important. | 0:54:58 | 0:55:00 | |
But it was moving the bathroom upstairs that was paramount | 0:55:00 | 0:55:03 | |
to solving the layout here. | 0:55:03 | 0:55:06 | |
I'm really pleased, guys, that you've done this bathroom | 0:55:06 | 0:55:09 | |
and it's finished. | 0:55:09 | 0:55:10 | |
I can't even think about how we would have worked things out with | 0:55:10 | 0:55:13 | |
the bathroom downstairs | 0:55:13 | 0:55:14 | |
and bringing the kids through the kitchen and up the stairs | 0:55:14 | 0:55:17 | |
to get ready, so this has just been a huge life-changer for us. | 0:55:17 | 0:55:22 | |
With inspiration taken from the maisonette I showed her, | 0:55:22 | 0:55:26 | |
Skye has used a strong colour here to create a feeling of luxury. | 0:55:26 | 0:55:29 | |
And if you have a small bathroom, making a feature wall with mirrors | 0:55:32 | 0:55:36 | |
is an inexpensive way to add the feeling of space and light. | 0:55:36 | 0:55:39 | |
And the scale and drama of that colour in that very small room | 0:55:40 | 0:55:44 | |
-is really successful. -And it just adds a bit of fun. | 0:55:44 | 0:55:47 | |
Skye and Matt were determined to make this house work | 0:55:48 | 0:55:50 | |
for their unconventional family. | 0:55:50 | 0:55:53 | |
What they've achieved is ingenious, | 0:55:54 | 0:55:56 | |
but has it been possible within budget? | 0:55:56 | 0:55:59 | |
Originally you told me you had about £30,000 to do all of this work. | 0:55:59 | 0:56:03 | |
But how much have you spent? | 0:56:03 | 0:56:05 | |
So, all in all, we spent about £50,000 in total. | 0:56:05 | 0:56:09 | |
So the basic build of the structure came in for the 30,000. | 0:56:09 | 0:56:15 | |
But there were a number of things that maybe we didn't factor in. | 0:56:15 | 0:56:18 | |
We had to rewire the house, that added a few thousand pounds in. | 0:56:18 | 0:56:21 | |
And then there were other costs, storage costs, and... | 0:56:21 | 0:56:23 | |
But it's still pretty good value, because I remember telling you originally that you could spend | 0:56:23 | 0:56:27 | |
25 grand just replacing the windows and possibly doing the heating. | 0:56:27 | 0:56:32 | |
So for just twice that, you've ended up with a whole house refurb | 0:56:32 | 0:56:36 | |
and remodel. It's remarkable, really, what you've ended up with. | 0:56:36 | 0:56:39 | |
50,000, for what we've achieved, for a family space, | 0:56:39 | 0:56:44 | |
is next to nothing, for what it's given us back. | 0:56:44 | 0:56:48 | |
And I think sometimes we're so trapped in these four walls | 0:56:48 | 0:56:52 | |
that we sometimes need to take them down | 0:56:52 | 0:56:54 | |
and reassess where we live and how we live. | 0:56:54 | 0:56:57 | |
And it's almost now that we can just take that deep breath | 0:56:57 | 0:57:01 | |
and enjoy the house as it is. | 0:57:01 | 0:57:03 | |
CHILDREN LAUGH | 0:57:05 | 0:57:06 | |
-So, what do you reckon, boys? -Really good. -Do you like it? | 0:57:06 | 0:57:10 | |
-ALL: -Yeah! | 0:57:10 | 0:57:11 | |
Skye and Matt have taken a very small house | 0:57:11 | 0:57:14 | |
and they've done something remarkable. | 0:57:14 | 0:57:16 | |
Through their own inventiveness, | 0:57:16 | 0:57:18 | |
they've smuggled in a series of spaces that are truly delightful. | 0:57:18 | 0:57:23 | |
-And what's the best thing about the whole bedroom? -I get it to myself. | 0:57:23 | 0:57:27 | |
You get it to yourself. | 0:57:27 | 0:57:28 | |
They've squeezed in five kids, and they haven't just | 0:57:28 | 0:57:32 | |
squeezed them in in a way that's compromised and cramped, | 0:57:32 | 0:57:36 | |
they've squeezed them in in a way that's truly delightful | 0:57:36 | 0:57:39 | |
and special, and a fantastic model for all of us to show that we don't | 0:57:39 | 0:57:44 | |
all need endless space, we just need inventive and good quality space. | 0:57:44 | 0:57:48 | |
There's a loot of mouths around here to feed! | 0:57:48 | 0:57:51 | |
Welcome to my world! | 0:57:51 | 0:57:52 | |
HE LAUGHS | 0:57:52 | 0:57:54 | |
Next time, | 0:57:55 | 0:57:56 | |
the family home that's cramped and chaotic. | 0:57:56 | 0:57:59 | |
It's just a bit of a hellhole out there, to be honest with you. | 0:57:59 | 0:58:02 | |
And an incredible idea that unlocks hidden space. | 0:58:02 | 0:58:06 | |
Oh, wow. You don't really expect to see that halfway up the stairs. | 0:58:06 | 0:58:09 | |
How to take your forgotten basement to another level. | 0:58:09 | 0:58:12 | |
-I think that would be really beautiful in your house. -Yeah. | 0:58:12 | 0:58:15 | |
But will DIY turn to DI don't? | 0:58:15 | 0:58:18 | |
I think I'll ring my builder and let him know that my house is falling down. | 0:58:18 | 0:58:22 |